#blogging without tags

[jessicameleon]

it would be so cool if people tagged the things i don't wanna see so i wouldn't have to see them since they would be under my blocked tags but because they're untagged then i have to see them anyway because they're not tagged appropriately the op decided they didn't want to tag their post so that when me, someone who doesn't want to see it, sees it come on my dash i do have to see it rather than it being blocked thanks to the blocked tag feature this website has so that you don't have to see things you don't want to see causing me to see it because it relies on other people tagging the things i have blocked in order for me to not see it

[reineydraws]

i dont have a caption for you lol i'll let shanks's heart eyes speak for themselves 🫶

(source)

[neoheros]

the miya household is always the go-to household for all kinds of celebrations alike. you name it: birthdays, anniversaries, friday night dinners – check, check, check.

atsumu has always grown up in a home where his mom would host the parties for all her grown-up friends, and he’d always be the type of teenager to hide away in his room until the last of the guests finally leave.

it was a silly thing to do looking back on it now, but that was the old miya household.

in the new miya household (population: you and your husband), the two of you can’t just hide away in your broom closet until the last of the guests leave — it is your apartment after all.

at first, it was the big things: msby jackal’s celebration of their first tournament win (where hinata broke a window because he claims bokuto pushed him into it) or akaashi’s job promotion party (where the champagne bottle was so unfortunately aimed that when the corkscrew came flying, it hit the other non-broken window).

two broken windows later, it eventually died down to the little things: small get-togethers, a friend too intoxicated to drive needing a place to stay, or one of your favorites: friday night dinners.

“we’re home!”

there’s the sound of shuffling keys and shoes being taken off at the doorway, rustling of brown paper bags and footsteps.

you pop your head out from the kitchen and it isn’t a surprise at all to you when you see all four of your best friends (one being your husband) standing by your door way, all adorned with cheeky smiles and chinese takeout.

you call to them, “coats here, everybody!”

hinata goes over to you first, still as sweet as ever, and gives you a tight embrace (the same one he gives you every friday night), and you take his coat with a light smile on your face.

bokuto gives you his coat next, paired with an embrace of his own, your smile widens as you immediately recognize the coat you bought him for christmas last year, well and taken care of.

sakusa isn’t wearing a coat or a jacket tonight but still, he approaches you next to the coat stand anyway, and he embraces you just for seeing you again tonight, saying “thank you for having us”.

when you married atsumu, you didn’t realize you weren’t only marrying into his family, but his friends as well.

“you guys just missed samu, he dropped by for a weekly restock.” you tell them, pointing to the plastic bag on the table filled to the brim with the onigiri you’ve learned to love so much.

shoyo plops down on his usual spot on the sofa, “man, i wish onigiri miya personally delivered to my house too.”

“not to mention free of charge.” you add – proud.

he sinks deeper into his seat, “that’s just not fair.”

you seat farthest from tv, on the edge of the table and by the armrest, a seat empty next to yours as you wait for your husband.

“sorry sho,” you shrug, not sorry at all, smug smile on your face and you say, “it’s simply the perks of having the owner of onigiri miya as your brother.”

“that is such a lie.” atsumu rolls his eyes, and he takes his assigned seat next to you, hand immediately finding yours once he gets close enough. “i am also his brother — twin, even! — and i do not get half as much the perks you get.”

“well.” sakusa sits across from you, “i can understand that.”

and bokuto, in between sakusa and hinata, nods, “yep.”

“i can’t believe i’m getting bullied in my own damn home.” atsumu grumbles, and he stabs his broccoli on his plate with a fork.

you tease him, “you can’t?”

the rest of the evening feels warm. the windows are open to let in the fresh air of the streets of japan, the hustling and bustling of the bypassers outside your apartment building easily drowned out by the warm conversation shared in the warm flat.

( “no more hoisin sauce?” bokuto asks, digging around the stack of empty paperbags, fork in his mouth as he talks.

sakusa replies, barely looking up from the movie on the tv set, “sorry, finished it.”

and bokuto says, casually, “i’ll bring some over tomorrow. you guys need a restock anyway.” )

the five of you, sat down on the living room in front of the television, sharing mindlessly stories about your day, laughter and insults and compliments shared as food is passed around.

atsumu takes the red peppers from your dish as you laugh at something hinata says, he remembers - always - red peppers make you sneeze, so it goes unsaid that he takes them.

he does this so often that sometimes he doesn’t even realize it. he does this so often that he’s probably done it over a hundred times by now — like it’s part of him, like a habit.

you take some of your chow mein and place it on his plate, he doesn’t ask you for any, but you give him some anyway. you don’t even look at him as you do so, like it’s completely second nature for your hand to give him some of his favorite noodles and you don’t even have to think about it — like it’s part of you, like a habit.

“so, what time’s the game tomorrow?” you ask, and suddenly he’s out of his thoughts and back on the living room couch.

hinata looks to you, excited, “are you coming? it’s been so long since you last came to watch us.”

“well, depends on the time,” you tell them, “i’ve got a study group tomorrow in the morning.”

“study group?”

“i know right,” your shoulders fall, “our gen chem professor had us divided into study groups so we could easily catch up on her lessons.”

atsumu shrugs, “so? ditch ‘em.”

“i wish.” you sigh, “they’re the kind of people i just know wouldn’t have let me sit with them at the lunch table in high school.”

“oh, i know those people.” shoyo shakes his head, “had those people everywhere i went in junior high.”

you look at atsumu, “but you probably could have sat with them, you’ve got an aura like that — like you could be cool — but you’re not.”

that makes him roll his eyes, “who’s not cool? i am the coolest one in this table — and for yer information, i wouldn’t sit at any table ya weren’t welcome at.”

(sakusa nods at you, and bokuto says, “same here!” and hinata says, “me too!”)

“matter of fact,” you husband, offended at your doubt for him, continues, “i would flip that goddamn table.”

(and sakusa nods again, and bokuto says, “yup!” and hinata says, “definitely!)

your face feels warm, and you feel stupid for even bringing it up.

“you guys are silly.” you’re not as loud as earlier, but still, you say, “thanks.” and you bite back a smile.

“so…” shoyo grins at you, “ditch ‘em?”

“ditch ‘em!” bokuto repeats.

and for a second all of you look at sakusa, his turn to speak apparently, and he sighs, defeated, shoulders falling and he relents, and says, “fine. ditch ‘em.”

the three other guys cheer loudly and you roll your eyes.

“well, that makes four of us.” atsumu tells you, proud, “you’re outnumbered, honey.”

“fine.” you’re defeated, “i’ll ditch ‘em and come watch you guys play.” and the table erupts in cheers again, and you feel your heart become so full.

atsumu kisses your cheek and you swat him away.

“i’ll text natsu that you’re coming, she’s been pestering me over and over again when you’ll come next,” shoyo tells you, bright smile on his face.

bokuto nods, “i gotta tell akaashi too, maybe we can get everyone there like a reunion or something!”

and this makes you laugh, because, “you guys are acting like i haven’t come to watch you guys play in forever.”

and sakusa tells you, “it has been forever.”

“well, i guess a reunion or something would be kinda nice? we can have everyone come back here, bring out a few drinks.” you think out loud, relenting to the pleas of your oldest friends, and you can’t hold back a smile even if you wanted to.

“if anyone breaks a goddamn window in my home, everyone is getting charged the repair bill.”

the night ends quicker than you want it to, suddenly it’s 10 pm and the warm night starts to get colder.

“thank you for dinner, miyas.” bokuto tells you, grinning ear to ear as you walk him to the doorway, a barrage of shoes laid out on the floor, reminding you what a full house you have tonight.

you hand him his coat and his hat, and he embraces you tightly, one that you will never not return.

hinata comes up to you next, “thank you for dinner and please please please come tomorrow.”

“yes sho, i will be there.” you tell him lightly, and he embraces you as well (the same one he gives you every friday night).

the last to come up to you is sakusa, his hands already in his pockets, eyes tired and all. he doesn’t have a coat or a jacket, but he comes up to you anyway.

“thank you for having us.” he tells you, like he always does, and he gives you a short kiss on your right temple, like he always does, “it’s good to see you.”

you pat his arm, “you say that every friday night, omi.”

“what? no kiss for me?” atsumu calls from the side, arms crossed over his chest.

and sakusa replies, eyes narrowing, “never.”

(they have this conversation every single friday night.)

and just like that, all three of your guests for the night have left, leaving behind only two pairs of shoes left by the doorway — yours and your husband’s.

atsumu makes his way to you, his arms finding your waist immediately as he pulls you into his embrace, hugging you like it’s all he’s ever done correctly.

the apartment is quiet now with just you and him, and he loves this as much as he loves you.

“finally,” he tells you, smiling wantonly, “just us two.”

you smile back at him, “we have so many kids.”

and he nods, “even more tomorrow.”

your apartment, your home, it isn’t anything impressive, really. it’s not big or expensive or fancy, but for some reason, it’s always been the go-to place for everyone to have drinks at, for dinners to be shared, for windows to be broken.

“you really okay with that? the reunion thing here?” your husband asks you, his tone gentle, “its okay if you’re not, we can just cancel on ‘em. have the night to ourselves.”

you raise a brow, teasing, “and do what exactly?”

atsumu gives you a knowing grin, “i’ve got a list in mind.”

you laugh, “i bet you do.”

he comes closer to your face, “i can cross one off on it right now.”

and he kisses you then, the same way he does every single day of his life, the same way he plans to for a million years more.

you feel his smile melting into his kisses.

then he pulls away, smiling at you, voice gentle, cheeks pink, and heart full, “thank you for dinner, miya.”

you laugh again, and with the same amount of gentleness, you say back, “thank you for dinner, miya.”

atsumu knows you could never be unloved by him — you are too tangled in his mind, in his soul that you might as well take his heart entirely — it’s already full of you anyway, it has been since the day he’s met you.

“and no, we are not cancelling on them.” you tell him, pulling away, “i miss our friends and i know you do too.”

he tells you, “fine.” and he pulls you back in, nose close to yours, wide grin on his face as he takes you.

he wants to kiss you again, but to be fair, he wants to do that all of the time.

you give him a smile, “i’ll let you cross another thing off that list of yours if you do the dishes.”

and he groans, “you know omi already did them.”

“man, we have got to get lazier friends.”

“well, we can always call that study group of yours.”

(the two of you say friends, but it feels a whole lot more like family.)

together you and atsumu create a home filled with flowers, kindness, cozy pillows, and loud music. in your halls there is rest, good sex, good sleep, books, and dancing. there is space to be you, there is space to be him, there is space to be be the two of you, and there is love, there is love, there is love.

[lianella-artist]

Dad!Ren and his daughter Shayla (My OC fankid!!!)

FINALLY, after some hard work i represent to you.. My OC Shayla! Shayla is based on the official cutiesigh artwork with AU Dad!Ren. This post will have all the basic info about her so far + some headcanons about Ren's family life and his relationship with Shayla. So it's going to be a kinda? long post! I've put a lot of work and love into these arts. Enjoy :3

Redacted holding Shayla!! and their very different reactions

They're just having a bit of a nap on the sofa after Shayla painted Ren's face... and Shayla is drooling on dad's soft chest😭 (kind of inspired?? by this post!)

Her reference:

BASIC INFO

Clarification: in my AU, where there is Shayla, Redacted doesn't pretend to be Ren, but acts naturally! But I use both names in the text

Shayla is a kind, naive, sincere, energetic and cheerful girl who is always looking for adventure. But often, due to her age, her trusting nature and her curiosity, she doesn't always understand the risks and ends up in various messes. The girl is very friendly to everyone she meets! She believes that the world is a kind and beautiful place! Some kids think that Shayla is strange and weird (at least because of her "weird" family), which is why she gets mocked, but she doesn't read social cues (she's kinda autistic coded).

Likes: creative activities (drawing, needlework, sewing (not very wearable yet), making different outfits, daddy's jewelry, laughing, getting up early, climbing trees.

Dislikes: being controlled and restricted, rudeness, social games (she doesn't understand them).

She is the only and most wanted child for Ren and Angel, they had her when they were 30-35 years old. They love her very much!! Thanks to Ren, the family is very wealthy! Redacted spoils her a lot, fulfills all her wishes (well, as much as possible, since it's all after Angel, of course). In Shayla's family, both parents work, but Ren does it from home like he used to. So while Angel is at work, Redacted spends most of his time with their daughter. He picks her up from school, takes her to classes, goes for walks with her + does the housework, cooks, etc (basically he's a stay-at-home dad, because I don't think he needs to spend half a day on hacking; a couple of three hours is enough). With the birth of Shayla, Ren has begun to keep an eye not only on Angel, but also on their daughter, though not as closely. Thanks to this, he manages to get the girl out of trouble in time, but he often arrives at the very last moment.

Shayla is very attached to her father, she thinks he is the coolest dad in the world!!! She loves spending time with him, as well as his dark style and tattoos! She is a daddy's girl :))

While Angel is undoubtedly still Ren's top priority, Redacted genuinely loves his daughter both as an affirmation/continuation of their love with Angel AND for who she is. Her cheerful nature often lifts his spirits. Now, he has another person in his life who helps him see the world through a different, less apathetic and indifferent lens. Ren sees how naive and kind his daughter is and protects her to keep that light in her. And when Shayla comes up with questionable ideas… He supports her! He even suggests something himself😭 BUT even he has limits. He will not do anything that might harm her.

(pretty much everything canon about how Sai describes Dad!Ren)

RANDOM FACTS AND HEADCANONS:

I named her after that meme OOHH MY SHAYLAAA😭 (I didn't have a name for her at first, so I just called her that in my mind for a while. It was actually quite funny to me… but eventually it started to grow on me, ngl, so I kept it)

You know those stories where a kid goes into their mom's makeup bag, purse, or closet and tries on something? In this case, mom is Ren💀 Shayla loves to find all kinds of alt stuff from Redacted, ask what it is, and then try it on herself! Redacted gave her some - a spiked bracelet and a silver chain!

Ren agrees to paint Shayla's nails. She wears all the colors of the rainbow, but she likes to keep all her nails black on one hand, though!

Thanks to the creative atmosphere in the family and Redacted's alternative style, Shayla will be a goth in the future! She's also going to become an alt-clothing designer.

She is wearing three of the five gold hairpins that Ren used to wear! When Redacted and Angel got married, he started wearing only two hairpins - a symbol of their relationship. Years later, when Shayla was born and grew up, the rest of the hairpins were inherited to her, and she wears them with great pride, just like the rest of her dad's jewelry.

Shayla also has her dad's features. She has pale, dry skin and black hair. However, her eyes are a unique combination of Ren's color (blue) + my Angel's (red) = creating a beautiful purple color for her.(I know that's not how gynetics works lmaoo I just think it's cute!!!)

aaaand also, @yzumimenu drew some amazing fanart of Shayla, LOOK AT HER!!!!!!!!!!!!!! AND TY SO MUCH AGAIN!!!!!!!!!!!!!!

[ypipie]

sketch I did to get used to drawing on my laptop again

[its-tea-time-darling]

im sorry, we turned your boyfriend into a mole. yeah and all of tumblr‘s interested in him now. sorry

edit 9/12/23 11.22 CET

and so it begins…

fic1, fic2 @pathsofoak ao3 tag. Mole Poem @thaliaisalesbian . fic by @tourmelion .

update:

ao3 link. please vote for mole scene in most underrated goncharov scene poll

[keferon]

hey can you tag jazzprowl? love your art and creative au ideas but its a major notp for me :(

The filtering option was invented a while ago. Please use it instead of treating me like a browser with customizable interface😗❤

[surnumanaja]

“Nägurikuu jumalale hambusse” (The Blight Moon between the Teeth of God)

Dragon Age: The Veilguard fan art inspired by Sleep Token’s album (and its artwork) Take Me Back to Eden and comics Teeth of God

[thefloatingwriter]

the victors as complex characters will always be more interesting than making them amazing people.

like these are people who did absolutely everything in their power to survive something as traumatic as the games. most of them probably sleep with weapons in their hands. the thought on the forefront of most of their minds is survival. everything else—anyone else—can wait.

they sacrificed everything to crawl out of a killing game. their mental stability. their innocence. their childhood.

and after all of that, they realized that the games never really end. that they would sacrifice ever having a good night sleep without being plagued by nightmares. they would sacrifice their brains to help the capitol. they would sacrifice their bodies, something that should have always been their own, now snatched away from them. all for surviving a killing match that twenty-three children didn’t.

no victor is immune to this either. do you think cashmere doesn’t regret being so excited to go into the games after her brother after staying the night in a strange man’s bed that she doesn’t know? do you think gloss doesn’t regret not warning his sister about the horrors that await her after she wins? do you think brutus doesn’t sometimes wake up in a cold sweat after having yet another nightmare about being on the receiving end of his weapon, just as all of his victims were before everything faded to black? do you think enobaria doesn’t run her tongue over her sharpened teeth and wonder if it was worth it?

do you think beetee doesn’t flinch every time he sees lightning? do you think wiress doesn’t think of how if she hadn’t learned acrobatics that the 48th hunger games would have gone very differently? do you think finnick doesn’t see nets in the same way ever again, after he saw the girl from nine begging for her life tangled in a net he set up before he stabbed her with a trident? do you think annie doesn’t think about if she hadn’t spent all of that time on the beach growing up, playing in the water, that she wouldn’t have survived the dam breaking in her arena? do you think mags doesn’t think about how she left her district partner to die in the first ever traditional career pack? how if maybe, if she had been there to take the blow for him, there would be a different victor of the 11th hunger games?

do you think that blight doesn’t wonder what would have happened if the boy from two had looked up a little bit sooner, looked a little bit closer at the treetops above him, before the knife previously in blight’s hand found it’s way to the boy’s back? do you think that every time johanna picks up an axe, she doesn’t think about what it felt like to stab someone with it, what blood felt like when it splattered you? do you think she doesn’t wake up in a sweat, thinking the moisture on her skin is blood, that she’s back in the third quarter quell? do you think she doesn’t ever walk into her house in the victor’s village and think she sees a glimpse, a shadow, of her lost loved ones?

do you think that woof doesn’t use real knives anymore because every time he sees one, he remembers how it felt to stab blindly at the boy from seven? that even when he was seventy-five and the male tribute from eight for the third quarter quell, he couldn’t even look at the utensil and had to get cecelia to take it away from him? do you think cecelia can’t look at seashells anymore, that she could barely stand district four on her victory tour, because the girl from four was her last kill? that her necklace, a pretty one her sister made for her with a seashell strung through the string, was what cecelia used to choke the life out of her?

do you think that chaff doesn’t ever feel the phantom feeling of his hand? doesn’t ever touch the stump where it used to be and feel the phantom pain of it being sawed off like it was yesterday, even thirty years later? do you think that seeder doesn’t ever feel the hot sun of her arena on her body, doesn’t ever think she’s back, waiting for her death to come?

do you think that haymitch doesn’t start shaking every time a blowgun is provided at the cornucopia? do you think that he didn’t see the gold pin on katniss’ arena wear and have to sit down, remembering a very different girl with blonde hair and a quick witted humor with the same pin? do you think that peeta doesn’t hear foxface’s voice during her interview, over and over and over, until it’s so distorted he can’t even remember what she had actually said? that he doesn’t ever think of the girl from eight, a girl he might not have even known the name of?

do you think that, years down the line, katniss doesn’t realize the fate that waited for glimmer if she had won? do you think that she doesn’t wonder what would have happened if cato was a little quicker to get to the cornucopia to save clove? do you think she doesn’t wonder what the girl from four was like, what her name was, what her parents were like, what she was like? do you think that she doesn’t think about what would have happened if marvel was just a little bit quicker with his spear than her with her arrows, what would have happened if she was just a little bit slower to get to rue?

the what-ifs plague them. their games will never leave them. they will never escape their experiences. their lives will never be their own, if they ever were, ever again.

[bluehairedspidey]

daniel. girl.

[resurrection-trait]

Some 𝔍𝔞𝔫𝔲𝔞𝔯𝔶 looks~

[pxlyeehaw]

Replaying the HL game and oughh I miss her,,, gorgon freakman

[neverpollo]

"Why did Monty do That?"

Or: the wall arc, explained!

The shortest possible version is: it's an extension of his boundary-testing behavior, in addition to testing the level of importance he holds in the clusterfucks. He was testing Annabel and Lenore both, with this, trying to see at which point either of them would snap and hit him (literally or metaphorically- he just wants to find that line)

The slightly longer version is:

We see this repeated boundary-testing behavior from Monty time and time again. Like a dog who's been kicked before, he has to know what territory is safe and where the 'hard' line is for what's "unacceptable". He pushes Lenore, invades her mind, tries to get her friends to kill her, because he wants to see when she shows her teeth.

He makes a show of wanting to torture (and actually torturing) Berenice and Eulalie, because he wants to see if that is where Lenore's line lies, or if someone will stop him then.

He makes Ada get on her knees and bark for him because he wants to see if she'll stick to her "we could work together" beliefs, or if she'll cave to someone dehumanizing her. It's a more assessing kind of boundary-pressing, but.. undeniably, it's boundary-pressing all the same.

He directly challenges Annabel's authority by suggesting something so patently ludicrous as murder- because he wants to see if and when she or Prospero will tell him 'no', if they'll actually follow through on any display of their power.

It's a very "me, who's been eating the chess pieces while they're not looking" attempt at assessing Annabel's power, granted- he doesn't understand his own sway in the group because he pointedly underestimates Will's devotion to him- but Annabel does, and knows that a direct "no" is an unwise move. She redirects- and that's not a 'hard' line, so.. Monty follows through.

He find's Duke's line, very clearly- and Lenore's and Pluto's, too. He gets what he wants from this: finding the hard lines of a majority of the people around him. Morella doesn't play with phonies, so he makes Annabel push her to (and over) her line; Pluto becomes brave to the point of willing to kill in the face of his friends in danger; Duke won't keep the peace if you try to kill him (..obviously); Lenore loses her ever-present sympathy if you go for her confidantes. And, he finds Annabel's line, in a way, too: she's not letting him act like he's entirely unaffected by his stunts anymore. She refuses to entertain his facade. If he wants to play his stupid games, she'll give him the prize he wants: a line that she refuses to let him cross.

The arc happens because Montressor is a deeply unhealthy person who copes supremely maladaptively with his own trauma. He forces the establishment of these hard lines because he feels more secure knowing where they lay- because The Line has to be somewhere before murder, and he has to find where that point is.

(We also see this play out in ch120- he's uncertain as Will moves the line, he doesn't know where his own lines lay, and when Will dies and comes back with seemingly no knowledge of the line he pushed, Monty is left shaken both by the events that just happened and the knowledge that other people mirror his unhealthy behaviors and boundary-testing)

[royalarchivist]

Phil: Ok, there we go– you should both have 100 coins, I think.

YD: We won't forget this. We can't forget the person who helped us when we were in need, we will definitely pay you back this money.

Phil: [Laughs] It's ok! You don't have to pay me back, it's alright.

YD: No! 😤

Phil: [Cracks up] Ok ok ok!

YD: [Laughing] We will definitely pay you back! Got it?

KongKong: This is Korean affection.

Phil: Ok, ok! [Laughs]

[ilkkawhat]

The song is called "Herald of Darkness," but I like to call this next segment:

The Story of the Journey of Alan Wake, The Musical

[luminarai]

Attempting to get the beast used to a dental hygiene routine is… well, it’s going.

(She stayed that way for a solid 8 seconds despite hating being held belly up so I think it’s safe to say that Mim is not beating the ‘tiny speaker playing elevator music instead of a brain’ allegations any time soon.)