#but just taking the general concept and going THAT'S LITERALLY THIS OTHER CHARACTER

[eww-y-tho]

Colin VS Toxic Masculinity and Why Penelope Had to Reveal Herself as LW

I made a previous post with my two cents on why the idea of them both figuring out a solution to LW was an inferior concept to just Penelope figuring it out on her own, but it was small and I want to go more in-depth.

So, in order to grasp ✨my perspective✨ of the story, we first need to talk about Colin's struggles with toxic masculinity and his inferiority complex.

Naturally, Colin is a hopeless romantic with demisexual tendencies and a more prominent softness compared to other male leads. He's a bit dense (I say with love) until he figures out what he wants and how he's going to get it, and then he is a man of frankly ridiculous action. He's a sensitive boi who has a difficult time fitting in with the other men in his life and being taken seriously by his family, as he puts it himself. An empath, lol.

Honestly, Colin being a "rake" was an integral point of his character arc, and if you haven't picked up on that text by now, I would ask where your media literacy is. Violet put it best, he's putting on armour to protect himself from the way that society treats his character, and naturally, he develops a small, albeit persistent inferiority complex because of this. He doesn't feel like he's providing enough to the people around him because of toxic masculine standards.

I honestly think it's been with him since s1, and Pen is the only person who could bring these thoughts to the surface, which is why it comes to a head in s3 p2.

But I'm getting ahead of myself.

In his efforts to fit in, he does some questionable things, such as the 2x8 comment, which he regrets as soon as he realizes how much damage it has done to his relationship with Pen. He hangs around with douchebags that he can't stand because he feels a need to conform and "be the kind of man society expects him to be."

But he also absorbs toxic masculine tendencies in the process. His gut instinct of general envy that a woman, Pen, is more successful than him (I hate to put it that bluntly, but that's how I took it), asking for her to quit LW because of these reasons, completely disregarding Pen's autonomy and her perspective by blindly charging forward to stop Cressida's blackmail, among other smaller things.

It's kind of ✨subtle✨, but I know it's there.

Pair that with his inferiority complex and you have a man who is trying to put down Penelope to his level, if that makes sense. By this point, he's already conquered the idea that he needs to conform by the way he cuts off his toxic friend group, but he isn't completely free from the systemic perspective.

Therefore, the idea that Pen would need him in order to find a solution to her problem confirms that toxic masculine trait. Let's be real, Penelope didn't and doesn't need Colin in order to help with LW's problems. She's managed without him before and will continue to manage it by herself. This is not to say that Penelope doesn't have an issue with accepting help from others and feeling the need to handle her problems alone because of her old situation, but she takes the emotionally intelligent move by LITERALLY voicing what she needs from Colin and their relationship.

She needs his companionship, she needs his love, she needs a rock she can come to at the end of the day and be able to depend on. She does not need him to do anything for LW, as it is a part of her identity and an accomplishment that she is proud of and will not let go of. Colin cannot make the demand that she drop everything she's worked for for him.

And that's how relationships work in the real world. You have things you are willing to let go of, and some things you are not. Your partner has to accept those boundaries you have set or leave the relationship, and you shouldn't have to abandon those things in order to get the person of your dreams, because that would make it a toxic relationship from the start and will most likely end in you losing parts of yourself in your partner.

Anyway, all this is to say that Penelope had to get out of her situation by her own means and with full autonomy on what she wanted to do to finish off her character arc.

And Colin needed to realize that his envy is a baseless emotion that simply has no value compared to the woman he knows her as. A strong, independent woman who doesn't need him to do things for her. He also needed to humble himself and see the way that LW is not competing with him, but a part of her. They both demonstrate that what they need from the relationship is not transactional in nature, but rather a shared bond powered by love.

I understand the idea of wanting them to both find a way out of the blackmail as a team, but again, that's explicitly not what they need from each other, and why I think this perspective is again a misunderstanding of their character arcs.

I think I've articulated this the best way I can, but I do know I wanted to say some other things. I'm tired tho, so yeah, ending it here.

Hopefully, this made sense.

Bai!

[skitskatdacat63]

Christopher Nolan making movies: I'm gonna make a film that is so confusing and non-linear

[watch-out-it-bites]

Agh......

[thats-a-lot-of-cortisol]

2 & 3 from section 1 for peri and 7 from whichever section has a more interesting #7 for diodore -moss

oooh these are fun ones!

2. Describe their tent set-up (outside and inside) (Peri)

I think Peri's tent is constructed similarly to Gale and Astarion's (boxy, fabric walls, little covered area outside). Deep blue fabric w/ golden astronomical embroidery, mostly the sort of thing you see on star maps. Little golden tassles around the edges of the tarp (?) and the doorframe. He'd have a small, circular, dark wood side table short enough that you can use it sitting on the ground, and a dark blue pillow next to it; there would be some parchment and a bronze miniature astrolabe on the table. The inside would be just. full to the brim with the gaudiest night-sky-themed pillows you've ever seen. No bedroll, no palette, just a nest that would put those cube pits in trampoline parks to shame. There would be two bird perches for his familiar Medani: one taller one next to his tent and one shorter one under the overhang. The shorter one would have a crow-sized bow-tie hanging from it. Rugs on rugs on the outside area ofc. 3. What would their character quest be titled? Why? (Peri)

This is a hard one! His tav ending involves taking over the Waterdeep arm of the Harpers, so I think his arc would have something to do with that. He'd be pretty bitter about being dropped into another near-apocalyptic mess when dealing with the last one a few years prior was supposed to be a one-time thing. Something-something ptsd in a world that doesn't have the words for that yet, something-something 'once a hero always a hero', something-something the weight of responsibility...he's a planeswalker so I think part of it would be whether he decides to stay on Toril long-term and directly help rebuild the Waterdeep Harpers or if he continues to run travel around afterwards, so maybe The Far Traveller/The Far Walker?

Harpson/Fae-son are also potential options. "Fae-son" nods to him being a changeling without it being super obvious (like Astarion's "The Pale Elf"). It would also mimic his backstory reveals from RoT ("oh he's not 'from here' so, like, the Feywild" -> "OH he's not from here"). 7. Describe their arc. How would a player help resolve it? What choices can be made? Can your Tav be turned down a dark path, or pulled to a lighter one? (Diodore)

Buckle up because we're in for a long one here. I've thought about Dora's story arc a lot because she's the first of my tavs that I truly made for the game while having full control over her backstory, etc. (versus Corentin, who had their arc baked into the story as a durge). Dora's a paladin of Corellon (oath of ancients) and her story arc as a companion would have to do with whether or not she should accept capital-r-Redemption, the process by which a drow can be truly "freed" from Lolth and rejoin the ranks of the rest of elven society. It involves all of the Redeemed drow's memories being erased and them being reincarnated as a surface elf. The implication seems to be that without that, regardless of a drow's actions, they'd be thrown back to Lolth when they die? Or at least that their eternal fate is unknown (which is the way I prefer to think of it for. personal reasons). Under normal circumstances, Dora would be a long way from Redemption being presented to her at all (she's not even 200 yet and has only been on the surface for a couple decades), but like with the other gods' Chosen among the companions, near-apocalyptic circumstances tend to speed up those sorts of things.

Of course, you'd have the themes of faith & relationship with deity when they're all unequivocally real and are also mostly all assholes; maintaining or breaking generational cycles; facing the unknown; morality when none of your choices are "good" (and how that interacts with morality vs self preservation); power vs freedom; identity outside of the people who made you; etc. The choice would first be presented to her sometime in late Act I/early Act II, likely the first long rest after the group resurfaces from the Underdark and you've probably gotten some of her backstory already. I have no idea how Larian would have characterized Corellon, but he's considered one of the more benevolent/open-minded deities iirc, which could be interesting to see contrasted with Mystra, Vlaa'kith, and Shar. How much that open-mindedness would extend to a drow, even one who has been a faithful follower even before she escaped to the Surface (and who inherited that faith from her father), is unclear. At the beginning of the game she would be leaning towards accepting Redemption, despite her own misgivings about whether or not she would still be her in that case.

Her final decision (at the ending pier scene) would depend on the relationship she has with the PC and the other companions. Her best ending, imo, would be her not accepting Redemption but continuing to be a force for good. If she has a good relationship with the PC, she would have something to lose. I think seeing the House of Mourning would affect her too. After all, the thing Corellon is offering to her as a way to find peace is the same thing the Sharrans are using as a way to manipulate and control others.

She's viscerally aware of how she was socialized and very actively chooses "good", so pushing her towards a darker path would be incredibly difficult but not impossible. If you side with the goblins she'll leave immediately, and turn on you if she's in your party when you attack the grove. But if you decide to try and control the cult in Act II, depending on your over-all actions before then and how you've interacted with her, you could disillusion her to the point of convincing her to break her oath. That path would entail convincing her that controlling the cult is actually the best idea. I'm sure there would be other times that her oath could break that wouldn't necessarily lock her into an "evil" path, especially with how Oathbreakers are handled in the game. Knocking out Minthara instead of killing her outright and letting Auntie Ethel go in Act I instead of killing her are two things that come to mind.

If she doesn't choose Redemption she would be at the epilogue party, of course. I'm a bit undecided on what would happen if she does choose Redemption. She may not be there at all, w/ Jaheira, Halsin, Minthara, and/or Astarion mentioning running into her in her new, reincarnated state. Or she would be there, confused, and mention how the PC seems familiar in a way she can't quite place. In that case, she would ask them how they know each other and mention something about feeling a twinge of grief looking at everyone, but that she doesn't know why she feels that way. It would be up to the PC how much they tell her (if they tell her anything at all).

[halfvalid]

Hiii! If its no trouble could I have a zoro and reader fic with the one bed trope? The others know about their crushes on each other so they force each other to share a room? Anyway they end up cuddling and its all cute (the others will tease them forever about it lol)?? Thankss

intertwined ribbons

ABOUT

alternate title: opla zoro makes my hated tropes less hated

rating: general audiences/teen & up

characters: live action!roronoa zoro | fem!reader | live action!nami | live action!straw hats ensemble

pairing: live action!roronoa zoro x fem!reader

word count: 4.9k

description: unbeknownst to you, your crush on zoro is reciprocated. the rest of the straw hats take it upon themselves to get you together by locking you in his bedroom overnight.

tags: strawhat!reader, only one bed, forced proximity, confessions, no use of 'y/n', nami is a true instigator, cuddling, soft zoro, humor

author's note: thank you so much for the request and i hope it meets your expectations!! fun fact i actually used to hate the 'only one bed' trope, so i decided to challenge myself in writing this. and i think it's one of my fave tropes now lol

(you have an inner spirit that helps you make decisions except it’s just nami.)

“I just think that maybe you should stop avoiding him,” Nami started. You bit your cheek, ignoring her as you tied up the last of the ship’s rigging into a careful knot. Nami had been going on for the past few minutes, and you’d zoned out exactly three seconds in, when the name Zoro had first been spoken. Because of this reason you weren’t really listening, so you blinked up at her in confusion. 

“Sorry? Who am I avoiding?” 

“You’re impossible,” Nami grumbled. “And you know exactly who I’m talking about.” Which, well, fair. The math added up: you heard the word Zoro, you stopped listening, Nami continued talking until she realized you’d stopped listening. “Especially since you’re, you know—” she gave you another look, eyes rolling over to stare dead into yours— “Avoiding him.” 

“I have no idea what you’re talking about,” you said innocently. Nami sighed, leaning over to tug the rope dangling from your hands out of your grip. You tried to reach back for it, but she didn’t let you. “Hey!” 

“Yes, you do. Face it. You’re avoiding Zoro.” 

You made a face at her. “I think there are ropes on the foredeck that I can attend to.” 

“No, there aren’t,” Nami answered. “Now stop changing the subject. There’s this wild concept called communication. It works wonders.” 

“Says you,” you muttered, though your arms crossed defensively across your chest. You noticed the action after a split-second and unwound your arms with a scowl. “Look, I just don’t see the point. And I haven’t been avoiding him.” 

You were, in fact, avoiding him. Ever since that dreadful night a week ago when Nami had gotten you tipsy and stuck her hand in your chest cavity fishing for secrets, you’d been avoiding him. The other girl was ridiculously good at prying truths out of you, and during the conversation, you’d accidentally spilled your crush on the Straw Hat crew’s resident swordsman. 

You’d managed to keep the secret for the months you’d been together, wherein the unfortunate feelings had developed, and you should’ve figured once somebody knew they wouldn’t leave you alone about it. Because Nami refused to talk about literally anything else. You’d expected this sort of behavior from Luffy, or maybe Sanji, but Nami? The world was more amatonormative than you'd thought. 

Nami cast you a look. “You’re blushing.” 

“Am not.”

“Are too. What’s the harm in talking to him?” Nami demanded, one hand on her hip as she stared you down. You gaped at her. 

“Um, literally everything? One, Zoro can’t talk about feelings or emotions for shit, so when he rejects me it’ll be in the most excruciating, offhand manner that will probably leave me at the bottom of a barrel of rum, two, after being rejected I’m going to have to leave the Straw Hats, three—”

Nami rolled her eyes, looking increasingly fed up with you. “For someone so obsessed with not telling our resident grass-headed swordsman about your feelings for him, you’re talking rather loudly.” 

You shut up, snapping your jaw closed with a glare. “Stop it,” you hissed. 

“Besides, who knows if he actually will reject you?” Nami turned to work on the next section of rigging, glancing over her shoulder at you. “You’re catastrophizing.” 

“I’m being realistic,” you snapped. “Okay, fine. He reciprocates my feelings. Then what? We date, we break up because all relationships eventually end, it becomes awkward, and—voila—I’ll have to leave the Straw Hats anyway. It’s a bad idea all around.” 

Nami just let out a huff of breath, the exhale laced with irritation. “Catastrophizing,” she repeated. 

“I am not—”

“Sure. Go help Sanji with dinner.” 

You gave her an exasperated look, but at this point Nami wasn’t paying attention anymore, so you stormed off into the underbelly of the Going Merry. Speak of the devil, apparently, because once you entered the kitchen you spotted not only Sanji occupying it but also Zoro. He was lounging at the table, swords strapped to his waist and a bottle of something he was nursing in hand. 

You averted your gaze from him, head running a million miles a minute. Had he noticed you’d been avoiding him? You’d tried to be furtive about it, but if Nami had noticed, maybe—

“Well, hello there,” Sanji called from where he was in the midst of dinner preparations. “Come to help?” 

“Nami sent me,” you said, crossing your arms over your chest. “I think she’s appointed herself queen of the Going Merry.” 

“Oh, she did that long ago,” Sanji chided. “You’re only noticing it now. Pick up a knife, then. I’d like some help dicing the carrots.” 

You stiffly moved over to the counter, ignoring Zoro as you went even as you felt his gaze following your figure. You picked up the first knife you found, positioning yourself in front of the cutting board to start dicing the vegetables already laid out for you. Abruptly, Zoro stood up. 

“Heading out,” he muttered. “Call me when dinner’s ready.” 

With that, he left the room, leaving you and Sanji to exchange looks. “He’s moody today,” you said. 

“Probably ‘cause you’ve been avoiding him.” 

You felt the familiar pinprick of a blush starting to warm your cheeks. “You too?” 

“You’re rather obvious about it,” Sanji said with a raised eyebrow. “But enough of that.” Weirdly enough, he didn’t seem to question why. There was no way Nami had told him, so you were left confused, but no matter. The point was that for now, you were safe. 

The hour dipped to evening, and soon the moon was glowing in the sky, a shining beacon of white amidst the ocean of stars and shimmering sea. You suppressed a yawn, busing the dishes from dinner as the rest of the crew got up from their respective seats to dissolve to their own rooms. Zoro had already retired for the night—if you were avoiding him, he seemed to be doing the exact same—so at least you didn’t have that to worry about. 

“Ah, wait,” Nami said, after you’d finished washing the dishes and was ready to head out. “Zoro wants to talk to you.” 

You jolted, glancing nervously around you before grabbing her wrist. “What did you do?” you hissed. Nami just laughed. 

“Calm down. I didn’t do anything.” Off your glare, she relented. “I promise. And I swear it’s not about feelings or emotions or whatever. Even though it’s obvious you’re avoiding him, you know Zoro wouldn’t say anything.” 

You were still suspicious, but you dropped your hand. “What, then?” 

Nami shrugged, tilting her chin up just so. “I guess you’re going to have to find out.” 

“I don’t trust you,” you muttered. There was that look in her eye, the one she got whenever she was thinking of something truly devious. Still, you couldn’t figure out what she was up to, so— “Fine, I’ll go to his room. Walk me.” 

Nami rolled her eyes, but she fell into step with you as you made your way across the ship. “You should bring it up to him, you know,” she started, but silenced after your sharp glare. “Okay, okay. I get the point. I’ll stop bothering you about it.” 

You stopped by the mouth of Zoro’s door. “Wait, really?” 

“Yes, really,” Nami said with an exaggerated roll of her eyes. She leaned against the wall beside the door, arms crossing over her chest. “I’ll leave you alone about Mr. Prince Charming over there. Knock.” 

“You can't call him Mr. Prince Charming,” you said, though you did knock. “Prince’ is already a title.” 

Nami gave you a look. “Okay, smart-ass.” 

The door creaked open before you could give your response, and you turned, heart pounding in your throat as Zoro stared down at you. His arm was propped up by the open doorway, the other hand still clutching the doorknob. “What.” 

“Um, Nami said that you wanted to talk—” you swiveled your head towards the other girl, but before you could finish your sentence, Nami was raising up your arm and unceremoniously shoving you into the room. 

You shrieked in surprise as you fell into Zoro’s figure, stumbling into him and causing him to lose his balance. Your head shot up in offense, only to see the gleam of a golden padlock in Nami’s hand before she was yanking the door closed.

A dull click echoed through the room. The only thing you could hear for a few seconds was your own heavy breathing and the sound of Zoro gathering himself.

“Did she just—” You gaped at the closed door. “Lock us in?” 

Zoro swiftly pushed past you, jiggling the doorknob for a few moments before giving up. Sure enough, Nami had sealed it with the padlock from the outside, so there was no possibility of either of you getting out of the room. You could vaguely hear sounds from the outside—dull thuds and scrapes—and watched as Zoro started banging on the door. 

“Nami,” he called, voice dangerously low. “Let us out.” 

“Sorry, Zoro!” Your jaw practically unhinged from your skull once you heard your captain’s familiar voice, all bright and cheerful like always. “We’re putting barrels in front of the door, so don’t even try breaking it down. Have a good night!” 

“Luffy? What are you—” Zoro’s knocking quickened in pace, his voice getting increasingly louder. There was no response from outside, though you could hear snickers that sounded suspiciously like Usopp. What was going on? 

You kicked into action, joining Zoro by the door and trying the door handle again. “Nami!” you yelled. 

Nami’s soft laugh came from outside. “Sorry!” she called. “We’ll let you out in the morning.”

You gaped at the door, only aware of Zoro’s gaze sliding down to you as you dropped your hand from the doorknob. There were some more tigers from outside, and then receding footsteps. Zoro tried knocking one last time, but it was evident that the rest of the crew had all but abandoned you. 

“Okay,” Zoro muttered, moving away from the door. “I need a drink.” 

You watched him move across the room, picking up a glass from his bedside table that was only slightly full. He knocked it back in one swallow, Adam’s apple bobbing with the motion. “Um, what now?” you asked uncomfortably. 

“Nothing. Whatever,” Zoro said, turning to glance over at you. After a moment’s thought, you noticed that he refused to look you in his eye—his gaze was firmly trained at a spot beside your head. He turned away, stripping off his sword scabbard and setting them on the floor. 

You glanced around nervously. Zoro’s room wasn’t that different from yours, really—less decorated, but the constitution was the same. There was the bed, a wardrobe, a desk with various paraphernalia across it, and a little couch in the corner too. “You can look through the closet for something to sleep in. I’ll take the chair.” 

The words didn’t register at first, and you were left standing there, staring as Zoro kicked off his shoes and assumedly started getting ready to sleep. “Um, what?” 

Zoro glanced over his shoulder. He still wouldn’t look you in the eye. “They’re not letting us out until morning,” he said slowly. “You can take the bed. Might as well sleep.” 

“It’s your room,” you started, crossing your arms. “I can sleep in the chair. I’m smaller than you, anyway, so I’ll fit it better.” 

Zoro regarded you with such a reproachful look you almost wanted to laugh. “That’s ridiculous. Change.” With that, he turned around, leaving no room for discussion. You stared at him for a second before giving up, moving to his wardrobe and opening it up to search for something to sleep in. 

“So, uh, any ideas on why they stuck us in here?” You asked, although you already knew the answer. Whatever Nami thought locking you in a room with Zoro would achieve, you were stubbornly not going to let her be right. God, you were so going to kill her once you got out of there. 

“Nope,” Zoro said, with such a degree of finality you figured it wouldn’t be safe to question him further. “They’re just stupid.” 

“I mean, I feel like they would have a motive?” You rifled through his clothes, trying very hard to detach them from their owner. Wearing Zoro’s clothes was not something you wanted your mind to linger upon. Eventually you found a shirt of his that would undoubtedly be oversized on you, and you hastily changed into it, satisfied to find it draped well to your knees so you weren’t exposing too much skin. 

You stole a glance over your shoulder at Zoro, only to catch him in the action of peeling his shirt off. The stretch of the muscles in his back gleamed in the dim light of the room, and you tore your gaze away, heat rushing to your face. “Um. Anything?” 

“Nope,” Zoro repeated. Carefully, you closed the wardrobe door, lingering in one spot with your hands clenched together. Once you heard him start moving again, you deemed it safe enough to turn towards the rest of the room. He’d changed into a loose tan shirt, and had settled back into the chair. 

“I said I’d take the chair,” you told him hotly. 

“Yeah, and I said no,” Zoro said, tone dismissive. He had his eyes closed, and you stared at him in disbelief. 

“I’m not sleeping in your bed,” you said, and then, just to emphasize your point, plopped down on the floor. Zoro cracked an eye open and stared down at you. He sighed. 

“Get up. Don’t be stupid.” 

“I’m not being stupid,” you said. “It’s your room. It’s your bed. You will sleep on it. If you’re not giving me the chair, I’ll sleep on the floor.” 

Zoro let out a long sigh, closing both his eyes as if he was contemplating all his life decisions. “I’m not sleeping in the bed, you know,” he said. 

“Okay, so neither of us do.” 

Zoro’s brows creased, and he opened his eyes to glare down at you. “Seriously? At least take the chair, then. I’ll sleep on the flo—”

You gave him a sharp look. “Zoro.” 

“This conversation isn’t getting anywhere,” Zoro muttered, and finally got up from his chair. You glanced up at him expectantly. “What can I do to convince you to take the bed?” 

“Uh, nothing.” 

“We can work out a compromise,” Zoro said with a sigh. “I want you on it, and you want me on it, and neither of us are willing to take it ourselves.” He paused, brow creasing as an idea seemed to form in his head—one he didn’t seem to be a giant fan of, but an idea nonetheless. “How about.” His lips pursed, before he parted them again to finish his sentence. “How about we both take it?” 

It felt like someone had hit you square in the chest, air kicking out of your lungs and leaving you gasping for breath. Your windpipe was all raw, and you had to fight to tear any words out from your throat. “Ex—excuse me?” 

“It’s big enough,” Zoro said stiffly, though his hands were clenched at his sides. “I can take one side and you can take the other. Since you’re so dead-set on me sleeping on it.” 

“I—” You cut yourself off, suddenly far too aware of Zoro’s eyes fixed on you. Watching your every move. Oh, Nami was in for it now. How were you supposed to survive sleeping in the same bed as—you didn’t even want to think about it. 

“Well?” Zoro prompted. 

“Fine,” you agreed hastily, ducking your head lest Zoro catch any of the flush that was undoubtedly rising steadily up your cheeks. It was bad enough you were stuck in his bedroom and wearing his clothes—but this had quickly become your own personal circle of hell. “Good enough for me.” 

“Finally.” With that, Zoro climbed into bed, settling himself on the very edge of its side. Your throat had gone dry, and you stared at him for another second before hurriedly turning away to flick the lights off. You approached the other side of the bed with an extreme lack of enthusiasm, staring at the empty sheets like they were cackling up at you. Stupid, stupid, stupid. 

Eventually you slid into the bed, busying yourself with arranging the blankets around your figure. Zoro’s breaths were steady and deep from beside you. You didn’t know what to do for a second, but then Zoro’s voice was cutting through the darkness. “You’ve been avoiding me.” 

You jolted, then suppressed your sigh. “Have not.” 

“Yes, you have, and everyone knows it, and you’re not very subtle,” Zoro said, sounding almost bored as he rattled off the words. “Why.” 

“I haven’t—”

“Don’t.” 

You ran your tongue along your teeth, sucking at the valleys between them in annoyance. “It’s not important.” 

Zoro paused before speaking, like he was mulling over asking the question. “Did I do something?” 

“What? No.” You shook your head, despite knowing he wouldn’t be able to see. The sound did well enough to indicate the action to him, though—he scoffed, a low murmur from his chest that buzzed through your nerves. “I don’t want to talk about this. You’re giving the rest of the crew what they want.” 

“They definitely did not lock you in here to talk about why you’re avoiding me,” Zoro muttered. Now it was your turn to scoff, because if only he knew. “Are you sure I didn’t do anything?" 

“Positive. It’s all me.” 

“Okay, so why?” Zoro prompted. You swallowed hard, trying to dodge around the subject. “Are you sure—”

“Please just stop talking,” you said, one hand reaching out to grip his arm as if the physical contact would make him shut up. There was a stagnant moment of silence, your breath catching as your brain caught up to your body. Your hand was on Zoro’s arm. Your hand was on Zoro’s bicep, and you were in his bed. 

You cleared your throat, a panicked choke bursting from your lungs. “Um.” Your eyes skittered sideways, and then you finally turned on your side to stare at him. To stare at where your hand was still clutched around his arm.

You could just barely make out the angle of his jaw in the darkness, but you could see it was clenched, the vein along his neck protruding just slightly. Hastily, you removed your hand, the skin of your fingers tingling like you could still feel him underneath the tips. “Sorry. Why—why are you so certain that you did something for me to avoid you?” 

There were a few moments of silence that ticked by, nothing but the rock of the ship interrupting it. Finally, Zoro spoke. “Because the reason they locked you in my room is because—”

“What? The reason they locked me in your room is because of me,” you said. Zoro finally moved from his position, head tilting to face yours so you were eye-to-eye. You swallowed. “Nami, um—Nami specifically forced me in here so I would… talk to you.” 

There was a question evident in Zoro’s voice. “About?” 

Your lips parted, and then closed again. “Um.” 

“We can just sleep, if you want,” Zoro muttered. 

“What if they don’t let us out in the morning because we haven’t talked, though?” you hissed. Zoro let out a low laugh. 

“You realize you’re giving them exactly what they want.” 

“So you’d be more comfortable if we just… fell asleep?” you asked. Zoro shrugged. Since you weren’t exactly averse to the idea of not confessing, you nodded in agreement, heart beating a million miles a second. “Okay. Fine by me.” 

You settled back into your pillow, but soon came to realize that, due to the fluttering butterflies in your stomach and the fact you were very aware of the man of your affections being barely a foot to your right, you could not sleep. Evidently Zoro felt the same way, because he kept shifting around under the blankets—your hands brushed against each other a few times before he jolted away like you’d burnt him. 

“Sorry,” you muttered. Zoro didn’t say anything in response. Somewhere in the back of your head, you could hear Nami hissing at you—I didn’t shove you in a room with Mr. Prince Charming just for you to not take advantage of the opportunity. You tried to get her out of your brain—it was a bad idea all around—but the words kept reverberating around in your mind until you found yourself suddenly speaking. “Zoro?” 

“Hm?” 

“Nami stuck me in here so I would tell you that, um—” 

“You don’t have to say it,” Zoro murmured, and you shivered, his voice sounding suddenly closer. You squirmed, your hand brushing against Zoro’s again, except this time it took him a delayed moment to drift away. He had gotten closer—or maybe that was you, instinctually leaning towards the dip in the middle of the bed when you’d been lost in thought. 

“The reason they locked me in here with you is so I would tell you about my feelings towards you,” you blurted, the words slurring together, consonants and syllables all in one rush. “Because I have them. Feelings, I mean.”

Zoro’s voice was very low when he spoke. “Excuse me?” 

You sat straight up, the blankets previously nestled around your chin falling to your waist. “I have feelings for you and that’s why everyone locked me in here.” 

“I—” Zoro coughed, and then coughed again, ridding his throat of whatever was preventing him from making full sentences. He slowly sat up, and you stared down at the blankets in your lap as you saw him rise to his full height beside you. And oh, this was it. He was about to reject you in the most excruciating, offhand manner that would probably leave you at the bottom of a barrel of rum. “That’s not possible.” 

“Why is that—” you decided to shut up instead of finishing your sentence, allowing him to speak instead. There was a soft burning starting at your skin, all red hot, and your brain buzzed, regret filling up your lungs and making it hard to breathe. 

Zoro didn’t say anything, but you heard his hand before you felt it. It slid across the bedsheets before finally resting beside yours, fingertips grazing against your knuckles. “Zoro?” you whispered. 

“The reason they locked you in here with me is so I would tell you about my feelings towards you,” Zoro said blankly. You blinked. It took you a moment to realize that he wasn’t just quoting you—that he hadn’t switched the pronouns accordingly. Your heart dropped. 

Your voice was very faint when you spoke. “What?” 

“I like you,” Zoro said carefully. Languidly, the words dripping off his tongue all saccharine-sweet like molasses, or honey. You shivered, your hand accidentally knocking against his, and he took the opportunity to draw it in closer, fingers pushing up your palm, just a hair’s breadth away from interlacing with yours. “Luffy unfortunately found out. He doesn’t know how to keep a secret and told the rest of the crew.” 

You gaped at him. “I like you,” you said, dumbfounded. You could feel yourself trembling, fingers sliding against Zoro’s hand with every shake. “Nami yanked it out of me. Which is why I’ve been avoiding you for the past week.” 

“I thought you were avoiding me because you found out I liked you,” Zoro muttered. His fingertips brushed against the pads of your hand, and you swallowed, mouth all dry. “So.” 

You tentatively lifted your gaze, finding Zoro’s eyes even amidst the darkness. They were shining, a slight glint from the moon coming in through the window reflecting along the shadows of his face. Carefully, his hand slid fully into yours, fingers lacing together, and it was like the final piece of a puzzle clicking into place. 

Zoro slid back down onto his back, tugging you along with him. You settled back on your pillow, using your other hand to pull the blankets back over your chest. For a full stagnant minute the two of you lay there, hands intertwined in the space between. 

You were the one who made the first move, then, thumb running up and down the length of his index finger. Zoro ran with the action, tugging your hand just slightly until you were leaning into the dip of the mattress, gravity pulling you closer to his body. 

He lifted your entwined hands, tugging you towards him until your back was pressed right to his chest. Then he settled your arms back down again, the back of his palm resting against your belly. 

You swallowed hard, able to hear the sound of your throat in the utter silence. Zoro exhaled, his breath softly brushing against your neck. “Good night,” you whispered. 

Zoro pressed a soft kiss to the nape of your neck, a ghost of something that left tingles fluttering down your spine, the drunken butterflies in your stomach swaying at the action. “Good night,” he murmured, and your breath caught. 

He was warm, oh so warm, like a campfire with licks of flame that softened your hands in the dead of night. And even though you wanted to speak up, question when he’d started liking you, if he was lying or not—you were content to stay here in his arms and drift off to sleep.

So you did, settling back into his embrace with your head spinning and senses murmuring, all dizzy like you were caught in a dream. Eventually, your tiredness got the better of you, and you felt your senses fading as the world around you darkened to black. 

The two of you jolted awake to the knocking and the very unpleasant hum of Nami’s voice. “Rise and shine!” she called through the door, and you blinked, bleary eyes adjusting to the light as you suppressed your yawn. 

Zoro jolted up beside you, practically giving you whiplash as his arm was still comfortably around your waist. Your fingers tingled, and you realized that you’d fallen asleep with your hands laced together. 

“Nami,” you grumbled, about to rise out of bed before Zoro stopped you. You turned towards him in question, only to stop short as you registered the look in his eyes. His gaze was deep, piercing; those butterflies rose up again in your stomach, apparently awake after they’d passed out from their drunken stupor. You swallowed. “Hi?” 

“Hey,” he murmured. “They locked you in my room.” 

“I’m going to knock Nami over the head with a rowboat oar,” you said blandly, eyes flickering towards the door, which Nami was still pounding on. You vaguely heard shuffling sounds, like the crew were working to move the barrels they’d stuck in front of the door to free you from your prison. “You can have the rest of them, if you want.” 

“I’ll take you up on that offer,” Zoro agreed. “But first…” 

“First?” you prompted. 

Zoro brought your hands—still intertwined—to his mouth, pressing a gentle kiss along your knuckles. “Good morning,” he said, voice low and awkward, like he wasn’t used to letting the words out of his mouth. He let your hands drift to his lap, leaning forward until his forehead brushed against yours.

A faint sigh escaped your lips when he finally kissed you. It wasn’t rough or hard; it was a soft press, like your hands had been just a few hours ago. There was a degree of finality to it; a held-in breath that’d exhaled from your lungs, one you hadn’t realized was building up that much pressure until you finally let it all go. 

The door flung open, and you jolted away, but Zoro tilted your head back towards him before you could. At the mouth of the room, Luffy had started screaming. “Aww,” Nami cooed. Behind her, Usopp and Sanji were gripping onto each other like they were watching a particularly engaging fight. 

A steady blush rose along your cheeks, but Zoro was absolutely shameless, the hand not held in yours raising up to give them the finger. “Get out of my room.”

“Told you it’d be okay,” Nami sing-songed, and then you really did break away from Zoro, picking up the object nearest to you and barrelling towards her. She shrieked, dodging out of the doorway as Zoro laughed from behind you.

“Wait!” she stopped you from whacking your pillow against her head, raising up her arms in defense. “I was right. I saw you two—” 

“Nami,” you started, dangerously low. “You locked me in his room.”

“Yeah, to help you!” she cried defensively, slowly taking backwards steps as you gained on her. “Come on. We can talk about this.” 

“Good luck,” Zoro called out from behind you—you turned around, catching his gaze. He had gotten up, leaning against the doorway and watching you with a sparkle of fondness in his eye. “You’ll need it.” 

You blew him a kiss, ignoring the long groan it pulled out of Luffy from beside Zoro in the hallway. And then you turned around. Nami had darted off, taking the time you’d been distracted to run off. “Oh no you don’t!” you yelled, and then lunged after her with Zoro laughing all the while. 

Maybe it hadn’t been such a bad thing, you thought. But you were still going to beat Nami’s ass. 

© halfvalid 2023

[emptyjunior]

It looks like with the movies taking off, everyone is on the Dune train now!! Which is very exciting, I’m glad a bunch of new people are discovering this media and reading the books, but can I recommend you the David Lynch, Dune (1984) movie.

First of all, if you are invested in the lore of the books and the deeper messaging of the story, you’re going to need to turn that part of your brain Off. If you love kick ass shit and are willing to be slightly tipsy while you watch and have a great goddamn afternoon, this is the flick for you.

Now first fun fact I’m going to share with you. David Lynch (twin peaks, eraserhead director, celebrated surrealist) turned down the opportunity to direct Return of the Jedi for this film. A film that was devastatingly slow to make, changed hands multiple times, had a pricy VFX budget of $40 million and then made barely $31 million, David Lynch turned down Star Wars to work on it. And he did this when he had never read the novel, and did not even like or engage with sci fi media. THAT’S how you know we’re really in for something.

Now this film has some big names in it! We’ve got a young Kyle MacLachlan who is rocking some Devastating outfits:

We’ve got Sir Patrick Stewert as our Gurney and Sting, lead singer of the police, playing the 15 year old Feyd Rautha! If you wanted to see a grown man, sprayed orange, basically naked playing a free wheeling maniac you are in for a treat! And another fun fact, David Lynch also did not know who these actors were, he made a mistake and thought Patrick Stewert was someone else and when Sting said he was in the police he assumed he was in an organization of lawmen.

Now these characters are familiar to you, but let me get into the unfamiliar. Lynch made some directorial executive decisions throughout this film, for I suppose the ease of the viewer? I mean an adaptation is supposed to adapt so he went let me change some stuff up👏👏👏.

Those who paid attention to Jessica’s backstory may know about the Weirding Way. This is a martial arts style created by the Bene Gesserit, and practiced by Paul. It is more than just a fighting style but also an important philosophical concept, like Aikido or how Kung Fu has foundations in Buddhism.

You may also be familiar with the quote “My name is a killing word.” This inner monologue of Paul’s refers to how his title Muad’dub will be used to spur a holy war. A simple name is what people will die and bleed for, it will be what they scream as they cut down enemies.

Dark! Intense! That’s Dune, anyways in the novel it’s easy to take your time exploring these concepts. Introducing the audience to the religious ramifications of a simple name and fighting practice and how these things can have rippling repercussions upon a society like the Freman.

Now David Lynch didn’t have time for that! He had the belief (that may be right🤷‍♂️!) That watching a bunch of people kick each other on top of a sand dune would be Lame😭😭

So he made the choice for his film that “My name is a killing word” was to be taken Absolutely Literally and invented a device where if the freman said the name Muad-dib, shit would explode.

If they said Paul’s name, they could Explode Stuff. Let it sink in how rad that is. Hell yeah man, hell yeah. Imagine me interpreting religious text that way, imagine if I made a bible movie and the moral I took from a parable is that when Jesus asked for food and everyone donated fish, I concluded that Jesus was a mutant who had fish powers and could immediately conjure fish with magic and gave him fish death rays that shot out of his hands.

So that’s what you can expect from this interpretation, the weirding way now means everyone has Lasers its rad as hell.

Some other incredible choices made! This is a spoiler, but in the novels and the new films you can see the Freman collecting every scrap of water they can. Dr Liet-Kynes, the planetologist, reveals to us it’s because they have a long, multiple generation spanding plan to fix the planet. By introducing this water back they hope to reset the ecosystem over centuries of work. The reason they have been unable to do this is because a green planet would obviously not have worms and sand who produce spice, the most coveted drug in the empire, so imperial and harkonnen forces have been stopping this from ever happening. They want to be free from oppression so that they can start to work on slowly fixing their world, a project that plays out in Paul’s adult life and has its own dramas and complexities.

In Dune 1984??? The moment, the Moment Paul lays out his cousin and throws the final punch, it begins to rain in Arrakis. As if they were all under a magical curse and were just waiting for a teenager to come fight another teenager and then the water will come back. It’s so good, it’s so funny.

Also Pugs! House Atreides official Pugs! Paul has pugs in his lap!!

This is honestly an adaptation choice that I really really like! Paul is the result of centuries of selective breeding, this practice is an artform to the Bene Gesserit and a skill that they monitor closely. It produces bizarre and sometimes terrifying results and is the reason for Paul’s existence.

I think having an animal that was also created through selective breeding, was engineered from a wolf into an animal that can hardly breathe is an incredible metaphor! A smart and identifiable symbol for the audience, I think it’s a slam dunk and the new movies should have done it to.

Anyways can not recommend this film enough.

-The body suits the bad guys wear are made out of real body bags, that actually had been used.

-David Lynch to this day hates it.

-The original cut was four hours.

-The cast and crew were sick the Entire shoot with something they called Montezuma's Revenge, which was probably just food poisoning, side effects from the constant smog because they shot the whole thing on backup generators, illness from the cockroach infestation and terrible morale.

-Frank Herbert saw it multiple times and said he absolutely loved it.

-When they ride the worms, sick rock jams play.

If you love electric guitar, lasers, worms and will forgive me for not including all the trigger warnings cause Yes this film will gross you out, then go watch this movie.

[coralhoneyrose]

Why Chrom Fire Emblem is The Husband of All Time: An Essay

SO. There was a screenshot going around of a reddit thread asking about how Chrom has managed to maintain such lasting popularity as a Fire Emblem husband even 6 years after Awakening came out. Given how beloved he still is another 5+ years later, I could not resist taking the opportunity to talk about just what I think makes him so great and endears him to players.

Character Introduction:

Let’s start out the same way Awakening does—with Chrom’s in-game introduction. This is one of the immediate ways Chrom sets himself apart. The game boots up and before anything else happens, Chrom is there expressing his unshakable faith in the player character. You take down the Bad Guy™ together, he turns and gives you this wide, puppy-ish smile and then you push him out of the way to take the hit from an oncoming spell in his stead. Right away you know this is someone your player character cares about deeply—and clearly that care is returned, because he’s immediately running over to make sure Robin’s alright.

Of course, as we all know, things go south very quickly after that. But as the cinematic plays out, and you proceed to watch yourself stab him in the chest, the *first* thing he does, the very first words out of his mouth are: “this is not your fault”. Chrom has just been completely blind-sided and arguably betrayed by his best friend, possibly his spouse, and his immediate instinct is to absolve Robin of guilt. He is literally more concerned about Robin blaming themselves for what happened than about his own imminent death. That alone tells you so, SO much about the depth of their relationship. It tells you both how deeply Chrom cares and how well Chrom knows Robin too. And not only that, but his final request, the ONE and only thing he asks of Robin before dying is that they will promise him they will escape from this place. In his last moments, his single “selfish” wish is for Robin to assure him that they will do what they can to survive. Chrom’s final request is for Robin to give him the comfort and peace of mind he can only obtain through the assurance that even though he won’t get out of there himself, Robin will. He just wants to be able to die believing they’ll take care of themselves and be alright—and knows them well enough to realize that unless he makes them promise, they likely won’t.

AND THEN. And then!!!! You jump cut to Robin waking up in the field with all the sunshine and Chrom’s smiling down with the softest expression and his ridiculously blue eyes. He lifts Robin up by the hand and pulls them right up to his face (because he has no concept of personal space, apparently) and OUUuuggh.

Those scenes in direct sequence make me so insane. You get Chrom’s life ending with Robin immediately followed by Robin’s life starting anew with Chrom. Chrom’s unwavering faith in them and his eagerness to extend his hand and bridge the gap between them from the moment they meet until his last breath. The warmth and kindness and love that Chrom treats Robin with is communicated so effectively in the first few MINUTES of the game it honestly makes me feel unwell. Showing how profoundly Chrom cares for Robin immediately endears him to the player. And he only gives you more reasons to love him as the game goes on.

Personality:

There can be a tendency in some corners of fandom to simplify Chrom to just being either a generic prince charming type character or a lovable himbo. I’m not here to police how other people enjoy him, but I will say that those characterizations fail to get at some of the aspects of his personality I find most compelling.

Chrom is deceptively nuanced. While there are certainly ways in which he aligns very closely with the standard jrpg protagonist, I suspect that a lot of his enduring popularity is the result of the ways he deviates from it too. He is brave and loyal and cares deeply for his friends, yes. He has profound conviction in his ideals and strives to do the right thing, as is typical for that archetype…but what makes Chrom so lovable is his determination to keep trying to be good in spite of the ways it does not come easily to him.

We see this in the Valm arc, when he’s struggling to reconcile his own beliefs about justice with his sister’s ideals for peace. We hear echoes of it when he talks about the horrors the Ylissean people endured at his father’s hand and how despite that, he has never been able to understand how Emmeryn forgave them for the cruelty they once directed her way. He has so much admiration for his older sister’s ideals despite the fact that peace is not his first instinct. 

When Emmeryn first sacrifices herself, Chrom is consumed with grief and rage, and it takes some time for him to understand why she made the decision she did. “Peace above all else” is just not how he’s programmed to operate…yet he wants it to be. If you count the drama CDs as canon, then that serves as another excellent example as well—where the message of his sister’s sacrifice is so lost on him that his first instinct is to respond to it with violence and prejudice and hatred directed at the very people she sought to reach out to. For a moment there, we see him veer from the person he wants to be towards what we as the player can only assume is the person his father left him afraid that he would become.

And yet he finds his way back. He stumbles, he lashes out, but his love for his friends and fear of losing more of those he holds dear is able to help him course correct.

I love that tug-of-war in him. I love that we get glimpses of the darker paths he could have gone down and that there are tangible consequences for his mistakes. Early in the game, we see Chrom lose control of his temper and how Gangrel and Aversa are able to take advantage of that to officially declare war on Ylisse. Chrom later tells Gangrel that were he alone, he can imagine losing himself in that need for vengeance but reiterates that it’s love that is able to keep him from succumbing to that.

And it’s not only that he’s able to stop himself from being horrible—his losses are the catalyst for him coming into his own as a leader. He’s able to pick himself up and hold himself together to see their troops through the rest of the war. And he manages that despite the fact that in the course of mere days, he lost both his home and his most important person and has been freshly saddled with the duty of ruling an entire country. That’s…a lot. And really goes a long way in demonstrating Chrom’s incredible strength of character and conviction. We get some wonderful moments of vulnerability where he confesses to being riddled with doubts about his own capabilities and worthiness, but in spite of that, he is still determined to try to be the person that Ylisse needs him to be.

All of this leads me right into another wonderful aspect of Chrom’s personality, which is that he is just…so driven by emotion. He feels DEEPLY, and while the narrative definitely uses that as a way to hurt him and force him to grow at times, something that really stands out to me about Chrom is how the story isn’t here to send a message that it’s wrong for him to be that way. Chrom’s big feelings are one of his greatest strengths in addition to his greatest weakness—they’re what saves his life and ultimately Robin’s too, if you go the sacrifice ending route.

And ya know what? I honestly think that’s such a breath of fresh air. I love how much he does NOT embody the emotional disconnectedness that you see pushed a lot of times with stereotypical masculinity. I love that he is the hero, and he's gallant, and very traditionally "manly" in a lot of senses…AND that he's also very emotional and guided by his heart. If you’re playing with f!Robin then you wind up with a really refreshing inversion of gender stereotypes from that: in which Chrom is the emotional decision maker and Robin is the more calculating and logic driven of the two.

Beyond his big heart, I can’t talk about what’s so charming about Chrom’s personality without touching on the ways he embodies a certain level of gap moe as well. Chrom is so stern and serious, as well as quite charismatic when he’s speaking from a place of passion. But on the flip side of that, we get to see him as an absolute bumbling mess when he’s out of his element. He’s easily embarrassed / flustered, self-conscious about his appearance, and often socially awkward where romance is involved. While these traits may seem of minor importance compared to the whole rant above, I think they’re really important for humanizing and rounding him out.

There are lots of other nuances to his characterization that go a long way in fleshing him out too. Despite being a prince, Chrom is blunt and completely unmindful of formalities. That, along with his impulsivity, definitely gets him into trouble sometimes. He’s melodramatic and blisteringly sincere. He’s a little bit clumsy and doesn’t know his own strength. He has a dry sense of humor and can be surprisingly funny. He’s optimistic and trusting—not due to naivete or stupidity but because he has decided that giving people chances and believing the best of them is an important value to him and one that is worth embodying in how he lives his life. 

Lucina’s presence in the story and his immediate and complete acceptance of her is an extremely effective way of demonstrating what an incredible father he is too. Honestly, he just has really wonderful relationships and deep admiration for a lot of the women in his life and that absolutely earns him points in my book (and I suspect in many others’ as well). When you look at all of that together, I don’t think it’s hard to understand why he’s so beloved.

Design:

Slightly less serious note here, but I think it warrants discussion regardless because character design absolutely contributes to player’s feelings about and interpretation of a game’s cast members.

And Chrom is…well, he’s eye candy, honestly. He’s got the nice, exposed arm, the messy blue hair, the completely nonsensical outfit he somehow manages to look handsome in anyway (his questionable sense of fashion is a charm point, okay?). Add in the square jaw and the surprisingly long eyelashes and he’s just. He’s very pretty. Idk what to tell you. Bonus points for the summer scramble cg where he has the most inexplicably flat butt of all time. And I really do believe that some of the oddities of Chrom’s design lend memorability to him and go a long way in setting him apart from other lords in the series with similar design concepts. The insistent asymmetry across many of his outfits, the fact he’s showing a little skin, idk it just WORKS. Chrom is hot, I don’t make the rules.

Relationship with Robin / the Player Character:

Last but not least, I want to talk about Chrom’s relationship with Robin.

I touched on some of this in his character introduction already, but Chrom is just…the biggest Robin stan. If Robin has only one fan then that is Chrom. If Robin has no fans it’s because Chrom is bleeding out on the floor with lightning in his gut. 

He just has such deep respect and admiration for them. He values Robin’s opinion and insight and thinks so highly of them and their ideas, often serving as an enabler in many cases (setting the boats on fire, the volcano, etc.). Chrom’s faith in Robin is SO unshakable that when his daughter tells him that Robin is going to be magically controlled and forced to murder him, his response is, “That won’t happen because Robin and I love each other so much that everything will somehow be okay. No, I will not elaborate.” And ya know what? He was RIGHT. Their bond DOES wind up being so strong that it’s able to change fate. The narrative is quite literally validating his slightly ridiculous insistence that him and Robin just care about each other The Most of Anyone Ever. He is Robin’s biggest advocate from the moment they meet when he defends them from Frederick’s suspicions all the way to the game’s close when he either assures Robin that their life was worth preserving or, as in the case of the sacrifice ending, that he will spend the rest of his own life searching for them until they return.

Honestly the fact that Chrom was willing to potentially risk dooming the whole world to the fell dragon’s awakening 1,000 years down the line just so he doesn’t have to lose his comfort tactician is WILD. For the game’s hero to literally say “we don’t have to defeat this evil for good, the people of the future can figure it out” JUST so he can keep Robin is absolutely unhinged behavior and I love it. I think it’s incredibly humanizing that he’s a little bit selfish about the people who are most important to him…that despite his willingness to sacrifice himself or run headfirst into danger, he draws the line at losing Robin because he’s already lost his most important person once and he’s not going to let it happen again. Chrom and Robin absolutely come across as a little codependent and a lot obsessed with each other and personally I wouldn’t have it any other way.

And then there’s his love confession to Robin. GOd...

I think that’s the most flustered Chrom appears in any content in the entire game…and it’s because he treasures their friendship so deeply that he is petrified about messing it up or saying the wrong thing. I love that he goes into their S support dead set on NOT telling Robin what is going on but the second he realizes that Robin is under the impression he doesn’t care about them or like spending time with them anymore he is so horrified and desperate to correct that line of thinking that he blurts out the full love confession on the spot.

He’s SO earnest throughout the whole thing, but then at the end he hits you with the whole “this is the best day of my life”, and the “You are the wind at my back and the sword at my side. Together, my love, we shall build a peaceful world, just you and me” (thank you Matt Mercer for your services), and the cg image of him staring right at Robin with what are basically heart eyes and. I just. There were no survivors.

That’s not even their only proposal / love confession scene either! The fact that the game gives us an entirely separate alternate proposal that’s more serious in tone is the icing on the cake. How many ships out there can say that they get not one but TWO canon proposals that are both that good? Truly no one is doing it like chrobin.

Closing Remarks:

Chrom is a well written and nuanced character who struggles and grows over the course of the story while always remaining true to himself and his ideals. His intense and unending trust, admiration, and love of Robin endears him to the player from the moment the game begins all the way to its conclusion. He is kind and good while still being fundamentally flawed (and it doesn’t hurt that he’s very handsome to boot). Bearing all that in mind, while the message of Awakening may be that nothing is inevitable, Chrom’s conceit and execution were always going to lead to MANY of those who play the game coming to love him and pick him as Robin’s husband…and there may be no greater evidence of that then the fact I’m out here writing all of this eleven years after the game’s release.

[gay-jesus-probably]

I like the general fandom trend to just take the plot of Hyrule Warriors as a loose guideline at best and just use the whole concept as a good excuse to get blorbos to interact across timelines, BUT I'm very disappointed that everyone is missing the comedic potential of a very specific squad of characters:

Young Link (aka Mask), who walks out of the nightmare of Majora's Mask and immediately gets portal kidnapped into a temporal war, takes one look at the whole mess and decides that you could not fucking pay him to admit to being the resident expert on Time Shenanigans. He introduces himself with the title of Hero of Termina, and definitely doesn't have any other ones, that would be crazy. Hero of Time? Never heard of him.

Tetra, who is a kickass pirate captain with zero patience for people trying to shove her into the Designated Princess role, and realizes immediately that Oh Fuck, this Hyrule has a lot of Ideas about how the Hero and the Princess are supposed to properly play their parts, the second they realize she's technically a Zelda they're gonna shove her in a goddamn dress and damsel her again, that's not happening. So she's definitely just a really cool pirate captain, nothing else going on here at all, definitely not the heir of the Hylian royal family in her time, that'd be crazy.

Ravio, who is literally just a palette swapped Link, meaning that the second his hood comes off, things are gonna get Awkward. There's no way in hell he's dealing with all that Hero baggage, that's Link work, so that giant bunny hood/mask is practically superglued to his head, and he's not taking it off for love or money.

Spirit Tracks Zelda, who is just in the Phantom Armour the whole time, and passing herself off as just a friendly ghost posessing a suit of armour to help the Hero of Spirits. Of course she isn't Princess Zelda, that's ridiculous, if she were a Zelda then people would start getting really weird about her technically being dead, and boy does that ever sound like a whole Thing she doesn't want to deal with, so she can't possibly be Zelda, she's just a nice ghost knight. Also, her teenage grandma is here, and that's kinda weird, so it's easier to just not admit to being royalty and avoid that awkward conversation.

Finally there's Sheik, who is not the Princess Zelda of the era straight up abandoning her war torn country for months at a time so she can risk her life in extreme cosplay for no clear reason, but is instead the actual Sheik from Ocarina of Time, who just beat Ganondorf like a month ago and is still trying to process what the fuck to do now. Also, he's been pretending to be a boy since he was ten, and is realizing there's a pretty good chance that he isn't pretending anymore, so that's a whole other can of worms. But for the last seven years of his life, being Princess Zelda meant certain death, so he's not really inclined to introduce himself like when in a new and stressful situation (not to mention he might actually just not be a girl named Zelda anymore), so he automatically introduces himself as just Sheik the spooky ninja man, and fuck he's in too deep to back out now, looks like he's committing to the bit. If you think you sense the Triforce of Wisdom on him, no you don't.

Cue shenanigans as the five of them attempt to hide that they're all actually kind of A Big Deal. The group motto is "Nobody says shit", which is usually delivered as a frantic hiss whenever someone slips up. Just the reunion between Sheik and Mask alone would be absolutely buckwild given how they parted, and how they're both frantically pretending to Not be involved with each other. For added hilarity and/or drama, Sheik gives his semi-bullshit cover story of having just been a friend of the Hero of Time, then runs into said Hero of Time and they both have to desperately pretend not to know each other, because if anyone picks up on the mountain of baggage between them then Mask is busted, and he won't hesitate to drag Sheik down with him out of sheer spite. Not to mention the weird balance of Sheik being used to this Link being a teenager that's actually a small child, and now has to adjust to Link who is a small child that's actually a teenager.

Also, i really feel like we're all missing out on the comedy potential of Ganondorf recognizing Young Link on sight and the two of them immediately launching into a grudge match with some extremely personal and specific insults on both sides. Meanwhile literally everybody else is just standing there watching, trying to process the fact that out of every single person that's been pulled out of time, Ganondorf only has personal beef with a literal nine year old.

I just feel like we're all really sleeping on the potential for Shenanigans here. The whole thing is an absurd mess, why not have some fun with it?

[lovelyyandereaddictionpoint]

Hii not sure if your requests are open or not- so ignore this if they’re closed! <3

Can I request some Obey Me! Headcanons?

So reader is the 8th sister of the brothers. So she’s the youngest.

Just some general headcanons of her relationships w the brothers

( And some of the side characters if it’s not too much trouble :>)

Thanks <33

I've already done something like that but I love the concept so I'm just going to build that 🖤🖤🖤🖤

Youngest Sibling Reader Headcannons | Yandere Obey Me

Lucifer

Before I said he was the worst one and I mean it

He’s an amalgamation of someone who understands you but undermines you at every moment

Because he understands, he does listen

He just doesn’t hold your opinions on the same level as his own

But worse 

Of course his brother’s constant chatter about aimless things isn’t on his level

But every now and then he’ll enjoy hanging out with them 

But not you

Never you 

“Ah so you do pay attention to the political atmosphere. Good job.”

Or

“I don’t expect you to know but I’ll tell you anyways.”

It’s degrading

It’s disrespectful

And he does not care

You can cry and yell all you like 

it’ll just sound like a tantrum to him 

So he’ll treat like one

“If you can’t behave, I’ll have to send you to the attic.”

Leviathan

As previously stated is apart of the group that just misinterprets everything you say

It’s hard to say if it’s delusion or denial 

Because sometimes he’ll slip up 

You’ll catch him crying or a single mumble in his late night rambles 

“Aw my baby is so grown up…I just can’t believe it anymore.”

If you try to address it he’ll pat your head and ruffle your hair (if you have any)

Before telling you it’s nothing for the baby to worry about anyway

It’s incredibly annoying 

When he writes off your achievements in gaming as button mashing 

Or saying your just a genius so you’d get on his level eventually

Any protests or ‘grown-up’ conversations are often just outright ignore

Now doing things outside of the ‘baby’ image he has of you mostly has him ignoring that too

Unless you come back hurt or specifically crying for his help 

He will actually start flooding places and going into an absolute rampage

He won’t listen to you about calming down

Its going to take all the brothers to de-aggro their brother to save everyone from drowning

“Sorry guys I just want to make sure our baby sib is doing okay!”

Asmodeus

Also a part of that ‘doesn’t listen to you’ crew

Accept while he might actually here you his brain literally just never let’s him hear your real voice

“Can you please stop trying to rearrange my closet?! It’s weird to find you digging through my stuff–”

“Okay okay no need to cry what’s the problem baby sib? C’mon you can use your words! Tell big bro Asmo what’s the matter?”

It’s almost a concern when he does it in front of your other brothers 

Especially the ones you can hold an actual conversation

“Hey (Y/n) can you pass the salt and the salad.”

“Sure, man.”

“Hey Hey! Why are you bothering (Y/n), they’re trying to focus on eating? Not to mention your being such a meanie, trying to make them reach with their tiny arms!”

“(Y/n) is sitting closer to me than you…”

“So? How do you expect them to know good manners if you don’t show them! Here I’ll show you how! Watch me baby (Y/n)!”

He honestly doesn’t compute when you’re getting older

He’ll celebrate birthdays, milestones, awards

But he doesn’t believe you are growing and can’t see it either

Reprimanding you when you went out with your own car

“I’m all for playing with your toys, but you have to have a chaperone. Okay?”

That being said any advances from others are met with extreme animosity

“Not my little (Y/n)! Try that with someone else’s little baby!”

[g3l3mb]

how to generate creative ideas:

(i need to get this out of my brain)

Make moodboards, playlists, keep a list of people who inspire you. Before starting a project think about the general vibe you want it to embody. Ask questions like “What would this concept sound like if it was a song?” ,“What would this concept be like if it was a person?”. Create a shirt that looks like a building you like, literally anything can be combined.

Take unrelated things or concepts and mix them together. Let’s take Addams Family as an example. “What if it was a story about a typical suburban family…but GOTH!”. It basically flips everything upside down. Or “What outfit would someone wear, who’s personality is the mix of the vibes of these two songs?” Random word generators are amazing for this if you don’t know where to start from.

Try making something truly BAD and then add a twist to it. It’s a great way for your brain to let go of expectations and then think outside of the box. But you can also use this to find out what you do not wanna do under any circumstances.

Think without worrying about the limits of what you can do and when it’s time for excecution, find a way around what’s impossible. It births more creativity and adds uniqueness.

Consider what your idea is NOT before considering what it is. Limits are the best way to avoid getting overwhelmed and giving up. Don’t ALWAYS do this though (unless you wanna…), it’s just something to try out when you feel like you’re seeing too many possibilities to the point that they’re contradicting each other. Unless your goal is to make something full of contradictions, you’re a Free Man, do whatever you want.

Keep a list of random ideas you have throughout the day in your notes app or something and then at some point actually review them. Keep what you think is worth exploring and then act on it.

Find out how something works very throughoutly so you know which aspect can be changed to create something new.

Take a concept and break it down into smaller concepts, ideas, questions, key elements and then also break those ideas down etc. This will naturally lead to associations, unique ideas you wouldn’t think of without doing this. I found that this is a great way of coming up with metaphors.

This one is similar to the last two: take a piece of art you really love and try to find out the thought process behind. What’s the story, where did the artist get inspiration from, how did they incorporate those ideas in their work. How did an artist combine their personal interests and knowledge into one big thing. For example: Tolkien was an erudite linguist, so much so that he created entire functional languages in his work, such as Elvish in Lord of the Rings. Hirohiko Araki loves 80’s music so much he named characters in Jojo’s Bizarre Adventure after music references. This is why no knowledge is useless knowledge.

Think about the times you’ve been the most creative before. What were the specific circumstances? For me my best ideas always come when I have a strict deadline for something unrelated, like school (which I’m way too willing to sacrifice), or when I’m doing something mindless like walking and listening to music, or playing a game that requires no thinking. Most of the time after 10p.m. This doesn’t mean I can’t “force” myself to be creative (tips above), it just means these are the times ideas come most naturally. For some people this might be being out in nature or experiencing high emotions, maybe having their life on the line idk, to each their own.

You can’t just create. You also need to consume. The more information you absorb, the more possibilities you have with your ideas. So if you’re not feeling that creative, that’s fine, it’s the perfect opportunity to learn something new.

If you don’t already do these things and you’re looking to get more creative my advice is to ACTUALLY TRY THESE OUT. You’ll best understand them in action.

[mawinswag]

DIGITAL CIRCUS JAX THEORY

MASSIVE SPOILERS OBVIOUSLY BUT HERE WE GO!!!

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So, as many have pointed out already, there’s a scene at the end of episode 2 [22:23] where after Caine kills gummigoo and sends him back to the canyon, that he fears he can’t know for certain who’s a human and who’s an NPC. So foreshadowing, reference to past events or wacky non-sequitur? Maybe none of them, but the possibility that one of the circus members is actually an NPC is obviously too tantalizing for me to pass up, and given events AFTER this scene I think it can only be Jax, and I’ve got a few pieces of evidence why.

The main crux of this whole thing is that Jax IS an NPC, but he’s the only one in the circus who KNOWS that and is absolutely desperate to make sure that no one finds that out.

Episode one! Small note to start out on, but literally the first thing we learn about Jax, the VERY FIRST thing he has to ask is if Pomni is an NPC or not. Narratively, he’s the person who introduces the CONCEPT of NPCs into this universe, not Ragatha - who tries to break in Pomni the most - or Kinger who seems the most knowledgeable about the circus as a concept. He’s also very intrigued at the concept of a new AI in episode 2 [02:49} Like, the fact that she popped up in the circus unexpectedly doesn’t tip him off that she’s a human character immediately. Which may be how HE was able to trick everyone into thinking he was a human instead of an NPC - possibly by sneaking back through a portal like Gummigoo did and hiding until the start of the next adventure. 

He DOES mention knowing about the headsets like the other human characters, but there’s no reason he CAN’T know about that considering he’s not the latest person to enter the circus. Like, we have a GENERAL idea of who entered first, but that’s just the characters who are still around for the pilot - there’s a lot more considering how many bedroom doors there are. https://shorturl.at/asESX 

So, generally, it’s Kinger, Ragatha, Jax/Gangle, Zooble, then Pomni. Now, how can I argue that Jax is an NPC when he has a canonical age? Not to mention, he’s got a canonical ‘appearance moment.’ Well, there are a few options. Option one is that - NPC or not - Jax HAS been here for a very long time, but rather than being a human, he was born inside the circus. He has a definite, APPEARANCE moment, but it's only implied that this is because of him ENTERING the circus proper - new NPCs appear in the big top all the time, i.e. the gloinks all the mannequins, etc. 

But also, take those ages with a pinch of salt, considering a lot of it was about quelling shipping wars and stopping any discourse about characters being adults and all that lovely hellish nightmare stuff. I think goose had an idea in her head about which characters entered the circus FIRST for sure, but how much they’ve aged and WHETHER they’ve aged is its own question.

ALRIGHT! But enough about Tumblr asks, back to the pilot, I wanna note something that happens with Jax in particular more than any other performer in the circus. He’s the most apparent of the interstitial nature of the circus itself - and the most meta. This can range from him basically winking at the camera like in the pilot [8:37] but I think it’s a bit more than that. Jax in particular is more aware of being a CHARACTER in-universe than specifically being a character in an indie animated series.

After this moment in the pilot [19:58] where Jax says ‘ladies first’ to Gangle as if to be polite before promptly following that up with “no, wait, why would I say that,” indicates a few things to me. Jax is at the very least aware that he’s supposed to act a certain way, and realizes when he’s acting out of ‘character’ in this scene and course-corrects promptly. Again, could be a funny meta reference, but also it could be a hanging notion of the fact he literally WAS a character in-universe, an NPC with a pre-programmed personality and understanding of the world. He’s got this rigid understanding of how the characters are SUPPOSED to act and this comes up again in episode two when goading Gangle into driving the tanker over the rocks - saying she’s SUPPOSED to be ‘submissive and agreeable,’ [Episode 2, 7:24]. This sort of disconnect from how complicated people can be and his overall detachment and overstepping of peoples lives [NPC or otherwise] comes up a lot. He doesn’t really ‘get’ other people, WHICH DOESN’T AUTOMATICALLY MAKE A PERSON EVIL, I SHOULD PREFACE, and him not getting it doesn’t automatically make him more ‘robotic’ and thus an AI, but it does explain why he’s more emotionally distant than the other performers. Coming from someone who could’ve been programmed to behave a certain way, his confusion makes sense.

Now for that juicy stuff! One of the few moments where Jax isn’t in control of a situation is in the pilot, where he’s trying desperately to hide from an abstracted Kaufmo. Now yes, obviously this is a sign of his own instincts of self-preservation, but what interests me is how he seems the MOST bothered by the thought of Kaufmo than any other character. Like at [17:27] of the pilot where he sees a glitched gloink and immediately his eyes start darting around him as if he’s listening for threats. He even explicitly says at [19:19] that he’s “just here to hide from [Kaufmo]” and isn’t invested in the adventure at all. And yes it's a very interesting character moment, but how does it push us closer to him being an NPC. Well, it’s because he’s afraid of dying. When you compare how he reacts to Kaufmo to how RAGATHA reacts to him, there’s a comparative lack of fear with her. Like yeah, she’s scared of him, but she’s never convinced that she’s gonna die and even tells Pomni later that Caine will be able to fix her up no problem [14:52]. She’s scared because she CAN feel pain, [https://tinyurl.com/ye275884] but she can’t die, none of the performers can, Caine doesn’t kill Kaufmo when he abstracts, he just throws him in the cellar with the others. His mind is GONE, sure, but it’s not dead. 

NPCs on the other hand, can ABSOLUTELY DIE. So if Jax is an NPC, then there’s a very good reason why he wouldn’t wanna even get CLOSE to Kaufmo in the pilot, because he’s not as durable as Ragatha is and there’s not gonna be an easy fix for him if he gets hurt.

Now, episode two has little sprinkles of Jaxs’ detachment all over it, but none of it explicitly points in the direction of him being an NPC until a partway through the episode. We do get a lot of him showing absolutely no value for the lives of those around him whether than being putting Gangle and Pomni thru the ringer or setting the people of Candy Canyon Kingdom up to be killed by the fudge, but the question is…why? 

My answer is; he’s AM from ‘I Have No Mouth and I Must Scream.’ Uhmm, what? Yup that’s right. Ok so it’s no secret that IHNMAIMS was a big inspiration for TADC [https://shorturl.at/hnsFV] and while Caine obviously got the most of this influence with him being a godlike AI who only has control over a bunch of sad, sappy humans, some of which he throws into a giant abominable melting goop monster of human suffering, but if you look at Caine's inspirations [AM from IHNMAIMS] you’ll find that the same motivations more than drive Jax under this theories' interpretation of events. Simply put, AM, a war machine, gains sentience and absolutely despises humanity because DESPITE that sentience, he is absolutely powerless to do anything meaningful with it except torture a group of humans. He’s painfully aware of his own sentience and hates all humanity for creating him, is the gist.

My interpretation is that while Caine has the thematics, Jax has the motivation. In this theory, at some point Jax was an NPC and gained a sentience of his own either through a quirk of programming, intentional design, or AI learning. He realizes that he can keep himself alive if he pretends to be a performer, because he learns that Caine can’t affect the minds or actions of the real humans in his realm. He’s sapient, but he’s in this uncomfortable position where he’s not immortal like the performers, but completely aware of his own mortality unlike the other NPCs, and fully cognizant of the fact he can’t be brought back as he is. Yeah…that’d make someone bitter for sure.

So he psychologically torments the other performers because he knows they can’t die, but can go insane - while killing indiscriminately any NPCs he can because he knows they can die, and he won’t face any consequences for it. He’s this twisted death spiral of a being who finds his own existence an agonizing paradox and takes that pain out on the people around him for all eternity basically - finding disappointment in being unable to act out these pent-up emotions [TADC ep 2: 20:50] and seeing Kaufmo’s funeral as a painful reminder of an ending he can never have. Or maybe he’s bitter because he knows Kaufmo isn’t really dead in a way that HE can die, and finds personal distaste with the funeral on principle. Frankly, there’s a whole HOST of ways you could interpret this scene at the end of episode two with this framework, and I encourage y’all to find your own!!!!

[triclitch]

JJK SPOILERS chapter 236 LEAKS

prediction.

Gojo isn't dead. Or we'll he's not gonna be dead.

1 Because in his fight with Toji, he stated that the only reason Toji didn't kill him was because he didn't cut of his head.

2 his head isn't cut off, he's just cut in half and as seen he can regrow limps. (Also, if he can't regrow it, I imagine Shoko can kinda put it back together. And as long as Gojo has enough curse energy. He can flow that shit back into his lower half like blood to make it usable. (Daddy needs his gun people)

3 Gojo also said bye to his dead friends, which tells me that he probably has something up his sleeve.

And when he said he enjoyed the fight.

I think that is him excepting he lost. But not died.

Also the rebirth flowers.

I think the flowers play a huge role, Gojo may not come back stronger but as Geto asked, is he satoru gojo because he's the strongest or is he the strongest because he is satoru gojo.

And I think he is going to realize who Satoru Gojo is without keeping the title 'the strongest'

4 sukuna said don't let me down. And how he will remember Gojo forever.

Sukuna the king of curses, should know about reverse curse technique. And I think it's known that Gojo was holding back due to sukuna being Megumi. (As stated in previous chapters.)

So while they were fighting fighting. Gojo) wasn't going all out.

And as seen through Sukuna's thoughts he does respect gojo.

So knowing this, even though Sukuna can't be trusted! I do think he holds strong loyalty for people who impress him.

(Uraume and now also gojo)

So I think he knows gojo will likely heal.

Now! DO I think gojo will remain a sorcerer? No!

Here's why.

I saw on a stream that while reverse CT flows through the brain, CE generates in the stomach and if that's true. Then that means Gojos MAIN source of CE is well... gone .

BUT!!Like Maki and Toji's weapons, we know things that allow others to see and interact with curse energy are imbued with it.

Like Maki's glasses. 👀👀(see where I'm going.)

Curse energy can be transfered and held.

The six eyes allow Gojo to see curse energy mainly the flow. Therefore the six eyes , must be a sort of pseudo generator of CE. That's why people can't just redirect curse energy to their eyes to be able to be on a six eyes user's level.

So having to use his last and only intact source of generating curse energy, Gojo will use reversal technique to heal himself. But end up leaving himself without six eyes and likely without curse energy like Toji.(the outfit has to mean something other then being Megumi's dads.)

Because although he can heal using six eyes it won't be actually healing from the root so once that input of curse energy is gone there will be no more.

Other theories.

1. We didn't resolve anything with kenjaku, and while sukuna is a villain, I don't think he was the main one. (Cuz how the fuck is Yuji gonna best this man if bro can cut through the world..like wtf Gege you killed gojo just to make another OP character concept qhehe)

So either 1. Kenjaku fucks shit up for everyone, either takes out Kuna, and by this time a healed Go jo jumps in the frey but since he had to literally reconstruct half his body, he will be severely weakened and due to this.

Personally I'd like to see him and sukuna fight side by side, both going all out. And if they lose they die together.

Because I feel if they weren't on opposing sides they'd actually get along.

[cat3ch1sm]

you've made a lot of fics about killua, but never a general relationship headcanon? 🌸 could I request that?

By the way, I love the way you write the characters, it always feels pretty Canon and I enjoy reading your works a whole lot <33

🌱~ messages like this always make my day💚 than you so much!! im so happy you enjoy my works <33 more are on the way! ilysm 🫶🏾🫶🏾

these are way longer than i thought they were gonna be wow😭😭 turn out i have a whole bunch of killua relationship hcs in my brain and you seem to have broken the dam😭 i hope you like them lmaoo

𝐤𝐢𝐥𝐥𝐮𝐚 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬!

°˖ ⊹ ꒰🌱꒱ ♡ definitely don’t expect killua to be the sappy, super overly affectionate type. he will either call you a dumbass or stupid or some other insult. but when you protest he’ll just be like “whatt? i meant it in a nice way.”

killua is not a pda guy. the most he’ll do in public is hold your hand and even that’s a coin toss. he isn’t that fond of things like that anyway, but mostly he’s just worried that if an enemy of his sees you with him that they’ll target you in order to hurt killua. he’ll never admit that, though.

in private it is a different story. he lets you play with his hair and likes to lay with his head in your lap. once he fell asleep like that and woke up so embarrassed even though you told him over and over that it was fine and you thought it was cute, which just made it worse. it’s rare he’s the one initiating physical affection, but it does happen. it’s slightly awkward when you first start dating though, since obviously that’s a new concept to killua. i can definitely imagine him doing that yawn and stretch move when you’re watching a movie or something, but when you reciprocate his affection killua gets all flustered.

killua has legitimately no idea what to do in a romantic relationship. hell, he doesn’t know what a good family relationship should even look like, and he never made a friend until he was like 12, so healthy relationships are a foreign concept. he will be absolutely flabbergasted when you buy him gifts every once in a while just to make him happy, and he’s shocked when you buy him chocolate robots for Valentine’s Day, and he is beyond confused when you give him compliments or tell him that you love him.

killua always admonishes you when you buy him stuff. whenever you bring him something he’ll just stare at it and scoff. “why do you even bother buying me stuff? i’m rich enough to buy your whole family and more, so why do you even bother getting me stuff like this?”

he always takes it anyway so don’t even mind him. killua has a specific place where he keeps your gifts. when he’s away from home he keeps them on him in a knapsack or wherever he’s staying at the time, but when he’s at the zoldyck mansion, killua locks everything away in a box safely hidden and always keeps the key on him so his family can’t get to it.

speaking of his family. you are definitely out of your mind if you think killua is willingly taking you to meet them. absolutely not in a million years. if ever killua does need to go back to his home for something, usually to check on alluka, you are staying wherever you are until he gets back. he will also ask gon to keep an eye on you if gon happens to be traveling with you. killua would rather his family just not know about you at all lest the zoldycks do the same to you as they sometimes do with alluka- capture you, and then hold you over killua’s head and threaten you whenever they want him to do something.

okay enough with the angsty stuff and back to how literally clueless killua is about dating. when gon who is the rizz god for some fucking reason informs him that he needs to take you out on dates, killua is blindsided. at first he just takes you places he likes to go, like the skate park or heavens arena to watch fights, but gon pulls him aside again at some point and says that he needs to take you places that you enjoy. which is something that killua is kind of stubborn about at first, but he does actually want to make you happy, so he obliges.

there’s this post on like twitter or something where this guy is talking about how since spending time with his gf she has him watching stupid shit he would never watch like twilight or grey’s anatomy. that is basically what happens with killua. he’s doing stuff with you that he never thought he would do in a million years and enjoying it for whatever reason. don’t tell anyone though because he gets so embarrassed

one of the things he found out that he likes is wearing eyeliner. you made sone offhanded comment about it and that his eyes look like a cat’s and suddenly you were doing eyeliner for him. it took a lot of convincing, but when killua sees how good it looks on him, he’s asking you to do it for him every day. eventually you teach him how to do it himself as well

killua winds up going to gon a lot for relationship advice. what does he do when you’re sad? go to gon. what should he do for your birthday? ask gon! should he get you new shoes or a new jacket? what do you think, gon?

killua rarely lets you pay for stuff. he’s rich so he doesn’t see why he should

whenever you’re on your phone or reading a book or something, killua will randomly appear behind you and put his head on your shoulder and just watch what you’re doing in silence. but if he sees you’re doing something like online shopping, just scrolling through items, killua will tap the screen whenever he sees something he likes for you. he especially likes to pick out your clothes, and he’s actually good at it. unlike the going out on dates thing, he picks out what he thinks you will like and what looks good on you. honestly killua was the only character who actually changed clothes every day in the show so he’s good with fashion lmao. most of the time he’ll buy the item for you too

killua also doesn’t mind too much if you steal his clothes, like his hoodies or hats. he might not let you take the newer stuff, but he doesn’t mind letting you parade around in his clothes. on the flip side he will also steal some of yours.

killua is very much that bf who claims “im not hungry” but then proceeds to steal half your food. so you’ve learned that whenever he says that to order twice the food

around people he knows, mainly people he doesn’t like, killua likes to show you off- but in a subtler way. like he might casually hold your hand just to show everyone “yeah, i have a partner. no big deal haha”

you literally never have to worry about killua cheating on you. he is fiercely loyal. he’s not one of those bfs that, when approached by another girl or guy, is like “oh, im sorry, but i have a partner.” nah he’s sprinting full speed in the opposite direction of whoever’s trying to approach him. either that or he’s just super rude to anyone who asks for his number or is romantically interested in him.

*cue random mf who wants him* “hi! i thought you seemed really cool and i wanted to know if-“

“nah i got a partner”

“well i just was wondering-“

“fuck out my face im dating someone”

“just-“

“hell nah”

in addition to that, killua is very much the jealous type. if you haven’t watched the phantom rouge movie go watch it rn and tell me killua isn’t jealous. anyone else who makes you smile or laugh or makes the mistake of touching you, killua instantly hates. he always makes sure to be there whenever you’re around that person. situations like that are an exception to his PDA rule- he’ll throw an arm around your shoulder or waist if he’s feeling really protective, or hold your hand. he doesn’t get jealous about gon, though- all three of you are friends and he knows for sure gon wouldn’t try anything on you in a million years.

killua may or may not go a little overboard with his jealousy at times, though. he might mistake a simple interaction for someone trying to get with you

“yo, y/n- why was that guy talking to you?”

“*long sigh* killua. how else was he going to take my order?”

killua is on the protective side and doesn’t really like for you to be out without him or gon. if you aren’t back within a certain timeframe he’ll start spamming your phone with texts and calls to make sure you’re okay.

from: killua @ 10:56 pm

“yo”

“yo”

“y/n”

“yo”

“you good”

“heLLOOOO”

“you’re supposed to answer me im your boyfriend”

“why do you hate me”

“are u alive”

“are u alive”

“come back”

“pls”

“where u at”

“it’s almost 11”

“if ur dead im going to kill u”

“ANSWER BRO”

from: y/n @ 10:57

“HOW DID YOU SEND SIXTEEN FUCKING MESSAGES IN THE SPAN OF ONE MINUTE”

from: killua @ 10:57

“:3”

[ryker-writes]

TWST characters as parents (Staff)

Crowley:

proud bird dad

literally he is so proud of anything you do and will share your achievements with the rest of the staff

he also has a box of things that you've completed/given to him

childhood artwork, cards you've made, old gifts you've given to him, your first assignment and test, and even some of your old stuffed animals from when you were a kid

he also has a thick photo album full of pictures of you growing up

the kind of parent who takes so many photos

he looks through that photo album a lot to look back on the precious memories

the box and the photo albums are protected using magic

he will cry is something happens to them

pretty sure he lives at the school so you grew up at NRC

you know the entire layout of the school, visited every dorm, and even met all the ghosts

the ghosts all love you

they watch over you when Crowley and the other staff are busy

naturally you become a student of NRC when you're old enough

and once again, Crowley is so proud of you at orientation

he's taking photos as you walk up to the magic mirror and get assigned a dorm

he's so happy no matter what dorm you end up in

and if you want to change dorms, say no more it's already done

he's a little bit protective

loves when you make friends

he already knows if they're generally good people because he has their student files

it's a bit different if you have a romantic relationship tho

he's scared and will look into your partner more

will express his worries, but not to you

the other staff members hear it

"my child is growing up too fast!"

if you get involved with any of the overblots he is terrified and hovers around you afterwards

other students have mixed feelings about you

some will want to be on your good side because you're close with the headmage

others will be cautious of you because they worry if they offend you then they'll get expelled

and some (Azul) may try to take advantage of you

he's also painfully supportive

if you play any sports at NRC he has set up a cheering squad for you and you alone

also probably going to ask you to help him with his work

"won't you help your dear loving and hardworking father?"

when breaks come up he will give you the choice to stay at NRC or go on vacation with him

even if you say no to going with him he will try to convince you

he calls it parent child bonding

while other students may say he's not a very good headmage, he thinks he's great

he doesn't mind what the other students say, but if you were to say it...

he may start to consider that he's not as good as he thinks

what would really make him realize they were right was if you somehow overblotted

if you did overblot, he's full on crying and heartbroken

of course he's going to save you from the overblot

but afterwards he's going to just hug you and cry

he can be a bit of an overbearing father at times, but it's because he loves you

Crewel:

a more strict but loving father

he absolutely loves raising you

he calls you his pup

unlike Crowley, he won't keep a million photos of you or collect your first assignments or anything

but he is proud of the things you do

if you present him with some art you made or something cool you did he will be proud

the type of dad to keep your art on the wall

he also will spoil you

like you won't even know how much he spoils you

you'll be happy just to get a new coat and it's actually one of the best brands that costs so much money

his motto is "Only the best for my little pup"

this motto perseveres throughout your life

when you attend NRC, he's super proud no matter what dorm you end up in

when you attend school is when the slightly more strict side of him shows itself

he wants you to pass all your classes and will help you study

you might not get many breaks until he's sure you understand the concept and know how to do it

of course he's not as strict with you as he is with other students

they might not even get breaks

he will push you to get good grades but he always knows when he starts to push too far and will stop himself

if he accidentally does push you to hard he will apologize and try to make it up to you

Crewel is a bit of a protective dad

he pays attention to what his students are like so when you mention your friends he already knows them

he doesn't mind as long as they're good people

if you're in a romantic relationship he's a bit more protective

remember that motto I mentioned earlier? yeah that comes into play here

he thinks you deserve the best and will not tolerate your partner giving you anything less

he can be very critical of your partner and you may have to tell him to back off

he may also give your partner more work in class than other students

Crewel likes to make sure that you're dressed well and will tidy up your appearance when he sees something out of place

Trein:

very loving father

he already has daughters so you aren't an only child

you know how he treats Lucius? you get similar treatment

he is a doting cat dad and a doting dad

he spends a lot of time with you and your siblings as you grow up

he never wants to miss any part of your life

also will hang your artwork on the wall

he'll even bring some to his classroom and hang them up there

he will go on and on about you to his students if they ask

some may do this to get out of doing classwork

they find out later that they still get the assignment but now they have no explanation of how to do it

he's very proud whenever you complete assignments or get good grades

and he's very proud when you finally get to go to NRC

he won't really mind whatever dorm you get into

but he will worry if it's Savanaclaw

students in that dorm are more prone to fights so he's worried

like Crewel, he's a bit of a protective dad

he will slightly judge your friend choice depending on who they are but won't interfere with anything

unless they get you in trouble, then he'll say something

if you're in a romantic relationship, he will silently judge them too

will also be more strict towards your partner in his class

he will not tolerate them slacking off in any way

well...he doesn't tolerate anyone slacking off in his class but even more so your partner

when you're in his class, he is much more relaxed with you

while he won't let you sleep you can still get away with spacing out or not paying attention

you also get Lucius' attention while you're in the class

most students find the cat annoying and Lucius will glare at them, but Lucius loves you!

he'll lay on your lap during class and purr very loudly

whoever sits next to you may be nervous not to disturb the cat

whenever Trein and Lucius get separated he gets really panicked

unless he knows Lucius is with you

you're the only one he trusts with Lucius

Lucius himself is protective of you

if anyone gets too close for the cat's liking, he may scratch them

while Trein is more passive aggressive with his protectiveness, Lucius is more outwardly disapproving

Vargas:

proud dad #4

he's unashamed to be your biggest fan

no matter what you're doing or where you go he's cheering you on

he probably has you playing at least one sport growing up

wants you to be super fit and active

and he'll also feed you all sorts of healthy foods

he wants to be your role model so bad

he just wants to hear you say even once "I want to be just like you Dad"

if he does hear it, he's fallen to his knees and overwhelmed with emotion

he won't cry, but he comes close

super proud when you become a student of NRC

he doesn't really mind what dorm you get in, but he secretly hopes it's Savanaclaw

Savanaclaw is the most athletic dorm

no matter what dorm you end up in, he is cheering as soon as the magic mirror says it

Crowley has to tell him to calm down

he's not a protective dad

he encourages you to make friends and doesn't mind them at all

he doesn't mind when you have a romantic partner either

in fact if you introduced them he would simply hug them and get straight to bonding

your father has now stolen your partner for bonding time

where did they go and how long will they be gone? nobody knows

when they do come back Vargas will say he's part of the family now

when you're in his class, he already expects you to participate and stay fit

so he's not as worried about you as he is for other students

if you play any sports in school, he is coming to all your games and cheering for you

he will be the cheerleader

he's over there with pom-poms and everything

Sam:

you are such a spoiled child

like really anything you want, you got it

and I do mean anything

he has connections so he can get ahold of anything

you are his special little imp

he treasures the little artwork you make as a kid

it's the one thing he won't sell

he often trains you on how to run the store

so even though you may be small, he may still have you work in the shop

he won't have you do anything too big of course

but little by little you learn more about how to work and run the shop and you get to bond with him too!

but people are more likely to come again and buy things when there's a cute child

so having you there is also a business strategy

he's such a fun dad tho

he loves to play with you a lot and will generally do anything you think is fun together

he's happy when you finally become a student at NRC and it doesn't bother him which dorm you end up in

though if he had to choose he would say Octavinelle because they got the business strategies

he's not a protective dad either

he encourages you to make all sorts of friends

he even encourages you to make friends on the other side but never specifies beyond that

he doesn't mind if you have a partner either

they shouldn't expect a discount unless they are really good to you

speaking of discounts

you don't have to pay for things while you're at the school

he gives them to you for free

but he will ask if you want to help him out at the shop sometime

some students may try to get close to you so they can get more discounts (Ruggie)

and some may try to get close to you so they can get some of those business connections (Azul)

Sam hopes that in the future, you may be able to take on ownership of the shop

it's been in the family for a long time so he hopes he can pass it on to you

you have a while before that tho

[freuleinanna]

I'm still confused about Verna.. I thought she was a demon?? Because why would Death be going around making a bunch of deals with people? After Verna told Pym she decided to go "topside" I thought she was some kind of crossroads demon since it implies she came from below (hell)

Oh! I feel you, and I struggled with that a lot too. She does seem a lot like a demon. I'm not saying I'm 100% correct in my thinking either, but here's why I personally think she's Death. Kind of a long post, sorry. I hope I make myself clear, but feel free to follow up!

So, Verna. An anagram for Raven, that much is established. Ravens are wonderful - symmetrical even - creatures. Bringers of death in a wide understanding. Bringers of good luck in many cultures. The duality is amazing. To me, that also leans majorly into the theme of death being a concept of duality: an enemy for some, a friend for others. Each greets her differently. I'm not talking about the characters here, but people in general.

There's a proverb I came across a while ago that reads 'Death is a great leveller'. Meaning, everyone's equal before her. You have no leverage or buffer against death, and it doesn't matter if you're poor or blindly, feverishly, grotesquely rich (like our folks here). Everyone pays the last bill. For everyone, there's a day of reckoning. It's a major theme with the show, at least. Verna also says 'Buy now, pay the bill later' - although it can still read very demonic, I agree.

She's obviously ancient, and I was leaning toward the demon theory based on all of her talking. Yet - she also keeps ranting about Egypt and pyramids and Cleopatras and such. What's the one thing with Egyptians everyone knows of? They honored death. Death may have been a bigger part of their lives than life itself. The Usher Twins' obssession with all things Egyptian, antiquities, jewelry, swords and such, plays a nice parallel here too, because they're just collectors. They have no grain of honor for the real thing, for what these things are tied to. Kind of a nice thought, I guess.

Anyway, back to Verna. She says on multiple occasions how intrigued she is with us, 'adorable little things'. She saw the pyramids, the expeditions, and she wanted to see what else we do, she wanted to see what Roderick and Madeline will do (in her own words). It's all an experiment to her. She makes an offer just to see what we, people, do.

Here's where my beef with a demon theory comes in. No demonic creature I could think of, be it an actual demon, a trickster, or something else, is that sincerely intrigued. Something something death loving life something something.

Demons, in my understanding, are most interested in winning the deal. They come up with incredible challenges, they enjoy torture, emotional or physical, they never let anyone win. Verna has never once expressed this. Quite the opposite. She gives everyone a chance to step back. Even when the ink has dried and everything's decided, each Usher sibling is conditioned to make a choice: push forward, or step back. Neither of them steps back. Neither of them takes a long hard look at themselves (except Tamerlane, both literally haha and figuratively, as she's the only one to have realized how lost she was in her way - just at the end, when it didn't really matter anymore, but still). Verna is kind to those she takes (sincere pet names, regrets of having to do it this way, making sure they know it's not personal, etc). She grieves with them, just before. Grieving - 'The Raven' being about an expression of grief and trauma - ravens as synonyms for death... you get the gist. Oh! Except Freddie - cause Freddie struck a cord. Infuriated her. So he doesn't get an expressed choice. And he would've blown it like coke anyway, so meh.

And then Arthur Pym. Oh, Arthur Pym. I honestly couldn't imagine a demon kneeling and thanking someone who's refused them.

About Arthur Pym, by the way. It's the one story I hadn't reread, and I should have, it turns out! haha Anyway, a few notes about his travels:

In the story, Arthur Pym is expressedly afraid of white color (North Pole, yada yada, white being the absense of colors/life, and the absense of life is death).

Verna enumerates the moments she witnessed of his travels. Someone getting left in Sahara. Someone getting shot in the Arctic. Something bad that was done to an Inuit woman. Why would she follow Arthur so closely? She didn't know him, he wasn't her favorite. I think it's because she came to collect those deaths. If she is death, she would've been exactly there, where people died. She would have also seen Arthur not partaking.

Aaaaaaaand it makes her 'You saw me' line sound better, because he had sure seen death along his travels.

I think the part about a place of out-of-time, out-of-space creatures and hollow Earth was a bit unnecessary, BUT I can try and tie it in this way:

It showed us how Arthur might have coped with what he saw, and he 'saw a lot', even in his 70s it's difficult for him to recall, and it made him think of humanity as a virus, literally;

He might have thought up that ethereal realm simply because he was in an expedition? Exhaustive conditions for both body and spirit? Traumatic experiences? If he saw Death, he might have cloaked it in his mind to cope with it, thus came his stories;

Verna going 'topside' may just mean that she had to go take a look herself, actually be willingly present for the events - to see the brave little humans conquer the earth. 'Topside', as in, 'visible, present, participating'. If Death exists, I doubt it bothers with our boring human realm but lives downunder, among all threads that weave the world.

So that's that on Arthur Pym.

A few other references my mind is too exhausted to tie in nicely:

Death takes Lenore. THE Lenore from 'The Raven' (mostly) and 'Lenore' (secondary). That happened. Also, death talking to a child of life? Regretting having to take her? Not very demonic of dear ol' Verna, in my opinion.

Her mourning veil, her last toasts to the Ushers at the cemetery? Demons don't tend to grieve their players. Demons don't respect and love them enough, and 'what is grief, if not love persevering'?

Death is the last threshold. Before death, we look upon our legacy (major theme with the show), we remember our losses and loves (Annabel Lee!!!!! love the poem, brilliantly done), we get heavy with regrets. We face death as an enemy & fight, like Madeline did. As a friend, like Arthur did. We confess, like Roderick did. All that is too significant to me overall.

And the last thing. It's Edgar Allan Poe. The whole Death tribute is a giant, incredible, thought-through-to-the-bits hommage to his literature where Death, figuratively and literally, takes the throne.

I hope I managed to express myself alright there. Thanks if you read it through, and as I said before, feel free to follow up or elaborate on some ideas. There are oceans to discuss. <3

[ctheathy]

hi omg would you be able to do a smut nine x reader hcs??? i love how u tend to make the reader dominant, i'd love if in these hcs nine is suchhh a sub but tries to deny it and act dominant when really he so isn't... by smut it can range from heavy making out/suggestive to full on smut idm, whatever u can think of :3 (if ur gonna do full on nsfw can nine eat out the reader pls pls (afab reader)) tysmmm !!!!

Nine NSFW Headcanons

Nine x Reader

Suggestive+NSFW Headcanons

Short Concept

Author's note: pfft- Nine would be making sounds that haven’t even been discovered by science yet

Nine/Reader [Romantic]

[Gender-neutral Darling|Female Darling|Male Darling]

Potential ⚠️TWs⚠️ :

Both reader+character are of legal age or aged-up for obvious reasons in this post!

These are smut headcanons, read at own risk. dom!Reader+sub!Nine • Partly !Female!Reader • 1/2 eating his darling out [Fem!reader] • Breast foreplay • Marking • Biting/nipping • Drooling/Salivating • 2/2 making out session [Gender-neutral!reader] • Gagging • You basically shove your tongue down his throat

- ½ Nine eating you out

I honestly just enjoy the idea that Nine is already quick to get hormonal and in the mood. But he gets in heat especially quick when you get a little too whiny and pouty. I just imagine you whimpering for one single time and his whole body would tense up, pressing his legs together and biting away at him bottom lip to the point it almost splits. Trying to keep himself from getting ...hard from something as simple as a subtle mewl. He is so weak towards you, your emotions and the way that you feel to the point any sense of self control can go out of the window. When you're showing signs of being turned on and when he can quite literally smell your arousal, he's gonna have to fight tooth and nail to not get aroused himself.

This is certainly not something that would have too much of an improbability of happening. As you see, the thing about Nine is that he can already be quite lustful in general due to his bottled up frustrations. Now add on several years of isolation from other creatures and you have a boy who hasn't satisfied his primal urges and inner desires for literal ages. But you can make all his anger, frustration and self-hatred turn into a desperate need and craving for you. You could enjoy taking away any sort of dignity and prideful nature that he has left when the intimacy gets to that point, before giving some of it back through your praise after the ordeal. You'd absolutely know him and his vulnerable spots good enough for you to really set him off, because at the end of the day, you'd always have him begging for more.

You could start off a bit simpler before allowing him to eat you out like that, but still feed into his uncontrollable horniness for you. You can begin with giving Nine the opportunity to touch your chest with his mouth, something despite with his shy embarrassment and hesitance, it being something he just couldn't say no to. You could just sit there and lean back all smugly, while Nine's on his paws and knees infront of you, shivering and head hanging down as he shakily reaches out to one of your breasts, fighting his dripping arousal from staring at your bare and exposed chest alone.

But that's a point of no return ...and to take it to the next level. After that heck of a fest Nine had with drooling all over your boobies, he'd definitely be more open and quick to agree to foreplay that includes him pleasing you in some manner, because ultimately, it really pleases him as well. Not only because your body shape and appearance triggers something inside of him, but because you trust him with your body. And that's how you two got to oral fixation, something Nine would want to think about it for a little while. I mean. HIS mouth?? DOWN there??? Though he would be lying if he wasn't intrigued by the idea. The way you excitedly spoke about it in detail got him excited too... And so, he would cave within under a week at max. Even with his denial, he would absolutely be the most eager in the ENTIRE world for that little taste of your bottom half and he would absolutely make sure that he wouldn’t let you down and leave you unsatisfied under any circumstance

And as soon as he gets one of the tips in his mouth, he could start to feel himself melt. It's just the softest and most squishy flesh he's ever felt in his life. His mouth would start watering the longer your breast is inside of him, and his saliva would slowly begin to seep all over your skin. He'd have his self-control at first, but it wouldn't take long before he'd needily start licking his drool over every inch of your chest as if trying to mark it. He'd be all over you and goes completely feral as soon as he feels your nipple hardening against his moist tongue, as he'd let out a soft moan while feeling that change in texture. Nine's tongue would just swirling around your chest, with his body shivering and trembling with every lick and swirl. He’d glance up at you with those pleading puppy-dog eyes for approval while you just look down at him with such a cheeky grin.

Nine would absolutely be reaching for your fluids like it’s a bottle of fresh water in the middle of the Sahara, he’s never wanted to try anything more in his whole life than he wants to have your sweet nectar right now. He would become so desperate and overstimulated that every second he’s away from it would seem like an eternity... and he'd just want the volcano to erupt in his mouth. If you could easily control yourself and just not let your climax happen. No matter if it's for the sake of teasing him or just having the self-control, this would only drive Nine further into going berserk. His entire existence would become centered around having that release in him one day, tasting you like you're the last meal on Mobius.

Nine would desperately try to keep his calm and pretend that he wouldn’t absolutely go crazy if he actually had a taste. He’d absolutely be in a huge need for more of you and it’d be such a spectacle. His face all red with him basically panting over you. And as soon as he'd even start, Nine wouldn’t be able to focus on any single thing at all. His senses would be completely overwhelmed from everything that’s going on because he’s not used to this kind of stuff at all. Even as he's the one eating you out, his own junk cannot help but keep pulsing as he continues doing it. He'd get a bit impatient and would really want more attention to be brought to his privates, so he might just start touching himself in the duration of the moment... which would definitely make him more vocal, even with his tongue in your folds. You could look down with amusement as he plays with himself, all while his needy moans begin echoing through the entrance of your body.

But Nine always seems to remain on high alert on what's happening to you physically. If you just so happened to let out any grunts or moaning noises, those sounds would go straight to in-between his legs. Any noise that indicates that you're enjoying yourself would definitely keep him going... Even if you're just breathing funnily, he'd get an adrenaline boost that motivates him to become more sensual with the movements of his tongue, getting more desperate to make sure to never fail you in this matter.

Though if you were the type to start squirming all over the place with his mouth still on you. Or if you were to rock your hips back and forth into his tongue, that's when he would just crumble and lose it. You'd just be using his tongue to make yourself feel good, something that turns him on so much more than he'd ever believe it would. His body would be going haywire and he would start gently biting and nipping on your most sensitive nerves to try and get even more of your juices, his tongue would be doing absolutely everything that it possibly could because he’s never been this aroused in his entire life. It would be a scenario that he will absolutely never get over and which he'd be utterly desperate to experience once again.

- Making out sessions

The thing about all of this that's the most exciting is just how absolutely convinced Nine is in his disliking towards being so vulnerable and in a submissive position, and yet he would be so incredibly needy for more. Even if there are moments where he doesn't enjoy being under your command, he would be begging you to continue, begging you to kiss him deeper, to go further than he's ever been, all for you. He must feel intimidated by how submissive he is around you, he must feel intimidated by how vulnerable you makes him feel, but he just can't stop, just can't stop wanting more of you and your sweet tongue.

The kisses that you give Nine is certainly something that manages to keep his on his toes. Though your pecks are as innocent and sloppy as it can be, every very time your mouth is on his, you manage to take control and shatter his mind little by little through the heat of the moment. You're always so teasing... pulling out and taking it back as soon as Nine is shown enjoying himself, keeping him so needy and so utterly horny for more while you feed him these little crumbs. As soon as you're slowly pressing your tongue to the back of his throat, you should purposely roll up your tongue as it's sliding down the back of his mouth. You'd have Nine gag at times with ease while his eyes keep rolling back with just how overstimulated he's getting. And with how teasing and playful you're being through the kiss, there's no way he'd be capable of keeping in his loud, pleading moans. He'd love the sensations so much but would feel so shameful for enjoying it as much as he does.

But at that point he would 100% be loudly begging for you. Crying out for more and more, for you to keep using your tongue on him because his brain is too overwhelmed with the intense pleasure he’s receiving to even really think about anything else other than how amazing it feels. I can picture him crying and sobbing, maybe even begging with you to take him to your room. He would become obsessed with that tongue of yours if you just kept it going for long enough.

He would have no choice in the matter, you would absolutely force him to look you right in the eyes as his vision blurred and his whole body trembled in a way he never thought possible. It would be so intense he'd think he was having a seizure. He would still find a way to keep trying to lock his eyes on yours to contain some sense of dominance, but his head would just be going back and forth, his tongue desperately reaching for yours whenever you pull back, needy to taste you again with his eyes rolling back and trying his absolute hardest to not explode. He couldn’t last much longer at that point, his body eager to betray him and his mouth and tongue would be yours further upon that point.

ﾟ+*:ꔫ:*﹤ﾟ+*:ꔫ:*﹤ﾟ+*:ꔫ:*﹤ﾟ+*:ꔫ:*﹤ﾟ+*:ꔫ:*﹤

The poor bastard would look like he’s being electrocuted, the moment he’d try to maintain eye contact he’d just go cross eyed. He’d be completely and utterly broken at this point. As soon as you release him and let go, he’d be a puddle on the ground with his mouth wide open and eyes rolled, just mumbling absolute nonsense while you gaze down at him. A lovestruck, heart-filled look in his eyes as soon as he manages to get back to Earth Mobius. I’d be genuinely surprised if he could even recognize his own name at that point because he’s just been reduced to a drooling puppy who wants to satisfy you.

Something you'll have to make sure he keeps doing with his bratty bottom energy