#but good in depth stuff anyways

[livelovecaliforniadreams]

I Am All In Rewatch - Episode 1x15

I thought he lived above the diner, why was he walking in the early morning and opening up the place?...You know, maybe  it was an early morning walk...Maybe he was coming from Lorelai's house where he was in the bushes... I thought it worked for the scene for sure...Why is he walking on down the boulevard, keys swinging his keys? [Am I messing this up or was there a scene where you were waiting for her?] At night? [Yeah, outside your own diner.] Yeah, what's that about?  That's very dramatic..becuase it gave me the opportunity to act this finality of that moment and sort of go in and give up and lock the door. So that was more important than nosy continuity annoyers. You know... [And how did you feel when you realize she painted the whole place?] He had already figured out that they had done the deed right. She's already told him that.[In not such a direct way. But that was when she was in the pajamas.] He put two and two together. That's a that's a tough one. I mean, yeah, I recall really struggling with it because it's like, and you know, I mean, you talk about being at the bottom of of your feelings, there in a situation. Mean, good God, how devastating that you know he came back and they slept together and he knew it, and it's just...[Yeah, it's rough because it was right as Luke and Lorelai were having that that moment] And then and then he comes in. It's painted or halfway or three quarters painted, and it's maybe all done.... Yeah, I had to play all that stuff. So it's like grief and devastation to acceptance to.. It's like I had to go through the five stages, but it's like in reverse, like, hey, there's there's there's still some hope here, I mean, poor guy...But now he's got to deal with the fact that she she went there with him, you know, so there's that the residual effects of that that are you known, have to clean up that mess because that's going to psychologically be I mean, it's devastating. It'll take a while to get back to you know. Now now I think it puts her on different footing where it's like, okay, you know, this train was going in in the right direction and it stopped and now it's going backwards, and maybe it's the train is taken out of service using a train analogy. I swear I won't use a tunnel. There won't be a tunnel on this analogy. [She says when she's there in the pajamas, we had a date, and Luke says, it wasn't a date, it was it was just a thing.] He's he's downplaying it already. It wasn't ... The walls going up. ...And I also think he's it's like, you know, he's judging. He's being hard on himself too, because like, guy, get in the fight, get in there and get with her, close the deal. What do you know she's moving fast with like all these guys, get in there, you know, be meaningful in her life, be impactful. So it's like it's it's it's yeah, I'm sure he's hurt, but it's I think it's really a wake up call. It's like, this is life and it's moving a little faster. And she's from Hartford and she's a country club chick and you know she wants more than I have. You know that I have to offer maybe, so it's like, get in there and fight for her. -Scott

[dumbassalex]

The fact there's like 5 posts about Saladin Ahmeds Wolverine issue 1 but a boatload of posts related to that fuckass movie is CRIMINAL!

Like c'mon people, there's a big focus on Logurt, they hug and Logan patches him up and worries for him, Logan runs around naked for like half the issue, even next to Kurt. There's angst and comfort and them working together and it's so sweet.

Not to mention LOOK AT HIMMMM! He's so wide and hairy and wild!

LOOK HOW SHORT HE IS! THAT'S MY GUYYY!

[pikkish]

I thought it was hilarious, at first, that everyone’s decided Doomguy is still the protagonist of MyHouse.wad. After all, it doesn’t really have much more to do with Doom than gmod has to do with Half-Life 2. But then I remembered, isn’t that a plot point of Doom II? Visiting the burnt out ruins of your hometown on your way to the portal to Hell? Why couldn’t Doomguy take a few minutes to have a nightmare of an emotional journey in a childhood friend’s home to come to terms with everyone and everything he ever loved being destroyed?

[spite-of-the-grifter]

Look.

Ace Attorney fandom.

I know why people don't like Turnabout Bigtop. I am among the people who dislike Turnabout Bigtop.

But I GET why people like the case. I'm not going to be one of those annoying people who just blindly dump on it because I hate those mfs too.

Thing about Bigtop isn't that it sucks. Thing isn't the weird grooming stuff (though that is a huge part of it). It's not that it could've been good.

It's that - in my personal OPINION - it could have been *great*.

I think it had the potential to be one of the best third cases in the trilogy. It had everything; a fun and goofy setting fit for a pretty dang goofy lawyer game - where the environment itself had jokes and quips and one-liners and mishaps and tomfoolery written all over it, it had the previous case introducing a very interesting and important plotline that gave background for one of the more well-loved characters while also introducing an equally fucked up and lovable new one who was a child forced into a shit childhood of naivete in a CIRCUS with another character who was very naive and childish - whose interactions could have been funny and cute and reflective of said shit from the previous case (seriously she becomes such an important character in the 4th case, WHY would they not include her in this one for some character development? How did they fuck up letting a CHILD explore a CIRCUS?? That would have made the interactions flow MUCH better).

They had a pretty good, sympathetic killer imo, a morally dubious victim, an asshole of a client (who was pretty flat admittedly in-game, but I like his weird, topsy-turvy reasoning for it in the anime. Also, I think Max being kinda a dick would have bode well for the themes of Farewell since most of his clients up to this point have been like...nice? Not nice, but sympathetic, but him having to defend someone who's innocent but a prick would have shown him that just because someone is an asshole, doesn't mean they deserve to suffer for it and that they have the potential to grow as people, which is almost a complete opposite of what Matt was. Ultimately, I would have loved the contrast of them as clients and I think it would have also served as character development for Phoenix, especially with his low-empathy tendencies).

They just didn't think that far ahead. They just didn't execute it well enough. They just decided to make three of the adult characters fight for the hand in marriage of a teenage girl. (Bat's part of the story was actually kinda good if he was just YOUNGER, I think him doing that for Regina would have been a stupid thing someone in the circus would do to impress their crush. Damn you Ace Attorney and your weird treatment of underage girls!!)

It just flopped and that's ok.

Even though it kinda sucked, it can still mean something to me.

Also I'm a Moe Curls apologist. I liked him, shut up.

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

[natjennie]

thinking about when nrb played the mean girls board game and specifically stated at the beginning that it was a game about gently roasting your friends and they knew that some of the fans could be sensitive to that so they confirmed that everything is all good they're all still friends its all playful meanness, and if that might bother you you could skip the video.... accessibility win.

[wormmpile]

Sometimes I see someone say something about a piece of media as if it is revelatory mind blowing hot off the press news, and not the most basic obvious point of the work or the most basic obvious allusion, and it makes me roll my eyes a little because I'm like yeah yeah the time knife we've all seen it, and then I have to like physically step in and shake myself and be like actually Susan we have Not all seen the time knife, and anyway someone else is enjoying the wonders of media analysis as a hobby for maybe like. The first time in their life if they're young enough. Don't be a bozo just because you think you're smart. Nerd. Fuckass. If you were a high school english teacher you'd be pissing yourself in joy rn because someone connected the dots. That's so cool that they did that. And I go about my day because I'm normal

[james-stark-the-writer]

was just rewatching Jack Saint and Patricia Taxxon's video on Mauler (it's called "Long Critique Is Not Deep Critique" and it's like actually so fucking good) and was so taken aback by hearing Twin Peaks music in there now that i've actually seen Twin Peaks lmao, that Laura Palmer theme is so fucking good, Angelo Badlamenti is just truly on another level, i already wanna rewatch the show now (S02 is good, y'all are just cowards).

[peachcitt]

actually if goncharov were real it would never live up to the standards the insane tumblrinas have built it up to be. there is a triangle of homoeroticism, political commentary, and inevitably tragic in which any live, real adaptation would only conceivably be able to achieve two of to their fullest extent. added on to the fact that this is a film that supposedly is filmed and takes place in the seventies makes the possibility of it truly containing all aspects of what we have made it out to be even more far fetched. however, tumblr has been able to spin gold on far more real and disappointing media than goncharov through its analyses of media such as supernatural, sherlock, and a secret third piece of media that the subsequent creation and analyses of the ‘greatest mafia movie of all time’ goncharov is simply a natural step that tumblr as an ecosystem is willing to take. in this essay i will,

[caluupin]

Father!!! 🔥🔥🔥🔥

[supersecretnerd]

Ok so these designs are cute as hell, the Internet is just mean

I have too many thoughts about a game I still need to watch

[kiddokori]

things i like about totk so far: the depths,

i am going to be so completely honest i thought id be able to think of more. um. this is awkward

[lanternlightss]

guys i keep thinking about loop and nameless bard being friends. they are. rotating around up there

[starpros-sunshine]

We <3 hearing things

[the-converse-high-top]

they sure do call them rabbitholes for a reason

[time-to-write-and-suffer]

Me: Pfeh. Those silly Genshin Impact stans. I would never play some anime gacha game for the graphics only.

Also me: Hahaha weee pretty outfits weeee woooo