#but this applies more to real life than fiction

[cat-scarr]

Different anon, not the same one who sent you the courtroom analogy ask. The difference between you and Ben haters, xcatxgirlx, is that you believe it's wrong to coddle the bad behavior of boys because "coddling bad behavior is wrong". But Ben haters believe it's wrong to coddle the bad behavior of boys because "the Wrong Gender is being coddled. We should coddle the bad behavior of girls instead." So, they throw Ben under the bus to prop up toxic girlfriends, because "it's okay when we do it."

I believe it's stupid to ignore the reality of a situation in order to attempt to make a point that's wrong anyway, anon.

I also believe that we should all collectively give Ben a break, because the good things about him GREATLY outweigh the 'bad behavior.' This is not always the case with the female characters. (And this is coming from someone who LOVES chaotic female characters...when they're written to have a good reason to be like that.)

But you're right, there is some serious excusing being done solely because they are female characters. And while I understand the thought process behind it, like I said in response to that last ask, it's misplaced. He is not deserving of their bad behavior.

Or, if someone were to argue that the bad behavior of the girls should be understood in its root cause - in other words, "coddled" - then that could be done without "throwing Ben under the bus" because, more often than not, he's willing to work through those issues with them. He doesn't need to be the bad guy for their behavior to be understood.

[martyrbat]

shaking some of you by the shoulders and forcing you to confront if your self proclaimed pretentiousness is just an excuse to be casually classist or ableist

[neil-gaiman]

Hi Neil.

I know you are flooded with asks and this somehow became extremely long. Too long. “Why am I suddenly telling this poor man my life story?” too long. “I think I’d rather he work on the GO3 script than read this wild beast” too long. “He’s going to think you’re criminally dangerously insane” too long. If you never get to it, I’m good with never seeing a response from you. Maybe it’s better that way? Maybe an anon would have been nice here. But, it’s 2024, so I say “we ball.” It’s a privilege to be able to send this to you at all. You get a lot to this effect and I hope they give you good feels, so maybe what’s the harm, yeah? Because this is not an ask. This is a thank you letter.

First, thanks for reblogging my therapist post, I hope it amused you. I nearly sent you “How am i supposed to explain this to my therapist?!” But refrained. At that time.

So, therapy. What is therapy really? Well…

Things have been really rotten for as long as I can remember. Bad health, bad doctors, bad relationships, bad coping mechanisms, bad all kinds of things. (Yeah, bad is a weak and unhelpful word, my therapist reminds me, but we’re doing this.)

Well, things got even more really really rotten and BAD these last few years. Health declined further, coping mechanisms declined further and more intensely, packed up my life, applied for disability, moved back in with my parents across the country.

Then 4 years ago last week I watched my fiance die of a sudden heart attack. I was 29. Two years later my best friend died. Then last summer I sauntered vaguely into a cancer scare. Not long before an operation my cat who has been my companion through so much garbage died as well. I’m not entirely in the clear on the cancer scare front. All my attempts at going back to work, volunteering, going to grad school - they collapsed on me because I couldn’t get through this STUFF.

(Sometimes when I talk about this, when I tell people, I think “they are going to think you are a raging pathological liar.” Because I’m not sure I would believe someone if they told me all of this happened to them. In such a short time period. All before they were 35. And hell if that hasn’t been isolating. You know how it sounds? Lonely. And it is.)

I did the hypervigilant and sensation/experience chasing stage of PTSD. It got me in a lot of trouble in all kinds of ways. I had to do a lot of medical and psych advocating because things kept getting worse. That was exhausting. Then that peaked. I went into the thick of the “I feel absolutely nothing” stage for a long time. I didn’t feel fatigue or hunger or thirst. Not people, feelings, a reason. Not hope.

But of course, like seems be for a lot of us, I somehow found Good Omens at just the right time. I was a very “I’m so cool and intellectual I mostly consume non-fiction media” person for too long. Like, what? How is that even a real thing? And it wasn’t real. It was just part of this curated autism mask that I don’t think anyone really bought anyway.

I think I got to a point where I’d just had too much reality. I needed fantasy. I didn’t realize I always needed it. But I denied myself for too many odd and painful reasons. Maybe I thought it was an escape I didn’t deserve.

But as it turns out, it wasn’t an escape. I watched both seasons last fall, and then this light came on. I watched it again and again.

I came to tumblr because I needed more. I found this fandom. I stepped into this beautiful world of fanart and fanfiction and brain flexing meta writing and a sense of community and wonder that you and Terry created - that everyone involved in the show inflated - exploded in the right way - like fireworks if fireworks were some kind of autocatalytic reaction - a self perpetuating force.

It’s not a “saved my life” feeling. Not a “getting my life back” feeling. It’s been a “maybe it’s time for you to have the life you’ve always been denied - that you’ve denied yourself” feeling.

I’m creating. I’m not “great” yet. Not terribly “good” at all. Maybe “behind” as far as the “proper” timeline for starting. I know there isn’t one, not really, but boy does that society machine make ya feel like there is. And sure, I started and stopped a lot in the past. But the second it got hard I always gave up. I felt like if I didn’t get it “right” to begin with, then I just didn’t have it in me at all. But for once I’m really in it. I’m writing and trying to draw things that look less like fever dream five year old drawings. (Not that there’s anything wrong with those, is there? 🙃) I’m eating better. I’m sleeping better. I reach out to old friends more. I’ve made new friends who share this love of Good Omens.

My therapist has been floored by the change in me. After that first funny mini flop, he has been so encouraging about it. I saw him this week and I said “Maybe this is helping me get prepared to start living again. Maybe it’s a springboard.” And he honest to god said “But You ARE living. This is YOU LIVING. Why does it have to be a springboard? Why do you have to turn this into ‘work?’ Just let yourself have this for once in your life.”

But there were two more added elements that made it all work. And I can’t help but think this whole brainrot thing wouldn’t have happened without them. So many things just happened all at just the right time - a proper coincidence.

In all of the madness of the last few years I finally got the memo that I'm autistic. i figured I was for a while. But it finally sunk in for me and my docs and my people. So I’d been working on unpacking that. Grieving the life that could have been entirely different, shedding the mask. I let myself hyperfixate openly instead of hiding it and hating myself for “spiralling” or “obsessing” like others -!like ‘I’ always punished myself for before we knew that it was a trait and not a personality flaw.

Then over the last few months my therapist and I started trying this new exercise. One session he stopped me and said “in the last 20 minutes you have responded to what I’ve said with 9 ‘I knows.’” My response to that? “Ugh, I know.” So we started this “I know” swear jar type situation. Really, I’ve been afraid of not knowing. I couldn’t let myself “not know.” Because it meant I was “dumb.” I was just drowning for so long in guilt and self loathing for the “I knew better and screwed up anyway.” Or “I should’ve known better - I should know that by now.”

As it turns out, there’s a lot of things I don’t know. That I didn’t know. Things I will never know. And refusing to admit all of that kept me from learning a damn thing. Kept me from asking questions. Kept me from trying new things because it was scary to do something new - something unknown - and I "knew" how it would all turn out anyway. Kept me from connecting with people because it was painful or embarrassing when they knew things I didn’t and it seemed like I already should have. Kept me from getting better at making art, music, writing. Kept me from forgiving myself. Kept me from growing. And kept me from moving forward. Maybe not on. I don’t know if we ever “move on” from things. But we can move forward as we carry them. And as we do, the weight gets less. We’re able to carry it better. But only if we can admit that we don’t know how. Only if we don’t treat ourselves like this is something we do know or should know and we’re just failing because we’re less than. Not good enough. Not strong enough. Not deserving. We have to be able to say “I don’t know how to do this.” And then we can start looking for the answers. We can ask. We can learn.

I thought about the apple. Being able to tell the difference between good and evil. Aziraphale’s years and years of watching what he “knows” to be true be proven wrong. Crowley’s need to ask questions…

The simple and enormous gift of “Knowledge.” The “Knowledge” of the difference between Good and Evil. The “Knowledge” that can only be gained by realizing, accepting, admitting that there are things we don’t know. Asking the questions. Sometimes we get answers we don’t like. Sometimes the consequences of asking hurt us. And unless you want to stay in that painful place that painful knowledge got you, well, you’ve got to let yourself learn how to get out.

So all of this good? I never expected this. I never thought I deserved it. Joy and belonging and this sense that “Yeah, maybe things can get better. Maybe things can be good.” Because I said those things, not truly believing them, to the people I thought needed to hear it. But it couldn’t save them. It was hollow. The proof for us wasn’t really in our orbit or on our radar at the time. And now they’re gone.

People always say “it’s never too late.”

One of the people I lost said “it’s later than you think.”

I jokingly would respond “it’s already too late.”

It was for him in the end. For them. For some people I guess it really is. But maybe a lot of the “too late” people are there because they think “they know” that things will never be good for them. So they stop looking, they stop asking, stop finding. And eventually they just stop.

Then there came Crowley’s “It’s always too late.” The first time I heard it I thought “For sure, Crowley-cakes, I KNOW.”

But then…I just needed to rewatch the whole thing. And lines like that…familiar things…familiar themes…I was suddenly identifying with these characters. I suddenly saw myself. And the realization hit - I connected with something! Something new. And I FELT THAT. And that tiny little crack that made in the wall was just enough to start breaking it down. Yeah, when you start letting yourself feel after not feeling for so long, opening up to the good feelings means opening up to feelings and then the bad ones come out too. But when there IS good … it helps you balance. You can deal with the bad a little better because you’ve got the good thing to lean against when it gets too much. And now you’ve got feelings. You’ve got good and bad. You’ve got sticky foggy grey. You’ve got life.

Whew.

So, TLDR, thank you. From the bottom of my slowly healing heart, thank you.

And to sign off with some shits and giggles… I couldn’t find this in existence as a sticker so I had to custom order. Perhaps this will spread misery and panic among the humans of my city - or at least a malignant and creepy sense of unease.

Or maybe they’ll say “wtf” and go home and google it and they’ll fall into the Good Omens hole they never knew they needed too.

Thank you for this. I never quite know what to say to messages like this apart from I am really glad that it helps. (It becomes the weird extra piece that I worry about when writing season 3 -- hoping that it will be that thing again. Not just a story, but something that helps people feel and helps with healing and helps with love.)

[cripplecharacters]

The Mask Trope, and Disfiguremisia in Media

[large text: The Mask Trope, and Disfiguremisia in Media]

If you followed this blog for more than like a week, you're probably familiar with “the mask trope” or at least with me complaining about it over and over in perpetuity. But why is it bad and why can't this dude shut up about it?

Let's start with who this trope applies to: characters with facial differences. There is some overlap with blind characters as well; think of the blindfold that is forced on a blind character for no reason. Here is a great explanation of it in this context by blindbeta. It's an excellent post in general, even if your character isn't blind or low vision you should read at least the last few paragraphs.

Here's a good ol’ tired link to what a facial difference is, but to put it simply:

If you have a character, who is a burn survivor or has scars, who wears a mask, this is exactly this trope.

The concept applies to other facial differences as well, but scars and burns are 99% of the representation and “representation” we get, so I'll be using these somewhat interchangeably here.

The mask can be exactly what you think, but it refers to any facial covering that doesn't have a medical purpose. So for example, a CPAP mask doesn't count for this trope, but a Magic Porcelain Mask absolutely does. Bandages do as well. If it covers the part of the face that is “different”, it can be a mask in the context used here.

Eye patches are on thin ice because while they do serve a medical purpose in real life, in 99.9% of media they are used for the same purpose as a mask. It's purely aesthetic.

With that out of the way, let's get into why this trope sucks and find its roots. Because every trope is just a symptom of something, really.

Roughly in order of the least to most important reasons...

Why It Sucks 

[large text: Why It Sucks]

It's overdone. As in — boring. You made your character visibly different, and now they're no longer that. What is the point? Just don't give them the damn scar if you're going to hide it. 

Zero connection with reality. No one does this. I don't even know how to elaborate on this. This doesn't represent anyone because no one does this.

Disability erasure. For the majority of characters with facial differences, their scars or burns somehow don't disable them physically, so the only thing left is the visible part… aaand the mask takes care of it too. Again, what's the point? If you want to make your disabled character abled, then just have them be abled. What is the point of "curing" them other than to make it completely pointless?

Making your readers with facial differences feel straight up bad. I'm gonna be honest! This hurts to see when it's all you get, over and over. Imagine there's this thing that everyone bullied you about, everyone still stares at, that is with you 24/7. Imagine you wanted to see something where people like you aren't treated like a freakshow. Somewhat unrealistic, but imagine that. That kind of world would only exist in fiction, right? So let's look into fiction- oh, none of the positive (or at least not "child-murderer evil") characters look like me. I mean they do, but they don't. They're forced to hide the one thing that connects us. I don't want to hide myself. I don't want to be told over and over that this is what people like me should do. That this is what other people expect so much that it's basically the default way a person with a facial difference can exist. I don't want this.

Perpetuating disfiguremisia. 

"Quick" Disfiguremisia Talk

[large text: "Quick" Disfiguremisia Talk]

It's quick when compared to my average facial difference discussion post, bear with me please.

Disfiguremisia; portmanteau of disfigure from “disfigurement” and -misia, Greek for hatred. 

Also known as discrimination of those mythical horrifically deformed people.

It shows up in fiction all the time; in-universe and in-narrative. Mask trope is one of the most common* representations of it, and it's also a trope that is gaining traction more and more, both in visual art and writing. This is a trope I particularly hate, because it's a blatant symptom of disfiguremisia. It's not hidden and it doesn't try to be. It's a painful remainder that I do not want nor need.

*most common is easily “evil disfigured villain”, just look at any horror media. But that's for another post, if ever.

When you put your character in a mask, it sends a clear message: in your story, facial differences aren't welcome. The world is hostile. Other characters are hostile. The author is, quite possibly, hostile. Maybe consciously, but almost always not, they just don't think that disfiguremisia means anything because it's the default setting. No one wants to see you because your face makes you gross and unsightly. If you have a burn; good luck, but we think you're too ugly to have a face. Have a scar? Too bad, now you don't. Get hidden.

Everything here is a decision that was made by the author. You are the one who makes the world. You are the person who decides if being disabled is acceptable or not there. The story doesn't have a mind of its own, you chose to make it disfiguremisic. 

It doesn't have to be.

Questions to Ask Yourself

[large text: Questions to Ask Yourself]

Since I started talking about facial differences on this blog, I have noticed a very specific trend in how facial differences are treated when compared to other disabilities. A lot of writers and artists are interested in worldbuilding where accessibility is considered, where disabled people are accepted, where neurodivergence is seen as an important part of the human experience, not something “other”. This is amazing, genuinely.

Yet, absolutely no one seems to be interested in a world that is anything but cruel to facial differences. There's no escapist fantasies for us.

You see this over and over, at some point it feels like the same story with different names attached.

The only way a character with a facial difference can exist is to hide it. Otherwise, they are shamed by society. Seen as something gross. I noticed that it really doesn't matter who the character is, facial difference is this great equalizer. Both ancient deities and talking forest cats get treated as the same brand of disgusting thing as long as they're scarred, as long as they had something explode in their face, as long as they've been cursed. They can be accomplished, they can be a badass, they can be the leader of the world, they can kill a dragon, but they cannot, under any circumstances, be allowed to peacefully exist with a facial difference. They have to hide it in the literal sense, or be made to feel that they should. Constantly ashamed, embarrassed that they dare to have a face.

Question one to ask yourself: why is disfiguremisia a part of your story?

I'm part of a few minority groups. I'm an immigrant, I'm disabled, I'm queer. I get enough shit in real life for this so I like to take a break once in a while. I love stories where transphobia isn't a thing. Where xenophobia doesn't come up. But my whole life, I can't seem to find stories that don't spew out disfiguremisia in one way or the other at the first possible opportunity.

Why is disfiguremisia a default part of your worldbuilding? Why can't it be left out? Why in societies with scarred saviors and warriors is there such intense disgust for them? Why can't anyone even just question why this is the state of the world?

Why is disfiguremisia normal in your story?

Question two: do you know enough about disfiguremisia to write about it?

Ask yourself, really. Do you? Writers sometimes ask if or how to portray ableism when they themselves aren't disabled, but no one bothers to wonder if maybe they aren't knowledgeable enough to make half their story about their POV character experiencing disfiguremisia. How much do you know, and from where? Have you read Mikaela Moody or any other advocates’ work around disfiguremisia? Do you understand the way it intersects; with being a trans woman, with being Black? What is your education on this topic?

And for USAmericans... do you know what "Ugly Laws" are, and when they ended?

Question three: what does your story associate with facial difference — and why?

If I had to guess; “shame”, “embarrassment”, “violence”, "disgust", “intimidation”, “trauma”, “guilt”, “evil”, “curse”, “discomfort”, “fear”, or similar would show up. 

Why doesn't it associate it with positive concepts? Why not “hope” or “love” or “pride” or “community”? Why not “soft” or “delicate”? Dare I say, “beauty” or “innocence”? Why not “blessing”? “Acceptance”?

Why not “normal”?

Question four: why did you make the character the way they are? 

Have you considered that there are other things than “horrifically burned for some moral failing” or “most traumatic scenario put to paper”? Why is it always “a tough character with a history of violence” and never “a Disfigured princess”? Why not “a loving parent” or “a fashionable girl”, instead of “the most unkind person you ever met” and “total badass who doesn’t care about anything - other than how scary their facial difference is to these poor ableds”? Don’t endlessly associate us with brutality and suffering. We aren’t violent or manipulative or physically strong or brash or bloodthirsty by default. We can be soft, and frail and gentle and kind - and we can still be proud and unashamed.

Question five: why is your character just… fine with all this?

Can’t they make a community with other people with facial differences and do something about this? Demand the right to exist as disabled and not have to hide their literal face? Why are they cool with being dehumanized and treated with such hatred? Especially if they fall into the "not so soft and kind" category that I just talked about, it seems obvious to me that they would be incredibly and loudly pissed off about being discriminated against over and over... Why can't your character, who is a subject of disfiguremisia, realize that maybe it's disfiguremisia that's the problem, and try to fix it?

Question six: why is your character wearing a mask? 

Usually, there's no reason. Most of the time the author hasn't considered that there even should be one, the character just wears a mask because that's what people with facial differences do in their mind. Most writers aren't interested in this kind of research or even considering it as a thing they should do. The community is unimportant to them, it's not like we are real people who read books. They think they understand, because to them it's not complex, it's not nuanced. It's ugly = bad. Why would you need a reason?

For cases where the reason is stated, I promise, I have heard of every single one. To quote, "to spare others from looking at them". I have read, "content warning: he has burn scars under the mask, he absolutely hates taking it off!", emphasis not mine. Because "he hates the way his skin looks", because "they care for their appearance a lot" (facial differences make you ugly, remember?). My favorite: "only has scars and the mask when he's a villain, not as a hero", just to subtly drive the point home. This isn't the extreme end of the spectrum. Now, imagine being a reader with a facial difference. This is your representation, sitting next to Freddy Krueger and Voldemort.

How do you feel?

F.A.Q. [frequently asked questions]

[large text: F.A.Q. [frequently asked questions]]

As in, answers and “answers” to common arguments or concerns. 

“Actually they want to hide their facial difference” - your character doesn’t have free will. You want them to hide it. Again; why.

“They are hiding it to be more inconspicuous!” - I get that there are elves in their world, but there’s no universe where wearing a mask with eye cutouts on the street is less noticeable than having a scar. Facial differences aren’t open wounds sprinkling with blood, in case that's not clear.

“It’s for other people's comfort” - why are other characters disfiguremisic to this extent? Are they forcing all minorities to stay hidden and out of sight too? That’s a horrible society to exist in.

“They are wearing it for Actual Practical Reason” - cool! I hope that this means you have other characters with facial differences that don’t wear it for any reason.

"It's the character's artistic expression" - I sure hope that there are abled characters with the same kind of expression then.

“They’re ashamed of their face” - and they never have any character development that would make that go away? That's just bad writing. Why are they ashamed in the first place? Why is shame the default stance to have about your own face in your story? I get that you think we should be ashamed and do these ridiculous things, but in real life we just live with it. 

"Now that you say that it is kinda messed up but I'm too far into the story please help" - here you go.

“[some variation of My Character is evil so it's fine/a killer so it fits/just too disgusting to show their disability” - this is the one of the only cases where I’m fine with disability erasure, actually. Please don’t make them have a facial difference. This is the type of harm that real life activists spend years and decades undoing. Disfiguremisia from horror movies released in the 70s is still relevant. It still affects people today.

"But [in-universe explanation why disfiguremisia is cool and fine actually]" - this changes nothing.

Closing Remarks

[large text: Closing Remarks]

I hope that this post explains my thoughts on facial difference representation better. It's a complicated topic, I get it. I'm also aware that this post might come off as harsh (?) but disfiguremisia shouldn't be treated lightly, it shouldn't be a prop. It's real world discrimination with a big chunk of its origins coming out of popular media.

With the asks that have been sent regarding facial differences, I realized that I probably haven't explained what the actual problems are well enough. It's not about some technical definition, or about weird in-universe explanations. It's about categorizing us as some apparently fundamentally different entity that can't possibly be kind and happy, about disfiguremisia so ingrained into our culture that it's apparently impossible to make a world without it; discrimination so deep that it can't be excised, only worked around. But you can get rid of it. You can just not have it there in the first place. Disfiguremisia isn't a fundamental part of how the world works; getting rid of it won't cause it to collapse. Don't portray discrimination as an integral, unquestionable part of the world that has to stay no matter what; whether it's ableism, transphobia, or Islamophobia or anything else. A world without discrimination can exist. If you can't imagine a world without disfiguremisia in fiction... that's bad. Sad, mostly. To me, at least.

Remember, that your readers aren't going to look at Character with a Scar #14673 and think "now I'm going to research how real life people with facial differences live." They won't, there's no inclination for them to do so. If you don't give them a reason, they won't magically start thinking critically about facial differences and disfiguremisia. People like their biases and they like to think that they understand.

And, even if you're explaining it over and over ;-) (winky face) there will still be people who are going to be actively resistant to giving a shit. To try and get the ones who are capable of caring about us, you, as the author, need to first understand disfiguremisia, study Face Equality, think of me as a human being with human emotions who doesn't want to see people like me treated like garbage in every piece of media I look at. There's a place and time for that media, and if you don't actually understand disfiguremisia, you will only perpetuate it; not "subvert" it, not "comment" on it.

I hope this helps :-) (smile emoji. for good measure)

Mod Sasza

[rheakira]

I've come to temporarily break my hiatus to bring up something deeply important. Because after a recent event, if I have to go another day without talking about it, I don't know what I'll do.

Fandoms have an enormous issue when it comes to bigotry and people feeling comfortable enough to be openly bigoted.

And I want to make it clear: everyone is capable of it. In fact, most people do it more often than they don't. But because this strange myth has been built up that if you aren't "blatantly saying slurs" or "killing others" it can't possibly be bigotry, we have done nothing but become dangerous behind closed doors.

If your friend has odd beef with a person of color in the fandom and holds them to standards they don't hold their white friends to, that is bigotry. If your friend feels some sort of way about the trans person in your friend group and tries to come up with reasons for why they specifically can't stay, that is also bigotry. If your group insists that a person with a personality disorder is making it up just for attention and uses that as a reason for why they can't be around them, that is bigotry as well.

I've never been upfront about it because... why do I, as a human being, need to be upfront about my identity when people randomly decide what I am? But I am in fact a person of color who is queer and disabled. Whenever I join a fandom group that is mostly white people, I am liked until this is discovered. And then I watch as people get brutal about things I do or say. Things that they don't do to other people in the group, and I also watch as they take my words and either twist them for convenience or ruin my reputation for it.

As a marginalized person, both in fandom and out, you are held to a unique standard that does not apply to other human beings around you. It makes doing what you love very difficult, because unfortunately as a marginalized person, people will always subconsciously side with the person trying to oppress or attack you. This has happened to me my entire life, from school to work spaces to even internet spaces claiming to be safe places.

People will say that they care about you and like you and even form a friendly bond with you, but the moment a person of privilege decides they do not like you very much, they can and will side with the other person even without proof of their issues with you. It's exhausting and ruins lives in places that should be fun and safe.

I am on my umpteenth experience with this exact cycle and I would be lying if I said it didn't make me feel like I couldn't live or breath in places I should be allowed to be involved in. It's a very real problem that refuses to end because no one has the courage to challenge it. I am speaking not only on my own experiences, but for the many other people of color or queers or disabled people who simply cannot join these so called "safe spaces" because of our identities conflicting with people who have been taught that we are lesser and not worth love or care.

If this is a problem you face, please know that I see you and I love you. It's hard to keep surviving in a world that wants to hurt you and leaves you abandoned and alone. I want you to know that the world is scary, but we all exist. You should be allowed to experience joy and fun without feeling like you're being suffocated and wanting to die.

You matter. The people around you that make you feel like you don't are nothing by comparison. You matter and I truly hope that we'll one day find each other and become the safe space that we deserve.

The marginalized people in your fandom are more important than your fictional characters and plotlines that you put above us. We're here and we're not leaving. Learn to live with us and protect us.

If we're truly your friends, you would care when your privileged "friends" want to remove us.

Additionally, please do not take this rant and make it only about white people who are part of these marginalized categories. This is a post about EVERYONE. Including the people of color around you. Do not remove us from this conversation. Care about ALL OF US if you support this at all. Thank you.

[lillsisamarshmallow]

7 Hybrids Moved In With Me Masterlist

Pairing: Hybrid!Poly!BTS x Fem!Reader

Word count: 83.1k

Read time: 6hrs 15mins

Warnings: Slight Swearing, Homelessness, Mentions of Violence, Blood, Fluff, Reader is described as being ‘smaller’ and ‘shorter’ than the boys.

Genre: Hybrids AU, Fluff, Angst, SWF, Caretaker!Reader

Status: Ongoing

Description:

When the dog hybrid who visits her bakery starts taking extra food Y/N follows it through the alleys to find out why, but what happens when she stumbles upon an empty alley only to find 6 more hybrids and some very familiar pastries?

Chapters:  17/30

Teaser (0)

Bake, Eat, Run (1)

Trespassing (2)

Bunny Boy (3)

Nurse Y/n (4)

Roommates? (5)

Living Arrangements (6)

Water Fountain in the Kitchen! (7)

Rainy days, mysterious notes, and wet apologies (8)

It’s over…? (9)

Working Boys (10)

The Plan (11)

Fair Day (12)

The Betrayal (13)

House Guests (14)

Jealous! Jealous! Jealous! (15)

Hickeys, House, and Heated gazes (16).

Moving day! (17)

Getting back to normal (18)

Finally at peace (19) coming soon...

Unwelcome guests and the problems they bring (20) coming soon...

Overdue Reunion (21) coming soon...

Resurfaced Memories (22) coming soon…

Keeping it Together (23) coming soon...

*This story is also posted on my Wattpad*

 ⚠!This is a work of fiction so please to don't apply anything seen and shown in the book to real life people or situations!⚠

 P.S.

I love receiving feedback and seeing people make up their own theories, headcannons, and ideas about my work so please feel free to do that and ask me any questions you like about the work! This is also my first long term/full length project and the first writing project in a few years. 😊

[soapoet]

describing your next love...

...because i'm just as nosy as you are.

like & rb if it resonates ♡

01.

Shufflemancy: Lucky people by Waterparks

they have a very sunny energy. the kind that peaks out behind the clouds after a fall of rain. rejuvenating, always welcome. they try their best to stay optimistic, for loved ones and strangers alike. it feels a little tragic because there is a darkness inside them that they choose to ignore. their sunny disposition seems less like a mask and more like armour. it's what has gotten them this far. they may have had a rough childhood, and their heart may have been wounded particularly by one of their parents. they struggle with mental health and might be neurodivergent. they're the kind of person to end a depressing sentence with 'lmao', or turn a therapy session into a stand-up comedy show. they cope with their struggles through humour, because if they take themselves and their problems too seriously and lean in too close to where it hurts, the pain becomes overwhelming. their heart is much like a dam, holding back tons of tears of almost biblical proportions. even still, if they opened the floodgates they'd find a way to muster a 'noah, get the arc' joke to force some sunlight through the clouds.

despite their dance around their own feelings, they're encouraging of others expressing theirs, and stand firmly by their side and always have a shoulder to offer if needed. they love to make people laugh, and aren't afraid of making a fool out of themselves if it puts a smile on someone's face. they'll gladly cast themselves as a jester if it makes their loved ones feel like royalty. they're very excitable and fun to be around. at their best they are a firecracker, bursting with an energy so infectious and bright. they're creative and very passionate about their hobbies, often to the point of obsession. it seems like all they do they do with such love. like a show is never just a show, but a whole world of its own to explore and come to know as home. they love the escapism of foreign lands, fictional and real, and something about them makes a simple trip to the grocery store an adventure with many memories to one day share.

you either already know them, or will meet them very soon. especially if you're in a transitional period, moving away, changing jobs or applying to schools, then this is a person you'll meet in this next chapter of your life. this has friends to lovers written all over it. you might be in the same friend group, or meet them through a mutual friend. their hair stands out for some reason. it could either be in the literal sense because it's messy, perpetual bedhead, or they have a unique colour or cut. perhaps they change their hair frequently and have a bit of chameleon vibes in which they become unrecognisable with every change that they make to their appearance. they're average in height but could look taller than they actually are. their posture isn't the greatest, especially if they're an artist of some kind. they have golden retriever energy and may be a dog person in general. for some, they have freckles or dimples, or prominent birth marks. there's a lot of mutual pining involved before anything happens. they're a little bit oblivious, too. someone else might have to step in to spell things out for either of you.

02.

Shufflemancy: Into you by Ariana Grande

being playful and flirtatious can get you in quite a bit of trouble, and they know this from experience. they're attractive, and seem very aware of it, though there is less legitimate arrogance and more playful cockiness involved. they like to make an effort to look good, and have a strong appreciation for a partner who does the same. generosity may be a way they show this appreciation because they understand the time and maintenance this effort can take, and are of the mindset that they ought to reward what they like rather than simply expect it or take it for granted. they're likely involved in business such as investments or trade, or could be working on building a business of their own. they're physically fit, and might frequent the gym or be into sports. they have a lot of stamina because of this, so do with that information what you will.

they could have a bit of a reputation due to an unscrupulous past, and it is one they have done much work to rewrite. they want to settle down, but haven't found someone they could commit to. a big issue for them is the way fun gets sucked out of things too quickly in the relationships they've been in. they're very spontaneous and have a big capacity for romance, but they often find themselves lacking space and time to do anything special. like how you would decide to clean the house to surprise your mother, only to have her call and ask you to do just that, ruining the gesture. similarly, in their relationships they may find themselves cornered, and in the suffocation of their freedom and passion their capacity and desire to impress and to woo begins to fade like a smothered flame, which in turn causes strife. and the nagging that so often followed turns them into a complacent shell of themselves, wherein it's better to nod along than risk discord. they seek an equal. somebody powerful in their own right, who can support them and be supported in return. they want love to be an adventurous undertaking of a power couple ready to seize the day.

this feels like a right person wrong time -scenario. when you meet they're probably in a relationship with someone else, or you are. you could meet at some sort of social gathering or organised event like a fundraiser or a concert. there's a distinct sense of delay here, though the interest is mutual and very persistent right from the beginning. they could hold themselves back from pursuing anything with you at first because they want a clean slate. it may at first to you seem like frustrating indecision and make you question their intentions, even integrity, but they may just be untangling their life and closing chapters. they yearn for the long-term and would like the house and the kids and whole nine yards, but need to make sure their life is upright, straightened, and ready for it. there is a playful glint in their eyes, which may be hazel or brown. there is a distinct warmth to them and a loving gaze feels especially adoring from them. they would make a very good and attentive parent and spouse for the right person. there could be a noticeable size difference between you. if you're softer and curvier, they're more angular and dense, and if you're shorter, they're taller, etc.

03.

Shufflemancy: Great shipwreck of life by IAMX

oh, how charming! they're gregarious, and attract quite a few admirers. though it seems they take few, if any, seriously at all. their popularity may be a byproduct of an important or visible position that they hold. they could be a prominent figure within their community or be very successful in their field of work or hobbies. their schedule is often packed with meetings, events and social obligations. they could travel a lot too, both for pleasure and for work. for their work they may spend extended periods of time away from home. in spite of their sociable persona, they keep their private life very private, under lock and key, and may even be secretive about it to an extent. they may be unapproachable or simply be unattainable by people outside of their established circles. there is an element of social games or hierarchical factors present in their life, and whilst they're good at networking, climbing ranks, or beating records, they may actually find many around them to be uninteresting or outright obnoxious. where they spend their professional hours draws a lot of similar types of people together, and their tastes differ quite a bit. being married to their work in a way leaves few options for them in love since they look for something outside of their norm, which they have little time to explore.

there could be a fear of being taken advantage of. like they can't seem to trust people easily, and expect everyone to have ulterior motives. to use them or get something from them. these trust issues run deep, and either they have been burnt before or have watched somebody close to them fall from grace and are afraid they'll share that same fate. there could also be legal reasons for their caution, as they may have signed contracts or taken an oath that dictates what they can and cannot share, particularly if they work for the government or a big corporation.

this connection might begin online or otherwise have distance involved even if you meet in person first. lots of messages or calls. they revel in good banter and enjoy entertaining more out-there ideas. they feel starved off of deeper conversations because their life seems to revolve around a lot of simple niceties and professional talk with tons of things redacted, edited, and filtered to fit into a very narrow box deemed correct and good and appropriate. it's very tiring and wears them out, even though they won't show it. they really appreciate things that differ from the norm or breaks the status quo in some way. what they consider their type is also very different from what would be expected of them, and their peers would be shocked to hear what they find ideal both in terms of a partner and a life that they would like to lead. their voice seems important too. they have a very attractive voice, could be a great speaker or an artist. their hair is either longer or shorter than average (shorter for women, longer for men), and their physique leans slimmer and angular, not a lot of curvature just lots of straight lines and sharpness.

04.

Shufflemancy: Willow by Taylor Swift

they probably don't get out much. most if their life occurs behind closed doors. they could work or study remotely, and their schedule might be different from the usual nine to five. their friends and family may live at a distance, too, which leaves them few reasons to leave the house. they need mental stimulation and might be a little high-strung, their nerves like violin strings wound too tight. independence is of great importance to them and their boundaries are clear, almost like austere walls protecting a castle. they appear aloof and don't say much, especially around strangers. though their shyness is often overruled by their intrigue. they like to tinker with things and minds alike, and may often step in to play devil's advocate just to stir the pot. especially in their boredom they may seek out discourse as a form of entertainment. they have strong opinions, but are not stubborn or unable to bend. in fact, something they abhor is weak convictions and mindless agreement. they respect admittance of ignorance far more than the parroting of popular opinions if there is a lack of substance behind them. they really do not seem to mind different views at all, and may surround themselves with people of all walks of life and various temperaments and opinions. this is in part driven by an insatiable thirst for knowledge. it's as though they've made their quest in life to seek information and learn everything they can in one short lifetime. they are open-minded and curious, and have great respect for anyone who has something to teach them. and they're a great teacher themself! even if they do not literally teach as a part of their work, they might have been told by many that they should consider it because they really have a way of adapting information, hand-tailoring it to their audience, so that even complex things get delivered and comprehended.

where they may be a great source of knowledge and advice to those around them, they aren't the greatest in terms of emotional support. they are a problem solver, and they can't fix tears. they try, but it feels clumsy and awkward. though that can be a little charming, too. they care a lot, more than people might expect. they're just terrible at showing it through big and extravagant gestures and displays of affection. they're more likely to give praise or take on tasks to unburden you. they like routine and solitude and seek someone who rivals the comfort of their peace and quiet. they could die happy if they could simply share a space comfortably with someone without constant noise, buzz, and attention. they could be strangely private about things that don't necessarily call for privacy. like, they might easily drop childhood lore in a casual conversation, but find inquiries about what they did yesterday suspicious even if they didn't do anything special.

because this is a bit of a 'rapunzel, rapunzel, let down your hair' -type of situation where they're very comfortable in their ivory tower that gets no visitors, it might take a while before you meet them. they're far more social online and you could meet through common interests like online games, subreddits, discord, or through mutual friends. if you already know them, there may be a sense of unrequited love for a while. they rarely act on their infatuations and just wait it out, enjoying the feelings for what they are but do little, if anything, about them. alternatively they participate in very indirect chasing that appears more like making the other person chase them. they have attractive hands, could be ambidextrous or they fidget a lot with their hands. they may be a writer, play an instrument or play a lot of video games. they always appear deep in thought or even a little irritable, even if they're actually not. not so much RBF as simply spacing out. their eyes seem hazy. whichever colour they are it looks desaturated and blurry, like there's mist covering them. blues lean greyish, greens look muddy, browns look more true and lack the amber warmth. they might wear glasses or contacts. regardless of race they're a little paler and may have some health concerns or struggles.

05.

Shufflemancy: I want you to want me by Chase Holfelder

there is something broken here. their home, their heart, or perhaps their mind. it'll be difficult to break through this shell because the exterior is harsh and uninviting. whatever it is that haunts them, it really shows in their relationships. they walk a path seemingly unlit and full of horrors, leaving behind them a trail of broken hearts. pieces of both their own and those of past lovers scattered along the way. to some their love is suffocating, draining and overbearing. when they get attached they latch on with a powerful grip that seems unyielding. they're a rock that could weather the strongest of storms and they're used to being a pillar of strength. but it seems as though their past is full of people who would have needed the room to bend with the winds and were left feeling too restricted. they may have a jealous streak that's rooted in fear of betrayal, likely from past hurts. they could struggle with a mental illness or have history of abusing drugs or alcohol to numb what haunts them.

they really want a partner in crime. someone who is similar to them and understands their turmoil. they have a big capacity to understand and deal with heavy burdens and mental issues in a partner too and aren't easily fazed by emotional outbursts or any type of spiraling mentally or emotionally. they also remind me of the quote 'a hero will sacrifice the person they love to save the world, a villain will sacrifice the world to save the person they love'. they seem a bit like an outcast or a misfit, and those closest to them may also be underdogs and form a very tight-knit group. they're a little bit of a hopeless romantic and have a soft side. if they're musically inclined they might write you a song, or otherwise use writing as a way to express their feelings in a deeper way. their cold and rough exterior is there to ward off the most frail and flaky. they don't want to ruin dainty petals or have their own ripped out by players.

funnily enough they actually look like one themselves. they have that quintessential heartbreaker look to them. the one all the movies deem nothing but trouble. a villain in the story of many but their own and those closest to them. there is a feminine energy close to them that they're very protective of, like a sister or mother. for some they might be providing and caring for a sick relative. they have an unusual job or field of study, and peculiar working hours. they might work a graveyard shift, gigs, or do work that's seasonal or done on the go. music plays a big role in their life and you could meet them at a concert or through another kind of relation to a band or artist you both enjoy. they take a keen interest in the strange, and the mysteries of life. they might study the occult, enjoy conspiracy theories, true crime, etc. they're distinctly cool toned, blondes are dirty and ashy, browns are void of red pigment and lean darker, almost black. blue eyes are very cold and piercing, and brown eyes are very dark and may appear black. they have piercings, tattoos or scars and may bruise easily, or be into those things in others.

06.

Shufflemancy: Trust by Boy Epic

somebody send this person on a mandatory holiday. i really should not have left this one for last, because the energy is really heavy. their life seems unbalanced, like it is all work and no play. there is a jittery energy here as though they are running on fumes and caffeine to fuel a big machine with hundreds of intricately moving parts. they might work in real estate, management, law, IT, or have a lot of people they're in charge of who depend on them. they have impeccable memory and somehow manage to stay on top of things with ease. they like being personally involved and may be hands-on with many of their projects. task management comes naturally to them. it's as if they're playing a game of chess with life and stay aware of every possible variable and reach outcomes long before they show in the present. this spills into all areas of their life and allows them to map out goals with great precision, leaving very little room for uncertainty. they're very stable and competent. but they're also miserable. even though they enjoy their work for its challenges and the heights it allows them to reach, it may seem to them as though they are wearing themselves out without real purpose beyond the accolades. like they're building an empire in vain because there is nobody to share their glory. they want more from life, namely a home. their home is as big as it is hollow and they don't like it there. it lacks a lot of love and light and they wish to bring some of that into it through children and a spouse.

they may come from a big family themselves, even one of good fortune. their discipline and work ethic is likely something instilled in them by a father figure, and there could be a bit of an eldest child complex at play, wherein they have always felt the need to set an example for their younger siblings, but also feel embittered by what they cannot get away with that others so easily can. they could use with a bit of whimsical and carefree energy in their life. they're aware of it too, as they find a bit of chaos oddly attractive in a partner. in previous relationships they may have been with people far too similar to them, allowing them no place of restoration and solace, but instead a constant movement of the goal post. they seek someone comfortable and more easy-going who can help them relax and live a little. they are generous and would spoil a worthy partner rotten, but are also afraid of gold diggers and don't want to be taken advantage of, as they may have run the risk of in the past.

out of all groups, this one leans the oldest. depending on your age they could easily be 5-10 years your senior, and if you're very young it will likely take some time before you meet them. you might meet through work, through coworkers, at a work related event, or if it is a leisurely occasion it's one with a mixture of age groups like a family gathering of sorts. for a few, you could run into them a few times at random whilst running errands and going about your daily routines. either way interest is established quickly, even though they may seem stand-offish or even stiff at first. in actuality they busy themselves with observing, and throughout your interactions, and your interactions with other people in their presence, they size you up and try to figure you out. they could be very taken with you, but they try their best to not show it. they're cordial, but keep their cards hidden. once they decide to pursue you everything happens very quickly. again, because of their game of chess having played out various scenarios while they figured out their feelings and rearranged their life to fit you into it. they're eager to please, and one-on-one you may be surprised by their sensitive and softer side. they're doting and have a lot of adoration once they fall, and out in public where they seem level-headed and collected you can easily distract them and have them stumbling a bit. they're very protective and are bigger or stronger than you. their features lean darker and they may have an earthy look to them, like green or hazel eyes and auburn hair. this one has the strongest indications of marriage.

[withleeknow]

wishful thinking. (03)

chapter three: puzzle pieces

summary: the instruction was plain and simple: no strings attached. but you should’ve known from the beginning that it could never apply to you and him.

pairing: minho x f!reader rating: 18+ (minors dni) genres/warnings: friends to lovers, friends with benefits au, college au; fluff, angst, smut; unprotected sex (this is fiction, not real life. don’t do it kids), oral sex (m. and f. receiving), fingering, cum eating, praise kink if you squint???, could’ve been edited a bit more but oh well i tried lol word count: 3.2k

as always, i’d appreciate any thoughts or comments you may have, and please drop a like and/or reblog if you enjoy reading ♡

navigation › series masterpost › taglist

If loving you’s a crime Cuff me up, I’ll do my time for you, girl When I make you mine (when I make you mine) Didn’t come all this way just to waste your time

Over Some Wine - RINI ft. Maeta

It wouldn’t have taken that long to walk to your apartment. And normally, you would welcome the brisk night stroll with friends, basking in the chilly but pleasant air as you wander the empty streets, with nothing but the glow of everlasting youth for warmth every time the wind breezes by.

Though tonight you had opted to hail a taxi back to yours after leaving the club. You’re not an impatient person and neither is Minho, but whenever you’re around him, waiting always seems to be the hardest thing to do.

The entire time you were in the car, his hand was on your leg, the touch seemingly innocent at first, until his fingers started trailing higher and higher, until his hand was gripping your inner thigh. His knuckles brushed against your core at one point, and you had to summon every last bit of control not to jump his bones right then and there.

Once you're finally within the comfort of your own home, Minho's got you hoisted up with your legs wrapped around his waist, his lips instantly chasing yours while his hands settle on your ass, squeezing you as he carries you to your bedroom. He knows the layout of your apartment well enough that he doesn't have to break away from the kiss for more than a second to navigate the place and reach his desired destination.

It's only when he has lowered you on the bed that he stops kissing you, latching onto your neck while his clothed erection grinds against you. You choke on a breath as Minho sucks on a sweet spot, his favorite place to mark you. You love it, even though you always end up complaining to him that you have to cover it up when you go outside.

His hands knead you roughly, one still on your ass, the other having moved to your chest. You tug on his shirt, desperate and impatient, and he complies almost immediately. He finishes his work on your neck with a particular hard suck, his tongue soothing the skin before he pulls away from you just far enough to get rid of the shirt.

Minho dives in to kiss you again but you put a hand on his chest, pushing him back slightly before your lips could meet. “Take off your pants,” you demand restlessly.

“What?” he simpers, though his hands are already reaching to undo his belt. “You don’t wanna kiss some more?”

“You can kiss me while you fuck me.”

It’s easy to tell that your words affect him, judging from the way his eyes glaze over with lust and the retort that he swallows back down. While he kicks off his jeans and boxers, you work on stripping yourself bare for him. You’re both naked in record time, and then he’s gravitating toward you once again.

It’s routine at this point; Minho likes to make you come at least once or twice before he fucks you. He’s about to descend your body before you’re stopping him with a hand on his shoulder.

“Not gonna let me have a taste?” he pouts.

“Later,” you tell him. “I just need you now.”

He bites his lip like he’s contemplating it, then slots his body between your open legs, his bare cock positioned on your inner thigh. “You sure? Don’t want me to prep you first?” he asks.

“No.” Your hands slide up his neck, pulling him closer until he’s resting his forehead against yours. “Can’t wait. Want you so bad...”

You’re practically whimpering, positively dripping with need as you tell him this. It makes Minho lose his mind a little bit, makes his breath hitch. He kisses you again as his fingers slip through your folds, pleased to find that you’re already beyond wet.

The sounds that you make, muffled by his lips, go straight to his cock; the length throbs, hardens impossibly more.

He dips his fingers into your entrance regardless, burying them to the hilt, scissoring you open. You buck against his hand instantly, your pliant cunt soaking his digits as you whine - or try to, anyway. It’s good, the way he’s fucking his fingers into you, but you need more.

“Min, just fuck me...” You break the kiss to look at him with darkened eyes, full of desire. “Please.”

“Whatever you want, baby.” Then he’s pulling out, making a quick show of sucking his fingers clean, humming contentedly at your taste. The sudden emptiness that he leaves you with almost hurts, but it dissipates when he aligns himself with you, rubbing his tip against your clit a few times before he’s finally pushing in.

There’s a stretch but it’s not unpleasant. It’s delicious, how he fills you up so perfectly like he was made just for you.

That thought crosses your mind again.

My puzzle piece. My perfect fit.

You let out a drawn moan as Minho bottoms out. You can’t think straight, not when he’s this close to you, not when you can feel all of him. Not when it’s practically suffocating you, just how intimate the moment is.

You know it’s not exactly what you signed up for, or at least you still try to remind yourself that. And yet...

You two don’t use condoms anymore; you haven’t in a while. It’s a little reckless and stupid, you know that. Maybe if someone else had come to you and told you that they were forgoing protection with their close-friend-turned-friend-with-benefits, you would scold the shit out of them. But this is your situation, and people don’t tend to be very wise when it comes to their own dilemmas, do they?

Minho always pulls out, and you never forget to take your birth control. Of course, there’s always some concern, but it isn’t really on the forefront of your mind right now. There hasn’t been any scares so far.

“Okay?” he asks, brushing his lips against your cheek as he holds your waist.

You nod fervently. “More than okay. Please move.”

He chuckles at your impatience, giving your sides a tender squeeze before rearing his hips back. The drag of his cock along your walls makes you sigh, and when he plunges back into you, you almost shudder from how fucking good it feels.

“Minho...” His name falls from your lips hoarsely, brokenly. The pace he sets is fast, makes you see stars from the get-go. He would’ve preferred to play with you a bit more to ease the stretch for you, but he knows you wouldn’t have asked if you didn’t think you could handle it.

You pull him closer with your arms around his neck until your chest is pressed tightly against his. He kisses you again, slowly, sweetly, while he thrusts into you hard and fast.

You know he likes it when you’re loud for him, because of him. He’s told you that much himself. But more often than not, Minho would kiss you a lot during sex, swallowing the moans trying to escape from you.

Maybe he’s just looking out for your poor neighbors.

Or maybe he just likes kissing you that much.

“Fuck,” he groans against your lips, breaking away momentarily to let you breathe. His cock nudges your g-spot on every stroke and it feels like heaven. “You’re doing so good, baby. Always take me so well.”

You don’t know if it’s the pet name that makes your heart skip a beat or if it’s just the praise in general, but either way, it fills you with an indescribable warmth.

You clench around him, your thighs instinctively hugging his waist tighter and that’s how he knows you’re almost there. “Gonna come for me?” he asks, his hips never easing up on their brutal pace because goddamn Lee Minho and his fucking stamina. One of his hands sneaks down to meet your clit, drumming it like he’s playing the freaking guitar and it makes you want to scream.

“So close,” you cry out. He’s brought you to that edge already, and all you have to do now is... fall. “Min, I’m...”

“I’m here. I’ve got you.”

And so you do. You fall. You let yourself tip over the edge and into the sea of pleasure that awaits you. It’s stars exploding behind your eyelids, wonderfully devastating. It’s rapturous euphoria, the way Minho holds you through it all, how he peppers kisses along your jawline, how he never ceases his movements, making your high last as long as possible.

He holds out until he’s seen your orgasm through. When your bliss subsides, his hips stutter, turning more erratic.

“I’m close,” he rasps out.

You hold his face and mimic his actions just a couple minutes ago, kissing his cheek, the bridge of his nose and the cute mole on the side, then finally his lips. “Where do you want it?”

“Your mouth,” he asks gently. “Please.”

When Minho pulls out, you move toward him, settling on your hands and knees until your face is level with his bare cock. He lets out a breathless moan as you take him into your awaiting mouth, humming contentedly when you taste yourself on him. He has both hands on you, one tangled in your hair, the other stroking your cheek affectionately, all the while his hips thrust into your mouth slowly until he hits the back of your throat, only to pull back and do it again repeatedly.

You peer up at him through your lashes, and Minho just thinks you’re so fucking pretty like this, looking at him with innocent eyes, yet you’re doing downright obscene things with him, letting him do the filthiest things to you.

You place your hand on top of his own, the one that’s on your face, caressing your cheekbone. “Baby,” he whimpers brokenly as you hollow out your cheeks to try and suck him off better. His heavy length throbs on your tongue, pulsating with the need to come. He’s aware that he sounds beyond needy and desperate, but you’re just so warm and wet and a fucking goddess that it makes him short-circuit, wiping his mind clean until all he knows is you.

Nothing else, no one else but you.

It takes him only a few more sloppy thrusts before he’s calling out your name in a drawn-out moan, spilling his hot cum down your throat, coating your tastebuds with him. You bop your head along his length for a minute longer, until you’re certain that he has nothing left to give you. When you’re done, your tongue wanders from the base to the tip, lightly sucking and licking the head like a kitten, before you open your mouth to show him that you’ve been a good girl.

Minho is dazed as he stares at you, his lips parted as he tries to even out his breathing. You smile triumphantly as you watch him try to get his bearings, but after a moment, he’s still quiet. You’re about to poke his side to get him to come down from the clouds, but he’s suddenly pulling you up by your arms and kissing you hard. You let out a surprised gasp, muffled against his mouth, before you relax against him, placing your hands on his shoulders to steady yourself.

He moans when he tastes himself on your tongue, and the vibration caused by the sound makes you press your thighs together.

One of his hands gropes your bare ass before his fingers find your core again, rubbing your slit, gathering the moisture there.

“Did sucking me off make you wet again?” Minho pulls back slightly to ask, a smirk evident on his lips. You don’t say anything; you just look at him with bashful eyes. “Want me to make you come again?”

At this, you nudge his nose with yours. “Will you?” you ask coyly. “Just a quick one.”

He kisses you once more before he gently pushes you backward, motioning for you to lie on the bed as he settles with his head between your legs.

He sucks a faint mark into one of your inner thighs. “Anything for you,” he says.

His lips latch onto your awaiting clit, sucking it into his mouth gently and instantly making you sigh in pure bliss. Your fingers thread themselves in his hair, tugging on it when two of his fingers dip into your entrance without warning. The digits enter you easily, aided by your excess wetness, fucking you fast, determined to make you come again.

You feel like you’re floating.

There’s something about today. Some lines, blurred.

It doesn’t take long before you find yourself nearing the edge again. You’re still a bit sensitive from your previous orgasm after all. “Ah, shit… There…” you keen out, your greedy hands trying to push him further against your cunt, which he happily obliges. 

When you come in his mouth, your thighs shaking around his head, Minho laps it all up, taking his sweet time to lick you clean. You feel him moan against your core, and it isn’t until you start wincing from the overstimulation that he releases you.

A smug grin blooms on his lips as he crawls up the bed, lying down next to you. You take a couple of minutes to catch your breath, thoroughly enjoying the warmth that settles deep in your belly and the satisfying sensation between your legs. You cover your body with the duvet before you roll onto your side to face him.

Pillow talk isn’t your forte.

You just watch him as he watches you carefully, neither of you saying anything as the electricity in the air settles. You wait to see if he would speak, but after a moment, your eyelids start getting heavy. Exhaustion catches up with your body quicky.

“Tired?” Minho asks.

“Mhmm.”

He waits for another beat, reaches a hand out to stroke your hair softly before he gets up and goes to the bathroom. The aftercare is routine, and you cannot express how much you appreciate him for it. He returns with a damp cloth, then peels the duvet from your bottom half to clean you up. He does all of it quietly, and the silence makes you even drowsier.

When Minho is done, he pats your leg and covers you up again. He goes back to observing you and your sleepy face for another minute. You keep your eyes open as you try to maintain eye contact but it’s hard; you feel like you could pass out any second now.

Nevertheless, even in your exhausted state, you still sense the light somberness that befalls the confines of your walls. Usually, this is the part where he leaves, and you can tell that he doesn’t like the realization that he has to go now.

You see it in his face and it makes you a little sad because you know he wants to stay.

Then, it strikes you that you don’t really want him to leave either. At least not tonight.

“It’s late. You can stay the night,” you say quietly, “if you want.”

The same excuse that you used to kick him out the last time, now you’re using to get him to stay.

Minho seems surprised. “Are you okay with that?”

“I wouldn’t have brought it up if I wasn’t okay with it.”

“Oh.”

You catch the tip of his ears turning red. It’s endearing, for some reason.

He puts on his boxers from where they were abandoned on the floor earlier, but opts to remain shirtless. His movements are a bit graceless, like he doesn’t really know what to do with himself.

This is a first for the both of you. The first time he’s ever stayed over.

“Do you want me to grab you a shirt?” he asks.

You nod lazily. “Yes, please.”

Minho wanders over to your wardrobe and rummages through your t-shirt drawer. He picks one out from the bunch, holding it up for you to see. It takes a few seconds for your brain to catch up with you, but when it does, you realize that it’s not your shirt at all. It’s Minho’s, one that he left here some time ago and you were just never reminded to give it back.

“Oh,” you say. “You can wear it if you want. It’s yours anyway.”

“I think I’d rather see you wear it.”

You don’t argue because you’re tired and it’s just a shirt. You throw it on when he hands it to you along with a clean pair of underwear.

“What?” you ask when he just hovers over your bed and stares at you.

His gaze flickers from your eyes to the shirt covering your body, his lips curling upward before he tells you, “Nothing.”

After turning off the lights, Minho climbs into bed with you. You’re lying on your back and you suspect that he’s in a similar position, though you don’t turn to look at him to make sure. It’s awkward, and you don’t really know what to do about it.

A couple minutes later, he brushes his fingers against yours. “Can I?”

You don’t know what he’s asking, but you agree nonetheless. “Okay.”

There’s some shuffling from his direction, like he’s rolled over onto one side to face you in the dark. He wraps an arm around your waist and pulls you closer, until your back is flushed against his bare chest. The godforsaken thing that you call a heart starts beating wildly for a reason unbeknownst to you. It’s difficult to breathe properly when he’s holding you like this.

Like you’ve never been held before.

You think Minho feels the stiffness of your body in his arms because he starts rubbing odd patterns on your skin, up and down your sides, trying to soothe you.

It helps a bit, but then again it’s probably the sleepiness seeping in more and more too.

“Hey,” you start. “About what Hyunjin said at the party tonight.”

Minho pauses the movements of his fingers a second. “What did he say?”

“The thing he said about the girl…”

He laughs his cute laugh then, his chest vibrating with the sound. “You know the girl is you, right?”

“Don’t be a smartass.”

“It’s cute.”

“It’s not.”

“Okay,” he chuckles, patting your stomach with affection. “What about what Hyunjin said?”

You take a breath. “I don’t know. What if everyone finds out?”

“They won’t,” Minho reassures you. “They’re not the brightest bunch.”

“Be serious.”

“I am serious,” he protests, then his voice gets smaller, full of hesitation as he asks, “Even if they do find out, would it really be that bad?”

“It wouldn’t be the end of the world,” you tell him, “but I don’t know, it’s…”

Then you trail off, not really knowing what to say. It’s what? Embarrassing? Scary? What?

“Come on.” Minho presses a kiss into your hair after a moment of dead silence. Maybe he thinks that you’ve fallen asleep, or maybe he’s trying to keep you from overthinking everything. The gentle kiss would’ve made you weak in the knees if you aren’t already lying down. “Go to sleep. We’ll talk about it later.”

Your mind takes you back to what he said just now. You can’t help but think how that sentence would sound better if only he’d switched out one word for another.

My girl…

You know my girl is you, right?

It makes your heart skip a beat, then you’re snuggling further into the warmth of his embrace, where he welcomes you with no reservation.

You drift off to the sound of his breathing, dreaming about you and him.

all rights reserved © withleeknow. reposting, translating and/or modifying is not permitted by any means. [posted 12.01.2024]

[nexysworld]

Dead Dove, Content Entitlement, and Fandoms

There's been no end of posts clogging up popular fandom tags with arguments and opinions on dark content, dead dove, and related things. While I've seen some decent posts that go over media literacy and dark content, I personally feel like none fully encompass my entire feelings on this nor provide all the points that I feel are important.

I know people have strong feelings on this subject, and I'm not expecting to immediately change anyone's minds. But I hope maybe I can toss some food for thought out there, or provide further context from both a victim of SA as well as a content creator. This has been bothering me for a while now to the point where it has been making me no longer want to write or engage in fandoms on Tumblr, and so I needed to get this out there with my stance. I've also had people in my inbox stating that my dark content is somehow morally better than other writer's dark content. TW: Mentions of dark content including discussions of noncon/dubcon, harassment, SA, etc.

Addressing Common Points

If you write or consume [INSERT CONTENT], you're romanticizing and endorsing it and that makes you a bad person. Or, you're weird/wrong/gross for it. I see this brought up primarily with dubcon/noncon topics. It should go without saying, but fiction is fantasy, it's separate from real life. Adults who consume this type of content understand that these things are NOT ok in real life. But to take it a step further, I want to stress that having noncon fantasies is actually INCREDIBLY common. In studies regarding these fantasies, nearly 50% or more of people who participated admitted to having fantasies that align with these topics the majority of which are women. Not only that but these kinds of fantasies are even more common in people who have been victims of these crimes. This isn't some niche thing only liked by a minority of people. If you don't believe me here's an example of ONE study, but there's plenty of easily accessible information out there. By conflating consuming/writing this content with someone's moral character stigmatizes these feelings further and does more harm than good. And I know what you're thinking though. But why? Why would someone who's gone through something like that fantasize about something so awful? Why is this appealing to anyone, victims or not? Fiction creates a safe space to explore topics. In fiction there are no real victims, no one is actually getting hurt, it's all fake. The characters aren't real and if at any point as the reader you are too uncomfortable to continue, you can stop and exit. You can like the idea of a fictional person tossing you around, while also feeling uncomfortable if a real life man tried to pick you up a the bar or didn't take no for an answer. There's also "normal" things you can fantasize about, but not want to participate in IRL.

Hypocrisy and what is considered dark content? This won't apply to everyone, but I've seen a number of people who claim to be anti-dark content but reblog things that are non consensual, perhaps without realizing it. And this is especially true for those who are younger on here. Please understand that noncon/dubcon does not inherently need to be violent or gory. Any situation in which there's a lack of consent or a power imbalance is inappropriate. Somno fics? If it's not explicitly stated that it was agreed upon prior in the fic, that is still non consensual even if it's written to be "sweet.", even if it's a pre-established relationship. Professor x student fics? There's power imbalance there. There's a reason you cannot have a relationship with your teachers in real life. Hybrid fics? Most people write hybrids as completely sentient people who are treated as sex slaves. They have little choice or are "following instinct." You cannot consent to someone who literally OWNS you after adopting you. You get the gist. There's far more to consent than physically manhandling someone. Yet because these things are written in a way that contextualizes them as being "sweet" and "normal", they aren't considered dark content by many people. If you're ok with the above, you have to understand that these ARE forms of dubcon/noncon. I would even argue that these are more romanticizing of these topics than stuff that's far more explicit in nature. If you would be pissed if your IRL partner tried to feel you up in your sleep, but enjoy somno fics, or enjoy the Taboo of Professor Leon, but wouldn't fuck your actual college professor - then that is the EXACT way in which people who enjoy even "darker" content can enjoy the fiction whilst not partaking in real life.

It sets a bad example for younger people on the website/"protect the children." Children shouldn't be looking at smut in general, dark content, vanilla content, etc. I don't know what else to tell you. It is NOT the job of content creators to try and police what teenagers do on the internet, that's between them and their parents. The majority of creators who make 18+ content explicitly state MDNI and block those younger than 18 if we discover them trying to interact with us. That is the most that we can and should be expected to do.

[INSERT CHARACTER] would NEVER act like that, it irritates me when people write them as OOC. Fanfiction is by definition NON canon. The only people who truly know how a character is supposed to act are the people who created those characters. But I want to add on to this, there are plenty of times in which a character acts entirely OOC even in fluffy or vanilla fanfiction. Every writer is going to have a different interpretation of how a character acts or thinks - and yet it's only really complained about when it's dark content. These characters are not real. Leon cannot be upset or hurt by people writing dark content about him, because he doesn't exist. Part of the fun of fanfiction, at least in my opinion as well, is justifying certain things within the context. Many dark content writers will and do explain why the character became how they are or why they think that way using canon as context - not that I think it's required because fanfiction can be whatever you want it to. The point is, dark content or not, not everyone will be on the same wavelength as you about your favorite character.

Even if you're a victim of SA or other crimes, you should get professional help, not read dark content. This is a very bad take in my opinion. Mental health care can be incredibly hard to get. Reading fanfiction is free, it's harmless. But genuinely, imagine you're a victim of a heinous crime, and you're already struggling with feelings regarding it - to then be mobbed by people online telling you that you're weird and wrong for having the feelings that you do? This is also in league with my first point, but having these feelings are actually VERY normal. This is a healthy way to process the emotions in a safe environment where no real person gets hurt, where you can leave whenever you want. Stigmatizing these things does hurt real people though.

You're hurting other people who're victims of these things. Look, if a fic is not properly TW then I fully understand. Every victim will have a different experience, and while some may be ok with dark content, others won't. So if you open a fic expecting it to be one thing and it's another, that's shitty. But tags are there for a reason. If you see something marked Noncon, and that's triggering for you, no one is expecting you to read it. And here's the thing with tags/tw's as well, everyone's trauma is different. Something that one person might not consider dark content, or is generally considered innocuous might trigger someone else. If you are one of those people who think even seeing the trigger warning could be harmful to people, then that's a prime example of WHY you must curate your own experience online. Block certain words, tags, and phrases to make sure you don't see them. But that's on YOU to do, not people who create content. Their only responsibility is to warn you about the contents of the content they've made, their responsibility stops beyond that point. You know what DOES affect real people besides the stigmatization of their feelings or kinks? Harassing them. Leaving hate comments, telling people to unalive themselves. These affect the mental health of the real people behind the content that you don't like. I've seen death and rape threats SENT to dark content writers.

Dark content in other forms of media. It's interesting to me that the majority of discussion around dark content comes from people criticizing fanfiction specifically. Take horror movies for example. The Saw Franchise, we'll say. Do you think the creators of that series want to enact those horrible things onto other people? Do you think they want to be the victims of Jigsaw themselves? What about people who watch content like that? You probably don't think that they do. There's TONS of movies, music videos, even horror novels that have incredibly, and I mean INCREDIBLY dark dead dove content - and yet most people understand that the appeal is in the taboo. That it's fiction. That people who consume THOSE forms of media don't want to participate in those things but do enjoy consuming that content. But when it's fanfiction it somehow becomes a problem.

Entitlement and demand of fandom content. In addition to all of the above, there is a major uptick in people complaining about the content within fandoms some not even relating to dark content. "There's too many stories where reader acts like X." "I hate how so many people characterize this person because that's now how they would act!" "Why is there so much smut? Why can't there be more of {insert what I want}". This is FREE content made by people who do this stuff as a hobby. No one owes you content, and no one HAS to write the way you want them too. If there's tons of content like that, then it's because it's popular. Perhaps your version of a character is in the minority opinion, and that's completely ok!

What's the solution to all of this discourse?

Be the change you want to see! If you feel like there's too many x reader fics where the reader doesn't act how you want - then write it the way you want. Do you have head canons about a series or character that you haven't seen discussed before? Make that post yourself! If you don't feel there's enough fluff in the fandom - then create some! And if you don't want to make content yourself - request it, commission it. Interact with your favorite writers! Encourage them, don't demand. Talk with them about their work, leave comments, and reblog, reblog, reblog!! Being a part of the discussion and interaction is the BEST way to help the community thrive. Surround yourself with the content that YOU want, curate YOUR experience. Block every dark content writer you see if it helps. Go into your Tumblr settings, block words, block tags. Don't set yourself up to be upset or bothered by the content you're getting. Even if you read the above and you still think every dark content writer is a horrendous, awful person - the best thing to do is still block them. Block their content. Harassing them and complaining on it will NOT stop that content from existing. But you will continue to upset yourself by not curating your own experience.

~~~~~~~~

If you made it through all that, thank you for reading. I want to add that my blog WILL continue in the future to have a mix of both dead dove and regular content. I also interact with other dark content blogs, so if you're someone who followed me because of my "regular" fics and want to unfollow/block me, I'm ok with that. <3

[annabelle--cane]

I guess the thing that makes me not so fond of Jon's addiction allegory is that it's only coherent to a certain extent? Like I think people sometimes forget that he's actively violating these people

anon, through no fault of your own you have accidentally hit upon my sleeper agent trigger phrase. I have layers of answers to this.

so first off, yeah, it's not a 1:1 direct metaphor, it's a soupy dream logic fantasy plot device with flavors of a lot of different things. there's quite a lot of addiction in there, there's some abuse of power, there's some cyclical nature of trauma, there's a dash of disability, there's a few notes of gendered violence, there's a good bit of just. violence violence and being kind of a motherfucker because goddammit it feels good to be an active agent about something in your life, even if it's just choosing to be a worse version of yourself than you strictly need to be. a lot of tma's worldbuilding is very allegorical, but apart from aspects of individual statements nothing really matches up quite 1:1 with a real world counterpart, and if more things did then it probably wouldn't be a fantasy show anymore.

secondly. okay to contextualize this answer a little bit I have a kind of hypothetical video essay project about vampirism and addiction that I like to spend a few hours thinking about every so often but am almost certainly never going to make because the full research burden required is a lot higher than I actually have the time to properly do. but because of that I've spent a lot of time sorting through why framing vampires as addicts really works for me in a way that it doesn't seem to for everyone, and I think a lot of my thoughts on that also apply to jon. there's going to be a bit of a detour here before we get back to talking about tma, but we'll get there, I prommy.

I've seen a lot of people take issue with various paranormal addiction allegories because, a lot of the time, the act that is meant to metaphorically represent the act of use itself is something that is directly and inherently harmful to others, e.g. drinking human blood, handing over power to your hedonistic Evil alter ego, holding the cursed amulet and going crazy going stupid, slurping trauma out of the head of some guy you ran into on a boat to norway, etc., and yeah, I do get that. substance use is not inherently harmful like that to anyone except sometimes the user themself, and addicts are not inherently fucked up and destructive people; those are dangerous stereotypes that often lead to the demonizing of a whole group of sick people.

here's the thing for me, though: those are definitely truths I want explored and represented when it comes to portrayals of non-allegorical actual addicts, but fantasy fiction isn't for showing the world as it is, it's for showing a subjective fun house mirror version of reality where certain aspects are minimized and magnified depending on how it feels to live through it. and yes, absolutely in real life drug use is not an inherently evil act and it does not make you an inherently evil person, but... doesn't it kind of feel like that? sort of? absolutely no one is living their best life nor on their best behavior while experiencing any kind of major mental illness episode, and when it comes to addiction you've got a very clear tangible symbol of when The Episode is happening that it feels like you have much more control over than when it comes to other illnesses. it's also a thing where people are a lot more likely to be openly angry and distrustful of you if they find out it's happening. so you mix together the ideas of "I know I get worse as a result of doing this one specific thing" + "I act less like myself when I'm using, it rearranges my priorities and I care less about hurting people because that's what happens when you're experiencing The Horrors" + "society at large/people directly around me are pretty quick to say that doing this is evil," and you get the subjective emotional result of "I hurt people by using and it makes me monstrous." I tend to respond to those kinds of paranormal allegories like they're just cutting out the middle man of those subjective fears. "using makes me monstrous" -> "using is monstrous."

anyway. jon archivist.

don't get me wrong, I totally understand if this aspect of metaphor doesn't gel for some people and they only like taking it exactly as far as the text explicitly makes them, but I really get a lot out of reading jon's connection to the fears as addiction precisely because he does genuinely awful things to people as a result of it. he's a person in a very bad physical and mental place with little to no support who is constantly being told by both allies and enemies that he's already a monster just by being alive, and he copes with that by secretly falling further and further into an compulsive act of consumption that skews his priorities and makes him care less about hurting people because at least sometimes getting to be the cause of pain makes him feel a little bit less powerless when he has to be the subject of pain the rest of the time. then he's found out and is made to stop, and he has to grapple not just with the physical toll of withdrawal but with knowing there is a not insignificant part of him that will excuse any act of malice if he knows he'll feel better afterwards.

the end of tma is very explicit in the fact that the rules of its world are shaped by the subjective worst fears of those who live in it, it's "an exercise in unreliably reality" as jonny sims put it once, and I think that principle extends backwards in some ways to apply to the rest of the show. I don't think the fact that there are only entities of fear and not hope or love is meant to be a full commentary on the total nature of the real world, it's a reflection of what fear and suffering can make the world feel like. eric and melanie both go to really harsh extremes to extricate themselves from the fears and live peaceful lives, and in both cases something happens that foils their plans (getting murdered + the apocalypse, respectively), but I don't think the intended message is to say that is definitively how real life works, they are metaphors for the limits of individual agency in larger systems and represent two types of worst-case-scenarios. similarly, I don't think reading jon as an addict implies that addiction inherently involves violence or that the reactions of those around him were completely unjustified, it's just a subjective exploration of the kinds of fears that can come with addiction dialed up to 100.

[olderthannetfic]

I have really mixed feelings about the small proportion of F/F fiction (original or fanfic), because yeah sure, people have their desires, they should write what they want, I get it. It all works out when I hear it from person to person. But somehow the logic only ever applies in one direction? "There are more male protagonists because men only care about male characters! Women also mostly care about male characters, because that's the majority of characters they get!" And then somehow we also yet kvetch when men write female characters (because it's incorrectly or something, nevermind if women are writing male characters correctly). Why don't we expect gay men to feel compelled only by femslash for the same reasons (but gender swapped) as the lesbian slashers/fujoshi? All of those very rational justifications are applied selectively, "for me for not for thee," and it all only leads to "idk I just don't wanna write femslash", for Reasons. Do we get to call them microaggressions yet?

--

No, you don't get to call other people's fantasy life a microaggression.

That is indeed "for me but not for thee" in the sense that you get to want what you want but other people aren't supposed to follow their id.

Do you also police gay men who spend too much time on drag and obsessing over female divas? That's an actual real world behavior that's somewhat equivalent. It frequently goes unchallenged, at least by progressives, because men are allowed to do whatever they want with chick stuff, while women are "stealing" if they dare to stray into dude stuff.

(God, I've seen so much more policing of drag kings being ~problematic~ for acting out stereotypical gender than policing of drag queens for the same. It's nuts!)

Fujoshi are often queer, but it's absurd to think we're mostly lesbians. We tend to be bi or asexual women with gender stuff going on, though there is a mix of everybody, including lesbians. There are also a lot of AFAB non-women who get lumped in with us. On the rare occasions I find a man willing to admit to being a similar demographic, he usually does like gender play in his hobbies and entertainment. It's just that men face even more pressure than women do to fit into tidy categories. Bi women get told we're whores. Bi men are told they don't exist.

Yes, I know plenty of lesbians who write more m/m than f/f, but in the big picture of all of AO3 or all of fanfic or all of media, they aren't the demographic driving these numbers. They're vastly outnumbered by the bi women, the asexual women, and the straight and gnc women.

The men we should be looking at as an equivalent aren't cis gay men but bicurious soy boys and the like.

Do most of us fujoshi object to equivalent men doing an equivalent thing? I've seen it sometimes, and I agree it's hypocritical. I'd like us to afford men the same ability to play and take on identities in their art. I remember enjoying Ranma fandom back in the day and reading quite a lot of f/f that was probably by men. It had some of that same sense of distance and fantasy that I so enjoy in m/m aimed at fujoshi. (I do consume some by-cis-gay, for-cis-gay content, both m/m and f/f, but it's often too literal and too bound up in specific named identities for my taste.)

On average, the people I see complaining most about men producing f/f material are the same people who think that because I have a clit, I should center my life around women exclusively. In other words, people spouting radfem ideology, perhaps on purpose or perhaps without realizing.

I do agree that some of the ways of expressing a lack of desire to write femslash can get pretty douchey. I want us to move away from some of the less accurate ones like "There are no compelling female characters" because of this.

But the reason for all these jerkass explanations is that women and people perceived as women who like m/m are constantly asked to explain ourselves. These aren't usually microaggressions: they're openly hostile. People get defensive and try to answer with important-sounding reasons about identity and pain because society at large won't accept "I like this" as the true explanation.

Pleasure is never enough of a reason for a woman to do something.

[gigabyte-flare]

There’s No Escape (Part 1)

Summary: You are going through a rather nasty breakup as you escape your ex-boyfriend’s apartment while he’s away on a top secret government assignment. You move to a completely new state in hopes he won’t find you. You clearly underestimated his determination because he has no intention of letting you go. 

Pairing: yandere!Leon Kennedy x fem!reader (afab)

Word Count: 1.1k (Next part should be longer! Wanted to get story building stuff out of the way before getting to the good stuff ;) )

If any of the warnings below trigger you, please kindly pass on this fic 

Disclaimer: This is a work of fiction, actions depicted in this story are not condoned in real life; if you feel this way, please go touch grass

MINORS DO NOT INTERACT OR I SWEAR TO GOD I WILL YEET YOU INTO THE GODDAMN SUN. Thank you!

Warnings (may not apply to all parts): Sex, gaslighting, swearing, stalking, acts of violence, blood, dubcon, kidnapping, pet names (baby, doll, angel, sweetheart, etc.), PTSD triggers, unprotected sex, forced breeding, daddy kink, manipulation, oral (m and f receiving), choking, overstimulation, knife play, gunplay. Long story short, DEAD DOVE: DO NOT EAT. More warnings may be added in the future

A/N: @dollrxst, @hxllfiredoll, @nexyswrites, @ghostkennedy, @lipglossanon and like a bunch of others who’s fics I’ve consumed and have been inspired by, this is all your fault and I’m not even mad about it. Please excuse grammatical errors and such, it’s been a hot second since I’ve written stuff like this. Enjoy!

*~*~*~*~*~*~*~*~*~*~

It was now or never.

Leon Scott Kennedy, your soon to be ex-boyfriend, is away on some top secret government assignment and isn’t due back for about three days. You had been seeing each other for about six months and he insisted you move in with him after three months. He seemed wonderful at first, but living with him proved to be way more than you had signed up for.

He was bat shit insane.

You weren’t sure if it was due to unaddressed trauma from his line of work or whatever but his controlling and sick nature was ludicrous to you. He was controlling, manipulative and sick in the head. His idea of fun was holding a knife to your throat while fucking the absolute shit out of you. That was just the tip of the iceberg on the things he forced you to do for his pleasure. 

Anything you absolutely could not live without was getting stuffed into your little Jeep Renegade. If it didn’t fit, it was getting left behind because you had absolutely no intention of coming back. Clothes, toiletries, some of your books, your video game console and games, a couple pillows and some sheets all got stuffed in. When you were confident you had everything essential for your impromptu move, you closed the back hatch on the Renegade and grabbed your purse, phone and car keys from the kitchen counter, making sure to leave the copy of the apartment key you miraculously found behind. You lock the apartment door and shut it. You lean up against it and take a deep breath before you rush back down to your car. You had a long ride ahead of you; Washington D.C. to Boston was about a 9 hour drive.

It was now or never; you weren’t about to squander this opportunity to escape.

🖤🖤🖤🖤🖤🖤

It was dark by the time you finally arrived in Boston. You navigate the confusing winding streets and find your apartment that you got with your best friend, Becky. You see her come out of the front door as you pull up in your car and park. You see her wave as you step out.

“Hey, you made it! I trust you had a good ride,” she inquires.

“Yeah, long as hell, sorry I’m so late. What time is it?”

“It’s like 9:30, come on in! I ordered pizza for us,” she says, motioning you in. 

You grab your purse, keys, phone and one of the pillows you had stuffed into your car and go inside the apartment. You decide you can unload your stuff in the morning. The kitchen is the first room you end up in and you set your stuff down on the small island before stumbling your tired legs into the living room where the smell of pizza was calling your name. You practically collapse in a reclining chair after grabbing a slice of pizza from the box on the coffee table. You let out a loud sigh of relief. You made it. You escaped.

“How are you feeling?” Becky asks before taking a bite out of her slice of pizza.

You finish chewing on yours and swallow hard, “I’ve never been so happy in my life. I’m honestly surprised I’m not dead from some of the bullshit Leon pulled.”

Becky shifts nervously on the couch. She was the only person you confided in about your sick, demented ex-boyfriend. You didn’t even tell your parents, you didn’t want to worry them. 

When you moved in with Leon, he forced you to quit your well paying I.T. job and forbade you from ever leaving the apartment alone. He took your phone away, but you found ways to sneak it back so that you could at least contact Becky. You didn’t want to think about the things he made you do; it was an absolute miracle you weren’t dead or pregnant from the amount of abuse you endured. 

“He hasn’t contacted you yet, has he?” 

You shake your head, closing your eyes as you lean back in the recliner, “nah, he won’t be back from whatever assignment he’s on for another few days, and I blocked his number.”

“Good,” Becky replies with a nod.

“I’m going to hit the sack,” you say suddenly as you get up from the chair and begin to walk back into the kitchen to collect your stuff. 

“No problem, I’ll help you unload your car tomorrow. I was able to get the day off from work.”

“Thanks, Becky.”

🖤🖤🖤🖤🖤🖤

It’s late in the afternoon when Leon finally gets home from his excursion, his forearms covered in scraps and bruises. He couldn’t wait to see his baby girl, his cock growing hard from the anticipation. 

He fumbled with his keys in the low light until finding the correct one to unlock the front door to the apartment. He unlocks the door and opens it.

“Sweetheart, I’m home!” Leon calls out.

But there’s no response.

“Sweetie? Are you asleep?”

Nothing.

Leon could feel adrenaline rush through his veins as he starts to frantically search each room for his sweetheart. He became hyper aware of the dead silence of the apartment the further he searched. When he got to the bedroom, he ripped the closet doors open and found most of your clothes were gone. He ran into the bathroom; your toiletries were gone. Almost all your belongings were gone.

“No, no, no, no, nO, NO, NO!”

Where could you have gone? He never in a million dreams imagined you would ever leave him. You belonged to him. You were his everything. Everything he did, he did it for you, he did it to keep you safe from the disgusting world. Pure rage began to flow through him as he stalked back into the kitchen. Unsheathing his knife, he stabbed it into the center of the small dining table before he used both hands to flip it, letting out a primal growl as he did so. 

“That fucking ungrateful bitch!” he growls before walking over to the overturned table to retrieve his knife. 

“I loved you, took care of you, protected you… and this is the thanks I get…”

He pulls out his cellphone, dialing your number and putting the phone to his ear.

“We’re sorry, the number you have dialed cannot be reached at this time. Please check the number and try again.”

Taking a deep breath, he then attempts to send a text to the number.

We’re sorry, the number you have entered is not valid.

Breathing heavily, he puts his phone back in his pocket, balling both his fists and closing his cobalt eyes. He stood there for a moment, seething when he suddenly appeared to have a revelation. His eyes snap back open and he digs his phone back out from his pocket and opens an app. A smile slowly overcomes him as stares down at the phone like he was staring down at a long lost lover.

“There you are. Don’t worry baby girl. Daddy’s coming to get you.”

Part 2

[theotterpenguin]

the performative accusation that shipping zutara (and occasionally this criticism is levied at jinko/zukka) is colonialist apologism has been addressed in some excellent posts, explaining the inaccuracies and problematic implications of this logic far better than i ever could - like this post and this one and this one and this one and this one.

and i know this topic has been talked about to death, but if you could indulge my contribution for a moment, i just find it interesting how this sentiment results from the cognitive dissonance of atla fans being unable to reconcile with the idea of their favorite show's political beliefs not lining up with their own.

atla is a largely philosophical children's show that at its core deals with themes of love, redemption, and destiny vs. free-will. atla examines these themes through an anti-colonalist, anti-imperalist lens that deconstructs the idea of racial divisiveness and the idea that people of different ethnicities are inherently different. this is message is pretty explicitly stated by guru pathik:

Guru Pathik: "The greatest illusion of this world is the illusion of separation. Things you think are separate and different are actually one and the same." Aang: "Like the four nations?" Guru Pathik: "Yes. We are all one people. But we live as if divided."

and also by uncle iroh:

"It is important to draw wisdom from many different places. If you take it from only one place, it becomes rigid and stale. Understanding others, the other elements and the other nations will help you become whole."

this theme is developed across three full seasons, with the crux of this message culminating in zuko's friendships with the gaang - despite coming from different nationalities and different backgrounds, they have all had their own experiences being hurt by the fire nation and work together to take down the oppressive fire nation government. the question of destiny vs. free will is also explored through zuko's character - despite starting off as an antagonist, he develops into a symbolic representation of how the fire nation's oppression hurts its own citizens. he unlearns the fire nation's imperialist propaganda while simultaneously unlearning his father's abuse. rather than following misguided beliefs of what he thought his destiny was as the heir to the throne, instead he forges his own path.

thus, to claim that zuko can never form a deep and meaningful relationship with any of the gaang because of his nationality goes unequivocally against the themes of the show. and a major part of this is because these are fictional characters being used to analyze different theoretical questions within the show and in some cases, are used as symbolic representations of different philosophical ideas - their friendships and their character arcs serve a purpose within the text that cannot be easily transcribed onto real-life dynamics between people.

it's illogical to criticize fans who are choosing to understand atla at the level of the themes that are presented by the text - who are interested in exploring similar philosophical questions brought up by the show through the context of relationships.

if you don't like the themes of forgiveness and redemption that atla explores, your criticism should be aimed at the writing of the show itself rather than other fans. because you are giving far more thought to the "implications" of a close friendship or romantic relationship between someone from an imperalist nation and someone from an oppressed nation than the writers ever did. (and if you fall in this camp of people, i would hope you wouldn't be reblogging fanart of zuko and the gaang together while simultaneously claiming zuko could can never escape the sins of his ancestors and can never form a deep relationship based on trust and intimacy with katara or sokka or jin - because that would just be hypocritical).

and as a side note, people seem to apply this flawed logic to zutara far more than other ships solely because the show spends the most time exploring the complicated nature of fire nation imperalism in the interactions between zuko and katara in the latter half of b3. this is because they've been juxtapositioned against each other and paralleled with aang since the beginning of the show in ways that toph, sokka, and suki are not, who have mostly been used to examine different themes. there simply isn't enough time to explore these complicated themes with all the other characters, even if they theoretically exist in zuko’s dynamics with these characters, so the writers focus the most on zuko's relationships with katara and aang, and these relationships are given far more narrative weight, so have more content to criticize. but zuko and katara also canonically become friends by the end of the show. if you want to discount the existence of their friendship, claiming that it will always be tainted by the fire nation's oppression regardless of what is shown in the text, then you also have to discount zuko's friendships with aang, suki, toph, and sokka - because even if this isn't shown as a permanent barrier to their friendships in the show, it’s also not shown as a permanent barrier to his friendship with katara. if your logic is solely based on the idea that a person's identity in a relationship as a colonizer or a victim is fixed and unchanging regardless of character development, this would apply to zuko's friendships with everyone else as well.

[jessamine-rose]

˖⋆˚♱ଘ Angel’s Tears ଓ♱˚⋆˖

*cries* I thought I was done with Church AU after Priest! Dottore yet here I am with more unholy ideas. Welp, Guardian Angel! Capitano x Nonbeliever! Darling, here we go (；ω；)

Tw:: yandere, psychological trauma, blood, violence, death, religious abuse, MDNI

Note:: fictional depictions of religion

♡ 3.8k words under the cut ♡

♡ From the moment of their creation, angels are classified into the Nine Orders. This hierarchy determines their role in Heaven and Earth, with higher ranks assigned greater levels of power and authority. A special exception is The Strongest Angel, an individual who is neither a Seraph nor an angel from the First Sphere. Rather, the moniker belongs to Il Capitano, the leader of the Powers.

♡ The legitimacy of his title has never been questioned. As a warrior angel, Capitano’s purpose is to vanquish evil. He is the chivalrous knight in bloodstained armor, the nigh-invincible being who strikes fear into the hearts of demons, the ever-righteous angel bound by a paradoxical duty to partake in violence for the sake of everlasting peace.

♡ It is in a small town in Mondstadt, following his victory over a legion of demons, that Capitano encounters you. It is the hour of mass yet you are nowhere near the Church; rather, you have taken sanctuary in a secluded meadow. A book sits on your lap, not a religious text but a tale of dark fantasy. There is a saintlike quality to your countenance, an air of melancholy as delicate as the flowers which surround you.

✿ ⚘

The moment Capitano appears before you, all peace leaves the meadow.

No, this isn’t right. It is normal for humans to feel fear in the divine presence of angels, yet he is donning his human guise. Nonetheless, as soon as his shadow touches your form, you look up and suppress a shriek, your face losing its veil of apathy.

So what exactly did he do wrong?

For your benefit, he remains rooted to his spot. Clarity comes in the form of your gaze flitting to your book, its title printed on the cover in conspicuous letters, the whispers which leave trembling lips.

“I…I can explain! This book—it’s just fiction! There are no real curses or spells inscribed in the text; it doesn’t promote any form of blasphemy!”

Ah, now he understands. You weren’t afraid of him.

Carefully, Capitano takes a step forward and raises his hand in a calming gesture. A gentle expression adorns his false face.

“Be not afraid.”

✿ ⚘

♡ It doesn’t take long for him to understand your wariness. A glimpse into your soul, paired with your quiet explanation, tells the story of an orphan raised by the Church. Only, your Church is one of many founded on distorted beliefs, of violence preached in the name of a cruel god. As a result, your upbringing was marked by strict rules, corporal punishments, and sermons which painted the image of a hopeless child with a weakness for temptation.

♡ Knowing this, Capitano can’t fault you for forsaking God and your Church. Still in his human guise, he promises his silence and leaves the meadow. But once he returns to Heaven, his first course of action is to apply for a position as your guardian angel. It is an easy process—while that role is typically reserved for the lower ranks, there is no shortage of humans in need of spiritual guidance and protection. He only questions why an angel wasn’t assigned to you when you were in greatest need of one.

♡ Henceforth, Capitano becomes a recurring character in your life. Every week, he visits you in the meadow. When you ask for his identity, he claims to be a progressive believer from another town. But rather than enlighten you with the true Word of God, he simply keeps you company and indulges your “vices,” leading to hours spent reading together. Beyond those meetings, he also watches over you to ward off any demons or humans seeking to harm you.

♡ From your end, you slowly warm up to your mysterious companion. He is a man of few words, but his actions always convey a sense of kindness. And despite his faith, he genuinely respects your beliefs and accepts you as you are. At one point, he even gives you a special gift, a quill pen of exceptional quality. The feather, pure white with a soft radiance, must have been sourced from a rare bird of prey.

♡ Over time, however, something changes. Capitano can’t deny that the faults lies with him. His visits, his constant thoughts of you, the ever-blurring line between want and duty…nothing of his behavior can be attributed to an angel’s inherent love for humanity. If that were the case, his love wouldn’t beget heartache. His love wouldn’t beget the temptation to harm others, rooted not in the name of justice but for your own safety. His love wouldn’t beget lust, guilt, dishonor, desires so sinfully evocative of his own infallibility.

♡ The truth is, you were never in need of spiritual salvation. From the moment he first laid eyes on you, what Capitano saw was a pure soul—a good person unlikely to commit evil nor fall into true temptation. Moreover, he knows that your sin of disbelief is forgivable unlike your Church’s sins of violence. That so long as you remain as you are, your soul will not be denied paradise, albeit in a realm of Heaven beyond Capitano’s jurisdiction. So why is he incapable of leaving your side?

✿ ⚘

“I had a long, long dream. I dreamed that you and I met again in the pure white world that we created.”

As you read the final line, your gaze leaves the book and returns to Capitano.

“What did you think of the story?”

Your shoulder brushes against his own, a tempting sensation. It is all he can do to remain still, to think against seeking out more of your touch, to remind himself that your close proximity is a mere necessity for your current activity.

The left side of the book, bearing the story’s ending, rests in your left hand. The other side is held in Capitano’s right hand, a blank page devoid of hope for a happy ending. When he turns the page, you seamlessly catch it under your thumb to show the next page.

Who knew of the casual intimacies imbued in the act of reading together?

“It was a well-written novel,” he says simply. “Though her sins tarnished her honor, Rosalyne’s sacrifice was an act of love. Her loss did not hinder her faithfulness to Rostam.”

“I feel the same way,” you muse. “Now I understand why this book was banned centuries ago. Forbidden love between angels and humans…it certainly goes against what the Church taught us about angels. I have to give the author credit for their imagination.”

It’s just the two of you again, this time in the library. At the start of winter, you invited Capitano to your workplace. There, in your greatest show of trust, you brought him to a secret room dedicated to texts banned by the Church for promoting “blasphemy.” Fantasy, erotica, anti-Church publications, first editions of censored books, stories which merely deviated from the Church’s popular depictions of spiritual beings.

Molten Moment belongs to the last category. Little do you know that it was based on a true story, that the author had really formed a pact with a demon called La Signora. Capitano himself is mentioned in the story under his true name.

He was one of the few angels who noticed the changes in Rosalyne’s behavior. She used to be a Throne, an angel with no connection to Earth nor humanity. Yet by some twist of fate, she laid eyes on a brave knight from Mondstadt and began to meet him in her human guise.

He was the first to hear of Rosalyne’s sin, that being she saved Rostam’s life during a battle. It was a direct violation of God’s orders: Angels and demons may influence humans, but they are forbidden from directly altering a human’s lifespan.

He was a silent witness to Rosalyne’s descent. She fell from Heaven, burned by her own flames, yet she had never appeared more ecstatic. In the following years, she married Rostam and lived a happy life with him on Earth.

He was the last to recognize Rostam’s soul at the pearly gates, forever separated from his fallen lover. Such had been Rosalyne’s divine punishment, worsened by her knowledge of this possibility. But what else was she to do? To let Rostam know of her true nature? To drag his soul down to Hell, where he’d be subjected to an eternity of undeserved suffering?

Capitano is no fool. As he read Molten Moment, he began to understand Rosalyne’s sin in a new light. Half the time, he couldn’t even concentrate on the text, his human eyes repeatedly drifting to your intense reading expression.

He closes the book, leaving it in your sole grasp. But before he can stand up from the sofa, you scoot closer and lean your weight on him. The book is placed on a nearby table, forgotten.

“Do you mind?” you whisper. Your right hand, empty since the prologue, traces his left hand.

A moment of silence precedes his response. “You may.”

Wordlessly, you take his hand and intertwine your fingers. A gesture of intimacy, an unspoken confession. Yet as he savors your touch, Capitano wonders if you would harbor the same level of comfort around his true form.

He doubts it. As a Power, he bears an inhuman appearance on par with that of his superiors. It is his true image which has earned him the title of monster by witnessing humans.

Still, he allows himself to indulge in the blessing that is your oblivion. When you look into his two human eyes, there is a soft light in your gaze wholly free of fear.

“Spring is coming soon,” you mutter. “I can’t wait to see the flowers again. Come to think of it, there’s a variety of narcissus which grows only in late spring. It’s very pretty.”

Against his better judgment, Capitano strengthens his grip on your hand. “Shall I take it as an invitation to resume our meetings in the meadow?”

“Sure.” That is when you look up, a small smile adorning your face. “And if you can’t visit for whatever reason, I’ll pick a bouquet and preserve it for you.”

For once, Capitano is rendered speechless.

Rarely do you ever smile. Even to him, you retain your listless disposition—whether it is out of habit or lingering distance, he has yet to discern your reasons. But that is what makes it all the more special, those few instances when he is beholden to your expressions.

He wonders if this is what humans feel in the divine presence of angels, when they are borne witness to all things holy and beautiful.

Your smile is a phenomenon reserved only for the worthiest of souls. And in your grace, he has never felt more undeserving.

✿ ⚘

♡ At the end of winter, a religious war is authorized by the Church of Mondstadt. Shortly after the news reaches your town, Capitano informs you that he will be busy with “work.” He says it during another reading date, featuring Heart of Clear Springs. Before leaving, he kisses your hand and gives you a kind smile. There is a sad look in his eyes, but you don’t inquire further.

♡ In late spring, your town is attacked. With the entire area under fire, from your home to the meadow, you find yourself running back to the sacred building which you’d avoided for years. After all, though the enemy soldiers belong to a different denomination, they still worship the same god as you. In the present, the church is the only place on Earth where you can claim asylum and pray for your survival.

♡ Except every entrance is locked, including the doors to the orphanage. As the army reaches the town square, all you can do is bang on the front doors and beg to be let in. From inside, you can hear the voices of the people that luckily attended mass before the invasion. Some tell you to hide elsewhere, others beg you for forgiveness, a few sound like the nuns and caretakers who tormented you in the past.

♡ Before you can think of another sanctuary, a soldier strikes you. Pain…it has never felt more intense. Through your fading consciousness, you register your body falling and your head hitting the concrete. Blood pools from your forehead and trickles down the steps of the church, tainting it red.

♡ Life flashes before your eyes in a blurry sequence. The static images of God, sermons and bruises, unanswered prayers, people who never believed you or simply didn’t care. A birthday celebrated with your departure from the Church. Sanctuary found in the library followed by the meadow. Yet the numbness remained, each day bleeding into the next in a gloomy haze. In all those years, did you ever feel God’s love?

♡ It doesn’t matter at this point. A small part of you wonders if you should have retained your faith, continued your prayers, sought out salvation in the safety of your solitude. At least then, at the hour of your death, you wouldn’t be confronted with the fact of your humanity. The primal fear of death, the spiritual fear of ending up in Hell no matter Capitano’s reassurances.

♡ Capitano…where is he? Weakly, you call out to him but he doesn’t appear. Of course, why would he? You should feel thankful; it means he is probably safe, wherever he is. Still, you can’t help but wish he were here—if not to save you, as he has done by simply keeping you company, but to comfort you one last time. And those are the thoughts which plague you in your final moments, an unheard prayer on the tip of your tongue.

“I pray that we meet again, myself and the first person who truly loved me.”

♡ ______ died on a cloudy day, one of many people persecuted in the name of God. After the Church was destroyed and its followers slaughtered, their body was buried in a mass grave that once flourished with nature. There was a poignant quality to their countenance, an air of distress as transient as the flowers planted above them.

♡ At least, that is how your story ends from the perspectives of the survivors. But to the angels and demons who witnessed the destruction of your town, your death was only the end of a chapter in your life. In their eyes, Capitano had been present all throughout, an invisible witness to your death, absolute in his refusal to perform an unauthorized miracle.

♡ He remained by your side until the light faded from your eyes. That was when he took notice of the bouquet of narcissus clutched in your hand, tainted with blood despite your feeble efforts to save his gift. A soldier approached your corpse, intending to drag it down the steps for burial; but before they could touch you, Capitano appeared before them.

♡ It was only for a brief second, but the soldier drew back and cowered in fear. In the following days, they were haunted by the memory of the angelic figure who appeared outside the Church of Mondstadt. Or more precisely, the monster who prayed over a bloodstained corpse and took a bouquet of ruined flowers out of their grasp.

✿ ⚘

From the moment you wake up, all peace leaves the meadow.

What happened? Your memory comes back in hazy fragments—death, darkness, blinding light, pearly gates, ethereal figures. Most vivid is the sensation of strong arms and soft feathers, a familiar warmth which accompanied you throughout your journey.

As for your current surroundings, you are in a meadow so beautiful that it brings to mind the Garden of Eden. Flowers of every variety bloom across the scenery, some out of season. The sky is bright, sunless, a canvas of multiple colors. There are no other signs of life.

Internally, too, something feels off. A nearby pond provides a glimpse of your reflection—white garments, gold scars in place of your fatal injuries, your disoriented countenance. If this place is what you think it is…shouldn’t you feel at peace, happy even? And why are you alone?

Your gaze lands on a patch of flowers. Pure white, perianth petals, cup-shaped coronas…the same type of narcissus which grew in your favorite meadow. The flowers point in different directions, as though searching for a sun that does not exist.

“You are awake.”

A shadow touches your form, engulfing you in darkness. It bears a large, unrecognizable shape but such details escape you as you recognize the voice behind you.

“Capitano!” Immediately, you turn around, only to gasp and suppress a scream.

The person before you…can you even call him human? He is incredibly tall, to the point that you must crane your neck to see his face—assuming there is one beneath his iron mask. His body is clad in silver armor, stained blood in some places. A halo, shaped like a crown of thorns, shines behind his head.

But what shocks you are his wings. A single pair covered in radiant white feathers and eerily dark blue eyes. Each eye seems to glow with an uncanny aura.

Dark blue eyes with a striking resemblance to Capitano’s. What more for his long black hair and his solemn manner of speaking?

It doesn’t make your revelation any less unsettling.

“Capitano.” Your voice comes out in a nervous whisper. “Is it really you? You’re a…”

“An angel,” he confesses. He takes a step back, widening the distance between your bodies. “I ask that you pardon my appearance. Such was my sacrifice—for my true form, in all of its monstrosity, to be my sole image.”

His human face comes to mind, along with the kind gaze you fell in love with.

You feel the weight of multiple gazes on you. “What do you mean?”

“Is this realm to your satisfaction?” he asks. “I beseeched God to create a special paradise for you, cut off from the rest of Heaven. The price is that your capacity to feel negative emotions remains in this realm…though that is preferable.”

Preferable? How so? Right now, you can barely process what he is telling you. You are dead. Your companion is an angel. Your soul is in paradise, but not exactly.

After everything you’ve been through, you were still deemed worthy of a place in Heaven.

“I am sorry.”

Capitano’s voice brings you back to reality. He has never sounded more serious, emotional, repentant. And when you look up…

Is he crying?

Most of his eyes remain open, focusing on you with a fervent stare. But others are downcast, as if unable to face you. And a few appear glossy, blinking back iridescent tears.

“I am truly sorry.” He bows his head in shame, wings folded. “What I did to you was cruel, an absolute injustice.”

You don’t know which eyes to make contact with. “You—”

“It must have been painful,” he continues. “Even if I were to justify my actions, the truth lies in the fact that I tolerated your suffering for my own selfish desires. And that is why I ask not for your forgiveness, knowing I am the one at fault.”

Silence. In light of Capitano’s confession, all you can do is stare at him and comprehend the weight of your situation. What exactly are you supposed to feel, knowing his betrayal? Knowing that regardless of your feelings, you have nowhere else to go in the afterlife?

Yet despite it all, your prayer came true. The two of you were able to meet again.

And that is what compels you to take a step forward, to come closer until you are standing in front of him. “Hey, it’s…don’t cry.”

A delicate sensation blesses his wings—your hands carefully tracing his feathers to wipe away his tears. Several eyes widen in surprise, but all he can see in your gaze is sympathy.

“I’ll admit, it was painful,” you tell him. “Dying alone. But maybe it’s…better this way. If I survived, I’d have to deal with the loss of my home. And who knows what kind of living hell the other Church would’ve put me through?”

Above all, Capitano is the only person whose love you can believe in.

Hesitantly, you take his hand and intertwine your fingers. The next words to leave your lips are spoken with certainty, bringing fresh tears to his eyes.

“I’m sure it was an act of love on your part.”

His reaction is sudden, incurring your surprise. But all you can do is surrender to Capitano’s embrace, allow his free arm to hold your waist and pull you closer to him. His wings wrap around you, caging you in soft feathers and eerie blue orbs.

“Capitano?” You can only look up at him, peering into the contents of his mask.

…It’s like staring into an abyss, a night sky dotted with twinkling blue stars. But in the absence of a human likeness, his words express what a face cannot.

“Never again,” he vows, “shall I allow harm to befall you. That is a promise.”

The hand on your waist moves upwards to caress your face. His touch is light, more hesitant than his previous gestures.

“You need not serve God nor partake in fruitful labor like the other souls in Heaven. All I ask is that you rest, indulge yourself, enjoy this paradise to the fullest.”

A flower is pinned to his armor, right above his heart. You recognize it instantly—a narcissus in full bloom, stained with your blood.

“If you desire a flower, it shall grow at once. If there are any books you would like to read, they shall be brought to you shortly.”

What was the name of that variety again? Narcissus triandrus. Angel’s tears.

“If you are in need of my presence, I shall appear before you, so long as I am not in the midst of battle. And should you ever desire the opposite, I can promise my distance.”

When Capitano looks into your eyes, all he can see is his own reflection. Whatever emotion colors your gaze, it casts his true image in a compassionate light.

“I shall do everything in my power to bring you joy for all of eternity. Such will be my penance.”

“...All right.” With that, you close your eyes and lean into his touch. He feels warm, comfortingly familiar. “I’ll trust you on that.”

Rest in peace, ______.

Think not of your mortal body in the beginning stages of decay.

Think not of your tormentors who are paying for their sins in Hell.

Think only of eternity with your beloved savior.

♡

More Church AU here!! Dottore ๑ Arlecchino ๑ Pantalone

Note:: Please do not send me any Church AU asks/ requests involving other characters or dynamics who are not listed in my masterlist.

Aahhhh it's done....this idea turned out much heavier than expected, but I'm glad that I was able to write this!! I hope you all cried over enjoyed the story of Angel! Capitano and his damsel. They were truly a delight to write for~

Tag a Capitano enjoyer!! @diodellet @navxry @leftdestiny-posts @beloved-blaiddyd @bye-bye-sunbird @yandere-romanticaa @harmonysanreads @mochinon-yah @oofasleep @micchikari @whispereons @thescribeoflostmemories

[2soulscollide]

tips to level up your writing skills

1. read, read, read

okay, I know, everyone keeps saying it... but it's true, and I truly believe the more you read, the better you write, because you come across different writing styles, different voices, new characters, and worlds. This applies to every writer, from amateur to professional.

2. practice makes perfect

another cliché, right.

but hear me out: I feel so much more confident about my writing skills when I write daily, rather than when I write a bit occasionally. you get lots of work done, see your book coming to life, and get better at it.

3. create an outline before you start writing

guysss, I know many people like to go with the flow, but I would recommend planning your novel before writing it, especially if it is one of your first projects.

when I started, I refused to plot my novel because I thought it was a waste of time, and I couldn't plan it all ahead. turns out that I could never finish my novels, because I started to get lost in the plot. as most of you may know, I LOVEEE to plot now!

4. use active voice instead of passive voice

passive voice is alright sometimes. I like to use it, too. but to create an immersive experience for the reader, you should go for the active voice since it creates more impact.

see something like this:

"the letter was written by Marcus who had tears in his eyes." VS "Marcus wrote the letter with tears in his eyes."

such a basic example (don't judge me!!)... but can you notice the difference? it seems so much more expressive.

5. avoid using overly complex language

repeat it after me: short. sentences. are. valid.

don't overcomplicate it! I know it's tempting to write huge sentences sometimes and make your book seem more complex and professional, but sometimes it just doesn't come out as expected, and we end up exhausting our readers.

6. don't just for yourself

this can be a polemic topic. it's quite common to see people saying you should write for yourself, but let's be honest here: if you're trying to get your book published, you should have your target public in mind while developing your book. knowing your audience to know what works and what doesn't work is extremely important. but hey, you must also enjoy what you're writing!

7. use dialogue!!!

I find dialogue so important, and I love it so much! ensure you develop a distinctive voice for your characters to make them seem real to the reader. also, if possible, read the dialogue out loud and imagine if it would work out in real life.

8. don't be afraid to use metaphors

metaphors will turn a "basic" work into something more sophisticated when applied in the right places. you might want to avoid overusing it because it can ruin the experience, but it's something up to you, and what feels better to you.

9. research your topic before writing

okay, this is pretty self-explanatory. if you're writing about a topic or a location you don't know much about, avoid making assumptions or clichés. instead, do some research, take notes, or even ask chatgpt questions to help you.

10. don't be afraid to experiment and try new things

I was a fanfiction writer for a long time and was so scared to try original fiction because it seemed so much different from what I was accustomed to doing. however, once I decided to try something new, I discovered I liked to do it more than fanfiction. you'll never know until you try it!

11. never give up on your writing, keep practicing and learning to improve your skills

it takes time to acquire new skills, so if you're new to writing, please don't give up! It's fun and a long path, and I promise you'll love it, even more, the more you write!

I hope this was helpful! <3 have a nice day

also, i just released a new freebie!!! it's a free workbook for writers with over 90 pages to guide you through the process of plotting a novel. you might be interested in checking it out!! :D click here

[crepesuzette2023]

Hi! Because someone just asked me, I'd love you hear your Top 5 favourite McLennon fics!

You made my day! Nothing could have made me happier than this ask.

I'm not going to evade your question. I will post my top-five, even though it hurts to choose. But you inspired me to finally write a longer (okay: very long) post about some (not nearly all!) of my favorites, which will be under the cut.

(Sorry for not knowing every writer's tumblr, by the way. Please feel free to let me know, so I can tag authors where appropriate. Thank you!)

My Top 5:

MIRACLE WORKER by @scurator. What can I say. Every time I need my heart broken and to feel an inkling of what grace truly means, I go to this masterpiece about Paul and Robert Fraser finding each other again at Cavendish in 1981.

COAST STARLIGHT by bookofapril is "Miracle Worker's" cosmic twin. The sun to its night. Paul and Robert Fraser on Fire Island in 1974. Nothing I can say will do it justice, so I won't try. This is the "other world" conjured in "Tug of War," so powerfully and joyfully imagined, it's real. (I'm always thinking of this story, but I did so extra hard when I came across a prompt recently: 'They aren't each other's first love, but they're each other's true love'.)

SAME AS IT EVER WAS by RedheadAmongWolves. My favorite Outsider's POV. An ageing newsstand owner from Liverpool remembers John and Paul as boys and young men. There's something magical about the relationship coming alive in these glimpses. A story filled with tenderness that reminds me to always look closely.

AN ORGASM OF SOUND by @pauls1967moustache. The insanity of John and Paul in 1967 got the tribute it deserves. I sleep easier since I read this story. It feels cosmically right that it exists.

PLANT A SEED by @eveepe. Paul in his slutty sailor outfit in Miami. He and John are into each other, and happy, and fuck slowly. Afterwards, Paul has an idea for a new song. That's it. Tender, glorious, hot perfection. Apply at least once a week for best results.

For more thoughts about some of my favorite stories, sorted into very much defined-ad-hoc categories, read under the cut.

Young Love:

I love the myth of their first meeting, and stories that speculate about the sexually loaded creative fireworks/gritty jealousies/tentative hand-holding/topping and tailing during the first years. Here are some faves:

Paul finds music, and John, and his life is changing. In STREETS OF OUR TOWN (@with-eyes-closed) you can taste the upheaval and promise of first love and growing up. Deeply sensual, even without on-page sex. The shaky, sweet, and all-consuming fire of John and Paul’s first kiss is immortalized in ALL I KNOW SINCE YESTERDAY (RedheadAmongWolves). In NON NOBIS SOLUM (@downtothe-lastdrop), art student John simply has to know how far grammar school boy Paul will go to please him. But Paul matches him play-by-play. In THE CAST IRON SHORE (@m1ssunderstanding) Paul earns extra money through music and sex. John finds out. They fall in love, and hide their mutual pining behind transactions—but in the end, they man up to pair up, and get their band back on track. (The first part is finished; I can’t wait for part 2.) John and Paul’s ’61 trip to Paris has been honored in fiction many times; WHEN YOU ARE YOUNG THEY ASSUME YOU KNOW NOTHING (@lilypadd23) is a slow-burning, blessedly long story that blossoms sweetly. DON’T THINK ABOUT IT is the concept by which Paul measures both his pining for John and their deeply satisfying (but surely not really queer?!) sex life. Perfectly realized Paul POV by @merseydreams. Finally: I NEED YOU DARLIN’ (verse) (by @beatlessideblog) would have fit many categories, but I put it here, because in the end, it’s about young John and Paul becoming friends, making music, having sex, and falling in love. No more, no less. Embedded in a late 50’s/early 60's Liverpool omegaverse in which there's a place for their bond. But, surprise (?!): It’s still complicated. I can’t overstate how charming and satisfying and funny and hot this work is.

Old John and Paul:

Is there anything as lovely as imagining John and Paul growing old together?

In HERE TODAY (@herspecialagent), John and Paul found happiness with each other in Scotland. On 8th December 1980, they invite friends for a party, and fight an inexplicable sense of doom. A reminder that our other lives can be closer than we think, and to keep our loved ones even closer.

GROW OLD WITH ME (@inherownwr1te): Old farmers and husbands John and Paul enjoy domestic bliss, deal with a broken arm, and make sweet love.

HAVING COFFEE (@feathersandblue): John Lennon and Paul McCartney, “one of the most iconic gay couples in history,” look back on their early love, the Beatles, and being outed in the 80’s, in this oh-so-glamourous, well-written 2020 portrait…

Magical re-tellings of J/P and/or the Beatles Story:

No matter where you come down on the blessed vs. cursed continuum—they were living through something magical.

In KISSING THE BLARNEY (@zilabee) the Beatles draw love and music from kissing Paul, and each other, until the stupid world interferes. But fear not, all ends well. How to tell the truth through whimsy: this story demonstrates it.

In WE ARE ALL TOGETHER (also by @zilabee), John and Paul switch bodies. It helps.

I WAS A YOUNGER MAN NOW (THEN) (POST HOC) BY @fingersfallingupwards: Paul is a time traveler and braids his life together with John’s, out of order, through the years. And yes, they do grow old together—but not without losing each other first. I’m in awe of this story.

A darker time-traveling story is A MATTER OF TIME (D12Fan), in which John and Paul love each other, over and over, and never manage to make it work—but Paul won’t give up.

FOR THOUGH THEY MAY BE PARTED (@downtothe-lastdrop): The misery of the 'Get Back' sessions and memory-stunting technology imported from “Severance” are not enough to kill off John and Paul’s attraction and longing for each other. Again, this is basically what happened, so.

John and Paul without the Beatles?

Yes, please! Sometimes, the best way to dissect and celebrate (and fix?) this mesmerizing and exasperating partnership is to lift it from its context and drop it elsewhere. Anything goes.

WHATEVER FATE DECREES by @dailyhowl: A gorgeous, finely spun, securely handled, self-contained vision of how John and Paul could have worked as artists in love, without a band to 'legitimize' and constrain their bond. I love this homage to their deep and complicated love that needed trust and breathing room.

1967 by @walkuntilthedaylight: What if John and Paul had gone to Spain together and not come back? This story not only explores their relationship layer by layer, it also dives into the the feelings of those who knew them 'before' and who now meet them again, as a couple. A fascinating alternate history. Not a fluffy one.

TOMORROW I'LL MISS YOU (@pauls1967moustache): Paul abandons John in Hamburg—or John stays behind without bothering to write, depending on who you ask. This "Before Sunset"—AU reunites them, years later. They ride a bus and write a song, and the love and tension are sweet and painful.

DOUBLE FANTASY (by @javelinbk): Modern AU in which John and Paul meet at John's flower shop and manage to ignore and creatively re-interpret their feelings for one another for a surprising amount of time, before fate has mercy. I love how their sweet, well-matched eccentricity makes the world a warmer place for both of them.

WE ARE STARDUST (Unchained_Daisychain): AU. John and Paul meet at Woodstock, fall hard and fast for each other, and have to decide what to do with it: Paul's life is back home in England...except...

Angst, darkness, and courage:

Pain, fear, grief, and other dark emotions are part of the real J/P story, so it makes sense to honor and harvest them in fiction. One of my favorite brands of McLennon angst is the one triggered by their feelings for each other, and the thing they become once they're together™. When they're scared of how much they need each other, and of what will happen next.

ONE AND ONE AND ONE IS THREE and MANAGING EXPECTATIONS (both by @pauls1967moustache), for instance. The first is a terrifying threesome with Yoko (at John's instigation, of course), in which trust is never rewarded and sex resolves nothing. The second is Paul wondering, in thoughts both messy and crystal clear, whether he exists independently of John. He turns to Brian for answers. They fuck. It feels like a human thing compared to what is going on in Paul's mind. Just astounding.

SUNDAY DRIVER (@boshemians) dives into the theme of Paul and John being afraid of themselves in the aftermath of Paul's accident (moped, sexual) with Tara Browne. This one, like "Managing Expectations," ends on a lovely grace note.

MACABRE (@dovetailjoints). Lennon and McCartney go too far.

OPEN HEART (@paisanas). Paul drinks John's blood. John lets him. But Paul starts to hate himself for how much he needs John, which John feels as rejection. I love how this story ends on Paul embracing his need. You can see the painful, bare bones of their malnourished love under the lush sensuality of the vampire sex. Raw and rich.

SILENCE (@ohjohnnysblog). Short and piercing. If there is someone you love—tell them. Don't wait.

THE LATE, GREAT JOHNNY ACE (@midchelle). Reeling with grief, Paul is recording an album in 1981. George and Ringo are there. John is not. But in the end—he is. And they touch. I've always admired Paul's resilience in the face of having to perform or "prove" his love of John in public, and this story showed me, without sugar-coating, where this resilience comes from.

Light, hope, and fixing things:

There is also much lightness and brightness in McLennon, because John and Paul were ridiculous, and horny, and weird. And also: they deserve a laugh. They deserve the fluffiest of happy endings. They deserve high-quality, life-affirming smut. They deserve silly, because silly is what they were. You know their names, look up their number.

1980. John is in BERMUDA (@scurator), Paul visits. Paul comes prepared, John just comes. Sometimes, it can be this simple. This story always leaves me in such a good mood. Paul is the (more) experienced one, and it...really works for me.

GOT TO GET DOWN (@eveepe): In praise of John's obsession with Paul's...precious. His small and perfect prick.

ADVENTURES IN TOTAL HONESTY (@merseydreams). Pithy and sexy, and, I quote from the tags: #Excessive Margarita Mixing.

ANINUT (@pauls1967moustache): The Beatles heal, together and separately, after Brian's death. Once more, I quote the writer: "The Beatles did not follow any of the Jewish mourning traditions, and frankly, they should have."

The unhinged weirdness of the Mad Day Out, with John and Paul escaping and Francie, Yoko and Mal not missing them...much, is rightfully celebrated in one of the insaner stories I read: JOHN, I'M ONLY DANCING (@skylikeaflame)

FAIR'S FAIR (@javelinbk): John and Paul are being silly during a press conference, resulting in acute arousal requiring John's skilled intervention. I love the unexpected care and tenderness in this one!

WHERE THE POETS WENT (RedheadAmongWolves): Tender and enchanted story in which Paul and John go to a bookstore, where they're not as famous as everywhere else. As delicate as the chiming doorbells and the pages murmuring around them.

TAKEN AWAY (@crumblingcookies) Extraterrestrial Intelligence intervenes to reunite John and Paul.

CAN I TAKE MY FRIEND TO BED? (manhattanvalleys). Paul fucks the band in sequence and gets off in the end, as is his due. This is a story like Prince's KISS. No filler, all effect.

THEY SAY IT'S YOUR BIRTHDAY (@ohjohnnysblog). Warm and nostalgic phone sex in the 70's.

KEEP THE LIGHT WE'RE GIVEN (@backbenttulips). Amidst the rise of Beatlemania, Paul and John expect their first child. This is Paul's 1962 diary.

More Outsider POV's:

STILL MATES (@pauls1967moustache): in 1968, Peter Asher takes the leap to act on his feelings for his sister's spiraling ex fiancé. This isn't about Paul as much as about Peter, and who he wants to be. Gutting character study. It made me love Peter.

ANOTHER GIRL (@boshemians): Astrid reunites with the Beatles during the making of AHDN and registers their words and deeds with the same stark objectivity as her camera. I love how she seeks the shelter of obscurity while they are being dragged into the limelight. But she sees them, wherever they are. J/P in this story feels incredibly real to me.

WHY BUY THE COW (RedheadAmongWolves). The milkman sees everything on his early morning rounds: the arrival of a nice new family, the McCartneys, the mother's illness, the sadness after her death...and the arrival of a new love in the older son's life. He shouldn't approve—should say something, in fact. But a small inner voice holds him back.

SLEEPLESS IN WALES (thinkpink20). Mike overhears Paul and John whisper in bed. He doesn't understand everything they say. I do. Adorable.

Not each other's first love, but each other's true love

THIS YEAR'S FOR ME AND YOU (@skylikeaflame): After a long life, after deep and loving partnerships with other people, John and Paul, encouraged by their grown-up children, finally meet their mutual love head on. A festive story about waiting the perfect amount of time.

THERE ARE ALWAYS FLOWERS (tarenas): The Beatles are in the past; John and Paul's love is in ashes. Paul, who is fragile and bereft, lives with George, who is content. The four ex-Beatles unite for the second wedding of Mike McCartney. At times, the aching grief in this story is almost unbearable. But the love between George and Paul is unusual and real. This is unfinished. I'll keep waiting for the final chapter.

Beyond J/P

WANT ME WHEN I'M NOT THERE (@backbenttulips): Linda catches Paul cheating on her with John. She divorces him. Finally: a story that puts her most likely reaction front and center, with no mercy for the messed-up geniuses.

In the Rebecca-AU LOVE LIKE GHOSTS (@backbenttulips), Yoko becomes Mrs. Lennon. Soon, she discovers that her husband is haunted by the ghost of his first love. It's pleasing how well this re-telling matches the events as they (alas) (almost) happened. The ending is chilling. Genuinely horrifying. I love seeing Yoko as the sensible one and as the focus of empathy.

THE BASS LESSON (@aquarianshift). Paul and Stu fool around without letting go of their mutual resentment for even a moment. And it works. "Let's never do this again." I don't think so.

TELL ME ALL MY LOVE'S IN VAIN (@midchelle). Forget about quote unquote platonically obsessed male rock stars: This about about Maureen and Patti through the years. The web weaving continues.

SPOTLIGHT ON JOHN AND STU (@dailyhowl) A love story in letters—too brief, like Stu's life, but sounding as if the writer transcribed their dictation. Some of the best descriptions of what it must have been like to play on stage with the Beatles during the mania are in NO I IN THREESOME (@with-eyes-closed). George finds himself in the beam of attention between John and Paul, and nearly loses his mind. But he's determined to stay and become part of them. Paul is daddy and "fucks like music" as seen through George's eyes. The whole story is vicious and hot and uncomfortable—until there's the love and quiet at the eye of the storm.

Not for the faint of heart! WHAT THE CIGGIE CARTON SAW (@waveofhand): Paul McCartney having his way with cigarettes.

This is getting out of hand...but I'll stop here. There are so many more stories I love. And I can think of many other categories that would deserve their own post.

So, who knows: To be continued?