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Amo-te...
Não pela forma que tu danças com os meus anjos exteriores, mas pelo jeito que vosso nome ecoa e silencia meus demônios interiores, outrora inquietos. Em teus braços há o tal abrigo acolhedor, que dilacera todo o temor e preenche o espaço com amor, que imuniza-me da dor e ainda me presenteia com o sortilegio de chama-lo de meu eterno amor. Amo-te, além da vida, morte, tristeza, alegria, força, medo ou bravura; Amo-te, até que meu coração se rompa desse sentimento de tão pura doçura.
✥-------------------✥-------------------✥
I love you...
Not for the way you dance with my outer angels, but for the way your name echoes and silences my inner demons, once restless. In your arms there is such a welcoming shelter, which lacerates all fear and fills this space with love, which immunizes me from pain and even presents me with the lucky of calling you of my eternal love. I love you, beyond life, death, sadness, joy, strength, fear or bravery; I love you until my heart breaks from this feeling of such pure sweetness.
- Nyxx Addams.
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He hands her the cut-out heart like a cracked heirloom.
Sylvia Plath, The Colossus & Other Poems; from ‘Two Views of a Cadaver Room’
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Me estoy desbordando, no encuentro una salida a estos sentimientos que no hacen más que corromper mis entrañas.
No veo salida dentro de esta oscuridad.
Hay algo en mí que está podrido, duele, supura, pero no logra curarse.
Me pregunto cuánto tiempo más estaré así.
Cuando pienso que estoy llegando a la luz de la vida, hay un inmenso espacio que me separa de ella. Doy vuelta atrás, no encuentro camino alguno.
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el otro día escribimos esto con un amigo, por si alguien quiere leer:
"
el corazón informático late lejos
muy lejos
teclas, teclas, teclas: los ojos aberrantes
de un niño oculto en su conversación insomne.
palabras caen en el zig-zag distractivo
de una interfaz luminosa.
digo luces,
explotan
mi pupila es comida de microbios
quiero mi brazo alcanzar
lejos está
de nuevo
que vuelva
y me abrace otra vez.
un repiqueteo lento
beso despacio
mis venas que son cables
leo recto
miro fijo
huelo la fragancia que descansa
en el oído seco de la maquinaria.
mi cuerpo magenta
brilla, todo lo demás ¿qué importa?
el acople huele a óxido
un brazo plástico
pide enardecido
que le entreguen su orden
mientras el aceite acalla las voces de los transeúntes
y el eco de una mente motriz espera, otra vez, nuevamente,
espera.
¿adoro? no.
adoramos esas ramificaciones eléctricas
¿quisieran ellas venir?
un poco, algo
no tanto, ¿no?
¿220? ¿si?
la frecuencia no está bien, digo
es algo monótona, ¿no?
algo más
que venga algo más!
dame, dame, un tiro de ese cobre,
si la necesidad es ley, quiero
tocar el fin de este deseo.
algo que venga
algo que surja
algo que acrecente el ritmo."
visiten su blog que escribe muy bien.
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tender is the flesh cruel is the soul
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The mother of all women,
A poem by Ofélia SQ @abstract-mind
The mother of all women is the iron maiden. My father raised me well, his ritual to turn me from girl to woman was cheating on my mom and leaving us three behind. My sister raised me well, her ritual to turn me from a girl to woman was making me learn how to be the mother of my sister. The mother of all woman is the sacrificial lamb. One day, as my sister made dinner, her husband told me he was a wolf and i was but a small sheep, ready to be devoured. My mom begs me to not take testosterone, i'll turn me into a brute. I pull out a cigarette and let my body get hidden in the fog. The mother of all women is Medusa. When i came to the doctor to see if something was wrong with my spine over so much back pain, he told me i was only shy about my chest because i didn't want boys looking at it. I wondered if i tried hard enough, i could turn into Medusa. My mom laughed when he told jokes about my shyness and my body, and would later on pull my arm saying i embarassed her with my silent stare. My hand itched for a cigarette. When i'm tired of voices on my ears, i dream i'm alone at the beach, feeling the freezing water against my feet. Are you proud of me, mother? I've accepted the iron maiden. Am i a woman, now? I feel the nails penetrating my skin like worms pushing against the skin of a cadaver. Your living room has Jesus christ on a cross. Is he a woman? I throw my cigarette on the dumpster, watching the fire like it's golden colors will paint the blues around it. Is this dumpster a woman? My mother tells me, this is the way things are meant to be. This is the very nature of life. Gaia is the mother of all women. Industries throw oil on Gaia, and i wonder if she ever wished she was Medusa. I walk around the streets like i own them, my shadow is the only thing that follows me yet i still look at the glass windows in buildings just to make sure. My lipstick sits on my lips as if i had drank a wine glass of blood and meat. I do not wear red, so it will not be confused with exposed flesh. The mother of all women is a cadaver. What a futile understanding of gender does the people my age have. If men and women alike will not abidicate their beliefs that I am but a meal for worms to penetrate, I abidicate my womanhood. Apologies to all women who i have abandoned, the women whose mothers were forgiveness— my father and my mother taught me well.
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These gruesome scenes we share
are intimacy given rotten form
of torn flesh, spilt blood, and tendons
bitten. saliva streaks down our lord
given bodies. joined by teeth and spit
dripping down this skin into your
hands. Made to love, rip, and tear
I offer unto you my unholiest slab
of viscera and sweat bleeding warm
sticky trust from each orifice you cut
into my awaiting cadaver you’ve shorn
of all hope of sanity. I know only you
and your touch. I crave it. I crave your
hands. Made to shred, slit, and stab
Our floors, long since stained, groan
under the weight of the bond we’ve sworn
and sewed into blooming bruises we
pressed into bloodied necks swarmed
with devotion that fills every crevice
of our yearning bodies. Bound by your
hands. Made to mark, mar, and moan
When the carnage you made of me
is laid out bare as spoils for the worm
you tenderly caress my open ribcage
to pluck out my heart and hold it firm
as you suture my gutted being into a
complete existence as I lie gently in your
hands. Made to hold, heal, and keep
wrote a poem about hands, love and guts.
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[…] I write poems and they are about cadavers, suicides, Electra complexes, ouija boards, hermits […]
Sylvia Plath, The Letters of Sylvia Plath Volume II: 1956–1963 — Ann Davidow-Goodman, 12th June 1959
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Her body
black as clouds
pierces darkness with its sheen,
and Hara, a cadaver,
is fallen at Her feet.
— Raghunath Ray, Singing to the Goddess: Poems to Kali and Uma, compiled by Rachel Fell McDermott, (2001)
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A WEBWEAVE ON ASTEREUS STARWAKE'S DISSOCIATIVE IDENTITY DISORDER
[ UNKNOWN ] : DO YOU BELIEVE IN FATE ?
[ ASTEREUS ] : NO , NONE OF US DO . WE ONLY EVER BELIEVE IN EACH OTHER .
— Antineon Hieraeon , C.C.
Ars Poetica ? , Czesław Miłosz / blaclarck / Bless the Daughter Raised by a Voice in Her Head , Warsan Shire / Like the Singing Coming Off the Drums: Love Poems , Sonia Sanchez / Minotaur’s Love Song , Avni Vyas / Anonymous ask to Tumblr user f0rcee / Keep Going , Tumblr user yeehawpim / Cadaver, Speak , Marianne Boruch / Wishing for Birds , Elisabeth Hewer / Snow and Dirty Rain , Richard Siken
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hi!! can you recommend some books by south Asian authors?
Exquisite Cadavers, Meena Kandasamy
The God of Small Things, Arundhati Roy
Poppies in Translation, Sujata Bhatt
Interpreter of Maladies & In Other Words, Jhumpa Lahiri
The Veiled Suite, Agha Shahid Ali
Scary Monsters, Michelle de Kretser
We Sinful Women: Contemporary Urdu Poetry
Rebel's Silhouette: Selected Poems, Faiz Ahmad Faiz
Andal: The Autobiography of a Goddess
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"Do you know what a poem is, Ester?'
'No, what?' I would say.
'A piece of dust.'
Then just as he was smiling and starting to look proud, I would say, 'So are the cadavers you cut up. So are the people you think you're curing. They're dust as dust as dust. I reckon a good poem lasts a whole lot longer than a hundred of those people put together."
Syvlia Plath, The Bell Jar
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'i have something i need to get off my chest' - on dysphoria, cannibalism and idioms
(ID in read more)
[Image ID: an original poem titled: ‘I Have Something I Need To Get Off My Chest’
the last shingle fell
as did I
onward toward
something something something.
I am loss I am anger I am clattering and shattering
I can take a bit more of a battering.
I want I want I want
to be lost in an open mouth
teeth clacks leave cracks in my hollow bones
rearranged in the roll of a tongue
until I’m something I can bare to look down at
when I am bare.
speak slowly or
not at all
speak too slow and you are not of mental capacity
I am at capacity.
cough up all your soil
the worms of your gut
do not be too much
do not be too desperate
do not expect to get what you want
my situation is dire –
I am reduced to my bones
but it’s the flesh I give a damn about.
the body is yours as long as you don’t alter it
those with glass bones should not throw rocks
ignore the cobwebs in your joints
creak along for the sake of others
oh it’s just one of those days
they’re all one of those days.
we’re all just renters here
live in but do not touch do not change
live but do not own
god forbid you want something else
don’t we all?
enough enough
I long to want.
full to the brim
unable to stomach another bite
I want to be full of myself
when the going gets
stiff upper lip
like those cadavers you will one day be
we can tell
we can always tell
pick apart my rotten flesh and toss aside the sinews
dig me up and desecrate my soul.
I’ll cross that bridge when I burn
find me in the ashes
tackle the bullet
right into your lungs
more pain no gain.
I’ll pull you apart by the skin with my teeth
paddle up the creek of shit you spew.
please god, break my leg,
I’m in dire need of remoulding
I’ll rejoice over spilt milk
finally free.
no no that’s not right
remember remember
collect the fragments and push onward towards
pieces pieces pieces
I don’t know what to say
what was it you said
ah yes! yes!
let’s call it a day
try again tomorrow
nothing a good night’s sleep won’t exacerbate.
end ID]
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Nostalgia
Do you still visit our place in your mind?
The yew tree that paints shadows on the ground
where we buried the poems of us
that lingered between eros and agape
I feel you chuckle, why not just call it
love
that howls on and on and haunts me
it has the form of your face, I bet
it still sings the cadavers of lyrics vivaciously
I only wanted you to know simply that
When I think of love I visit our place in the shadows of the yew tree
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