#but they're clearly so important to each other still

[smoozie]

Grian and Scar are both loyal to an extent. They don't let their loyalty consume them nor overstay it's welcome. But they have different ideas of when loyalty ends

Grian is not a traitor. It's odd to see him depicted as one when the only precedent in canon is his rendezvous with Bigb. In 3rd Life, Grian explicitly declares his loyalty as to Scar and Scar alone. His alliances with others are tenous. He goes all in one and lets other arrangements fall to the wayside. He wasn't ever loyal to them though, they were a means to an end.

Scar has a bad case of "friend to all is a friend to none" which we will see again and again. Scar is by no means a friend to all in 3rd Life, but he still puts his brief friendship with Bdubs above his weeks long dedication to Grian. And this choice is so interesting because he clearly betrays Grian because he is on yellow not red. (I mean yes the no kill pass, but that likely would have never come into play had Grian been red). However, he expects Grian's anger when he returns. Or it seems that way because he immediately surrenders himself. So what was the point? He gets Grian down to red, only to kill Bdubs and hand him the victory. Not to mention he waits for Grian to return before he moves against Bdubs. His loyalty to Grian most definitely surpasses his brief alliances in 3rd Life (he literally tells Grian he can kill him for "keeping [him] alive this long"). But Scar is not so loyal as to consider himself above killing an ally. Scar plays a very dangerous game of balance with his alliances, he wants everyone to be allied with him despite the improbability of such an arrangement.

In last life, people seem to have a different interpretation of Grian's actions (particularly pertaining to his loyalty), than I do. I don't think Grian is betraying anyone when he kills Jimmy and Mumbo. Last Life requires all non-red alliances be severed once a party reaches red. Grian takes this very seriously, only "faltering" once when he tries to preserve his allyship with Mumbo. But even then he's trying to kill him, so I'd hardly count it. Grian removes himself from the southlands when he goes red, and on red he remains loyal to Joel. He rejoins the southlands when he returns to yellow and is back again to Joel when they're both reds. He is consistent in his loyalty and as I've said, doesn't let loyalty overstay its welcome. He knows when to let go, and he does so.

Keeping in mind I haven't watched Scar's Last Life in a hot minute, this is from memory and a recent rewatch of Joel's. Scar makes an unfortunate alliance with Joel at the beginning of the season, unfortunate because of the fleeting nature of their alliance. Scar proves again he is more than willing to set loyalty aside to do what needs to be done when he attempts to murder Joel as the boogeyman. Upon finding out Joel is also a boogeyman, he instead later tries to help Joel as he embarrassingly fails to kill anyone over and over. Even avenging Joel by killing Mumbo for his boogey-kill. When Joel is on red continously placing traps around their mountain for Scar, Scar chooses to take little offense to it. He knows he would have done the same. Scar does what needs to be done. He is a survivor first and foremost

Double life is interesting because it shows a break in Grian's loyalty habits. He doesn't stay loyal to a faction he declares at the beginning nor does his loyalty follow the games rules. Grian "cheating" on Scar feels out of character. It almost seems like an act of revenge for Scar's betrayal in 3rd Life. An overdue comeuppance. Which is a fun interpretation I like. You could also see it as an act of defiance against the watchers, to say "no I am not playing by ur rules anymore. You cannot choose my allies for me". Whatever floats ur boat. I get people who downplay the "affair" as not the serious because they just call each other secret soulmates and send presents, but I think that interpretation misses the most important part: how it is presented to us. Grian and Scar both portray the secret soulmate bit as akin to cheating, so it makes the most sense the audience interprets it as such.

Double Life Scar is often misinterpreted to be happier with Grian than he actually is. In the beginning, Scar doesn't care to find his soulmate. He doesn't even realize it's Grian until the end of the episode. First thing Scar does the next episode, is try to introduce Grian to his Jellie-pandas. Which are immediately rejected by Grian. Scar then decides he will torture Grian with pain as payback, which he also teaches to Pearl. (A really great parallel imo because had Scar been tied to Scott I think he would have also been rejected). Interestingly, both Grian and Scar understand loyalty as a necessity to survival, especially in this particular game, as such they stay together despite BOTH being displeased with each other.

Grian stays firm with the bad boys until their early deaths. Despite his button pressing habits and that one fight they had over falling off ladders, he doesn't betray them. But he doesn't let grief consume him. That's the way of the game. His allies die, he needs safety. He moves on. And he once again proves his secondary allies (not nosey neighbors as they are now his primaries) mean little to him when he kills Scar. Again. And calls it the ultimate betrayal Grian when I fucking catch you

The clockers actually seem to be the perfect alliance for Scar. Bdubs who he can betray a million times over and always be forgiven, and Cleo who has still not forgiven Bigb for his choice to kill her two seasons ago. Scar has no reason to betray these two and never does, but he does believe Bdubs will betray them.

Grian in Secret Life is interesting because it is the first time we see him struggle to get an alliance. He kinda just shows up on Cletho's doorstep one day and asks to be let inside. Scott implies he lacks loyalty because of his quick departure from the bad boys last season, but I have emphasized I disagree with this interpretation of Grian. Grian remains loyal all season. When he dies he doesn't know both Cleo and Etho were taken out just moments before him, and celebrates the amount of damage his final stand caused Gem and the Scotts. He will sacrifice himself for loyalty.

Secret Life is by far the most telling for Scar's stance on loyalty. He goes where the wind takes him. He tries to blend in for as long as he can and hopes no one notices he shouldn't be there. He only chooses the mounders over Gem and the Scotts because he is currently standing with them when the question needs answered. Friend to all friend to none. He could have easily picked either side. He refuses to take Pearl's offer for hearts, tho this is most definitely out of respect. He wants a fair fight with Pearl, and he gets it. He very quickly turns his blade on Pearl after Gem is gone. Because he was never too tied to one.

So uh tl;dr: Grian and Scar are quick to kill loyalties when necessary, but Scar will always prioritize his survival over being loyal

[makiswirl]

can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest

like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!

[skrunksthatwunk]

kazumaji fans where do we think they fall on this graph im conflicted

bc like. sometimes it's actually agonizing how blatant they are while still never being allowed to be together (i.e majima everywhere system. oh m.y fucking god dude) but sometimes it's more subtle though still Really Gay i.e. yakuza 3 and the fucking. movie. do we feel it's insulting or peak or smth else

[humblemediagenius]

nvm I'll write an essay now but in the tags because i like writing that way

[llycaons]

to some extent the drama did erase the gray morality of the novel (making the wens more fantastically evil, making wwx not responsible for nightless, etc.) but what they did with jc was so much more interesting and I think it more than made up for the loss. novel jc is well-written and plays his role perfectly - the general plot threads are the same, but it seemed like in the novel he had always been crueler and more dismissive of wwx, criticizing him without any of the warmth of reconciliation and physical affection that would come immediately afterwards in the drama. the disintegration of their relationship with wwx was something I legitimately felt relief over because it truly did not feel right for wwx to be in that situation and I never felt like they were on the same page even in the best of times. even with the reveal at the very end and a few short paragraphs of jc being anguished in the finale, it wasn’t enough to really shake my perception of him as a dude who was whatever in his youth and then became really shitty. there wasn’t as much complexity to him compared to the drama

drama jc has issues, obviously, but due to some changes in the plot, some very sympathetic directing and acting choices, and the willingness to let him be very emotional onscreen, rather than disinterest over a guy who became shitty I more feel that he’s a deeply emotional person who underwent great loss in a truly unmanageable situation and handled it the best he was able to. and he was...bad. he was bad at it. he didn’t cope well. he failed. he turned his back on the people who had saved him. he stood by, however uncomfortably, as they were burned to death. he sunk into his anger and bitterness and became his worst self

but on the other hand...he never went as far as actually murdering the wens like in the novel, and the drama also emphasized how he clearly still cares deeply for his nephew in his own awkward, forceful way, and the grief of everything he’s lost just drives his actions and his emotions so much it’s hard not be moved by it even when he’s doing horrible things. but his actions don’t need to be excused to be understandable, and I don’t even think they need to be excused for him to be sympathetic - which is where both a lot of fans and haters I think go a little far in either direction - but it’s easy to see how directly they stem from influences that he had no control over or that weren’t his fault (his parents’ abuse/neglect, the manipulation of the sect leaders, his extreme youth, the war). and the drama just brings that pathos to the forefront much more effectively than I think the novel did, and I find him a much more interesting character with more complex relationships because of this core of hurt and misery so obvious within him. but the things he did to a miserable and powerless wwx were so damning and so extreme and and his personal flaws* are so numerous and so seemingly intractable that I just can’t help coming back to them time and again. he really does contain multitudes.

novel jc is just...even more extreme of a version, less nuanced, far more violent and vengeful, too far gone into his grief and anger. not showing nearly the closeness with wwx or the open vulnerability or the grief or the longing for family and for love that was so obvious in the drama. to me novel jc not someone who’s worth feeling sorry for, not really worth examining, and not someone who I would want anyone to rekindle a relationship with. he’s just...there. he serves a role and then leaves and he is not missed. he’s barely worth pitying, though it he is pitiful

I don’t actually dislike novel jc because I don’t feel very strongly about most novel characters, but if there’s one person who’s presented with more nuance in the drama than in the novel, it’s him

*immaturity, pride, aggression, cruelty, inability to control his anger, willingness to inflict suffering on his brother to satisfy his own feelings, a belief he has the right to torture his brother, general disrespect for others, very few ethical principles beyond protecting his own

[seafarersdream]

Heck yeah Freddie Fox!!!!what if reader plays Gwayne and Alicent sister, but their chemistry is sooooo good that the creators had to cut their scenes together because "they're Hightowers, not Targaryens"🤣🤣🤣and the cast are having the time of their lives with that

Me and the Devil (Freddie Fox x Y/N)

Y/N L/N, who stars as Lady Eleanor Hightower, has an absolutely electric chemistry with her on-screen brother, Freddie Fox, who plays Ser Gwayne Hightower, much to the amusement and exasperation of the HOTD cast and crew.

TW // Strong language and profanities, incestuous undertones, sexual tension and innuendos.

The sun was rising behind the walls of the Red Keep, casting long, creeping shadows over the Outer Courtyard. Lady Eleanor Hightower, clad in the deep, grieving olive of her house, stood with an air of weary grace beside her sister, Dowager Queen Alicent. Her face was a picture of calm, though her eyes were heavy with the sorrow of loss and the weight of recent weeks.

“Do you think he’ll bring that dreadful horse again?” Eleanor asked, her voice soft but dripping with that sharp edge she never quite lost, even in mourning.

Alicent’s lips twitched, but she held her composure. "If he does, I’ll have it stabled outside the walls. I’m not having that beast piss all over the courtyard again."

The rumble of hooves on cobblestones drew their attention. The gates opened, and a column of knights in shining armor, bearing the sigil of House Hightower, entered the courtyard. At their head was Ser Gwayne Hightower, his helm tucked under one arm, revealing the tousled auburn hair and devil-may-care grin that Eleanor had grown so used to seeing—when he wasn’t hiding it behind an arrogant smirk.

“Well, well, look who it is. The fairest blooms of Oldtown,” Gwayne drawled, striding over like he owned all Seven Kingdoms. “Alicent, you’re still holding up the realm with that iron fist of yours. And Eleanor…” His eyes trailed over her, lingering just a fraction too long, “Looking every bit the grieving widow. Tell me, how does it feel to be free of that hideous arsehole, late Lord Hastwyck? May the Seven forgive him.”

Eleanor shot him a withering look, but there was a glint of mischief in her eyes. “About as good as it feels to watch you strut around like you haven’t been fucked in months.”

“Oh, fuck off, Ellie,” Freddie retorted, still in character, his grin widening. “Thought all that mourning might’ve taken the edge off your bite, but clearly, I was wrong.”

Eleanor arched an eyebrow, a smirk that could rival his playing on her lips. “And you, brother, seem as full of yourself as ever. Did the trip here inflate your ego even further?”

Gwayne grinned wider, flashing teeth. “Careful, little sister, or I’ll think you missed me.”

Alicent, tired of their verbal sparring, interjected. “Gwayne, you’ve arrived at an important time. Ser Criston Cole has replaced our father as Hand, and there is much work to be done.”

Gwayne’s grin faded into a sneer. “Ser Criston Cole? That jumped-up cunt of a knight? What, are we that desperate, we’re pulling nobodies out of the arse-end of the Kingsguard now?”

The crew, who had been trying to keep it together, finally lost it. Laughter rang out across the courtyard, cameramen shaking their heads as they tried to stay steady.

“Cut! Fucking hell, cut!” Geeta Patel called out, struggling to keep the exasperation out of her voice. She stepped forward, waving her hands as she approached the trio. “Alright, Freddie, Y/N, that was... Jesus Christ, that was incredible. But you’re not Jaime and Cersei Lannister, alright? You’re Hightowers. That kind of sibling chemistry doesn’t fly in this family. Tone down the ‘let’s fuck each other senseless’ vibes, okay?”

Freddie turned to Y/N, a devilish grin spreading across his face. “Hear that, darling? We’re too bloody hot for Westeros.”

Geeta rolled her eyes, but she was smiling despite herself. “I swear, you two are going to give me aneurysm. Just... try to remember you’re siblings. No more of that smoldering shit. The Hightowers don’t do what the Targaryens do, alright?”

Freddie put on a mock-serious face, hand over his heart. “I solemnly swear to be the picture of brotherly love. No more dirty looks, no more—“

“Smoldering looks, you tosser,” Y/N corrected, elbowing him in the ribs. “And good luck with that.”

The crew was still giggling, a few members openly impressed. “Honestly, we haven’t seen chemistry like this since Game of Thrones,” one of the grips muttered, shaking his head. “It’s fucking unreal.”

As Geeta returned to her chair, giving notes to the crew, Freddie leaned in closer to Y/N. “Honestly, how are we supposed to act like siblings when you keep giving me those eyes?”

Y/N shot him a sidelong glance. “You mean the same eyes you’re giving me right now? Don’t think I don’t notice.”

Freddie chuckled, his voice low enough that only Y/N could hear. “Well then how about we really give them something to talk about?”

Y/N swatted at him playfully. “Behave yourself, Fox. Or I’ll tell Geeta.”

“You wouldn’t dare.”

“Try me.”

Before Freddie could fire back, Geeta’s voice rang out again. “Alright, enough banter, you two. Places! And for fuck’s sake, remember—you’re Hightowers, not Targaryens or Lannisters!”

Freddie straightened up, slipping back into his role as Ser Gwayne, but not before giving Y/N one last, devilish wink. “For now,” he muttered under his breath, just loud enough for her to hear.

Y/N fought to keep her expression neutral, but the corners of her mouth twitched with suppressed laughter. She shot him a look that promised retribution later.

As the cameras rolled once more, they slipped effortlessly back into character, their banter sizzling with that same crackling chemistry that had the entire crew both laughing and marveling at just how damn good these two were together—siblings or not.

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On a different day, Geeta Patel was giving final instructions to Olivia Cooke and to Fabien Frankel. “Alright, Olivia, Fabien,” Geeta began, her tone calm. “This scene is all about the farewell. Criston, you’re asking for Alicent’s favor before you leave for war. This is a significant moment between you two. We need it to be subtle, yet powerful. Got it?”

Fabien nodded, his expression serious. “Got it, Geeta.”

Olivia smiled. “Ready when you are.”

Geeta gave them a satisfied nod and turned to the crew. “Okay, everyone, positions! Let’s make this one count.”

As the cameras rolled, Criston Cole approached Alicent with a grave expression, his armor gleaming in the dying light. He bowed low, his voice steady but laced with emotion. “Your Grace,” he began, his tone respectful, yet carrying an undercurrent of something deeper.

Alicent looked at him with those sharp, knowing eyes, giving him a slight nod. “May the Seven guide you, good knight,” she said, her voice soft but resolute. “And lead you not to shadow and death.”

Criston bowed his head even lower, his hand resting on the hilt of his sword. “I thank Your Grace for her prayers,” he replied, his voice filled with reverence.

Alicent turned as if to leave, her gown sweeping the stones with a soft rustle. But before she could take more than a step, Criston’s voice called her back. “And I would request,” he said, his words halting her in her tracks, “that Her Grace grant me her favor. That her Lord Commander may go into battle with her blessings… in his heart.”

The scene hung heavy in the air, the tension thick between them as Criston’s plea echoed through the courtyard. Alicent hesitated, her hand brushing against the delicate fabric of her sleeve as she turned back to him, her eyes locking onto his. There was a moment of silence, a breath suspended in time, as everyone waited to see what she would do.

She finally reached into her sleeve, pulling out the small, delicate handkerchief embroidered with her initials. The camera zoomed in, capturing the intricate details, the way her fingers trembled just slightly as she held it out to him. “Take this,” she murmured, her voice carrying a subtle tremor, “as a token of my favor. Return victorious, Ser Criston. And know that you carry my thoughts with you.”

Criston bowed his head, taking the handkerchief. “Your Grace,” he replied, his voice rough, “I shall return with your favor in my heart and the victory of your cause in my hands.”

The scene was supposed to be the focal point of the episode—an understated farewell between the Dowager Queen and her paramour.

Or at least, that was the plan.

In the background, Eleanor and Gwayne were supposed to be having a far simpler exchange—just a quick farewell between siblings, nothing more.

The moment the camera panned to them, what was meant to be a brief, subdued farewell exploded into something far more dramatic.

“Eleanor, my sweet sister,” Gwayne declared, sweeping her up in an exaggerated embrace, his voice loud enough to carry across the courtyard. “How will I ever endure the horrors of war without your smile to guide me through the darkness?”

Y/N played right into it. She pulled back just enough to look up at him, her eyes shining with fake tears. “Gwayne, you reckless fool, you’d better come back to me—or I swear I’ll hunt you down myself.”

The crew exchanged glances, trying desperately to keep their laughter in check as the two continued to ad-lib their way through what was supposed to be a simple goodbye.

Gwayne placed a hand on Eleanor’s cheek, his expression one of melodramatic intensity. “If I do not return, tell the world I died with your name on my lips.”

“Oh, for fuck’s sake,” someone from the crew muttered, barely audible over the sound of snickering.

Geeta Patel, perched in her director’s chair, pinched the bridge of her nose, trying to maintain some semblance of control. “Cut! CUT!” she finally called out, though her voice was tinged with reluctant amusement. “Freddie, Y/N, what the bloody hell was that? You’re supposed to be siblings, not star-crossed lovers.”

Freddie turned to Y/N with a grin that could only be described as wicked. “Sorry, Geeta, got a bit carried away there. Can you blame me? Look at her—who wouldn’t fall madly in love?”

Y/N smirked, not missing a beat. “Don’t flatter yourself, Fox. It’s called acting.”

Geeta threw up her hands in defeat. “I swear, you two are the bane of my existence. How am I supposed to get a serious scene out of you when you keep turning everything into a bloody pantomime?”

The crew was struggling to keep it together. Even Olivia, standing nearby as Alicent, was biting her lip, trying to stay in character despite the ridiculousness happening behind her.

Freddie chuckled. “Geeta, darling, I think what we’re doing here is revolutionary.”

Y/N rolled her eyes dramatically, though she was clearly enjoying herself. “What he’s trying to say, Geeta, is that we’re just too damn good together. Maybe it’s time to change the script.”

“Or maybe,” Geeta retorted, her tone playful despite her frustration, “you two could try actually sticking to the script for once. I’m pretty sure HBO isn’t paying you to improvise a Lannister-style farewell.”

Freddie turned to Y/N, pretending to consider it. “What do you think, Eleanor? Should we behave ourselves this time?”

Y/N gave a mock sigh, brushing an imaginary speck of dust off her costume. “I suppose we could try.”

Geeta couldn’t help but shake her head as she gestured for the crew to reset. “Alright, let’s take it from the top. And this time, keep it in your pants, Hightower freaks.”

Cameras rolled once more, the scene resumed, with Criston and Alicent taking center stage as intended from the start.

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The camera opens on a sleek, modern studio set, the familiar logo of Max glowing softly in the background. Y/N and Freddie are seated side by side, relaxed and comfortable, both dressed casually but stylishly—Y/N in a chic blouse and jeans, Freddie in his usual mix of sharp yet slightly rumpled attire.

The interviewer, a young woman with a cheerful demeanor, smiled warmly at them. “Thank you both for joining us today. Why don’t we start with some introductions?”

“Hello, everyone! I’m Y/N L/N, and I play Lady Eleanor Hightower on House of the Dragon,” Y/N says, her voice smooth and confident as she introduces herself.

Freddie chimes in right after. “And I’m Freddie Fox, and I play Ser Gwayne Hightower, Eleanor’s incredibly charming, dashingly handsome older brother.”

Y/N snorts, nudging him with her elbow. “You forgot modest, Freddie. Always so modest.”

The interviewer laughs, clearly enjoying their banter. “It’s great to have you both here. So, as you know, House of the Dragon has a massive fandom, and one of the things they love to do is theorize and create ships outside of the canon. They really get invested in the chemistry between characters—and, let’s be honest, between the actors as well.”

Freddie and Y/N exchange a look, both trying to suppress knowing smiles.

The interviewer continues with a mischievous glint in her eye. “So, naturally, people are starting to wonder—could we be seeing the next Kit Harington and Rose Leslie? You know, screen partners turning into real-life partners?”

Freddie, never one to miss an opportunity for a bit of fun, suddenly turned in his seat, getting down on one knee in front of Y/N. With an exaggeratedly serious expression, he took her hand. “Y/N, dearest Lady Eleanor, would you do me the immense honor of becoming my wife? I promise to annoy you, to steal your snacks, and to outshine you in every single scene we ever do together.”

Y/N bursts out laughing, placing a hand over her heart as if genuinely touched. “Oh, Freddie, how could I ever say no to such a heartfelt proposal? But I must warn you—I take up all the covers at night, and I’m not above hiding the remote if you try to switch to football during one of our movie nights.”

The interviewer is cracking up now, along with the crew behind the cameras. “I didn’t expect this, but I’m loving it! You two are absolutely priceless.”

Freddie stood up, still holding Y/N’s hand, and they both gave a bow to the camera. “Well, you know," he says, turning back to the interviewer, “it’s all about keeping the fans on their toes. Can’t make it too easy for them to figure out what’s going on, right?”

Y/N grins. “Exactly. We like to keep things... interesting.”

The interviewer, still grinning, leans in. “So, should we start planning the wedding, or...?”

Freddie looked thoughtfully at Y/N, tapping his chin. “Well, we’re thinking of something small. Just us, a couple of dragons, and maybe a White Walker to officiate. Keep it intimate, you know?”

Y/N nodded sagely. “Very exclusive. Only the crème de la crème of Westeros.”

The interviewer shakes her head, thoroughly entertained. “Okay, okay, I think we’ve just given the fandom even more fuel for their theories! On a serious note, though, it’s clear you two have incredible chemistry. What’s it like working together on set?”

Y/N smiled warmly at Freddie before answering. “Honestly, it’s a blast. Freddie and I just click, and I think that shows on screen. We’ve got a great rapport, and it’s always fun bringing these characters to life together.”

Freddie nodded, adding, “Yeah, we give each other a lot of shit, but that’s part of what makes it work. We trust each other, and that allows us to really push the boundaries in our scenes—sometimes a bit too much, according to Geeta,” he added with a wink.

The interviewer wraps it up, still chuckling. “Well, it’s been an absolute blast talking with you both. Can’t wait to see what chaos you bring to House of the Dragon next season.”

As the camera pulls back and the lights dim, Freddie and Y/N share a quick, conspiratorial glance, knowing they’d just given the fandom more than enough to talk about—and probably a few new fanfics to write as well.

When the interview dropped on the internet, the fandom absolutely exploded. Social media was flooded with clips of Freddie’s mock proposal, and the internet lost its collective mind.

Fans were dissecting every moment of the interview, from the playful banter to the way Freddie had gazed up at Y/N during his over-the-top proposal. The comments sections were filled with fans declaring that they were “shipping” the two even harder now, some even demanding that someone should cast them both in a romcom.

Amid the chaos, Y/N decided to fan the flames a bit more. She posted a cheeky selfie on Instagram, looking effortlessly stunning as always, with a caption that read, “The coolest of the Hightower siblings.”

It didn’t take long for Freddie to jump in on the fun. He reposted her selfie to his own Instagram story, adding the caption, “THE future Mrs. Fox.”

The internet went into overdrive. Fans were tagging each other, sharing screenshots, and even their House of the Dragon co-stars started chiming in with their own comments, playing along with the joke. The whole thing had taken on a life of its own, and it was clear that Y/N and Freddie had become the fandom’s favorite new obsession.

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During a press event, when Rhys Ifans, the man behind Otto Hightower, was asked about his thoughts on Freddie and Y/N’s antics, his face split into a wide, unabashed grin.

“Well, as Otto,” he began, dropping into character with a serious tone, “I have to say, it’s a major fucking ick. Completely inappropriate! Gwayne and Eleanor getting all... cozy? That would make Otto want to strangle someone. He’d be straight to the quill, penning some strongly worded letters to sort that shit out.”

The crowd erupted in laughter, knowing exactly how Otto Hightower would react to such scandal.

“But as Rhys?” he continued, his tone shifting to one of genuine enthusiasm, “I’m all in! I mean, have you seen those two together? The chemistry is off the bloody charts! If they don’t end up getting married after all this, I’ll be sorely disappointed. They’re perfect for each other—on and off the screen.”

His lighthearted comment sent the room into a ripple of laughter, with everyone loving the idea of Rhys being a secret shipper of Freddie and Y/N.

Within hours, his quote—“Ick as Otto, but fuck yes as Rhys!”—became the battle cry of the fandom, plastered across memes, gifs, and fan art that flooded every corner of the internet. It wasn't just spreading; it was detonating.

The whole situation exploded into a full-blown phenomenon, with fans practically canonizing Rhys as the unofficial president of the Freddie and Y/N ship. People started tagging him in everything, from wild fan theories to NSFW fanfiction, with captions like “Rhys would approve” or “Otto hates it, but Rhys lives for it.”

It was unhinged, chaotic, and utterly glorious. Rhys’s endorsement didn’t just add fuel to the fire; it threw in a grenade, making the whole thing go nuclear.

[local-dragon-haunt]

hey! i’m an artist and i was wondering what about the httyd crossover art made it obviously AI. i’m trying to get better at recognizing AI versus real art and i totally would have just not clocked that.

Hey! This is TOTALLY okay to not have recognized it, because I DIDN'T AT FIRST, EITHER. Unfortunately there’s no real foolproof way to distinguish real art from the fake stuff. However I have noticed a general rule of thumb while browsing these last few months.

So this is the AI generated image I used as inspiration. I will not be tagging the account that posted it because I do not condone bullying of any type, but it’s important to mention that this was part of a set of images:

This is important because one of the BIGGEST things you can use to your advantage is context clues. This is the thing that clued me in: right off the bat we can see that there is NO consistency between these three images. The art style and outfits change with every generated image. They're vaguely related (I.E. characters that resemble the Big Four are on some sort of adventure?) and that's about it. Going to the account in question proved that all they posted were AI generated images. All of which have many red flags, but for clarity's sake we'll stick with the one that I used.

The first thing that caught my eye was this???? Amorphous Blob in the background. Which is obviously supposed to be knights or a dragon or something.

Again, context clues come into play here. Artists will draw everything With A Purpose. And if what they're drawing is fanart, you are going to recognize most of what you see in the image. Even if there are mistakes.

In the context of this image, it looks like the Four are supposed to be running from these people. The thing that drew my attention to it was the fact that I Didn't Recognize The Villains, and this is because there is nothing to recognize. These shapes aren't Drago, or Grimmel, or Pitch, or any other villain we usually associate with ROTBTD. They're just Amorphous Blobs that are vaguely villain shaped.

Which brings me to my second point:

Do you see the way they're standing? There is no purpose to this. It throws the entire image off. Your eye is drawn to the Amorphous Villain Blobs in the background, and these characters are not reacting to them one bit.

Now I'm not saying that all images have to have a story behind them, but if this were created by a person, it clearly would have had one. Our group here is not telling a story, they are posing.

This is because the AI does not see the image as a whole, but as two separate components: the setting, and the description of the characters that the prompter dictates. I.E. "Merida from Brave, Jack Frost from ROTG, Rapunzel from Tangled, and Hiccup from HTTYD standing next to each other"

Now obviously the most pressing part of this prompt are the characters themselves. So the AI prioritizes that and tries to spit out something that WE recognize as "Merida from Brave, Jack Frost from ROTG, Rapunzel from Tangled, and Hiccup from HTTYD standing next to each other".

This, more times than not, is going to end up with this stagnant posing. Because AI cannot create, it can only emulate. And even then, it still can't do it right. Case in point:

This is not Hiccup. The AI totally thinks this is Eugene Fitzherbert. Look at the pose. The facial structure. The goatee. The smirk. The outfits. He's always next to Raps. Why does he have a quiver? Where's Toothless? His braids? His scar??

HE HAS BOTH OF HIS LEGS.

The AI. Cannot even get the most important part of it's prompt correct.

And that's just the beginning. Here:

More amorphous shapes.

So these are obviously supposed to be utility belts, but I mean. Look at them. The perspective is all off. There are useless straps. I don't even know what that cluster behind Jack's left arm is supposed to be.

This is a prime example of AI emulating without understanding structure.

You can see this particularly in Jack, between his hands, the "tassels" of his tunic, and the odd wrinkles of his boots. There's just not any structure here whatsoever.

Lastly, AI CANNOT CREATE PATTERNS.

Here are the side-by-sides of the shit I had to deal with when redesigning their outfits. Please someone acknowledge this. This killed me inside. THIS is most recognizable to me, and usually what I look for first if I'm wary about an art piece. These clusterfuck bunches of color. I hate them. I hate them so. much.

Anyways here's some other miscellaneous things I've noticed:

Danny Phantom Eyes

???? Thumb? (and random sword sheath)

Collarbone Necklace (corset from hell)

No Staff :( No Bow :(

What is that.

So yeah. Truly the best thing to do is to just. study it. A lot of times you aren't gonna notice anything just looking at the big picture, you need to zoom in and focus on the little details. Obviously I'm not like an expert in AI or anything, but I do have a degree in animation practices and I'm. You know. A human being. So.

In conclusion:

(Y'all should totally reblog my redesign of this btw)

[woso-dreamzzz]

Introductions II

Patri Guijarro x Hardersson!Reader

Natalia Guijarro (OC) x Hardersson!Reader

Part of The Big Adventures Universe

Summary: You meet Patri

"Relax," Talia whispers," It's going to be okay."

Her words did nothing to quell your anxiety, leg still bouncing as you sit in a hole in the wall café at the very back.

It's the first time you're meeting Patri, Talia's older cousin. She used to play with Alexia and your Tia Tana but you've never actually met her before. You've had her shirts too. You've just never seen her in person.

You wouldn't normally be this nervous but this is Talia's cousin, her absolute favourite cousin who might as well be her sister. When Talia's parents moved from Mallorca with her, Patri came over frequently.

Talia had grown up with Patri. Patri was important her.

You need to make a good impression, hence why you're so anxious about it.

Patri was important to Talia and Talia was important to you.

"Okay," You say, releasing a long breath as you reach for Talia's hand.

She squeezes yours in her own, bringing it up to press a soft kiss to the back of your hand.

You smile at her, a little awkwardly but still grateful for her comfort.

"Patri's not scary," Talia assures you," She's just Patri."

Strangely, that doesn't fill you with much hope.

Patri Guijarro, even retired as she is, looks fairly scary as she steps into the café. She catches sight of Natalia quickly, who stands up to greet her with a hug.

You stand, wiping the sweat off your hands. "Hola," You say. You offer her your hand to shake.

Patri takes it and you give her a firm handshake like how your Momma always taught you.

Patri watches you, eyes narrowing briefly before she releases you and glances at Talia. "Strong hands," She comments, giving your girlfriend a meaningful look that you don't quite understand. She looks back at you again.

"So," Patri says," I heard that you speak a lot of languages."

"I do."

"Can you teach me your favourite swear words?"

The ice successfully breaks after that and you relax into the simple flow of conversation between the three of you.

Now that she's up close, you can see the similarities between Patri and your girlfriend. They've got the same kind of features with slight differences. They're very clearly related though from the way their eyes spark to the way they gesture as they speak to the exact same way they push their hair out of their faces.

It's sweet and you can't help but smile as Talia tries to shove a cupcake down Patri's throat, who was just in the middle of telling a story about something embarrassing Natalia did as a small child.

"So," Patri says to you when Talia goes off to the toilet," I suppose this is the part where I tell you that if you hurt her I'll hurt you?"

You freeze suddenly.

That's what you've actually been waiting for. You should have known that this would happen. Credit to Patri though for lulling you into a false sense of security for nearly an hour now.

You throat bobs and you take a small sip of your water.

"Er..." You're not quite sure what to say to that. "If you want?"

Patri looks very stern now and she leans over to the table to you.

Her mouth opens.

Her hand comes up...to pat you on the shoulder.

She laughs.

"That was the plan, you know? To scare you into never breaking Nat's heart but you...you're way too sweet for that. I can't imagine you even hurting a fly."

You weren't quite sure if that was a compliment or not. You were going to take it as one though otherwise you weren't sure what you were meant to say to that.

"Thanks?"

Patri grins at you. "No problem. Now, Nat's probably touching up her makeup, do you want to here about the time she got stuck in a bin?"

When Talia returns from the toilet, she comes back to the table to see both you and Patri giggling with each other.

Giggles that turn into full blown laughter when she sits back down.

"What?" She asks," What is it?"

Patri is laughing properly now, wiping tears from her eyes and clutching her stomach as you bite at your lip to stifle your own, going out of your way to not look her in the eye unless you burst into laughter again.

"I'm serious," She says," Have I got something on me?"

"Don't worry, Talia," You reply, reaching out to gently cover her hand with your own," It's nothing."

"It's clearly not nothing!"

Patri snickers. "So long as you think getting stuck in the bin as nothing."

"I told you to stop telling that story!"

[bluebeary-jay]

Face to face

Din Djarin x f!Mandalorian!Reader

Summary: as riduurs, you and Din can finally show your faces to each other without suffering any consequences. but when the time finally comes, your insecurities and fears of rejection come into play, threatening to ruin this important moment

Tags: just pure tooth-rotting fluff, Din and Reader being insecure, they're sweethearts though and so in love, Din being a supporting husband <3, mandalorian customs are probably half-accurate but i did my best in research 😌

Word count: 3K

A/N: haiii guys!! long time no see 🤗 i had this idea ever since i watched s2 of the mandalorian almost a month ago and i'm finally done! thank you to all who stick around and i really hope you'll enjoy my first attempt at writing din (feel free to let me know what you think 🤭)! i love all of you darlings 🥰 and as always, happy reading!! 💕

Din Djarin wouldn’t ever admit it to anyone, but he always wanted a family. The memories of his parents were hazy, but he remembered how much they loved each other and in the depths of his soul longed for a connection like this someday. Being the bounty hunter didn’t give many opportunities to look for a relationship, however, and with time he abandoned the hope for a place and people he could call home. He convinced himself that he was content being on his own.

But then the Child came along, and with it everything has changed. This little wrinkly womp rat became the most precious being in his life and Din was ready to die to protect Grogu – but he never expected that he’d also meet his future riduur because of the kid.

He did. You, a fellow Mandalorian Din spoke to only a couple of times in the hideout on Nevarro, decided to help him on his quest, and from this moment on he didn’t stand a chance. You were everything Djarin admired – brave, compassionate, skillful and kind – and though you both respected the Way of the Mandalore and never removed your helmets in each other’s presence, he knew in his soul that you were beautiful as well.

It was a long road to come to terms with what he felt for you and gather the courage to actually let you know it. But it was all worth it just for this moment when you exchanged your vows and he officially became yours, and you his. Now you were his riduur and he finally had every right to admire and cherish you like you deserved.

And most importantly, he could finally see you. The pair of you talked about this moment a lot during the nights spent on the Crest, tangling your fingers together when the ship was flooded with pitch-black darkness. Din used to whisper to you of his dreams, how he longed to run his eyes over your uncovered body, taking his time to commit to memory every little detail of your physique and expressions. You, with a giddy and wistful tone, told him how impatient you were to at last find out how his lips would feel on yours and what color his eyes were. Even when you both knew you were going to marry, you didn’t rush things and never removed your helmets until your union became official.

But you did see each other’s faces, once, though not in a conventional way. Din remembered it clearly as a day, though his eyes – as well as yours – were covered by a piece of a material the entire time. Both of you were desperate for each other that night, the tension hanging above your heads straining the resolve about waiting. And then came the moment when you didn’t fight it anymore. Instead, you both sat down on Din’s cot and without your sense of sight spent the next hour talking and trailing fingertips down each other’s faces.

Din reminisced about this moment a lot of times. He tried to remember the shape of your features to create a full picture of you in his mind while he laid alone in his bed, longing for your vicinity. Even if your bodies were separated only by the layers of beskar, it was still too far for him.

He didn’t have to wait any longer now.

It was the day of your wedding and Din Djarin never felt happier than in that moment when you recited Mandalorian vows and he got to touch your bare hand again, not covered by a glove, to put a custom-made ring on your finger. It wasn’t a necessary but he wanted to make this day memorable and meaningful for you. A few tears of joy were shed, but his face was still concealed by the helmet, allowing his emotions to take hold of him.

He hadn’t let go of your hand since the small ceremony (if one could even call it that) ended, and you squeezed his palm every few steps as you walked toward a house that was going to be your home for the next couple of days. The Child was being taken care of by other Mandalorians so that you could be completely alone for this special moment.

You were buzzing with excited energy for the whole week prior to your wedding, but now Din could sense his partner’s nervousness. He wasn’t exactly surprised – after all, it has been years for both of you since anyone saw you without your helmet on. But with every moment that you neared the bedroom, you seemed more insular, more withdrawn and hesitant, and Din started to really worry.

“Are you okay, cyar’ika (darling)?”

You slowed down, not answering right away, which caused Din to furrow his brows with confusion. Maybe you didn’t want to do it after all? Maybe it was too sudden for you? Or maybe he came off as too eager?

“Cyar’ika,” he repeated softly, wanting to put you at ease – but it didn’t seem to meet the target. “If you’re not ready…”

“No. No, I’m ready. I just…”

You trailed off. Din wordlessly guided you to the edge of the bed, cradling your hands in his – one gloved one and one not. The light of the setting sun flowed in through the small window and reflected off the hard beskar you both wore, bathing your figure in a beautiful golden light.

He was already so in love with you. What could possibly be the cause of your hesitation?

“I’m just nervous,” you murmured at last with your head bowed, looking at your joined hands. “I don’t want you to be disappointed.”

“Disappointed?” the Mandalorian repeated before he could think, and shook his head slightly. “What are you… What are you talking about? Why would I ever be?”

You lifted your gaze, and though Din couldn’t see your eyes, he could almost feel the weight of your fears on his own shoulders. The modulator in your helmet was hiding any trace of it, but he knew you long enough to recognize the tiniest shift in your body language.

“Ner kar’ta (my heart). I could never be disappointed with you.” He laced his fingers with yours, once again admiring how perfectly they fit together, and lifted them to his chest. “You own my heart and soul now, and nothing will change that.”

He hoped to soothe your nerves, but you were still silent. It wasn’t at all what Mando was expecting from this evening and he was at a loss for what to do to fix it.

“Would it help if I showed you my face first?” he asked after some time, and your head snapped up.

“No.” Even with the modulator, your voice clearly sounded broken and regretful, and it was wounding Din more than anything else could. “We were supposed to do it together.”

“We can,” he assured quietly, swiping his thumb over your knuckles. “But the most important thing to me… is for you to feel comfortable during it. If you want to wait–”

“I don’t.” You untangled your hands from his hold and instead brought them to his chest, placing them on the beskar breastplate. He couldn’t wait to take it off and feel your touch on his skin. “If I wasn’t sure, I wouldn’t marry you and make you my riduur.”

You leaned forward and lightly bonked your helmets together, a sweet gesture Din loved since the first time you did it.

“Ni kar’tayl gar darasuum or’atu an mayen. (I love you more than anything.) More than life itself.”

“I know,” he answered simply and delicately brought your hands to the edges of his helmet. It was obvious what he was offering you. “That’s why I’m willing to do it for you.”

You were still, not daring to move, and Din nodded slightly to show you that he’s certain of his decision. His heart was beating heavily in his chest, though, and he could feel sweat forming on the back of his neck.

Showing your face to others was one of the worst crimes in Mandalorian culture, but doing it with your riduur was the highest honor that not everyone was fortunate enough to experience. But Din Djarin was among the lucky ones. Even though it was not in a way he always imagined, he didn’t care as long as you were happy.

You gripped the edges of his helmet tighter and a high hiss sounded, a telltale sign that the metal piece was ready to be removed. And slowly – so very slowly – you did. Din felt a flow of cooler air on his hot skin: first his chin, then his cheeks, finally his forehead…

And lastly, he inhaled shakily before lifting his head to look into the void of your visor.

A second passed by. Then two. Then ten, though Din felt like it must’ve been a full minute now. And still you didn’t move, just watched him silently, motionless as a statue.

The Mandalorian swallowed with difficulty, starting to feel very self-conscious. The crisp air cooled the sweat gathering on the nape of his neck and he had to use all his self-control not to fiddle his fingers nervously. He felt so naked and exposed under your gaze, though he absolutely shouldn’t – you were his riduur and there was no reason to feel ashamed or insecure with you. But he couldn’t help worrying: what if he wasn’t what you expected? What if you didn’t find him attractive at all?

Then a movement of your hands drew his attention and he watched, transfixed, as you slowly started to take off your glove, tugging one finger off at a time. Once your hand was freed from the confines of the protective material, you flexed your fingers before lifting both of your palms to his face.

Even though Din was acutely aware of your every move, he still somehow flinched in surprise at your touch, causing you to freeze and search his eyes with the air of concern around you. He quickly gave you a small nod, silently begging you to proceed, and, thankfully, you did. Your fingertips traced his cheeks, so delicately it almost tickled, brushing down the path to his stubble, and then back up to the arch of his nose and eyebrows. Djarin’s eyelids fluttered closed and he let out a shaky breath, giving in to the most amazing sensation that your touch was.

“I knew you had to be the most beautiful being in the galaxy,” you whispered from under your helmet with a voice filled with a plethora of raw emotions. Din regretted not being able to see your face at that moment, but if it would help you feel more comfortable in such a memorable and important situation, he was ready to do anything for you.

“I’m sure you’re a million times more radiant, cyar’ika,” he said back. His voice was weirdly weak and raspy, sounding strangely to him – probably because he knew there was another person hearing him without his helmet on. “Even if I don’t see your face, mesh’la (beautiful), today or ever… The love I have for you will never change or waver. That I promise.”

“It won’t exactly be fair to the Creed if I don’t remove my helmet in front of my husband,” you answered, half-teasing, but Din knew there was a real worry behind your words.

“You know very well there’s nothing said about it in the Creed.” He opened his eyes, offering you a small smile. “And I don’t remember our vows mentioning it, either.”

You clicked your tongue with exasperation, but Din also saw your shoulders relaxing, a sign that some of your nerves ebbed away.

“Gev bic (stop it),” you laughed, letting your hand fall down – but before it could happen, Din caught your wrist and lifted it back to his face. He slowly kissed the inside of your palm, down to the veins disappearing under your sleeve, his eyes fixated on your visor the entire time. His smile grew slightly when he felt a shiver run through you.

“I love you, ner kar’ta,” he whispered. “Even if you’re a half-Hutt under your armor.”

“Don’t push it.”

You let go of his hand and Din’s face fell, fearing that he really went too far. He reached for you but stopped when you straightened up and took a deep breath, your hands going to the last thing that separated you from him – your helmet.

He held his breath and his heart beat erratically as he watched you. He tried not to blink, not wanting to miss the moment when he finally got to see your face. Just the fact that you were willing to do this meant so much to him, but…

Slowly, you took your helmet off and placed it down on the mattress right next to his. Then, a pair of irises gazed into the depths of Din Djarin’s heart.

…you were wrong.

Oh, how wrong you were.

There was no mistaking it that you were by far the most breathtaking sight the Mandalorian had ever laid his eyes on.

The Maker must’ve been overly generous, or maybe favored you, for looking at you… it felt like coming home.

You stared at him with gentle, tentative eyes of the most beautiful color in the world, and Din would’ve gladly lost himself in them. Your lips, so tempting and soft-looking, were parted slightly as you awaited his reaction, but he couldn’t move. He just watched, spellbound, and wondered if this truly is reality and not some cruel, elusive dream.

He hadn’t felt such awe even when he saw Grogu doing his magic for the first time. Hadn’t felt such elation even when a new skin made of beskar was forged just for him. Had never before felt such love in his life.

You were a wonder. A miracle.

“Cyare?”

Your voice sounded almost fearful to your ears, but you couldn’t help it – Din seemed unable to utter even a word, and panic started to flood your veins when you noticed tears gathering in his dark, beautiful eyes. “Din–”

But before you could move away, he slipped off the bed and knelt by your feet. You were so taken aback by this action that you didn’t even react when he cradled both of your hands in his and pressed lingering kisses to your fingers, one after another.

“If I could, I’d marry you all over again,” he rasped, meeting your gaze with so much love and adoration in his brown eyes that it took your breath away. “How did I get so lucky…?”

“I think I’m the lucky one,” you let out a breathless laugh of relief, your pupils darting across the lines and grooves of his face. “You… you’re not just saying that, right?”

“Cyar’ika, look at me.” He gently tilted your chin up, making your eyes meet his. For a second he faltered, parting his lips in wonder at the feeling of your skin under his fingertips, before he swallowed and gazed at you again. “Do you doubt my words?”

No. There was really no questioning his motives. You knew Din was as honest as one could be and there were only your own insecurities at play here. But the longer you looked at him, his expression so full of love and devotion, the less relevant your own doubts were becoming.

You couldn’t think of anything else but him.

“I really want to kiss you,” you whispered instead of answering, and his face broke into a wide, joyous grin. “Can I–?”

The Mandalorian didn’t even wait for you to finish – the second those words left your mouth, he surged forward and pressed his lips to yours forcefully, eliciting a surprised sound out of you, which soon turned into a needy whimper. You didn’t give him a chance to back away and instantly tangled your fingers into his hair, moving clumsily to be closer to him.

But when you attempted to climb onto his lap, your breast plates collided with a metallic clank, forcing the pair of you to put some space between you. Din huffed with frustration, while you laughed and cupped his face in your hands.

“You’re quite impatient for a bounty hunter,” you accused him playfully, nudging your nose with his. You took a deep, calming breath, wanting to surround yourself with the smell of him completely, but your riduur didn’t let you indulge for long.

He moved quickly and, without a warning, kissed you briefly again – and then one more time. It was more like a light peck, and you longed to feel his tongue inside your mouth once more, but at the same time relished in every sensation that his lips brought. Every touch he gave you was something infinitely precious.

“I’ve waited longer than you,” he murmured. His hands were already moving, taking off the beskar on his forearms and shoulders, reaching where he could without removing you from his lap just yet. “You have no idea what you’re doing to me, cyar’ika.”

You smiled widely and looked up from his deft fingers to throw another teasing comment, but in one second you lost your train of thoughts.

Because Din was blushing.

The feared Mandalorian’s face – a face you were finally allowed to see whenever you desired – was sprinkled with redness across his cheeks and ears. And you were the cause of that.

The thought of it almost caused your eyes to water.

“What are you looking at, mesh’la?”

Your eyes found him again and you smiled brightly, causing Din’s heart to skip a couple of beats.

You took his stubbly chin in-between your fingers and brought his lips closer, planting a soft kiss there that had the Mandalorian melting. He covered your hand with his, feeling the band on your finger under his own.

A miracle.

“I’m looking at you.”

[beatrixstonehill2]

"Jesus, these things are going to fill my lap in another couple months. Don't get me wrong, I'm happy my college signed me up for this clinical trial, but I am starting to get a bit concerned with how massive and heavy my boobs are going to get. Like.... only a few months ago I was a C-Cup. They're already humongous..... The people at the trial make me strip in front of a bunch of pharmaceutical execs. They weigh my breasts, poke and prod them, squeeze them, crush them in vices, and sometimes they even inject huge syringes of saline right into them, one after another, making them even more swollen and huge, telling me these saline treatment are 'just part of the trial'. I think they just like filling my boobs with a gallon of saline each to see me struggle to keep my back straight.

I ask them how long the trial will go on, how many more months I need to take the breast growth pills. Like, they clearly work..... But they just tell me as long as possible to test the limits of the medicine. I try to get them to tell me how big my boobs will get and they avoid the question, telling me not to worry and enjoy them. I tell them my back hurts really bad now and they laugh. I say, 'It won't be so funny if my spine snaps and I wind up paralyzed!' The scientists and execs just shrug and tell me when my spine snaps they'll ensure I have every possible accommodation to complete my diploma. They never say 'if', they say 'when'.....

I try to tell them I don't want to wind up paralyzed, but they say it's not really a big deal and I'll be able to live a perfectly fulfilling life, that their research is what's important. I got frustrated one time and blurted out that I won't be able to feel my pussy or when guys fuck me. They told me it's a good thing, men can be as rough as they want and I won't even feel it. I guess they have a point, that's kind of nice. I said I'll miss cumming, and they told me my pussy will still cum. I might not feel it, but it'll react physically on its own and squirt if men fuck me hard enough and rub/smack my clit enough. I guess that's OK...... as long as men can still make me squirt. It'll suck not feeling it but it'll be kinda fun to watch men have their way with me.

I guess I'm really dedicated to this clinical trial after all. And I'd be lying if I said I wasn't having fun growing such a giant pair of boobs. Soon they'll fill my lap and probably get way bigger. They'll weigh well over 100lbs each.... I'll need help to do just about anything regardless of whether or not my poor spine gives out. But I do agree..... I think it'd be more fun if it did, plus the people running the trial seem excited for it to happen. So, I don't wanna disappoint them. Hopefully my boobs get so humongous they totally surround me..... I wonder how much saline the team running the trial will pump into them for fun after that? A whole bathtub's worth? My boobs will be so fucking swollen and impossible to budge. All I'll be will be a poor, stationary girl who'll really only exist to serve cock; what else are such monstrous breasts useful for? And the rest of me will be a playground for men to use however they see fit. At least I don't need to be able to move to do therapy sessions online once I graduate and become a psychiatrist. Maybe I'll hold in person sessions anyway and judge my patients' mental state on how harshly they treat my gigantic breasts? With any luck it'll be a revolutionary new approach other girls decide to imitate. Wouldn't that be nice? ❤️"

[the-library-alcove]

One of the many, many, many reasons why seeing "Antizionists" claim that "Israel is acting just like the Nazis!/Jews are the New Nazis!/Israel is committing a genocide!" and other forms of Holocaust inversion is so incredibly offensive is that these claims undersell the horror of the Holocaust itself.

Let me just give two comparisons to show why the claim of "Zionists are genocidal!" is flat-out wrong.

First, it's been about (as of this writing) 200 days since the Hamas mass murders in early October--just under seven months. In that time, 34,262 Gazans have died according to the Hamas-run Gazan health bureau's official statistics. They are not distinguishing between Hamas' own combatants and civilians (by design), but that is the current death toll as of 29 April, 2024.

And this is a number that is claimed to be proof that Israel is attempting, with intent, to wipe out the Palestinian Gazan population.

Meanwhile, historically, 33,771 Jews were murdered in two days at Babi Yar in what is now Ukraine, near Kyiv, on the 29th and 30th of September, 1941. Three weeks later, on the 22-24th of October, 1941, another 34,000 Jews were killed in Odessa.

Those are just two massacres, each of which was accomplished with 1940s technology, while in the middle of a war with the USSR, each with a death toll comparable to the current death toll of Gazans, including Hamas combatants, each of which took two or three days to do all of the killing.

Compare that to Israel, with far greater technology for killing at its disposal, a civilian populace that is packed into a smaller area, and not having to fight against a technological peer...

And their death toll, while tragic, is at under 1% of the Nazis' own genocidal efforts. And that's because, as hard as it is for people to accept, they're not trying to kill all of the Gazans. They are, in fact, taking tremendous efforts to minimize the casualties (although there are legitimate criticisms to be made about their thresholds for what constitutes acceptable collateral damage to get at Hamas fighters).

But clearly, since they're (((Zionists))), they're the epitome of evil and must be worse than the Nazis.

And all the Jews hear from those claims is a slap in the face to both our dead and the efforts by the IDF to not kill, despite how easy it would be.

The thing is...

If the IDF did want to kill all of the Gazans, they could have easily done a Babi Yar or Odessa level massacre every day starting from October 8. At 33,000 deaths per day for 200 days, that's 6.4 million, or three times the total population of Gaza.

Instead, 98.5% of the Gazan populace is still alive.

But that apparently counts for nothing, and, in fact, "antizionists" are upset that more of them aren't dead, and are instead inflating the numbers...

Because it's more important to them to defame Israel than it is to actually improve the lives of Palestinians.

[stellas-and-tonitruses]

Everything we know about Project Apple (and, by extension, Anya's past) thus far

thought i'd compile all of that now while endo's on break Just In Case the next chapter happens to start anya's backstory (i don't Think it will but endo likes surprising us LSDFKLFS)

important disclaimer that project apple and the organization in charge of anya's experiments have not been confirmed to be related! there's evidence that they have things in common, in particular employees, but that's our only real connection between the two thus far. still! worth looking into

more under the cut!

so, starting very strongly with the very first mention of anything related to the project: anya's introduction in chapter 1

despite her being a main character, we know very little about her past at the moment, and this little blurb at the beginning makes up a very big portion of what we know.

things to note here:

as an experiment, her name was "Test Subject 007". important to note that the notation differs between her and bond: she was Test Subject 007, bond was Subject 8, no zeroes in there;

she had been made thus by accident, the phrasing itself implying quite heavily that she was just a normal child before said accident (but this is the translation! i don't know japanese so i can't cross-reference with the raws to clarify if the phrasing changes anything, but the fanbook uses the word "gained" to describe her powers too);

because her mind-reading is an unintended consequence, that means the scientists were presumably not, at least initially, trying to achieve cognitive enhancements in humans, and were instead trying to achieve something else, whatever that might've been;

she escaped from the facility and then moved from institution to institution, looking for a family.

so, crucially, through this little introduction we learn that there is an organization, government-funded or otherwise, that is or was conducting human experiments for unknown purposes. we also learn that whatever family anya had prior to being involved in the experiments is more than likely unreachable, at least as far as she knows, and so she has settled for finding a new family to take care of her instead.

in terms of the facility itself, here we see they clearly drilled it into her that she can't ever reveal her secret (and the darn plush is there too -- in the anime it's even more emphasized, as you can see in the gif i made)

through her reminiscing though, we get our very first look at the scientists that were in charge of her! they're in the gif above but here they are in the manga too. it's so interesting that the anime actually shows their eyes behind the glasses though, fascinating choice.

the insistence on world peace is important, as it explains her own personal obsession with it and shows that it's not just because of twilight's own focus on preserving the peace. i also don't think twilight ever really talks about "world peace," only about "preserving the current peace between westalis and ostania" -- anya seems to be the only one talking about WORLD peace (even in the very first scene where either of them mention it in proximity to each other in ch 1, loid says "understanding the other party is the first step towards peace" and anya's interpretation is "understanding me makes world peace?") but take this with a grain of salt because i might be wrong! going through every single mention of peace in the story just to fact check this one little trivia fact is a bit much i think so i'm not doing it JSDFKLSD

but yes

remember mr hair strand and baldy, we'll see them again. not her though, ig she wasn't in charge of bond

now, fast-forwarding to chapter 19, we finally get a name and a premise for the experiments:

"but oana," you might say, "this is talking about animals only! how do we know it's the same project as anya's, which involved human experimentation?"

i don't think it is, is the thing! i think it's related to the experiments anya was a part of, which is evidenced by the same scientists being featured in project apple too, but there's more going on that we don't know about. there wouldn't be such adamancy on keeping the two separate in every official mention of them if they were just the same thing, imo!

back to the evidence, we learn that the project, conducted and funded by the previous ostanian regime (meaning donovan's related to it one way or another, since he was prime minister), was marked by franticness and desperation -- a prime place for accidents like anya's telepathy and bond's future vision.

we also learn that the project was sacked by the new administration and that the former test subjects ended up on the black market.

(this makes it very important, imo, to learn when anya escaped the facility vs. when the project was sacked. it's clearly no longer in function, but while we've heard nothing from them thus far, i'm willing to bet the shady dealings around the desmond group are NOT related to the war, as W.I.S.E. has been led to believe, but rather to reignite project apple. that is speculation however so i'm going to refrain from theorising much on why the desmond group is focused on acquiring pharmaceutical companies!!)

ok speculation tangent over, back on track

so, that's already a decent amount of info! but moving to chapter 22, when bond is finally home, and we finally see some familiar faces

behold! baldy and mr hair strand!

and 2 other guys we don't know but will see again in another bond flashback!

that's 2 out of the 3 scientists we've seen thus far from anya's own time as subject 007, confirming that there IS a connection between anya and bond's experiments, regardless of whatever the project anya was a part of might've been named.

this is also the chapter in which we learn that bond himself was subject 8 (or, if we take it from the fanbook, subject #8. still, diff notation from anya!)

in chapter 31, we learn an interesting tiny piece of trivia. we don't get any further info on it, but it IS mentioned as something that is known by W.I.S.E.:

ostania is rumoured to have done human experimentation! and W.I.S.E., and by extension loid, are aware of that.

do i know how them knowing may be important later? not really!

the next droplet of info we get is in chapter 40. we see that project apple had collaborators that are still functioning unhindered.

of course, born industries is only rumoured to have been involved with project apple, but regardless of whether or not they actually were, the rumour itself implies that the project likely pulled scientists from various other companies' R&D departments.

(this makes the desmond group's acquisition of glooman pharmaceuticals shadier, but anyway)

as a side note, twilight is emoting so much at just his wrong assumption that bond is seeking revenge against the scientists. imagine how he's going to react when he finds out about anya JKSDFKLFSD

and now aaaaall the way in chapter 58, we see the bald guy who anya also knows, the two scientists from bond's previous flashback, and one whole new guy!

and thus ends our current knowledge of it all!

the only other thing worth discussing is anya's knowledge of classical language

but plenty people have already discussed these scenes, especially recently, so here are some links: 1 | 2 | 3

the only thing i can add is that i'm fairly certain that classical language is a lot more likely to be latin than old english, because it's a very common language to learn in school (in europe at least, and ostania is based on east germany so it makes sense to me. i learned mandatory latin in school for a few good years too, even if i wasn't that good at it lol) and because one of the most common modern usages of latin are in medicine and science, it would make sense that she'd be better at it due to exposure.

a possibility is also that the scientists would think in latin to conceal their thoughts from her, and that's how she ended up learning so much. she's not fluent in latin, she's just well acquainted and that cicumstance would explain the how.

BUT THAT'S SPECULATIONNN

also i don't think "ANIA" is an acronym, nor do i think anya's been misspelling her own name out of lack of knowledge. "ania" is a polish diminutive of anna and an alternate transcription of Аня, so i think it's far more likely that anya isn't ostanian or westalian than it is that her name comes from an acronym.

now,

TL;DR!

what we know about project apple (and the "mysterious organization"):

project apple was funded and conducted by what appears to have been donovan's regime and, from what W.I.S.E. knows, aimed to create highly intelligent animals for military purposes;

W.I.S.E. is aware that ostania is at the very least rumoured to have dabbled in human experimentation;

the project is presumably no longer on-going, though it is likely there are efforts behind the scenes to revive it;

it is rumoured but not confirmed that project apple had collaborating companies that are still functioning perfectly fine;

the same scientists who were in charge of bond were also in charge of anya, signalling that there is a very significant connection between project apple and the "mysterious organization;"

based on what they were telling anya, they were/are very focused on "world peace";

their experimentation methods include but likely aren't limited to electrocution.

and what we (vaguely) know about anya that relates to this:

she is at the youngest, 4 years old, and at the oldest, 5 nearing 6. we don't know her real age, all we know is she definitely lied about being 6;

she is very fixated on specifically world peace while twilight is focused on peace between ostania and westalis. the scientists are the very first we see talking about this, so it's likely their fault;

she is unreasonably well acquainted with classical language;

she has escaped the facility at LEAST 1 year ago;

and, one tidbit from the fanbook (page 29): "Anya has been reading minds for as long as she can remember," implying that her memory of a life before the lab is muddy at best and absent at worst.

that's all we know that i know of!!

if you got this far, thank you for reading :D hope any of this was interesting or sparked any theories >:] have a good day!

[ireneaesthetic]

Pointing out little moments and details of my fav s3 scene.

choir practice scene • episode 2

this scene caught me so off guard, in the best way possible.

it only took simon's "you should do an activity you actually like" for wilhelm to drop everything and choose getting to spend more time with him!

simon's reaction at wille joining the choir was also mine: he can't believe his eyes and keeps looking back at him with the brightest smile on his face. and simon shifting wille's attention to where the song lyric is bc it's all new to him is adorable.

wilhelm's little proud smirk between the kisses while simon is so into it: he knew and imagined simon's surprised and happy reaction to all this, but i bet he was thriving to see it up until this very moment. so he might just be thinking that he made the best choice of his life.

having to practice and wait for everyone to leave was probably torture for simon, when all he really wanted to do since wille came in was this (simon's main love language is clearly acts of service btw *cough*). he felt important, cared for, loved - and couldn't wait to reciprocate it.

also, he's holding the key chain and happens to do the middle finger with the same hand. if you look at it as a way of saying 'mind your own business' to us is quite funny.

simon setting the rhythm and wilhelm fully going along with it. they don't even separate their lips before leaning in for another kiss - melting into it. they literally said 'no need to catch air bc we're already breathing each other in'.

simon not breaking physical contact even once. his hands are the third main character in this scene: they act like a glue for their bodies and carry so much passion. it is peak chemistry.

going on his tiptoes to push himself as close as possible and clinging to wille for dear life is the most simon thing he's ever done. love really brings out the cuddliest version of him.

smiling into the kisses and out of the kisses? insane of them if you ask me (i support it) (keep doing it lovers).

wille smiling and biting his lip bc he's the one overwhelmed by simon's presence now. physical touch is his love language and he's flooded with simon's - he must feel the luckiest boyfriend on earth.

one of their greatest proofs of love has always been to provide each other's comfort by being exactly what they lack receiving from other people or what they need most of the times - it's a constant learning of how to give and take.

they can't get enough of it: it's not even only about the kissing but more about their need to just keep pulling the other closer, leaning into each other, slowing their movements to not leg go yet but take time to touch and deeply feel instead - wille's face speaks for itself. this hug is so intimate ugh.

it's finally shown a glimpse of wille's hand on simon's back! it was always there obv but it's nice to see it more properly.

wilhelm obsessing over simon's neck and simon who tilts his head back to make it more accessible. wille could've done it all and trace the path with kisses - simon wished - but the boy knew what he was doing!

the way simon looks up at him and wille rubs their noses back and forth, keeping his eyes on him, gives me butterflies.

they're super affectionate and it's the easiest thing for them to do. the intimacy that comes with their whispering, their own personal space becoming one for both of them to share bc it's safer, warmer, a lot more comfortable. everything is such a manifesto of how much they genuinely adore each other - it's what makes this the it scene for me.

their bottom lips touching are sooo *internally screaming*.

wilhelm stands still to let simon's lips brush past his own and simon's cheek resting against wille's lips to enjoy the feeling a little longer. they look so peaceful.

it happens after wille's "i like listening to you sing": they went from "he likes it when i sing" / "i do too, don't i?" (locker room's fight in s2) to wilhelm actually telling him that listening to his voice is one of the main reasons he joined the choir. it has to be extremely special for simon to finally hear it.

idk if it's just my mind making this up but let's pretend simon is kissing wille's neck here!

wilhelm picking simon up by the waist to carry him elsewhere and keep the thing going more privately. that's my wille.

can you believe this is the face of someone who's saying that he needs to go? to not miss the bus? he just looks crazy in love to me.

wille's laugh is cute! and simon throwing his stuff on the floor bc the priority was to push his boyfriend against the lockers to make out will never not be funny.

also, @allthefakepeople once said the only thing that could've made this scene even more perfect is if simon paused when walking away and ran back to wille to steal a quick goodbye kiss - ahhh i'd have been so here for it!

[rosemarydisaster]

This post inspired me to think about secret identity logistics and I think Cass being so cavalier with her secret identity would actually help. Like, it makes the rest of the family's secret identities better because Cassandra Cain is obviously Blackbat/Batgirl. By contrast they would look even more civilian and if someone is not going to realize their kid is a vigilante is Brucie Wayne.

"But wouldn't they connect the dots to the rest of the family?" Listen, If those were bats they'd simply get out of the kidnappings and hostage situations they get themselves into like Cassandra. The fact that they always need to be saved proves they're, indeed, civilians.

Also, I doubt the math would math unless you knew very specific internal things to connect each vigilante to their civilian identity. Brucie is, for starters, as civilian as can get and thanks to the Mandela effect everyone is convinced that he was caught on camera making out with Batman anyways. So that's a non-starter.

Dick Grayson is trying to be a regular person, so the public would know he exists and comes back to important things but he's mostly out of the public eye. Plus, he's a police officer, why would anyone assume he's in kahoots with his little sister that was adopted after he'd already left Gotham?? And when he came back to Gotham for a while to take care of things for his father, is not like there was a new vigilante. It was still batman and Robin (the Robin was new, but Dick Grayson is an adult so, not likely).

Then we get to the big one: Jason is legally dead. You can't assign him any vigilante because he's mmm super dead. I'm sure there's a true crime podcaster trying to argue that he was the second robin and died doing robin shit, that's why Batman and Bruce broke up. But even if it's compelling, it's also considered in really bad taste. Also, can't be tied to Cassandra because she arrived after his death.

Tim gets a similar reaction to Brucie in the sense that there's no way he is a vigilante. He's the immunocompromised Twink from Forbes "30 under 30". He's literally physically incapable of being a super hero due to both a lack of Muscles and a lack of time. That boy has to run an entire massive money making machine and, for all gothamites know, he may very well be asthmatic as well. Plus, he gets kidnapped like crazy. If he was a hero he would at least now how to avoid being put in those situations. They suspect he's covering for Cass though, since he's smart enough to realize his sister is freaking Batgirl.

This means that even if Cass is Batgirl they can't really trace Batman, Nightwing, Red Robin or Red hood back to the family (not to speak of Batwoman, Catwoman, Huntress, Batgirl a 1 and 2, Oracle or spoiler). So at this point why would you even try to connect the others? Clearly Cass is the exception, not the rule.

Like, sure, Duke did survive the Riddler ruling Gotham and if you put some effort, it wouldn't be impossible to tie him to the We Are Robin movement. But also ...is it because he's black? Is it because he's the only black person from Gotham you know of?? His sister is a vigilante, and he is black, so he must be the black vigilante of course (He would be the one making this comments in social media through his sock puppet accounts and the True Crime/conspiracy communities would be too scared to touch that one with a ten foot pole)

Damian is another one where I think Bruce would do what he can to protect him from the press (partially for his own good and partially because he's the opposite of media trained). Most of the info the tabloids would get is from people tangentially related to him. Like, sure, he does look a bit like the new robin, and his sister is Batgirl. But, unless you're one of the people claiming he's the lovechild of Bruce Wayne and Batman (test tube baby??? Batman trans???) it wouldn't make a lot of sense now, would it?

Like Cass is so fucking weird compared to the rest of her family's civilian identities it makes them look rock solid by comparison.

[snek-eyes]

I keep thinking about what slotting the Job sequence in between the Flood and the Crucifixion does for Crowley’s arc, and his relationship to both Aziraphale and heaven.

@amuseoffyre did a great analysis of the importance to Aziraphale's arc here that sparked this thought, but it sent me down a rabbithole because A+C are both having very different experiences here.

Compare how Crowley bounces up to Aziraphale at the flood vs how standoffish he is when the angel shows up to the Job situation. Aziraphale is the one who's all friendly, "Oh it's you!" while Crowley... is pretty businesslike, at least until he gets the chance to start rubbing the reality of the situation in the angel's face. 

The flood pissed Crowley off. Job is the first time we start to see the more bitter Crowley we'll get to know. In the Garden he was bemused about overreactions and almost having fun poking this angel with questions about God's plans. Beginning of the flood sequence he was pretty playful. This whole earth thing hasn't been so bad so far, and oh here's that weird angel again, that's fun. 

But then he gets hit with God turning on their creation without warning, again. And the flood was at least in God's name ("That's more the type of thing you'd expect my lot to do," he said. Wasn't heaven supposed to be the good guys?). But now with Job? God turns their back and just... doesn't stop hell. Heaven's hands stay clean while hell dirties their evil little claws. Oh, so this is how things are, Crowley realizes. This is the part he's meant to play. Fine. 

And seeing how he acts here... I can't help but feel like he'd mostly given up on Aziraphale after the flood. After Crowley went, "Wtf, this is clearly an atrocity," and Aziraphale stuck to "You can't judge the Almighty!" ...well. Giving away the flaming sword was probably a fluke. Just another tool of heaven, that one. Disappointing, but what should he have expected? 

So all through their Job interaction he plays up his demonicness, trying to force Aziraphale to toe the party line and prove Crowley's new view on things right, once and for all. But there is a crack there, because not-so deep down Crowley would love for Aziraphale to surprise him again.

(After all... he is lonely. Try some wine with me, or have an ox rib, angel.)

(Fascinated by the difference in Crowley's gleeful "That's just how it started for me, see you in hell" vs. "I'm not taking you to hell, Angel. I don't think you'd like it." And only admitting to the loneliness once he isn't totally alone anymore; I think the original lie was more to himself than anything. He's angry, he's bitter, these righteous angels shouldn't think they're any better than him, not when they can doubt too. But when it comes down to it? No, I don't actually want to drag you all the way there. Something about guns and miraculous escapes, and his comment about Wee Morag, it's different when it's someone you know, isn't it. Hm. Anyways.) 

By the end of the Job situation they have a moment where they confirm they are more similar than they thought. But it's not a happy thing. It won't be until Rome when they start enjoying each other's company just for the sake of it. So at the crucifixion Crowley comes up to Aziraphale still prodding at him. You happy about this, Angel? You smirking over how righteous it is? But now instead of, "You can't judge the Almighty," we get "I'm not consulted on policy decisions." Implying he disagrees without really saying it. And that's enough for now, Crowley will take it. 

From the flood -> Job -> crucifixion -> Rome, we see Crowley get angry, then more and more resigned and bitter. Until Aziraphale reaches out and pulls him out of it.

[headspace-hotel]

There's a plentiful supply of nature and ecology writers that criticize "Anthropocentrism" and tell readers that we shouldn't consider ourselves more important than other life forms, and then they write things that are like "We evolved to live in Nature in a Natural environment...Long ago humans lived as hunter-gatherers instead of farming and domesticating animals...But when civilization was created, man unnaturally subjugated and modified plants and animals...Bringing them under human control for his own benefit...Man replaces natural ecosystems with artificially created "post-natural" environments...Now humans live in an unnatural environment that is separated from Nature...and i'm like buddy. do you even hear yourself

Since I have access to a bigger library now, I've explored "deep ecology" and "green anarchism" and "Biocentrism" a bit more and what i've seen is still kinda silly. The writers have very thoughtful theory and philosophy of diverse subjects relating to morality, society, power, and liberation, but...they just don't know very much about Nature.

I mean several things by that: first, they're not clear on the boring, practical details of things like food systems and the way construction alters ecosystems, second, they don't try to clearly define what "nature" is, and third, they act like "nature" has a clear definition anyway.

Now nature is pretty much undefinable anyway, a couple possible definitions are "all things that exist, have existed, or are possible in the universe" and "the thing that a forest has that a parking lot doesn't." You can say "biodiversity," but every space has biodiversity, and it's not clear how much biodiversity a space is "supposed" to have, we're just going on vibes. And the vibes are right, in a way; I visited an old-growth forest and it was DIFFERENT than any place i'd ever been in a way that is hard to describe. A flourishing, biodiverse ecosystem is different than a parking lot, a lawn, a monoculture field of corn. They say it's good for your health to be "in nature." What does that mean? At what point does a place become "nature?" How many trees does it have to have?

Something that is so painful to me is when people write "Human activities" as a cause of biodiversity loss. This is an act of cowardice. WHICH human activities? Name them.

A lot of nature and ecology writings treat humans like they have an anti-biodiversity force field that emanates from them. They write like lands on Earth are each contested between two inversely proportional forces, "Nature" and "Humans."

Without any more information, this is ethereal bullshit on par with crystals having energies. I am totally perplexed at the lack of curiosity about the specific causes and details of "human impacts." The division of habitats by so many roads and relentless speeding of cars with no way for wildlife to cross...the dumping of massive amounts of poison into soils and water...the wounding and disturbance of topsoil...these are the "human activities," but we can imagine a world without such destruction, and we can create that world.

Too many essays and papers talking about Nature non-specifically, an Idea of Nature, a Concept that everyone just intuitively knows. Nature is...you know...wildness! and trees! and...well, you know, NATURE!

And we do know! When we step out into the parking lot surrounded by low, squarish buildings and blaring signs and the stink of car exhaust, we know that something is very wrong with this place! Even we find these horrible un-places harsh and unwelcoming.

But it is very hard to imagine something different, because the other type of place, the place that is beautiful and soothes the spirit and is full of life, is by definition the place where humans only go to visit, the complete opposite and inverse of a place where humans work and live! Wherever humans live, shop, eat, fulfill their daily needs, that place is Not Nature.

The huge mistake, is that we believe that it is necessary to have places that are Not Nature. We believe that for humans to exist, areas must be set aside where the very concept of Nature is utterly obliterated.

From this imaginary and dismal point of view, we have to carefully confine our own lives to places that are utterly poisoned, sterilized, made into a hostile wasteland, and leave all the rest of the living biosphere to itself in pristine preserves.

And in this imaginary and dismal point of view, the one that divides Earth into Nature and Humans, it is okay to poison and to sterilize and to destroy, because humans must live SOMEWHERE, therefore Nature must be utterly excluded from at least SOME of Earth.

BUT...WHAT IF EVERYWHERE IS NATURE? What if the dandelions in the cracks of the pavement, the lichens growing on the park bench, the wildflowers on the side of the road, the sparrows in the parking lot—what if they are all Nature just as much as anything else? What if they too are sacred? What if it is our responsibility to see the connectedness of all life and to care for all ecosystems, however broken and hurt they may be?

What if Nature is not distant and abstract, untouched in some pristine place, but always reaching out, digging into the crumbled concrete and gravel and compacted ground, clawing to return to us and bring us back home?

It does not take away from the value of the old-growth forest or the unplowed prairie if we open our eyes and see even the scraggliest patch of overgrown weeds for the powerful manifestation of Nature it truly is.

Nature is not a place or a thing. Nature is the Movement, the Endless Happening, constantly alive throughout all life, the way of all things being family, the way of all things taking care of each other, the way of all life being constantly transformed through one another. You breathe the breath of the trees of your home, you drink the water of the streams of your home, you eat the sunlight that falls on your home, grown in the soil where all things go to be transformed through death into a new form of life, fed by the mycorrhizal network, pollinated by the bees, wasps, flies, and moths, nourished by the bone, blood and manure of beasts, and ultimately the fertile river valleys where agriculture first began, were replenished by the rich silt that washed down the river, which came from the forests in the mountains that shed their leaves to make a feast for a million decomposing critters, which is how the rich soil is made.

In this way they all take care of you, and in return you are asked to Live—to take care of them in return, to live as part of the great family of everything alive, to live, to live

What are human activities...? Deforestation? Mining? Spraying pesticides? Building housing developments? But is that all? Are we inherently a "bad" and "destructive" species, or is our ability to acquire and pass down knowledge, use tools and novel behaviors, alter our surroundings, shape ecosystems, adapt our lifestyles almost infinitely, and persist in almost any environment, simply incredibly powerful for good or for evil?

First of all, what better way to demonstrate a contrast to anthropocentrism...than to compare the impact of humans alone to the impact of an ENTIRE KINGDOM OF LIFE, the fungi????? Of course all of Fungi are more important than one single species??? Wtf?!?!?

But also, we should not convince ourselves of our own insignificance and worthlessness to the biosphere, because in the same way that individual self-loathing can be a way to avoid the hard work of loving oneself and advocating for the love one deserves, collective self-loathing as a species is a way of avoiding the responsibility we have to other life forms.

How can this author not think of a single role Humans play in the ecosystem?? What species plants trees, saves seeds, documents rare plants, rescues injured animals and heals them, raises orphaned chicks, manages controlled burns, digs ponds, thoughtfully harvests in anticipation of future seasons, mercifully culls in understanding of suffering that cannot be fixed? What species writes a new chapter in the genome of the American Chestnut so it can be saved from extinction? What species mends the broken kakapo egg with sticky tape? What species addresses their own habitat with that fondest name of Home?