#both in terms of like

[sketchesandnonesense]

*twirls hair kicking my legs on the couch* jee wiz I wish people would ask me questions about my thoughts on diff aspects of the hit game Dashbored so I have an excuse to be totally and completely normal about it

[radiance1]

The Ghost Prince does not, under any circumstances, answer a summoning after it was made aware he existed. None know why he doesn't, some are bitter and hateful of it while others are thankful that it's one less bloodthirsty manic to deal with.

The Ghost King meanwhile hasn't been seen in multiple eons, so the magical community who wanted to use his power just, stopped, trying to summon him for a long time.

Most magic users knew that the Ghost Prince never answered a summons, and that the Ghost King just dropped off the radar.

So could you really blame Constantine for not taking it that seriously when some wannabe hotshot cultists try to summon both of them in the middle of a city to wreak havoc?

He'll give them some credit though. Points for doing it in broad daylight and actually being somewhat of a threat with not relying on just summoning the Ghost royalty and figuring out what to do from there.

The area they were in was somewhat destroyed, then the cultists manage to complete the summoning circle to summon both of them and Constantine, well he just light up a smoke.

It isn't going to work anyways so what does it matter?

...

Is that a fucking Ice cream truck he hears? Who the fuck is driving an Ice cream truck while their city is being under attacked with cultists trying to summon eldritch ghost royalty?

He'll give them some points for dedication, though.

Then he looked at the cultists and nearly had a goddamn heart attack to see that the summoning circle is actually fucking lighting up and working.

The Bat is so gonna give him a headache over this.

----

Danny Phantom, crown prince of the Infinite Realms. Does not answer summons.

For one, it is annoying as shit, whenever someone interrupts his day just to ask for infinite power (that he can't give), world domination (that he won't do) or infinite riches (which he also can't do).

It just got annoying being summoned all the time so. One day he just, well, no. And hey, it worked out well enough for him to not continue doing it.

Then he also learned that Pariah Dark is basically the same, after he got out the coffin and stopped trying to take over the world for whatever reason. He was actually a pretty swell guy!

He was just with him too, with him being not so swell at the time for making him go through lessons about Ghost etiquette, rules, stuff that's expected of him as the crown prince.

And don't even get him started on the engagement and marriage proposals.

Overall, he just wanted to find an excuse to leave. Then he felt the familiar suggestive pull of a summoning and, instead of rejection as he usually does in a second. He thought for a bit if he wanted to go with that or crown prince duties.

It was tempting, but dealing with cultists seemed worse than this so he was about to reject.

At least, before he heard an Ice cream truck playing in the background. He doesn't even know how the hell that popped up through the pull but by the gods has it been a while since he's had Ice cream.

So he answers and is gone with a pop.

Pariah Dark just stares for a good second or two, before breathing out and deciding to also answer. Fright Knight is just there, off to side, questioning what he should do now.

Danny wastes no time with the cultists on the other side and in fact, he pushes them out of the way and goes diving for that Ice cream truck he hears. Only to realize he doesn't, have any money on him.

Fuck.

Pariah Dark is less inclined to follow the rules imposed by humans like money, but he does know it can be important. Once in a while. Not that often, but it has its times.

So when he sees his adopted son being sad over being unable to pay for some kind of human delicacy, he digs around in his hair (yes, his hair.) and pulls out some money and puts it on the counter as payment.

The man inside the tiny vehicle had shrieked before getting what they wanted. Which is good. Fear is a good motivator, Pariah thinks.

Unknown to him, it wasn't out of fear (Well, mostly) but because the Ghost King placed down a coin made of pure, solid gold on his counter.

The two then go about their business in the human realm, completely forgetting about the fact that they were summoned here for something.

Constantine is both relieved and about to have an aneurysm at seeing Infinite Realm royalty only answering a summon because of Ice cream.

[kingofmyborrowedheart]

I just keep circling back to “I find the artifacts/Cried over a hat/Cursed the space that I needed/I trace the evidence/Make it make some sense/Why the wound is still bleeding” as we slowly get more information about this album.

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[freckleslikestars]

FARSCAPE | 1.06 Thank God It's Friday, Again.

[lucksea]

havent decided how i want the introduction to go yet but i imagine it would roughly be one of these two

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[anomalymon]

The Plural Community Needs to Write More Essays and Make More Resources

This has been a pretty big push in the alterhuman community, but hasn't quite reached the plural community yet. So

Systems: Write about your experiences! Post them!

It doesn't have to be good or coherent, but we want to see more experiences that aren't just bland, blanket positivity posts or term coining with zero substance. Some of our favorite writings we've read have had poor grammar and disjointed paragraphs!

Reasons to write about your experiences:

It can make people who have that experience both realize they're not alone and learn ways they can explore that experience

It can be education for people who don't experience that so they can learn what it's like

It gives more potential for citation for those who are making more comprehensive resources

They can be used several years down the line to track trends and events within the plural community

Also want to combat anti-endos? Write about your experiences. Humanize yourself (for lack of a better term). Create solidarity with others and encourage them to be out about themselves. Don't let psychiatric texts, syscourse rants, and simple definitions be the only information about your group!

We'll tack on what we're interested in seeing, but feel free to reblog and add anything too:

Guides! Guides on how your system does things, or guides that can help other systems

How plurality intersects with other disabilities or neurodivergence

Headspace tours, art about your headspace, collages

The effects drugs or medication has on your system

Non-traditional roles, or even how traditional roles do their day to day tasks

Different types of plurality intersecting (i.e. systems who fit more than one of DID, endogenic multiplicity, medianhood, soulbonding, etc)

Spirituality and religion intersecting with plurality

Seriously, whatever you want to talk about

[keejot-arts]

wolfwood wednesday monday

[dreamlanddoll]

shout out to Aardman for making a movie that has a lead female character that's well written and feels like a real person (even though she's a chicken), a predominantly female cast with only one or two supporting male characters (pulling a reverse Smurfette trope) whom all have diverse personalities and quirks, and a main romance between said female lead and the play boy male character that's an enemies to lovers that doesn't at all feel misogynistic or like they actually hate each other. And shout out to him for making the main mastermind villain a woman as well. It's an action-adventure movie with a female lead narrative that feels entirely gender neutral and it's one of the few I can think of that does this. Also shout our to him for making the chickens all look anthropomorphized in a way that isn't overly sexualized (or sexual at all really). If there were an award for "man who actually knows how to write female characters and present them as people" it would go to Aardman. Well done.

[vyeoh]

ok how do I block tags on mobile because I'm lowkey sick of the 911 shipping war posts

[stopthatfool]

thinking about twink maverick and wondering how people think he’s a twink. genuinely. I look at these images and see, while yes a short man, a man who is also muscular and probably weighs a ton in pure muscle

If he’s a twink then everyone in that movie is a twink. and i dont think that’s correct.

According to wikipedia, this is what they say twinks are:

So let’s break this down.

1. Late teens to twenties

Sure. Maverick is in his twenties. But only looking at age would technically make me a twink so whatever. Let’s move on.

2. Slim to average physique

Maverick does not have an average physique. That man is built. He is in peak physical condition. He doesnt just sometimes work out, he is actively working out. Look at his arms! His trapezius! Those muscles are clearly developed and strong! In certain uniforms, his waist appears smaller, but that’s what the flight suit does to all silhouettes. Maverick is built like a brick, yes with hips, but he’s not little. He’s short of course, but he’s not small. He’s not lithe, he is muscular, he is BUILT! Look at the left bottom picture. Look at how rectangular. Look at how NOT lithe he is. Look at how not skinny he is. Like come on now.

3. Youthful/feminine appearance

While he is extremely youthful looking as Tom Cruise always appears, i disagree that tom cruise/maverick in Top Gun looks feminine. But that’s not to say that tom cruise has never appeared feminine or twink-like in any way. Legend (1985) is an example of his twink and feminine abilities. But for maverick i would argue that he looks very masculine. Boyish, which some argue is another visual feature for twinks, but not feminine (in my humble opinion).

4. Little to no body hair

To think that maverick has no body hair is just maverick unibrow erasure and i wont stand for it. But seriously. While tom cruise was waxed and oiled up for top gun, this is also happy trail erasure. I will now provide proof.

One of them is from mission impossible but um idc. It’s proof that Maverick HAS body hair, both around his chest and in … lower areas… but Maverick is not hairless enough to be a twink, especially because he doesnt fall into the other necessary categories to excuse/ignore his body hair.

5. (Kind of a half point because not all definitions and understandings of the word twink align with this) but it seems a lot of modern connotations of the word twink are parallel to exclusively bottoming

See here the most popular definition of the word twink on urban dictionary. I dont think that Maverick exclusively bottoms. Maverick FUCKS too. Like it’s not just Ice doing the fucking. Like Mav fucks. He fucks, guys you dont understand he fucks.

Therefore, Maverick, in my opinion, is not a twink. He is Maverick. The end.

[infernalurge]

idk why this fandom has such an issue with acknowledging abuse when it isn't Astarion but Gale was pretty obviously abused and groomed and I would rather people in denial of this unfollow me :|

grooming is also not a minor-specific act so trying to use his age as a reason he wasn't abused is pretty dumb and shows both your ignorance and that you don't take abuse on adults seriously. like suddenly cults and brainwashing and power imbalances and human trafficking doesn't exist because you just don't want to see Gale as a survivor of abuse himself lol?

it basically comes down to people being ignorant about what grooming is in wider terms. and even if you want to ignore the actual definition of grooming and how adult survivors are impacted, Mystra is still a GODDESS. if anyone is able to exact a power imbalance on someone equivalent to the traditional child-grooming that you think is the only type to exist, it would be a Goddess to her Chosen

this is also ignoring the fact that he started discovering his powers around 8 and Mystra would have been aware of him immediately?

also-also ignoring Minsc outright describing how magical boys in his village were hidden away from Mystra?

just how is this even an argument? you are simply wrong...

[thankstothe]

[turtleblogatlast]

I kinda love how the moment Leo got his dual wield katana back, he adapted so much more naturally to his teleportation abilities.

Not to say he didn’t come around with the odachi, but it was pretty clear that he struggled hard with the mystic properties of it, and I think that it’s partially because while the odachi itself is a portaling tool that seemingly most anyone can use, Leo’s innate mystic abilities call for something to work with him, not for him.

So it makes perfect sense why his katana, made from himself and more in line with how he naturally fights, finally allow him to seamlessly grasp his space warping abilities to the extent he can.

[dyketubbo]

the colors are fucked a bit bc i did this on my laptop but whatever . take it