#but I just don’t like her as a person

[squidsmeister]

dungeon meshi is my favorite road-trip comedy film

[mroddmod]

she’ll be alright because she had you.

[each-uisge-enthusiast]

the modern villainisation of demeter will never cease to enrage me bc it wasn’t ENOUGH to just take a story of a girl being torn from her home from everyone who loved her and dragged away to be forced into marriage and twist and corrupt it until it was a romance story about female empowerment that wasn’t ENOUGH they HAD to take the original hero of the story the mother who went to every length to find her daughter again to bring her home and demonise her character until she was this horrific overbearing unloving mother. overprotective controlling without love. they turn the story of her grief at her YOUNG daughter being torn from her without her knowledge into the story of a misunderstood bad boy and a horrible cruel mother who won’t give him a chance and i really find it sickening. it’s ironic, that the ever misogynist age of hellenistic greece, has a better grasp of how disgusting and horrifying this situation was that a modern, self proclaimed ‘feminist’ era.

[the-dragonlich]

It is always weird and kind of depressing to me to see people who I know used to be really left leaning become conservative/centrist as they get into their late 20s/30s. Because like genuinely wtf happened, what changed to make you think any of of the shit that’s happening is suddenly okay when it wasn’t not even 10 years ago to you.

[remxedmoon]

boo! old woman jumpscare

greyscale vers below!

[ewwww-what]

The moment when you find exactly what you were looking for (it was your best friend the whole time)

(close-ups below & my commission info)

[shorthaltsjester]

watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.

like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.

[purgatorily]

everybody seems to comprehend tashi loving tennis the most which is good BUT. i don’t see anyone getting that tashi also loves THROUGH tennis. it’s how she connects to people. when she tries to coach patrick in college she’s not condescending to him, she’s reaching out. and yes, she coaches art to play through him, but their marriage lasts because she’s able to shape her relationship through the language she knows best. it’s the ultimate form of connection and understanding to her, and it hurts her when the people she loves reject her form of reciprocating that love. words will never be enough for her—she wants to play.

[ariariari-freehounreal]

When the test subject they told you was aggressive is actually just angsty and autistic

.

I figured if Wheatley were a human he would probably be part of a team that cares for test subjects. Which involves basic medical checkups and general wellness checks. Maybe in Chells case, since she’s so anti-social, he was tasked to be a sort of companion so they could get more information out of her for testing purposes. :3 he’s classified as a nurse and has basic training in it. But he’s not making sense because he’s kinda scared of Chell at first. She just thinks he’s weird and kinda smells bad.

.

I have a hc on why Chell is a test subject I’m just gonna try to write it here

Basically her mother was too young and poor to raise a child so she felt it better to put Chell up for adoption. The orphanage she was raised in was being used by aperture to scout out children with certain “exceptional skills”. They noticed that Chell was highly intelligent and a great problem solver, but had no interest in spending time with others. She had no friends. And none of the other children noticed or cared when she left. She was probably adopted by a high ranking scientist and raised for the specific purpose of testing. She has little concept of social norms or things outside of aperture because she was taken from a “normal” environment so young. [like. Before she was 10 maybe? Idk.] but it doesn’t mean she’s dumb or anything, she just doesn’t really get it yk. Sorry if this is actually so stupid and embarrassing ignore me

[def-not-kaz-brekker]

I hate it when people don’t take aromanticism seriously. I hate it when they say “oh it’s just a phase I also thought I was aromantic but then I got a partner.” It doesn’t apply to everyone.

Respect aromanticism as you would respect any other identity

[blaithnne]

Local big sister experiences emotions, more at 6

Been wanting to do one of these with Lauren for AGES, but I never got round to it. Then I saw the Lydia and Phinium expression sheets on @littledigits’ website and I felt inspiration like never before.

The funniest struggle I have with Lauren’s design right now is that she nose too big for she got damn face. Literally, Hilda characters noses take up a fairly small portion of their faces, and her’s took up WAY too much, leaving little room for her to make facial expressions. But I struggled to find a fix because when I made the nose smaller it just didn’t look like Lauren anymore, so I took this as an opportunity to work on that!

She still has a larger nose than most characters, starting higher up (like her grandad!) and ending lower down (but not quite as low as before). I also made her eyes a little smaller and with a shape similar to Lydia’s (though you can see in some of these I hadn’t quite landed on that yet and her eyes are a bit too big), which works both as a nod to her parentage and because I think it makes the nose look bigger. This still doesn’t leave as much room for the mouth as most other characters, but that’s okay — Lauren is a very private person who keeps her feelings close to her chest, I think it works for her to have subtler expressions, adds to how guarded she is! Oh and I also updated the shape of her hair slightly, just to make it a bit more style accurate.

These changes are pretty small on their own, but I think combined they work well to make Lauren feel a lot more…alive? Far less stiff, anyway. I think she also has a more unique facial structure now, instead of just “what if Johanna was 90% nose”. She’s still got a big old nose and I love it but now she can emote, yay!

This is really all just concept stuff, I’m hoping to get a new fullbody style-ref for Lauren out soon! Now that I’ve improved the main issues I had with her face in the last ref, now it’s onto the silhouette! I want her to read as more of a strong character (though it comes across decently in her current ref, I wanna push it more without being as exaggerated as Ahlberg, which is. A challenge for me lol), streamline her silhouette, and finally make her taller than Johanna like she’s always meant to have been <3 I made her shorter for so long because I thought it would help her read better as her daughter but you know what? That’s dumb actually, she’s tall.

ANYWAYS, thank you for listening in on the annual Lauren redesign, and to the artists behind the show for posting so much amazing inspiring show stopping concept work for free because it makes my autism worse /pos

[keldabekush]

Omg the girls….. I love them. Nuclear Crotch Floss 5eva

[cable-salamder]

*Slowly climbs onto stage and barely reaches the microphone* anyone for some transfem Pixal?

[azul-marie]

ada. (enamour)

fem. reader. love rivalry including ada/reader/leon. (focus on reader)

something cold digs in between your shoulder blades, sending shivers up tense muscles.

it’s a sudden sensation. catches you off guard you forget to call out to leon, whose back is turned to you whilst sifting through paper files laying across an abandoned wooden desk. the latest room you’ve snuck into seemed abandoned enough — save for its open window rocking back and forth on screeching bolts. they must’ve entered through there mere seconds before the two of you did.

warm, sweet breath tickles your earlobe. another round of shivers overtake your senses. this time, through, you recover quickly enough to react.

your hand flies to your pocketed blade and in an instant is pressed up to their throat. it is then you realize, recognize who your company is. she smiles serenely at you, acting like the knife at her neck isn’t sharp enough to slice through bone. she bears her pistol with all the grace of someone who’s caught you in her web, not the other way around.

“long time no see, kitten.”

her deadpan voice practically echoes through the silence of the night. finally surprising your partner into turning around. what surprises him further is the way ada gazes at you, almost identical to the way she did at him all those years ago.

“ada.” leon says plainly, hand hovering over his own pistol. his eyes flicker between the two of you, to the way your hand fumbles with your blade, to how she smiles a little too suggestively for someone being threatened. he’s certain you’re about to push her down, or for her to knock the knife away from your obviously loosened grip — neither happen.

instead, you carefully tuck your blade away and greet her with a coy smile of your own.

“i wasn’t expecting you here, red.” your arms cross, a guard of sorts. you knew full well of the games she liked to play. she holds your eyes as she slips her pistol back in its holster, searching for something you refuse to show. it’s been a long time, indeed, but you still remember how to compose yourself around her. it’s all rather flattering.

ada circles you, trailing her fingertips over your shoulders. her silky touch is the only weapon in her grasp, but it is perhaps her most dangerous. she takes pleasure in the way you shift beneath her watch, how your pretty face fights to remain mild. she’s no fool. she sees the smile playing at those luscious lips of yours — why bother hiding it? she’s all sultry eyes just for you, now that she’s finally managed to separate your stuffy partner’s hip from yours. seems he hadn’t changed after all. he really was the clingy type.

it was cute. once. not when he happened to be clingy with you of all people.

“once i heard you were around, i just couldn’t help myself.” her arm comes to rest around the curve of your waist. her fingers press into the flesh of your hip, easing you closer. her lips hover over the soft of your neck, almost kissing a path up to your ear. your breathing stutters, and she purrs, “wanted to stop by and catch up with my favorite girl, is all.”

you scoff, but there’s no stopping the heat rising up and over your face. those pretty lips of yours finally turn up in a smile, bashful like a schoolgirl crush. the temptation to run her thumb over your bottom lip runs strong — until an awkward, intentional clear of a throat interrupts the thought.

“i’d appreciate if you left my partner alone.” leon interjects, striding to stand tall besides you. in a swift motion he interweaves your elbows together and pulls you towards him, at once halting the hold she had on you. it’s a comfortable, possessive sort of touch. how quaint. cute little leon, still wearing his heart on his sleeve.

given the way his hand clamps around yours, he must really have it bad. what a shame. for him.

ada is slow to drag her eyes away from you. she even runs them up, down, over your lovely body for good measure. she can’t have leon thinking she isn’t willing to compete — two can play at that game. his fuming glower tells her he’s gotten the message loud and clear. as he should. she zeros in on the way his grip tightens around yours, again, cozily touching you as if you were his.

a quirk of her brow suggests ire. “glad to see you, leon. to think, after all this time, you’re still such a lucky man. who would’ve thought she’d end up being your partner?”

the two of them stare each other down with such intensity you wonder what other history they share aside from you. tension seeps into the chill of the nighttime air. leon’s coiled up so tightly it raises worry, and you find yourself wrapping your arms around his bicep to placate him. for all you know, the mysterious plagas infecting him could thrive off stress, and he’s already had plenty of that so far.

almost immediately does your touch have him redirecting his notice towards you. his intense gaze softens at your pretty eyes studying him. his broad shoulders gradually relax in your embrace. he’s visibly calmed by the simple act, much to ada’s amusement — and her vexation. her fingertips dig into her palms, wishing it was your hands beneath them instead.

“ada, why are you really here?” you inquire, and she’s pleased when you finally set sights back on her. she’s not fond of the questioning, however. she purses her lips. her expression morphs into a cautious neutral. you’re aware you won’t be getting a direct answer, no matter how much she likes you.

ada sighs, “oh, sweetheart. you know i don’t work and tell.”

guarded, she saunters to the opposite end of the room to the very window she slithered in through, overlooking the bleak scenery with little interest. you slip past leon to follow after her, grasping her fingers to keep her from going any further. pleasant warmth seeps through from your fingertips to hers. there’s no time to relish it, although she longs to feel more. calculating eyes regard you and you alone.

“leave the girl,” demands ada. “she’s lost no matter what. you walk away now…and who knows? maybe you’ll live to meet me again.”

keeping her eyes locked on yours, she brings your hand to her lips, and presses a languid kiss across your knuckles. a stain of red now marks you as hers. play glimmers in her irises. “…maybe i’ll even take you on that date i promised.”

“you think we’re gonna give up that easy?” leon’s voice cuts in, weighed with barely contained venom.

“right.” ada exhales a laugh. how true. the two of you really are perfect for one another. hearts of gold, heads full of dreams. she turns towards a silently seething leon, whose eyes pierce her every move. he does a poor job at hiding his envious glare towards your entwined hands. “how about we continue this discussion another time?”

she drops your hand unceremoniously, in favor of pressing a kiss to your cheek. the pulse of your racing heart is nearly tangible. such a sweet girl, flustered by a simple kiss. longing parts her lips in their journey up to your ear to whisper, “stay safe, beautiful.” she pulls away with an air of nonchalance, committing to memory the clear look of shock she’s frozen you into. it takes all she has not to go back in for another kiss, for there’s no knowing where her lips will land if she does.

“keep her safe for me, will you, leon? she’s really quite precious, you know.”

and just like that, she’s gone.

you nearly stumble towards the creaking window for a vain glimpse into the night she’s disappeared through. half shocked, half mortified of your audience still gaping at you, you could only hope he wasn’t put off by the instance of his flirty adversary. or the fact you had no quarrels in encouraging her.

a hand wraps around yours, warm and tight.

“careful. leaning out a little too far there, don’t you think?”

leon sounds rather relieved now that it’s back to being the two of you. ada must’ve been a sore sight for whatever reasons he’s held within. you avoid his eyes to recollect yourself, murmuring apologies beneath your breath.

then, a touch upon your cheek, the very one she’d kissed, puts a stop to all thoughts. your eyes flutter up towards leon’s. his usually somber expression has turned sour, scowling and scorned in a way you’re unfamiliar with. his hand cups your face, thumb frantically rubbing off what must be a lipstick stain ada’s left behind. the intensity of his eyes only adds to your embarrassment, makes you wish he hadn’t seen her in the first place. maybe then he wouldn’t be upset, angry with the ghost of her presence.

“here i thought luis would be my only problem.” leon mutters, so softly you’d mistaken he’d spoken at all. when he notices the shift in your pretty eyes, the sweetsoft concern that struck him weak, his gaze mellows instantly, and he blinks rapidly as if coming out of a daze. rose pink springs across his face in a blooming blush, a bigger surprise than his supposed anger. he rips his hand away upon realizing himself, leaving you curious.

“i mean—i meant, she’s the last person i expected to run into here. it’s—it’s a long story. won’t bore you with it. just know she’s probably not worth trusting completely. it’s best you’re careful around her. i’d hate…i wouldn’t want you hurt.”

his voice goes quiet at the end. his head is turned away, body tight and tense, hands fiddling with the holsters of his weapons. it isn’t like leon to speak so personally. so openly about his emotions. and you know it isn’t because of ada’s mere presence, what must be a recollection of the past.

you touch your cheek, still warm from his skin.

“you’re the one i trust, leon. we came here together, and we’re leaving together. i’m with you until the end.”

courage overtakes bashful notions. you close in beside him, reach up to push a lock of his hair behind his ear. cup his shying face, a tender encouragement to share his vulnerability with you. leon’s eyes fall back on yours too easily, too swiftly for a simple friendship. you see it; he is incapable of masking it.

it’s somewhat of an honor he’s so fond of you. it’s a reminder to be gentle with his feelings, though you yourself may not have yours sorted out just yet. but it is ascertained that you care immensely for him, perhaps in the way he’d like you to. perhaps not. there’s plenty of time to work things out.

“i’m with you, ace.” you smile, tugging his cheek until he returns one of his own. “there’s no one else i’d rather have beside me. got it?”

leon nods, convinced. “yeah. thanks.”

you pay a playful pat to his cheek, satisfied with his answer. “good, good. now, why don’t we get moving? we wouldn’t want to keep miss ashley waiting. what were we even looking for in the first place? some kind of key?”

the mention of the mission reinvigorates him. “yeah, exactly. should be somewhere around here, if you can help me look.”

“sure! let’s just hope we can get by without someone interrupting again.”

“wouldn’t that be nice.” scoffs leon, slipping his fingers through yours to lead you back towards the other half of the room. this habit of wanting you close was really too cute. willingly do you allow him to take your hand as he pleases.

all the while you will your heart not to flutter at the lipstick still staining the other, red on red alike.

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[angy-grrr]

spoilers for chapter 429

idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.

This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.

He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost? He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.

but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.

the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship. In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.

That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.

Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.

Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…

Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?