#black queer theatre

[thequeereview]

Bob the Drag Queen to host Big, Black & Queer Night at A Strange Loop on Broadway

Bob the Drag Queen to host Big, Black & Queer Night at A Strange Loop on Broadway

This Thursday, October 27th, Bob the Drag Queen will host a Big, Black and Queer Night at Michael R. Jackson’s Tony Award-winning Best Musical A Strange Loop on Broadway. The event, which offers a special welcome to Black and queer theatregoers, takes place this LGBTQ+ History Month to celebrate the Pulitzer Prize-winning show breaking new ground for Black and LGBTQ+ representation on Broadway.…

[kings-paintbrush]

”The Curtain Falls”

And so do I.

@fun-k-boards @acidthecorvid @randybutternubber

@ludupedia @winters-witch24 @juchily

[lichothemad]

Theatre kid sketch i did - I've been working on shading technique...

[colombinna]

The world is evil and unjust and cruel because the indie upcoming musical that's become theatre fans' darling is that mid Oddyssey musical by a white guy who's just a worse version of lin manuel miranda while we have an entire demo album for a sapphic teen musical made by a queer black man who's genuinely a musical genius that nobody talks about because people hate sapphics and people of color

Anyways listen to Little Miss Perfect the musical for some actually good indie musical stuff https://www.youtube.com/watch?v=oh1fez5wDwA

P.S.: if you come into my post to whine about me calling a white guy mid i will tell you to go fuck yourself and go to hell. The whole point is to stop paying attention to white mediocrity and instead shower with love actually good stuff made by people who aren't white guys.

[feral-teeth]

Im just thinking about that American psycho musical and how much it affected me as a person and changed who i was

Also that face he makes in the movie - i always do it like the ‘ooh’ face (it also feels like a very Canadian Jim Carrey face to make too idk it might just be my connection to it)

[kisslovegoodbye]

Christian Walker, from The Theater Project series, (c. 1983–84),

Gelatin silver print, 11 × 14 inches,

Courtesy the Leslie-Lohman Museum of Art

[commissions-yourmajesty-open]

working on a RTC Video Essay❗️❗️

the video essay will include: 2 animatics 1 storyboard to What The World Needs a feral autistic a Jane Doe Teir List autism creature infestation a plethora of drawings kermit J frog amateur iPhone filming murder kidnapping (it’s you. You’re being kidnapped)

[highkeyfire]

I am the Founder & CEO of a nonprofit theatre company dedicated to mental health awareness and Black, Asian/Pacific Islander and queer representation.

I run this organization full time. While I absolutely love it, it can be strenuous on me mentally and physically.

Today is the Big Day of Giving, a 24-hour fundraising challenge for Sacramento charities. Anything you could contribute today would provide some relief and allow me to focus more on programming and outreach. Just sharing this post means so much.

Thank you!!

[cynthias-things]

My life in the last few months

[anthonyjamessirk]

Magnolia Ballet - Phoenix Theater

[thequeereview]

Exclusive Interview: National Black Theatre's artistic director Jonathan McCrory "we all have the ability to cultivate a renaissance for our own community, for our own people, if we so choose"

For over a decade, Harlem-based artist Jonathan McCrory has served as Executive Artistic Director of the groundbreaking National Black Theatre (NBT), though he prefers the term “creative doula”. The two-time Obie-winner describes his role as enabling “unseen ideas to be birthed between the parents, which are the playwright and the director, or sometimes the playwright and the page”, McCrory…

[creatingblackcharacters]

“The Same Place as the Music” Lighting & Color

“Where is the light coming from?” “The same place as the music.” Andrew Lesnie, Cinematographer of LOTR

How & Why It's A Problem

If I had to summarize the frustration I have with this topic in one image, I'd use JeCorey Holder's (queer Black creative!) meme:

Now here's the thing. I'm not saying you have to be a master at lighting. I'm surely not. Hell, I still play around with lighting in my art in ways that aren’t the ‘most realistic’. You can’t ask me the technical explanations behind ‘color theory’ or 'contrast' without me doing some more reading. However… I don’t think anyone needs an art degree to understand this point:

We should be able to SEE your brown skinned Black characters!

I brought this up in my lessons about skin tones and blushing, and it applies with lighting as well. If all of your other characters have focused light and shadows, so should your Black characters.

However, this does NOT mean making them lighter-skinned!!!!

It's not funny nor logical at all to suggest that they somehow can't be seen like your other characters when you’re the one creating the piece. It's like a classic fifth-grade racist joke, “You blend in at night”. Har-de-har.

I was once rudely told to my face (well in the DMs) that a Black character that was completely Europeanized looked like that “because of the [sepia] lighting”. So I'm going to give you all, gracious readers, an example to show that that's not true.

This is Ana Flávia, Afro-Brazilian model! Gaze upon her beauty! Notice how in both of these filters, Ana did not, in fact, turn into a white woman! Because, my friends, that is not how that works! At all!

Here are some other examples of Black people in non-color lighting:

None of these people vanished from the frame just because there was no color. They didn't have to paint on lighter makeup to be captured by the camera. What do they all have in common (in this example)?

Lighting!

Now let’s discuss different ways to think about and potentially try instead!

What I want you all to keep in mind, is that the art you’re painting:

And I know that's silly right, like yeah no shit Ice, we knew that. BUT my point here is don’t be afraid to study photography, theatre, and staging for ideas. They actively work with light! It’s why I share so many images of models; it’s purposeful, focused staging of light with many of these compositions!

Brown-skinned Black people- brown-skinned people in general- GLOW in the light! Our skin reflects environmental light! There’s so much opportunity to play with that, and you can see different examples in those mediums.

Here are a couple articles of lighting in film focused on Black actors.

When lighting a person with dark complexion, the answer is not LIGHTENING THE SKIN, it’s understanding how light reflects off of dark skin.” -Nilah Magruder

Nilah Magruder (Black creator!) has an ENTIRE, thorough and wonderful essay on the topic, far better than I could give! She incorporates the use of cameras, lighting, painting, and more- so rather than be redundant here, I'm going to spotlight (ha see what I did there. It's okay, I know I'm funny) her and her explanation.

Incorporating Blackness in Color/Colorful Lighting

@dsm7 has an excellent and short visual explanation of how picking certain colors will lead to washing out or whitewashing Black characters, and how certain lighting and backgrounds (think the black and white photos on brighter backgrounds) will change the way their skin tone looks.

@nicosbighead has one of my favorite images on here, that shows how many different colors can still be used to convey the image of Blackness. Notice how all those pinks still worked?

@gaksdesigns has a beautiful picture here that I feel utilizes the light in a very minimal yet effective way to show highlights even on a palette that's fully brown.

This article approaches from a lighting perspective via filmmaking, but essentially Sade Ndya suggests instead of increasing the amount of light, change the color/lens of the light based on your character’s skin, as well as for the circumstances of the scene. They'll remain vibrant that way, and you’ll still capture what you need.

I know one way I do this on CSP (I think I’ve mentioned this but I can’t remember) is to use the Add Glow tool with the same or a similar shade of the character’s brown skin tone as a highlight under natural light, or maybe use different colors or filters depending on the sort of light on their skin at the time.

Here’s a reddit about it too, just because I know y’all value Reddit on here, and someone else discussed the topic that both Nilah and Sade discussed.

Is It Intentional?

There are going to be times where you intend for the light to be minimal. Maybe it’s a style choice. That should still show purposeful composition. Here’s an interview with famed Black director Ava Duvernay discussing the intentional darkness on Black actors in the prison scene in the movie Selma. To show that they're both trapped in prison AND that Martin is temporarily low on resolve- it's a part of the story that's being told.

I'm always talking about this: there is a difference between intention (and following through), and neglecting to think about it at all. And neglect isn't what we want, because often we can tell visually when it is- when an artist simply did not think to do it for one versus the rest.

Sidenote, on Youtube in the suggestions after Ava's interview, are also plenty of videos discussing lighting for dark-skin as well- why not take the chance to look?

Conclusion

We do not lack for light! We aren’t flat and lightless when you see us in life. It's actually a pretty awesome part of being brown-skinned. If you’re giving proper, flattering lighting to everyone else, give it to us as well. Study and experiment with ways to highlight brown skin.

You already know what I’m going to say. It’s going to take practice, same as anything else, because it’s the thought that counts, but the action that delivers!

[bisexualgerardway]

not enough discussion of bones and all on the website obsessed with cannibalism as intimacy and violent expressions of queerness and skinny white boys if i’m being honest .

[chiara81-4]

hey girlie!! could you do lando norris x reader pls🙏🙏🙏 i loved ur charles story and i want u to write one ab lando pls pls pls 🙏🙏 love u

a/n: hey love! of course! I've gotten a couple lando x reader requests so I will do my best to please everyone!

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forever and always - lando norris x fem!reader

warnings: fluff, brothers best friend trope, not proofread (sorry for any typos)

word count: i don't know LOL it's a lot.

——————————————————————————————————

Age 11:

you had an older brother, he was talented since he was young. your parents dumped money into his racing career at a young age, leaving you alone. when it was your 11th birthday, your family went to watch your brother kart. since then you just kind of been there, until lando came along...

Age 14:

your brother came home one day, your parents surrounding him with kisses and hugs. you rolled your eyes, turning around and going to your room. a few hours had past and you heard lively chatter fill the dining room downstairs. you were confused. did a family member come to visit? you strolled your way down, walking into the dining room to find your eyes meeting an unfamiliar pair of green eyes. you furrow your brows, confused. "honey, this is lando" your mother smiled at you. "hey," he smiled. "hi, im y/n" you nervously said.

why were you so nervous? you avoided his gaze every chance you got, you went to sit down next to your brother, who was talking to lando about some karting race they had together. until the conversation fell to a weird silence. lando spoke up "its y/n, right?" he questions. "yeah its y/n" you smile faintly at him. he continues to talk "have you seen the new (movie) yet?"

"oh no i haven't. how about you?" you queer. "me either, we should go together just, you and me." a blush crept onto your face. "i mean, um, sure."

"great, meet me outside your house at 6pm" he smiled

"dude, ew that's my sister, no way you like her." your brother disgustingly looked at him. lando rolled his eyes and continued to smile at you.

-time skip-

the clock reads 5:30pm, only half an hour until lando picks you up and you're stressing. what are you going to wear? you put some light makeup on (you can change anything about the outfit, makeup etc :)) as well as some light blue jeans and a dark blue shirt. by the time you're content with your outfit you hear a knock on your door, you rush down the stairs to find your brother at the front door.

"i'm not sure about this y/n, hes my best friend." your brother says. "oh my god shut up (brothers name), grow up." you roll your eyes and walk out the front door, closing it in his face. you're met face to face with lando. who is wearing black jeans and a white shirt.

"wow, you look really nice y/n" he smiles. you smile back, thanking him as well as complimenting his outfit.

when you arrive at the movie theatre, lando buys the tickets and snacks. you argued (playfully) over who would be paying. "lando, just let me buy the popcorn, you bought the tickets." you say "never." he argues back.

once you guys grab your popcorn and whatever else, you made your way to the theatre and sat down in your seats. "i'm really glad you agreed to join me, y/n" lando smiled. "me too" you return the smile, once the previews start, you and lando are laughing at how bad some of the upcoming movies are. "NO WAY IS SOMEONE GOING TO WATCH THAT" you cackle. lando laughed even harder at your comment, until the lights dimmed and the movie started.

about halfway through the movie, lando turned to you. your eyes were glued to the screen until you saw lando looking at you. "what?" you say. "nothing, nothing" he cheekily smiles at you. you turn your eyes back to the movie playing in front of you. until you feel lando grab your hand. you blush hard. thank god its dark in the theatre.

once the movie is over. you and lando continue to keep your fingers interlocked. until you go home.

when you arrive at your front door lando smiles at you. "thank you again for agreeing to come with me y/n. i really enjoyed it."

"thank you for inviting me, lando." you kiss his cheek. landos face turns a beet red. "see you soon." you say.

"y-yeah, see you soon." lando says, holding his cheek in the place you pecked it. you open the door and turn around to say one last goodbye.

the thing you didn't know is that you wouldn't be seeing him anytime soon after the movie date.

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stay tuned for part 2!!

[am-i-the-asshole-official]

AITA for being condescending towards an asexual kid in GSA?

🙃🏳️‍🌈 to find later

Long post so buckle up.

I (17, they/it/he) am one of three co-leaders of my school’s GSA, along with R (18, she/her) and N (17, he/him). All three of us are openly bi, and I’m also openly trans and (most importantly) very loudly aromantic. We’re all in 12th grade now but we were leaders last year (in 11th grade) too. The school/GSA is small enough that all four grades (9–12, so around 13–18 years old) are in the same GSA, there’s no separate upper grade and lower grade groups. We also have two advisors, both cis queer teachers; and some younger queer faculty members also join sometimes for formal events. We take turns running events during club time, such as fun crafts or watching music videos. Sometimes we also do educational stuff or documentaries, including having teachers come in to facilitate discussions.

I’ve been planning (since early December) to run a two part series of discussions about asexuality and aromanticism (separate discussions of each). I really just wanted to do one day about aromanticism, but R said that if I did that, people would derail it and just talk about asexuality anyways, which both N and our advisors also agreed made sense. So, it’s two days, and the asexuality one is first so that the aromanticism one can be closer to Aromantic Spectrum Awareness Week (ASAW).

There’s a girl in GSA, let’s call her A (16, she/her), who’s in 11th grade. She’s very socially awkward and if someone points out that she’s accidentally said something rude or offensive she’ll make a big deal out of not knowing and generally derail the conversation. Also, two years ago A made a ton of “jokes” about me and my little sibling (16MtF) being “secretly dating.” When I asked her (politely at first) to stop, she said she was just joking around, and kept doing it. I asked her again and also asked the theatre teacher and school counselor for help, and eventually she did stop. But A kept following me around and trying to be friends with me, and I was super uncomfortable to the point that I asked the school counselor to facilitate a conversation between A and I so that I could ask her to fucking stop. It somewhat worked. Now she still keeps trying to start conversations with me in the hallways and such, but I just brush her off or ignore her.

The one place I can’t do that is during GSA. Since I’m a leader, I have to be civil to everyone and actually talk to people (R, N, and I set norms at the start of the year during our planning meetings). A is asexual but not aromantic, and today she showed up like 5 minutes into lunch (cafeteria lines are annoying) and loudly asked if she was late. We weren’t doing anything in GSA today, just chilling. At some point during the meeting I announced casually that next week we’d be discussing asexuality, and then the week after that we’d talk about aromanticism, which leads nicely into ASAW during February break. When I said this, A immediately said that she would be extra ace that week [during ASAW]. I was like, “during aromantic spectrum awareness week?!?!” in the same tone of that “during pride month?!?!” meme. She looked like someone had just given her an F on the most important test of the year and said she hadn’t known.

I also made a comment about how there’s way more openly aspec people at our school than at most schools, and N said that maybe the presence of role models is part of that (clear subtext: he was referring to me). I said pretty loudly (more people could hear) that it was kinda funny that I’m the “ace role model” when I’m literally not asexual. A looked super lost and confused at this, and I think she might’ve thought I was ace, even though I’m super open about not being ace, and have told her directly more than once.

Here’s where the potential assholery comes into play. There’s an ad for PrEP that was fairly common on the back covers of theatre playbills in the past year. The ad shows a Black man dressed in ripped leggings with fishnets, shiny knee-length heeled leather boots, and some sort of white leather harness, doing a bridge pose with one leg extended upwards so that the “r” in PrEP is resting on the sole of the boot. The ad has a bright red background and text that says “you cast of PrEP options is changing” along with a small QR code and website link. The pose is somewhat provocative, but not out of place on a playbill for an all-ages show.

During GSA, A was saying that she thought the ad was bad, because of the leather being “fetish gear” and “weird” (basically the same arguments people use to say that gay people shouldn’t be allowed in public). I told A that there’s nothing wrong with someone wearing leather, and she said that “it’s fetish gear and that’s disgusting and degenerate and just bad advertising!”

I explained calmly, like I would to a child (although I probably wouldn’t talk about this topic with a child), that PrEP is a medicine that people take if they anticipate having sex with someone who’s HIV-positive, so it’s okay that the ad is somewhat suggestive. She seemed to accept that, but still said that the leather was weird, and the ad should’ve shown “a diverse group of people getting pills at a pharmacy” instead, because “fetish gear” was too much.

I asked if she thought that all leather clothing was inherently fetishistic, to which A said yes, and then I asked, “do you know that people can’t just choose fetishes?”

She hadn’t known that, but she still said the ad was too sexual. I pointed out that it was a fairly well-targeted advertisement, using theatre references, but maybe A was not part of the target demographic. I also said that sometimes outfits are just hot without there needing to be any fetishes involved, which she didn’t refute, and that even if it was a fetish, that wouldn’t make it inherently “bad” or “degenerate” at all.

A said that she still didn’t like it, and I told her that she was entitled to have whatever feelings she wanted to have, but that doesn’t mean the advertisement itself is a problem.

Another person (17, he/him) called out “[OP], what do you think about kink at pride?” in a sort of nonchalant way, so I walked over while saying “i’m pro–kink at pride.” The conversation eventually moved in other directions, and then club ended and we had to go to our next classes.

TL;DR: given my position of power and responsibility as a GSA leader, AITA for being kinda condescending towards an ace person who’s 2 years younger than me because she was being very sex-negative about an ad for PrEP?

What are these acronyms?

[torpublishinggroup]

Check out Will Do Magic for Small Change by Andrea Hairston for an introspective historical fantasy full alien science and earthbound magic!

Letter from the author below the readmore 📚🖊️

Will Do Magic For Small Change is about theatre, physics, and bold girls...

who want to live and love out loud and on stage when folks would rather they fade to black!

I teach college theatre, and my students have for forty years complained about the play selection and casting process that cuts them out of possibilities. They were too fat, too black, brown, Asian, or queer, so directors never cast them, never looked for plays that featured roles for them, never offered stories of their lives to our community. They were too something to be worthy of art. I brought this long history up (for the nth time) in a faculty meeting twelve years ago and someone yelled at me, history doesn’t matter—as if there was just one history and we all knew it and it was gone anyway. Maybe those students couldn’t act and that’s why they never got cast. They were mediocre and wanted to hide behind being fat, brown, Asian, or queer! We could all be mediocre, but some folks go into audition knowing that they are who the director / playwright / producer has in mind and others have to wonder, can they see me as a full human being. Would an audience? And if nobody believes your story on stage, what does that mean for folks believing in your life? So I decided to write about Cinnamon Jones and her friends and their search for who to be in a world that can’t see them.

I’d been reading all I could about Dahomean warrior women who supposedly made an appearance at the Columbian World Exposition in Chicago. Newspaper reports from 1893 characterized the performers in the Dahomey village exhibit as 'horrifying,' 'supremely hideous,' and 'a barbaric spectacle.' Photos featured bare-breasted women with hatchets and knives looking bored. No one interviewed the women. No one asked them to tell their stories. In my previous novel, Redwood and Wildfire, the main characters run into Dahomean warrior women strolling the fairgrounds in colorful headdresses, pounds of beaded jewelry, and woven fabrics that dance in the wind. I asked myself, who are these women? In Will Do Magic a story-gathering alien lands in Dahomey, comes to know the world starting with Dahomey as normal. The story the alien tells on the warrior women might not be the story they’d tell on themselves, but it offers Cinnamon a history to inspire her future.

— Andrea Hairston