#but it would cover up too much

[ganondoodle]

core 3

[shopcat]

i think in the hamster wheel of my mind a big part of where people go wrong with eddie and his shitty garage band as an extension is that they for some bizarre reason think he's gene simmons metal when he's jack black metal. heavy metal. he's tenacious d metal. he's school of rock. he's stoner lord of the rings metal he nearly wore blue jeans and plaid. jack black literally in real life once said eddie was the best character bc he's heavy metal like him. LOOK AT THIS

[gummybearstastelikesadness]

Vlads secretary recently quit in the middle of Vladco having a minor business expansion into Gotham and now he needs to hire a new one.

The bats are currently investigating one Vladimir Masters after he started to bring his business into Gotham. They’re very interested in the suspicious nature he acquired his wealth. Maybe it’s time to forge some resumes and bust out some old identities, Tim still has that blonde wig after all.

[sysig]

uuuumm for the request thing maybe pastel gaster? maybe with the evil goatparents or evil alphys, haha. or maybe even evil temmie lol.

Day 29 - He's studying you with a smile...

[botanautical]

THE DARK ERA - 黒の時代

(textless version below the cut)

[imerian]

My (very old) loscar brooch (?) that i just now made doodles for

More pictures under cut

[daily-hanamura]

[voiider]

I've read a few fics where Something Happens (Tim accidentally kills someone) and Tim calls one of his older brothers and they come and help him cover up/hide a body but like,, if Damian killed someone (accidentally or otherwise) Tim would not even hesitate that body is already melting in acid. He has crime scene cleaners on retainer and enough blackmail that they'll never say anything.

Tim has like 7 contingency plans for this Exact problem and he is going to do his big brotherly duty of helping his younger sibling cover up a mistake/laps of judgement.

And Damian is waiting for the other shoe to drop bc this is the perfect time for Timothy to oust him. He broke father's rule and now he'll be sent back

But Tim continues to say nothing and eventually even corners Damian and is like "bestie you gotta c h i l l they know somethings up I can't keep using puberty as an excuse for you" and Damian is like "why wouldn't you use this opportunity to prove you're the better son. To finally get me out of the house and claim your place is the heir" and Tim is like "uh im your older brother this is my job" and Damian is like "it is an older brother's job to help hide their younger sibling's murders??" And Tim is like "yeah absolutely except don't go to Dick or Jason only go to me or maybe Cass if I'm not around I think Dick would have a conniption and we don't want Jason to relapse"

[oreo-creampie]

Why is toji’s waist so fucking slutty?

[ninjasmudge]

headcanon post derailed i realised how funny it was to give him guns

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[ratwithhands]

1 - Diantha security detail comic

2 + 3 - Emmet's UDF uniform vs Kalosian Guard uniform

4 - Lore/Background comic

Hooo boy ok so this idea has been simmering on the backburner for a while now. So Legends Z-A had its trailer released a few days back and I figured I'd make something around it. I know logically it's going to be a game set in the past but I found myself wanting to work on something more futuristic/sci-fi which is why we have our little Cyber Emmet here.

There's a lot of different things to mention so I'm just gonna break them down by the images.

1:

Diantha is attending a conference/ceremony where she will be discussing the plans for the urbanization of Kalos with the assistance of neighbouring tech giant and long time trade partner Unova. As a sign of goodwill, the Unovan Defense Force sent several people to either work as security or to help organize and prepare the ceremony. Among the list of people is Emmet, who was recently "working with" the UDF, and who is going to serve as Diantha's bodyguard for the event

Emmet's uniform was made by a mix of Unovan and Kalosian designers. It's meant to mimic the shapes while still keeping aspects of his Unovan uniform (mainly the collar, cuffs, and silver trim). He is carrying a handgun from his UDF uniform, however due to the public nature of the event, he is using his charge pistol instead of his wired pistol. He's also using a different face shield, using a silver one as opposed to his black one, since it better matches the uniform he's wearing for the event

Diantha's fur coat still has the angel wing shape. This isn't lore relevant I just couldn't fit the full thing onto the panel but it's definitely there

2 + 3:

Emmet uses a wired pistol (left side holster) and a charge pistol (right side holster). Both are standard issue firearms used by the UDF, however charge pistols are more common thanks to them being easy to hold and carry. A wired pistol connects to a battery pack of some kind to fire at a greater speed, whereas a charge pistol will generate its own power but take longer to fire and load. Emmet's wired pistol connects to the battery network that powers his body, allowing him to take advantage of his fast reflexes by using his faster weapon

Emmet doesn't get anything to wear for his Unovan uniform! Part of the contract he signed for his cybernetics states that he can't cover the prostheses unless it could lead to a breach in confidentiality (such as going to a foreign region or appearing in public outside of work reasons) since he's meant to effectively advertise the quality and construction of the body built for him. Of course he refuses to go outside completely naked to fight so the UDF got him a cropped version of his coat and shoes so he can have some more cover

The face shield is meant more for form than function. Technically the only purpose they serve is to cover his face when he's out on patrol, though it can also act as a screen to show him information about what he's seeing (kind of like an AR headset). He could technically get the screen function though cornea implants but he's not doing that + he wants the anonymity provided by the shield

Sections of the body can split open or be removed. The front abdominal panel can do both due to the different processing mechanisms inside needing easy access for repair/maintenance. Limbs can be swapped for different prostheses provided they have a compatible socket

The sockets in Emmet's back can be used to power other weapons/devices if he has a compatible cable. Emmet was given a bag of different attachments and cables to hook into his back so he can power a range of things from phones to laser rifles

He has removable skin. Any shot of him with the black body is the body without skin. In situations where he could possibly have skin showing or he is required to wear something that shows more skin, he'll have material rolled over the sections of his body that will be visible so they look more normal

4:

Emmet got run over by a train ♥ long story short is that he went to rescue a passenger who had fallen off the platform and miscalculated how much time he had before the train pulled in. Once he got stabilized in the hospital afterwards, he only has around 30% of his original body intact, along with some sections they were able to somewhat repair but required new hardware being installed in order to return their function. Anything under the waist and a large portion of his arms were crushed beyond repair and as such, he's been connected to different machine to mimic the functions of his organs

The UDF (in a rather scummy play) contacted Emmet for business, asking him to sign a contract that would ensure he would live by letting them test their confidential new tech on him. He is the only ethical candidate they have for testing such prostheses so to get him to agree, they offer to cover the cost of everything relating to his health and work, as well as paying him a salary for the trouble. Since the only other options are "die slowly" or "lose all self sufficiency and go bankrupt living in hospital", he agrees, and so begins his second job as a living experiment and tool for the UDF

I think that's the most I've written for one post yikes. This isn't even everything but I'll cut it here because my hands are not pleased with me typing.

I still have a lot to think about for this concept, mostly what kind of work Emmet will do while overseas in Kalos and whether something dangerous enough will happen to warrant him using his body for what it was made for. That might be funny, only two settings and they're "I love macarons :)" and bloodshed.

Anyways hope you guys enjoyed this dump, feel free to ask on anything (it helps me write too ^^). See you later and have a nice day!

[spacedlexi]

people dont talk enough about how heartbreaking the marlon betrayal mustve been for clem too,,

this dude saves the life of her and her kid. takes them in has them patched up gives them their first hot meal in who knows how long. gives them a safe place to stay. possibly permanently. confides in her that hes trying to be a good leader but feels like and fears that hes failing. asks her to help him take care of the rest of the group. helps her get over her fear of dogs by asking her to trust him. and things go well. she feels safe. like this place could really finally be the home shes been looking for

but as soon as she finds out what happened to the twins. that marlon planned on giving up her and aj too. she immediately becomes a liability to him and he attempts to kill her for it. locks her in the basement to die by walker. then tries to turn the group against her so he can shoot her instead when the first method fails. and he nearly succeeds

then a majority of the group turn against clem the minute aj kills marlon. ignoring marlons mistakes but condemning aj for his. like clem wasnt betrayed by marlon in the exact same way he betrayed the twins. like she literally wasnt almost killed twice? and how long had he been considering giving her up? was it always some contingency he planned? did he truly want to keep them around and things only changed when he feared the raiders had returned? she'll never know

[wyrmlair]

I am once again wishing that season 11 hadn’t been canceled 6 issues in, but at least we got some banger cover art!!!

[mrehkka]

Zim's PAK regulates his temperature so he doesn't get very cold. .....Dib on the other hand is freezing and hates the snow

[puppyeared]

sketches for sleight's van, the Magicmobile ^_^