#but sometimes i have to make this rant

[fumagus]

Honestly in regard to last post, this is why I'm sometimes like "Don't even pirate it" even if I'm pro-piracy. I only save piracy for media that's literally difficult to find or not even available in my native language (especially talking about older anime before it went mainstream or 30-year-old games for the PS1 or SNES that have never been ported or translated), or is heavily censored (particularly the dumb shit they used to do with 4kids shows or with spongebob skipping episodes and scenes for overdone reasons), or is difficult to watch in one place (such as the Pokemon series, which is spread out across too many platforms to count, or, better yet, if you want to watch it subbed).

This is also why I want to tell people to not even pirate things made by nasty ideals such as being anti-Palestine, transphobic, antisemitic, anti-Black, and what have you. Or if you actually want to strike against the shows due to workplace abuse, anti-consumer-friendliness, or use of AI.

Because at the end of the day, these large platforms and their shows still win in away by taking your time away from smaller producers who may benefit from you watching their show instead of something heavily advertised by Netflix, even if you're still doing it for free. These companies care just as much about making money as much as they are trying to leave a cultural footprint. And pirating the most recent season of Stranger Things or the latest superhero movie, and then talking about it might as well be free advertising to them, in regards to others who don't know how to pirate, don't want to risk pirating, or already have a Netflix they don't care about cancelling. Even if these companies can and will stop pirates of their favorite shows and shit on their fans.

Even if you aren't paying these disgusting corporations with your money, you're still paying with your time.

So instead consider choosing to watch an obscure movie or TV show made by or featuring minorities vs a more popular one featuring or made by cishet, abled, white bigots or push tired tropes in regard to minorities.

Or choosing an obscure show or video game that's obviously a labor of love by a very small group of people vs a more popular, overfunded one that was either the product of crunch or AI to cut corners.

Or choosing a more obscure show and movie on youtube or game on Itchio that's free, if not consumer-friendly, to begin with vs more popular, overfunded media where you're only getting it for free by pirating it.

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[shinynewmemories]

Listen to me Suzanne Collins did not have to give Katniss and Peeta a history before the games. She did NOT have to do that. She could have just had their story begin when Peeta's name was called. She could have had them be total strangers until the moment of the reaping.

Like: "And the boy tribute is... Peeta Mellark!" Katniss: Who's that? Or she could have made them vaguely familiar with each other! Peeta's name is called and Katniss just thinks, Oh, I know that name! He's in my class, actually. Poor boy... Anyway!

Either way, SC could have written the rest of the story exactly the same! I think many authors would have done that! Because if Peeta's purpose in the book was to be Gale's competition, to be one of the 3 corners of a love triangle, THAT WOULD HAVE BEEN THE WAY TO DO IT!! But that's NOT how she did it because that's NOT what Peeta is.

And who is he? To Katniss, Peeta's someone who saved her and her family and received nothing in return except a beating. Peeta's someone she has had her eye on but has never worked up the courage to talk to. Peeta's someone she associates with kindness and hope. And all this before the start of the events of the book! Just because WE, the READERS, met Gale before Peeta and immediately felt a connection with him does NOT mean that was Katniss's experience! And that's what SC is trying to tell us!

To dismiss Katniss and Peeta's past as unimportant or inconsequential compared to whatever Katniss and Gale have in the present is to fundamentally misunderstand Katniss as a character and, as a result, condemn oneself to never fully understand the choices she makes in the future.

Suzanne Collins wrote it that way on purpose because she had something to say. And no one will ever be able to convince me that something wasn't "It was always going to be Peeta".

[avelera]

Man, there’s all these little beats in OFMD S2 1-3 where people keep EXPECTING Stede to be upset or horrified about Ed’s actions and then he’s just. Not. In a way that reminded me of how a lot of fanon kept softening Stede into someone who doesn’t swear and is horrified at Ed for setting those ships on fire when imo to my eyes he was horrified for Ed because Ed was still so clearly distressed about it.

- Zheng Yi Sao asks Stede how he’s doing now that he knows Ed did horrible things to his crew and there’s this beat and Stede just pivots to, oh yeah, sometimes Ed is troubled. Like it didn’t occur to him to be upset on the crew’s behalf he’s worried about Ed.

- Izzy keeps trying to spare Stede’s feelings and cover up Ed’s spiral, but Stede clocked what was going on with Ed immediately and wasn’t the least bit intimidated or bothered. The knives brought the room together. Of course Ed’s trying to burn the world down or die trying. Duh. And I genuinely don’t think the STUFF in the Revenge mattered even a fraction to Stede as much as the signs of Ed’s breakdown broke his heart. It’s just STUFF, who cares.

- Lucius had to SPECIFICALLY call out Stede for not being surprised or bothered by what happened to him. What Ed did. Stede has to almost consciously remind himself to express polite concern. He just doesn’t actually care, instinctively or automatically, about what happened to Lucius. Part of it is he blames himself more than Ed. Part of it is he just doesn’t care, Ed is the priority.

They’re little blink and you’ll miss it pauses in some cases. Micro-expressions. The absence of a reaction. But honestly, I will scream it to the end of time, Stede is not some nonviolent creampuff scared or upset by Ed’s evil ways. He wants to join Ed in the atrocities. The man ran away to become a pirate. He asked if Lucius was taking notes during a murderous raid.

Stede’s at least a little on some kind of whackadoodle pirate comedy neurodivergence spectrum to the point where he actually really actually struggles to empathize with people, even people he cares about!, if their feelings conflict with his hyperfixation (piracy) and the love of his life (Ed Teach). He’s always, ALWAYS going to pick Ed over Lucius or Izzy or his crew or even his own feelings, if the option is there. He will literally throw himself overboard to get to Ed’s side. No pause. No consideration of anyone else or even his own safety.

Stede sometimes seems to have to consciously remind himself things like, oh yeah, the crew, I need to see to them. Not because he’s heartless or doesn’t care, but because it takes a bit of conscious effort for him to see beyond the laser-focused spotlight of what and who he does care most about, he has to remind himself of social niceties and other people’s feelings (just see him running away in the first place!) when he gets an idea in his head. It’s as if he had to train himself to consciously care about some things other people care about and as a neurodivergent person myself, that felt very familiar in a comedically writ large sort of way. I’d even argue that’s where all his aristocratic social niceties come from. They were his guidebook for how to do things “right” in a world that otherwise made no sense to him outside his hyperfixations. He practiced being a person through the aristocratic training because it was all so foreign to him from the start, including caring, actually caring, about the needs of others. Not because he’s consciously evil or consciously a jerk. The instinct just isn’t there unless he practices at it until it becomes reflex to ask how others are doing, because on his own his brain just doesn’t really notice or care.

I just… hope the fandom notes and has as much FUN as I do noticing all the little moments where even people inside the story of OFMD expect Stede to act in a normal way and instead he remains unhinged, laser-focused on Ed.

Stede’s not just an Ed apologist, he truly doesn’t blame Ed for any of it. He blames only himself. He doesn’t always voice this but he really really only cares about anyone else including the crew as a DISTANT second and he has to consciously REMIND himself to do so. He is able to rally to take action, to care about their physical needs like safety during the rescue, but he still struggles, deeply struggles, to remember to show empathy in a non-performative way for anyone except his special person, Ed.

Stede’s not a creampuff, not a nice guy, not some emotionally or morally perfect angel. He has to consciously practice caring about literally anything else but what he wants to do and his special person. And to me that’s a thousand times more interesting than shoving him in a box labeled “the blond, pacifist do-gooder good guy” in their relationship.

[lygma-nygma]

Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.

[msbarrows]

Argh... so I've been reading in Scum Villain's Self-Saving System (SVSSS) fandom recently. And it's given me a new pet peeve about formatting and TTS. A bunch of the authors in that fandom are using black lens brackets to indicate the 'system' voice, 【like this】, because the original novels do, and, yeah... unfortunately that's not always compatible with TTS (definitely not with google's TTS engine, and testing with various other online TTS engines gives mixed results).

Guess how I know they're called black lens brackets.

…

Go on, guess.

…

YUP! They get read aloud! Every. Single. Time. They. Appear. Open black lens bracket like this close black lens bracket.

Please resist using the novel's formatting and just use regular square brackets instead! Which do not get read aloud unless there's a space in a bad position, [ like this ]. If you want to be fancy, maybe use <tt>...</tt> formatting or a monospaced font such as courier to make it stand out more as something mechanical.

[Like this]

Which reminds me, another bad formatting choice I've bumped into multiple times (and I can't remember if I've mentioned this one before) is where authors use something <like this> to indicate things like speaking mind-to-mind, or that someone is speaking a foreign language (despite the actual text still being in English). Cool. Neat. Also not TTS compatible, unless you like repeatedly hearing less than and greater than mixed into the text. But guess what - there are already perfectly serviceable ‹single› and «double» angled quotation marks that could be used instead - and since they're recognized as actual quotation marks, they don't get read aloud! Shocking, I know.

Those angled quotation marks could also be another decent option for indication of things like the system voice, obviously.

«Like this»

Thanks to everyone who is already using more TTS-compatible formatting, and to anyone who decides to make some changes to theirs after reading this :)

[westanovencleaner]

percy looking off to the side at annabeth right before he's about to sing the consensus song 'cause he's a twelve-year-old trying to see how the girl he likes is going to react to some dumb shit he's about to do yeah I see you man

[alevens]

zolu is maybe one of the easiest ships i've ever liked. they're dating, except when they're not, they're best friends even when they're kissing and they're still captain and first mate when they aren't. they hold hands, they hug. they have sex. they don't.

Luffy can hold Zoro's katanas and Zoro can hold Luffy's strawhat and no one bats an eye. one says "You're so cool!" and the other says "You're strong" and it's just another way to say "I see you, this is why I follow you/this is why I trust you". it's not seeing each other for a long time and still knowing how the other's steps sound like against wood and sand. the captain runs and the first mate follows. it's always "Zoro and the others" and "Where's Luffy?"

if they're just friends, if they're something more, if they don't have a label for it, at its core, it's just about how they get each other. they understand how the other's mind works. however you view them, it doesn't erase they fact that they love each other in a way they don't love other people.

[thatonepersonthatdied]

I think it’s silly how in fics Danny’s like “oh thank the ancients” or otherwise using them as a stand in for “oh my god”. He beat half their asses bi weekly and they only made him stronger. He spits on their names like a Canadian who just got attacked by geese 

He is cocky and full of rage. He can and has fist fought several gods, no way is he respecting them.

Maybe clockwork and pandora, but no one else (nope, nvm on clockwork).

Anyway I think he should curse them out or use them in derogatory ways rather than use them as a curse

Examples:

Oh fuck the Observants!

You’re dumber than the Observants

I’m gonna beat you so hard Nocturn would be impressed

I hope Vortex goes up ur ass hole

Overgrowth wants to know what ur smoking

I hope overgrowth eats ur mom

I’m not that creative but you get the point.

(This is no way a dis on the ancient trope, I like it fine enough)

[marzipanandminutiae]

I miss people using non-medicalized terms for other people's passions

like. well and good to talk about "hyperfixations," "special interests [in the context of an autistic person's favorite subject]," or "infodumping" if you have ADD/ADHD or autism, or are talking about someone who is, but...that's not everyone who feels strongly about something, obsesses, or loves talking about their interests. those words mean specific things, associated with specific forms of neurodivergence

don't assume everyone is comfortable with that language

"rambling" is a word; so is "ranting." "obsession" is a word. "passion" is a word. learn them and use them

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[chonnysinferno]

the going thru it guy

also somewthing that i cant explain. yea like only one person could get what this is referencing

[uncanny-tranny]

I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.

I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.

Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.

[nocofamilyau]

total drama moment (4/8)

[fictionadventurer]

I think I have accidentally become very protective of the story of Snow White.

[dayurno]

so sick and tired of people writing fics about jeremy treating kevin like shit over kevin leaving jean at the nest like that is either 1) in character 2) something jean would appreciate or 3) fair. do you even bother to read the books you’re writing fanfic about or is the urge to create cheap angst so overwhelming you can’t see past the tropes you write for every other fictional pairing you like? the idea that jean would appreciate jeremy going out of his way to poke old wounds in his and kevin’s relationship when jean himself does not even like for jeremy to joke about kevin near him is absurd, and that’s without mentioning the fact that jeremy is not so clueless as to think he has any idea of what the nest was like, or why kevin felt he had to leave the way he did. if you need something to make your ship more interesting thinking beyond your flat interpretation of it is a lovely start, but don’t use kevin’s name and storyline if you’re just going to butcher it for the sake of a milquetoast sob fest the characters involved in would not even appreciate