#but he was used to it bcs hes been doing that all his life

[daycourtofficial]

I will follow you into the dark

Pairing: Azriel x reader | WC: 3k | warnings: character death, depictions of violence and gore, depressive tendencies shown

Summary: going through the five stages of grief after Azriel’s death is much easier with his shadows’ assistance

Alternate summary: “daycourtofficial stabs everyone in the heart” - @milswrites

Author’s note: this is heartbreaking as hell but I think it’s the most beautiful thing I’ve ever written. I legitimately sobbed while typing this. Tagging my pookie @illyrianbitch bc I sent her an early draft and her fic ‘when the heart is still longing’ inspired a scene in this

Cold. Ruthless. Calculated.

Words used to describe who Azriel was for the first five hundred years of his life. He wore a mask of indifference, a cold exterior to the world, letting them believe he was nothing more than the cruel exterior he showed everyone past his beloved family.

Until he met you.

You, whose extraordinary kindness and never ending patience for him helped him through the darkest pits of his soul.

It’s this past self he thinks about as the blade meets his skin, tearing through layers of muscle, blood spilling down his chest as it’s removed.

It’s this past self he reaches out to, begging for one moment to go back. To go back and save himself so much time. He would go back, his wings carrying him across Prythian, his landing harsh as he sprinted through your hometown.

He wouldn’t stop until he knocked on your door, his knuckles aching from how hard he would knock. He’d give anything to go back, even if it was just an extra forty-five minutes. He would run until his lungs burned, his legs barely able to hold himself up. He’d run down the cobbled street the two of you would walk down after a night at Rita’s, leaning against each other for support after a night of drinking.

He’d run past the bakery the two of you would meet at every Thursday morning, splitting pastries between the two of you and gossiping about your friends. He’d run up the stairs to your apartment, running up the steps you two walked thousands of times. He’d stop in front of that green door, the spot you two stood in for your first kiss.

He would knock and knock and knock, his fingers bleeding from how hard his knuckles were hitting the wood. He’d look at you as you opened the door, confused as to who he was and what he was doing there.

“You don’t know me, but in a few days I’m going to run into you at the bookstore. I’ll be with my friend Nesta and she’ll push me into you. She’s never admitted it, but I think she saw how I was staring at you and did it to force me to talk to you.

“You were so pretty, paging through some novel. I owe Nesta everything for pushing me into you, making me fall into the chair you were sitting in. It looked ridiculous - Nesta made sure to let Feyre broadcast it to everyone.

“I never cared. You were everything then, and you’ve been everything to me for over a century. What I wouldn’t give to come back here, to find you earlier, even just forty-five minutes. I’d give anything for more time with you.”

His eyes would peer around the apartment you moved out of decades and decades ago, moving all of your furniture into the house a ten minute walk from here. It would all smell like you, not a trace of him on you yet.

He would beg and plead with any god as to why he deserves just one extra minute of your time.

But he’s not in that apartment that you don’t own anymore, he’s somewhere in the present, he thinks. Azriel’s not sure where he is, but he reaches out towards you, trying to send every ounce of his love down that bridge that connects the two of you. He reaches a hand out, wanting to hold you one last time. He can feel your fear thrumming his chest as your hands frantically apply pressure to his neck, trying desperately to stop the bleeding.

He interrupts your pleas, stroking his fingers on your cheek, smearing his blood across it.

You’re here, he thinks.

He loved making you blush, your own blood changing the color of your cheeks as he flirted with you. Now his own blood was coloring your skin, a last marking of himself on you.

Every word from his mouth caused the blood to gush from his wound, but he didn’t care. He was fighting for every breath, every word. He knew this was the end. He was just grateful to the Mother that the last thing he’d see in this life was you.

He chokes on his blood, coughing exacerbating the wound.

“In every life.”

He pulls himself up, using your shoulders to brace himself. He pulls your lips to his, soft and delicate, as if it’s the first time he’s kissing you all over again. As if you’re back on that cobblestone street, the two of you standing right in front of your door, a mess of limbs and lips.

The blood on his neck is traded for the tie he wore, one that you had complimented him on as you saw him. You had pulled him down to you by his tie, pulling him to your lips.

And now he was pulling himself up to you, a final goodbye.

He pours everything into it, pouring every last bit of himself through the string connecting the two of you, clinging desperately to that connection for every moment.

You kiss him back just as urgently, hands holding his wounds. His mouth is salty as your tears start running into the kiss, your hands sticky and warm with his blood.

Your kisses become more and more urgent as he starts losing energy, your sense of urgency increasing as he starts fading, that golden bridge connecting the two of you not as bright as it was with each passing moment.

You know he stopped kissing you back a moment ago, but you can’t bring yourself to stop. This should be a fairytale and true love’s kiss is enough to bring someone back.

You pull back, moving his face into your neck, unable to let go. You can’t hear anything except the echo of where your bond was, as if it clanged all the way down your body as it disconnected you from him. You feel someone grip your shoulders, desperate to pull you away from your mate. Your sobs are piercing as you tighten your grip on him.

He’s still warm, he can come back. Still warm, he’ll be back. You start rocking with him in your arms, your tears creating tracks in the blood on your face. A body is pressed to your back, large and warm, and large tan hands cover your own on Azriel’s face. You hear slight sounds, you think it might be Cassian, but you’re not sure.

You don’t feel his tears on your neck

All you feel is a deep, gaping hole inside of you where Azriel lives.

Lived.

Your breaths come fast and choppy, and you start jerking in Cassian’s arms, the feeling of him too much, too much. You felt suffocated, your powers boiling within you as his body grows colder.

His shadows slithered over you, several of them still remaining with their master. Their patterns were meant to be soothing, but it wasn’t working. Several of them cloak Azriel in mourning, their usual energetic nature dulled in the aftermath.

The air in the room changes as all the heat is sucked into your body, your skin blazing. It happens so quickly - you feel Cassian pull away from you as someone slides Azriel’s body from yours, somebody else rushing forward and tackling you to the ground. Instead of hitting hard flooring, your head hits grass, your body racing with adrenaline.

You look up to find Rhysand letting go of you before backing up. He has tears down his face, his eyes a muddier shade of violet than before.

“Let it out. Here. Now.”

Your skin is boiling, everything in you desperate for release. All you feel is the tendril of a lone shadow around your ankle as you burn. You can’t hear Rhys’s sobs, only the roaring of the fire as the grass catches the spark.

The next week goes by in a blur. A funeral - one where the town of black wore deep blue to honor your mate’s lifetime of sacrifice. A few shadows remain with you, the only reason you’re able to get through his funeral is with their touch.

“Hey Az.”

The grass is wet with dew, the early morning fog sticking to it. You don’t notice how damp the ground is beneath you as you sit next to him. Your hands grasp the grass next to his grave, the dirt over his grave too fresh for anything to be growing on top of it.

Your fingers thread through the blades, holding tightly, as if you can uproot them and pull him back to the surface, back to you. As if you kept digging you could find that bond nestled within you somewhere.

Your lip wobbles as you try to say something, anything. The various flower arrangements that surround you both speak of how many visitors he’s had.

He would tell you that the bouquet of orange lilies are from Elain, because those are currently in bloom in Day. He would tell you that the arrangement of blue and black came from Rhysand and Feyre, the flowers meaning ‘a great sacrifice’.

You can’t bring yourself to tell him how the world has become duller in his absence, how you hardly eat or bathe, hardly leave your home at all. How Nesta and Feyre take turns visiting you, ensuring you eat and bathe, getting you to move your legs at least once a day.

He’d be disappointed you weren’t taking care of yourself. He’d want you to continue on, despite the unbearable horrors that live in your chest. It felt like your entire ribcage were burst open, your pain and sadness leaking out of every pore for all to see.

Despite the fact that centuries together have led you here, at the end of the road. A road you happily traveled, knowing it would end here eventually.

You’d never regret choosing him, opening yourself up to this inevitable heartache.

You just regret every moment that happens now that he’s gone.

His shadows have followed you to the cemetery, their presence one you’re grateful for. You know they love you, much like Azriel did, and you’ll take any part of him you can cling onto.

You know they’ll leave eventually. No one understood them. Were they sentient beings? Or were they mere whispers of Azriel’s presence, an echo of an echo of his power, disappearing whenever they wish?

You sit, your back leaned against his tombstone, the words “beloved mate” pressing into your back. You moved over, wanting to be as close as possible to him. You don’t much care if the dirt sticks to your skirts. Nuala and Cerridwen won’t say anything to you. They felt his absence too.

You push your hand into the dirt, grasping at it in hopes he’ll grasp your hand back. All you feel are the shadows swarming your fingertips, imitating his soft touch.

-

You lay in your bed, the one that is much too large without your mate. The shadows cloak over you like a blanket, carrying his smell with them.

They missed him too.

You sealed some of Azriel’s clothes away, a magical enchantment that preserved their smell. You were grateful you had the shadows for now, however fleeting their presence may be.

Where Nesta and Feyre helped you bathe, the shadows helped keep your room clean. You stayed in the House of Wind, everyone agreeing you shouldn’t be alone during this time. That was weeks ago, you think.

You’re not really sure.

Time wasn’t moving like it used to anymore. Hours and days pass without your notice, a gray fog hanging over you at all times. You move through the monotony of grief, unaware of your surroundings or how you get anywhere half the time.

You blink and find yourself at his grave.

“It was supposed to be me,” you half yell at the grave marker, your blood getting warmer with your anger.

You hate it. You hate how everything he was, six centuries of a life well-lived, were boiled down to adjectives and monikers.

“Beloved mate.”

“Beloved brother.”

You hated those words, as if that’s all he were. The words don’t tell how he would pick you up when you fell asleep reading and carry you to bed, how he’d help you cheat every time you played cards against Cassian because you laughed so hard whenever he flipped the table, or how his fingers would brush the hair from your face when the two of you cooked dinner every night.

‘Beloved’ is nothing to how your chest felt when he’d come home and see you before he updated Rhysand after being gone so you knew he was okay.

‘Brother’ is not enough to convey how much he loved Rhysand and Cassian, how much love and sacrifice they poured into each other.

“You said I could go first. You promised. And now I’m here, alone, without you. And I don’t- I don’t know how to do it.”

You were yelling, screaming at this slab of granite. You kicked the flowers on the grave, watching them fly through the air as the petals fell.

Yellow for friendship.

“It was supposed to be me! Not you!”

You tug at your hair before you lose all your strength, sinking into the grass covering his grave. Your tears resemble morning dew as they cling to the grass, your knees becoming green with the contact. A few shadows wind through your hair, a few others bring back the bouquet you kicked, placing the flowers back where they were, albeit a bit damaged.

“You’ve never broken a promise before.”

Your voice is weak, the stone in front of you unresponsive to your breakdown.

-

Life moves on. Everyone feels Azriel absence - even Lucien, so full of words is quieter around you. They don’t know how to talk to you anymore, your life becoming more and more hollow as the mating bond in your chest decays, growing into a moldy, decaying thing that turned you rotten.

Why him? Why couldn’t it have been anyone else? Why was it your mate - the one who sacrificed everything all of the time? Why wasn’t it Cassian or Rhysand or any of his spies?

Anyone but him.

You’d do anything.

The days keep moving, the forward progress of time a joke to you. Or perhaps you were the joke to the Mother. You slug through the days, finally able to bathe and dress yourself, but struggling to remember to eat.

Then the voices start.

It’s one soft voice, one you could hear in any lifetime, any world and know who it belonged to. His voice soft as ever delicately telling you to eat, coming and going on the wind around mealtimes.

You listened to it. You could never stay no to him, even if it was just an echo of him living in his shadows.

-

It was well known amongst his family members that Rhysand required his beauty sleep. Eight hours minimum of undisturbed slumber.

Which is why he is tearing through his house on a warpath at whoever is at his door at 2:30 in the morning. He angrily slung on a robe, harshly opening his door, ready to chew out who lay on the other side.

He did not expect to find you, panic stricken, shadows swirling around you.

Your sobs fill his ears, “they won’t stop, Rhys. They keep telling me everything. That Feyre’s asleep, Nyx is asleep and cooing. Cassian’s snoring, Nesta’s awake and brewing tea. They won’t stop.”

You start to collapse, but the shadows hold you up long enough for Rhysand to grab you and bring you in through the threshold.

He places you down on the couch and inspects the shadows swirling around you. He watches them flit about, some moving away, some circling you. He steps on one as it slithers past him, holding it in place.

He looks at you as he grabs the shadow, holding it between his thumb and forefinger, watching it wiggle in his grasp.

“Is this the first time they’ve spoken to you?”

You shake your head no, whispering, “they speak one at a time usually. And not like this.”

His gaze is sympathetic, sitting you on his sofa. “What do they usually say?”

You look down at your shoes, a sense of shyness overcoming you. You pick at your pants, “mostly to eat and take care of myself.”

You hum, remembering, “last week one of them told me Nyx was going to fall, which is how I caught him so quickly.”

Rhys’s eyes are penetrating as he gazes at you, his eyes are a curious shade of violet.

“Can we try something?”

-

Months later, you return home, the black of your clothes hiding the blood soaked within them. You traipse through the foyer, forgetting it was even family game night. Their conversations halt at your appearance. Despite wearing the same colors of the Night Court, the black looks like a deeper shade on you.

Or perhaps the shadows circling you made you look as if you belonged amidst them rather than the fae looking at you.

You nod to Rhys, your only form of communication these days. He nods back, a strained smile on his lips, devastated to watch what you’ve become, grateful he made a pact with Feyre to never continue on without her.

You don’t miss how his hand squeezes her a little too tight.

Your family watches as you step back into the shadows, the darkness consuming you once more. You prefer to stay in them instead of being alone. You linger in their embrace, their consumption of you everything you need, the remnants of Azriel’s scent lingering in this liminal space. You inhale his scent once more, tears stinging your eyes. In the darkness that surrounds you, never knowing where you end or begin, not knowing exactly where in the world you were.

Where nothing and everything existed, floating through your mate’s truest companions, you hear his voice calling to you, the soft tenor of his voice coming from a direction you can’t quite pinpoint.

Or perhaps it was only an echo.

Permanent taglist: @vanilla-seabass @cyrygher @lees-chaotic-brain @topaz125 @chessebookgirl @fides25 @lady-of-tearshed @ashbatz @fxckmiup @lilah-asteria @justvibbinghere @daughterofthemoons-stuff @mybestfriendmademe @heartless-tate @tsunami-of-tears @idrkwhatthisisimsorry @olive-main @azrielsmate3 @pit-and-the-pen @durgenyx @dee-writes-smut

Azriel taglist: @brieflyclassymortal @thisiskaylin

Thanks for reading 💕

[moonshynecybin]

I’m still thinkingggg about that ask bc like. imagine jorge in 2013. you’re being terrorized by a (almost) teenage prodigy (the title that used to be yours) and also that prodigy is fawning all over your legendary teammate who you have a strained relationship with but also is racing him no holds barred and you’re waiting with petty glee for the moment he turns all the media and societal capital he has against that upstart when he goes a bit too far…. fast forward two years and you GET that but you’re now older (by two years lol) and see things you didn’t before (you also get death threats) and the knowledge that you wanted that turns sour in your mouth

with jorge specifically i think it’s also like. he gets some therapy and maybe starts evaluating some wants vis a vis competition and life that might lay outside of what has been chosen for him in the past. like sepang for sure lays a lot of sympathetic groundwork— building a common adversary in a way (bitching about your crazy ass coworker is a scared bonding ritual imo) and lumping them together media wise into the same group. but there’s also jorge saying he didn’t fucking even LIKE marc until they were teammates, which is interesting to meeee as like YEAH you’re spending time together getting to know each other it makes sense that you’re gonna warm up. BUT. compellingly. marc also kicked his ass six ways to sunday on that bike, and traditionally in motorsport that does not inspire new feelings of friendship? especially after knowing someone like 6 years?? so i’m forced to look at what exactly changed in their relationship around this time and then use a lot of delicious psychological conjecture:

first. dani gone. a ghost is haunting that seat at honda and they BOTH know it. can’t talk with the guy they want to talk with so now they have to talk to EACH OTHER ! DEAL WITH IT

second. marc vs vale as a teammate undeniably a different experience. marc at that time was so overwhelmingly dominant ESP on the honda im struggling to see a reality where he bothers stepping to jorge in any way mind games wise (he’s not putting up a WALL in the garage he’s not doing corporate espionage for jorge’s workout routine. marc marquez maybe one of jorge’s more normal teammate experiences which is CRAZY.) AND jorge was at the end of his career and dani (his closest peer) had just retired… like i think he had an inkling. maybe got some new perspective just from getting older (and. therapy good lord. shout to jorge lorenzo for actually and for real getting therapy when so many other motorsports guys with weird relationships with their dads did not) and once he realized marc was actually and fr pretty nice off track i think that also helped… i think jorge will meet your energy in lots of respects ! like there’s marc as rival/competitor who he doesn’t know that well versus getting to know him and being like damn. alright guy. which is SO funny to me

[tangents-within-tangents]

Thoughts on Echo as amputee/disability representation

First and foremost, I am not disabled or an amputee and I don’t claim to speak for those communities. What little I do know mostly comes from this youtube channel (@oakwyrm), this post, and other research I’ve done for my writing (and like one amputee I kinda knew in passing). By all means correct me and add to the conversation, I just have some thoughts I want to share because I haven’t really seen this discussed anywhere

Overview

So Echo is interesting. He is a triple amputee which is pretty rare in media. His disabilities come from extremely traumatic circumstances: injured in a near-death experience, imprisoned and dehumanized as an experiment with no autonomy over what happened to his body.

There are a few moments in the shows where Echo is treated… questionably. Like this bit where Rex uses him as an example of the Separatists' evils to convince the locals to fight back:

To be fair, yeah Echo’s treatment does prove that the Techno Union is not neutral like they claim. The modifications that everyone is gasping in horror at here obviously weren’t made with comfort and accessibility in mind, nor with Echo’s consent. But you still just want to be sure that “They took away his freedom, his humanity, they tried to turn him into a machine” is about using him as a living computer, not the fact that he is missing limbs. 

The Batch is also pretty insensitive toward him and his trauma imo, which is weird considering they've supposedly also faced discrimination for their mutations

Disabled people do have to deal with stuff like this in this day and age so I guess it can speak to those experiences. I think especially him being mistaken as a droid (and Hunter going along with it (bruh)) might resonate with some people. 

Aside from that stuff, Echo isn't really treated any differently as a character/person which is really good (as low of a bar as that is).

We get this moment in CW where Echo contemplates that yeah things are gonna be different now

While also (imo at least) showing that he is still the same person regardless, evidenced by the fact that he just echoed Rex :,) I also think it's significant that he joins the Bad Batch on his own terms and we're given a really emotional scene to specifically show that he's not just like 'lumped in with the other misfits' but that it is his choice to go where he feels his place is.

A lot of people, myself included, are disappointed that TBB didn't have more time to explore Echo's PTSD, but I think the one panic attack scene we did get is really good. Even thought it's minor it at least is an appropriate reaction from a guy who was medically tortured (which is more than I've come to expect from Star Wars shows lol)

And it's really sweet to see Omega showing Echo some empathy and consideration.

It would have been nice to see more of his adjustment period, and other side effects like chronic pain and maintenance, but there’s a lot of daily life stuff the show never had time for (i.e. we don’t know if he removed his prosthetics to sleep, but we also never saw him sleep anyway). His disabilities might take on a background role (much like the character himself sadly) but for the most part they aren’t invisible or erased, nor do they define his character and arc.

Physical Appearance

Okay this one is bit dicey, bc on the one hand, yes complaints that Echo’s paleness (caused by burns from the explosion or chemical burns from the cryo-chamber) is whitewashing are totally valid. But I also think you can draw comparisons to real life conditions that affect pigmentation/complexion (like you know burns). So while I understand why a lot of fanart will depict him with his original skin tone and with hair, consider that there are real people who have to live with temporary or permanent changes to their appearance, and the idea of “fixing" him by making him look more like his old self can be problematic.

It's also interesting to note that Echo could act as a reversal of the 'disabled/disfigured = evil' trope. He's pale and bald and wears black and red, which is so often visually associated with villains, but we all know Echo is the bestest boy™

The Headpiece

Echo’s headpiece is interesting because within the show we don’t actually ever learn much about it (idk if there is more info in books or whatever bc i don’t have them so?). He didn’t have it in CW so we know it didn’t come from the Techno Union and therefore Echo probably had more choice with it. We don’t know its exact purpose but it’s most likely related to his scomping abilities. When he is hacking with his scomp in CW, before he has his headpiece, it’s clearly very mentally straining:

We don’t see him struggling like this in TBB once he does have it (though that could be bc he got more used to it over time). There doesn't seem to be much of an impact when he removes his headpiece in s3 ep14-15, except that he gets stuck in the ports every time he uses his scomp which is not something we’ve seen before: 

There might not be an exact real-world equivalent, but the headpiece is some kind of accessibility aid. It means that someone specifically designed a device to help him adapt to the changes the Techno Union made, as well as a helmet that integrates it. It’s removable and visually very present, much like a cochlear implant would be. (A lot of people actually headcanon it to act partially as a hearing aid, since it makes sense that Echo’s hearing would have been damaged in the explosion, but there’s isn't really any indication of this in canon.) The headpiece is never really acknowledged in the show, but I think that's a good thing. It's something he needs/wants and it just exists, completely normalized, and that's pretty cool 👍

Legs

Sigh... So from the very first episode of TBB I was really disappointed that the animation team or whoever completely visually erased Echo’s prosthetic legs (I think we all were, honestly, if fanart is anything to go by). It’s one thing when he’s in armor because he would probably want to protect his prosthetics, but we literally see him in his blacks and there is no indication whatsoever that he lost his legs even though it was not left up for debate at all in CW:

Like ??????!?

This is just really strange to me! Idk what went on behind the scenes with this decision but I don’t really see why it would be that much harder to animate or anything since it’s 3D and they've done it before. We do see some pretty sophisticated cybernetic technology in Star Wars canon that mimics real limbs:

But Luke’s fancy hand is technically 20ish years from now, so Anakin and Maul are more of a representation of what level we could expect here

So yeah, for no apparent reason, his leg amputation is effectively, visually and narratively nonexistent. Which is not great 👎

Arm!

The scomp on the other hand (uh lol!) is the complete opposite and I kinda love it!

At first I, like many others, thought it was a bit odd that they didn’t give Echo a prosthetic arm. Losing hands is basically a Star Wars tradition at this point, so robotic arms/hands are well established within the worldbuilding: 

We aren’t necessarily given a canon reason for why Echo doesn't get a cybernetic arm (again unless it's in some lore book I haven’t read, sorry). General fanon explanations I’ve seen are that he either couldn’t because the Techno Union wired the scomp too far into his nervous system, and/or the resources to give him one were deemed too expensive for a clone (what about his legs tho?), or that he chose not to, usually because he thought the scomping was useful. 

Regardless, I actually really love this choice (and it's the whole reason I made this post), because here's the thing: There’s a lot of problematic tropes out there that either erase/cure disabilities or compensate them with perks (like how pretty much any blind character is actually not blind by some sort of magic power). With amputees that is done with robotic arms. The character is still an amputee or course, and there is still value in that representation, if this story from Mark Hamill that makes me tear up is anything to go by:

but for the most part these characters function like anyone else, just with a limb that looks a little different. It’s no more than a video game skin, an able-bodied actor with a green screen glove. It “cures” the disability, or it actually makes the character even stronger than usual: 

It usually makes sense within the world of the story, but the reason it’s not so great in my opinion is that in the real world we just do not have technology anywhere close to that yet. Prosthetics can more or less replace any mobility from lost legs, but not for all the complexities of a hand (and even if they could the average person wouldn’t be able to afford it).

So

I think it's actually really super cool that Echo’s scomp bypasses the canonically-established amputee erasure and functions much like a stump would irl. He integrates it into his movements and everyday life and it’s (as far as I know) a lot closer to an everyday amputee’s experience. 

It doesn’t define his character, it doesn’t hold him back, he lives a full life, the other’s don’t treat him any differently, and he’s still a total karking badass 

The only additional thing is that he sometimes uses it as a weapon (which given his story, I think it’s cool to see him taking back autonomy in a way, and we only see that like twice)

And also the scomping, which could be seen as the 'added/compensating superpower' trope. But narratively it's no different than if he was plugging in with a hacking gadget of some kind (he didn't necessarily "need" to lose his arm for it) and it’s not like Echo is completely defined by this skill. Personally, I think it's well worth the positives of him actually having a visible and realistically impactful amputation. 

I see a lot of posts or comments out there that say stuff like “how come Echo doesn’t get a hand?” or fanworks that do give him one and I just think it’s a bit of a shame. If he did get a robotic hand, it just would have disappeared the same way his legs and Anakin’s arm did (aside from that one time he got yoinked by a magnet). When Echo did “get a hand” in the last two episodes there were comments like “yay he finally got a hand! but it doesn’t even work” but I was actually so relieved that it didn’t! Bc for one thing that wouldn’t make any sense, he grabbed it off a droid, it wasn’t designed to implement with his scomp, that would be really complicated. But more importantly because it again refused to erase/cure his disability! It functioned like a real-world cosmetic prosthetic (useless beyond appearance) which is exactly what he needed it for, so that he could blend in better with his disguise.

And he continually took it off throughout the episode and ditched it at the end. He only used it for the necessity of a stealth mission, he doesn’t feel the need to visually “fit in” in his daily life. 

And, last but very much not least, he made a dad joke and from my intel that is very accurate representation!

TLDR: Echo’s scomp is actually really cool from an amputee representation perspective, especially within Star Wars, and I think that deserves some appreciation 

[scintillyyy]

okay. so a tim villain who shares an origin commonality with him. i wanna expand on this a bit more, actually.

like. i do like a good dark reflection (& none for u tommy elliot bc u suck and i hate you) because dark reflections are a good way of highlighting differences. and a tim villain who was in the same boat as tim ie/ just a normal kid at the circus with his family--none for u heartless--is a very fun way to me of a) being able to expand on the horror of going to the circus for a happy family event & it ending in the worst way possible and how that affects the audience and b) by giving another example of how a kid might've been similarly affected to tim allows us to really dig into how different families would've coped, or lack thereof, in a way that can bring us back to expanding on tim's childhood experiences following the circus (which is sorely needed imo).

because okay, obviously--tim wasn't special--he was just one of many kids at the circus that day. what ends up making him special is that his experiences *fundamentally changed him* in a way that soldifies his desire to do good, to be compassionate. like the idea that the drakes weren't the only ones who were out there taking pictures with the acts--it was a totally normal thing that ended up becoming a formative moment & it's not that tim was special--no, the photo was mundane--it's that tim's choices after the fact, to care, to find bruce, to have a desire to bring people together, are what ultimately make him special & worthy of the things he achieved and chose to do bc of his hard work & desire to do good.

so like. tim & villain tim. we start at the circus. two boys there, each with their parents, each end up taking a photo with dick. each is charmed by dick. i'd put some differences here--whereas jack & janet were nervous about tim's first time & received the comfort & tim got the promise of a quadruple flip. other family was maybe a bit pushier & demanding and got a photo with the graysons that way. tim is enamored about dick's smile & costume, villain tim is focused on how famous they seem.

obviously the fall & this makes a mark on both boys--tim because he's thinking about dick & villain tim because he can't believe these famous people just died in front of him. both boys develop an obsession of sorts & this becomes a memory.

and then we can use this as a way of exploring tim's childhood--delve into how his parents chose to send the photo to dick. delve into how started fighting, the decision to send tim to boarding school so he wouldn't be exposed to their marital strife, & how they tried for happy and loving family outings when home--it's complicated, and distant, and lonely but also loving. maybe throw in a thing about how they took tim to therapy and assumed it worked & tim was better now. and then explore villain tim's family which maybe had more strife from the trauma of the circus--his parents also start fighting, but they do it more in front of him leading to him being caught in the middle of the dissolution of their marriage. they did not send their photo to dick--they throw away all reminders of the circus. they don't attempt to go out again as a family. it's more physically present but more strife for villain tim. OR maybe their life is totally fine, but mundane. and having had a glimpse of the famous--villain tim develops a longing for a taste of that world. tim develops an obsession with dick & batman out of concern for dick--villain tim develops an obsession for dick & batman as a form of escapism and bitterness. they both see the quadruple flip--they both realize dick is robin. and they both then figure out bruce wayne has to be robin.

and then they both notice batman goes nuts--but whereas tim is forthright & decides he has to fix things, villain tim chooses to not intervene--because he doesn't see the point in saving anyone, he just thinks knowing is cool. & he's got a slight entitled superiority complex from just knowing he knows. villain tim doesn't think anything of it when there's a new robin--but when he notices that nightwing aka dick grayson is suddenly all buddy buddy with robin, well. he starts to get a little annoyed & jealous...after all, dick was his obsession.

and obviously we go into both lives devolving--tim's loss of parents & eventual adoption by bruce, villain tim's parents also die in different ways. once tim gets adopted villain tim realizes that tim is robin--the one that dick grayson loved. he figures out tim was at the circus that day too...and he figures out how tim put it together and figured it out like him. & he starts to get jealous--after all, on the outside it looks like tim had it all--he was rich, he went to fancy boarding school, he got dick & bruce's love...all the things villain tim wanted when his life was at it's lowest. and he starts to get mad at tim, for stealing what should have been his--after all, he knew the whole time. his life sucked. didn't he deserve those things more? shouldn't those friends and family belong to him? he figured it out too, after all. and his obsession with tim slowly grows and grows. he starts targeting other kids who were at the circus that, but in a way that targets tim--so tim has to find out who and why and how everything is connected.

and when tim finds him, tim has to grapple with seeing someone who was so like yet unalike him. someone who let bitterness and entitlement to the secret be his downfall. who makes tim wonder if he was entitled to this life at all, if he even should have come to dick and bruce that day--he's not special, any single kid could have taken his place after all. his origin at the circus--it could have been any one of them who decided to fix batman if they figured it out. but only tim did. and that's what sets him apart.

as much as i hate sending more people to the circus that night, i think this could be a fun place to put darcy/sparrow as a kid there that night who didn't figure things out & have her and tim work together to save the kids of the audience or something. idk.

have villain tim start targeting the bonds tim made while robin, then we could do stuff with like. young justice, huntress, bruce, dick...

something something i like playing with the ideas of how tim's ability to put himself out there is what is his strength and ultimately sets him apart. that he earned what he got, he wasn't entitled to it.

[jrueships]

hes so funny to me

[suntails]

acts of service

[liquidstar]

and now for something stupid

[forestgreenlesbian]

.

[toss-a-coin-to-your-stan-account]

thinks about how maybe there might have been just enough time for aziraphale to save morag if he got straight to healing her immediately but he spent so much time trying to justify it to crowley (who didn't even oppose it at all) because his religious trauma runs so deep that he felt like he had to explain why saving an innocent young woman's life was worth using a miracle that it ended up being too late. thinks about it again. thinks about it again. thinks ab

[wlwocprincess]

You know the when it comes to the “demonized radical leftist freedom fighter that the narrative has chosen to turn into a villain (maybe they’re a terrorist? War criminal?) that makes the protagonist realize that radicalism can be Just As Bad but then chooses a way that’s easier and safer than Liberation” I’m surprised nobody has pointed out Gale Hawthorne. He’s this trope exemplified. Ppl will pick all these characters but Gale Hawthorne, probably because we have all sort of deluded ourselves into choosing the comfort of the easier and safer option that is so within the ending of these books, isn’t labeled this way which is wild. This is a poor brown character who we get to know really well throughout the first two books and because of how angry he is due to his oppression he quite literally ends up making Bombs that are used to kill children. And we just. Move on from that. Accept that’s just who he is now and that’s the end of his story as we know it. Huh.

[fagmegumi]

generally beginning to realize that most people who thirst for the jjk men are doing so incorrectly and for the wrong reasons like just making up a generic archetype of a really cool hot guy from those het smutty self published amazon novels and pretending theyre the jjk dudes. when you can say anything about gege akutami but he gave us such a diverse & fascinating cast of hot dudes who are losers in such specific and different ways but always so devastatingly that none of them get any hole whatsoever

[symphonyofsilence]

Learning about the Yunmeng Shuangjie and the Nieyao drama through Wei Wuxian's and Nie Mingjue's points of view.

[mitchievousness]

KazuRei Week Day 1 - Growing Old

when miri is fully grown and moves away from the family home, the papas move to the countryside and become the unofficial elder gays in the little village

[femmesandhoney]

my mom is friend's with a guy who's paralyzed and can only control some movement in his hands/fingers and very minimally his arms. he has specialized equipment from his wheelchair, to reconstructing his bathroom, specialized bed and machines to get in and out of it, all this expensive medical gear to accommodate his paralysis. his wife is his carer, though he's grown enough and has lived long enough with it that he's able to do many things on his own. but even then he cannot easily travel with his wife and kids, cannot just on a whim do things he wants to do without struggle, and has to be aided by others to do things that many of us take for granted like washing ourselves. being paralyzed and with minimal mobility, especially when you've lived much of your adult life with full mobility and control of your body, is a terrifying and a hugely expensive experience that changes the trajectory of your life. anyone playing down how that man injured that woman deserves a world of karma, they don't realize how serious it is or just do not care about Bird in the slightest.

[s0fter-sin]

i’ve been watching yannis marshall choreography for like 15 minutes and i’m back thinking about my dancer au

gaz suggests a pole dancing segment for the music video for price and ghost shuts it down hard, saying he doesn’t do pole. gaz calls him selfish, that he’s just saying no to spite him but ghost holds firm; not even listening to soap as he tries to reason with him and reach a compromise

soap gets to practice early like he always does, just to see ghost blasting another life by motionless in white and doing a flawless pole routine. he’s as mesmerised by him as he always is, such beautiful movements contrasted by the seemingly harsh music, and waits for him to break before teasing, “i thought you said you couldn’t do pole dancin’.”

ghost just wipes the sweat off his face with a towel. he knew he was there

he always knows when soap’s there

“i said i didn’t do pole; not that i couldn’t.”

“what’s stoppin’ you?” soap asks, genuine and innocently curious and it’s the only reason ghost doesn’t completely shut him down

“what ‘bout you?” he asks instead. “ever done pole?”

he shrugs and sets his bag down. “enough to get in a twirl or two. ‘sides, gaz’s better suited to that kinda delicate work.”

“now, that i know is bullshit,” ghost scoffs and soap tenses, expecting him to go off on another rant about his best mate (just like he waits through gaz going off on ghost) but- “i’ve seen your competition tapes; you’re plenty strong enough to work a pole.”

soap stares at him. “how have you-?”

“price,” he answers simply, throwing the towel on top of his gear and all but stalks towards him. “i like knowin’ who i’m working with; he sent me your breakdancin’ comps. if you can hold a three-fingered hollowback handstand, you can bend on a pole.”

soap sputters as ghost grips his tank top and yanks him over to the pole, setting his hands in place on the body-warmed metal; bracketing his body with his own. he guides his body through the motions; teaches him how to fall and catch himself in a spin, how to gracefully climb and hold his body in midair

soap laughs as he throws himself into a spin just to bend his legs over his head, twisting his body to latch onto the pole with knee and lean perfectly horizontal with his other leg splayed out; his arm thrown above his head

he tips his head back to catch ghost’s grin and almost drops himself as he jumps up to join him; artfully climbing above him and holding his whole weight on his hip as he flips down to look at him

soap’s breath catches at the scant distance between their faces; so close he can count the near invisible freckles on ghosts skin, his fair lashes and the deep flecks of gold in his dark eyes

ghost is just as entranced; his grin slowly fading as he looks into the light sparkling in soap’s eyes. he tips his head towards the mirrors lining the studio and they slowly turn to look at themselves; fitting perfectly together

“see?” he whispers. “we don’t look all that outta place, do we?”

“no,” soap whispers back. “we don’t.”

[starlooove]

I rlly liked red hood the hill bc besides the gift it completely ignored everything else with the batfam which to meeee I’m taking it as the hill has been overlooked by the bats forever (see Orpheus rising) so yeah nobody there gives a fuck about those people and jason knows better than to bring that shit over there