#but they think he’s doing a bit which is still giving it a lot more credit than they should

[mills-73]

Ok first off I love love love your writings like it just hit the g-spot u know LOLOLOL

ANyway I wanna request you for a Ford x Reader fic where the reader sneaks under his desk as he’s writing / reading smth and gives him the gawk gawk 3000. Absolutely devouring him and Ford just losing it slowly like his hand writing slowly losing it’s curves / getting harder to focus on the paragraph 😋

Thank you so much for this hehehe

i got ya

Ward Willing

Ford has a tendency to overwork himself some nights. You’ve been horny bored all night and he’s been down in his lab, so you do the only thing you can think of to get his attention.

Stanford Pines x reader

TAGS: 18+!! MDNI, smut, blowjobs, gender-neutral reader

─── ⋆⋅ ♰ ⋅⋆ ───

Ford Pines is probably one of the most hardest working men you know.

He’s always cooped up in that damn lab of his, day or night, and it’s never really bothered you up until recently. He’d always come to bed a decent time—and if he was feeling up to it, he’d take care of you. Lately, he’s been working late into the night, and sometimes you didn’t have the energy to wait up for him.

Tonight, however, you need him. But he’s still working.

You toss and turn in the bed, slipping your hand down between your thighs to try and get yourself off, but it doesn’t work. You want him, right here, right now.

You groan into your pillow, looking up at the door with an idea a minute later. You smirk to yourself, crawling out of bed and hurry to the vending machine, punching in the code.

Ford doesn’t notice that you’re standing at the doorway, completely engrossed in writing. He started a new journal after the summer was over and he’s determined to fill it with all kinds of fascinating research. Usually, you’d be curious, but right now all you can see is him, those fingers, that wonderful thing between his thighs…

His hair is messy, glasses slipping down the slope of his nose, and his fingers impatiently tap at the table. His pen is stuck between his lips, lightly chewing on the end of it. (You don’t know how many pens he’s ruined since you’ve met him, but you know it’s a lot).

You walk up behind him, hands reaching out to rest in his shoulders. He jumps slightly, but slouches into your touch when he hears your voice. “Stressed, baby?”

He moans lazily in response but continues to write. You dig your thumbs into his shoulder blades, applying a small amount of pressure, just enough to see him falter a little, but his attention is still strictly on his task.

You roll your eyes, stepping around to the side of him. “Are you coming to bed soon?” You note the amount of coffee cups pushed out of his way. He had a weird thing about reusing cups, which resulted in his desktop having multiple ones scattered about at all times.

Ford gives you a nod but you know he’s running on autopilot right now.

Your gaze falls to his lap, then to the space under the desk, a mischievous smile slowly spreading across your face.

Dropping down to your knees, you quickly crawl underneath his desk, settling between his thighs. You push them open a little so you can be a bit more comfortable, your hands coming up to rub him.

“W-What are you doing?” Ford breathes, rolling back in the chair. His eyes are wide and his face is flushed.

You flash him your teeth, your fingers deftly playing with the zipper of his jeans. “Go back to writing, Ford,” you whisper.

“What? No. You know I can’t focus when you’re touching me like that.”

The bulge in his jeans is already becoming more apparent by the second, your stomaching fluttering in anticipation. While you’re able, you unbutton his jeans, dragging them down his hips with a little help from him and letting them pool around his ankles, his underwear following suit.

Your mouth waters at the sight of him. He’s not entirely big length wise, but he’s thick, which makes up for the lack of a few inches. The tip is a shade of pink that matches his lips perfectly, and you lean forward to press a delicate kiss to it. He shutters from above.

“I don’t care. Go back to your work.”

He gives you a curious look, but does as you say. You hear him click his pen a couple times, the soft sound of ink meeting paper, and you giggle softly.

You poke your tongue out again, licking a long stride from base to tip. His thighs tense at the friction, but settle again. Your mouth wraps tenderly around the pink skin, the salty taste of precum exploding over your tongue. You moan quietly, the vibrations causing him to drop his pen for a quick second.

His breathing becomes audible, the sound of a soft whimper reaching your ears. You grin around his cock and sink lower, taking more and more until your nose is pressing against his navel. You hold your position there for a moment, popping off with a small gasp.

From above, Ford hasn’t been able to write more than three words.

You grin, wrapping your hand around the base as your mouth wraps around him again. You bob your head slowly, running your tongue against the underside of his cock in ways you know drive him crazy.

His leg twitches, hand reaching below the desk to burry it in your hair. He plays with the strands, pushing your head down slightly, silently begging for more. You can’t help but keen in response to his touch, obliging the request.

You flatten your tongue against the frenulum, curling it just enough to draw another whimper from the man above. Your ego blooms, prideful as you continue your ministrations.

Ford groans. “Doll, I-I can’t—” he cuts off with a moan when you suckle at the tip.

You lean back a little, gathering all the spit in your mouth and slowly letting it fall out of your mouth over Ford’s cock, the substance rolling over the tip and down his length. Your hand pumps him once, twice, a third time before you swallow him to the back of your throat.

He rolls his hips upward, causing you to gag at how deep he is. His fingers tangle in your hair, grabbing at your head and pulling up and down.

“I’m—fuck, dollface,” he groans.

You hear the sound of his pen falling, his journal snapping shut, before he leans back in his chair, eyeing you from your position. His eyes are glossy, glasses crookedly hanging on his face, and his cheeks a beautiful shade of cherry. He always looks so fucking sexy when he’s needy for you.

“I need more, baby. Please give me more.”

You nod weakly, your jaw slack as you bob your head. Spit dribbles down your chin, another moan muffled by the intrusion in your mouth.

It’s quite obscene, really. But you enjoy it nonetheless.

His quiet whimpers turn into rough moans, waves of iron-hot pleasure dripping down your spine as you work your mouth over the sensitive flesh, your own sounds a little garbled by the sheer amout of spit building under your tongue.

You flick the tip of the flesh, your teeth grazing softly against the underside, adoring the way Ford shivers beneath you. It’s vulgar; you enjoy it a bit too much, your own arousal causing you to lose yourself in the blissfulness of it all.

You pop off with a throaty moan, a string of spit connecting your bottom lip to the tip of his cock. You meet his hungry gaze for a moment, smiling sweetly at him.

“I want you to start coming to bed at a decent time. Or I’ll be down here every night to interrupt your work,” you say, lazily stroking his cock.

He huffs a laugh. “Don’t tempt me with a good time, doll.”

You roll your eyes at him, slipping him back into your mouth. This time you pick up your pace, jerking him off in tandem of your tongue rolling all over. He preens at the friction, his head lolling back on his chair, mouth parted to allow a plethora of whimpers and moans to escape the back of his throat.

His chest heaves, all six of his fingers grabbing at your hair. “Fuck, fuck. I’m gonna cum, doll. Please don’t stop.”

At his confession, you go harder, slurping and sucking, his grip teetering on the edge of blatantly painful. He catches your eyes again, the sight alone making him explode in your mouth, whimpering softly.

The taste of his cum is salty yet sweet and you swallow it all, a generous smile on your face as you pop your lips off the sensitive tip. He shutters, moving his hand from his hair to the side of your face, his thumb gently stroking your cheek.

“That was amazing, baby. Your mouth never ceases to impress me.”

You blush. “Thank you…”

You slide out from underneath the desk, the man fixing his pants before standing up as well. In a quick motion, he has you pinned against the edge of the wood, his mouth on yours, devouring you whole. You whimper into his mouth.

“Now,” he nips at your bottom lip, “your turn.”

~

hope you enjoyed, ty for reading!!

[starcurtain]

A Look at Ratio and Aventurine... and Ratio/Aventurine

I was morally obligated to use this picture.

Anyway, I got an ask about my understanding of Ratio and Aventurine's relationship both in canon and as a ship that I have been holding on to for a while now because... phew, there's like... a lot to talk about there... But I felt I should at least give it a try, so here is my attempt to comment on the intersection of two of Star Rail's most complicated personalities. Long post is longgggg; you have been warned.

First, Aventurine's canon relationship to Ratio:

In the interest of not hitting tumblr's image limit, let's just throw out some of the information we have in one go:

It's pretty complimentary. (Yet somehow...)

The implication of the infamous "Keeping Up with Star Rail" video is that Ratio understands Aventurine better than anyone else, and Aventurine knows this. At the very least, putting all shipping aside, Ratio is the person who can explain Aventurine's behaviors best. He's the person Aventurine chooses do so. This suggests significantly more knowledge of each other's lives than the game first led us to believe.

Other people (read as: my GOAT Owlbert) perceive respect from Aventurine to Ratio, and although I read them as a bit sarcastic, the 2.1 mission logs not only repeatedly confirm that Aventurine views Ratio as smart and reliable, but that Ratio is reliable "as always," again indicating a longer and closer history of collaboration than we get to actively see in game. The devs were working hard to tell us "Penacony isn't Ratiorine's first rodeo," which is interesting--given Topaz's voiceline recommending the Trailblazer avoid working with Aventurine whenever possible, we're led to believe through 2.0 and 2.1 that not many people will willingly work with Aventurine more than once, let alone many times.

While going through psychological scrutiny from the Ghost of Christmas Yet to Come his Harmony-infused self, the "Future" Aventurine suggests that Ratio and Aventurine are quite similar, and that Aventurine puts a surprising amount of trust in Ratio, to be willing to hinge such a dangerous plan on something as untested as Ratio's ability to act. At the very least, Aventurine's own psyche is pondering on Ratio and whether or not their connection has any emotional meaning.

But despite all this evidence suggesting Ratio and Aventurine spend significantly more time with each other than we get to see in game, Aventurine's own thoughts cast strong doubt on whether he and Ratio are actually close.

Aventurine's "About Dr. Ratio" voice line suggests that Aventurine believes Ratio does not particularly like him. He seems to think that Ratio would prefer to stay away from IPC operations where possible, and it's "unfortunate" for Ratio to be stuck with Aventurine as a conversation partner. He's tolerated, rather than enjoyed. His overall impression seems to be that Ratio mostly views them as distant coworkers.

When the "Future" Aventurine suggests Ratio did not betray Aventurine willingly, actual Aventurine immediately pushes back:

(Personally I'm on the fence about whether this was real doubt or just a ploy to continue sussing out Sunday; see my other post about this scene for some more thoughts.)

But if we take this statement to be played straight, it implies that Aventurine doesn't fully believe Ratio will side with him, even (maybe especially) in dire circumstances. If this statement is real doubt, then despite considering Ratio the person who best understands him, despite building an entire life or death gamble around Ratio's loyalty... Aventurine still doesn't think Ratio even likes him.

Aventurine's not stupid or blind, so theoretically he should be able to read the situation better than that. But actually, there's plenty of evidence both in the game and outside it to suggest that Aventurine is not the most accurate judge of his own relationships to others and is a down-right terrible judge of his own worth as a person.

"Future" Aventurine suggests that one of Aventurine's deep inner flaws--the truths that he rejects about himself--is a massive inferiority complex. This is backed up well by the mission text, where Aventurine's thoughts about himself spiral into self-harm, and the scene in the maze, where "Future" Aventurine taunts our Aventurine with the unforgettable fact that his entire life was only worth pennies:

There's also pretty consistent self-deprecation, with both "Future" and real Aventurine noting several times that he's a pathetic mess of a person that other people don't trust or like.

The overall impression 2.0-2.1 left me with is that Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.

Part of this seems to stem from the directly-stated sense that he's a failure whose only worth is in transactional exchanges, using and being used by others (there's so many layers to this--internalized racism even), but I also suspect that much of his inability to accept genuine connection from others is defensive behavior.

Aventurine's true self, Kakavasha, is deeply hidden away, like the ghost of the child that manifests from his Harmony delusion in the Dreamscape. Although Aventurine clings to that person, claiming that he has "never changed," he actively coats over his beliefs, his kindness, and his authenticity with the mask of a "cavalier gambler," with glitz and glamor and showy distractions. No one gets to see Kakavasha. No one gets to know him, because being buried deep in the dirt is the only way to remain untouchable, and fiercely keeping one's distance is the only safe bet. (For both Kakavasha and any fools who would doom themselves by daring to care for him.)

So: Canon is telling us that Ratio is one of, if not the, closest people in the world to Aventurine. But canon is also telling us that that still means absolutely nothing at all, because Aventurine won't let himself be close to anyone living.

Aventurine's senses of self-worth, trust, attachment, and safety have been warped so badly by ongoing and untreated trauma and mental health issues that, at least until the end of 2.1, I just don't think he was capable of even accepting genuine friendship from Ratio, let alone anything more.

(Interesting side note here: Ratio is actually one of the people Aventurine calls "my friend" the least. He only says it directly to Ratio a single time in all of their lines of dialogue across 2.0 and 2.1, and even then, does so only when right outside Sunday's door, while almost certainly being spied upon by the Family. Anyone who knows how often "my friend" is peppered into Aventurine's dialogue otherwise should know that the absence of the phrase is actually pretty telling. It almost feels like canon Aventurine's not even sure he can call Ratio his friend, at least to Ratio's face.)

Which makes Ratio's canon relationship to Aventurine quite sad and ironic:

From start to finish, Ratio canonically esteems Aventurine more highly than almost any other character in the game. I'm not even talking about shipping when I say that there is no character Ratio is closer to in the entire game.

At present, Ratio has only four voice lines about other characters, and of those four, Aventurine's is the only one that isn't someone from the Genius Society. The only one. Ratio's voice lines are also notably, uh, not very complimentary. Herta is "talented but not helpful to others" and "sees no one as her equal" (read as: she's self-absorbed). Screwllum is a "monarch, rather than a genius" (with the vague implications of being a tyrant), and Ruan Mei is overly ambitious and "fooling everyone."

Meanwhile, Aventurine is "our man" (who is "our" Ratio? who?) whose success "can't all be chalked up to luck," implying that part of Aventurine's success must come from skill. Ratio notes that Aventurine questions his own ability... but as far as Ratio's evaluation goes, he seems to doubt that Aventurine will ever experience a downfall. For someone who thinks 99% of the people he meets are mediocre failures scrambling around in the filth of existence, to be recognized as skilled and unlikely to fail is quite obviously glowing praise.

Then, of course, there are numerous moments that echo Aventurine's hints, implying that Ratio spends significantly more time with Aventurine than we see on-screen, that he knows Aventurine extremely well, and, although he tries (vainly) to pretend he isn't, he's clearly quite concerned with what Aventurine thinks of him.

Especially this last one. "No wonder that gambler likes you so much" is pretty intentional on the devs' part, confirming that Ratio and Aventurine are having off-screen conversations we players are not privy to, which obviously would indicate a closer relationship than the in-game cutscenes could cover.

Then, Trailblazer has the option to flat out ask Ratio to "rate" Aventurine. (Star Rail ship bait is not even subtle.)

At first, this line might read as all over the place:

"The bosses say we're partners but I wouldn't say that" -> Read as: Ratio wants people to know how their relationship is classified but doesn't want to admit to being actually invested.

"I see myself as the teacher to everyone I meet" -> Read as: Ratio at least pretends that he doesn't view anyone as his equal; everyone is either above him--geniuses--or below him--students.

"Aventurine is not that bad of a student" -> High praise; even Ratio can't pretend Aventurine's untalented.

"Actually, Aventurine's probably in metaphysical danger" -> Read as: Ratio is aware of the "void" Aventurine is experiencing and his mental struggles.

The ultimate takeaway of Ratio's "rating" actually says more about Ratio than Aventurine. When it comes down to it, Ratio's choice to answer this question for the Trailblazer instead of dismiss it tells us that Ratio has spent time quantifying and trying to define his relationship with Aventurine, is willing to at least discuss that relationship with other people (when we have no evidence he ever discusses any other personal/non-academic matters with anyone), and that Ratio pays attention to Aventurine's mental states.

Canon Ratio is not beating the allegations, I'm afraid.

But actually, I think the biggest tell about Ratio's canon relationship to Aventurine is that Ratio's behavior completely changes the moment Aventurine appears in the game.

In every single one of Ratio's other appearances, two facts are hammered home again and again:

First, Ratio hates interacting with fools and "noisy" people. He wears his plaster bust so that he doesn't even have to see them. Canonically, we're informed by both March 7th and Argenti that Ratio brought and was wearing his headpiece in Penacony. Curiously though...

The players never see it throughout 2.X--probably because 90% of Ratio's scenes are with Aventurine, and Ratio is never shown wearing his bust on screen with Aventurine--even in their very first meeting in the Final Victor lightcone. Aventurine clearly knows of the bust, but despite Ratio verbally going on and on about how Aventurine is the most "flashy" and "devoid of logic" person Ratio knows... the devs deliberately send their message: Ratio has chosen not to cut himself off from Aventurine.

Aventurine can be more "clamorous" than a screaming peacock, but Ratio will still not put up walls against him. This isn't accidental. The devs had every opportunity in the world to go the opposite route and make jokes about Ratio refusing to take the bust off in Aventurine's obnoxious presence; instead they decided that Ratio apparently has a glaring, Aventurine-shaped exception to his "I don't want to perceive you fools or be perceived by you" life rule.

This "willing to tolerate shenanigans only if Aventurine is involved" behavior continues basically throughout all of Penacony's plot. In 2.3 for example, if you turn around and talk to Ratio again on the Radiant Feldspar, he flat out says:

But there's no actual explanation for why he's there in the first place. He mentions he was assigned to watch over "the IPC's ambassadors," which theoretically should apply to Jade and Topaz, yet we never see him interacting with them in any capacity. He's never even shown in the same room as Jade or Topaz, and he's not shown doing any other form of business for the IPC on the Feldspar either. Theoretically, he could have been on the Feldspar to meet regarding the Divergent Universe... except Screwllum wasn't there yet, and Ratio doesn't mention a single word about the Divergent Universe to the Trailblazer.

The only person Ratio talks about in his dialogue on the Feldspar is Aventurine, and the only non-Trailblazer he talks to in 2.3 at all is also Aventurine, replying to him and only him in the group chat.

He looked like he might give it a shot to try to befriend Boothill and Argenti at the end of 2.3... but immediately changes his mind and leaves without saying a word to them.

It's not really a stretch to suggest that the only reasonable excuse for Ratio to attend the party on the Feldspar was if he was there for Aventurine, a behavior that he himself notes is out of character. ("A waste of time" he says, as he stands there anyway.)

But, second and even more importantly: Ratio's single most defining character trait is that he believes people need to pick themselves up. The entire point of his debut appearance in the game was to present his philosophy that if the powerful or privileged intervene to continually "save" the mediocre, ordinary people will never learn for themselves or get the chance to grow. It is in times of desperation, he says, that fools exceed their limits and reach greatness.

This is why, in 1.6, he insisted on Asta and the Trailblazer being the ones to solve the attacks happening on the space station, without relying on Screwllum or the other geniuses. Although Ratio did actively intervene a little (using the phase flame to save the researchers from death), he did so only from behind the scenes, where his actual help would not be noticed by those affected and where it had no impact on their decision-making or their struggles to solve the mystery.

He let Asta and the Trailblazer panic. He let them flounder. He even deliberately misled them at points, claiming that Duke Inferno must have kidnapped the researchers (when it was actually Ratio himself who re-routed them).

Ultimately, Ratio let Asta and the Trailblazer grow from their experiences.

This is also why he lets the Trailblazer go blazing in to fight Ruan Mei's faux emanator of the propagation, despite knowing that Trailblazer was not actually strong enough to win. Ratio watched and was ready to intervene... but in the end he did not, because it was the Trailblazer's fight to lose.

Ratio's most defining character trait is that he believes standing back and observing is the true kindness, rather than inserting oneself and denying people their autonomy or opportunities to grow.

Buttttt... then there's Aventurine, and suddenly the story is completely different.

Suddenly, Ratio isn't an observer but becomes essential to the plan. He's even walking around making big claims about being the manager of the task, flexing all of his C+ acting ability to actively carry out their mutual ploy.

In 2.3, he claims he was just there to watch, and his Penacony sticker asserts he's only "a supporting character"--yet we have never seen Ratio take a more active role in the entire game. Unlike with the Trailblazer in 1.6, he's not primarily watching events unfold from shadowy corners. He's in Penacony as Aventurine's active partner in crime.

And, even more telling--he later jeopardizes their entire mission just to ask if Aventurine needs help.

What? Huh? The character who is famous for the voice line "You look distressed. Is something troubling you? If so, you can figure it out for yourself" is suddenly offering his assistance entirely unprompted?

The guy whose motto might as well be:

Is suddenly out here throwing his own core philosophy out the window to solve Penacony's mystery for Aventurine and save him from himself in Aventurine's hour of greatest need?

A lot of people get hung up on the second half of Ratio's letter, the part about staying alive, which of course is very sweet. But I think the second half causes people to forget that the first part of Ratio's letter is, quite literally, the answer to Penacony's mystery.

Ratio gave Aventurine the answer.

This is like if your professor just gave you and you alone the score key to the final exam and then turned around to insist he "doesn't play favorites."

Of course, Aventurine is brilliant and didn't need Ratio's answer about dormancy, which makes the fact that Ratio went out of the way to give it to him even more odd. Ratio despises unnecessary repetition. If he wasn't dead worried, he would never have given Aventurine an answer that Aventurine had the power to find on his own.

And, as far as canon tells us, Ratio has never done this for anyone else.

The difference is night and day. It's literally the Gordon Ramsay meme, with everyone else in the entire game being the "fucking donkeys" to Aventurine's "Oh dear. Gorgeous."

So: Even if we entirely put aside shipping, if we look strictly at what we're given in canon:

Ratio treats Aventurine with more respect than he treats most other characters in the game.

He involves himself in Aventurine's struggles in a way that he flat out refuses to do for anyone else.

He compromises his own beliefs purely out of concern for Aventurine.

So, at least as far as we've been shown in canon, it is accurate to state that Aventurine is the closest character to Ratio--and unlike Aventurine (king of self-gaslighting), Ratio isn't even good at acting like he doesn't care.

Frankly, the whole thing is a little sad. Ratio's behavior is so blatantly out of character that a smart person like Aventurine should easily be able to determine it is genuine, but Aventurine's personal hang-ups and ongoing trauma make it difficult for him to even see that authenticity, let alone put faith in it. Even in canon, Ratio is mostly unable to help himself when it comes to Aventurine, which is especially unfortunate given how badly skewed Aventurine's perception of himself and others is by the start of Penacony's story.

PHEW! I finally made it through canon content!

Now there's just... everything else... 🫠

Well, to be honest, I don't think I could ever manage to put all my thoughts about this ship into one post. Probably not even fifty posts.

So rather than trying to say everything there is to say about Ratiorine, what I want to focus on is how fantastically these two characters just fit together. Like puzzle pieces that need to be mirror opposites in order to link, these two characters parallel each other while also perfectly filling in each other's voids. It's some of the best character pair writing I've seen in a long time (though I'm still sort of convinced it was at least 50% sheer luck on Hoyo's part), and my perspective on their ship can really be tied to my underlying perception of Ratio and Aventurine's characters as remarkably similar individuals:

It's obvious that Aventurine is not a healthy or well-adjusted adult man, but like... neither is Ratio.

Both of these characters are "not quite right" marginalized people who, at least in my interpretation, have essentially given up on even faking normality and are now just vaguely play acting their way through being functioning members of a universe that is entirely unequipped to accept them for who they are. In a world full of cyborg cowboys and people with wings growing from their heads, the game still manages to somehow convince us that Aventurine and Ratio are odd ones out.

Kakavasha can't even exist in the dystopian capitalist hellscape of the IPC's machinations. "Aventurine" isn't even a real person, just a never-ending performance, a slick, devil-may-care persona without a single ounce of substance.

Ratio, meanwhile, is a world of one, rejected from the only place he thought he could find validation and acceptance but unable to lower himself to fit in anywhere else.

Aventurine is so bad at making genuine connections that he turns everyday conversations into gambles because he doesn't believe people will care enough to keep talking to him without tangible incentive.

Ratio's insistence on treating everyone as students, not as equals, also means he has an excuse to never emotionally engage with anyone he meets. (This is not at all a textbook method of intentional avoidance to prevent any chance of social rejection. Not at all.)

At the end of the day, Aventurine and Ratio both come across as desperately lonely, and so caught up in their own situations that they really don't have the ability to climb out of that hole on their own.

Preventing them from even being able to maintain any form of relationship is also the fact that neither one of them can even find justification. Neither one of them has a reasonable answer to the question "Why am I alive?" anymore, because Aventurine's reason died on Sigonia and Ratio's reason died with an IPC invitation instead of a Genius Society letter. Though their differing perspectives have led them on opposite paths pursuing their own answers to that ultimate question of "Why should I keep living?" (Aventurine was headed toward giving up before the end of Penacony, while Ratio has invented an immeasurable, impossible goal to distract himself from feeling purposeless), both of them are pretty much miserably unfulfilled in their current lives.

They're also both violently allergic to emotional vulnerability and to having any of their flaws or true desires actually be perceived. Both of them put up insanely high walls. Aventurine pushes boundaries with everyone he meets to provoke their hatred in advance, before they can come to disdain him for his "real" flaws. He acts out harmful racist stereotypes to use others' preconceptions for advantage, manipulating every situation he's in--incidentally affirming the stereotypes against his people by doing so.

Ratio puts a physical wall of plaster between himself and others, but the plaster bust actually doesn't have anything on the mental and emotional gymnastics he's engaged in to justify his isolation from the world, doing everything in his power to convince himself that he's isolated by choice, that it's perfectly logical for Veritas Ratio to have nowhere to truly belong, no one to truly belong with. He's so mundane after all. Of course the geniuses don't want him, that's just commonsense. But everyone else is so... different, so foolish, so illogical... It just wouldn't be reasonable of him to try to become one of them either, to be their friend instead of their distant educator. (You know, if you never try to integrate with others, then they can't reject you. Ratio has learned his lesson.)

Somehow, Aventurine and Ratio are two of the most competent and successful people in Star Rail's entire universe and simultaneously also two of the most misfit, reject, dysfunctional messes in the game. Like... Blade has a better support network than Aventurine and Ratio combined. The 7000-pound murderous mech with a disabled, genetically-modified war veteran who never got to live a normal human life hiding inside it is more capable of making friends than Aventurine and Dr. Ratio.

Which is why I love that the devs decided to make their canon backstory: "Some absolute treasures in the IPC and the Intelligentsia Guild had the galaxy-brained idea of pairing Ratio and Aventurine as strategic partners." The game's writing really said: "These two characters are so socially stunted, they have to be assigned a relationship like it's homework."

They may not have it all figured out yet, but the fans see the design: Now that Ratio and Aventurine have each other, they're not alone anymore. I have never seen two characters better fit the "Is anyone going to match my freak?" meme only for the actual answer to be "Yes."

Ratio is "plays chess with himself" levels of loner weird? No problem--Aventurine is "Wanna take bets on who's going to die today?" weirder. Ratio wears a plaster bust to ward off idiots? Aventurine transforms into a monster on command, which is pretty much guaranteed to achieve the same effect.

Ratio wasn't chosen by Nous? That's fine, Aventurine's one job as a "chosen one" was to save his people and now they're all dead. Nobody can keep up with Ratio in conversation? Watch a single comment from Aventurine turn him into a fumbling mess on live television.

Ratio's inability to relate to the experiences and development of any peers his own age have left him extremely isolated and with a permanently scarred sense of self-worth? Wow, I wonder if Aventurine knows exactly what that feels like.

They just... fit.

And, changing focus a little here at the end: While I personally think that recovery from trauma requires internal motivation and self-kindness foremost, I also think that Ratio and Aventurine's relationship should be considered from the perspective of how they help to fill each other's gaps.

Unlike any connection at the Genius Society who will always evoke unpleasant memories of Nous's rejection, Aventurine isn't going to make Ratio feel intellectually inferior. Aventurine has nothing but good things to say about Ratio's intelligence, and it's even apparent that Ratio felt comfortable enough to at least mention his Genius Society woes to Aventurine, something he explicitly does not do with anyone else.

Even when it comes to social interactions, Aventurine isn't going to make Ratio feel inadequate, because honestly? Aventurine's almost as bad at them as Ratio. Aventurine is much better at faking it socially, but when it actually counts? When he's trying to be real with others? A solid 70% of the people who meet Aventurine still end up wanting to strangle him. The guy tried to apologize for threatening to detonate the Trailblazer like a bomb by buying them a model train...

Then there's this:

Aventurine is the only character explicitly called Ratio's equal in game, and more than just treating him respectfully as an equal, Aventurine also exhibits one extreme appeal that no one else in game has ever shown to Ratio: Aventurine makes Ratio feel needed. For Aventurine, Ratio is not a forgettable after-thought as he is to Herta and most of the other geniuses. He's not just "some weird guy who scolds me about school" like he is to the Trailblazer. Ratio's intellect and skill were integral to Aventurine's plan from step one to the very end. Ratio has a place in Aventurine's plots. For a character who directly assesses worth by how beneficial a person can be to others, the fact that Aventurine can make Ratio feel wanted and valued probably produced some of the strongest personal fulfillment Ratio has had in years.

On the opposite side, Ratio's in a unique position. Out of every relevant character in Aventurine's story, Ratio is the only one who has nothing to lose by choosing Kakavasha over "Aventurine." Ratio doesn't profit off Aventurine or take any expensive gifts from him, like the Trailblazer does. He doesn't need Aventurine's luck for anything at all. He'd be able to work for the IPC even if Aventurine wasn't in it. Ratio certainly doesn't want the glitz and glamour of a shallow gambling hustler persona. His work doesn't require Aventurine's continued involvement like Topaz's and Jade's does. He'd probably prefer not to know any Stonehearts at all, thank you for asking.

Outside of deliberate-acting insults about Sigonians for Sunday's sake, we're not told that Ratio has any connections to--and therefore has no preconceived biases against--Sigonians. Being a person who values self-determination and a refusal to live in mediocrity above all else, he would have nothing but esteem for how far Aventurine has managed to come despite the harsh circumstances of his life. Ratio probably wouldn't even think Aventurine's belief in Gaiathra is that strange; one of Ratio's doctorates is actually in theology.

Unlike literally everyone else in the universe who needs "Aventurine," we have every indication that Ratio's respect and admiration will only grow when he finally gets to meet "Kakavasha."

Loneliness, rejection, betrayal, a lack of understanding from others--all of these can leave wounds that only genuine, deep bonds with others can heal.

On death's doorway, in the darkest shadow, when Aventurine had to make the choice between passing on to be with the family that loved him and choosing to return to a reality without them... Ratio's letter was there, telling Aventurine the exact thing he needed to hear to choose life: Someone is waiting for you to come home.

If the resounding rejection of Star Rail's Nihility is belief in humanity's power to make meaning in our own lives through our connections to others, then the ultimate message of Ratio and Aventurine's arc in Penacony is that no one needs to be alone. The world is not as empty as you fear.

And that is a message that Ratio and Aventurine can learn best through each other.

(I just... love them so much...)

[worriedvision]

Ajaw ruins his relationship with you - Kinich

Gender neutral reader, angst. No happy ending here, borderline crack BC Ajaw is a cracky character let's be honest. Ajaws a little shit here

--

Kinich had, somehow, caught your eye enough for you to successfully land a date with him. One date becomes two, and the third one ends in you inviting him over for a drink. He accepts, and before you know it your home becomes a place for him to call home as well. While Kinich wasn't very emotive, he seemed to smile just a bit around you.

However, the couple affections you would expect from him in a relationship weren't coming. Nothing like kissing or hugging, and for a while you think it's because Kinich was not a touchy person. You also knew he was very busy with his work, which was why the first few times he left and told you not to wait for him you didn't think much. At the time, in fact, you were more attracted to him because he was honest with you.

"Don't wait up." He blankly states, every morning he leaves. If you're lucky, he comes back at night time only to sleep - he doesn't make himself any food or drink from your home.

You got suspicious of him when you were hanging out with Mualani, and she brought up the fact someone called Ajaw wouldn't stop nagging at Kinich. When you ask who Ajaw was, rather if this was his boss, Mualani laughs.

"Ajaw probably thinks so, but they bickering too often to do any work together." Mualani tuts. "Do you never hear Ajaw? That voice is so... Annoying to hear!"

"No...I've never met this Ajaw." You hum out, Mualani gasping.

"Tell me your tricks!"

--

Once you get home from your interaction with your friend, you've had enough time to think. After some long thinking, you come to a decision. You move the stuff that's Kinich's, leaving them by the front door, and add temporary locks in addition to the one your key locks until you can change the lock.

To your surprise, Kinich sounds surprised when he notices his bags out. You refuse to open the door, having more than enough time to waste as you had a day off, and Kinich defeatedly picks up his few belongings before leaving.

--

"Hah! You should see your face!" Ajaw jeers, Mualani and Kinich groaning out at Ajaws harsh words. "Good thing _ wisened up and realised they can do a lot better than some mortal being that can't even get himself a group of companions!"

"Because you always ruin things." Mualani sighs.

"Hey, I can't take credit for this one! I never even once spoke around _!" Ajaw shrugs, putting some sunglasses on.

"I was hoping to finally get to spend some time with them. I've finally got enough cover for a few days." Kinich states, seeming to realise what Ajaw did. "...Mualani, you know how annoying Ajaw is. Do you know if -"

"Oddly enough no! Honestly, I'm jealous. Ajaw doesn't know when to shut up."

"...It seems they do." Kinich massages his temples, Mualani making eye contact with him.

"...Do you think they were suspicious you were seeing Ajaw? Yuck!"

"Hey, I can hear you, ya know?!"

"It makes sense though. They don't know Ajaw isn't even human, and also isn't mortal."

"Hahaha! Oh boy, even I didn't think keeping my mouth shut around your potential love interests would give this benefit!" Ajaw cackles, seeing Kinich's hand flying towards him. "Hey, what are - AHH!"

--

You keep getting asked if Kinich is single, each time you saying he wasn't seeing you anymore before they seem excited to pursue a taken man. It's quite concerning, really, you think theres little dignity in being the other person in the relationship.

Kinich tried to talk to you, but each time you saw him you'd make an excuse for being too busy before hearing some weird child cackling and screaming in retaliation to someone reacting to them. As much as his hurt expression spoke to you, you still knew in your mind that Kinich was in a relationship.

Even if he wasn't, you would know in your mind that you were the second choice.

[kairisea]

🌊𓈒𓏸Something New𓏸𓈒🌊

SUMMARY: You and Kinich are officially a couple, and despite the awkwardness of the whole thing (since you're both new at relationships), you wanted to get him something to show your appreciation.

NOTES: gn!reader x aroace Kinich, demiromantic/asexual, though neither is actually mentioned. Reader is implied to be a Natlan native. It's assumed you've done the AQ and his SQ, but should be fine to read without doing either

WARNINGS: None, really, just fluff

COMMENTS: I finished Kinich's quest, and fell deeper in love with him than I already was. So I wanted to write a fic in celebration of his release and quest! Though I must say, this is not the fic I intended to write. My brain wanted something else I guess.

Ever since you and Kinich started dating, things between you seemed awkward. It's not like you knew how to be romantic. And clearly, he was the same. You'd still hang out, and talk, and go places, but when it came to anything romantic, you both were hopelessly lost. Not for a lack of trying.

Ajaw would laugh at your every attempt at something romantic, as you failed spectacularly. Though if something got too corny or actually romantic, Ajaw would always become frustrated and leave. It was clear he just wanted to watch you struggle. He hated the lovey-dovey stuff.

You decided to ask your friends and research the subject, in hopes to become better. Your research led to a lot of fiction, which didn't seem like a good source of information to you. Your friends were able to give you some pointers, but they were mostly about flirting, which you thought was less than useful considering you were together already. Still, they at least had some useful tips.

So here you are, at a traveling merchant, looking through their stock. You're looking for something specific, and if anyone in Natlan would have it, it'd be a traveling merchant, since it doesn't grow here. The merchant seems to get a bit irritated, but then you lay your eyes on your prize. A Rainbow Rose. Native to Fontaine, your friends told you it was a symbol of love. Perfect to give to Kinich.

"I'll take one Rainbow Rose, please!" you asked the man.

"That'll be 7 thousand mora." he replied bluntly. 7 thousand?!?! you thought. That seems absurd! For one flower!? But it's not like I have any other options... You'd come all this way, determined to by a Rainbow Rose for him, and it's not like you didn't have the budget... you'd just have to cut out some other things off the list of things to buy.

You sighed. "Alright, I'll take it." Maybe you'd have been better going to Fontaine yourself, though going there probably wouldn't be an option even if you wanted to. You knew you could've tried haggling, but it was never your strong suit, plus this guy seemed pretty big, and you didn't want to anger him or anything. So you just handed over the mora.

"Pleasure doing business!" He seemed really proud of himself as he handed you the single rose. You debated asking for more, but you had only asked for one, and you were certain that's what he'd say back. Still, you had your gift. It was time to head to his house and give it to him. Let's just hope this didn't go horribly wrong...

You made your way to Kinich's home, building up the courage to knock. You wondered if he was even home. There was no way to tell without knocking, so that's what you did. You held the rose behind you, it had to be a surprise after all. You anxiously for an answer, thinking you had been right and he wasn't home. You knocked again just in case.

"Kiniiich! Are you deaf!? Someone's at the door! As a servant to the great K'uhul Ajaw, you oughta be quick to answer it!!!" You could hear Ajaw yell through the door. It was quite clear he wouldn't be the one to answer the door, but that was already assumed. At least you knew Kinich was home now.

"Calm down, Ajaw. If you're really that impatient you could've answered it yourself." You heard Kinich approach the door. Suddenly you were very aware of what you were about to do. Your nerves seemed like the could burst out of you at any moment. Your heart was running a marathon. As your thoughts were running, Kinich opened the door. "Oh, it's you. What brings you here?"

He seemed so calm. He never was really the type to be mushy gushy, and you appreciated that about him. Though it certainly didn't help your nerves. "Well, considering we're... well, partners. I wanted to get you something. To... show my appreciation! And... well... my love for you..." You trailed off in embarrassment, avoiding his gaze.

"Ahh, it's that human again! Well, do you have some entertainment for us? Another way to spectacularly fail?" Ajaw laughed. You and Kinich did not. "Or maybe you have a gift to offer to the Almighty Dragonlord, K'uhul Ajaw! Something to prove your worth?"

"They said it was a gift for me, not you. And don't make fun of us." He glared at Ajaw, and the saurian shut up with a 'hmph'. He mumbled something about disrespect, but you couldn't quite make it out. "Well? What do you have for me?"

You hoped Ajaw wouldn't make fun of you, and hoped Kinich would like it. "Well..." You pulled the rainbow rose out from behind your back, presenting it to him. "It's called a rainbow rose, from Fontaine. It... I heard it was a symbol of love... so I wanted to give you one." You looked at him from the corner or your eyes for his reaction.

"Hmph! I'm glad it's not an offering to us! A symbol of love? Tch. Perfect for you couple of lovebirds." Ajaw remarked

"We're hardly lovebirds, Ajaw. We're not that experienced. Besides, if you hate it so much, why don't you leave?" He queried Ajaw. "This is a lovely gift." He takes the flower from your hands. He didn't smile often, but you could see a small one on his face just then.

Ajaw hmphed away. "You like it?" you asked him, and he quickly nodded in response. "I'm glad." Suddenly, the 7 thousand mora felt entirely worth it. Though knowing Kinich, the next thing he was going to say would be-

"How much did it cost?" You sighed at his predictability.

"I'm not telling you this time. You don't have to pay me back, really." Knowing him, he still wouldn't accept that.

"If you won't tell me, I guess I'll have to find some other way to reimburse you." You knew he'd say something like that. You were also glad he didn't press on the price. Who knows what he'd say if you told him? "Why don't you come inside? I can get this flower in some water and we can... chill together."

"That sounds great." You tried not to seem too excited at the idea, but you couldn't hide your smile as you entered the house at his signal. You sat down on the couch as you watched Kinich pull out a vase, fill it with water, and put the rose in it. Afterwards, he came and sat down next to you on the couch. Once again, things were awkward. At least you got one good moment. Maybe this could be a good moment to loosen up?

"You two really are hopeless. Maybe I need to give you some pointers, because clearly you suck at this!" Ajaw seemed both annoyed, but also prideful, as if he really could teach you something about romance. Could he..?

I might end up making a part two to this, where Ajaw teaches you something, or you naturally learn it, and get more comfortable with Kinich. Idk, if you want to see a part two, let me know!

I also want to make a modern AU fic where you move in with Kinich, so let me know if you want to see that, too.

Also for the rainbow rose part, I want you to know I asked a friend for a number between 1 and 60 (hi friend) and they gave me 7 or 42. With 1 mora being 1 cent, I didn't want the poor reader to actually end up needing to spend $420 on a single rose XD If you're wondering why between 1 and 60, it's because 1,000 mora is the usual price for local specialties. But of course, there's someone in Ritou selling dandelion seeds for 60,000 mora, so that set my range for someone selling outside of a nation. Anyway just fun research stuff I spent too much time doing for little to no impact :) (Also yes that means the rainbow rose was $70 USD, pretty pricey if I do say so myself😬)

If you enjoyed this, feel free to learn more about me and what I do here! You can also see if my requests are open there if you want something yourself!

[scribblestatic]

Eyo, back on my amputee!SY agenda bullshit

Lesgo.

Prev: Part 2

---

When Luo Binghe married Shen Yuan, he was named the First Husband. But now, with his new crowning, he'll become the Empress, a position given to none of Luo Binghe's wives, not even in PIDW. Though, he's already come to terms with the fact the world isn't the same as the book.

Mostly. It's still perhaps a bit too easy for him to suggest torture for someone despite his modern world sensibilities because it's easier to think of anyone facing against his husband (AAAAAAAAAA) as some no-name NPC rather than someone with a whole life full of experiences.

But anyway, he's becoming an empress. Which is wild to him.

And it dusts up a lot of his insecurities. And not, like, the kind where someone asks their significant other if they would still love them if they were a worm. No, it's more along the lines of, "Hey, would you still love me if it turned out my soul wasn't transmigrated at all, but was simply, like, disconnected from itself and I really am Shen Jiu, but I also lived as and firmly feel like I'm Shen Yuan, but some piece of me really had done all those terrible things to make your innocent life more miserable?"

He pops the question while Binghe's combing oil through his hair, his left eye gazing anxiously at the bronze mirror to look at the demon emperor's expression.

Luo Binghe thinks, humming a little as he doesn't falter while combing his hair.

"...Would Shizun love me if I killed some of my wives?"

"Huh?"

"Would A'Yuan love me if I killed some of my wives?"

"I mean...sure? I'm sure you'd have a reason for it."

"Then, would A'Yuan hate me if I killed and ate demons in the Endless Abyss?"

"What? No. Survival was extremely difficult. You only did what you had to do."

"And if I still had a taste for demon flesh?"

Shen Yuan's face scrunches, but his response is still immediate.

"Then, I suppose we could find which ones you liked? I mean, I don't think I could do it with you, and we'd need to respect their personhood. So, maybe we could find a group where cannibalism is a norm for them? I think that'd be difficult...ah! We could also see if the Red-Dipped Manfruit could be bred to taste like the demon's flesh. Demons that eat humans use it for minor sustenance when natural human flesh isn't available, so surely--"

Ah, his expression had scrunched more with thought than disgust. Luo Binghe doesn't interrupt as he goes on his continued tangent, smiling as he listens. He only speaks again after he seems to be trailing to another subject.

"Then," he pauses, leaning forward and looking down at Shen Yuan, "if A'Yuan can love this one as I am, even at my ugliest, how could this emperor not love my A'Yuan at his most beautiful?"

Shen Yuan stares up at him, his lips slightly open as he listens, as he sees the depths of the light and love in Binghe's dark eyes.

"Even if you are Shen Jiu, back then, this disciple wanted the affection you now freely give. I have always cared for and about you, for better or worse. And your attention was always on me, for better or worse. This Binghe likes to think that, now, we care for each other, not just for the better, but for the best."

"Ah..."

Shen Yuan stares up a bit longer before he quickly turns away. Binghe puts the comb down as he hears a sniffle, and when he kneels beside his seat, he pushes the long, inky black hair away from Shen Yuan's eye, catching sight of his ruddy cheeks and the mistiness in his eye.

"...Shameless."

"Indeed, I am. A'Yan should punish me."

He just shakes his head, and he doesn't lean away when Binghe leans forward and kisses his lips. They linger softly, pulling apart slowly as they share each other's breathes. Their faces remain too close for them to see each other properly, lips still just barely touching.

"...Then, I'll only kiss you two more times," Shen Yuan mumbles.

Luo Binghe chuckles.

"How cruel."

They only remember to get back to combing Shen Yuan's hair several minutes later.

--

The remains of Cang Qiong Mountain Sect had not been invited to Shen Yuan's crowning ceremony, but they still heard of it happening regardless.

Demons, previously unaccustomed to some of the more casual aspects of living with their means more easily available, and humans, always seeking new methods of entertainment, became very entranced with the gossip surrounding Demon Emperor Luo's harem. The fact pieces of it were steadily dissolving had originally been a gripe against him, as though he was losing his touch. However, when some of the wives were members of their own race or species and they returned without harm and with a hefty sum of money, well, the bridges hadn't been burned, and suddenly, "losing his touch" simply became "being less loose" or "finding lasting love."

So now, with the crowning ceremony ramping up, of course the gossip mills were churning at rapid speeds. Eventually, word of who would become empress despite the emperor's known track record of wives was absolutely scandalous.

"His shizun, of all people?"

"The one he had imprisoned, even."

"Must've driven the man mad."

"I don't know... I saw them recently. Shen Qingqiu looked quite sane."

"He has no limbs and is missing an eye, he can't be that sane anymore."

"He certainly wasn't groveling. If anything, he seemed quite untouched. Save for...well..."

"His eye is quite sharp, and he is quick-witted. I don't think he would be bad for an empress."

"The cultivation sects are going to implode."

And, just like the news of the crowning ceremony spread around, so too did the news that Cang Qiong Mountain Sect sent a letter to Demon Emperor Luo, demanding an audience in light of his proposal to a lord from their sect.

It was, to many demons and a few humans, a wasted, and perhaps misguided, effort. Yet, they wouldn't protest against the meeting.

It would be incredibly entertaining, after all.

---

Part 1 Part 2 Part 3: here

[utilitycaster]

I'm curious about your judgement of the success of the various format experimentations in Campaign 3. If you feel like saying a bit more, I'd be interested to hear your thoughts on which are the most and least successful, and why.

Sure! So as I said earlier today, I think a big problem is that the format experimentation and the moon plot are directly at odds. Pulling off the moon plot, with all the NPCs from past campaigns and payoff of various canonical setups requires a pretty firm hand on what the current canon is, and also really did require a firmer hand in the character creation than there was. On the other hand, the point of experimentation is to let other people play in the space and introduce their ideas. This comes together in what I have referred to in the past as "Not Now." Like, the Crown Keepers showing up just as the party was grappling with FCG's death? Not bad as a concept, but Not Now. Abubakar playing Corellon? Incredible performance, but the fact that he was given free rein in a plot that's already shedding viewers left and right for its lack of direction? Not Now.

On an individual level:

I think EXU Prime either needed to be fully standalone, or Matt needed to provide a slightly more rigid direction to Aabria and therefore really couldn't play Dariax. If it's going to get woven into the main plot of Campaign 3 it needs to set that up (including giving Liam and Ashley a heads up beforehand). My personal vote would be for the former, to allow Aabria to tell her own story without it having to serve like 20 different functions, but what's done is done. If I recall, Liam and Ashley had the option to play different characters for Campaign 3 and I do wonder what would happen if they had decided differently, because you could still have Dorian pop up as a guest but I wonder if the Crown Keepers would have shown up in the same way.

Similarly, as stated, the general concept of the Crown Keepers interlude during the campaign as a means to bring in Dorian? I'm not opposed, though I think this is by far the hardest thing to coordinate generally and for a plot as demanding as Campaign 3 probably not a great idea. But it's hard to judge because the timing was truly the worst timing possible given the events of episode 91, and even delaying by like an episode or two would have at least solved that to the point that I don't understand why they didn't just...do that. (and, just to head off this particularly stupid argument at the pass, this would not have in any way affected Sam's ability to take time off for cancer treatment; it would have just shifted things around, and a lot of this experimentation was planned WELL in advance). [sidebar: I haven't listened to the WBN interlude yet but I do have thoughts because I think interludes from different GMs can be done, but the premise of Campaign 3 is particularly hostile towards them unless the main GM has a very heavy hand in their creation or unless they are light on things relevant to the core plot and mostly for the purpose of worldbuilding a la Song of the Lorelei.]

Solstice split was excellent and I think it's because it was not actually anything you wouldn't see in how people frequently play D&D at home. You have a few players who won't be available for a few sessions in a row? Great, find a reason to split the party, bring some other guest players in, and run some side quests!

Downfall was great because it was diagetic. It was a story within a story that Bells Hells was seeing and responding to, and because it took place so long ago with such specific characters, while it may bleed into how Laura, Taliesin, or Ashley feel in game (impossible to prevent, people bring their own feelings to the table), Matt still has room to decide how the Raven Queen, Wildmother, or Everlight feel a thousand years later. I also feel this had the most direction from Matt, which the other things really needed.

As said, bringing in Abubakar to DM as Corellon is something that again, this plot simply doesn't handle well. It makes for a fantastic scene, but within the 107-and-counting episodes of this story, giving the reins to someone else after you finally have a clear plan and letting them throw another curveball is a terrible idea narratively. I think this again would be fine in a story with a looser plot.

Echoes of the Solstice and presumably the upcoming Vox Machina Malleus Key/Mighty Nein Weave Mind concept is again pretty good. This also fits into things that D&D home games have been doing forever - run a one shot or mini campaign following different characters but DM-ed by the same person that have an impact on the current plot but aren't too closely interwoven. Basically this is like the solstice split in concept.

Essentially: I think playing around with the format within a campaign but having the same GM is pretty easy to do. Once you introduce other GMs acting within the world concurrently (rather than as a story with a foregone conclusion a la Downfall, or for that matter Calamity) you need to be extremely careful if you are trying to tell a specific story with a lot of moving parts, as Matt is with Campaign 3. It's one thing to improvise based on things your players do or say; it's another to do so based on improv by a major NPC or someone doing extensive worldbuilding mid-game that you now need to incorporate. This wouldn't be an issue in a more sandbox-style game; Campaign 2 might have been able to withstand it more gracefully, though I'm still not sure. But Campaign 3 was the wrong place to do it. Again, it's trying to converge in some places and diverge in the others and as a result it's just kind of flopping around in place.

[vickyvicarious]

Quincey Morris said nothing about his intention, but I knew that all night long he patrolled round and round the house.

Joining the ranks of the blood- and sleep-deprived, Quincey Morris!

As always, I love the way he jumps right into taking action. He's reminded of vampire bats, he thinks the blood must go somewhere... so he patrols to keep an eye out for vampires, bats, people who are taking blood, whatever. Doing his best to guard her.

I do wonder about how much blood each man has given, though. It kind of feels like increasingly less, at least based on their activity levels afterward. Part of that may be due to circumstance; Arthur could afford to give more because he didn't have any urgent need to be doing anything else. Both Jack and Van Helsing had to be able to stay awake afterwards. And it's possible they are just getting more reckless with their own behavior as we go down the line. But still, Quincey being able to patrol around all night is a step up from resting first here and then at home (Art), resting for a while then going back to more sedentary work (Jack), resting for a bit then staying up at night sitting still (Van Helsing). He still gets some rest first, but then he is up and about and sleep-deprived. I don't feel like we can put all of that down to his manliness, royal lot of it or no.

A part of me wonders if Van Helsing saw that it wasn't going to be enough to save her, and cut off the flow a little earlier. Like, Quincey definitely still gave a lot, but maybe not as much as they'd otherwise have taken? Thinking of this line in particular: "Lucy had got a terrible shock and it told on her more than before, for though plenty of blood went into her veins, her body did not respond to the treatment as well as on the other occasions."

Perhaps Van Helsing just wanted to ensure that she didn't die right then of blood loss, because he believed that would mean she'd turn into a vampire. He's clearly doing his utmost to save her when he can, of course... but also, earlier that day, he told Jack ""If [death] were all, I would stop here where we are now, and let her fade away into peace, for I see no light in life over her horizon.""

So it's possible that at this point he expected her to die no matter what, and just took the minimum amount of blood to hopefully ensure it is a human death. The possibility that one type of death will lead to vampirisim and another will simply be a human death certainly could be supported in today's entry:

At times she slept, and both Van Helsing and I noticed the difference in her, between sleeping and waking. Whilst asleep she looked stronger, although more haggard, and her breathing was softer; her open mouth showed the pale gums drawn back from the teeth, which thus looked positively longer and sharper than usual; when she woke the softness of her eyes evidently changed the expression, for she looked her own self, although a dying one.

The difference seems to be between sleeping and waking here. But maybe that's only possible thanks to Quincey's blood in her. Or maybe it always would have been, but without Quincey's blood, she wouldn't have regained the strength necessary to wake up in the first place, let alone die awake/in a more human state.

[miraculouslbcnreactions]

"Him guilting Ladybug into staying quiet is why Lila is able to maintain her power for 4 more seasons."

I mean, I would blame more the writers for taking way too long to have Adrien realize his advice was bad.

(Post the quote is from)

Reminder that I am never actually blaming the characters, they are not real people. That's why this is explicitly a writing blog. In the context of the writing, yes, the pacing of everything Lila was terrible and is the real source of the issues. That doesn't change the fact that Adrien is the main narrative tool used to keep Marinette in line, thus me "blaming" him.

As you said, Adrien looks bad here not because he didn't understand how to handle the situation and gave bad advice, but because it takes him so long to realize that his advice was bad and apologize.

During Lila's first appearance, we see Adrien chastises Ladybug for being too mean to Lila, never once acknowledging that it was valid for Ladybug to be upset (S1E26). She is painted as fully in the wrong even though Lila was actively manipulating him and Ladybug arguably protected him here:

Adrien: Wait! Lila! (Lila runs away) Hey, what was that all about? Uh, I mean, weren't you kinda harsh with her? Ladybug: I...I don't put up with lies, especially when they're about me. (yo-yos away)

During Lila's second appearance (or, at least her second appearance where she actually interacts with the cast) he further drives that message home by telling Marinette to let Lila lie to people because he's more worried about hurting Lila's feelings than he is about removing Lila's power (S3E01):

Adrien: Are you going to tell everyone? Marinette: 'Course I am. Lila is— Adrien: (interrupting) A liar. Yes, I know. But do you really think exposing her will make things better? If you humiliate her, she'll just be hurt more. Making a bad guy suffer has never turned them into a good guy. Lila: Ladybug and I are like two peas in a pod. Marinette: So we just stand by and let her lie? Adrien: As long as you and I both know the truth, does it really matter? Marinette: You're right, maybe it's not such a big deal.

We'll circle back to how terrible this advice was in a second. First lets finish off going through the sequence of events.

And finally, at the tail end of season five, Adrien openly acknowledges that he's been giving terrible advice (S5E20):

Adrien: I'm sorry, Marinette. I was wrong. I shouldn't have told you to not act against Lila. If you give the slightest opportunity to people like her, they'll grasp at it and cause disasters in no time. And now, you're the one who looks like a bad person. Marinette: (reaches out to hold his hand beside her) You thought you were doing the right thing. Just like with Chloe. That's another reason why I love you, Adrien. You always want to see the good in other people. But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness. (They squeeze each other's hands.) But we'll find a way to expose Lila eventually.

If we look at these three moments in a vacuum, this is honestly a good character arc for a character like Adrien. He's a peace keeper, which is a wonderful match to Marinette's blind justice approach. It's good that Adrien is there to balance her out! It's also good for him to learn that his approach doesn't always work and that you can't always keep the peace.

The problem is that Adrien didn't actually get a functional character arc where he learned those lessons. The episodes are so drawn out that it doesn't feel like we watch him grow and learn. His apology is almost three full seasons after his second bit of bad advice, leaving us to wonder when he changed his mind because Lila does a lot of awful things during those three seasons. What moment made him realize that he was in the wrong here? We don't know, so this feels less like growth and more like the writers throwing in a scene to shut up fans who were still complaining about Adrien's terrible advice even though it had been four real world years since he actually gave it.

There's also the issue that Adrien tells Marinette, "making a bad guy suffer has never turned them into a good guy." This line implies that Adrien's goal is to help Lila change. The problem is that we never see him do that. He doesn't try to help Lila. The most we get is him making a deal with Lila to protect Marinette, but that's not him helping Lila change. He doesn't approach that conversation as if he's trying to help Lila see that what she did was wrong. He approaches it as if he knows that she won't change. It's less trying to make Lila a better person and more a deal with the devil:

Adrien: (sits next to Lila) I warned you once already, Lila, but you didn't listen. You hurt my friend Marinette, and that's not okay. Lila: Me? Hurting Marinette? But she's the one who- Adrien: I don't know how to prove you lied, Lila, because you're good at it. So you'll just have to come up with another lie, just as convincing. Only this time it's gonna prove Marinette's innocent. Lila: Why would I do that, Adrien? Adrien: Because we're friends, aren't we?

Minor Chloe rant incoming:

This is yet another situation where it would be so much better for the show if Adrien had actually done something to help Chloe change and succeeded. If he did that, thought it was a good path for everyone, and then tried to do the same thing for Lila, then this could have been a really great way to set him up for dealing with his dad. To teach him that you can only help people who want to be better without having everyone he tries to help stay "evil" as that's pretty depressing. As-is, we've literally seen him say that Chloe will never change so why does he believe that Lila can change? They're not portraying him as an optimist, they're portraying him as delusional. Terrible writing. Zero stars.

Rant over.

By the way, the above quote was the 24th episode of season three, roughly two seasons before Adrien's apology to Marinette. If he's viewing Lila as the devil here, then this should be where we get that apology. Or Adrien should approach this as him trying to make Lila better and Lila should play along, making Adrien think that he's right and that he's helping her change. Either approach would be better than the nonsense canon gave us.

In a well written show, this would all go down over the course of a single season or even just a few episodes. As-is, the season five apology feels like too little too late. What little kid is going to be able to follow this "character arc" and learn the lesson that Adrien maybe sort of learned? Casual viewers will likely not even remember that Adrien gave Marinette bad advice back at the start of season three because why would they? This is not how you do a good subplot. It's almost as drawn out as the Gabriel plot and that's insane! A subplot is supposed to be a short story within the story so that things feel like they're moving forward.

[bacchuschucklefuck]

and! barbarian!fig! its her

[witchspeka]

I dont think Mob is naive as much as he's socially unaware, like the reason why he trusts Reigen so blindly is a bit more complex than just him being naive

Cause Mob reached out to Reigen because he was desperate to find someone like him, someone who understood his psychic specific issues, someone that could truly know what he's feeling and going through and give him guidance and support

Post incident Mob's thinking process was something along the lines of my powers hurt people -> my powers are bad -> my powers (my emotions, my instincts, myself) cannot be trusted

So he lost all confidence and trust in his own actions, resigning to being as passive as possible to avoid any further damage to anyone else, thus he started doubting his own perception of reality too

He's a kid already struggling with being ostracised for being socially inept, who just got traumatised and all of his insecurity increased by the tenfold, he doesn't know how to process what he's going through. He needs help.

And here comes Reigen, seemingly reliable, a responsible adult in a child's eyes, someone who claims he can understand him

Even tho Reigen doesnt. But it doesn't matter, because Mob finds comfort in his words and takes them to heart

Even if Reigen doesn't fully get it, even if he doesn't see the bigger picture, even if his advice isn't always the best

Eventually, Mob grows up, realises Reigen isn't as honest as he seemed through his 11 year old perspective, but like most things, he refuses to acknowledge it on a deeper level

Mob knows, but never tells Reigen, never thinks about what all those lies mean to him (ofc until he forces himself to face those doubts regarding Reigen, to properly acknowledge both of their flaws and accept them as they are, I should scream into the void about Confession Arc more God)

Due to his lack of trust in himself, Mob has relied on Reigen for years now to shape his moral compass, his thoughts, his decisions

Because well, Reigen lies, sure, but he isnt a bad person. When he hurts Mob, it isn't intentional or with ill intent, he still wants the best for him, what's the issue?

Except that it stunts Mob's growth. He doesn't develop as a person, doesn't have goals or wishes or ambitions, can't make choices on his own, he doesn't even let himself acknowledge his own emotions, he refuses to let himself exist

But Mob realises in time that he wants more than that, he wants to become better and be independent and feel again

Still, he puts the acknowledgement of the lies on hold for as long as he can, unwilling to question the way things are

This can make him feel a little naive, he constantly relies on Reigen and trusts his decisions and raises questions rarely until separation arc when he finally puts his foot down

And I do think that moment is the most resounding proof we have that Mob knows and allows himself to be used by Reigen, not wanting to shake the status quo, until he gets fed up

I mentioned the social ineptitude at the beggining but idk if I should even elaborate on that, you've watched the show, you know what I mean

He's blunt and can't read social cues or tonality that well and can't speak in front of crowds and is overall pretty awkward and I do think some people conflate that with naivety

Mob is still a child, he doesnt fully understand how the world works at the ripe age of 14 years old, but some folks take that as him being inherently naive/innocent/whatever which I don't find true

[salty-an-disco]

Cold is so good, because it’s so confidently stupid everyone confuses them for someone who knows what they’re doing at any given time

[illarian-rambling]

Damn, what if I reworked Starbreaker to be exclusively in Anarac's pov instead of trying to balance 5 new povs in one book?

Thoughts?

[sinisteryuri]

ok. tragically separated wwi era vampire twins.

[theswedishpajas]

The man truly can’t take a genuine compliment 🙄

[wellhalesbells]

the thing that fucks me up about rereading instructions for dancing is trying to pinpoint when it is that derek becomes obsessed with stiles and realizing the answer seems to be always. from the beginning. the moment they met. that poor bastard. he probably should have tried to be a little nicer about it, though, saved them both some hardship.

I think it slides so quickly from fear and annoyance that Stiles will steal Scott away to 'Oh no, oh fuck,' I'm not even sure Derek knows himself. Poor guy hamstrung himself by starting out with the 'I'm going to scare him away' mentality then wondering where the hell that went and trying to find it again through almost every subsequent interaction (while something so much bigger and so much worse - Derek's Thoughts™ - completely eclipsed it). Meanwhile Stiles also helps cultivate Derek's dickish-ness by assuming that original motivation to be his only interest in him at all, essentially until the moment Derek tells him he's in love with him.

Which is hopefully why it seemingly comes out of left field for Stiles and the reader, because that's what I wanted.

[mariathechosen1]

Was Anyone But You a good Much Ado About Nothing adaptation? No, not at all, but fuck it was fun!