#but there are ways of writing that

[eviltothecore13]

Is it just me or has fandom overall...changed a lot in how it talks about its favourite characters over the past few years?

It used to be people who really liked a character would be like “this character’s the best at everything, they can do no wrong, they’d win every fight, they have a plan for everything, they’re the coolest cleverest most attractive person in the whole story!!!”, and like...that could go too far, it could be annoying or just really really inaccurate compared to canon (I used to know a Jill fan who insisted that Jill could easily beat every single character in the series in a fight--and look, Jill is very cool, but Chris was canonically the best in hand-to-hand combat at STARS and was also training HER in marksmanship, Jill is of course extremely capable but...she really does not have to be the best at everything to prove why she’s your favourite...for that matter, Wesker fans who were like “Wesker in RE5 has to be a clone/a fake/whatever because the REAL Wesker would never LOSE because Wesker can’t make mistakes!”...always made me go *stop, please, it’s embarrassing*), but it did...make sense why someone who really loved a character would say these things about them?

But now it seems like the kind of comments people make about their favourite characters, and the way they portray them in fics, are...pretty much the opposite of that? People will be like “my blorbo is SO STUPID! they’re so useless they can’t do ANYTHING! they’re a pathetic weak little wet paper bag!”

Like, a few years ago if I’d seen a post saying things like that about a character I’d assume it was written by someone who hated them?

And obviously...sometimes a character you love is kind of a dork, or makes some silly mistakes sometimes. Other times a character you love is a terrible evil person. I’m not saying everyone should equate liking a character with thinking they’re perfect. But...most popular characters AREN’T actually completely stupid and incompetent at absolutely everything, and I can never quite get my head around it when people seem to hold this view of a character and it’s clearly not true, like...if you really think they’re pathetic, stupid, and can’t do anything right...do you really like them that much?

I’ve seen fandom call characters stupid/idiots when they are either science geniuses, or they’re brilliant inventors who build sci-fi gadgets, or they’re scheming chessmaster strategist types who manipulate all the other characters for years and come very close to taking over the world, or maybe they just canonically speak several languages and are well-read, or even if canon doesn’t focus much on their intelligence you’ve got characters like Chris who was a USAF fighter pilot--which means he has a degree, judging by the timeline probably an Air Force Academy one, which means he was likely in the top 3% of his high school classes and DEFINITELY didn’t “barely scrape through” as I often see headcanoned (not just by people who want to bash him but people who are like “I love him! He’s such a big dumb himbo! He’s so stupid!!” like. what.)

Similarly I see characters who are canonically very confident and self-assured, never really doubting themselves for a second, and who canonically react to things going wrong by calmly adapting their plans and moving forwards without ever getting discouraged, get tagged on posts about “pathetic wet paper bag men who’ve never had a good day in their life and an insult from a child would make them cry”.

Or characters who are shown in canon as dangerous, powerful and near-fearless fighters get written in fics, by people who say they’re their favourites, as spending all their time crying and flinching and not even trying to defend themself from whoever’s attacking/trying to hurt them (and not because they went through some major trauma previously in the fic that left them in this state, either--often the fic is set during canon and the character is just...like that rather than something having happened to change them from who they were at that point in their life in canon)... personally, while I enjoy whump, whumping a character who’s ALREADY weak and helpless and spends all their time curled up in a corner crying BEFORE whatever you do to them in the fic can easily just feel like kicking them while they’re down and is honestly boring because it doesn’t show anything NEW about the character, so it’s particularly odd to see fics written that way when the character in canon is exactly the confident powerful type that I do think is fun to whump.

(For a specific example, RE canon is that Wesker and Sergei had a rivalry and Wesker seems to view Sergei mostly with disdain and see him as an annoying obstacle. Wesker never gives any sign of being scared of or intimidated by Sergei, and certainly doesn’t seem to start panicking the instant Sergei enters a room. And even before he had his powers, he had extensive combat training by the time he met Sergei, and Sergei being taller and heavier doesn’t inherently mean that Wesker would be defenceless and go down in one punch in a fight, or even that Wesker would LOSE a fight against him. Canon doesn’t depict Wesker as a helpless victim for Sergei to beat up...hurt him by all means but it’s OOC if Wesker doesn’t give as good as he gets.)

Oh, and characters who are canonically master manipulators who are experts at getting people on their side and gaining their trust being portrayed as so socially awkward and clueless that they’re incapable of holding a conversation without coming across offputtingly weird...

Maybe I’m the odd one out here but I can’t really get why you’d want to present your favourite character as LESS capable, LESS intelligent, LESS brave or confident or powerful or whatever other impressive traits they might have in canon? Like I wouldn’t go so far as to say I ADMIRE all my favourite characters, because some of them are murderous evil monsters, but...I generally do see them as either having some kind of admirable personality trait (courage, integrity, confidence, determination... or maybe just a lot of charisma and a good sense of humour, though I feel like charisma tends to overlap with confidence a fair bit...), or at least as being very good at what they do. I can kind of get the appeal of the “sweet and kind and caring but not that bright ‘golden retriever man’ type”, even though they’re not usually MY type, because I know some people primarily like characters who they think it would be good to be friends with (and most of those types of characters aren’t USELESS, at the very least they tend to be good at listening and being supportive), but when someone’s favourite character is a bad person AND they seem to think they’re stupid, useless, incompetent and pathetic on top of being evil it’s like...so what do you even like about them?

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[charlesoberonn]

[braxiatel]

I honestly and truly believe all good AUs should be a little “”””ooc”””” in the sense that good characterisation involves understanding that changes a characters backstory and circumstances will have an effect on how they respond to the world around them

Good characterisation isn’t about creating a perfect 1:1 canon replica it’s about understanding why a character is different in your work and about grounding the changes you do deliberately choose to make in canon character traits

[catmask]

when u go to write a mentally ill person in ur story you are presented two options. the first option is to write your mental illness realistically as you actually experience it with all the ups and downs and people who are like you will resonate with it and feel seen. except every person who reads instagram infographics on mental health that uses the phrase narcicisst for anyone who does anything that crosses them and unironically call themself a dark empath will call you scary and tell you that youre demonizing mentally ill people

the second option is to lie and write inspiration porn for those people to get hard to

[acorviart]

not to sound like a boomer, but I need some people to learn how to write emails in a semi-professional (at the very least) format so you're not cold emailing a business/potential employer/any other stranger about formal matters in the exact same way you'd DM a close friend on instagram

the formality/language can loosen up in the email chain once you've established a rapport and you match the other person if they're being less formal, but please don't have the very first email you send a stranger be written in all lowercase ultra-casual sms slang with no greeting or signature and a billion emojis

[intermundia]

this is the single worst way i've ever read to describe an erection, frank herbert

[nonebinary-leftbeef]

DEVASTATING the lyric you've been mishearing is better than the real one

[angelsdean]

me whenever i see /pos and /hj: why are you calling me a piece of shit and what do handjobs have to do with any of this :/

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[soliusss]

Funniest thing I’ve seen on tiktok are those sigma male boys getting mad that American psycho was written by a gay man and going “well I like fight club better” buddy I’ve got some world ending devastating news for you

[birdy-babe]

Blitzøs entire life spent being unwanted. So he adapted, and learned how to be something needed, something to be used.

Which is why I think he firmly believes he is being used by Stolas. He simply cannot fathom a different reality, one in which he is wanted for once in his life.

[jimmycarterghostland]

Me writing a scene with two or more people of the same gender and trying not to get the readers confused, while also trying not to overuse the characters' names or epithets

[aspiringwarriorlibrarian]

You know, it's kinda funny how much of high fantasy centers around kings and nobility and courtly intrigue considering that the archetypal high fantasy, Lord of the Rings, had the rather explicit moral of "saving the world is up to this backwater hick and his gardener because no politician, least of all inherited nobility, would have the ability to see past their own ambition and throw away a weapon". Oh sure, Aragorn is a great king and all, but there's a reason he's over there running a distraction ring while the hobbits do the real work. Sauron loses because he gets distracted by kings and armies and great battles (i.e. typical high fantasy stuff) letting Frodo and Sam sneak through his back door and blow it all to hell.

Just saying, maybe old Jirt knew what he was saying when he said that the small folk doing their best and holding to each other was more powerful than a dozen alliances and superweapons and we should respect him for it.

[lgbtlunaverse]

Nothing will dispell the "the curtains were just blue" myth faster than writing something yourself, because the amount of pretentious symbolism i am putting in my silly little fanfics is ridiculous. I mean SO much with these words, literally every single one of them. This fic has twenty five typos and zero correct uses of punctuation but if there's curtains you bet your ass I put thought into what colour they were.