#but the progression aspect of the book? was one of my favorite parts.

[ace-and-ranty]

Saw a post going around about Legend & Lattes, talking about its genre of origin and how skill progression is a staple of it, but then L&L swaps out "You gained the Extra Cool Murder Skill!" with "You gained scones!" and that's why it's so "painfully boring"

No hate to that post, they're having fun nagging and God knows I have fun nagging, which is why I'm doing this on my own post rather than pooping on their fun, LOL

But I gotta say. I think they're underestimating the existence of a crowd that genuinely prefers scones to the Extra Cool Murder Skill. Have they ever heard of Stardew Valley?.

[cursecuelebre]

Top Recommendations for Norse Pagans that aren’t Problematic.

There is a lot of books by people who are racist and part of far right side of Heathenry and I’m going to try my best and list the books I have that helped me on my path that isn’t problematic and have questionable intentions. Books and YouTube channels.

Anglo Saxon Socerery and Magic by Alaric Albertson. He is very knowledgeable in his work and path especially on runes which includes the rune poem to make your own interpretation and witchcraft side of things. He even talks about the Elves which I appreciate because not a lot of Norse authors talk about them. It’s more Germanic than Norse but I can’t see any problem adopting certain aspects since they are very similar. I will say he does take himself a bit serious at times but his information is so good and worthwhile. I have not read his first book on Travels through middle earth but it focus on more the pagan side.

Poetic Edda and Prose Edda: it’s what every Norse pagan needs. It’s the foundation of Norse paganism not bibles but myths and tales that can help along our journey. There is tons of translations, but my favorites are Dr. Jackson Crawford Poetic Edda and Anthony Fawkes Prose Edda. But look into other sagas as well like Volsung which Dr Jackson Crawford also wrote about.

Beowulf. More of a Germanic tale but again includes it has roots of Germanic sorcery, traditions, religion like the concept of Wyrd (Fate), the runes, and values within his society like loyalty and mythical creatures. Again there is many translations even Jrr Tolkien did a incompleted version of Beowulf but I think Tom Shippey finished that version I could be wrong. Nonetheless explore more than one, the oneI have is by Seamus Heaney.

Grimm Fairy Tales this mostly German Folklore but it’s still quite important to learn about in German folk magic, creatures and entities in German folklore tends to be very real to the practitioner in their spellwork.

The Way of Fire and Ice by Ryan Smith a very progressive outlook in Norse paganism, he talks about creating communities in Norse paganism and calling out and denouncing Nazis in the community how Norse Paganism is inclusive and how to be open to all types of people. But he has a beginner approach to the deities, beliefs, values within Norse paganism.

Look into a lot of academic sources that’s where you will find a lot of information on Norse paganism and religions.

Tacitus Germania - A Roman historian talking about the Germanic tribes their culture and customs.

Saxo Grammaticus history of the Danes

The Viking Way by Neil Price it goes good in depths about magic in Scandinavia like Seidh

Dictionary of Norse Mythology a quick guide to northern myths, if you are trying to find a specific god and you don’t have time to look up in a book it’s in there with great information to each one.

Children of Ask and Elm: History of Vikings by Neil Price on Scandinavian culture during the Viking age

Some YouTube Channels

The Norse Witch: Bente lives in Germany and their channel encompasses all of Norse paganism more around magic. They do interviews with other Norse witches of folk magic like Icelandic and Danish. Even gives good book recommendations and advice on general spellwork as well!.

Dr Jackson Crawford he is an author but he also has a YouTube channel. He was a professor in Colorado on Norse culture, mythology, and language and now is a full time YouTuber. He did a series of videos on the runes which are more historically accurate. Discusses the myths and the language and what do they mean. Jackson Crawford isn’t a Norse pagan nor he doesn’t care if you are one but just letting you know he isn’t coming from a pagan perspective.

The Welsh Viking also like Jackson Crawford but still has really great knowledge on Viking culture.

De Spökenkyker who is a channel that focus on German Folk magic living in Germany who is a practicing German Folk Witch.

Please feel free to add on any recommendations that are helpful and useful to the Norse pagan Community!

[linghxr]

My least favorite Chinese character: 着 (著)

My least favorite Chinese character is 着 (著) because its many pronunciations are always tripping me up 😭

【1】 着（著）zhe - aspect particle indicating action in progress or ongoing state

【2】 着（著）zháo - to touch / to come in contact with / to feel / to be affected by / to catch fire / to burn / (coll.) to fall asleep / (after a verb) hitting the mark / succeeding in

【3】 着（著）zhuó - to wear (clothes) / to contact / to use / to apply

【4】 着（著）zhāo - (chess) move / trick / all right! / (dialect) to add

If you're learning traditional characters, you’ve got a 5th pronunciation to contend with.

【5】 著 zhù - to make known / to show / to prove / to write / book / outstanding

Some words have multiple pronunciations for different varieties or standard vs. colloquial speech. I'm always second guessing myself with these words.

着想（著想）zhuóxiǎng or zháoxiǎng - to give thought (to others) / to consider (other people's needs)

着落（著落）zhuóluò or zháoluò - whereabouts / place to settle / reliable source (of funds etc) / (of responsibility for a matter) to rest with sb / settlement / solution

着急（著急）zháojí or zhāojí - to worry; to feel anxious / to feel a sense of urgency; to be in a hurry

着凉（著涼）zháoliáng or zhāoliáng - to catch cold

怎么着（怎麼著）zěnmezhāo or zěnmezhe - what? / how? / how about? / whatever

Zháo vs. zhuó is quite tricky for me. When I see a brand new word, I will usually guess zhuó but am not very confident.

That being said, the worst offender IMO is 穿着 (穿著). Is it chuānzhe (wearing) or chuānzhuó (attire)? This one has tripped me up so many times.

他穿着一身黑衣。 -> chuānzhe

对我来说，穿着打扮很重要。 -> chuānzhuó

Usually I can figure it out from context, but if I'm confused about other parts of the sentence, I struggle with the pronunciation.

这件衣服穿着太小气。

穿着太小气，显现不出你的身份来。

I'm not fully grasping the meaning of 小气 here, so I'm not sure if 穿着 is chuānzhe or chuānzhuó 🥲 Honestly I would have guessed the first one is chuānzhe and the second is chuānzhuó, but I feel like that doesn't make any sense 🆘

Definitions are adapted from MDBG.

[moghedien]

Silly but serious question. If someone were interested in WOT due to your posts about it/the Forsaken, do you think that person would probably enjoy the books? Assuming that person already enjoys fantasy and all the usual bells and whistles.

Its hard for me to say definitely without knowing you or your personal tastes and whatnot. I am one that won't just blanket recommend wheel of time. It's my favorite book series, but its also like 4 million words long so I know that its not gonna be most people's thing, ya know?

If you're already interested though, I don't really see a reason not to try the books, so long as you're aware of its length and the fact that the overarching story can take a bit to get into. It's also got some dated tropes and things that will seem unoriginal and overused (partially because it is, partially because a lot of modern fantasy is inspired by WoT). Its a product of its time and the author had hangups. It came out over 30 years ago and all that. I dont' think its as bad as some people make it out to be though. I've read some "progressive" fantasy from around the same time period that I think handles some issues waaaaaay worse than WoT. but you know, just be aware that things in it aren't perfect.

Also if you're specifically interested in the Forsaken, there is a whole lot of Forsaken nonsense throughout the series, but it does take a few books to really get into that aspect. You see some of it in the first books, but it doesn't really get going until a few books in.

If you haven't watched the TV show, you might get some more immediate forsaken gratification there,, but the show hasn't gotten to the point where they really start being a thing yet either (next season tho!) so there's that to consider. it just makes certain ones more present and in your face than the early books, which I do enjoy.

Basically, my answer is just: idk but it doesn't hurt to try the books. Just know that the first book is kinda intentionally formulaic and meant to resemble other fantasy series, but it sheds that by book 2 and sort of becomes the Wheel of Time in book 4 imo

If you're gonna read the books, start with book 1, not the prequel. You can read the prequel after book 5 but probably better placed after book 10 when it was published (in my opinion). If you've watched the show, you can read the prequel whenever you want though. If you wanna read the books before the show, read through book 3 before doing so

and just a word of warning/advice if you are going to read the books, which will contradict itself but listen: do not go looking at "new reader" advice from fans. Even well meaning book fans have this bad habit about "warning" new fans about certain things in the series which has a tendency to dishearten new fans and shade their opinions in negative ways. I'm not talking about content warning or things that a reader might need to know about for mental health or comfort reasons. I'm talking about books fans trying to warn people about the "boring" and "bad" parts of the series. I've done this in the past and I've always regretted it, and people that aren't warned ahead of time tend to have a better reading experience. Just don't go listening to fans

and also never ever ever ever google any characters name, I am being dead serious, everything about the series will be spoiled for you that way its happened to all of us learn from our mistakes. Like literally would rather gets asks with random questions about characters than for someone google a character's name

[linkspooky]

What’s your thoughts on teen titans 2005 blackfire?

This is actually a complicated question to answer because I do love the Blackfire we get from the Teen Titans cartoon, but it isn't really my favorite adaptation of her character. Part of the problem is she's only in two episodes. If Starfire got her own season then Blackfire would probably have to be fleshed out more just by necessity.

I guess my main issue boils down to the difference between personality and character depth. Which is something I just made up on the spot but, a character can have a lot of personality but not be a particularly deep character and vise versa. More under the cut.

Cartoon Blackfire is so overflowing with personality that she's an incredibly memorable character despite only appearing in two episodes. The cartoon adaptation does a good job in general of streamlining the more complicated comic book versions into easily recognizable personalities that fit into the animated adaptation, where you still get the gist of the original.

Robin is trying too hard to be Batman, reflective of early Teen Titans Dick Grayson's habit of overworking himself and his insecurity as leader. Starfire's personality focuses on her fish out of water aspects which was a big conflict for her originally. Cyborg's portrayal leans into the disability representation aspect of his narrative and how like an ablest society has taught him to hate himself or think of himself as less than human for his cybernetic prosthetics.

The show communicates these deep ideas in more simplified personalities compared to the comic book counterparts (they have to it's a 20 minute cartoon versus a new teen titans run with over a hundred issues).

Then we get to Blackfire who also has a strong personality that immediately communicates a lot about her character. Number one she is the archetypal big sister who makes her little sister feel inferior about everything, it's like being in middle school when your sister is a high scholer. From Starfire's perspective Blackfire has always been cooler, stronger, more adult. That's something the audience can understand pretty easily because they most likely have big sisters too who seem cool and untouchable.

On top of that though as the episode progresses we learn that Blackfire isn't just making Starfire jealous on accident. Like it could have been an accident sometimes you hang out with a new group of friends and immediately grab the attention away but it's just a misunderstanding you're just trying to integrate yourself into the group and newer people tend to attract more attention. Borrowing your sisters clothes, hanging out with their friends and taking attention away, those could all just be a normal sibling conflict.

Then you find out that Blackfire's doing this on purpose, she's just trying to edge out Starfire and steal her place with her friends. It's not just because she wants to hide out from under the law and stick Starfire with the blame to get the police off her tail, no this is something she constantly does in every interaction with Starfire. She's always insisting that she's the better sister. She's reinforcing this sibling rivalry and always trying to come out on top.

Blackfire constantly antagonizes Starfire and turns everything into a competition, whereas Starfire doesn't see things that way she just sees them as sister. There are times where Blackfire is mentioned offhand and Starfire tells stories of her growing up like (Oh, my sister went through puberty and she turned purple for three days). So the rivalry thing is also pretty clearly one-sided on Blackfire's side. Even Blackfire's attempt to conquer tamaran and marry Starfire off to some ugly alien, it's a pretty clear attempt to just hurl egg in her sister's face.

Blackfire personality-wise also has that bad girl thing going to her. She's the quintessential mean girl to Starfire's naive nice girl. Her introduction episode where she immediately takes away the attention of all of Star's friends by coming off as a cooler version of Starfire, and the night club scene where she's wearing Starfire's clothes, and dancing also calls to mind Faith, Hope and Trick, the BTVS episode where Faith the other slayer is introduced to serve as the main character Buffy's darker foil. The "Bad Slayer" to Buffy's "Good Slayer."

This is what Blackfire is set up to be, she's not only a rival / antagonistic sibling she's supposed to be the "bad sister" to Starfire's "good sister". It's a pretty shallow role but Blackfire has so much personality that she plays it really well.

The show itself doesn't really dig any deeper than the sibling rivalry and the good sister / bad sister aspect, though. Which isn't true for the comics. Which is why I consider cartoon Blackfire a good adaptation of her PERSONALITY, but one lacking in character depth.

What makes comics Blackfire such a fascinating character to me is that she and Starfire are a pretty nuanced breakdown of the golden child / scapegoat dynamic. It's something a lot of adaptations miss out on. Even the debatably canonical Teen Titans GO! spinoff Comic of the show that ran at the same time the show was running kind of misses out on this element in their origins.

"Starfire was more liked because she was kinder and prettier..." this oversimplification that their parents did love all their children equally, Blackfire was just a bad seed / bad child who was unpleasant and hateful from the start. THe archetypal jealous older sister / cain to Starfire's Abel.

That's not how it is in the comics! Blackfire is disabled in the comics, and because of that Starfire's parents heavily favor their abled child. Blackfire's narrative is a disability narrative, she's unable to fly in her world so her parents strip her of her rightful inheritance and treat her far worse than her abled children, for no other reason than she can't fly.

I'm going to borrow heavily from another post about a character with a similiar disability narrative, where they are actively abused by their ableist parent: Toya Todoroki from My Hero Academia.

Touya, as a kid, is undergoing this painful disability, and rather than acknowledge his hand in that - because Endeavor brought him into this world for selfish reasons, without thought or care to the possibility of the Incompatible Outcome - Endeavor just turns him away and refuses to see his pain. He doesn't try to accommodate or mitigate or treat the disability, just pushes the disabled child aside and minimizes how severe the disability is. [...] Endeavor then keeps attempting to have "non disabled" children to "make up for" the disabled one. [...] Touya, however, in all of his grief and his anger, can only see that once again, he is not seen, his suffering didn't matter to his father. His disability is made to be his fault and his failure, which Endeavor, despite having a shrine to him, has cleanly wiped his hands of it. This new child is not disabled; this child is perfect. This is similar to how disabled older siblings may initially fail to emotionally connect to their abled baby siblings, and fail to see the way their parents may hurt or otherwise not nurture them; resentment at what is, real or perceived, better treatment and more displays of love, care, attention, etc builds inside.

Blackfire is born with a disability, and rather than try to accomodate for her, her parents just turn away from her refuse to see her pain and then push her aside for their "non-disabled" children. Starfire is not disabled, Starfire is perfect, and Blackfire knows that their parents treat the two of them differently.

Which is why in her pain and desperation for her parent's attention Blackfire has never truly connected or noticed Starfire, because she's incapable of seeing Starfire as anything other than the "abled" sibling in the household and the "favorite." Which isn't Blackfire or Starfire's fault, it's a conflict that's forced upon them by their parents. If Blackfire's parents had just treated her like a normal child instead of scapegoating her for her disability, Blackfire would have no reason to compete with Starfire.

However, there's an added element to this which makes the Blackfire and Starfire dynamic so good, is that Starfire does not understand that she's the golden child. She thinks their parents are perfectly normal, loving parents, and that Blackfire is the problem. Starfire refuses to ever see that Blackfire was abused and from the start believes that Blackfire just came out of the womb petty and jealous.

To be fair Blackfire does commit sibling abuse when she's younger, and even eventually ends up selling out their entire planet, and her sister to her the enemy. If Starfire resents Blackfire for her actions she's justified, but Starfire reduces Blackfire in her mind to a mustache twirling villain.

It's like if Starfire saw a pair of parents abusing their child in a wheelchair, screaming at him for not being able to walk, Idk, pushing him down the stairs she'd get angry and think they're horrible parents, but she can't see that the behavior is bad in her own parents.

Once again Starfire is a victim of Blackfire's lashing out, but at the same time imagine it from Blackfire's perspective. Imagine knowing that your parents are abusing you, and having no one to confide in because even if you told your sister how you'd felt she'd take her parents side and say "it's your fault, why don't you just try behaving better?"

In the comics themselves Blackfire's intense rivalry with Starfire is really her attempt to "earn" back the love of her parents by making up for the disability she was born with.

It's also sort of ironic - many disabled children (physical, intellectual, mental etc) often continue pushing themselves to achieve their parents dreams- whether it's sports, academics, work, etc - as a way to garner attention or praise or love or "make up" for being a burden/disabled until they collapse in some way - mental health crisis, irreversible body damage, etc.

Blackfire becomes violent, obsessed with strength, because her parents have taught her that there is something wrong with her that she needs up to make up for her inherent weakness by being strong. Blackfire is who she is in reaction to an inherently Ableist society that demonizes her for her disability, and parents who punish her and a sister who (cluelessly) joins in on that.

It's a good golden child and scapegoat dynamic because as awful as Blackfire is as an adult, she didn't have to become that way. She was pointlessly scapegoated as a child, pushed, pushed, and pushed because apparently it was just too hard for her parents to love a disabled child. It's also probably one that a lot of readers don't understand because it's a little hard to swallow the idea that some parents will just treat children as subhuman for having some disability, but then be perfectly capable of loving their abled children.

What makes it such a great one though is that it eventually breaks free from assigning Starfire the hero role, and Blackfire the villain role. One thing I hate about most "Good sibling vs Bad sibling" conflicts is that they'll make the bad sibling the one who got abused. Like, wow the abused sibling that didn't get any outside help is angry and violent... no duh.

As the comic goes on they break out of their roles because Blackfire becomes a much deeper character than she initially was. She's no longer just a power hungry dictator trying to grab a throne that wasn't hers out of jealousy, she eventually wins the throne of Tamaran because she is a better ruler than either Starfire or either of her parents. We learn that the reason she's so motivated isn't because she came out of the womb a little hater, but a genuine patriot.

She's violent and ruthless not because she has to be, but because she genuinely believes it is the only way to accomplish her goals of a better Tamaran. It is really the extreme end of what her parents did to her as children. Blackfire became violent, volatile, and determined because she wanted to earn back the love from her parents. Blackfire decides she has to be strong, cold and a killer because she has to work hard to earn the love of her planet.

Her backstory all ties into these goals, and through that we can see why Blackfire treats Starfire that way. It's not just that Blackfire is jealous of Starfire, but also that Blackfire represses her need for love. Her parents never loved her, so why would Starfire? She spent her entire childhood trying to earn that love and never got it, so she tried to deny that she ever wanted love in the first place.

Blackfire is actively killing off the part of her that desires love from people, that wants a family, because she believes it will make her lose sight of her goals. If that means she ends up turning against her family and fighting Starfire, well, oh well then she never had a family in the first place.

However, she's never completely able to get rid of her desire for familial love which is why she has this weird obsession with Starfire in the first place. Starfire's basically the only one who tried to love Blackfire and have a connection with her, even if Blackfire didn't reciprocate. Which is why Blackfire is simultaneously always trying to put Starfire down, but at the same time she can't let go of Starfire either. I think Blackfire desires that relationship with her sister too, but one it's hard not to be jealous when you see your more abled sibling receiving the love and care you want, and number two Starfire has consistently all their lives sided with Blackfire's abusers over her.

Which is why instead of the sibling relationship they both want, which is to just be normal sisters and equals they're constantly forced to fight against each other. Neither of them actually wants this, it's their parents, it's outside circumstances, and it's their own inability to overcome their emotional flaws that makes them constantly fight. Which is just sad because Starfire has no connection with her younger brother, and her parents are just as ready to sell her out as they were Blackfire so the only person in her biological family who loves her is Blackfire... albeit in a twisted way.

They both miss out on the chance to have a close connection with a person who they grew up with, and will understand a lot of their lives especially because Blackfire and Starfire are actually pretty similiar (the same person in two different fonts) because neither of them can get over this conflict.

It's tragic. They miss out on the chance for a loving sibling relationship that they both want because they can't overcome the cycle of abuse that started with their parents.

Anyway, if you want a show that dissects the golden child and scapegoat dynamic between the two of them better you can watch Season 3 of the HBOMAX TItans Adaptation. Their Starfire and Blackfire are fantastic and the season actually shows the two of them reconciling.

[nellasbookplanet]

Book recs: great, unique and creative worldbuilding in fantasy books

A note: this is very much a subjective list. I typically do not care much for historical medieval-esque settings (though seeing as I'm a big critical role fan, obviously there are exceptions), but rather prefer settings that mix up historical and modern, fantastical and scientific, and make up entirely new things and societal structures not based on our world.

Other book rec posts:

Really cool sci-fi worldbuilding

Mermaid books

Dark sapphic romances

Vampire books

Without further ado, let’s go!

The Unspoken name by A.K. Larkwood

Honestly there's so much going on in this one worldbuilding-wise that it's kind of hard to explain. Portals, flying ships, orcs, elves, creepy snake gods, cults, immortal evil mages who traumatize teens as their hobby. It's also very queer!

A Master of Djinn by P. Djèli Clark

Set in an alternate 1910's steampunk Cairo, where djinn and other creatures (among other things, creepy steampunk angels) live alongside humans. We get to follow an investigator as she races to catch a criminal using a powerful object to control djinn and stir unrest. Fantastically creative and fresh, and also features a buddy cop dynamic between two female leads as well as a sapphic romance.

Sunshine by Robin McKinley

Urban fantasy on a level of its own, where dangerous magic exists alongside humans. It keeps you guessing and much is left unexplained; if you want clear answers and explanations to everything you might be disappointed, but if you want a world that feels mysterious and dangerous and lived in you'll probably like it. It follows a baker who, after getting kidnapped by vampires, gets embroiled in a dangerous struggle.

Radiant (Towers Trilogy) by Karina Sumner-Smith

A strange mix of fantasy, sci-fi and post apocalyptic, Radiant follows a girl without magic in a world where magic is currency. Those with much of it live in magically floating towers, while everyone else scrambles to survive in the ruins of an old city left devastated from an unknown cataclysm. The setting is creepy and mysterious and leaves me itching as I want to dig for more. Also there are ghosts.

Three Parts Dead (Craft Sequence) by Max Gladstone

This is one of those books where you just kind of have to let go and go along as it throws you all over the place. I started reading it expecting an urban fantasy, but it is much more and wholly unique. It features a world where gods and magic are deeply enmeshed with society at large, and a base of much of its technology and progress. It doesn't quite feel historical, but also not modern, but rather like you took a fantastical world and let it develop naturally into its own contemporary era.

Strange the Dreamer (Strange the Dreamer duology) by Laini Taylor

One of my favorite things is when the mysteries of the world and how it works become part of the plot, with characters trying to figure out their own world. Strange the Dreamer is beautiful and complex and will hurt your heart. Personally I didn't care much for the central romance, but the wonderful characters, themes, mysteries and world make up for it.

The Dawnhounds by Sascha Stronach

Like Three Parts Dead, The Dawnhounds is a book where you just kind of have to let the story and the world wash over you. It skirts the line of scifi and fantasy, with a futuristic world of environmentally friendly mushroom houses and deadly fungi bio weapons next to literally god-given superpowers and near-immortality. It's really cool and unlike anything else I've ever read. Bonus: it’s also sapphic!

The Hundred Thousand Kingdoms (Inheritance Trilogy) by N.K. Jemisin

Another example of a world that feels wholly like its own organically developed thing, with societal structures developed around the magical aspects and a presence of gods and demi-gods, many of whom walk the streets and will smite you if you piss them off.

Dead Witch Walking (The Hollows series) by Kim Harrison

Okay, here we have an actual urban fantasy. While I got a bit worn out by the many, many love interests throughout the series, the worldbuilding is simply phenomenal and relies heavily on a well-developed alternate history. Basically, magical beings such as vampires, werewolves, elves, fairies, witches, etc, used to exist secretly alongside us, but when humanity delved into genetic research instead of the space race during the cold war, an engineered virus ended up wiping a good chunk of us out and the magical beings stepped in to stop us from going extinct. Now in the modern day, we co-exist but tensions remain. Our main character is a witch who, alongside her roommates (a vampire and a fairy) solve mysteries and crime and end up unveiling secrets about their world centuries in the making.

Elatsoe by Darcie Little Badger

Another urban fantasy, this one aimed at young adults and featuring indigenous mythology alongside creatures such as vampires and ghosts. We follow a young apache girl with the ability to raise ghosts as she works to solve the murder of her cousin.

Red Sister (Book of the Ancestor trilogy) by Mark Lawrence

Honestly, most of what I've read by Mark Lawrence so far could be featured on this list (special shoutout to his Broken Empire trilogy!). We follow a young girl training to become an assassin in a slowly dying world, where ice is overtaking the land and only a small band along its middle is habitable, kept alive by a mirror in the sky sharpening the dying sun's light. Question is, how long will this machine last, and what even is it? Very dark but very good.

The Fifth Season (The Broken Earth trilogy) by N.K. Jemisin

Listen, N.K. Jemisin gets to have two books on this list, okay, she is very good at what she does. In a world regularly torn apart by natural disasters, a big one finally strikes and society as we know it falls, leaving people floundering to survive in a post apocalyptic world, its secrets and past to be slowly revealed. We get to follow a mother as she races through this world to find and save her missing daughter.

The Spear Cuts Through Water by Simon Jimenez

AKA the book the killed me. Two boys travel throughout their land with the body of a god as her horrible, horrible children try to hunt them down. It's hard to explain more than that, but trust me when I say the narrative voice and literary techniques are incredibly unique in how they blend past and present, reality and story, lead and bystander. Truly an experience. Bonus: gay romance!

Wild Seed by Octavia Butler

Master of slightly fucked up romance, Octavia Butler knocks it out of the park in this story featuring two immortals struggling throughout the centuries. What do you do when there is only one other person remotely like you, and you simultaneously can't stand them and can't live without them? Apparently, you turn yourself into a dolphin for a while.

Birth of the Fire Bringer by Meredith Ann Pierce

Cards on the table, it has been a great many years since I actually read this, and just as many years spent meaning to read the sequels (I have a lot of stuff on my tbr okay, don’t judge me), but I do remember it making a great impact on me back in the day. Our main character is a unicorn! Fighting wyverns and gryphons! How cool is that!

Bonus AKA I haven’t read these yet but they seem really cool

The Surviving Sky by Kritika H. Rao

From Goodreads: This Hindu philosophy-inspired debut science fantasy follows a husband and wife racing to save their living city—and their troubled marriage—high above a jungle world besieged by cataclysmic storms.

High above a jungle-planet float the last refuges of humanity—plant-made civilizations held together by tradition, technology, and arcane science. In these living cities, architects are revered above anyone else. If not for their ability to psychically manipulate the architecture, the cities would plunge into the devastating earthrage storms below.

Clean Sweep by Ilona Andrews

Urban fantasy but the vampires are aliens? Sign me the fuck up

The Gaslight Dogs by Karin Lowachee

From Goodreads: At the edge of the known world, an ancient nomadic tribe faces a new enemy-an Empire fueled by technology and war.

[ginnsbaker]

Im sorry what did i just read (not in a it was bad way cos i don’t think you’re capable of writing something bad it was incredible i mean in a you broke my heart way)

I will never emotionally recover from this 💔

-the now saddest juice box 🧃😭

Ps the whole book was amazing and i’ll be back with a bigger breakdown

My favorite juice box!! Oh no dont be sad :( I think compared to ILGOSS, this was a very light read (right? right??? :P)

You know, if R goes with Leigh, it would hinder her growth. Ever since losing her family, she struggles to let go of those closest to her… she clings so tightly to them, sometimes neglecting other aspects of her life just to hold on (even if it means getting hurt and sacrificing too much — as seen in previous chapters where she gave Leigh chance after chance). By letting Leigh go and respecting her decision to go alone (while also safeguarding R's career and interests), R has grown from the experience. For Leigh, accepting R's love and realizing she's capable of another profound love after Matt signifies her growth. Allowing her partner to pursue their own path is a crucial part of this growth (remember how I mentioned in a previous chapter that Matt always agreed to her plans and followed her everywhere?). It would undo all the progress made if I let Leigh be selfish and take R on the tour.

However, they will remain in each other's lives, in one way or another. They'll figure it out eventually ;)

Thank you so much for reading! Oh my goodness, we've been discussing my stories for over a year now! I'm so grateful you've stuck around this long :')

[ahhhsami]

AO3 Writer 20 Questions

Saw @thatonebirdwrites answer these questions focused on AO3 writers and thought it'd be fun to answer them too!

1) How do you keep getting ideas for your ship/fandom?

Day dreaming, music, and other media (books, movies, TV series).

2) Which authors inspire you in your fandom, and why are they so freakishly good?

This is the main question I wanted to answer because I wanted to just praise people and share their works!

A_M_Nicholson since I really adore their AUs and amazing vibes you get from their settings. The characters are always so interesting and they're able to maintain the characters' personalities and traits even though they are in an AU.

RaeDMagdon since her stories introduced me to omegaverse. She also cranks out solid works consistently and it's extremely impressive and admirable.

Xaibaugrove's writing makes you feel things through her words. Each chapter, paragraph, and even sentence is so well thought out and her story telling is to die for. Plus the depth and details she goes into for the surroundings is beautiful and immersive.

Tabsbee writes for Genshin Impact and I adore her style of writing and the modern AU settings she uses. Everything she posts is a banger. Plus they feed my need for more JeanLisa stories!

AnotherShotofBourbon was one of the first fic writers I ever read in the korrasami fandom. They started a series of soulmate AUs and I adore them so much! Their new works are also just as exciting!

Velvet95 has super unique and fun AUs. They're working on their sequel to a galactic sci-fi story that they had created a while ago and just as the first part, it's super enjoyable and creative!

AsamiOnTop has a behemoth of a fic (I think almost 300k words) and it's such a fun read. I loved seeing her growth from chapter 1 to the ending and it's always so admirable seeing people wrap up long fics like hers!

kittymannequin is another OG korrasami writer that inspired me to write fics myself. Whether her stories are for TLOK or Arcane or another fandom, it's always a delight to read.

tumblr blogs: @raedmagdon @xaibaugrove @tabsbee @abronzeagegod @kittymannequin @asamiontop

3) Aside from the characters of your main ship, who are the characters you love to write?

There's a handful but here are the ones that come to mind; Vi & Caitlyn from Arcane, Jean & Lisa & Beidou & Clorinde from Genshin Impact.

4) Are there pairings or tropes you know for sure you'd never write about? Which ones?

I lean away from tropes that delve into Family dynamics. Mainly pregnancy since I actually don't like babies...

5) What is your writing process and why is it cursed?

Get an idea

Jot down a rough plan

Start writing and stray instantly from the plan

Get a new plot bunny and fight with myself whether to continue what I've written or scrap it for a new shiny story

Obviously the 4th step is where things become truly cursed.

6) What is your favorite part of your writing process?

Since I write so many AUs, the world building aspects are my favorite.

7) What’s the weirdest thing you’ve had to research for a fic?

I've had to research a lot of things... but the weirdest usually revolve around bodily injuries or time period research to keep things as accurate as possible when needed. If you need to know how to prepare opium like they did in the 1800s... I got you.

8) Is there a particular writing rule you struggle with (grammar, spelling, tense, reality in general)?

Grammar 100%. But I also think breaking grammar rules are okay for vibes, bruh.

9) What was your hardest scene to write so far and why?

It's one I'm currently working on and have been for years. It's the next chapter of Start Again and I'm struggling to progress the story in a way that I like. I've written and scrapped it so many times that I've lost count at this point.

10) Have your characters ever done something you didn’t expect, changing your plot completely?

All the time...

11) If you could converse with any of the characters, who would it be and why?

It'd have to be Korra. She's got such a special spot in my heart that I don't think I could choose anyone else.

12) What are some of the tropes or themes that you find yourself returning to in your writing?

College AUs just keep coming back even when I think I've had enough of them.

13) What's your most important resource as a writer?

Other books. I don't have a book in particular, but just reading other books and fics is helpful. I've also joined a local writer's guild that has been helpful too!

14) Can you share some of your strategies for editing and revising your work?

I read/mumble my stories aloud to myself to see if things come out clunky. I also have a wonderful partner that betas the majority of my stories and I couldn't be more grateful for her.

15) Which is worse: making the summary, picking the tags, or the anxiety when you post your fic?

SUMMARY. God damn, I will spend more time on a fucking summary than the story. I will also be lazy at times and just copy and paste an excerpt if I'm at a real loss.

16) How do you define success for your fanfic - hits? Kudos? Comments? Bookmarks? Or just if you like it?

A huge factor for me is if I personally like it, BUT hits/kudos/comments are always appreciated. The goal is to share my stories with people and for them to enjoy their time reading, so it's always nice to receive all of those. I don't gauge much off of bookmarks since I often write explicit fics, which tend to be privately bookmarked or not bookmarked at all.

17) Do you have a playlist for your favorite character/ship?

I make playlists for stories/chapters. I don't do them individually for characters. I wouldn't be surprised if I have 50 or so playlists for my writing though.

18) If fan art was going to be made from your work, which fic would you pick and which fan artist would you like to create it?

When it comes to the story, I'd want the artist to do art for one that resonates with them. One that somehow inspires them. And oh man, when it comes to specific artists, I'm not sure since there are so many amazing ones. I've recently been inspired by @seijousai and am writing a story inspired by their Clorivia art. @ppyuuingles art is super wholesome and adorable. I love their JeanLisa stuff. I also have always adored @persnickety-doodles style of drawing when it comes to Korrasami. In the past I had the pleasure to collaborate with @unii-outlawed and later commissioned her. If you don't know her, then definitely check out her stunning artwork! Other amazing artists that deserve a follow are @ttanaart, @kf1n3, and @mimiendos (follow their twitter).

19) How many WIPs do you currently have?

Erm... posted on AO3 there's 20 unfinished stories BUT I also have over 100 completed ones. As for the WIPs that are written and not posted... that's also probably in the 20s. It goes back to all of the plot bunnies that I get and the battles I lose which results in partially written stories.

20) What's your advice to new fanfic writers?

Write what you want. Even if you feel that it may be niche there'll definitely be people out there that will read and enjoy it!

[thesherrinfordfacility]

LWA: Just some random stuff on a Sunday morning!

Missing scenes: Furfur's book of angels includes "bishop" as one of Aziraphale's jobs, and as we've already seen all the others on the list, even if only in deleted lines (the music tutor was originally in the Rome scene), I would guess we'd see that one as well. Not necessarily a good fit for 1650, though, although since Gaiman has done things like have the Bastille still standing in 1793, anything's possible.

Assumptions about character progression: I think there's a tendency to assume that Crowley and Aziraphale develop or ought to develop towards something "better" as the series progresses, but that's not quite right. They become more /complicated/, which is a neutral--dare I say grey?--concept. The novel and series both deny that good and evil are steady-state aspects of character: you /aren't/ good or evil (or something in-between), you /do/ good or evil (or something in-between). S1 Crowley, as both Gaiman and Tennant have said, has no real character arc, but one of the reasons I think the fandom needs to pay attention to my favorite bugbear, the child murder manipulation subplot, is that it is also about moral complexity. Flood-era Crowley offers the moral absolute "you can't kill kids." Armageddon-era Crowley runs Aziraphale over with a trolley problem in order to duck the more unpleasant reality that if you're fine with someone killing a kid for you, you're fine with killing kids. (I have to say that the sentimental "Crowley wuvs Warlock" headcanon is one of those instances where supposedly-positive fanon constitutes outright character assassination, right up there with "Aziraphale had an affair with Oscar Wilde" [oh, do /not/ get me started on why that's horrifying].) The series is on the side of Flood-era Crowley and Madame Tracy, not the "developed" Crowley. Meanwhile, Aziraphale learns how to lie, which is a skill that can be put to different moral purposes in different contexts. Sometimes it's unambiguously good, like saving Job's children; sometimes it's ambiguous-to-evil, like concealing the Antichrist's whereabouts from Crowley (revealing this knowledge to Crowley would mean more pressure to murder the child, but his rehearsed speech suggests that he's willing to let Heaven handle it, perhaps, which is not a viable moral alternative).

AWCW and being "impressionable": one of the funniest things about Crowley is that in some respects, he's every bit as conformist as Aziraphale is, and sometimes more so. His unreliable narration about the Fall hints very strongly that, as you say, he just went along with the "cool kids"--which, despite his protestations to the contrary, /is/ a moral failure on the terms set out by the novel and series. Even later, both Crowley and Aziraphale rebel in ways that maintain the fiction of the overarching system (the Arrangement) rather than dismantling it entirely. Crowley also enjoys his job, especially in the novel. Which, to be clear, is also a moral failure: slacking off is, hilariously, the most moral choice he and Aziraphale can make. FWIW, for me, neither the novel nor the series are "burn it all down" narratives, in part because they both advance a theory of humanity that suggests burning it all down just gets you the same thing from a different direction. The most radical political ideas are given to a conspiracy theorist and to children, and the Antichrist concludes by rejecting all of them and hitting a literal reset button. Pratchett may have co-written the book from a place of "anger," but anger can lead to a lot of different political practices. Obviously, YMMV.

LWA✨ woke up today and chose analytical violence, what a legend

1. see, i feel like 1650 could work for aziraphale's bishop occupation, even if only mentioned retrospectively. theoretically, he could well have been a bishop before the abolishment in 1646, and exploring the episcopalian polity vs presbyterianism argument of the time could be really interesting narratively (especially if handled somewhat like the resurrectionist episode)... but detail aside, even if by the time we see him in 1650 it's only mentioned casually that he was a bishop "a few years back", i don't think it would be entirely out of field. we don't necessarily need to have everything played out on screen!

2. okay, a lot to unpack here, but essentially i agree. the issue it seems to me is to posit moral absolutes in the first place; there will almost always be a contextual 'except'/'but' clause that comes along with it that turns it on its head.

it's bad to kill children, except when they are the antichrist and could bring about the apocalypse.

it's bad to lie, except when it would prevent unimaginable cruelty and grief being wrought on those that don't objectively deserve it.

it's bad to manipulate and brainwash a group of people, except when there's no lasting harm done, and you were only trying to demonstrate to someone that you love them.

it's good to try to further human medicine and prevent needless suffering, except when doing so puts the desperate as the first to fall in the figurative battlefield.

it's good to forgive a huge debt when you don't have any necessity of it being paid, except when it's primarily borne out of materialistic selfishness.

neither character does anything so completely reprehensible, or alternatively so inarguably irreproachable, that someone, somewhere, can't or won't argue a justification for their actions. we individually, according to our own moral compasses borne of our experiences, may justify or condemn what they've done in the narrative - objectively, the morality behind their actions as we've seen them so far is never absolute.

eg. for me, crowley's plan on killing the antichrist, a child, in the specific context of GO is not the condemnable action here; its the manipulation of getting aziraphale to do it because he, personally, will not do it himself. i understand why, but the thing that i personally consider to be unambiguously bad is not killing the antichrist itself, but instead the fact that crowley considers that the only solution to the hellhound being named - ignoring the 'running away' that crops up later, for a moment - is to underhandedly manipulate someone he cares about into doing it instead of him. however, others may see it differently.

who is to say what is 'better', anyway? what even is 'better'? is 'better' to do things only when it's for the benefit of other people? is doing 'better' for your own self not also worthy of consideration? is 'better' wholly only when doing something that is kind or generous to others, rather than being kind or generous to yourself?

whilst crowley hits certain moral epiphanal milestones before aziraphale does, neither have the full right of it - aziraphale should not hold morality to being plainly black or white, dictated to by a set of absolutes that are so basic and lacking in complexity that they are by all accounts redundant. and crowley should not dismiss alternative choices or solutions just because they do not fit his perspective or reasoning, nor hold that his understanding of morality is the only viable one or is the only one with any weight or validity. ep6 imo succinctly demonstrated this.

both of them are still so young at the flood. aziraphale holds that whatever has been decreed by the source 'of all that is good' must therefore be good (and choosing to not see beyond it) and crowley acts so incredulous that something he sees as being absolutely bad would ever be entertained (despite, you know, having been cast out of heaven for 'just asking questions'....). both of them by the time of job have had a pretty seismic shift in that respective naivety - aziraphale begins to question what god actually intends, and crowley acts stoutly bitter and unsurprised by the assignment. neither reactions are compatible still, they constantly circle each other, and literally indicate that some level of understanding (of god, of her will, of morality 'in the real world' itself - take your pick) is still lacking.

re: Oscar Wilde and warlock hcs (i couldn't let these stroll by without comment)... god, where to start. re: warlock, i never begrudge any hc where it's borne out of a developed fanon background. that's arguably one of the main benefits of having the fanon side of things: to develop a point/event/gap in the story for yours and others' amusement - that's cool! for this example, any fic that gives more insight into their years in warlock's life, and therefore gives legitimacy to crowley having a fondness for warlock - yep, i like that! that's awesome, i could see it as an unrealised narrative, but that's where it firmly stays, for me - in fanon.

but i do get frustrated when certain narrative points are pointedly ignored in order to establish a character trait that would otherwise not exist. crowley in canon does not - to me - demonstrate any fondness towards warlock. he literally proposes the option of his murder! i don't think him refusing to entertain killing warlock himself indicates any sentimentality towards the kid - thats a bit of a stretch, imo - but instead it reflects on his character being, put reductively, a bit of a knob sometimes.

as for aziraphale and oscar wilde... yeeaaah. i think anyone that holds that hc seriously needs to reevaluate the implications of it, and whether or not beyond professional (?) respect for his work aziraphale would willingly want to associate with him... ultimately, i refer back to my above point about "...anything so completely reprehensible...". and, respectfully, perhaps there needs to be a little more separation between michael sheen's filmography and aziraphale's narrative - whether in hc or canon.

3. right, AWCW time. i agree re: his conformity to the 'cool kid group' being something that is deserving of scrutiny on his own morality, but i feel like this only is viable once that association goes beyond a certain point (and an arguably arbitrary one at that). essentially, i think it's possible to still see AWCW's decision to associate with the group as understandable and empathetic. we know from the narrative that a) AWCW starts hanging out with them at some point, and b) that lucifer et al. are in the end considered bad people. but were they actually bad at the time that AWCW comes across them? if they were, did AWCW himself know? we don't really have enough narrative to reliably confirm this.

but we do know that AWCW fell, and it's therefore rather likely that he continued associating with them past a point where he would have known that they were Bad News Bears. in the beginning, he may have just been glad that these people seemed to listen to him and make him feel valid for having questions - that's understandable. but as time goes on, as lucifer etc. hypothetically get more and more questionable in their actions and beliefs, AWCW presumably choosing to stick with them, possibly even defending them, confers the deserving of negative judgement onto AWCW in turn (presuming there's no element of coercion or blackmail involved, mind you).

i like the point you raise of aziraphale and crowley respectively not conforming to their inherent purposes (being an angel or demon respectively) when it benefits them personally, being an almost accidental 'good thing', especially when the story puts forward that, however you look at it (ie. whether bc they are lazy, or it poses more excuses to see each other - immaterial), the arrangement is entirely self-serving. 10/10 narrative irony. but this is kinda going back to one of our first asks, LWA - it is for me once again the key difference between rebellion, and revolution:

(never been more grateful for making the LWA masterpost, thank you past-me)

so whilst i agree to a certain point that the 'burn it all down' narrative may not be a viable option, or is at the very least a reductive one, i think that the question is what it is replaced with, if at all. adam hit the reset button and put earth back to how it was, because what humanity and earth was - by my interpretation - was just fine as it is. it's not perfect, but not worthy of being destroyed in totality.

so what can we say about heaven? is it a mirror to earth in this respect? i don't think it is. heaven may well have been intended originally as a neutral party with the best of intentions, and then pigeonholed into being the 'good side' following the fall, but it has been allowed to fester and corrupt. maybe we will see more in s3 that there are other angels that feel that heaven as a system is flawed (personally, i think we see this in saraqael's introduction to GO, but that's just my interpretation of the character so far), and maybe those angels will represent the part of heaven that is still redeemable.

so okay, yeah, maybe heaven shouldn't be completely gutted and dismantled, but it is not in the same place as earth is at the time of adam's reset. earth and humanity were arguably the innocent parties in their prospective destruction, whereas heaven has sown their own seeds for it. i don't think the two are entirely comparable. heaven does need a major realignment, and i personally don't think this can happen without some form of systematic reform, without revolution (especially if the wider fandom's evaluation of metatron is true come s3!). it needs reworking with an alternative system that works to be fairer, and removes any binary rhetoric of good vs. evil. don't ask me for the minutae of how this should happen, because i have zero idea (well, very little, anyhow), im not that clever.

but this is what i hope aziraphale will actually be successful in come s3. he can't just - in anger at the injustice of it all - set heaven on fire and walk away from the ashes; it will invite for the original regime to rebuild or something worse to take its place. that being said, it's not just him that needs to do it - to build an alternative to heaven in his own image is equally questionable. again, this is the suggestion that i liked in the armageddon 2.0 meeting in ep6; the idea of democracy in heaven, even if the current board is less than ideal (and the point could poetically hark back to the hypothetical 1650 flashback...?).

[darkangel319]

WIP Questionnaire

Tagged by @faeriecinna (here) and @wintherlywords (here)

This is kind of late, but I have a ton of tags drafted and I'm slowly working through them when I find my motivation. Here's the response for my current WIP: A Tale of Frost and Flames (still a working title)

✨What was the first part of your wip that you created? ✨

It all started with a knight kneeling before his princess and promising to be her sword and to mow down any enemies that stand in her way. Now it has evolved far past just that.

✨If your story was a TV show, what would the theme song/intro be?✨

Definitely a powerful instrumental intro with a touch of whimsy.

✨Who are your favorite characters you've made? Why?✨

Taliesin is certainly a favorite of mine because I wanted to create a strong morally grey character who is also a dragon. Although I'm attached to all of them, especially the ones I have yet to introduce. Rhidian because he's a himbo who just wants to be a good person and is stuck being the 3rd son of a king, so his job is to be married off to make an alliance. Despite this he wants to make his arranged marriage work.

✨What other pieces of media do you think would share a fan base for your story?✨

Anything with a heavy romance element in an in-depth fantasy world. Other Media with political drama, faefolk, magic, and dragons.

✨What has been your biggest struggle with your wip? ✨

My biggest struggle has been with my pacing. Trying to find the right pace for plot points to unfold themselves. Just recently I decided that my pace was going too fast, so to slow it down I'm refocusing book one into more of a focus on where Eirallia is now/who she is rather than pushing her too quickly into evolving into the character that I imagine for her. I'm slowing it down to focus more on her character journey, but it's been a struggle to take a step back and to make that choice.

✨Are there any animals in your story? Talk about them!✨

Regular animals so far. There's natural wildlife in the kingdoms. As for Melione...there are a lot of creatures in the wylds. Animalistic and not. There is another character that I have in mind (without a name yet), but she has a secondary form that's cat-like.

✨How do your characters get around? (ex: trains, horses, cars, dragons, etc.)✨

Horses and carriages in the human kingdoms, along with ships and other vessels. Melione is a special case where there is an abundance of magic. Some have wings and other gifts that can get them around quicker.

✨What part of your wip are you working on rn?✨

After some rough decisions, I split the draft that I had been working with into the beginning and end of book one. So right now, I am working on Eirallia's slow processing of grief while she is being overloaded with responsibilities that don't belong to her in a place where she knows that she isn't wanted.

✨What aspects (tropes, maybe?) of your wip do you think will draw people in?✨

It's my hope that my themes of adversity and overcoming will shine through and draw people in. Along with the progression of growth that all of my characters have to go through in order to find who they're meant to be when not being forced into a mold created by their parents and the society that they live in. There's a heavy theme of grief and trying to fit into a mold made for someone else. Basically, Eira's life is a mess. Her love life, her family life, everything is a mess. She's learning along the way how to be herself while processing big losses in her life.

✨ What are your hopes for your wip?✨

My hopes are pretty simple with this one: To be able to physically hold my wip in my hands.

No Pressure Tags: @fantasywriternimzy, @oodles-of-noodles, @spideronthesun, @melpomene-grey

[ohchosen]

AUTHOR PORTRAIT ... get to know the author behind the blog! repost, don't reblog !

BASICS

NAME:        val AGE:         24 PRONOUNS:         she / they YEARS OF WRITING:          ok how specific are we talking. because i can say like circa 2010 i was on facebook writing bad twilight fanfiction + rp ( which then progressed into bad thg fanfiction ) or i can say elementary school and my little short stories i was always ad - libbing. regardless, it's definitely something i've had a knack for my whole life and it was literally just a matter of time before i found out about rp. and yes before you ask it was my personal facebook. when i was 11. that had all of my relatives added. yes they saw it. years writing on tumblr is different and i think i jumped ship and found out about tumblr rp around 2012 / 2013 and with that came my first formative decision which was to watch supernatural. you know where this is going. yes it was bad. no i'm not showing anyone.

REFLECTION

WHY DID YOU PICK UP WRITING?           i needed a hobby and had unrestricted internet access. i kind of answered this in the question before so jokes on me blah blah blah but without getting too personal i had a very difficult time in school with mental health and tumblr, known weird kid haven, was my little safe space where i could freely pursue what i enjoyed and was really my first venture into fandom spaces. i started in the supernatural rpc [ horror music ] and slowly meandered my way through book fandoms, to animanga, and finally settled on the video game community where i've been good and SAT for like six years now.

DO YOU HAVE ANY WRITING ROUTINES?          not necessarily. it's a miracle if i'm able to sit down long enough to open up my drafts and get going, but if i can lock in i'm all set. i find it hard to listen to music while writing because my brain cannot separate the two and i will accidentally start writing down the lyrics but i've never actually considered tuning into instrumentals so ,, thank you vos. writing that down............

WHAT'S YOUR FAVORITE PART ABOUT WRITING?         stealing from vos in stealing answer solidarity but the rp community aspect. it can be awful and exhausting as some of us know good and well but it can also be incredible depending on who you surround yourself with. it's so validating finding people who share your little niche interest or even niche - er pairing ( hi vos ) and then to just completely devolve into sending memes and posts and screaming until 2 am in dms. i've met so many of my closest friends through rp, and stealing vos' answer again, but the characters i write who turn out the most developed are those who have been shared with friends. noctis would be nowhere near as fleshed out as he is if not for the people i met in the ff fandom all those years ago.

THREE THINGS YOU LIKE ABOUT YOUR WRITING.         oughhghh, um. i'm bad at taking compliments and even worse at complimenting myself so bare with me.

i've definitely grown a lot in terms of style and prose, and i'm actually pretty happy with what i'm able to spit out in terms of aesthetic styling as compared to even a few years ago. one of my biggest insecurities ( that still pops up here and again mind you ) was never being able to match length, and i was in the worst writers' block for a few years that i finally managed to escape out of around 2020 and now i can confidently say i'm writing more regularly than i ever have. so to answer the question: it has been my personal growth in my writing and it turning into something i can be confident in and proud of.

i really do enjoy the mundanity of editing my replies. i love to see the progress i make edit by edit and how cohesive and put together a piece of writing becomes the longer i work on it. i fully 100% devote myself to one reply at a time, which is a nightmare for quantity but sooooooo rewarding if it means i can put something out to the best of my ability and not stress myself out worrying about whatever else i owe. i am a self appointed slowpoke, and i've learned over the years to not let myself feel guilty about that because as long as it can become something i devote time on and put effort into, then it really shouldn't bother me how long it takes.

three things is too much to ask for lets all just walk away slowly.

A QUESTION FOR THE NEXT PERSON

HAVE  YOU  MADE  ANY  STRONG  CONNECTIONS  /  FRIENDS DURING YOUR TIME WRITING?          i'm pretty sure this question was intended for vos only but its way too late now and i've already written your accolades so you have to deal with it. this post is just going to be exceptionally long now.

vos @stagehunt my right hand man who has been with me for every gacha related poor financial decision. everything you said i'm literally sending right back to you. i knew no one in that fandom and was in way out of my depth before stumbling across you and your blog. i am so thankful we crossed paths and shoved our little barbie dolls together and said kiss because developing, and i mean really developing tomo would not have happened without your input. at this point you definitely deserve writing credits on him too because the way he turned out would be nowhere near the same if not for your influence. i've had a blast experiencing genshin's story with you and knowing without fail you'll be thinking the exact same thing whenever hyv fumbles the bag again, and yes. one day i GUESS i'll play more than 7 hours of hsr. luv u xoxo.

plum, @sherez, my love, my heart. it's crazy how fast the years have flown by and now all of a sudden i've known you since 2018??? i still remember seeing you from afar on ez and always being blown away by how much love and devotion you put into your characters. we are quite literally bonded for life after surviving the [ redacted ] rpc and i can't think of anyone better to come out beside than you. you can't get rid of me bitch!!!!!!!!! the amount of effort and care i've seen you throw into v, and how far she's come in terms of development blows me away. she is easily one of the best written characters i've ever had the pleasure of reading and i am so excited to keep following her growth. besides how freakishly talented you are, it's astonishing how much we have in common. bc who tf else would i be talking to about forgotten mcr lore in the year of our lord 2024. if no one got me, i know plum got me. booket....... booket for my sweety.......

lu @tactition its crazy how in the short little time we've spent together how much i've bonded with u. if i got down on one knee and pulled out a ring would u say yes.... my yaoi soulmate........ its INSANE how well our character Types (tm) mesh together, and i know karma is coming with its kiss for me when i finally download nier and have to atone for what i put u thru when i made you play final fantasy. please be gentle with me im delicate........... real talk tho.. you have so quickly become such an important person in my daily life and i literally feel myself go !!!! whenever i see a new dm from you because i know its always gonna be good. your character takes blow me away and even for myself who's nearly 7 years deep into the final fantasy scene, it amazes me how you still manage to shed light and new perspective on characters i've known for years. let’s kiss freaky style.

i've very much condensed my little bubble into people i actually want to surround myself with atp, and there's always a handful of mutuals on every blog that i don't necessarily talk to but who have been with me for years now so. sorry you can't leave or i'll become a danger to myself and others. kisses :*

WHERE DO YOU DRAW THE MOST INSPIRATION FROM? this is definitely a muse - specific question since it varies from character to character. with noctis specifically, it's mostly music. i have a few different playlists for him after writing him for so long, and while i can't listen while i write they all offer different types of mood setting for him. other times, its media involving fantasy tropes or characters that have similar struggles to him, off the top of my head ( and something i connected early on ) is the character u.enoyama r.itsuka from given. there's a lot i could say here regarding which aspects i took inspiration from but the majority was the similar personality he has to noctis, the internal thought process he offered when i read the manga, and the way he struggled with his sexuality that struck the loudest chord. don't quote me on any of that since i haven't been caught up with given for like 5 years now but !!!!! yeah the end.

NEW QUESTION: how do you relate to your character personally? are there any overt similarities to the two of you?

tagged by @stagehunt my lover..... tagging - @lunabrae @tactition @sherez

[dynamic-k]

Me me has a quetions :3 when did you start writing and where do your ideas come from?

-BK

Ooh, that's a tough one.

Hmm. Well, I know I started getting a like for writing in the 3rd grade. I'd done some random school two-paragraph assignment and Mrs. Meusen, my lovely teacher whom I still remember to this day, had returned everyone's papers with our grades.

And she liked to write custom messages along with the overall score and stars.

She told me in her little markered note at the top of my paper, that my writing was well structured and I make a good author. Something like that, I don't remember exactly how it was phrased, but it was a compliment to my writing.

I have no memory of what I wrote, though. It wasn't significant.

That was probably the first jump-start encouragement I got, though how it affected me in the future was probably subconscious for the most part. It's not the driving force that I remember on a regular basis as "Ah, yes, this event here is what started it all."

That long ago compliment just came to mind when I really started thinking about what the answer to your inquiry was.

My ideas just spawned into existence from my imagination. I was always the kid that found immense joy in reading books and also staring off into space. The wall. The ceiling. Out a window.

I once got lost in space during my 2nd grade Spanish class, while we were doing TESTS.

And I was lost in space, not really looking at what I was looking at... Well, I was apparently looking at someone else's test, lol. Got scolded. XD

My dreams were often the source of cool ideas also. I had entire MOVIES worth of action and everything. Sleeping was always a well anticipated privilege...

I wonder why. 👉👈

I remember my very first fanfiction was written for a comic series, Mega Man by Ian Flynn.

Cool robots, action, adventure, fights, suspense, a whole assortment of my favorite types of things to enjoy from any media, be it novel, comic, or movie.

It was... really bad. My family tells me it was good for my age at the time. The ONE friend I randomly decided to share the old google Docs with also gives me positive feedback, but... ehhhhhh.

There's reasons I haven't continued it further for years. It was pretty bad, in my eyes. I definitely had so much fun writing it though. It was a self-insert, sort of? But with an OC that had cool characteristics I just liked. Not really me, but a character that was an amalgamation of ninja skills, smarts, and powers. And was very much, as the term goes [that I would learn about just a few years later], a "Mary Sue". An overpowered character.

At least, my character still had a plethora of issues, and as the story progressed, I found ways to insert Nora [the aforementioned OC] into problems and lessen the overpowered aspects a bit.

I learned from that work. A lot.

I guess, if anyone is really interested, I can post the links to the old docs. I don't suppose I mind all that much, though I'm warning you all. I ATTEMPTED ROMANCE.

AND IF YOU ALL KNOW ME AND MY CURRENT HABITS... YOU KNOW I SAY ON A REGULAR BASIS THAT I CAN'T WRITE ROMANCE.

It was written by 13-year-old Scarlett. She doesn't exist anymore.

I think I somehow got off topic, why am I talking about my first fanfic...

Anyway!

I wrote a lot of other stories also.

I had originals.

I had fanfics. [My hyperfixation on Beyblade Metal Fusion remains dormant to this day, but I still remember all the ideas I never wrote down yet]

I had dreams that I attempted to normalize and remove dream-weirdness from for story material.

I had school assignments that were fairly tame as far as action, but I kept the docs anyway.

And then I tried to publish stuff.

[By this, I mean, on the Archive. I had technically posted fanfiction before on fanfiction.net but we don't talk about those abominations...]

I was in a Lego Monkie Kid hyperfixation at the time, and was currently on the cliffhanger of season 4. [Before the special came out, I mean.]

And I had a very very vivid dream scenario one night, where my brain decided to imagination its own ending and wrapped up plot for the cliffhanger of season 4.

I decided to post it. And I still have more ideas that I have yet to sort out and add more chapters to the fic, but that was the first published work on the Archive, I think.

And... it was romantic focused, actually. The one OC was a character that fit well into the series, and wasn't just an annoying rendition of overpowered characteristics. (I TELL YOU. I LEARNED FROM "NORA")

And, well, my dreams are good at imaginating romantic scenes. It's just my brain doesn't know how to make it sound good with words yet.

I'll get there... 😅

To get back to the point I seem to keep deviating from as I reminisce over older works and my author journey as a whole: I have come very far.

My first Alan Becker fanfic, was A Second's Tale. Which, until Super Sticks appeared, remained my most popular fic.

It started so SO simply. All I knew was, "NEW HYPERFIXATION GO BRRR!" and "I wanna write a fanfic and post it"

Then it escalated.

The AVA/AVM fandom is still my all-time favorite, and I think it's honestly going to stay that way forever. It's definitely the longest fixation I've ever had.

All my others are dormant, or active in spurts. I have a list of like, 60? 65? fandoms I'm into, lol.

Uhm, anyways, yeah.

That's the summary.

Man, that's another thing I suck at. Summarization.

Look at this long schpiel of words!!

No one gonna read this. XD

TL;DR

I have come far from the 3rd grade.

I still aim to make a difference. Make someone's day with my weird unique sense of humor. Make others inspired. ;]

And my imagination go brrrr for ideas. Dreams are just the best thing ever.

Thanks for coming to my ted talk--

[mundanemoongirl]

I’ve read 32 books this year. Some were mysteries, some were thrillers, some were realistic fiction, and most were fantasy. So here’s my top 5 out of every book I’ve read!

But first, my honorable mentions

This Woven Kingdom by Tahereh Mafi has some of the most beautiful descriptions and wordings that I have read. I also love the Persian culture in it. I'm always fascinated when reading about different cultures and this is one I don’t know much about. It felt unique and authentic. The reason this one isn’t in my top 5 is because I felt it relied too much on tropes and the plot was a bit cliche. The second book especially suffers from this.

Going Dark by Melissa De La Cruz is a mystery I thought was so good it helped to inspire my own. It touches on important topics like racism and mental illnesses. I love how social media is used to find clues and I was so invested in the story that I stayed up late every night to know more. The only thing keeping this book from being perfect to me is that about halfway through, the backstory is told to the reader. I would have rather the characters find it out for themselves.

When I tell you I loved Forest of a Thousand Lanterns by Julie C. Dao so much I wrote a three page paper on it and submitted it for my communications final (I got an A). I love character driven stories and Xifeng is one of my favorite characters of all time. Her arc progresses at a perfect pace and I love seeing her use the few skills she possesses to get what she wants. As a dark fantasy writer, I appreciate that the book doesn’t shy away from gruesome aspects. The reason this book isn’t in my top five is because I wanted to see Xifeng’s rule as empress. That’s it. I just wanted more Xifeng.

And now my top 5 under the cut

5. The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid

This is not the type of book I’d normally read, but it blew away all of my expectations and I absolutely adored it. At first, I didn’t really like Monique’s character. I wasn’t interested in her failed marriage and I was pretty annoyed every time she didn’t understand what was being said to her (which happens way too often), but as she learned from Evelyn I was really rooting for her.

It was Evelyn’s story that wouldn’t let me stop reading. It was similar to Xifeng in a way where she started as a girl who was pretty, but had nothing, and manipulated her way to becoming a superstar. I was especially gripped by Evelyn’s insistence that Monique will hate her. I just needed to keep going to find out why.

There were a lot of unique aspects that I liked, such as the chapter titles. They were so fun and I kept repeated them in my head. I also like how parts of the story are told through forums and news articles. Other than the fact this this is a unique aspect, I liked it because we got to hear a different perspective than the person telling the story.

Also, yay for a bisexual main character! It was done so well and respectful, and not the stereotypical cheater character. I have been waiting my whole life for this type of representation.

The last thing I want to say about this one is that Reid really makes an art of writing. There are so many quotable lines and you can tell so much thought was put into every word.

4. The Queen of the Tearling by Erika Johansen

It’s a pretty cliche story: a princess must reclaim her throne. But The Queen of the Tearling works so well because of its main character, Kelsea. She’s such a beautifully complex character. On one hand, she wants to prove herself as queen. But on the other, she wants to be free to be a teenage girl. She rules with compassion for her people. But she also has an underlying ruthlessness and short temper. She looks to the future by examining the past, and how can you not root for a character so strong that she demanded her throne with a knife in her shoulder?

I appreciate that this book didn’t go the trope route and have the ruler of the rival kingdom become Kelsea’s lover. It’s fine one time, but it’s way overdone, and Kelsee’s strengths shine through more without this trope.

I like how each chapter opens up with a quote. Like the articles in The Seven Husbands of Evelyn Hugo, this gives the reader insight into what other characters think.

I have to say that even though this book blew me away, the last book has the worst ending I have ever read in my life. It was lazy, dismissive of the themes throughout the series, and just exasperating because it erases the growth of the characters and kingdom. I have no idea why Johansen would write it into existence and it somewhat tarnished my view on the series.

3. The Ballad of Songbirds and Snakes by Suzanne Collins

Is it really surprising that a Hunger Games book is in my top 5? I was hesitant at first to read it because I thought it would be a sympathy story or a cash grab, but I'm so glad that I gave it a try because it was so much more than I thought.

I feel like it's a theme on my list that I like to see stories where something small slowly evolves into something big. That's a big part of why I love this book. We get to see how the games went from something no one liked to the sporting event we know it as. It was a bonus to see that Snow's impact on the games as well.

I loved getting back into the Hunger Games universe, especially now that we get more of what the capitol is like. I have to admit that I haven't read the original trilogy in almost a decade so my memory is a little shaky, but I don't remember anything about the capitol being poor at one point. I liked this detail and getting to know capitol kids like Clemensia because it makes the capitol more complex. Before, I only knew it as a completely evil, selfish, privileged group of people, but now we can understand it better.

I love Lucy Gray's character. As a former musician, I appreciate that her power is through song and I enjoyed reading the meaning in her lyrics. I was kicking my feet reading about the Hanging Tree song and her teaching Snow about katniss roots because they live on to haunt him 60 years later. As always, Collins knows how to incorporate so much meaning into her writing.

The only thing I disliked is that it started to drag in Part III.

2. I'm Glad My Mom Died by Jennette McCurdy

This one was heavy, but I'm thankful to McCurdy for being vulnerable and sharing this raw story. As someone who grew up on iCarly, she was an important part of my childhood. I listened to the audiobook version, which just made it all the more personal.

You can tell from the writing that McCurdy was meant to be a writer. She somehow manages to make such a sad story humorous, and I found myself getting lost in her the way she describes background information that I didn't even notice that she deviated from the main topic until she brought us back. Not to mention, the writing sounds like she is telling a story directly to you. It reminds me of experts like Bell Hooks, someone who I have described as having a style like talking to a close friend.

McCurdy also has a deep understanding of herself and her emotions, even during times in which she didn't understand nor want to understand the harm that was done to her and how she copes with it. It's obvious to the audience what's going on, but not to her, and she writes it in a way where we can understand the truth of her circumstances while also understanding her point of view from when she was experiencing trauma. I doubt many people can understand themselves this well.

Each chapter had me hooked. I kept telling myself that her life couldn't get worse, but then it did. There were times when I nearly cried, and once when I was so shocked that I involuntarily covered my mouth with my hand and couldn't move it back for a minute. This book will make you feel everything.

I hate how some people are shaming the book just because of the title because this is such an important story, and if you just read it you would understand the title completely.

Blood Like Magic by Liselle Sambury

Fantasy, sci-fi, and mystery all in one? So much diversity that you can swim in it? Quite possibly the cutest romance to ever exist? I didn't know the perfect book existed and yet here it is.

I knew this book would be a favorite of mine from the moment I saw it. You have a beautiful, colorful cover on one side, and a description on the other saying a girl has to destroy her first love in order to get magic. I still can't believe that this is Sambury's debut book.

One thing I love about Blood Like Magic (and its sequel) is that despite all the fantastical elements, the books feel so real. Voya's family feels so real because they aren't rich, they aren't powerful in a social aspect, and they aren't perfect. The cast of characters feel real because POCs, gay, and trans people are going to exist no matter what. The romance feels real because they don't instantly fall in love. The plot feels real because sometimes everything will go wrong, no matter how hard you try to make it right. And of course there's the realest aspect of them all: all Black grandmas are going to have attitude.

Ok, I have to talk more about the romance because Luc and Voya are so stinking cute. I was actually squealing and kicking my feet while reading because it's so obvious that they adore each other and can't even tell. I didn't even like the enemies to lovers trope before I read this book, but Sambury does it perfectly. I also like that she makes a distinction between physical and romantic attraction because I think it gets muddled in a lot of popular books these days.

Voya's such a relatable character. We all struggle to make decisions sometimes. We never want to be left out or hurt the people we care about. Also, her name is so pretty and it doesn't even mean anything?!

Do I even have to mention that all the different types of magic are so fun and creative? Do I even have to mention that all the advanced technology seems like it could really happen? Everyone go read Blood Like Magic and Blood Like Fate right now.

[cheesybadgers]

okay soooo tell me your favorite thing about writing the epic beast that is OHDH. i want the directors cut lol

Ahhh Alex, bless you and thank you for sending this question ❤️😘

And oh boy, where do I start?!! It’s hard to pick just one, so here are three main things:

1) I think one of the trickiest yet most satisfying parts of the process was figuring out a) how any canon divergence made sense for the characters and their motivations and b) what the impact of those changes were on future canon events. It was such a fine balancing act and I had a lot of lightbulb moments in the shower (I swear my shower is some sort of creativity portal lol) solving plot problems. I had someone comment on AO3 saying how much they liked the ‘butterfly effect’ of the canon divergence and that sums it up so well, because one change at the start of the fic has a domino effect on everything else.

Sort of linking on from this, I also had so much fun making characters interact who never met in canon, or only had very minimal screen time together. Horacio and Chucho obviously never meet in the show, but their paths crossing in OHDH led to a whole new subplot and ultimately helped shape the ending of the fic. I wanted this to be a transformative work rather than a re-hash of canon, so if I achieved anything, I think it’s safe to say I achieved that!

2) I was also surprised how much I immersed myself in fic research, more so than I ever did for my degree back at university 😂 I knew I was going to have to do some research when the story got to a certain point, but I just kept falling down different rabbit holes and it expanded my reading list in all sorts of directions I wasn’t expecting. It got me back into the habit of reading books too, which I’m embarrassed to say I hadn’t done much of in recent years. But knowing I needed to read X or Y in order to progress with a certain scene or chapter was great motivation.

I must confess, my knowledge of Colombian history wasn’t great before (it’s not something the British education system covers), but my reading actually made me question and challenge the source material in ways I hadn’t before. So, shipping might be considered just shoving two characters together like dolls, but hey, at least I learnt some history along the way lol.

3) Getting to make up a tonne of backstory (especially for Horacio, who is a bit of a blank slate in canon) and create OCs. I’d never created proper OCs before this fic, so it was fun building them around the main pairing, giving them their own personalities and histories but also letting them affect the story. I think the different locations throughout the fic were like OCs of their own too (I’ve been contemplating a holiday to Madrid since I wrote the chapters set there lol), so the world building aspect of it was a fun learning experience too, and not something that came naturally to me at the start.

I’m sure there are so many more things! I will also say it’s been the steepest of learning curves re: my writing skills as well. I’m probably not even consciously aware of everything I’ve learnt, but going back to earlier chapters has been difficult, because I was obviously much more inexperienced back then lol. The urge to do re-edits has been real, but I don’t think I have the energy for that right now (and it was posted as a WIP, so by its nature it’s going to show the progress of my writing from start to finish).

Back in 2020/2021, I wanted to push myself out of my comfort zone (I think it was around a time during the pandemic when I realised how uninspiring my day job is and how little motivation I have for it anymore, so pursuing creative hobbies away from it seemed like a better use of my time), and it's safe to say I managed that with this behemoth 😂 It's been a huge journey of self-discovery and realising what I'm capable of. Fic used to be something I thought only other people wrote, so there were times I'd pull a metaphor or certain phrasing out of thin air and laugh at my laptop in shock, because I didn't think I had it in me to be poetic lol.

So, my advice to anyone reluctant to start a creative project because they don't feel skilled enough, please, please, please do it anyway. Seriously. Because you will muddle through, learn so much along the way and surprise yourself ❤️

Ok that was a bit of a ramble, but you did say director’s cut, so here we are 😂 Thank you once again for sending this, I've been in such a reflective and bittersweet mood since finishing, so it's nice to focus purely on the positive aspects of the experience 😘

[atlantic-riona]

I read a lot of books in the last ten days - a lot of them were very light, since I was on vacation - but since it's been so long since I read for fun, I thought I'd note down some things for each of them.

Completed

The Hollow Kingdom by Claire B. Dunkle: Still an absolute favorite of mine - I personally think it's one of the best books featuring a Goblin King, and Kate is such an interesting protagonist. I won't spoil anything, but I do like how the book actually doesn't follow a more traditional plot for these kinds of books.

In the Coils of the Snake by Claire B. Dunkle: Probably not my favorite, per se, of the trilogy, but I do find it fascinating. It brings back the elves, and I love the questions that get raised about the future and past of the goblins and elves. Can they ever escape their own tendencies?

Entwined by Heather Dixon: Best retelling of the Twelve Dancing Princesses ever, in my opinion. Really good characters and I loved the family relationships.

Keturah and Lord Death by Martine Leavitt: I kept seeing this in various lists and it is very good! I enjoyed reading it a lot. Kind of Scheherazade-like, where Keturah keeps Death from claiming her by telling stories and then promising to finish the stories the next day.

The Vampire's Promise by Caroline B. Cooney: Genuinely unsettling descriptions of the vampire, but in a good way. There's something about this genre of supernatural fiction that I love (pre-2000s small town America encounters something supernatural) but it's hard to find nowadays imo, because so much of it is just romance now. I enjoyed it a lot, and there's two other books in the trilogy, but I have to put off reading those because of how unnerving the first was, lol.

Mixed Magics by Diana Wynne Jones: Very fun! I always love the Chrestomanci stories, they're funny and also just brilliant worlds to visit.

In Progress

Wintersong by S. Jae-Jones: Going to be honest, I'm probably not going to finish this one. I started it after The Hollow Kingdom, because I was looking for more Goblin King-esque stories, but this one is not for me. I like some of the premise - the music aspect is interesting, and so too is the childhood friendship with the Erlkonig - but it's veering into "historically women were so repressed by society and religion and now I'm going to glory in being violent and hedonistic" and that's just not my cup of tea. I may try to push through it, but not if it's going to continue down the current path.

Fated by Benedict Jacka: This one's interesting. It's a bit like the Dresden Files, but Alex is definitely a bit more level-headed, which is interesting. I'm also interested in the world itself, but I will admit I got distracted partway through reading it and so I'm not very far in yet.

Captured by Maggie L. Wood: Didn't think I would like this one, but it reminds me a lot of the kinds of books I would devour in middle school. It's an interesting kind of portal fantasy, and I like Willow and her reactions to learning that she's not from Earth originally. The chess aspect is interesting, but I do wish they'd focus more on Willow's skills with chess, since it's so integral to the plot.

Nightwing, Vol. 1: Bludhaven by Dennis O'Neil: I have gotten maybe...five pages into this one, haha. I do like it, though! I'll have more to say later, though I do think it's funny that everybody's like "yeah, Gotham is bad, but Bludhaven is even worse." Like...you have seen Gotham, right? Maybe I just need to read more of the comic.

Stolen Songbird by Daniell E. Jensen: Another Goblin King-esque story, though here they're trolls in some kind of fantasy France? It was interesting, but I'm not going to lie, it's turning into a slog. I don't particularly find it interesting to read about characters that flip-flop their minds every five seconds, and I wasn't interested in the romance part, which is turning into the focus (I don't know what I expected, it's marketed as a romance, bahahaha). I probably will also not finish this one.

The Light Ages: The Surprising Story of Medieval Science by Seb Falk: Only made it through the intro and first chapter so far, but it is FASCINATING. It will probably take me a long time to finish, but that's just because I find so much of what's being explained interesting that I have to track it down further or include it in my own stories.

Ladies of Liberty by Cokie Roberts: Didn't get through much more than the intro (it was buried in the car during the trip), but I love this period of time, and I love when historians dig into women of history without acting as if only women pursuing masculine activities are worth studying, and the intro makes it seem like this is one of those books where all kinds of women are being studied. So fingers crossed this one works out!

[longitudinalwaveme]

Flash #1 (or #801) Review

As I promised a few days ago, here's my thoughts on the newly-released Flash #1.

SPOILERS below the cut.

Let's get the smaller things I noticed out of the way first:

-It's nice to see Max Mercury and Impulse as a pair again. I'm particularly glad to see Max getting some focus, since it's been a long time since he's gotten to do much of anything.

-The art looks good for the most part. I think the panel layouts are interesting, most of the people look okay, and the horror stuff looks really creepy (so the art is accomplishing that goal).

-Gorilla Grodd is back! Hurrah! (Like all those Silver Age DC editors clearly believed, everything is better with gorillas.)

-Having lots of text is nice. I read really fast, so I appreciate comic books with a lot of text. Otherwise, I can burn through an entire comic in seven minutes. (One reason I like Silver and Bronze Age comics so much is because they tend to have a lot of text, so I'm glad to be seeing something similar here.)

-Baby Wade is adorable.

-"As always, it is not until the house is perfectly silent...that the pipe begins to play." Is this a reference to Hartley? Please let it be a reference to Hartley. I miss him.

-Why does Irey look like a teenager? She's only like ten, right? So far, she's the one character whose design really stood out to me as not looking right.

-I am disappointed by the lack of Evan in this comic.

-Good to see that we're maintaining the friendship between Irey and Maxine that Jeremey Adams established during his Flash run.

-I have no idea who this Chad guy is, but he sure did suffer a gruesome fate.

-On the last page: Hey, is that a reference to that time that Wally West became the Porcupine Man during William Messner-Loebs' run? It's definitely got the spikes, and that was also the result of the speed force going out of control.

And now for the major plot points:

-The sudden undercurrents of stress in the West household kind of seem to have sprung up out of nowhere. I'm not opposed to the family going through a rough patch, but I feel as though it would have been better to build up to it a bit. As it stands, the conflict kind of seems to have sprung out of thin air.

-Why is the Speed Force suddenly a massive problem? Where did that come from? Why has it only now started to become an issue? Again, this seems like it should have received a bit more build-up, because right now I feel like I've been dropped into a story that's already in progress, rather than being at the beginning of a new story.

-Is Linda supposed to be suffering from post-partum depression? That could potentially be interesting, but only if it's handled properly.

-Wally's shared his super speed with Linda before (notably, during Mark Waid's run), and she didn't seem particularly upset about not having it afterwards. Granted, that was for a few hours rather than several months, but it does seem perhaps a bit out-of-character for her to be so upset about not having super speed. In fact, Linda's characterization was the biggest sticking point for me in this issue. She just seemed off (something that was also a problem in the story Spurrier wrote for issue #800).

-I can't say I'm super thrilled about having yet another story that focuses on the speed force. I feel like most of the stories that can be told about the speed force have been exhausted at this point. It probably doesn't help that the speed force has never been my favorite aspect of the Flash mythos. Some writers handle it well (Mark Waid and Jeremey Adams come to mind), but I'm much more interested about the Flash, his family, his supporting cast, and his villains than I am in the vaguely-defined source of his powers. Oh, well. At least Evan and the Folded Man are supposed to get involved. That should mitigate the problem somewhat.

-Wally's periodic issues with depression have returned with a vengeance. Spurrier seems to have a better grasp on Wally than he does on Linda.

Overall, I'm curious about where this story is going to go, and I am very eager to see how Spurrier uses characters like Evan and the Folded Man, but I'm not confident about how the run as a whole is going to turn out. While there's certainly room for horror in the Flash, I generally prefer a brighter and more cheerful tone for the book than what Spurrier seems to be going for, and I'm worried about how he's going to handle Linda.

Tentative Rating: 6.5/10.