#can we also get a shout out for great ep titles again? | Explore Tumblr Posts and Blogs

reidgraygubler · 3 years

Text

5 Times Aaron Hotchner Cares For You +1 Time You Care For Him

Title: 5 Times Hotchner Cares For You +1 Time You Care For Him

Request: kinda, not really

Couple: Aaron Hotchner/Reader

Category: Angst w/ the littlest bit of fluff

Content Warning: swearing (if any), several instances of injuries, assault, car accident, being sick (nothing serious, just a bad cold), gun violence (but no one actually getting shot), talks of near death experiences, canon consistent injuries (hotch's injuries from foyet), season 9 ep 5 spoilers/mentions, vague mentions of something bad happening to kids

Word Count: 5,601

Summary: the five times aaron hotchner takes care of you when you’re injured, plus the one time you take care of him when he’s injured.

A/N: this was writing for pom’s discord server fic swap! I was paired with the wonderful @ontheoddoccasioniwritestuff! I took a few of his favorite tropes and prompts he likes and came up with this! The first two instances there’s no relationship, but by the end it’s sort of an implied relationship. Also, I binged dharma and greg while writing this… So Hotch definitely has more of a domestic vibe in a few of the instances. thank you all so much for the support! i really do appreciate it. check out my masterlist!

{***}{***}{***}

One

It was a regular day. You stayed behind to help Aaron and Jennifer work over some cases. The extra pair of eyes would be nice, and maybe they’d be able to get home sooner rather than later. You knew it’d be a late-night no matter what. So you decided to work through your files quickly.

Although, you wished you’d slow it down a bit. You wished you slowed down after you moved a paper just the right way across your finger. A hiss came from your lips as you dropped the paper and file to the table.

“You alright?” Jennifer looked over at you as you stood up. Looking down at your fingers, liquid red came seeping from your finger. Your nose wrinkled as you looked at the injury. It took you a minute to realize what happened as you started at the minor injury across your finger.

“Papercut,” you winced as you looked between Jennifer and the cut on your finger. You brought your finger to your lips, sucking on the wound like a child would have done.

“I have bandaids in my office,” Aaron spoke, looking up from his file and right at you. You looked over at him, your finger still in your mouth. You felt a little weird staring at your boss and superior with your finger in your mouth. “Here, I’ll go get you one,” he looked up at you as he stood. You stared at him, watching him leave the conference room.

“I should go with him, right?” You asked, looking back at JJ. She looked up from her file and right at you.

“He offered you bandaids quicker than I could,” JJ laughed as she lowered her file to the table. You raised an eyebrow at her. “I’d go with him,” a smile grew on JJ’s lips as she looked back at her file.

“Right, I should,” you mumbled as you rushed to your feet. JJ grinned, watching as you rushed out of the room. You were quick as you rushed down the platform, going right to Aaron’s office.

“Unfortunately, I only have Batman bandaids. Is that alright?” Aaron looked up at you, holding a bandaid with Batman and Robin on it. You looked at him, feeling a small smile grow on your lips before nodding.

“Batman will work just fine,” you laughed as you met Aaron in the middle of his office.

“I don’t have anything to clean it with either. So you’ll just have to go to the bathroom. Next time I’ll be better prepared.” Aaron laughed as you took the band-aid from him and looked down at it. “Jack’s the one who picked the theme of the band-aids… Insisted that superheroes help heal all owies.” Aaron laughed again as he watched you examine the theme.

“Oh, no, really. Batman is perfectly fine," You spoke as you peeled the band-aid open and put it over your cut. “And, who said there would be a next time…?”

Two

You sat at the table, sweat pouring off you, while you somehow shivered like a leaf in the wind. You were simultaneously hot and cold, and you couldn’t stop your nose from running like a character in a Tom Hanks movie. You didn’t even realize Aaron was talking to you, everything he said to you went in one ear and out the other.

“Are you even listening to me?” Aaron stopped talking about the case and looked right at you. You looked up from the table and at him.

“Yeah, yeah you said something about…” Your words trailed off, just like any other thought you had at that moment.

“That’s not even close to what I said,” Aaron spoke as he stared at you. He placed the file he was holding on the table and stepped up to you. “Are you feeling fine?”

“I feel great, Aaron. Really. Let’s just get back to work so we can go home,” you rambled as you tried to hold down a cough. Aaron looked down at you as he placed the back of his hand on your forehead. To anyone on the outside, our relationship was strictly professional. But behind closed doors, you both had a pretty simple and normal relationship. It would have seemed weird only to the people in a work environment. But you were used to it and love that side of him.

“Nope, you’re going to the hotel. You’re burning up.” Aaron folded his arms over his chest as he stared at you.

“But I feel fine.” “You’re burning up.”

“But-”

“You’re going back to the hotel,” he spoke sternly, "Don’t even think about calling Garcia to spy on the case. Go back to the hotel, and get some rest.” Aaron looked down at you. You stared up at him, trying to hold back the sneeze or hold down the cough that was making you suffocate.

“I feel… I feel…” Unfortunately, you were cut off by a sneeze, then a cough, and then another sneeze, “Fine!” You tried not to shout, but at that point, you had never felt so… defeated. So you finally let your shoulders fall as you looked up at Aaron. “I’ll go back to the hotel,” you grumbled before grabbing your things.

“Call me if you need anything, please.” Aaron stared at you as you struggled to put your jacket on. He was quiet as he walked over to help you, grabbing a sleeve to your jacket and slipping it on you. You looked up at him with dewy eyes.

“Be safe out there, please,” you quietly pleaded. Aaron pressed his lips to your forehead, which he would regret because of how sweaty you were. You were happy it was just you and Aaron in the precinct, as all the other members of the team were at separate locations.

“Let me know when you get to the hotel.” Aaron walked beside you out to the parking lot. You looked up at him and nodded. “Get all the rest in the world, and drink plenty of fluids.” He looked down at you as he pulled the door open for you.

“Okay, Doctor Reid,” you scoffed and glared at him as you slipped into the car. Aaron returned the glare before pushing the door to the car shut.

The drive to the hotel was quiet, and thankfully pretty quick. You weren’t sure if you were happy to sit this case out. Sure it was nice to have a break from the stress. But you did enjoy being with the team and actually working.

When you finally got to the hotel, you were quick to change from your business-work attire and into your pajamas. You clicked the TV on and laid in bed. You weren’t sure when you drifted off, but you awoke to the door of your room clicking shut, and in a puddle of your own sweat.

“It’s just me,” Aaron spoke into the darkroom. You reached over and blindly turned the lamp on. Aaron was standing at the foot of the bed holding two paper bags in hand. “Sorry to wake you,” he whispered as he cringed. You assumed you looked like a mess as you sat up. You felt like one at least.

“It’s fine. It wasn’t restful anyway,” you sighed as you rubbed your face. It was an obvious lie too. You hadn’t slept that hard since before you started at the BAU. Aaron knew for a fact that you were sleeping pretty hard. The line of drool coming from your mouth, the exhausted look in your eyes, and the indentations in your skin from where the blankets were indicated just how hard you were sleeping.

“How are you feeling?” Aaron asked as he placed the bags on the table. You watched as he pulled out a bottle of orange juice, a box of popsicles, and a bowl of soup.

“Like I ran headfirst into a brick wall then hit by a semi-truck.” You spoke truthfully. Aaron raised an eyebrow as he walked over to you with the soup in one hand and the orange juice in another. “It’s probably a good thing I didn’t stay at the station with you.”

“Well there was a reason why I sent you back here,” Aaron laughed as he placed the two items on the nightstand beside you. “I also got you NyQuil and Ibuprofen. And, I can get you ice from the machine down the hall,” he continued as he sat beside you on the bed.

“You’re the best,” you whispered as you picked up the soup. “How’s the case going?”

“It’s going. There’s been another victim,” Aaron honestly answered. You frowned as you looked away from the soup and up at him.

“I wish there was something I could do to help.” And it was true. But there was a little bit of a lie in your words. You’d much rather stay in the hotel room wrapped up in blankets watching movies on your phone.

“You’re helping by staying here and getting rest. We don’t want Reid overreacting to you being with the rest of us,” Aaron laughed as he looked at you. You laughed and nodded.

“You’re right, you’re right,” you sighed and sat back in the bed, “You should get rest too. You’ll have an early morning….”

“Now… I’m the one who’s taking care of you,” Aaron scolded. You stared at him before blinking slowly. “I’m at least going to shower first. You better be asleep by the time I get out.”

“Can do, Sir… But only if you give me that bottle of NyQuil first.”

Three

“Get down!” You shouted as you looked at the victim. The little girl looked over at you with terror in her eyes. You looked at the little girl, then up at the unsub. “Let the girl go, and maybe we can talk about a deal,” You spoke softly as you lowered your gun. Your partner in crime and in life, Aaron, appeared by your side, his weapon still in hand.

“Get out of here,” the unsub muttered as he shoved the little girl towards you and Aaron. The little girl went right to Aaron’s arms, causing you to look over at him.

“Take her, I got this,” You whispered as you nodded to the girl. Aaron wanted to argue, but he knew it was useless. Aaron glanced at you one last time before lifting the girl up and leaving.

“Look, I’m putting my weapon away,” You looked back at the unsub as you holstered your gun. The unsub looked at you for a moment before tricking you. The way the unsub moved made you think he was going one way, when in reality he went the other.

Before you knew it, the unsub threw a fist at your face before shoving you up against the wall. If you weren’t sitting on the ground, you would have chased after him. But you were too busy recollecting yourself to bother. It was a shock and everything happened so quickly. So it was a relief when you heard Aaron’s booming voice renter the room.

“Stay down!” Aaron yelled as he looked down at the unsub. You sat against the wall, your hand over your eye where the unsub punched you. Aaron was quick as he put cuffs on the already down unsub. The way Aaron glanced over at you worried you a little bit. You could tell there was a tiny bit of worry in his eye. You two would have to wait till other members of the team showed up before anything would happen.

“I’m fine, Aaron,” you mumbled as you stumbled to your feet. Aaron glanced down at the unsub before going to you to help you to your feet. “I said I was fine,” you whisper once you were standing behind him.

“You go outside, and get yourself some help. I’ll be right behind you with him,” Aaron’s grip on your arm was tight as you stood. You glanced at Aaron with a raised brow.

“I’m fine, Aaron,”

“Just listen to me,” Aaron insisted as he guided you towards the door. You looked at Aaron and the unsub one last time before going outside.

The rest of the team was by your side, bringing you to an ambulance.

“Where’s Hotch,” Emily asked as one of the EMTs helped you. You graciously took the ice pack from the EMT and held it to your face.

“He said he’d be right behind me. Is the little girl okay?” You asked as you worried more about the little girl, rather than yourself. Emily gestured over to where the little girl was reunited with her family. A wave of relief washed over you once you saw the family back together.

Aaron was quick to your side when he was outside. You didn’t want to question why he took so long inside with the unsub. You were just happy he was back beside you.

“Bastard packed quite the punch,” you nervously chuckled as you looked to the ground. Aaron leaned against the ambulance rig before looking over at you.

“Next time I’m staying with the unsub,” Aaron muttered as he rested a hand on your shoulder. You looked up at him as you dropped your hand and ice pack from your face.

“You know, Aaron,” you started but let your words trail off with a chuckle.

“Are you going to finish that thought?” Aaron asked as he raised an eyebrow at you. You laughed again and shook your head.

“It’s no big deal that I got punched by an unsub. It wasn’t the first, and it most certainly won’t be the last time it’s happened,” You spoke softly as you tried to reassure your partner. Aaron breathed out a laugh and nodded.

Four

The unsub was cornered. Stuck between you, Aaron, and a brick wall with no way over it. You and the team had profiled everything about this guy perfectly. Or so you and Aaron had thought. You hoped there was an easy way for this to end. But you ended up being wrong when he raised his weapon in your direction. Aaron was doing everything he could to talk the unsub of the edge, to get him to lower his weapon. But it all ended up being for nothing.

For a brief moment, you weren’t entirely sure what had happened. All you knew was there was a loud bang, followed by a second bang, followed by you fell back to the ground. The wind was knocked right from your lungs, and breathing seemed to be a chore instead of a freewill thing. A sudden pain was in your chest, and sitting up was the furthest thing from your mind.

“Are you alright?” Aaron looked down at you with wide eyes.

“Am I dead?” You asked once you were able to take a deep breath. It was still a struggle for you. Aaron offered you a hand to help you sit up. You looked up at him before looking down at the bulletproof, kevlar vest. A bullet was lodged in the vest, saving your life.

“No, you aren’t.” Aaron helped you take the vest off. You sat back against the wall, the pain in your chest only growing.

“Are you sure?” You asked again, looking at Aaron with a small, but nervous, smile. Aaron returned the look with a raised brow, silently telling you now was no time for joking.

“You’ll have a bruise on your chest, but you should be fine. I would still get it checked out, just in case.” He added before helping you to your feet.

“Is he dead?” You looked down at the ground, your eyes instantly going to the cold body of your unsub. Aaron looked over at you with a crease in his brow and a solemn look in his eye.

“I couldn’t take any chances that he’d try to kill you. He’d already shot at you once.” Aaron explained once you had realized he’d killed the unsub. You understood why he did it, though. And frankly, you’d do the same if your places were swapped, you thought.

“Are the rest of the team and the police on their way?” You asked, already assuming the answer.

“Called them when you were down. Should be here at any minute.”

Five

“Are you alright?” Aaron asked as he looked over at you. The expression that he wore on his face was… exhausted and sad. You were sure you had the same expression, more on the sadder side. This last case was… a rough one to say the least. You tried not to think about the details of it, but all you could think about was Jack, and your nieces and nephews, and their safety. But it was hard when that was the only thing that occupied your mind on the ride home.

“No,” You muttered as you looked over at him. It was hard for you to hide the tears in your eyes. “I just wish there was more we could do,” You sighed deeply before bringing a hand to your face.

“We did everything we could do. You know that,” Aaron whispered as he looked over at you. You glanced at him, noting that he was still looking at you. “It’s always hard to know how things like this play out.” He added as he reached out to hold your hand. The grip he had on your hand was firm, tight enough to let you know he was there.

“No, no I know… It just… Sucks… I couldn’t even imagine being in the position as those parents.” You shivered with your words. Aaron glanced at you. You wiped your cheeks and shook your head. “Sometimes I wonder why I’m still even in this occupation. You ever wonder that?” You asked as you looked up at him. Aaron’s jaw steeled as he kept his eyes on the road. “Because, like… To me… I don’t know… With all the shit we see… Sometimes I’d rather just stay home with Jack,” You concluded with another sigh. That time Aaron looked over at you with a certain sadness in his eyes.

“I understand.” Aaron nodded. You weren’t sure about his tone. Though there was some honesty, at the same time you picked some uncertainty. You knew how long he’d been in the BAU, and you knew it’d be an even longer time before he left. He’s seen some shit. And, well, been through a lot of it as well. He’d fallen victim to a number of unsubs and lost more than one thing.

“You’re bad at this.” You stared at him as you pressed your head into the headrest. Aaron had a sad smile grow across his lips before glancing at you.

“I’m just a sounding board.”

“But… But you’re also my boss… And my partner… You should be more than a sounding board, Aaron.” You pointed out as you sat up a bit. “I might take some time off. This case really… It’s really affecting me in a bad way.”

“I’m sure Jack would love that. And Jessica,” Aaron laughed sadly as he glanced at you. “I’m always here for you. You know that. And if you feel like you have to take some time off, then I’ll be by your side then too.” He glanced over at you. You swallowed roughly before nodding.

“I’ll have to tell my boss when we get back to the office,” you laughed lightly. Aaron returned the laughter and shook his head.

“Don’t worry. He already knows.”

Plus One

When Aaron had gotten home from the hospital, you made it a point to take as much time as needed off so you could help him. Part of you thought everyone just assumed you were the one to go to Aaron’s apartment to help him. Of course, it was a fair assumption.

It was a rough scene when you arrived at Aaron’s apartment. It was a mess, but you partly expected that. It was more of a cluttered mess, with Jack’s toys and Aaron’s files strewn around the place. Maybe you’d help the pair out by cleaning up a little bit for them, too.

Jack was with his Aunt Jessica for the time being. He didn’t need to be exposed to the injuries and pain his father was going through. It wasn’t fair to the young boy. Jack had already gone through so much… What, with losing his mother, and nearly losing his father?

You quietly brought your go bag and backpack up the stairs and towards Aaron’s room. This wouldn’t be the first time you’ve spent the night at his house, and it certainly wouldn’t be the last. Although this time was different.

“What are you doing here?” Aaron asked as you entered his bedroom. You looked down at him with confusion and mild anger on your face.

“You… You had no one to take care of you,” You whispered as you looked at him. Aaron’s features softened slightly, but you could still see his own confusion and annoyance on his face. “What? With Jessica taking care of Jack, and the team off doing… team-y things… I figured I’d help,” you shrugged as you dropped your bags to the foot of Aaron’s bed.

“I don’t need anyone taking care of me. I can do it myself,” Aaron stubbornly refused your offer. Although it wasn’t an offer. You were determined to help him whether he wanted it or not.

“Don’t be silly, Aaron,” You crossed your arms over your chest as you stared at Aaron, “I’ll take care of you." You looked down at Aaron as he readjusted his position. You grimaced as Aaron winced from pain. You were quick to his side, trying to help. But it was clear Aaron didn’t want it. You’d be lying if you said his refusal hurt your heart.

“It’s rotten work,” Aaron said once he was finally in a comfortable position. You looked down at him, feeling your face fall slightly from a sudden sadness.

“Not to me… Not if it’s you,” You whispered softly before taking Aaron’s hand into yours. Aaron looked up at you, a certain pain in his eyes. You didn’t question it as you looked at him. “Please, Aaron… Let me help you… The team doesn’t need me right now. But you do,” You kept your voice low as you worried it’d crack.

Aaron looked back up at you, watching as tears fell from your eyes.

“I won’t be easy on you,” Aaron looked at you as he spoke. You smiled softly before nodding.

“That’s okay. I’ll help you. That’s why I’m here,” You nodded before you brought his hand to your lips. Your lips rested right on the back of Aaron’s hand as you stared at him. “Think of it as payback for all those times you’ve helped me. It’s only fair.”

{***}{***}{***}

Of course, you went into this thinking it’d be easy. You thought that Aaron would help you help him. The first day was easy. But the following days were rougher. You weren’t expecting Aaron to argue with you. It was a fight to try and convince him he needed help.

Like today, Aaron had to go to the bathroom. And when you went to help him, he fought. You loved him, that was why you were helping him. But he was beginning to test your limits.

“Please stop fighting me on this, Aaron. I know you know what’s best for you, and you know yourself better than I know you… But you have to take your medicine and get rest,” your voice wavered as you looked down at the man. Aaron looked up at you, a scowl on his face and a stone-cold glare in his eyes.

“I don’t need or want your help,” Aaron hissed as he pulled his arm from you. You stared at him, watching him wince as he adjusted the blanket over his legs.

“If that was the case then you would’ve pissed the bed,” you scoffed as you stared at him as you folded your arms across your chest. Aaron looked up at you, the hardness on his face softening a little bit. “I’ll be in the living room if you need me. But you made it very clear that you don’t.” You returned the glare before leaving his bedroom.

You quietly left the room, resigning to the living room where you had bedding set up on the couch. All of the belongings you had brought over were strewn across the coffee table. Various case files sat open, highlighters and pens sitting on them. They were files you were helping Aaron with so he wouldn’t fall behind workwise.

With a deep sigh, you sat on the couch, pulling a blanket around your body before you picked up a file. You worked in silence, but you were on high alert waiting for a call of help. But Aaron was stubborn, you knew there’d be no call.

You wished you could just help Aaron without the fight. It was exhausting for both you and Aaron. The days the team had off, a few of them would visit and help out with what they could. But Aaron still refused anyone’s help. You could tell that it was even frustrating for the team. And they could tell it was frustrating for you when you faked a smile as you exited Aaron’s room. You had nothing better to do than refuse their help when they offered.

You couldn’t help but let out deep, frustrated sighs as you continued to read over files. Some things didn’t make much sense, so when you needed help in that area, you would give a call to Emily or Penelope for the help. Thankfully they were able to quickly lend a hand.

Time was quick as it ticked by. You weren’t even sure what time you had started, but you knew it was late. Sleep would never find its way to you though. No you were too busy staying away, waiting for Aaron’s calls of help.

“You’re still working?” Aaron asked from behind you. That was when you finally looked up at the clock and saw that it was 3:30 in the morning. It was probably a good thing that Aaron came out at the time he did. You needed a long break, and some sleep.

You looked away from the file and over at Aaron. He stood a few feet away from the couch, his robe hanging off his frame as he stood. That reminded you that you really needed to change out of your day clothes and into your pajamas.

“Well when you’re the one who constantly works and you’re out sick… I’m the next best person since I know everything you do. So I figured…” You shrugged looking back down at the file on your lap and highlighter in hand. “And you wouldn’t let me help you.”

“That’s how you’re helping?” Aaron asked as he stepped around the couch to sit beside you. You looked up at him, watching him press a hand over his injuries.

“How else am I supposed to help?” you scoffed, looking over at Aaron again, “I mean, you know what’s best for you, Aaron. I’m just trying to help and follow what the doctors told you to do. You’re just too…” You let your words trail off, not finishing your thought. It wasn’t mean, you thought. But you didn’t want to take that chance.

“I…” Aaron started but failed when you cut him off.

“You almost died… Twice… All I want to do is help you. That’s all anyone wants to do, is help you.” Your voice broke off at the end. You had given up the fight. There was nothing left in you to keep going. So, you looked away from Aaron and tried to ignore the tears rolling down your cheeks.

Aaron silently reached out to hold your hand. You looked at him, your eyes wide as you stared.

“I’ve just never had help with…” Aaron’s words trailed off. You blinked slowly as you turned to face him more. You watched as he struggled to stand, and you could tell that he was trying to hide the real pain he was actually in.

“Come on.” He gently pulled your hand as he stood. You looked at him, your eyes wide and dewy. “The way you can help me is to lie in bed with me. You can keep working, or you can just lie beside me. That’s how you can help.”

“Aaron...”

“I don’t care what you have to say. You’re coming with me.” Aaron looked down at you with a furrowed brow. There was a certain softness to his features.

“Fine,” You whispered as you begrudgingly stood to your feet. Aaron looked over at you before taking the lead back into the bedroom. You were both quiet as you slipped into the bed.

“Will you rest now?” You looked over at him as he laid beside you. You were too focused on being annoyed and wanting to help him that you didn’t even realize he had fallen asleep. You didn’t know when, but he had also had an arm thrown over your body. Usually the roles were reversed. And you realized just how much you actually loved Aaron, even though he’s stubborn and hard-headed.

if you want to be a part of a taglist or have any comments about this one shot, let me know here

#shadow posts stuff #shadow writes stuff #masterlist #aaron hotchner #aaron hotchner x reader #aaron hotchner x you #aaron hotchner fanfic #aaron hotchner fan fic #aaron hotchner fanfiction #aaron hotchner fan fiction #criminal minds fanfic

167 notes · View notes

konaizumi · 4 years

Text

A Tale of a Thousand Stars ep 5 thoughts/reaction

so tian killed torfun, but does tian know this yet? bc that would make more sense for why his parents didn’t want him to know about the donor

tian, pls stop comparing yourself to torfun, you don’t like phupha bc of her heart and he doesn’t like you bc of her heart

also, yesterday i listened to the full ost yesterday for the first time with the lyrics and it’s so beautiful and meaningful

tian had better be on his on the get his medication refilled

i love tul’s pretty casual reaction after being able to contact your friend for the first time in two months after they vanished with only a vague note

awww, tian looking up stuff to do with the children

poor yod, just wants to eat

can’t believe phupha is still trying to deny his feelings to his friends

lol p’aof

but what’s he gonna do with the second scent pouch?

dr nam, at it again

tian trying to trash talk phupha but with a smile the whole time

dr nam knows exactly what he’s doing

tian, pls stop lying to the doctor, the one that’s going to have to take care of you if something happens, like i get that you don’t want people to know, but dr nam is literally the person who needs to know

“like those who reforest but decorate their house with ivories” tian throwing shade at his father

prediction: tian’s father will get involved with the situation at some point and will somehow be involved in resolving the situation with the mob boss (bc he’s the minister or former minster of environmental smth)

tian really is a trouble magnet tho

it’s great to see tian interact with an old friend, mix and white really have good chemistry of friends who’ve known each other forever

i can’t stop laughing at the product placement being used as an excuse for tian to be horny

*pictures shirtless buff phupha* “yeah it is good for your health” XD, i cant

tian, i know why you don’t want your mom to know where you are, but pls at least give her a call

tian complaining but seeming super happy about the bad parts of the village is so pure, my boy is so happy

not phupha going through the 5 stages of grief while tian is gone

he’s such a tsundere

I’m all for phupha being one of the main reasons tian stays at the village but at the same time there’s no need for them to downplay the importance of the rest of the characters to tian’s happiness, like the village and the children are allowed to be just as important as romantic attachments

phupha’s like a dog with separation anxiety

i loved tul and tian’s whole conversation about tian being gay, i was so relieved that’s how it went

can’t believe gmmtv actually avoided making an entire plotline out of a character being gay but thank god

also the implication that tian knew he liked guys even before he started liking phupha, pls give us more content like this gmmtv

also i love the editing that switches between tian’s and phupha’s conversations

also i just love nam/yod/rang/phupha friendship

thank you tul for immediately telling tian that torfun’s heart has literally nothing to do with tian’s feelings

“ i never said i had feelings for him” lol, sure tian

phupha lowkey sulking while his friends make fun of him

tian literally can’t trash talk phupha without smiling, huh?

pls stop hurting my precious baby, he’s very fragile right now

“i have someone there protecting me already” oh if only phupha could hear that

i’m just very glad that there’s not a whole plotline around tian and phupha realizing and admitting their feelings to themselves, like they both have reservations about telling other people, but they both are clearly aware of their own feelings and seem pretty comfortable with them

i can’t wait for tul to meet phupha and spill all the of tian’s dirt

gives the middle finger (affectionate)

tian seeing that phupha is sulking and immediately assuming it’s bc he didn’t tell phupha his plans (and he’s right lol)

tian being super confused by nice phupha

phupha trying really hard to follow dr nam’s advice is so cute

tian, he’s literally smiled for so many times

“what do you want me to be?” my boyfriend

tian immediately feeling embarrased after calling him p’phu

tian brings up phupha’s relationship status for someone who “doesn’t have feelings”

god, phupha smiling a the secret picture he took of tian is just so pure

the phutian content throughout the whole episode is honestly god tier

you know it’s a good scene when you sit there mentally shouting at the characters to just kiss already

(and you know they want to kiss each other so bad)

i really appreciate them giving phupha valid reasons for being insecure like he’s much older and he’s tied to the village, starting a relationship with him would mean staying in the village rather than going back to the city, and him thinking that tian (a young 20 year old rich boy who’s still in the middle of a college degree to be an engineer) wouldn’t want that isn’t unrealistic, like i just appreciate that his reasons for hesitating aren’t stupid

shit, there’s so much fondness~~~~

how many sexual innuendos did phupha make this ep lol

i love how natural their relationship feels too, like it’s just genuinely two people falling in love with each other

everytime phupha fondly watches tian interacting with the children, i gain a year of life

okay but i love all the forest rangers encouraging phupha to ask tian to stay longer

they’re literally so in love it hurts

tian using phupha’s full title when he’s embarrassed

they’re so happy flying the kites together

the very last scene is heartbreaking but also very satisfying to watch

the fear in phupha’s eyes

also i imagine it must be pretty terrifying bc tian’s not just passed out, it’s not like he just fainted, he’s still conscious but can’t move or speak and seems to be in a lot of pain and to have to watch that and not knowing what’s happening to him or what to do

but that’s literally why you need to tell people, tian, so they can help you in emergencies like this

dr nam, hate to break it to you but phupha definitely knows how to flirt

“im also strong” i cant with this man

yes, dr nam, tell my son to quit being such a dumbass and take care of himself

tian and phupha better kiss next week, they deserve it

shit, this was such a good episode, all the quality phutian moments, finally the heart transplant will be revealed, the tul and tian content was great and I hope we see tul again

MVP of the episode: Tul

#atots #1000 stars #a tale of a thousand stars #atots spoilers #1000 stars spoilers #atots ep 5 #1000 stars ep5 #konaizumi

27 notes · View notes

toogoodmusic · 3 years

Audio

THE TOO GOOD TEN with MADS LANGER

Growing up in the countryside near the small town of Skive, singer, songwriter and musician Mads Langer grew up always knowing he’d be in music. From singing songs at the age of 18 months in his own language to his latest release, “Lightning,” the new dad has been pursuing the dream for a long time now. Through honest, original and disruptive music the Danish singer has been able to be reborn time and time again through his music and continues that creativity as he looks to the release of his upcoming EP, Where Oceans Meet. The boundary pushing message of love is love in “Lightning” serves as a taste of the upcoming EP and contributes to the already 38 million streams and 506k monthly listeners he’s amassed across his career. He takes a break from his world domination to take on the latest Too Good Ten. Check out the full interview below to learn more about the latest release, “Lightning,” how becoming a dad has changed his perspective on life, how he rebounded from getting dropped by his girlfriend and label around the same time and much more.

The Too Good Ten. Ten Questions. One Artist. Too Good.

1. Looking at the beginning of your career – what was it about music that inspired you to pursue a career in it?

MADS LANGER: Expressing myself through music has been a fundamental part of my language for as long as I remember. My parents have recordings of me singing my own songs in my own language when I was 18 months old. I always knew that music was going to be my path in life. It wasn't a decision that I made at a certain time. It was more a realization that I was not gonna be able to pursue any other career even though I’ve always had plenty of other interests. I could have been in politics, in sports, in science and many other things. I could have been a teacher as my parents, my grandparents and my great grandparents were. And then again, none of these career paths were ever up for grabs. Music was and always will be my thing.

2. You got signed and had an album that you ended up describing as “flopped” and had to start over and spent time busking all over Europe. How did you come to the decision to busk in the wake of “starting over?” What did you do to keep your internal mental conversation strong through the hardships that I assume came with traveling around?

ML: I got signed when I had just turned 18. I went straight from living in my parents house, in the countryside of Denmark, to living a life full of pressure and expectations in New York City. That was quite a shocking change of scenery to be honest. Looking back, I was definitely too young at that time. When a major label first wants you it’s the end of the innocence. I had to grow up overnight and try to keep up with that big machine that started dictating how I was gonna live my life. When my first record didn't succeed commercially and I got dropped I think I saw it as an opportunity to do some of the stuff that most of my friends had done after finishing high school. But most of all that whole 6 months of busking in my old van all over Europe was an escape from heartbreak. My first girlfriend had dropped me around the same time that my label dropped me. She fell in love with a really cool guy in Paris who was older than me and he could grow a very impressive beard, hahaha…

As far as keeping my internal mental conversation strong, that's has never been problem at all and as you can imagine I had plenty of stuff to think about, write about and then finally sing about in the streets of all of these beautiful cities that I got to visit on that trip.

3. “Lightning” is the latest release and gives fans the first taste of your upcoming album Where Oceans Meet which is due out October 1st. How did you decide to release this one as the lead single? What was the inspiration behind it?

ML: In many ways, I think “Lightning” is a song that represents that certain place where the oceans meet on my album. “Lightning” is a song about recognition. When I wrote this song, I thought about all those moments in my life where I really felt recognized on a deeper level. When I met my wife. When I looked my newborn daughter in the eyes for the first time. In concerts when my music meets the audience and it feels like we're all getting struck by the same lightning. Those kinds of moments.

CHECK OUT THE FAUSTIX REMIX OF “LIGHTNING” HERE.

4. Speaking of the upcoming album – what’s the meaning behind the album title? How many songs? Any collabs? Is there a song on the album you’re nervous about releasing out to the world?

ML: Where Oceans Meet is a metaphor. The entire album circles around the different contrasts that we all face in our lives. The light, the dark. The head, the heart. Hopes and fears. It’s about loving and longing at the same time. Where Oceans Meet represents the idea of the place where all these contrasts meet and embrace each other.

5. “Lightning” follows up “Hanging With You” which peaked at #1 in Denmark radio. What’s the story behind when you first heard one of your songs on the radio? Does it ever get old?

ML: It never gets old. Every time I listen to the radio, I must admit that I hope that they will play my song. It's the best feeling ever. This might be a little far-fetched, but it's kind of like when you give someone you really care for a present for their birthday. And it's not just any kind of present. It’s a present that you put all your time, thoughts and heart into. And then one day you randomly turn on the TV. Look who's there. Is that special person that you gave the present to. She’s actually wearing that sweater that you spent five years learning how to knit. After endless attempts, you finally managed to knit a sweater that you would give her without being scared that she would think it was a joke. She’s not wearing it because she feels like she has to, because you’re on a date with her. She’s wearing it because she likes it. And she just put it on that day that she randomly got stopped by the tv-station and interviewed in the streets of your hometown. That is close to the feeling I get when I hear my songs on the radio. And no, I have no clue how to knit a sweater, but I like the image.

6. The past year in the pandemic had a lot of its own challenges but it also had some beautiful moments like the drive-in concert you organized in Denmark last May. Why did you feel it necessary to put something like this together during that time? Being the first one to do so, how did you figure out logistics, etc. for the entire event? Anything you would’ve changed about it looking back?

ML: I had just started touring when the pandemic hit us all. I had spent months preparing the show and I was extremely disappointed when I had to turn around the tour bus and go back home after only playing 10 out of 100 shows. I had a couple of weeks where I was feeling really depressed. But then I decided to see if I could turn this whole thing into some sort of an adventure. I made a list of stuff I wanted to do. On that list I had drive-in concerts for some reason. I know a couple guys who are really good at putting together big events that include live music, so we talked about how we could make this happen. All credit to them for putting logistics together. I just played the shows. I had no idea that I would be the first one in the world to do a drive in concert. But it was really fun and I would not change a thing. In my shows, everyone was on the same video conference call. I loved that because I could talk to the people in the cars in between the songs. The people in their cars requested what songs of mine that they wanted to hear. And often they had really personal stories to the songs that I never heard before. So that was something that I will never forget.

7. The past year also brought about a new baby for you – congrats! What’s been the most surprising thing about having a baby that you might not have known before?

ML: Thank you so much. Yeah, that's truly a life changing event. My little daughter is the most beautiful thing I've ever seen. I'm so grateful that I got to receive a little soul with my wife. Even though it has happened billions and billions of times already it still feels like a miracle. I think the biggest surprise is the fact that your whole perspective changes in the blink of an eye. She is now the single most important thing in my life. I thought that would be something that would happen gradually, but for me it really happened at the moment that she was born.

8. What do you hope to accomplish with your music in the future that you may feel you have not done already? Have any of those goals or aspirations shifted with the new addition to the family?

ML: I really hope that people will recognize themselves in my songs. Obviously, the goal is that my songs will travel and become part of people's lives in new territories. I have spent so much time in the US since I moved away from home. I lived in New York City and in Los Angeles and I spend at least three or four months a year in the US working with all the talented people that I have met over the years. Building an audience in the US is a huge dream of mine. Hopefully this album will help introducing me to people all over America.

9. If you could only listen to (5) artists for the rest of your life, who would they be?

ML:

The Beatles

Pink Floyd

Keith Jarrett

Mozart

Radiohead

10. What’s the rest of 2021 and beyond look like for Mads Langer?

ML: My album comes out in October. That is obviously a huge event in my life, and it looks like I'm going to be very busy talking about the album and singing the songs from it in many different places all over the world. Apart from that I will be changing diapers on my newborn daughter. Kissing my wife. Learning Chinese and writing my first score for a movie that comes out in 2022.

A HUGE shout-out to the talented Mads Langer for hanging for this latest Too Good Ten interview. Keep up to date with everything he has going on by following the links below and be sure to be on the look out for his latest EP, Where Oceans Meet due out October 1st.

SOCIAL LINKS:

Facebook

Instagram

Twitter

YouTube

MUSIC:

Apple Music

Spotify

1 note · View note

sadhaa · 4 years

Text

another THOUGHT

Cause istg i am on a role rn. If anyone has the time and writing ability to write these ideas GO DO IT. I enable you.

OK THOUGHT: The Dark Tower - The Hollow Queen and With All My Heart storylines but change it up a bit. The Dark Tower, The Hollow Queen The Hollow Warlock and With All My Heart

Like what if instead of Gwen, Merlin got kidnapped?

Note: I do realize after my last post that I am making some eps more Merlin-centric and that’s bc i feel like if this happened we would get more character development. just a thought.

Note again: you can interpret this as platonic or romantic i dont really care but bc im a big rom merthur shipper, im taking this in the romantic interpretation

Note again again: can people comment like if they like ideas like this cause im down to have more thoughts. like this is fun. i feel great.

Ok as always background:

1. Gwen is Queen, Camelot needs a queen so she is queen, but she is not married to Arthur, she is married to Lance (they did him so dirty in the show)

2. Arthur has feelings but he doesn’t really know that he has feelings. like he gets a fluttery feeling whenever Merlin smiles but just chalks it up to heart burn.

3. Morgana knows who Emrys is. Cause if she is the High Priestess, im gonna assume she knows about the crystal cave and asked it “crytal crystal in the ground, who the hell is emrys?” and it just showed a pic of merlin and she was like “aww hell nah”

ok on to thought-->

So Morgana finds out about Merlin and his magic and is pissed. She plots to torture him for the pain he has caused her. she also remembered what Agravaine (ew) told her when he was helping her, that Arthur had the knights comb the forests in search of Merlin, ultimately going himself to save Merlin. also if she can get Emrys to her side, then maybe all of the magic population would side with her and help takeover Camelot. So she plans to kidnap him and take him to the dark tower.

so cue that scene with all the knights and Gwen but this time with Merlin too bc Gwen misses him and wants to chat like old times.

BAM MORGANA

now some of the knights get bitten and gwen gets knocked unconcious but Merlin tries to stand up to her, but she subdues him quick bc we need that for plot.

the remaining knights go back to Arthur, commence angst bc oh no Merlin.

Arthur remembers the fear he felt the last time Merlin was kidnapped by the men but doesn’t know that Merlin was kidnapped by Morgana then too. Either way, he needs to get his bff/love back.

Merlin faces the same hallucinations but its everyone reacting badly when they find out about his magic

Leon - “YOU BETRAYED YOUR FRIENDS AND ARTHUR, HOW COULD YOU”

Gwaine - “YOU LIED TO ME WHEN I TOLD YOU ABOUT MYSELF, I THOUGHT WE WERE FRIENDS” (not super strong ik, if someone has a better one...)

Elyan and Gwen - “MAGIC KILLED OUR FATHER AND NOW WE WILL GET OUR REVENGE”

Percival - “MAGIC (CENRED) KILLED MY FAMILY NOW I WILL KILL YOU”

Lancelot - “YOU LIED AND GOT ME BANISHED, YOU SAID YOU WOULD HELP ME MERLIN”

and then Arthur’s would hurt the most “YOU LIED TO ME ALL THESE YEARS I TRUSTED YOU YOU KILLED MY FATHER YOU COULD HAVE SAVED MORGANA YOU ALMOST GOT GAIUS KILLED YOU MONSTER...”

the “monster” part would kill him inside and is thus the breaking point for him where he falls into Morgana’s curse.

Now commence the rest of the episode Dark Tower, the same way except that the weird fairy actually helps the rescue party bc she believes that Merlin is good and that they all need him and Elyan doesn’t die bc my boi deserves better than that too.

They get him back and he seems fine. But he really isnt

I dont have any real ideas for the Hollow Warlock its just a cool title I thought. The main pivotal part should be Merlin meeting with Morgana and monologuing about living in Camelot scared and saving Arthur and not being seen which makes the viewers see a side of Merlin that is not seen often. almost like a Dark!Merlin AU.

Ok, now to With All My Heart. All the knights, Arthur and Gwen notice Merlin acting odd. So they follow him and notice him consorting with Morgana. Arthur is crushed bc the one person, his other half, who he knew would never betray him has now gone and done this. When they speak with Gaius and he tells them that Merlin has fallen to Morgana’s will, then they all are relieved bc that means that Merlin doesn’t actually want to betray Arthur. Arthur is now more determined than ever to get him back. So cue funny scene with a dinner with knights, arthur, gwen and gaius. even mordred.

BAM merlin unconscious and ready to be saved!

Now adventure! Quest! Drama! Angst!

On a night where they have to stop to rest and merlin is still conked out, they swap stories of M’s heroic deeds and funny moments. they plan to tell him all of this when he wakes up cause that boy doesn’t get enough praise.

Now they are at the fancy lake (im a little lazy to figure out the name) the only downside to my idea is that there can’t be a Dolma. or maybe there is a Dolma! that isnt merlin in disguise.

Merlin wakes up and like how Gwen went on a mad tirade for a sec, he goes on for a whole 10 mins and inadvertently reveals his magic. He vents it all out in an anger infused rant and talks about how he wants to be loved and seen and is crying as well as shouting. Everyone is horrified and Arthur feels guilty and betrayed. Percival knocks him out so that they can talk about this. They spend the night there and decide to wait til the morning to decide to help M or not (basically they all would save M they jus dont know if A would save him or not [even though they all know he would]).

Arthur sleeps and ,through Kilgarrah’s (is that how you spell it?) creepy ass voodoo magic, sees a life without Merlin in it. He wakes up with a shout and realizes. That. was. a Nightmare. a life without Merlin was literally a nightmare. He thinks back to the rant and knows that even though Merlin was scared and did things selflessly, he meant no harm to camelot and did it all out of Love. Bc he loved Arthur. Arthur then has an epiphany and realizes his “heart burn” is emotions. yike. And with that Arthur decides to help M.

They get him to the lake and its basically a repeat of the day before with the screaming and shouting. But this time, Morgana’s men have arrived. With Morgana. cause drama.

Now the knights and gwen grab their swords and make a wall while M and A stay behind. Arthur tries to get through to Merlin and says “I am sorry with all my heart” and Merlin hesitates.

Then a few of the evil dudes get through the wall and advance towards Arthur and Merlin. Arthur steps forward to fight and Merlin watches and realizes that Arthur would fight for him, would die for him just as Merlin had vowed to do. this man was worth it and that he knew that with all his heart.

Merlin walks into the lake, glows a little and walks out normal. he like slow walks past the wall and uses his magic in a super badass way and just scares Morgana bc of how powerful she is. she yeets herself out of there and everyone hugs merlin and they tell him how much they all love him. Arthur in particular just kisses him right there and then, all adrenaline and happiness.

On the way home, he tells the stories of all the times he used magic. they realize that even though he was under Morgana’s will, this is still what he felt, the fear, the anxiety, the pain. Arthur goes back and repeals the ban and makes Merlin his consort. prob some nice angst with requited love.

the end.

someone write this pls. i have these thoughts at 11:23 pm and dont have the motivation to actually write something like this.

18 notes · View notes

shanethvarosa · 4 years

Text

Music Review: 2020

My blog has been a lot of things over the years, but it did originate as something I used to publicly review music; especially in the Visual Kei scene. Since I began the blog so many years ago, I had actually been hired to review Visual Kei and J-Rock music for an actual website: VKH-Press.com, work I am very, very proud of to this day. However, with not much news to comment on or work to critique, I haven’t been as active. Plus, personal issues always seem to stand in my way. However, I always take the time to discuss my passions at the end of the year. There were so many incredible releases, despite the COVID-19 pandemic, and so I wanted to take the time time to discuss my favorite releases and, maybe, the not-so-favorites as well. Quick shout out to Bastille’s Goosebumps EP and Megan Thee Stallion’s Good News LP as I did not get to listen to them before I wrote up my lists, but were still excellent releases. See my thoughts below!

Overall, there were about 75 albums or groupings of albums I listened to this year and split them between various tiers. Starting with the bad tier, there were actually only ten albums listed here and mostly just because they were seemingly unnecessary collection albums. For example, another Satsuki collection? Rides in ReVellion releasing two greatest hits LPs after only five years of work? Beyonce releasing The Lion King: The Gift again? None of those felt like necessary releases. There weren’t many albums that really screamed bad to me this year, but I really could not stand Vanessa Carlton’s “Love is an Art” or Justin Bieber’s “Changes.” The only other albums on this tier were just underwhelming compared to what I know the artist is capable of, but the “best bad tier album,” in my view, was The 1975′s “Notes on a Conditional Form.”

The mid-tier albums had all sorts of reasons for being only mid-tier. They weren’t quite bad or outright unnecessary, but are mostly by artists who put out work that was nowhere near the caliber of their usual work or were re-releases or other collection albums. For example, Tove Lo’s “Sunshine Kitty: Pawprint Edition” or Man With A Mission’s remixes/b-sides/covers albums. Nice to have with good quality music, but I wish we’d just have had brand new EPs or LPs.

The good-tier albums were all really excellent releases, but didn’t hit home the way anything on the “God-Tier” list did. Here, I’d like to share a quick top ten:

10. Taeyeon’s “Purpose: Repackage” & Japanese EP, “#GirlsSpkOut” 9. Charli XCX’s “How I’m Feeling Now” 8. Miyavi’s “Holy Nights” & “Holy Nights: 2020 Lockdown” 7. TK’s “Sainou” 6. PVRIS’s “Use Me” 5. Buck-Tick’s “Abracadabra” 4. Katy Perry’s “Smile” 3. Alicia Keys’ “Alicia” 2. Dua Lipa’s “Future Nostalgia” & “Club Future Nostalgia” 1. Ava Max’s “Heaven & Hell

Without furhter ado, though, the God Tier Top 25:

25. Acme’s We Are Visual Kei: Essentially a collection album of several songs that were b-sides that never made a full-blown album. This LP was loaded with some of Acme’s best work and shows that they are going to be here for a long time, despite Div not quite working out. Recommended tracks: Mononoke Requiem, Gekiyama Celluloid, Houkago no Shiiku

24. Alanis Morisette’s Such Pretty Forks in the Road: Admittedly, a huge fan in the 90′s and loved her cover of Seal’s Crazy. However, before this album I didn’t really listen to much of her body of work and I can see why today’s youth might not listen to this album. It is very “adult” insofar as it deals with her struggles in marriage, parenting, religion, etc. Her vocal performance is exceptional and her song writing remains some of the best in the business. Recommended tracks: Smiling, Nemesis, Reasons I Drink.

23. Niall Horan’s Heartbreak Weather: Not my usual cup of tea, but for some reason Niall’s music makes me feel softer than normal. He’s very cute and charming and his words are always so romantic. It feels more genuine than the music made by other members of One Direction and kind-of reminds me of earlier Taylor Swift writing, but from a male perspective. Recommended Tracks: Put A Little Love On Me, Arms of a Stranger, Still.

22. K/DA’s All Out: I don’t even really understand what this is, but I love it. There’s something to do with League of Legends? Cartoons? International pop stars? Whatever it is, I’m totally obsessed. These songs just completely slap. Recommended Tracks: The Baddest, More, Drum Go Dum.

21. Darrell’s Brilliant Death: This might even “officially” be a single, but there’s enough content to market it as an album. Darrell is a band formed from the ashes of Deathgaze and Ai’s solo project. Who knows why Ai didn’t just continue after his solo album, Confusion, but he decided to go back to the band-format with confusingly-named Darrell. This album is then, incidentally, mostly Deathgaze covers. It brings the production into the new era and gives you a lot of nostalgic love for old hits. Recommended Tracks: Brilliant Death, Evoke the World, Abyss.

20. Alice Nine’s Fuyajou Eden & Kuro to Wonderland: Neither album was particularly long, in fact these were glorified EPs that could’ve been merged to one two-sided LP, but in either case... Both albums had something really special to offer and felt like a true comeback after years of name changes and finally going back to their original, kanji-styled name. Recommended Tracks: Kakumei Kaika -Revolutionary Blooming-, Testament, Replica, Glow.

19. Mucc’s Aku: This album felt very long in the making after a series of weird singles that didn’t feel like they were going anywhere. Ultimately, a lot of those singles did not make the album including my favorite one: Taboo. The resulting album, though, did feel very cohesive and thematic and even featured one of this year’s heavy hitters: Hazuki. Recommended Tracks: Aku -Justice-, Memai, Ameria.

18. Miley Cyrus’s Plastic Hearts: This person is absolutely one of my favorite people in music. I’m pretty sure they have comeout as genderfluid/non-binary, so I want to stick with safe pronouns, just in case. However, they’ve always been a favorite and as they’ve come out as such a champion for the LGBT, I love them even more. The album though gave me a lot of hype for something very 80′s rock, but didn’t quite give me what I expected. All in all, the music was fantastic, just a little off-beat from expectations. Recommended Tracks: Gimme What I Want, Angels Like You, WTF Do I Know.

17. Rina Sawayama’s Sawayama: I didn’t expect to fall in love with this girl the way I did. My boyfriend recommended “STFU” to me as kind of a joke because the song discusses a lot of Asian racism that I’m always criticizing people in my life for falling into, but then the song was so bad ass I checked out the album. There were so many different types of music on it and she really did a good job with all of them. Then, with the deluxe edition coming out and the hardcore club banger “Lucid” being involved... Just really brought it all home. Recommended Tracks: Tokyo Love Hotel, Lucid, Fuck This World.

16. Amber Liu’s X: This was just an EP, but every song on it was great. Amber Liu was from f(x), a K-Pop Icon Group, but she always seemed like the odd one out. She was such a tomboy, so silly and funny all the time, and didn’t really behave like other Korean idols. I mean, really, she isn’t actually even Korean. I believe she’s Chinese American. In either case, the EP really noted some of her own personal strugles in the business and also remaining pretty fun at parts too. I saw her live in Philly before COVID-19 and she was truly excellent. Recommended Tracks: Numb, Stay Calm, Other People.

15. Blackpink’s The Album: Not much of an album at only 8 tracks, but that’s K-Pop for you. I bet next year I’ll be putting “Blackpink’s The Album: Repackage” on my top 25 list. The quality of the music was pretty dope though, all things considered. It was a very solid debut effort with all of their previous songs being somewhere in the same lane as this one. I still kind of believe they are a reminder of what 2NE1 could have been, but they’re doing well enough on their own. Recommended Tracks: Ice Cream, Lovesick Girls, Pretty Savage.

14. Hazuki’s Year Over All: Kind of a weird way to word it, but Hazuki basically released two albums this year in different formats. His work with his band, Lynch., was pretty magnificent. I’m not one to usually dwell on a Lynch. album. Their singles or featured tracks are what I usually get into, but the actual album (Ultima) really did a good job of showing how versatile Hazuki can be. His solo album, Souen -Funeral-, was an entirely stripped down, gothic orchestral album of Lynch. covers and other J-Hard Rock artists. Hearing it done like this was almost transcendental. Recommended Tracks: Xero, Idol, Ray, D.A.R.K.

13. Sam Smith’s Love Goes: They had me scared that their album wasn’t coming this year once they pushed it back, back in May. Then again, at the time, an album called “To Die For” was probably super tone deaf. In any case, literally every single released for this album had me in love. So, when they all got included in the final version, I was thrilled. Sam gave us a bonus song after the album as well, but I can see why that one didn’t get on. In any case, this is a huge step up from “The Thrill of it All,” which I didn’t really care for. Recommended Tracks: Another One, Dance (’Til You Love Someone Else), Forgive Myself.

12. Troye Sivan’s In A Dream: I love this kid. He’s so gay and so not shy about it and it really makes me smile. The EP comes after his last LP, Bloom, where the title track basically talks about bottoming for the first time and this new EP deals with a few other queer issues over weirdly produced beats that just... make sense. Recommended tracks: Stud, In A Dream, Easy.

11. Matenrou Opera’s Chronos: Unfortunately, this band just lost their guitarist again. Their original, Anzi, was basically the most consummate guitarist in the visual kei scene that wasn’t Hizaki and he left them. Their sound wasn’t quite right since and they seemed to just get it back with Chronos when Jay left them. I guess we’ll see what they do next, but I think Chronos could be their last great release. Recommended Tracks: Chronos, Silence, Reminiscence.

10. BoA’s Better: A very recent release that hasn’t had much time for me to digest. This is strange for me to put it so high on my list for that reason, but BoA is one of my all time favorites. She never disappoints me. This album was no different. It wasn’t exactly up to par with “Woman” or “Watashi Kono Mama de Ii no Kana,” but it definitely gave us some new and very iconic Queen BoA bangers. Recommended Tracks: Cut Me Off, Start Over, Temptations.

9. Kesha’s High Road: A semi-step down from Rainbow, only because a lot of the same melodic elements and, sometimes, even beats were used on this album too. However, her vocal performance was outstanding and she even gave us a new dirty-pop song with some interesting indie-pop tracks to go with it. Plus, who doesn’t love a Big Freedia feature? Recommended Tracks: Resentment, Raising Hell, Tonight.

8. Lady Gaga’s Chromatica: Anyone who knows me knows I don’t really love Gaga anymore. After all the drama with Madonna and her experimentation with “Joanne” I didn’t think I’d ever like her music again. However, she definitely won back big points for me on Chromatica. It was finally fun, weird, dancey, and then simultaneously emotional and I was really able to get back into it. She’s always had the voice, but on this one it also showed us that she still has what made us love her. Recommended Tracks: Rain On Me, Plastic Doll, Enigma.

7. Koda Kumi’s My Name Is... Angel + Monster: She is, very likely, my Japanese Pop Queen. She always makes these absolutely outlandish bangers of dance tracks that have such a great attitude and beat and when she released re(CORD)... last year? 2018? Who can remember... I thought she could never outdo herself. Then she released “Lucky Star” and I was floored. I was a bit disappointed when they were only to promote a “My Name Is...” collection album, but then, to my surprise, a full set of new tracks came out just after that just blew me entirely away. Guess the last 6 albums must be pretty great, huh? Recommended tracks: Killer Monster, Work It!, Alarm.

6. Grimes’ Miss Anthropocene: I’ve never been a big fan of Grimes, but when Violence came out I was really looking forward to whatever album this was going to end up promoting. The song is actual fire, but then the LP ended up being some kind of experimental Gothic Pop with Asian Pop influences I never expected. I doubt I’ll ever find something she does this good ever again, but it was really a musical light in the darkness of this year. Recommended tracks: Darkseid, Delete Forever, Violence.

5. Kylie Minogue’s Disco: Admittedly, my draw to Kylie has always been that she is like some kind of Australian Madonna. Madonna being one of my all time favorite artists... In fact, number 2 for all women I listen to, Kylie has some big shoes to fill with her sometimes generic pop that she puts out. However, I haven’t really truly loved a Kylie song since “Get Outta My Way” and then this album comes out filled with tracks to love for the rest of time. Recommended Tracks: Miss A Thing, Till You Love Somebody, Magic.

4. Chanmina’s Notebook/Angel: I don’t have really any way of knowing how popular Chanmina is in Japan or if she is as popular in the Japanese Queer Scene as she should be, but god damn does she know what she’s doing. Her music is raunchy, bitchy, and condescending at it’s highest and deeply personal at it’s most mellow. There is no “lowest.” “Notebook” was a two-sided album and “Angel” a strong follow up EP, but all the recommended tracks are from “Notebook.” If you have not listened to “Picky”.... go do it now, I’ll wait. Recommended tracks: Picky, Baby, Lucy.

3. The Weeknd’s After Hours: Incidentally, I got into The Weeknd after someone said something shitty about him here on Tumblr! I took their likely-valid criticism and went to check him out for myself and I gotta say, I love his work. The beats are literally always on point and his voice is like silk. This album provided more than a few iconic songs and I always can’t wait to see what he does next. Recommended Tracks: Alone Again, Heartless, Blinding Lights.

2. Halsey’s Manic: The singles and features she did between Hopeless Fountain Kingdom and Manic gave me such insanely high hopes and I was not disappointed. HFK was a strong album of course, but this was near perfection for me. I think the production of this alt-pop album was the star of the show because it wasn’t all one way, there were heavy-bass songs, interesting piano riffs, striaght up punk rock, all of it. She really made an album quite like it’s namesake. Recommended Tracks: Ashley, Killing Boys, Still Learning.

1. Dexcore’s Metempsychosis: A newcomer to the visual kei and death metal scene, they’ve been putting out single after single for years in preparation for their extemeley long and multidaceted debut album. With a total of about 33 songs, the entire second disc was rerecorded singles from their early days and some even got new lyrical treatment. The main series of songs were, of course, also totally flooring and all of the recommended tracks are the new ones. If you haven’t checked them out by now, you have to! Recommended tracks: Cibus, Scribble, Period.

#personal #music #2020 #visual kei #k-pop #dexcore #halsey #the weeknd #chanmina #kylie minogue #grimes #koda kumi #lady gaga #kesha #BoA

8 notes · View notes

deadcactuswalking · 3 years

Text

REVIEWING THE CHARTS: 15/05/2021 (Coldplay, J. Cole, Trippie Redd & Playboi Carti)

I’m awful at predicting this chart, I really am, but most of that is probably down to how I only make vague predictions at the end of each episode without even considering most releases that’ll actually chart. Let’s just say I didn’t expect nine new arrivals this week. At the top, however, little has changed as the absolutely huge “Body” by Russ Millions and Tion Wayne with a remix featuring whoever the hell is spending its second week at #1. The rest of the chart, however, gets a bit more interesting. Welcome back to REVIEWING THE CHARTS.

Rundown

The biggest story to effect the chart this week is of course 2021’s BRIT Awards happening this Tuesday, which I’m sure boosted a lot of songs during the mid-week. I also actually covered the awards show on that day if you’re curious, with some of my observations, predictions and opinions. We can very clear see – or hear, for that matter – the impact of the BRIT Awards in this week’s chart, as it did cause a lot of gains and new arrivals that shook up the chart right in the middle of the tracking week. Firstly, we do have some drop-outs from the UK Top 75, which is what I cover, only one of them, “Paradise” by MEDUZA and Dermot Kennedy, being all that important given it was a top five hit but we do have a handful that lasted five or more weeks or peaked in the top 40, like “Medicine” by James Arthur flopping embarrassingly, “Addicted” by Jorja Smith dropping out to prepare for the rebound next week given her album release and “Solid” by Young Stoner Life, Young Thug and Gunna featuring Drake.

Speaking of Drake, he also provides the singular returning entry as “Wants and Needs” featuring Lil Baby is proving to be the actual hit from that three-pack from March, coming back to #65. Scaling down the chart, we also have some notable losses, songs that dropped at least five spots on this week’s chart. Those that fell include “Your Power” by Billie Eilish dropping harshly to #15 off of the debut, as well as “Your Love (9PM)” by ATB, Topic and A7S at #18, “Confetti” by Little Mix to #21 off of the return (with Saweetie, the artist quite literally solely the reason it’s had this second wind, still bizarrely left without a credit by the UK Singles Chart), “My Head & My Heart” by Ava Max at #27, “Titanium” by Dave at #31, “Wellerman” by Nathan Evans and remixed by 220 KID and Billen Ted (yes, THEY’RE credited) at #36, “Patience” by KSI featuring YUNGBLUD and Polo G at #42, “Heartbreak Anniversary” by Giveon at #44, “We’re Good” by Dua Lipa at #47, “Way Too Long” by Nathan Dawe, Anne-Marie and MoStack at #49, “Head & Heart” by Joel Corry and MNEK at #51, “Beautiful Mistakes” by Maroon 5 and Megan Thee Stallion at #55, “Don’t Play” by Anne-Marie, KSI and Digital Farm Animals at #56, “Calling My Phone” by Lil Tjay and 6LACK at #59, “Commitment Issues” by Central Cee at #67, “You” by Regard, Troye Sivan and Tate McRae at #69, “Get Out My Head” by Shane Codd at #70, “Hold On” by Justin Bieber getting ACR’d at #71, “Streets” by Doja Cat at #73 and finally, “6 for 6” by Central Cee at #75.

Filling up the room for those losses, however, are the gains, always a tad more interesting, as the songs that rose at least five spots on this week’s chart – or make their first appearance in the top 40, 20 or 10 – are usually having the BRITs to thank to some capacity. The climbers include “Summer 91 (Looking Back)” giving Noizu his first top 40 hit at #31 (and I’ll admit, the song is growing on me), Griff also getting her first with “Black Hole” at #35 thanks to her win and performance at the BRITs, “WITHOUT YOU” by The Kid LAROI rebounding to #13 thanks to that once-again uncredited remix with Miley Cyrus and finally, entering the top 10 for the first time is “Anywhere Away from Here” by Rag’n’Bone Man and P!nk at #9, getting the boost from a perfect trifecta of gains: Rag’n’Bone Man released his album on Friday then on Tuesday had the closing performance of this song at the BRIT Awards with additional vocals from the Lewisham and Greenwich NHS choir, who are also now appearing on a new release of the song the day after, prompting a whole lot of sales, of which I assume and hope are going to charity. It’s Rag’n’Bone Man’s third top 10 hit, P!nk’s 21st(!) and interestingly enough, the NHS choir’s second top 10 hit as they had the Christmas #1 back in 2015. With all of that out of the way, I suppose it’s time to get to our varied array of new arrivals.

NEW ARRIVALS

#74 – “Dick” – Starboi3 featuring Doja Cat

Produced by Nius and SoFLY

This week is kind of a weird week if that wasn’t immediately obvious as our new arrivals are kind of all over the place, starting with... well, I think I could say less about the song than the title does. Starboi3 is this SoundCloud rapper from New Jersey who made a song with Doja back in 2019 – I assume she was more accessible for features back then –and it didn’t blow up at all, really, giving Starboi3 some additional traction but not until 2020, in which Doja Cat got her #1 hit and TikTok picked up this explicit single as a new sound. Sadly – or thankfully – the song was never released officially onto streaming until very recently, meaning, surely, the hype’s over by now? The answer to that is no, as it’s climbing up charts in both the UK and the Bubbling Under in the US... so there’s got to be something good about this song, right? Well, no. Not at all. Of course, that is subjective, but I do question your sanity if you’re honestly enjoying this unlikeable nobody shout “Dick!” over a basic, no-melody trap instrumental with heavy 808s not too dissimilar to drill, before going into a beyond basic chorus and verse about, well, you can guess, with rhymes sounding either like an awful freestyle or a kid with a rhyming dictionary. “She not with him tonight, she not with Jim tonight”? Of course, that’s in the post-chorus because if there’s one thing this song needs, it’s a freaking post-chorus. I also don’t think Starboi3 realises that making her scream for her parents is quite the opposite of sexy – or even raunchy and mindless, as it’s actually just creepy and terrifying. Speaking of terrifying, Doja Cat is here and not even she can add a less basic flow with a verse that just ends up going in one ear and out the other, even if I do like the seductive backing vocals that at least try to make this not a slow, joyless slog. However, I do NOT like the Pickle Rick reference. To be fair, this was 2019, but also to be fair, never reference that again, I am begging you. This is a disaster on all fronts and probably one of the worst tracks I’ve had to review in this series. Good start!

#64 – “Freaks” – Surf Curse

Produced by Surf Curse

This new song is actually even older, being released initially as a deep cut from this Nevada duo’s 2013 album. As you’ll probably tell, this is charting off of people streaming after hearing the song on TikTok and, I mean, at least the song’s actually good this time, careening off of a clearly surf-inspired clean riff surrounded by some basic drumming and a good bassline. It’s not great as it does feel increasingly basic as I said, almost like one of those local bands that don’t get much national attention or traction but do play some gigs and get some love at those places, to the point where it’s kind of big if they play shows outside of their region... which makes sense because that is exactly what they are. This is just some band from Reno but here it is charting on the UK Singles Chart and while it’s here, I should say whilst there’s not much here to discuss given how minimal it is, Nick Rattigan’s vocals are fittingly desperate for the theme of social alienation and particularly rejection as it’s pretty obvious he’s aiming venom at himself for a bad break-up, although given the sound and tone of the song, probably his first, with that double meaning of the mantra in the outro, “I won’t wake up this time”, potentially being a crushing line for someone in similar circumstances. That’s not me, exactly, so this doesn’t hit, but I’m glad that Machine Gun Kelly song from last week got replaced with some actually decent alternative rock on the chart. I hope this does well.

#60 – “One Day” – Lovejoy

Produced by Cameron Nesbitt

“One Day” is the biggest track from new English rock band Lovejoy’s debut EP, Are You Alright?, and whilst I was planning on not mentioning the fact that the band is fronted by Minecraft YouTuber Wilbur Soot, that is the only reason it’s charting – and he’s charted with “Your New Boyfriend” a couple months back, a song that I actually kind of liked. It’s also immediately obvious in the writing that this comes from an Internet personality, with some not-so-well-woven detail and increasingly gratuitous self-awareness that eventually cycles back and ends up as seeming like they have none at all... okay, like most indie bands but that’s beside the point. This happens to be Wilbur’s least favourite song on the release – one that I haven’t listened to because even if I’m not too old for mindless pop music, Minecraft YouTuber alt-rock may be where I draw the line – and I can completely understand the distaste for this given that it starts with the line, “Why’d you have to kill my cat?” I also have some qualms with the song sonically as it may be the most derivative rock single I’ve heard on this series, given how obviously it rips from indie rock bands of the 2000s, with an oddly clean mix that doesn’t exactly fit the obvious stream-of-consciousness lyrics and Wilbur’s erratic delivery. Also, there’s a whole lot of trumpet on this song, which I guess is a surprise, but that doesn’t make up for a drummer who can clearly play very well but has to chaotically play over a song with practically no groove. I do like that second chorus in how it builds up to a somewhat anti-climactic guitar solo but as a full song I do not really get the appeal of this that I don’t get out of other post-punk revival bands from decades back who are still pumping out music. This isn’t bad – I swear, don’t dox me – but I just want something more compelling from this. I will always be glad regardless of the quality that we have more rock on the chart, though, even if this’ll be gone by next week.

#57 – “It’s a sin” – Years & Years and Elton John

Produced by Stuart Price and the Pet Shop Boys

One of my favourite performance from the BRIT Awards this year was Olly Alexander of Years & Years sharing the stage with the iconic Elton John to cover Pet Shop Boys’ “It’s a Sin” which had renewed interest from last year as it was the namesake for a hit TV series about HIV/AIDS, for which this fittingly played a role and has kind of been recontextualised as a gay anthem, which makes complete sense if you look at its lyrics about the Church telling Neil Tennant “how to be”. It’s also one of the Pet Shop Boys’ most camp and theatrical songs, so giving it to Years & Years and Elton John to cover for the BRIT Awards make all too much sense. No, they’re not able to live up to the theatricality of the original, especially if Alexander’s vocals are going to be this clearly manipulated at points, but with Elton John’s piano laying a perfect foundation for the rising intensity of the track, we do get a sense of that original melodrama, with the synth-work and house groove coming in before Elton John’s voice, sounding smokier and wiser with age, and in my opinion, more compelling as a vocalist, especially if they’re both going to sell this song with the most convicted of deliveries. I don’t think a cover could ever live up to that original iconic track but if anyone’s going to get close, it’s Elton John. Expect this to rise next week.

#50 – “Never Left” – Lil Tecca

Produced by ThankYouWill, Taz Taylor and Cxdy

I’ll always be annoyed that Lil Tecca blew up as a rapper instead of a producer, as I don’t think this guy has any likeability or charisma about his flow, cadence or delivery, and that’s only after you get over how dry and whiny his voice can get. However, he can make some great and incredibly infectious beats for other rappers, including a song I see becoming a hit soon in SoFaygo’s “Knock Knock”, which I will bet on at least making the Billboard Hot 100 if not the UK Singles Chart. It’s unbelievably catchy. With that said, Tecca is here in the form of some SoundCloud raps over a boring synth pluck and vaguely tropical Internet Money trap beat, sounding and flowing way too much like Gunna for his own benefit, or Gunna’s benefit, if we’re honest, as this shows how easily he can be replaced. I usually don’t write off this type of rap and will absolutely defend it, but this song isn’t even catchy or unique. I mean, I don’t like “Ransom” either but at least it was kind of fun and I still know the lines in the chorus a couple years later. I’ll forget all about this by next week if it doesn’t stick around. At least he shouts out Chief Keef. God, I hope he charts sometime, that’d be funny.

#45 – “All I Know So Far” – P!nk

Produced by Greg Kurstin

So, P!nk is back but not with a studio album, rather an upcoming live album in which the two new, original songs are about or featuring her daughter. This is the second single from said album and is probably coasting off her appearance at the BRITs in terms of a relatively high chart debut. I’ve never been that big a fan of P!nk but she has her classics, none of which are in the past 15 years but that’s beside the point. This single in particular is an acoustic ballad dedicated to her daughter in which P!nk provides a rapid intensity alongside pretty great-sounding acoustic guitars, pounding drums and strings that sells the content about empowering yourself, with some nice lyrical detail about always being yourself, basically, which would come off as cliché and preachy if it weren’t for some oddly specific lyrics in those verses and the chorus that basically just tell her daughter that despite the fact the world will constantly try to crack down on her and everything she does much like life does to anyone but especially women, she should stand up for herself and what she believes in. However, none of that cuts deep when she’s being raised by a millionaire, huh? There’s little Hell to be put through when you’re born with a silver spoon, huh, Willow? Regardless, this isn’t a bad pop song and its content isn’t as misguided as it is just sang by the wrong singer, although I’d find it hard to get a singer with as much rasp and wisdom in the mainstream to sell this as convincingly as P!nk does – vocally, not lyrically. This is a couple steps above that last single, “Cover Me in Sunshine” at least, which was just insidious. Next.

#32 – “Miss the Rage” – Trippie Redd featuring Playboi Carti

Produced by Loesoe

Okay, so all of our last three new arrivals are in the top 40 and we start with... o-okay, well, it’s 2021, anything can and will chart and I should know this by now, but it’s still surprising to see a song by these two guys debut so high, especially since Whole Lotta Red produced absolutely no charting hits in the UK outside of “@ MEH”, which doesn’t really count. This is Trippie’s highest-charting song ever in the UK that isn’t fronted by KSI, so I guess streaming must have been that good – also, the charts are still weak. For what it’s worth, I do like both Trippie and Carti to their respective extents, and I am aware that this is only as big as it was because of the hype from the leak, which also featured Mario Judah, and that in itself was a big song but it took years for Carti’s feature to be cleared by the label, as is infamously true for much of Carti’s work and even his last official collaboration with Trippie that was actually deleted after release. I’m still hoping on an official release for his verse on Yung Lean’s “Yayo”, but whilst we have this instead, I might as well talk about it and... Well, let me explain to you what I see as the appeal of these two rappers. That appeal is, mostly, that they don’t rap even though they both very much can. Trippie yells, moans, growls, screams and spends most of his work singing in his typical raspy, venomous voice, whilst Playboi Cart spits and coughs his way through substance-less ad-libs to the point where any actual wordplay or lyrical detail gets you excited for that brief moment. In this song, Trippie and Carti don’t eschew the typical role of a rapper and both just... rap normally, which would not be a complaint if they weren’t so bland in that role, which is the whole point of their unique, phlegm-filled deliveries in the first place. As a result, this song just ends up feeling empty, even if this awfully-mixed, bass-boosted beat with some lovely distorted video-game synths and hardly audible trap skitters does go incredibly hard. Don’t get me wrong: this is still catchy and Trippie flows very well over a beat that sounds made for him and Carti. Hell, Carti has grown on me so much recently that my fondness for this might just be me eating anything he releases up. With that said, he’s the worst part of the song as his baby-voice style emphasises how lacking this song is in just anything. I do like the wordplay at the tail-end of the verse as, yes, that happens, perhaps not as iconic as some of his other oddly profound or clever lines on his last record but at least it’s something. At least this is some interesting American trap, unlike...

#25 – “i n t e r l u d e” – J. Cole

Produced by J. Cole, Tommy Parker and T-Minus

The pandemic has affected the music industry to the point where big-name rappers release album interludes as lead singles. Said album has songs shorter than this interlude, with most of its dull filler feeling like additional interludes, quite unbefitting for such a big and hyped-up album from Cole which frankly is just another boring addition to an already consistently dull catalogue. I’m just not interested in what Cole has to say because he’s never been likeable and I feel like there’s better rappers that bridge the gap between old and new like how Cole sees himself as doing, the “MIDDLE CHILD”, perhaps, like, you know, Drake? If we want to go for a more direct comparison from lesser-known rappers, the direct comparison I use for this new record is Aminé’s latest, also made up of a variation of trap bangers featuring massive, charting names versus introspective, conscious lyrics, yet Aminé is an interesting character with quotable lyrics that aren’t embarrassing, knows how to write an actual hook and whilst he also brings on both classic and modern features, he’s never out-done by them, creating an actual bridge rather than just some guy who thinks he can write his own role in the industry and culture without his own music backing his case. Unfortunately for me, it works – every freaking time – largely because of his continually loyal fanbase but also a general public interest in the guy that I do not understand, especially when more than a decade into his career, he’s still pushing out mediocre projects. He cuts his album’s length by a ton and still ends up with a bloated record. I barely need to talk about the track itself, right? Even if it has as much structure and effort put into it as his normal songs do, it’s labelled quite literally as an interlude. Sigh, well, in this interlude, Jermaine raps over a drowned-out soul sample and admittedly, sticks to the topic of reminiscing on where he came from, the violence in Fayetteville, a similar violence of which was what killed Nipsey Hussle, who he compares amongst Pimp C and Jesus as they all died at 33. Cole himself is 36 so I guess for once he doesn’t think he’s Jesus. It took him a while to realise.

#12 – “Higher Power” – Coldplay

Produced by Max Martin, Oscar Holter and Bill Rahko

I assumed this would debut at #3 until the BRIT Awards performance gave it a boost to debut at the top but I guess everyone else had the same opinion of that awful opening performance as I did, because here it is at #12. Well, that doesn’t matter, right? Coldplay’s last album similarly underperformed... but at least that time, they had a genuinely ambitious album for once in their careers with some genuine experimentation and themes I did not expect to come out of Coldplay. It was a better album but not an accessible one, with its only pop single being a bittersweet anti-war anthem which trivialises bombing in the Middle East to onomatopoeia. It’s a great song but it wasn’t going anywhere, so it’s no surprise that their next lead single is a soulless synth-pop track produced by Max Martin. Admittedly, the synth tone in the intro is kind of unique in all its nasal 80s nostalgia, but, man, I thought we moved past just rehashing for a hit, Coldplay. This is pretty obviously just a crap attempt at being “Blinding Lights” which trades in its machine-gun loco-motive drum pattern for one that is a lot more stiff, and its iconic, memorable lyrics for a forgettable set of love-struck laziness. Oh, yeah, and Chris Martin is far from the Weeknd both in the studio and live at the BRIT Awards – seriously, dude sounded half-alive. This isn’t offensive, just a bore that is clearly a desperate label move ready for when they can tour again, and if their last record proved anything it was that Coldplay seemed like they were finally above that.

Conclusion

Well, that’s our week – again, a questionable one at best and kind of a bad one at worst. Either way, this is a strange array of songs and I do like how the UK Singles Chart subverts everything you’d expect of it so often that chaos becomes the trend, even if not all of it is any good. I guess Best of the Week goes to “Freaks” by Surf Curse, with an Honourable Mention to Elton John’s cover of “It’s a sin” with Years & Years. Surprisingly enough, J. Cole actually doesn’t get Worst of the Week as the album gets a lot worse than that interlude, so he gets a Dishonourable Mention alongside Starboi3’s “Dick” being crowned Worst of the Week, and honestly probably Worst of the Year so far, not that I’m keeping track of that. Here’s this week’s top 10:

What’s coming next week? More J. Cole, Olivia Rodrigo’s newest single and probably – and hopefully – some album tracks from Jorja Smith and Nicki Minaj. For now, though, thanks for reading. It’s a big week next week, and I’ll see you then!

1 note · View note

infinitestarsintheskye · 4 years

Text

Agents of Shield Series Finale thoughts (finally)

Or alt title Skye finally sits down to write this after two days of being overtired, overwhelmed and as a result, anxious! Feeling a WHOLE lot better today after a few anxiety naps and watching Phineas and Ferb on Disney + (that show is just pure serotonin I swear)

God what can I say that hasn’t already been said. I’m so beyond happy. I have no idea what my expectations were but by god were they exceeded. I cannot say enough how happy I am. They saved the world with empathy. How utterly beautiful. The endings everyone got were all just so utterly utterly deserved. I’m still in shock really.

If you haven’t already guessed it, I did not make it to my alarm at half past 6 on Thursday morning. I woke up at quarter past 5 after barely three hours of sleep and just could not help myself. I finished, cried for two hours and collapsed for another hour and a half. And she wonders why she’s felt like utter shit the past two days...

ANYWAY

DEKE DEKE MY WONDERFUL MY MOST DEAREST DISASTER SON!!!!!!!!! I love him so much. I know he’s happy in alt. 1983 but losing him was honestly such sweet sorrow. I had a feeling that he would sacrifice himself but I could not have guessed that it would happen in honestly such a good way. He still gets to live, gets to be the director of Shield (god help them) and I’m equally happy and devastated for him. I love Deke so much, he is very dear to me, and the money I would pay for a miniseries of him just absolutely killing it as Shield director in the 80′s with his side business of being a popstar, like the amount doesn’t exist. Also his impersonation of Fitz was so incredibly hilarious, Jeff Ward actually does a not bad Scottish accent and the IMMEDIATE adoption of the pregnant lady pose just ABSOLUTELY SENT ME!!!!!!!!!!

Mack. I’m so happy he lived. His team up with Sousa will forever give me life. Them taping goddamn chronicoms to the missiles to blast a hole in the ship, like whoever came up with that idea, you are now my favourite human on this earth. It is so supremely dumb but I love it so much. As much as there was BIG concern going into this that he was going to die, ta Henry, I never once felt worried for him. Like he never even came close???????? Also a raise to whoever put him in that big long jacket at the end like oh my god are you serious, AMAZING

Yoyo. I had NOT A SINGULAR CLUE, NOT EVEN AN INCLINE of what was going to happen to Yoyo. Her little team up at the end with Piper and Davis (DAVIS ROBO!DAVIS YEEEEEEEEEEEEEEESSSS BICKERING WITH PIPER WE LOVE TO SEE IT) was beyond incredible. Yoyo had such a great arc this season, and I’m just so happy to see it concluded so well, plus that shot of her zooming out of the car at the end was beyond A+ it was beautiful.

May. May, wonderful May. Her appearing OUT OF GODDAMN NOWHERE TO JUST ABSOLUTELY END SIBYL IS JUST FOREVER GOING TO GIVE ME LIFE. THE CAVALRY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I was so intrigued with where they were going with her arc this season, like I enjoyed empath May but I was so curious to see where it was going and oh what a pay off it was. I literally shouted AAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHH at my screen when she put her hands into that machine and Coulson explained it, BECAUSE IT ALL JUST MADE SENSE. Also it was 100000000000000000000% her idea to name it Coulson Academy, and no one disagreed with her. I loved her little call back to S1 with her just being the pilot. In general I thought all of the call backs were very well handled and placed, nothing felt too fan servicey it was all very natural and organic bc these writers really just know what they’re about and are just so incredibly good at their jobs. ANYWAY MAY. I’m happy that she’s getting a little bit of rest from the field, she absolutely deserves it.

Coulson. I’m not gonna lie, I wasn’t sure about Robo!Coulson when he was introduced at the end of last season, but my god am I so happy for him now. He is truly the heart of this show, the whole thing began because a stubborn group of fans refused to accept that he had died. And really isn’t that a theme that has carried us through this entire show haha? I was so terrifed for about 30 seconds that Sibyl was going to turn him against the rest of the team, so the RELIEF of May popping out of the ceiling to JUST END HER ENTIRE CAREER WAS INCREDIBLE. The reappearance of Lola ABSOLUTELY SENT ME. I also love that after years of Coulson refusing to let Mack work on Lola, Mack just went “Fuck it” and built one from, I assume, scratch. He is going to be the best Grandpa to little Alya Fitzsimmons and you can tear that headcanon from my cold dead hands. Again, what a deserving ending. I could not be happier for him, that last shot was just perfect.

Daisy. Oh boy, we’re getting into my heafty emotions now. I would just like to say that her entire arc throughout this entire show is one of the most incredible, most amazing and well crafted and well thought out characters arcs in television history. Watching her go from this lost little hacker with a bit of a smart mouth, to this strong and powerful LITERAL SUPERHERO has actually been a privilege and I cannot stress enough how much I have loved watching her grow and evolve over the past seven years. That being said, I am low key FURIOUS that they made me think that she was dead for even just a SECOND. I WAS SOBBING NO AT MY PHONE FOR THAT ENTIRE LITTLE INTERLUDE LIKE NO FUCKING WAY ARE YOU GOING TO KILL HER OFF AND LEAVE HER BODY IN SPACE I WILL NOT LET YOU, LET ME GO SHARPEN MY PITCHFORK I AM COMING FOR YOU. I will now invite you to imagine the look of absolute and utter joy and relief on my face when I saw she was alive. Skye/Daisy holds such a special place in my heart. Her whole thing with Sousa this season was SO UTTERLY OUT OF THE BLUE BUT SO INCREDIBLY DELIGHTFUL AND DESERVED!?!?!?!??!?!!?!? Like out of everything I think that little plot detail is what surprised me the most, and I surprised myself by really loving it as much as I did. I would have been happy if she had ended the series single but I’m so happy that she has this wonderful partner who loves her so much and has her back and just looks after her like it’s just like the most wonderful added bonus which she deserves. Sousa is also like a whole ass snack and as I have been saying in my tags for the past few weeks, DAISY GET IT!!!! I love that she ended the series with her own little family, her sister and Sousa. I just. I cannot even think about that without welling up. Daisy has a family, and she chose it and she loves them all so much. I know it was last weeks ep too but I will never get over her calling Simmons her sister. Never ever ever for as long as I live. I’m so happy for her. So beyond happy.

FitzSimmons. Here we, here we, here we fucking go. What to even say apart from big, long and loud sobbing noises, cause that’s all I have really been able to do in regards to them for the last two days. Happy isn’t a strong enough word. There is no word big enough, nor all encompassing enough to say how utterly UTTERLY happy I am that they got their most beautiful happy ending. Fitz guiding her through her memories, the second Jemma said Alya I started screaming, I just I knew that was her name, and him just being so gentle with her whilst she was remembering, like oh my heart. I excuse them everything, the lack of Fitz (WHICH WAS NO ONE’S FAULT I WILL NOT HAVE ANYTHING ABOUT THAT HERE) this season was honestly just paid back tenfold in the scenes that we got of him. His frustration IMMEDIATELY at everyone not understanding their plan was so amazingly hilarious. Simmons half remembering everything was both heartbreaking and hilarious, the scene of her asking for a supersuit like Daisy’s was incredible and both Deke and Daisy responding to her like she was a child they needed to trick into doing something for them, like yes if you come with us you’ll get a supersuit and a bit chocolate, incredible. The acting in both episodes from both IDC and Elizabeth was just truly something else. The fact that neither of them have been nominated EVER for their work on this show is nothing less than criminal. Her face when she remembered Alya. Dear god my heart. I have watched that scene of them reuniting with her at least 3000000000000000000000 times since Thursday morning. I won’t ever forget it. What a beautiful scene. What an incredible scene. “You were guarding our everything.” SHE’S THEIR EVERYTHING. THEIR UTTER EVERYTHING! I’M ACTUALLY LIKE SOBBING WRITING THIS I WILL NEVER EVER EVER EVER EVER FOR AS LONG AS I LIVE GET OVER THE FACT THAT THEY LET FITZSIMMONS LIVE IN PEACE FOR FOUR WHOLE ASS YEARS, LET THEM HAVE THE MOST BEAUTIFUL, MOST PRECIOUS LITTLE BABY GIRL AND THEN LET THEM LIVE IN PEACE AGAIN I JUST!!! I HAVE WANTED THIS FOR THEM FOR SO SO SO SO SO SO SO SO SO SO SO SO SO VERY LONG!!! (also @ marvel I’m not in a place where I want any kind of continuation or spin off at the moment but I would watch a FitzSimmons miniseries of them just being happy and domestic and working in space for 4 years. Just SOMETHING to consider) I cannot thank the writers enough for finally finally letting them have their happy ending. They have been through so much, and it was all worth it because it led them to their happily ever after and to their little girl and I just, that is everything. ABSOLUTELY EVERYTHING!!!!!!!!! I have talked a lot in this post about people deserving their endings but honestly none more than FitzSimmons. Fitz playing with Alya in their little garden whilst Simmons watches with the biggest smile on her face. How perfect. I could not have dreamt a better ending for them I’m so so so so so SO beyond happy for them. And god that little girl is just the most precious. Her gleefully exclaiming “Mama!” at Simmons is the EXACT moment that I started sobbing and did not stop for the rest of the episode. Also I know they didn’t explicitly say it but they are 100000000000000% at their cottage in Perthshire, again you can pry that headcanon out of MY COLD DEAD HANDS!!! I’m just so so so so so so so so SO beyond happy that FitzSimmons got the ending that they deserved so much. They can be at peace now. I have loved them since LITERALLY day one, and I cannot imagine what would happen if I got to tell little 15 year old me how they ended up. I’m sending her good vibes to the past, I know she got them, because I never ever ever gave up on that hope for them. FitzSimmons, to me, represent so much goodness and hope and just everything I aspire to have in a relationship (without the constant separation and the death and all that fun shit), but just the utter love they have for each other. (thanks for the impossible standard to which I hold all men now JedMo). I have been on just a rollercoaster with these two characters, their relationship and each of them as individuals have taught me so much and brought me so much comfort, especially during some of the hardest times I have ever experienced. I’ll tell some of those stories one day. Not yet. I’m not ready. I’m still honestly just reeling. I have wanted A Happy FitzSimmons ending for SO LONG and I just cannot believe that we got it. Thank you. Thank you thank you thank you THANK YOU.

Writing this felt very cathartic. It’s almost been good to just get ALL OF THE EMOTIONS OUT. I think I’m actually going to take a nap now. I forget how tiring it is to be so emotional. What can I say to end this except reiterate again just how happy I am with that finale. I’m so thrilled that they gave us such a beautiful ending, it really was just a love letter to the series as a whole and to it’s message. I think it was quote from Jeff Bell that I saw and I haven’t stopped thinking about it since, because of how true it is, and really that’s why I hold this show so dear and why I have done for the past 7 years, and that is that this show is ultimately about hope. What a beautiful thing.

#aos spoilers #7.12 spoilers #7.13 spoilers #agents of shield #Agents of S.H.I.E.L.D.#aos #skye really rambles #skye rambles #thank you #thank you so much

11 notes · View notes

synvamp · 5 years

Text

HAPPY PLACE 10

There. Fixed it!

From Vol 7 ep 5 all the way to happily ever after – WHERE NOTHING BAD EVER HAPPENS. When Clover falls in love he falls hard and fast but can he score the most snarky, eligible bachelor in Remnant? You bet your ass he can.

(Part One HERE)

Title: Healing

Fair Game – Part 10 / 10

Rating: M

---xxx---

When Clover said thirteen days it had filled Qrow with dread. He just didn’t trust the world… his semblance… himself. Things just didn’t work out for him. Friends, lovers, colleagues… anyone he got close to either betrayed him or died.

That night he lay awake for hours, tossing and turning in tiny quiet movements, trying not to move the bedcovers too much in case he woke Clover.

I don’t know why I’m being so damn careful… the guy sleeps like a log!

He could just make out Clover’s face in the dark. He looked so peaceful.

It must be nice to sleep like that. To just lie down and let go of it all.

He still looked sexy, even with his mouth open.

I guess I am pretty far gone, Qrow smiled.

If Qrow had ever tried to imagine his perfect partner, it would not have been Clover. He never really had a type with guys so he hadn’t thought about the ‘perfect man’. No Mr Right. Just Mr Right Now. Plus, Clover’s compliments, his endearing, concerned gaze… it was a bit awkward. Qrow didn’t need a cheer squad! But those same compliments made him feel so good. He could tell Clover really meant it, too. He really admired Qrow, what he’d achieved, who he was.

It felt so strange to be seen. Really seen and just… accepted. Adored, even.

It wasn’t something he usually got in relationships. He was used to being the chaser… the giver of compliments, the buyer of drinks, the desperate one…

It was… nice to be wanted. Nice to feel like he was worth pursuing. Worth going to all this effort for. And Clover had. Qrow had seen him struggling. He knew what it must have felt like when he said I love you and got nothing back but he didn’t give up.

I would have given up.

But Clover didn’t. He just changed tactic and came back stronger.

Maybe he was like that because he was so used to things working out… because of his semblance. He was so used to everything going his way, he just couldn’t imagine that it might turn out different… but he looked so uncertain… so hurt when Qrow had been cold to him.

Maybe he makes his own luck.

Clover snuffled next to him and rolled over, his muscled back outlined silver in the light from the window.

Even his shoulders make me horny. Qrow laughed softly to himself. Maybe it’s time I started to make my own luck too.

Carefully, slowly, inch by quiet inch, he rolled his body over and wrapped one arm around Clover’s waist. He shuffled his hips forward until he could curl his body up against that muscled back and breathe the man in. Clover curled forward and his arm pulled Qrow’s hand tighter,

‘My tweety sweety…’ he murmured.

TWEETY SWEETY WHAT THE FUCK!? Qrow was OUTRAGED. But also warm.

‘I hate you,’ he growled as he snuggled closer.

‘Mmmmm,’ Clover sighed happily.

Qrow tried to fume but he found that all the fears that had been swirling in his head had somehow gone and all he felt now was comfortable… and tired.

I’ll kick your ass in the morning…

---xxx---

When Clover woke he was in a great mood. He practically leapt out of bed, stopping only to gaze down at Qrow’s messy bed hair WHY SO HOT!? HOW SO HOT!? before skipping off to make coffee.

He had to get some of his excitement out before Qrow woke up properly. He wasn’t sure how Mr I Hate Mornings would deal with a bouncing ball of boyfriend first thing.

Boyfriend. He’s my boyfriend. Most eligible Batchelor in all of Remnant, huh? Kiss my lucky charms!

Clover did a little soft shoe shuffle in his boxers and felt like a total idiot. It was great.

And today was a rostered day off! They could actually spend time together… if Qrow ever got out of bed.

Why do you want him out of bed!?

Clover chuckled to himself and went to the kitchenette. He made the coffee just shy of strong enough to dissolve the spoon and sat it on the counter, hoping the smell would be enticing.

After several minor bouts of dancing, Qrow sat up sleepily. He reached over the side of the bed and grabbed the first thing he found, Clover’s tank top. He pulled it over his head and threw the covers back. The top was so big on him it looked nearly like a dress and for some reason, the sight of him all scruffy and sleepy and wearing his clothes…

Wow.

I really do love him.

Qrow shuffled up and collapsed onto Clover’s chest. Clover wrapped him up in his arms and just let the feeling wash over him. My boyfriend.

No. Don’t dance.

Qrow groaned loudly into his chest.

“I made you coffee,” Clover whispered into Qrow’s soft, messy hair.

“MMMmmffffgggghhhh…” Qrow fell onto the nearest stool at the breakfast counter and took a long sip, “Ah… thank you,” Qrow looked at him with those beautiful eyes and smiled, warm and open.

DON’T DANCE

After a couple more sips, Qrow blinked and looked up at him, his eyes narrowing.

“You called me tweety sweety last night in your sleep,” the red eyes blazed, accusing.

“I did not,” Clover said, trying to keep a straight face.

“How would you know if you were asleep?” Qrow asked; his voice low and dangerous.

No! He’s got me! Escape before it’s too late!

“Well… I’m still alive for one. If I had called you tw… uh… I’d be dead by now, yeah?”

“It’s only because you’re s..” Qrow started to grumble.

“And if I’m still alive, then you must have liked it!”

Ha! Touché!

Qrow stood and looked up into Clover’s eyes, his sexy, gravelled voice rasped, “We will never speak of this again.”

Clover’s eyes watered. Do not laugh. Do not laugh. Do not laugh.

“No. Never again.”

“Or it will be the last thing you ever do…”

“Last thing,” Clover nodded, lips jammed firmly together.

“Good. Glad we got that sorted,” Qrow sniggered a little bit.

Clover lost it.

Qrow raged as best as he could, “Stop it! I’m a fierce warrior! Sweety at your peril!” but Clover was laughing so hard and it just made him laugh and it was just all too damn stupid for words.

After a very long and breathless minute, Clover got his voice back, “So… Fierce, would you like to hang out today?”

“Sure,” Qrow shrugged his shoulders, a little smile pulled at the corner of his mouth.

“What would you like to do?”

“I don’t know,” Qrow ran one long finger around the rim of his coffee mug.

“We could go ice hole fishing? It’s pretty awesome out there if you don’t mind the occasional grim?”

“Uhhh…” Qrow blinked.

“I can see the enthusiasm is a little lacking… no ice hole puns though so I guess that’s something.”

Qrow smiled, “Nah, I was just thinking you’re trying to get out of the bet.”

“Get out of it?”

“Well… tundra, grim, icy death… if you make it through today, you’re stuck with me, right?”

“I guess I am,” Clover put his hand next to Qrow’s on the counter. All he wanted to do was pick the man up and yeet him into bed. Why did he have to look so wide-eyed and beautiful ALL THE TIME!?

“So…?” Qrow asked, shrugging like it didn’t even matter.

“So you make a good point. Maybe we should build a blanket fort? No one ever died building a blanket fort.”

“Is that how you usually pick up? Dinner and a blanket fort? That’s a little creepy.”

Clover laughed, “Picky, picky… what would you like to do then? The ass is yours to command.”

“Now I’m starting to get interested,” Qrow lifted one dark eyebrow.

Clover leaned over and ran his thumb along Qrow’s stubbled jaw. He loved the way his hair was just flecked with silver, the long dark eyelashes, his strong jaw, his burning red eyes… Qrow tilted his head, bird like and turned his cheek into Clover’s hand. Clover stepped closer, leaning down and let his lips just brush Qrow’s. Qrow’s teeth nipped at his bottom lip and then one pale hand reached up to cup the back of his head, pulling him down into a passionate kiss. Qrow’s other hand trailed slowly down Clover’s chest, one sharp nail flicking a sensitive nipple and making him squirm. He could feel Qrow smiling into the kiss as he stroked Clover’s skin lightly, making his whole body thrum. Clover leaned closer as Qrow’s expert touch tripped over his stomach muscles, then one finger hooked into his waistband.

Qrow pulled away from the kiss, looking down, “Seems you’ve built a fort already,” he grinned down at the tent in Clover’s boxers. Keeping eye contact, Qrow let his hand dip below the elastic and Clover moaned and closed his eyes.

That’s it. Yeets for you.

Clover wrapped his arms under Qrow’s knees and went to lift him up.

“No! Wait!” Qrow shouted.

Clover froze…

“I haven’t finished my coffee.”

Seriously!?

Clover crossed his arms, “You get that bouncy butt into bed or I’ll make sure you can’t sit down for a week.”

“Can’t I have both?” Qrow drawled, biting his lip.

Clover turned slowly and stretched, making sure every defined muscle rippled as he moved. “Absolutely,” he grinned, lifting Qrow effortlessly and flexing his sexy ass back to bed.

---xxx---

They spent the day just walking. They saw some of the sights, stopped in a couple of shops, ate when they were hungry and sat when they were tired. It was a normal, peaceful kind of day. True, Clover did nearly fall down a manhole but apart from that, it was… quiet.

It was so different from everything Qrow’d had before. It felt utterly foreign and yet so comfortable. Clover talked non-stop, telling Qrow all about Mantle. It turned out he was a bit of a history buff and he had a way of picking the best bits of a story so Qrow really enjoyed learning about all the little quirks that made this place unique.

When it started to get really cold, they’d ducked back to Clover’s room to get something warmer on and now Qrow was buried in one of Clover’s huge duffle coats. He knew he looked ridiculous but when he saw how Clover looked at him, what anyone else thought just didn’t seem to matter.

Finally, the sun started to set and they found a park bench. Clover dusted the snow off and then sat, pulling Qrow into his lap. The sky was awash with pink and purple, the air crisp.

“Thank you,” Clover whispered in his ear.

“What for?” Qrow asked, enjoying the heat of the strong warm arms around him.

“Just being here… spending the day with me. It was nice.”

“Yeah, it was,” Qrow didn’t know what else he could say.

I feel like I’ve been waiting for this forever… I never wanted to be comforted but it made me feel whole. I never wanted to be held but it makes my heart warm. I never wanted to rely on anyone but now that I do… I feel stronger. I thought that this would make me vulnerable, weak… but I’m more certain now than I’ve ever been about anything.

“I…” Qrow started, and in his chest it was like a revelation, a secret he had kept even from himself. He had felt it building but he’d pushed it away, something to deal with another day… but it was here.

Ready or not.

“…I love you.”

He leaned forward and rested his forehead on Clover’s, looking deep into those perfectly shaded green eyes.

The world stopped and for a minute, they were alone in a future which neither of them had ever dared to dream of.

“Say something,” Qrow said, feeling a little flustered.

“I… love you so much. I just want to spend every minute with you. I want to dance with you and laugh with you and never, ever let you go…”

Qrow smiled, “Ok, you can stop now.”

“I will never stop,” Clover said, pulling his snuggly, ruffled boyfriend into a deep kiss.

Qrow melted into the embrace; I guess I can live with that.

---xxx---

#fair game #qrow branwen #clover ebi #happy end #rwby spoilers #rwby 7 #fanfiction

46 notes · View notes

noahmanskar · 4 years

Text

The Best Albums of 2020 (and from the Before Times)

I read a lot of year-end music roundups, and several this year have come with a resonant caveat: It’s been harder to discover new music this year, both because of physical limitations (no shows, no record-store browsing, no chats with friends about your latest finds), and because the way we used music fundamentally changed. It certainly did for me. Rather than serving as the backdrop for a commute or a night out, it created moments of solace from cabin fever while doing dishes, or showering, or running semi-weekly errands. So I often turned to what was comfortable and familiar, songs that conjured memories and feelings to get me through the day. Even on the rare occasions of social listening, the groups I was with drifted into nostalgia — middle school dance tracks, mid-2000s emo, inherited dad rock, even songs from just a year or two ago, when everything was simpler, relatively speaking.

That’s not to say nothing new moved me. There was a handful of albums and songs that were crucial to getting through the doldrums. They soundtracked bike rides, long walks, longer drives and lots of small moments mentioned above. But I don’t think I can think about my favorite music of this year without thinking about the albums of the past that got me through it. Besides, one of the many lessons 2020 taught is that time is a bizarre illusion anyway. (This exercise also lets me write about some recent albums that I didn’t get to write about when they were actually released.

So here are the albums, past and present, that made 2020 bearable. I hope you found yours, too.

Tame Impala, “The Slow Rush”

Tame Impala’s fourth LP came out on Valentine’s Day. That afternoon, Claire and I had a lunch date to mark the occasion before we got on a plane to visit my parents. The night before, we had gone out to dinner with friends visiting from San Francisco and then to a bar, where we huddled next to strangers on a water bed. Roughly a month later, all of this would be unimaginable, and Kevin Parker’s lyrics to “One More Year” would be eerily prescient as we settled into this new normal:

But now I worry our horizon's been nothing new 'Cause I get this feeling and maybe you get it too We're on a rollercoaster stuck on its loop-de-loop 'Cause what we did one day on a whim Has slowly become all we do

The song is really about surrendering to time, and not worrying about it passing in spite of your ambivalence. The opening chants of Parker’s “Gregorian Robot Choir” make it easy to surrender. They carry you into a world where, as the cover art suggests, all that time you were worrying about has already passed, so you might as well dance. At the same time, the songs that follow, like “Borderline,” “Breathe Deeper” and “Lost In Yesterday” make it easy to remember what it was like to dance in a sweaty room with people you love, and to look forward to doing it again, after a little more time passes.

Fleet Foxes, “Shore”

There’s something comforting about the fact that Fleet Foxes released this record on the exact moment of the autumnal equinox. It’s a reminder that nature has its own rhythms that carry on regardless of what occurs in our human lives. They give us a measure of certainty in uncertain times. One of these rhythms — death — looms large in “Sunblind,” an ode to Robin Pecknold’s departed musical forebears: David Berman, Bill Withers, John Prine and others. This song exuding calm acceptance shifts into “Can I Believe You,” which wrestles frankly with doubt and fear.

These tracks contain profound contradictions, but sonically, they're both bright, hopeful and sure. That’s what made this album such a balm in the sixth month of this pandemic, a time of both growing darkness and hope for what might be on the other side. It reminds us that there’s power and beauty in feeling all these things at once.

Lil Uzi Vert, “Eternal Atake”

This one spent two years in label purgatory, but it finally arrived in March to prove Lil Uzi Vert can do it all. He’s at his most versatile here, spitting and crooning, boasting and balladeering. “You Better Move” is an early standout packed with playful nostalgia, including a beat that samples that classic PC pinball game and delightful jabs like these:

Yeah, step on competition, changin' my shoes Green shirt, bitch, I'm Steve, where is Blue? Every chain on, I pity a fool I'm an iPod, man, you more like a Zune Made her eat on my dick with a spoon, ew Versace drawers, bitch, you Fruit of the Loom

Then there are the melodic tracks like “Urgency,” which compel you to hum along even on the first listen. The excellent diversity made it worth the wait for this hourlong journey to another planet.

Sturgill Simpson, “Cuttin’ Grass Vol. 1: The Butcher Shoppe Sessions”

I haven’t spent much time with Sturgill Simpson outside of 2014′s “Metamodern Sounds in Country Music,” and I can’t say I’ve ever listened to another bluegrass album all the way through. But these new cuts of songs picked from Simpson’s catalog are wonderfully enticing. Simpson puts the talents of his backing band front and center, and their harmonies and rhythms illuminate his vivd songwriting in new ways. It was a great introduction to the genre for me.

Fiona Apple, “Fetch The Bolt Cutters”

I got here after the hype, after the perfect 10, after all the year-end number-ones. Fiona Apple lives up to all of it. Her compositions are complex and evocative, the lyrics tender and biting at once. Her artistry is unsparing. The chorus to the title track is already getting stuck in my head, and I can’t wait to spend more time with this one.

Bea Troxel, “The Way That It Feels” (2017)

Almost a decade has passed since I first saw Bea Troxel play. She was in an incredibly talented trio with two of my high school classmates: Maeve Thorne (who has an entrancing solo EP of her own), and Rita Pfeiffer (the violinist on this record). They ended up winning my school’s battle of the bands, and I got to interview them for the student newspaper. Shortly after our senior year, they recorded an album that still outshines most of today’s indie folk. So I jumped at the chance to all three of them again in Brooklyn.

Troxel’s performance in particular was a revelation. I won’t ever forget how I fell into a trance as she picked away at “Talc,” which exemplifies her gift for natural metaphor. I haven’t stopped playing her record since, and it’s been a constant comfort throughout this year. Her voice is one of a kind, her songwriting is rich, and the compositions flow together beautifully. I can’t wait for more; in the meantime, “The Way That It Feels” will be on repeat.

Travis Scott, “Birds In The Trap Sing McKnight” (2016)

There’s been much ado about the brilliance of “Astroworld,” Travis Scott’s magnum opus, but I have a soft spot for his sophomore LP, where he reached the peak of the spare and heavy sound that started to take shape on “Owl Pharaoh.” There are plenty of sonic layers here, and the ordering of the tracks is a craft in itself — a series of peaks and valleys that glides from the haze of “beibs in the trap” to the climax of “goosebumps” and then into the cool waters of “pick up the phone.” It feels like Scott is guiding you to and from these destinations. The journey is, as The Weeknd might put it, “wonderful.”

Harmonium, “Harmonium” (1974)

One of my pandemic binges was “Letterkenny,” the sharp Ontario-set sitcom with top-notch banter and a great soundtrack full of indie hits and Canadian deep cuts. The fight scenes are elegantly choreographed, but so are the handful of sequences at the end of key episodes that reveal the show’s emotional bedrock. One such scene is set to Harmonium’s “Un musicien parmi tant d'autres” — the main characters are reveling in a bar with their Québécois pals, whom they’ve just helped beat up a rival group. As the song builds to its climactic chorus, leading man Wayne, surrounded by couples, realizes his longing for companionship. Another fight breaks out, but instead of joining in, Wayne makes his way through the slow-motion fray toward the woman he’ll propose to in the next season. (Their relationship later falls apart, but that doesn’t undercut this scene’s beauty.)

This is probably the first foreign-language album I’ve listened to in full, but all of it evokes that feeling for me — the joy of walking through the chaos to reach what’s really important. Not a bad sentiment for these times.

Bon Iver, “22, A Million”

To talk about this weird, dark and brilliant album, I need to talk about “715 - CR∑∑KS.” Everyone I’ve talked to about the third track on “22, A Million” either loves it or can’t stand it. I’m devoted to it to the extent that it was my most-played song on Spotify this year. It oscillates between tenderness and fear, between silence and explosions of sound. The lyrics are an epitome of Justin Vernon’s cryptic poetry. It’s isolated and spare and enthralling and beautiful in its own bizarre way — just like the rest of the album, which is rich with themes of persevering through the darkness in spite of the uncertainty about when the light will appear. Vernon is alone on “CR∑∑KS,” but he’s accompanied by a cacophony of his own voice. As alone as we might feel right now, there’s always someone else shouting through the darkness with us, even if we can’t see them.

#music #2020 #bon iver #harmonium #bea troxel #travis scott #lil uzi vert #sturgill simpson #fiona apple #fleet foxes #tame impala

2 notes · View notes

putschki1969 · 5 years

Text

Magic Moment Self Liner Notes

Notes: Finally I had some time to translate these self liner notes. It’s great to get some insight. I always appreciate a song more after having read the thoughts behind it. There is lots of precious content here so please be sure to read it. I recommend you listen to the album while going through this post.

SPECIAL ~ SELF LINER NOTES

Source: https://www.jvcmusic.co.jp/wakana/special/

-- Your 2nd album 『magic moment』 is officially completed. Did you create this work while having an overarching theme in mind?

Yes. Throughout this entire album I wanted to express a “magic moment” - hence the title. This theme first came to life when I released my EP 『Aki no Sakura』 last November and it appeared once again during my live tour in December. Back then when I was just starting to work on my EP my director and I originally came up with “magic hour” as our central motif.

-- “Magic hour” is the time just before sunrise or just after sunset when the sky’s colours are changing from orange to purple and everything is drenched in beautiful light.

Exactly. From then onwards we were tackling the theme of “magic hour”, after all, this kind of transitional moment can be applied to many situations in life. I thought it would be nice if we could turn all moments of life into music.

-- The album seems to overflow with many such “magical moments” of life. Please introduce each song individually.

01. breathing Lyrics: Wakana; Composition / Arrangement: Yumemi Kujira

-- This is the full sized version with lyrics of the instrumental piece "eve" that served as intro for your EP 『Akino Sakura』.

When we were working on the 『Aki no Sakura EP』" we decided to record a full sized version for the album

-- There is a sense of gracefulness and natural vitality.

The song is basically made up of a chorus that is repeated a total of four times but listening to the music written by Yumemi-san many different sceneries are being conveyed, you will notice bird-like sounds in the interludes between the different choruses, you will hear a waterfall flowing, you will feel flowers blooming in profusion. Also, one day the wife of our 1st violinist came to visit us at the recording studio, she is a flutist so we made use of her talent and added some flute to the song. Adding this raw and fresh sound really broadened the world views presented in the music. When I listened to the melody for the first time the movie "Avatar" came to mind. So I let myself be inspired by that film while writing the lyrics. The protagonist of “Avatar” was injured on the battlefield and became paralysed. But when he was syncing with his avatar, he was able to walk again. Watching the scene where he is in sync with his avatar and steps firmly on the ground for the first time always has a great impact on me, I wanted to include this special feeling in my lyrics.

-- The line “土を踏み生きて行く者 | beings who live stepping firmly on the ground” is very reminiscent of that scene.

Yes. With Earth’s gravity most creatures live on the ground, some in the air or in the water. The same goes for birds. All of us are breathing and living here united by our beating hearts. We are living an ordinary life on this earth until some day it is time to say goodbye and go to another place, “楽園へいざゆけ | let’s go to paradise”. “Paradise” is an unknown place, in a sense this lack of knowledge is very harsh. Yet, you dare to set foot into this new world, there are still so many places to discover.

02. Yureru Haru Lyrics: Wakana; Composition / Arrangement: Miki Sakurai

-- Compared to the first song, the tempo is increased considerably. The piano in the beginning is very refreshing.

This song has had a huge impact on me ever since Sakurai-san first sent it to me, I especially love the beginning of the chorus. It conveys a dazzling light, it awakens a sparkling sensation inside of me making me feel like I am looking up at the sun while riding my bicycle. I really wanted to do a warm spring song like that. I also like the change of atmosphere between the cute verses and the rather cool chorus. I wanted to have the hero of this song shout out their emotions during the chorus. There is an image of movement rather than stillness, I wanted it to be powerful.

-- The phrases “駆け出した | you broke into a run” and “君の叫び | your cry” tie back to your intention.

Those words represent impulses, an urge to start running, a cry that can no longer be contained. There is excitement and nervousness. You have a clean canvas in front of you, you can just follow your urges and draw freely. The line in the second chorus “睫毛に触れたのは昨日の自分の欠片 | fragments of yesterday’s me are touching my eyebrows” is supposed to be about tears. When tears are hitting your eyelashes they will linger there for a while, you are releasing fragments of yourself which you have gathered and contained inside of you. There are so many things you have to deal with, all kinds of feelings, you cannot help but cry. Nevertheless, you think it’s best to break free and start running.

-- Before you start running and follow your impulse you are experiencing many feelings. This sentiment comes across well with the use of “sway” in this line of your lyrics - “春の香り揺れてる | swayed by the scent of spring”.

As spring comes you will notice that along with spring’s unique scent your thoughts and feelings are also being swayed. That’s why I didn’t use the words “spring’s scent” but instead I decided on “swayed by the fragrance of spring”.

03.where Lyrics / Composition: AlbatoLuce; Arrangement: Akihito Takahashi

-- This song leaves a strong impression with its speedy acoustic guitar strokes and four-on-the-floor rhythm.

The intro melody with its "oh ~ oh ~" felt very different to anything I had ever sung before, I thought it was nice and a catchy tune. The lyrics are also very meaningful, the messages carried along the words are beautiful.

-- Speaking of meaningful lyrics, I felt like the protagonist of this song is turning into an adult and slowly learning to love all the wounds and scars that have gathered throughout the years, they are finding themselves and a place where they belong.

You can definitely interpret the lyrics like that during certain passages. However, rather than trying to find a story for the whole song, I think it’s more important to look at the individual lines, every single word is meaningful. That's why the song is easy to listen to. In addition, I have never sung a song that’s completely in midrange. I wanted to give it a try.

-- The contrast between the sharp music and your soft whispery singing provides a nice nuance.

While recording I was very conscious of my vocals, I sang with a breathy voice. It almost sounds like I am talking, like a recitative style. I would like to do more research on this approach, there is still a lot to learn.

-- Within your airy singing, there are certain key points that you are emphasising with your voice, it almost feels like an attack. Those words will leap at you and touch your heart. For example, the line “構わない | it doesn’t matter” in the second verse starts with a very powerful note.

I received some direction and advice while singing, it’s meant to feel like an attack. The chorus rhythm was specifically chosen to invoke a sense of charging ahead.

04. 442 Lyrics: Wakana, Airi Okamoto; Composition / Arrangement: Koichi Ikekubo

-- That title makes you really curious.

Apparently the frequency of a baby's first cry is 442 Hz, so that’s what inspired me to choose the title.

-- Interesting! A mid-tempo song with a powerful rhythm. I think it conveys a very passionate and slightly forky atmosphere.

Originally the song had a strong Indian touch

-- Now that you mention it, it really does sound like someone is playing the sitar?

Yes, yes it does! Initially I thought it would be difficult to sing Japanese to this kind of music but Ikekubo-san told me I could do whatever I wanted with the song. We chose an approach that would match a baby’s crying. The lyrics are co-authored. First of all, we discussed what the song could be about, we talked a bit and decided we wanted to make the song about moments when you feel the need to sing and the reasons behind wanting to sing. Then Okamoto-san provided a lyric draft and I felt immediately inspired, the words just kept flowing out of me. Especially worth mentioning is the first chorus line “愛の声が聴こえた | I heard the voice of love” , Okamoto-san came up with that. Inspired by this line, I wrote the following “最後の碧に終わりを告げた時でも | even when the end is announced for the final blue sky”. In a way it feels like the only reason one was born was to listen to the “voice of love”. This singing voice is echoing through your entire body. When we are born our cries are creating the same sound, isn’t that strange? Why is that? While contemplating this one realises that we are all born to do something, our first cry is like a singing voice giving expression to that purpose. We are born for this very thing, it’s like it is our mission, our fate. It’s going to be different for everyone but each of us will be living in order to do and achieve SOMETHING. Which is why our first cry, our first song if you will, sounds the same for all of us.

-- It seems like your own mission and the meaning behind your singing are taking shape through the worldview presented in the line “喜びも哀しみもひとつに繋がって、溢れ出したものが歌である | both sadness and joy are united and overflowing to become a song”.

That final chorus block is very important because that’s where I tried to put all of my thoughts and feelings into the lyrics. This is the point where I have no choice but to convey what I haven't been able to convey at the beginning of the song. That’s why I wrote it like that. As a result, things slowly fall into place while you are listening to the song, at this point everything starts to make sense. That's also the reason I wanted to end the song with just my vocals to bring the point across.

05. Hirari Hirari Lyrics / Composition: Sairenji!; Arrangement: Mine Kushita

It's a heartrending song. The sadness is palpable during certain parts of the melody when I am using falsetto.

-- Yes. It is a beautiful and sad medium-slow track.

It's a song about people who want to meet but cannot meet. There are many reasons for that...Maybe someone leaves and you cannot see them again or you desperately want to see them but lack the courage to approach that person... Lyrics like this which are written by someone else are very refreshing, it’s nice to get a completely different point of view, that also affects my singing style. I wanted this song to sound breathy, I would for everyone to listen to it during a quiet moment.

-- The song starts with just your vocals, from your first breath onwards there is a special depth, your breaths become part of the song. There are only two passages in the first verse where the quality of your voice changes considerably, it’s when you are singing “静けさ | silence” and “優しさ | tenderness”..

Those two phrases are reminiscent of the melody. The word “静けさ | silence” is meant to sound transcient, almost like a hallucination, a nuance that’s barely there and you have to strain your ears to pick it up. I wanted to sing every word clearly, I want everyone to understand my Japanese easily. As with 「where」, it was necessary to change the way my midrange singing sounded. For example, in the second verse there is the line “時が止まったままもう君は... | time has stopped but you...”, it’s all sung with the same note but it serves as melody. When I thought about how to sing those parts I realised that I wanted the melody to guide my singing.

-- Also, there is a beautiful and ephemeral vibration in your singing voice when you sing the line “夕暮れにかすんだ | got hazy within the dusk”.

That's right. I emphasised “kasumu | to become hazy” with a breath . This way it can sound either sexy or slightly scary. I think the word “kasumu” is very beautiful. I also really love the lyrics in the final verse. “たやすく愛と名付けないで | never call love easy”.

-- Is this supposed to emphasise the importance of the feelings that still remain inside of someone despite being separated?

I personally never take the word "love" lightly, it is not just a simple word but in this case the phrase is actually supposed to express the feeling of not wanting to be reduced to a single word by other people.

06. Aki no Sakura (Acoustic ver.) Lyrics: Kei Saito, Yoshitaka Taira; Composition: Kei Saito; Arrangement: Toshio Uchida

-- You recorded an acoustic version of 「Aki no Sakura」, which was the title song of your EP.

I really loved the acoustic arrangement of the song at my December live with the participation of percussionist (Nakakita) Yuko-san. I wanted to include it in the album so we made that happen. The song’s tempo has been decreased slightly compared to the original and it’s just my vocals, the percussion, an acoustic guitar, an accordion and a violin. I know Uchida-san who made the arrangement for this song from my Kalafina days, he played the guitar at Kalafina’s Otadama performances. It was nice to meet him again, it’s thanks to him that the song become warmer and more tragic. There was also someone from Uchida-san's agency who suggested we include some scat singing in the interlude. Combining the sound of the guitar with my scat singing was very refreshing and fun.

-- There is a phrase in the song where you sing, “笑い合ったね | we shared laughter”, the “i” in “warai” felt particularly warm, it’s like we are getting a new look at the lyrics with this version of the song.

Yes, I tried changing the nuance of my falsetto. I performed it live a few times ever since the release of my EP so my understanding of the song has changed quite a bit. This is how new nuances come to life.

07. myself Lyrics / Composition: AlbatoLuce; Arrangement: Yoshifumi Ise

-- A slow number that progresses with main focus on your vocals, the piano and some strings. Your comforting singing voice is very pleasant.

Initially, the arrangement was very heavily focused on the piano, there was a sense of quietness. When I listened to the track for the first time it left a strong impression on me, it reminded me of sublime songs like “Amazing Grace”. I was very adamant about keeping the song tranquil and calm, I didn’t want it to become too dark or too emotional. I used my breath consciously and expressed my lines with a singing voice that’s very close to my speaking voice.

-- This song is mostly low to midrange. The first and second verse are warm and comforting, the chorus on the other hand is very emotional.

The chorus is definitely more powerful than it was in the original version during pre-production. For the pre-production I was using falsetto during the chorus. But once I had decided to speak most of the lyrics, I thought it would be best not to include falsetto. This kind of song is really difficult because every aspect of yourself is laid bare, that was quite the challenge.

-- When confronted with this type of slow song and small ensemble isn’t it necessary for you as a vocalist to provide the rhythm with your singing?

Yes, the most important aspect of my singing was how to create the rhythm. During one recording we used the clicking sound of a metronome to double the tempo. Then, once I had gotten used to the song, I was able to sing without the help of the metronome.

-- In the lyrics you are touching upon the subject of weak hearts, weaknesses we all have in common. You are singing about times when you are not able to reveal your trembling heart. Is this possibly about looking back at one’s own own trajectory, about overcoming such times?

The “You” in the lyrics can be yourself or a specific someone. The song is actually less about overcoming hesitation, fear or weakness and more about learning to live with these things.

-- I see. In the final chorus you are singing “愛してた事 | the fact that I loved you” in past tense, what is the meaning behind that?

I thought about that a lot. We are reborn every day, you loved yourself back then just as much as you love yourself right now. Among all the versions of yourself, there ought to be one that is weak - yet that version of you still deserves love.

08. Kimi Dake no Stage Lyrics: Wakana; Composition / Arrangement: Satoshi Takebe

-- Finally 「Kimi Dake no Stage」 is available on CD, we have only heard it live before!

I have been singing this song live ever since October 2018. The song and lyrics were produced around September of that year. Amazing musicians participated in the recording of this song. In particular, I wanna mention the drummer Kasuke-san (Noriyasu Kawamura), just like me he is a person full of longings. The feeling of being wrapped up by the music is wonderful. I had been singing the song for a long time already so when the band recorded it I felt comfortable going into the vocal booth and singing at the same time. It felt like we were performing live. I had to sing the song all by myself a second time that day but the feeling of being accompanied still remained inside of me.

-- You are using a clear singing voice here.

I had a clear image of the song and while performing live, I experienced so many great things. That’s the reason why I aimed for a clear singing style, I simply wanted to match the clearness of the song.

-- When I read through the lyrics, I felt really drawn into the song from the very first line, “列をはみ出して泳ぐ魚が見えたよ | I saw fish swimming out of line”. It’s very Wakana-like since you love aquariums so much, the message within that phrase is also incredibly strong.

That first part of the song is depicting someone standing in front of a water tank. Imagine a group of sardines swimming in the tank and all of a sudden one of the fish is breaking away and swimming in the other direction. The little fish that chooses a different path stands out. Watching the fish you start wondering what it might see, what it might experience. And now have a human child take the place of this fish. Everyone in the group is at school while a single child is deciding to skip class.

-- It’s not always a clear line, sometimes life is about breaking away even if there is no clear intention behind the action.

It’s not so much about breaking away from everything, rather it’s about taking on challenges so you can try things you want to do. I had that kind of experience when I was a young student, it took a lot of courage, many times I felt very uneasy and frightened but it was also very refreshing. Even now that I have grown up and I am an adult I can still say with certainty that I do not regret my thoughts and decisions from back then. Therefore I think if you want to do something you SHOULD do it, be straightforward and honest with yourself. That doesn’t only apply to teenagers ... You should also live by that philosophy in your 20s and 30s. Even when you are getting older you might feel the urge to break free and do something new. 10 years from now I will surely be in a completely different position having to deal with all kinds of worries. We are all the heroes of our own stories, of our own lives so we need to take responsibility. However, I also included parts about falling in line in the lyrics. For things to go smoothly we can’t just break away all the time, it’s also about cooperating with others in school, at work or in other situations of life.

-- That's why you are also singing about how everyone - strangers and acquaintances alike - is always breaking into a run to do something.

That's right. The second half of the song is about remembering the place where I grew up. I was raised in Fukuoka but back then all I wanted to do was move to Tokyo. Now I love Fukuoka. I guess you don’t realise what you have got until it’s gone. I feel the same way about my family. Back then I was impatient and itching to do something, that's why I want to tell my past self, “it’s okay, I understand if you want to leave.” Even now, all I want is my passion to bring light to my life, I made it this far thanks to my family and my friend, I am here because of them. That’s how I came up with the line “初めて誰かを守りたいと思ったとき自分を愛してくれる人のため今があるんだ | the moment you first want to protect someone you realise that you exist for the sake of those who love you”.

09. Orange Lyrics: Wakana; Composition: Ryota Iwakoshi; Arrangement: Kazunori Fujimoto

-- 「Orange」 was included in your EP 「Aki no Sakura」, it’s now part of your album.

Someone from the A&R division of my record label really loved this song so they suggested I should include it. *laughs* I am also very much in love with the song so their words motivated me to add the song to the tracklist.

-- The positioning of the song in your album is very refreshing. For example, 「Kimi Dake no Stage」 is all about the warm embrace you feel in the place you were born in. That transitions nicely to a sense of nostalgia which is conveyed in 「Orange」.

The tracklist order can strongly influence your perception of a song. When I was a student, I was itching to do something new and came to the city. Now I am living my life here and watching orange sunrises while thinking about [blank]. This “…” part consists of all kinds of crazy feelings, feelings from my past, my present...being able to listen to 「Orange」 on this album makes things more real and brings back all these memories and feelings much more clearly.

-- The lyrics of 「Orange」 and 「Kimi Dake no Stage」 are also somehow connected. The “あなたの笑顔に逢いたいから | I want to meet your smile” sung in 「Orange」 seems to be tied together with the “笑顔を届けられたら | I would like to bring a smile to your face” in 「Kimi Dake no Stage」. The driving force of your singing is conveyed very well.

Yes. If possible I would much rather see smiling faces instead of sad ones!

10. Happy Hello Day Lyrics: Wakana; Composition: Akihiro Kasuga; Arrangement: Shu Kanematsu

-- This song starts with overflowing feelings of gratitude and happiness.

We are celebrating the day of our birth with a “Happy Birthday” song so I thought, “why not write a song that celebrates the day we met?” While listening to the melody I could see myself singing this kind of song in front of my audience. “Thank you, I am glad we were able to meet today”, it’s these feelings I wanted to put into words to make lyrics out of them. The sound of the string quartet is beautiful, and Kanematsu-san piano playing is incredibly smooth. His playing during the recording was super cool, he went wild *laughs*

-- The song picks up momentum during the final chorus with the included clapping, that’s quite quite the grand scale.

That’s Kanematsu-san and my own clapping you hear, all the staff members and my manager also joined in on the clapping *laughs*

-- I think this song will have an even greater scale once you perform it live and the clapping of everyone in the audience will be overlapping. In that sense I believe your feelings will come across well during the chorus when you are singing about “you” and “us” in lines such as “君と逢えた | kimi to aeta” or “手を繋ぐよ | te wo tsunagu yo”.

When I am singing at a live venue in front of a large number of people, it feels like you and me - all of us - are talking together. Of course we each have our own regular lives with our own problems but in that moment all we are doing is enjoy music together That’s why in one chorus I chose “手を繋ぐよ | we are holding hands” and in the final chorus I wrote “手を繋ごう | let’s hold hands”. Thank you for coming to meet me, let’s hold hands! Surely we will be able to meet again in the future and then our hands will be joined once more.

-- Is it that feeling that makes you sing the final chorus with such a more powerful voice?

Yes, it’s crazy how much heart and strength I put into that part. When I sang the line “今生きている | ima ikite iru“ the “ikite” ended up sounding savage *laughs*.

11. magic moment Lyrics: Wakana; Composition: SIRA; Arrangement: Shu Kanematsu

-- The title song is the final track on your album

I asked SIRA to compose a song related to the theme “magic hour,” when I got the song, its temporary title was actually “magic hour”. After I wrote the lyrics for the song, I decided on the current title and simultaneously made it the album title since I felt it best symbolised the essence of the album.

-- The 6/8 time signature of the song makes it sound very grand and magnificent, its evocative nature seems to lead right into the future. I feel like 「magic moment」 being the last track provides a fitting conclusion to the whole album.

I think so too. The song makes you feel like your journey will continue, there’s a sense of embarking on a new journey. In a way it’s closely connected to the first song of the album 「breathing」, it’s nice to have this little call-back.

-- The words you use in 「magic moment」 and 「breathing」 are also connected. The line “高鳴る音さえ | even the throbbing sound” in 「magic moment」 seems to be tied to the “高鳴る胸 | throbbing heart beat” and “鼓動 | pulsation” in 「breathing」.

That's right! Everyone is always saying how they need to take responsibility and that they are gonna be an adult from now on but when are you really an adult? Can you not be an adult and still live your life enjoying yourself? Shouldn't we be allowed to dream? I wrote the lyrics with these feelings in mind *laughs*. It’s like reading a fantasy novel that invites you to explore a foreign world. The rhythm changes during the chorus which gives the song a very mysterious vibe. That's why I thought it would be nice to use frivolous and floating phrases instead of real words

-- Frivolous and floating, what do you mean by that?

A sense of recklessness maybe, not knowing what’s ahead of you but still wanting to continue forward *laughs*, I guess a responsible adult would call it, “to lose your footing and float away”...the lyrical subject of this song just wants to dream.

-- For me both the melody as well as the lyrics convey a strong sense of “human life”. There is a line that says "最後の場所は決めたよ | I know where I will die" and later in the song you mention “何処か遠く | somewhere far away”. This person might not have decided on the road they will be taking but they already have their sights fixed on a specific goal?

The hero of this song doesn’t need guidance or a map. He or she has already found a perfect place for their final sleep. And that place is actually not too far away. However, until that very last moment of your life you want to travel far. One should be living with the goal of wanting to experience one miraculous moment after the other. Life is not about trying to reach that final place, it’s about living your life to the fullest until you reach that place. That’s what this song is about.

#kalafina #wakana #magic moment #self liner notes #my translations

27 notes · View notes

thebibliomancer · 4 years

Text

Dark Crystal Age of Resistance ep 10 liveblog

“A Single Piece Was Lost”

I don’t have a ramble about the title this time. I’m pretty excited to see how this all wraps up though. Or slightly wraps up while leaving things open. Whatever.

Just a stream of thoughts.

Hi Deet!

Hi Rian!

I quite like this low energy opening showing them waiting for the battle in the morning-

NOPE SOMETHING JUST EXPLODED

Deet, what did you explode?

Rian: “Deet… have you been making bombs?”

Deet: “Well, smoke bombs, so yes?”

Just when I thought Deet couldn’t be better.

Rian reflecting that they’ll need a lot of smoke bombs, probably to run away, if no other Gelfling show up.

Rian: “I was just thinking, I never got to properly see the Caves of Grottan. We should go back together when this is all over.”

Awww.

Oh shit Deet’s arms are secretly glowing with evil energies. I have a bad feeling about things.

Emperor: “Do you sleep?”

General: “??? Yes, sire”

Emperor: “Do you dream?”

General: “No my Emperor”

Emperor: “Neither did I, until I began my experiments with the Darkening. Now my nights are riddled with nightmares.”

And now he’s asking the General if he remembers how things were before they were sundered. The Emperor is philosophical today.

Then he gathers a bunch of Darkening.

The Gruenaks run into the Chamberlain and they want to be freed and Chamberlain is like not yet my dudes, things are going great for me and thats what matters.

Ice cold, SkekSil

Aww the Scientist build some new armor and he wants to join the other Skeksis and prove that he’s a rough and tumble strong boy like the rest but the General and the Emperor just laugh at him and tell him to stay behind and do the nerd stuff.

Poor guy. Poor evil guy.

The other Skeksis have no respect for him but he’s the only one still doing what the UrSkeks were about.

OH HEY ITS BREA hi Brea. Last episode, everyone gathering up again.

Maudra Fara: ‘Hey Rian we cool? Sorry I called you a traitor’

Oh no, Brea and Seladon have to tell Rian and Deet that Aughra died.

Yeah, the Dual Glaive is pretty cool. Appearance wise.

Rian: -stares wonderously at Dual Glaive for a while-

Ok no disrespect but you’re bringing the Ornamentalist to war and think the Scientist is too big a nerd??

Chamberlain: -waving sword around- “WARRRRRRRRRRRR”

Most of the Skeksis preparing for war sequence seems to be them psyching themselves up by screaming war at each other.

The Gelfling preparation sequence has them like training and getting outfitted.

Just saying, one group is taking this more seriously.

Scientist: “I am incontrovertibly the most abused creature in all of Thra”

Gruenaks: =|

The irony is, of course, lost on SkekTek.

Scientist: -pokes frakensteined spiders corpse with random electricity- ‘Well thats not working’

-Proto-Garthim goosplodes all over the Scientist for like a minute straight-

Scientist: “There is only so much callous disrespect a Lord of the Crystal can endure! I have earned a bit of genuine frivolity!”

Turns out that he hid some extra essence in his animal cages so he can hit the goofy juice in times of stress.

The Gruenaks pick up the scalpel. Whoops. Wonder what they’re up to.

Over at the circle of the sun, the Archer is lingering between life and death because of the Aughra essence effect on the Hunter.

Apparently the Scientist’s idea of genuine frivolity is to sit on the Emperor’s throne and pretend to be the Emperor and have podlings play him music and bring him food and call himself Emperor.

Thats. Sure an idea.

OH HI SKEKMAL IS ALIVE AGAIN

And he tears himself free of the strings holding him up, probably confused at all of this, and asks where Rian is.

When Scientist tells him that Rian is at Stone-in-the-Wood and that the Skeksis went to quell the uprising, Hunter calls Scientist an useless coward.

Scientist: “The Emperor commanded me to stay behind. I wanted to fight! I’m not a coward!”

Poor evil guy. This is why he wanted to prove he was a rough boy. Now the Hunter is going to be looking down on him.

Archer bolts up and mummer shouts SKEKMAL and then collapses.

Heretic: “Well…”

Wanderer: “That was… exciting…”

Heretic: “Yes!”

I love these nerds.

So the Skeksis bring: giant swords, nothing else.

They’re not really prepared for anything other than lumbering towards something and killing lots of stuff.

If only the Gelfling had a strong archer class. Instead of being all melee.

Even Kira in the movie knew how to pack a sling.

Emperor sees the small amount of Gelflings that have shown up.

Emperor: “This… is the mighty rebellion I was promised?”

He actually sounds disappointed. Hes had to leave the castle for the first time in a long time and its for this.

Rian: ‘The rest are coming! Really!’

Also Rian: ‘Hey how about single combat?’

Chamberlain: ‘Hey uh Emperor this is beneath you? Let General do it’

General: ‘If my bff Chamberlian thinks its a good idea, I’m in.’

The General hits but also maneuvers like a freight train. But Rian really sucks. He’s just getting tossed around and almost having his puppet junk- Oh there he goes. He stabbed the General.

The Dual Glaive starts absorbing. The General’s…. Something?

General: “Be done with it! Kill me!”

Rian: “I’m no killer!”

HOW DO YOU THINK THIS IS GOING TO GO?

The Skeksis are literally trying to wipe out your entire race and you’re playing the high very high road??

Then the Emperor tells General to gtfo because he’s a failure and the other Skeksis mock mock him as he limps away because the Skeksis love to see each other fail.

Oh, this is some actual cool strategy.

The lady gelfling vault off the male gelfling’s backs and fly around dropping bombs to disorient while the swords gelflings jump in and start poking ankles.

Oh I guess the Skeksis did bring more than swords. They’ve got… boomerang launchers? On their backs? Boomerang catapults?

Its pretty unwieldy but Scroll-Keeper still manages to hit Maudra Fara when she shoves Seladon out of the way to protect the All-Maudra who she acknowledges now that shes not being a dingus.

And then sheee dies.

But on her own time because a fizzgig steals Scroll-Keeper’s sword and hides it in a hole.

I’m overall getting the impression that the Skeksis are dangerous because they’re big and strong but they’re not very good at this.

Greunaks cutting their own mouths open with the scalpel they found. Annnd Scientist finds them.

Greunak: “No! No slave!”

Scientist: “How dare you threaten me? I am SkekTek the Scientist! I am a master of llfe and death! I am a genius! I am a Lord of the Crystal! I… AM… SKEKSIS! -incoherent yelling-”

He grabs them so they shock him with the electrical wires which I think shorts out his eye.

And. Geez. Rebellion doesn’t work too well when you’re a third of the size.

He just picks up one of the Gruenaks and hucks him down the fire hole.

Oops and he just hacked the other one to death.

Put upon and bullied he may be but he’s as bad as the rest of the Skeksis really.

Scientist: -maniacal laughter-

I think he’s going to use the Gruenak corpse to help finish the Garthim.

So the battle is still… going.

ANd I can’t help but think that what would really help here is a shield wall or something.

Gourmet: -flailing and panicking as a Gelfling climbs on his back and punches him in the head or something-

Chamberlain has found where the General has crawled off to.

General: “Friend SkekSil, help me”

Chamberlain: “Mmmm no. -stabs- You…. took… my…. Seat!”

Wow, SkekSil can hold a grudge.

Oh and General crumbles as soon as he dies. So I guess SkekMal really wasn’t dead.

Speaking of SkekMal he just showed up and and captured Rian and broke the Dual Glaive. I say broke but this is why weapons that have to be assembled aren’t as reliable. They’re made to fall apart and fall apart they will. It’s possibly a metaphor.

Speaking of a metaphor, the Archer has regained consciousness and has gone for a walk.

Archer: “I had a dream that I was one that became two. The hunt must end.”

And the walk that he’s taking is off the circle of the sun which is a very tall place.

Hunter: “I have conquered death! I have become more powerful! More powerful than Thra itself! Nothing can stop the hunt!”

Archer: “Now we shall see what lies at the dream’s end” -jumps off circle of the sun-

Hunter: -crumbles to dust-

Archer hasn’t even hit bottom yet. He just knows that he’s gonna die so he starts turning into sparkles midfall.

OH HEY!

Aughra reformed from the Hunter!

Scroll-Keeper: “Oh no, not her again!”

Rian: “Aughra are you alright?”

Aughra: “Of course not, I just returned from the dead!”

Aughra tells the Skeksis that they better retreat to the castle or she’ll mess them up. Emperor is like I’ll call that bluff.

And then…. ARROWS! The gelfling learned archery!

OH HEY ALL THE CLANS! ALSO THE ARATHIM!

Emperor: I WILL NOT LOSE, NO MATTER THE COST! BEHOLD THE POWER OF THE DARKENING!”

And his staff burns with an awesome power and then everything starts exploding. Wow look at the gelfling popping into the air

DEET!

She’s absorbing all of the Darkening!

Skeksis: -laughing at whats happening-

Emperor: ‘ffffffffffffffffffffffffffffffff’

Deet: “Get away from my FRIENDS!”

And then she explodes into force lightning like Darth Deet

Mostly hitting the Collector

Collector: “That wasn’t so bad!” -explodes-

Skeksis: ‘RUN AWAY RUN AWAYYYY’

Chamberlain has to shake the Emperor out of his stupor to get him to run and for this earns Most Trusted Advisor role again.

All the gelflings are congratulating each other which I find funny because they didn’t do anything mostly except show up. But Rian and me are like hey wheres Deet.

Seladon throws herself at Aughra

Aughra: “Guess you want a hug? Alright.”

And Gurjin is like hey I’ll hug whoever. Free hugs.

And an Arathim takes him up on it.

Gurjin: “!!!!!!!!!!!!!!!!!!???? Well, why not”

More Gelflings want hugs

Aughra: “Give me some space. I may be newborn but I’m still old!”

THE CRYSTAL SHARD WAS HERE ALL ALONG? IN THE DUAL GLAIVE?? That was a double ‘was here all along’ pull! Wow!

Aughra: “Gelfling, the shard calls to you. You fought well. And tomorrow, tomorrow three suns rise on a new world. And nothing will ever be the same. We have made new enemies. And lost old friends. But the fallen are not truly gone. They have joined the song of Thra once more. Listen… and you will hear them on the wind. For the song has changed. It sounds like hope. But take care. Hope is fragile. Hope is delicate, like a crystal shard. Once lost… now found. And easily stolen.”

HEY UM DEET WHATS GOING ON WITH YOU

She just wandered off looking sithly sickly and making the plants die. Whats happening to good ol Deet??

Aughra: “This victory does not belong to a single gelfling or a single clan! It belongs to all of us! All of Thra, united! This day, the many become one!”

Brea: -holds up crystal shard to transition into the movie theme-

Scientist: ‘HEY WHATS UP JUST CREATING THE GARTHIM AND SIGNALING THE DOOM OF THE AGE OF RESISTANCE IS WHATS UP I’LL SHOW THEM FOR CALLING ME A NERD’

Other Skeksis limp back to crystal chamber.

Chamberlain: “Well look on the bright side, we still live!”

Other Skeksis: -whine sob-

Scroll-Keeper: “Poor Collector! SkekLach never harmed anyone who did not deserve it!”

Hell of a qualifier.

Chamberlain spins the General’s last moments to make himself seem like a cool guy.

Oh. So Garthim is Gruenak plus Arathim.

And so the first Garthim is born. Which will ultimately net SkekTek no respect judging by the Garthim-Master, the guy who made his reputation on SkekTek’s creations, treats him in the movie.

Poor, poor Scientist.

So that was Age of Resistance season 1. I quite enjoyed it overall. I have some overall thoughts and quibbles that I might do another post for. But overall I quite enjoyed it.

My primary thought is “rude to not have a second season announced yet.”

#dark crystal #dark crystal age of resistance #episode 10 #liveblog #welp thats the end #for now

4 notes · View notes

doomedandstoned · 4 years

Text

THIS IS SOUND OF ORIGIN

~By Shawn Gibson~

When last we encountered SOUND OF ORIGIN, the smoked-up and tuned-down quartet from Huddersfield were featured in the landmark compilation, 'Doomed & Stoned in England' (2019), where we dipped our feet "Into The Vile." Since then, Sound of Origin have gifted us with an entire album's worth of material and we've had a blast immersing ourselves in their groovy soundscape of swirling riffs, vicious beats, gritty singing, and some terrific vocal harmonies. Our resident sludgehead Shawn Gibsonheavy set out to get to know these guys better, speaking to drummer Chris 'Foz' Foster following their latest APF Records release, 'The All Seeing Eye' (2020). [Billy Goate]

Chris, how the hell are you? Thank you for your time!

Hey, Shawn. All good and absolutely no bother at all, thank you for reaching out and doing the interview. It’s very much appreciated.

Who are the members of Sound Of Origin and what do they do in the band?

There are four of us in the band. Joel (Bulsara) who is our vocalist/ frontman. Joe (Wilczynski) on guitar/backing vocals. Jax (Townend) on bass and myself, Chris (Foster) on drums.

Where is Sound Of Origin from?

We are based out of and rehearse in Huddersfield, UK. I live in a place called Sowerby just outside of Halifax and Joel lives in Leeds, so we both travel across to join up with the other two guys.

What bands do you love from your area?

Wow. That’s a tough one as there are so many. The UK Underground scene is awash with fantastic bands, and many come from around our local area. If we are talking around our immediate area, then there are the likes of Ironrat, Gandalf the Green, and our bros in Son of Boar that immediately spring to mind. But if you look within an hour's drive from where we are, you have the likes of Barbarian Hermit, Spaztik Munkey, Archelon, Boss Keloid, Ten Foot Wizard, Blind Monarch, Hundred Year Old Man, and so many more. All killer bands doing different kinds of heavy.

This is the reply to all who wrote us off: Not Dead Yet.

What venues or bars do you go to see heavy music?

There are a good number within a short travelling distance to us. The Parish in Huddersfield is our local venue. However, our good friends in Iron Boar bookings put killer lineups on in Bradford at venues such as The Underground and Al’s Juke bar. Manchester-wise, Chunk from Stonebaked promotions usually uses The Bread Shed and there is also The Alma in Bolton that puts on some cracking gigs, too.

Which bands got you turned on to doom, psych, and stoner?

From a very young age it’s got to be Black Sabbath, for sure. I can still remember how I felt when I heard them for the very first time as a five-year old, It’s stayed with me all my life. But bands like Type O Negative, Acrimony, Cathedral, Candlemass, Trouble, Weedeater, Paradise Lost, Eyehategod, Reverend Bizarre, Saint Vitus, Monster Magnet, Electric Wizard, My Dying Bride & Anathema have all hit the spot at some point over the years.

The All Seeing Eye by Sound of Origin

Who did the artwork for your new album 'The All Seeing Eye' (2020)?

A friend of Joel’s called Sam McDougall. Such a talented guy and really easy to work with. Our mates over in 4Q Media delivered the overall design for the CD package and it has worked out really well.

I love the slow part of "Warfarin" at about 5:35 minutes in. Slow and on the moon! There's even a part that incites moshing!

The end of "Warfarin" finishes off low & slow for sure. (laughs) We wanted to ensure the first song from our original EP ended with a big riff. As for the faster part, all of us in the band like some faster bands (Joe used to play in a thrash band many moons ago) and we felt like it was a natural fit in the song when we were first putting it together.

Seeds of the Past by Sound of Origin

On your first album, "Seeds Of The Past," "Warfarin," and "Asphalt" are my favorites. Tell me a little about these songs.

"Asphalt" is my personal favourite from the first EP. The way it keeps coming back around, but builds and builds each time and John’s vocal delivery (old singer) did it real justice. It was always great to play both in the studio (volume turned up to 11) and live as we used to get a great reaction from the crowd on that one. The end riff on "Warfarin," where we slowed things down, always was fun to do as we rehearsed it in the studio 'till we got it down to a virtual crawl.

My favorite off your new album, 'The All Seeing Eye' (2020), is "Not Dead Yet." That is how you start an album, goddamnit! Face melted!

It’s a big sound, for sure, when it kicks in. When our old singer left the band, we went through some pretty dark times, and we were written off by many people -- some going as far as to say we were dead as a band and we should just knock it on the head. Enter new vocalist Joel and everything changed for the better. The fact is, as a band, we have never been more alive and well. This is the reply to all who wrote us off. Not dead yet.

At times, it’s been like a budget version of Spinal Tap.

What are some things that inspired your album 'Seeds Of The Past' (2017)?

Joe had been trying to get a solid stoner-doom band together for about 10 years or so. It took a very long time to get a workable, regular platform to flourish, as life generally got in the way of establishing a fully integrated band. Seeds Of The Past is a reflection of some of the music Joe wrote years prior. That said, the title track "Seeds" we came up with in the studio jamming and it just took off from there.

What are some things that inspired the music on 'The All Seeing Eye' (2020)?

The main contributing factors that inspired the music on The All Seeing Eye were more circumstantial than anything. We hunkered down in the studio and started writing material for a new album whilst we were in the process of finding a new front man. With this in mind, we set out on patching the initial framework of songs together and took things from there. It wasn’t until the addition of Joel that we really started to get to grips with the music and what we could achieve with the overall sound on the album.

What has been an awkward moment as a band?

Ha, where should I start? At times, it’s been like a budget version of Spinal Tap. Band-wise, I would say the most awkward time for us all would be the gap between singers. Having an idea of what you want to do moving forward and not being able to do it became frustrating at times. When Joel arrived, it was like a huge breath of fresh air swept through us all. Things came together really quickly and the growing pains we had when we first started out have all but disappeared now.

On 'Seeds Of The Past' (2017) there is a song "Left For Dead." 'The All Seeing Eye' (2020) has a song "Not Dead Yet." Your sophomore album is alive and kicking!

Absolutely. There was a completely fresh take and approach on this album. The arrival of Joel in the band led to a clean sweep of what we had done before. The lads (Joe & Jax) invested completely in new amps and cabs and guitars, and a change of approach came with dropping our tuning further. Whilst a number of the songs from the album had already been written, because of Joel’s vocal range we had another look at them between the four of us and reworked a few things here and there. The four of us now are in a much better place than at any time previously with the band.

"Dim Carcosa" and "Morning Bird" are rippers off 'The All Seeing Eye' (2020)! Talk to me about what's behind these songs.

"Dim Carcosa" references Robert W. Chambers and his fantastic work in The King in Yellow. Dim Carcosa is where horror truly resides and it delves into madness in various forms. This song describes the practical inevitability of mental health issues in today’s society.

"Morning Bird" came about when Jax started playing a bassline in the studio and sparked a song out of the group. Following the general themes of perseverance and will power, this song discusses the ups and downs of self-worth and the way the political landscape recently has given a lot of people the excuse to judge, be racist, and to discriminate on all fronts. As human beings, we are very tribal and like to separate. We don’t realise that we are, in fact, one tribe.

What makes Sounds of Origin laugh?

Each other. There is a two-decade age gap in the band and we are four very different people, but when we get together the laughs are constant. There is a real feel-good vibe in the band now more than ever, which has led to an intense period of songwriting and ideas. Even through this period of uncertainty with the COVID situation. Everyone is contributing now and the songs and ideas are coming together for the next album already.

Chris, it's been a pleasure! Thank you again for your time talking about your new album 'The All Seeing Eye' (2020)! I hope you and your mates in Sound Of Origin are well.

No problems at all. Again thank you guys for the support. Big shout out to APF Records for signing us and giving us a platform to push our music on. Best wishes to you all and we hope you stay safe and well in these strange times.

Follow The Band

Get Their Music

#D&S Interviews #Sound Of Origin #Huddersfield #United Kingdom #doom #metal #doom metal #APF Records #music video #Shawn Gibson #Doomed & Stoned

1 note · View note

millennium-puzzle · 4 years

Text

FUCK YEAH WE ARE GETTING THE DARKNESSSHIPPING EPISODES, i already saw them in italian so i think i won't have to much shit to say but if watching them in the dub was such a ride i can't wait the original

No matter what crimes did Malik is still adorable and that's why he deserves instant redemption

Everytime the Ring and the Rod are used they gets some fucking new OP bullshit plot-convenient AND plot-breaking power that is never going to be used ever again

Takahashi, refusing to give his fantasy lore some fucking consistency since '96

Shout out to that animator that makes Mai extra thicc

FINALLY

Holy shit i thought the "say what you want before the darkness fills your mouth" would have come later??

It's pre-battle instead.......

Bakura stop flirting it won't save you from ass-wopping

Bakura's aggressively smile when he is about to get annihilated by Slifer, i don't know if it's cute or creepy

Also YM recognizing YB was asleep since that duel is oddly funny to me

Like, it's true, Bakura spent a good chunk of BC sleeping, let him rest

Still thinking Ishizu saw both her parents die before her own eyes

Bakura mocking Malik for killing his own dad maybe seems a dick move at first but it really makes sense after you discover that Bakura never had a father his is past life due him being an child orphan and not only that; Bakura also specifically mocked Atem by dragging his dad's corpse

Bakura simply doesn't give half-shit about fatherhood and only see it as a way to rub the salt in the wound

And that's the 477447646352th reason on why YB and YM would have got along if it wasn't for the hostile setting

"Somehow i thought he (SHADI) was the resurrection of the Pharaoh's soul and that he killed my father"

BRO WHAT THE FUCK? WHY?????? YOU GOT THE WRONG MAN DUDE

But it kind makes his previous criminal actions more understable, he actually wanted to kill Shadi,,,,,, ok

IS THIS FUCKING REAL

DID YM REALLY SAID "MY PRECIOUS DOMINANT HALF" TO MALIK

TK, promoting selfcest since YB's "it feels amazing inside you landlord ;)"

Keh! How amusing! Do your worst

Me @YM

BAKURA STOP BEING A DICK TO MALIK HE JUST WANTS HELP YOU

man Malik really deserves better, he is getting so much crap since YM showed up

We are back to Bakura's "what is def mode?" zone

Just like YM i, too, wish i could use my spell cards whenever i want

INCLUDING MY ADVERSARY'S TURN BC HE SOMEHOW CAN

Yugi and Atem being literal soulmates in Yuge Hotel is still funny to me btw

YM after explaining the "eaten by darkness" thing: Let's do this, Bakura!

YB after listening the "eaten by darkness" thing: Let's do this, Malik!

Even the repetitive dialogue confirms they are meant to be

"Don't be afraid of God, Bakura!"

"Shut up!"

WHY SO RUDE MALIK JUST WANTS TO SUPPORT YOU

Yami "evil genious that sleept way too much in this arc" Bakura: i'm going to do a pro gamer move that no one will ever expect, i will snatch Ra from his hand >:)))))))))))

Meanwhile Mai chilling on beach and making sand castles with her fri-

Yugi is way more interested in finding YY's memories than YY (can't blame him tho, if a ghost lived in my head i too would like to know who the hell he is)

Yugi: maybe your memories are actually hidden in this maze? Are we sure this room really is your in the first place?

Atem: ,,,,,,,,,,,,,,,,,speaking of duels i can't lose, i will win Battle City aibou :) and open the door myself pls don't kick me out landlord

ALSO I'm disappointed that their handshake here isn't as cute as in the ita dub (surprisling)

Here is just

Yugi: i'll fight for you!

Atem: great

Wow such enthusiasm for those lost memories

Why the hell Bakura used Multible Destruction and lost that many life points if he had Dark Designator all along???????

Is this "Bakura is dumb for no reason" time??

Bakura's strategy is already just "i waste all my LP until i win", don't worse it make it worse

The next ep's titled ONE TURN KILL, chkcgkhchc badass title i guess

#al watches ygo dm #my post

1 note · View note

immimidi · 4 years

Text

GFOTY - Ham Chunks and Wine

Girl Friend Of The Year (GFOTY) has released one of (if not) my favourite EP of 2020 so far.

Ham Chunks and Wine is such a creative collection of music; giving elements of experimental, dance, europop and pop.

The title of the album is the perfect amount of weird and intriguing. conjouringing images of experimental/weirdo music with the mention of Ham Chunk and images of classy pop music, with the addition of Wine, perfectly summing up album.

Most importantly this EP is the most fun I have had with an EP for a while and GFOTY comes across as someone who knows how to have fun with her music.

Track one: Wide - Wide is the most ‘PC Music’ style of song on the EP, the use of heavy pulsing bass synths and re-pitched/pitch shifted vocals are very reminiscent of most of PC music’s big hitters. The chilled out middle section breaks up the song perfectly allowing for a change in the energy when compared very tense chorus sections and the utterly chaotic final section, which to my ears is one of the most beautiful pieces of chaotic arrangement I have ever heard, In fact it made me shout “FUCK HECK YES!!!!” and pull that face everyone pulls when the beat drops.

The voice production in wide starts the EP off as it means to go on pulling the attention of the ears by providing the melody section due to the very heavy processing and re-pitching of the vocals. It sounds stellar giving it a nice futuristic vibe that tbh until this EP only SOPHIE had been able to create to such a standard consistently. This heavy vocal processing and the use of SFX and ASMRy...ASMR-esque sounds combine to make such a perfect vibe and production aesthetic for the track. While we are talking about the voice I do need to say that the lyrics of this song are inconsequential apart from the titular word, they to me don’t provide any extra context to the track, they are their purley to support the voice and provide more for the voice to do....They are perfect in this role. ‘Wide’ is the perfect word to be used for this song as despite all the sound and processing the mix has soooooo much room in it and the movement and panning create a suitably wide mix.

That 3rd section I cannot do justice by words. LISTEN TO IT. It is phenomenal and chaotic and I LOVE IT. It gets my Mwah chef’s kiss moment for this track.

4.75/5 /A+/ Big YES

Track Two: Magician’s Wand - What to say about Magician’s Wand, other than I wish it lasted longer.

That lazer gun bass synth that ‘BWAHHS’ its way across the low end of the mix being paired with equally lazery high synths and that ever present robot voice production that GFOTY is so good at - Keeping that amazing futuristic vibe that ‘Wide’ had but building on it by adding more layers and filling the mix out slightly. The chaos of the harmonic elements is a great for keeping the interest of the ear while very simple beat in both the intro section and the second sections seals the chaotic experimental sounds in a pop music shell, keeping the music palatable for non-experimental music listeners, something that GFOTY had difficulty with in the song USA -Which I adore but my friends found hard to listen to.

The vocal production is very similar to ‘Wide’ which is nice to see a consistent aesthetic throughout the first two tracks giving us expectations to be subverted in future tracks. A big plus to this tracks vocals is the lyrical content as it provides nice little sound bites that are kinda suggestive adding a bit of human in the robot aesthetic of the voice.

Mwah moment - the ‘BWAHH’ synth that truly sets the mood for the rest of the much too short track.

4/5 /A/ Big YES

Track Three: Rid Of All (Feat Count Baldor) - This track’s intro is the perfect change of pace from the last two tracks, subverting the expectations of another experimental PC Music style synth fest, by opening up with a clean held pad synth and a less processed vocal alongside it.

Describing the pad synth used in my notes I simply wrote ‘lovely pad’ but that doesn’t do enough justice to how soft and clean this pad is, if a pillow was a pad this pad would still be softer it is so cool to hear after the chaos and the ‘BWAHHs’ of the previous two tracks.

The break section with the whispers is so beautifully haunting and it serves as the perfect jumping off point for this song to take in any direction and GFOTY/Count Baldor jump off perfectly and unexpectedly into a 00s/eurodance style beat with perfectly cheesy bass synths (LGBT+ club music/my kind of music).

The voice in this new section is also unexpected and shouldn’t fit into this style of music but does perfectly. It shouldn’t fit in because its a metal guitar - I can’t figure out if its a talkbox or the single most processed voice ever recorded or if it’s a guitar and a voice with the same fx being cut between by Baldor and their amazing DJ skills, or if it’s all three, but tbh I don’t care it’s incredible and sounds so good in context with the rest of the track.

The eurodance section dies down and returns to that clean synth/vocal section, which reminds me of Imogen Heap and Bjork, in this section we can get a breather from the utter glory and madness that was the previous section and we get to hear the lyrical content and the lyrics are phenomenal in this section they are perfect for the eurodance/electro pop vibe the track presents and are most importantly FUN, something that in my opinion some pop music has been shying away from by trying to sound profound. I love the use of harp and SFX in this section further reminding me of Bjork and also giving the section a faux dream quality before adding the heavy bass synths in getting ready to drop us back into eurodance madness.

The Eurodance sections do not fail to put a smile on my face and I love every second of them, I am happy that GFOTY/Count Baldor chose to break them up with some slower ethereal sections because it makes their inherent cheesiness even more happy.

Mwah moment - EURODANCE GUITAR VOICE MADNESS (the only way i can describe it)

5/5 /A+/ BIGGEST YES

Track Four: By My Side - This track slaps, simple as. It’s another track that made me shout ‘FUCK HECK YES!!!’ it is another track that knows how to have fun and puts a smile on my face.

The track opens with a simplistic and effective pop-house piano melody with pop voice production. Yet again GFOTY’s voice production is stellar the change from the robotic re-pitching to very subtle FX usage in this track works and it creates this nice pop music moment and proves our girl doesn;t need to sound like a sexy robot to sound incredible - though if you know any of her other work you already knew this.

The background synths in this section give a nice dance music vibe off especially those saw melodies and that when that liquid bass comes in and white noise generators hit I am transported to Ibiza, loving every second of the song...and then It happens, that sampled melody is used and I LOSE MY FUCKING BLOODY MIND. GFOTY may have used sampled melody better than anyone ever, GFOTY samples ‘I’m Blue (Da Ba Dee Da Ba Die)’ and it is glorious I don’t think I could ever put into words just how amazingly good the use of sampling is, how perfect the sample is and how happy and excited it made me (Mwah moment for sure). A counter synth is used and it is very true to the vibe of Ibiza dance but it just seems like it could do more that flick between chords - though a new counterpoint is used in the next sample section, YES IT HAPPENS AGAIN.

But before it happens again we are given space to breathe with a house section using the first counterpoint synth as a counterpoint chord synth with the classic house piano to take us from modern Ibiza to 1989 and then the trance-esque melody synth used in the background flings us straight into the 90s and the birth of trance music - kinda reminds me of ‘9 PM Till I Come’. This section is the perfect length of breather and is a credit (as is the rest of the album tbf) to just how good GFOTY is at arrangement of synth based music. I love her voice in this little breather section she sounds so good with this minimal (compared to the previous tracks) production and the fact she is singing in a lower register as well, I really love her voice here.

After a short build section we are given the treat of that sample again. The use of voice synth in the build section is very nice and a great callback to the previous tracks. But the only thing that matters is that sample and it hits just as hard if not harder the second time, as it has all of the synths surrounding it.

This track is a love letter to 90s-00s dance music and honestly I love every second of it.

Mwah Moment - THAT SAMPLED MELODY

6/5 /A++/ BIGGER THAN THE BIGGEST YES

Track Five: Here With Me - The perfect ending to a perfect EP, so perfectly subverts expectations the previous tracks have set-up and showcases GFOTY’s pop writing prowess, her prowess as a performer and that she isn’t all silliness.

The track opens on a gorgeous, musical theatre esque piano line. The piano has such a beautifully natural timbre which is expertly countered with a processed (I think re-pitched) vocal and it is phenomenal. Despite this heavy processing GFOTY is able to give a ridiculously emotional performance with the voice cracks and vocal fries being present making this robot character that the processing has created since the beginning of the EP appear even more human and broken - it is powerful songwriting and production intertwining.

The overall aesthetic of this track is very musical theatre, when making my notes I even wrote ‘Almost Disney’ it is just a pure performance being backed up with some of the strongest production I have heard in experimental pop music for a while. The Lyrical content is so beautiful and emotional and says a lot about mental health and how relationships and dependance can affect a person.

GFOTY’s vocal performance is entrancing I have already gushed about how much I love her singing in a lower register. In this track it is no different her voice in the low register is beautiful and when she lifts into her high notes they hit more emotionally to my brain because i can hear her strain and it makes her performance that much more satisfying to listen to.

The extra instruments that add phrases to the track throughout give a little bit of variation to the instrumental arrangement ensuring that the voice/piano combination doesn’t grow stale. As the track buidls and adds more instruments they don’t stick around to clog the mix up. A lesser artist (Me) would have left them in and keep adding instruments to keep building leading to parts of the mix and arrangement feeling clogged up, GFOTY knows when to add and lose instruments to keep the mix open.

The Guitars are really pretty touches in what feels like the final build of the track only for the build to die completely and become that beautiful haunting marimba section, with the string swells adding to the emotion and the theatre of this section before the perfect outro of just voice and piano - I almost cried.

Mwah Moment - That voice, That performance

5/5 /A+/ BIGGEST YES

Final Thoughts

Honestly all electronic acts should be scared of just how good this is.This EP spans the emotional range being Tense and Bone Crushingly hard in track one, Imaginative and Cool in track two, Silly and Fun in tracks three and four, and emotional and beautiful in track five. A testament to GOTY’s talent and just how good electronic music can be. I was smiling throughout, such a good EP

Mwah Moment - The arrangement of each track on this EP is fantastic and perfect.

Overall - 5/5 /A+/ BIGGEST YES

#gfoty #Ham Chunks and Wine #music #electropop #pc music #pretty wavvy #review #music review #ep review #opinion #Best EP Of 2020

2 notes · View notes

wheremytwinwatches · 4 years

Text

[Where My Twin Watches]: Full Metal Alchemist Brotherhood Episode 39

Last time: The Blondes finally met back up with the Brunettes, Yoki was an idiot who tried to burgle the Leto-damned ARMSTRONGS, and Scar either kidnapped or “kidnapped” Winry. Onwards!

New Intro! We’ve got the two young brothers separated by wind, then the title drawn in sand before it’s white text with a glowing red TC and the brothers running in opposite directions. Are we going to have a Party Split? Nevermind, they just slowed down to the middle of the screen. Bright light, Ed should have brought a hat to this sunny bunch of rocks. Then he looks off all dramatic like as camera goes to Al trudging through a desert before he too does the Dramatic Protagonist Stare. Both brothers back to back against the Xerxes mural ok seriously betting on a Party Split here with all the opposite directions going on. Now the Elric Brothers are running at each other and yep just phased through to become Red (Ed) and Blue (Al). Looking around for each other? Whatever happens I guess Al is with May since he has Shao on his shoulder and her gripping his hand, Ed’s got Winry in unzippered gear on his side. Camera pans out to show Al with May, Scar, and Marcoh to the left, Al, Winry, and Granny Rockbell to the right. Then a bunch more people start popping up? Can’t tell who is on which team anymore. Short image of Al’s Body in the whitespace, becomes a Stone which shatters to show a smug-looking Pride. Now Ed’s running about striking shadow blades in a forest (Ed vs Pride fight?), Al’s in the rocky desert fighting more toothy Pride blades. Wrath in what looks like a basic longsleeve shirt and vest (no uniform?) fighting LING YES TURN AGAINST THE GOTHS MY GREEDY LITTLE PRINCE Envy’s in Titan form getting sliced up by YES BRING BACK BADASS NINJA BODYGUARDS. Now it’s Armstrong The Great looking serious, Sloth burst out from snow to be used as target practice by Sideburns and a bunch of tanks but Kimblee swoops in and blows the shells up. Beard’s walking along with his briefcase frowning towards Central in the distance. Ed and Al stand back to back in a TC in the desert (not as rocky as the one Ed was in, but not as sandy as the one Al was in), shot of the Door of Truth opening and shattering, ends on the Alchemist Watch covered by the title and silhouettes of the Elric Brothers. Back where we left off: It’s a cloudy and windy day in Baschool, where Scar is carrying Winry’s limp form and glaring down at Kimblee. The Ishvalan comments on how they’ve changed positions from the last time they met, the Alchemist says he shouldn’t be so confident. Episode 39 - “Daydream” Oh no Winry’s in trouble so Ed is grabbing Kimblee’s coat and yelling at him for letting his mechanic get captured, Kimblee tells him to move aside while pulling off his gloves (hey, he’s kinda Roy’s opposite in that regard), Ed blocks his arms so that he won’t hurt Winry by attacking Scar. The Ishvalan then shatters the building, creating a nice big dust cloud to walk away in. Kimblee’s about to chase after him but a mustached soldier says that it’s too dangerous to go close to the damaged building, they need to fall back. Oh, and there’s a snowstorm incoming so they have to find shelter! Man, it has just not been Kimblee’s day, has it? Ed, Sideburns, Al and some soldiers are walking along, Miles compliments Ed on his performance aha, called it! Ross Deception! Ed’s not happy about having to play along with the “stupid charade”, though. Flashback! Scar isn’t apologizing for the death of Winry’s parents. She has every right to pass judgement on him. Winry… walks away, reaches into a box, and pulls out some cloth. Oh, wow. It it wasn’t already clear, Winry is Best Girl. Bandaging an injury on her parent’s killer? Ed and Scar are equally shocked at her compassion and what. What is that face. I’m sorry, this is a sweet and touching moment and all, but Scar? What is going on with your face here?

That is quite possibly the best Does Not Compute face I’ve ever seen. Just, Scar has no idea how to process this. Winry’s saying that if her parents saved his life before, then there must have been a reason. But like Leto does this mean that she’s forgiven him for his murders. She’s not gonna cry though, she promised… wait, I thought it was Ed who promised that the next time she cried it would be tears of joy? Ah whatever. Ok, you’ve got Scar bound up. Angry boyfriend proclamations aside, time to make him decipher the book NO DON’T CALL HEADQUARTERS YOU IDIOTS. Aaaargh. Wait Scar’s asking Sideburns what he meant by “one of your people”, can’t understand how an Ishvalan could stomach being part of the Amestrian military. Sideburns responds that he’s working on the inside to change Amestrian views of Ishvalans, Scar is shocked at such an idea, and that it was an Amestrian that set Sideburns on the path. Scar can only look down. [Scar]: “Look at me. I am a festering wound of hatred born of the Ishvalan War. I am thankful that there is someone like you out there.” Aaargh but just as Scar is realizing that maybe wanton murder isn’t the way to go about things the call goes through, and Kimblee is on his way to “deal” with Scar. This drives Marcoh and May to reveal themselves. Finally! Oh, and now May can patch up Scar’s arm! Outside the Mustached Mook is noting the stormy clouds, Kimblee tells them to hurry up (gee, I wonder if he’ll get there in time?). Marcoh and May are yes thank you for Leto’s sake it took long enough they’re saying that they’ve got groundbreaking Alchemy/Alkahestry research but the only one who can read it is Scar. Sideburns notes that May is the Alkahestry girl they’ve been searching for as well, says that she needs to come back with them to Fort Briggs. Add in that Scar’s needed to read the notes and it’d be just as bad for Marcoh to be recaptured, looks like all three need to go back to the Fort. Ed’s just a mite unhappy with needing Scar’s help, Sideburns knocks him upside the head with the fact that the Goths are pulling some sort of giant TC shenanigans, they need all the info and help they can get right now. Ed stands down after the suggestion that with Scar’s help they can disgrace Kimblee and get Winry away from his clutches. One Ishvalan Oath later Scar’s judgement is postponed… and the Chimeras are waking up, uh oh. The kids balk at Sideburns�� orders to kill them, the Chimeras sadly agree with Sideburns, saying that they can never go back to their old lives. Al tries reasoning with them, appealing to their families but they’ve been told they’re dead. And it’s not like they can go back like this, we’d just be imitating the 2005 Fantastic Four, and nobody wants that.

But Al does get them to yell that “of course they want their old bodies back”, when they quite reasonably say that it can never happen Al does the helmet remove to show his Soul Armor state. [Al]: “Well I’m going back. No matter how long it takes. I’m not giving up.” Ooh, is Al getting some followers? Watch him form an army out of Chimeras tossed aside by the Goths, take them down with their own creations. Unfortunately the snowstorm’s coming in, meaning that they can’t reach the Fort until it passes. And Kimblee’s on his way, so they need a plan- [Yoki]: “This is a mining town, isn’t it? Why don’t we just go into the underground tunnels?” [Everyone]: *turns in surprise to the secret tactical genius in their midst* [Yoki]: “W-what’s wrong? I mean, this is a pretty large mine, right? So surely there’s a tunnel that can take us beyond the mountains, uh… I think?” [Everyone]: “That’s it!” [Yoki, Tactical Genius]: “H-hey, give me some credit; this is what I did for a living!” Ha! Way to finally pull your weight, you C-tier flashback antagonist! Confirming that the tunnels go past the mountains- wait. Wait wait wait. Isn’t the whole point of the mountains that they are between Amestris and Drachma? Ooh, do we finally get to see another country?! Please let my dream of missionary Drachma’s with Leto pamphlets be a reality! Sideburns gives Marcoh notes for any Briggs soldiers the meet after the tunnel (watch them run into Drachmans first and cause all sorts of problems: “These people have notes written in Amestrian! They must be spies from Fort Briggs!”). But what about Winry? If she just up and vanishes with them then Kimblee will suspect the Elrics of foul play! [Winry]: “Um, I hate to be the one to suggest this, but, uh… What do you think Kimblee would do if I was suddenly taken hostage by Scar?” Whoa, so kidnapped!Winry was Winry’s idea? Props to you, mechanic! Mid-ep pictures of Winry Rockbell and human Jerso/Toad and Zampano/Boar. Ed and Al are understandably uneasy with the plan, but Winry shouts them down about being able to at least choose her captor if she’s a hostage either way. Come on Protagonists, learn that you don’t have to or can do everything by yourselves! Scar again promises to protect Winry before Ed lets him loose, when the Chimeras as to be taken along as well. They’ve failed which means Kimblee’s going to kill them either way… [Boar]: “Besides, we don’t want to give up either.” Look at you go Alphonse, already with your two inhuman followers! Also, they’re just a little confused and upset about all this talk of this band of misfits trying to stop some catastrophe that threatens their families along with all of Amestris. Y’know, just a minor detail. Kimblee’s inbound, better hurry. Sideburns asks wait what they’re back to human? Uh ok, with all the talk about being monsters I was kinda assuming that their beast forms were permanent, not something that they could consciously deactivate. Kinda undercuts the whole “we want our human bodies back” if they can shapeshift back like this. The groups are splitting up (to my surprise it’s not the Elric Brothers who are going different ways, at least for now), a soldier remarks that Winry needs to remove her earrings ok what. Seriously, what? This just totally broke my immersion, you cannot tell me that now is the moment when having metal earrings in the frozen north would cause discomfort and haven’t been an issue yet, especially when she came up north specifically because her boyfriend’s metal arm was seizing up. But whatever, she gives them to Ed for safekeeping before promising to see him back at the Fort. Ed gazes up after her, clenching his fist and probably crushing those precious earrings that he was just trusted with. Nice going, kiddo. Explosion! Acting! Snowstorm! Those left in Baschool are sheltering in a building, alternately looking at girlfriend’s jewelry, wondering where their fellow Chimeras have gone, and arguing for planning the next leg of the search. Then Sideburns gets a call from the Fort? Ooooooooh, right. There was that whole “forces from Central showing up to look for Raven” thing going on last time. And our guys are walking right into that mess. Whoops. Down in the tunnel Marcoh’s going on and on about how the Rockbell Doctors were widely respected during the Ishvalan War, how they helped all without regard for themselves. Meanwhile Scar’s walking in the back having flashbacks to Winry’s “I don’t forgive your wanton murdering”, an Ishvalan Elder telling Scar that while he should never forgive the Military’s “wanton murder” that he must abide it-

-to break the chain of hatred, and his brother saying he studies Alchemy to replace hatred with understanding. And here is Scar, following the orders of an Ishvalan who willingly works in the Military to change it, representing the ideals of Scar’s brother and Elders. So what does that make him? Yoki’s having the group stop in an underground office, to pick up a more detailed map of the tunnels. Man, who’d have thought that freaking Yoki would be the most useful party member at this point. Or ever? Inspired by Al, Toad and Boar are pestering Marcoh about any clues in the journal (that he can’t read), they banter with each other about their families. Aw, they’re actually friends! Nice to show that even the Central forces have loved ones, hopefully for real this time after that infuriating Bradley & Selim fakeout. May? What’s wrong? Oh. Oh yeah. Her whole mission was to learn the secret of the Philosopher’s Stone, only to find out it’s based on suffering and the obtaining of immortality for one at the expense of so, so many others. And His Imperial Highness, aka her father, apparently would make one without a moment’s hesitation using any number of his people. So apparently he leans more towards Wrath’s philosophy of leadership than Ling’s. But if she doesn’t bring back the secret of immortality, her clan is in danger from all the others. Marcoh says that the notes might have the humane secret to immortality, they just need to hurry up get to the Fort so Scar can get a-translating. [Ed]: “What do you mean, ‘the Fort is no longer safe’?!” Welp. Just when we get Armstrong The Great as an ally, she’s been summoned back to Central and a Military Officer’s getting put in her place, along with a bunch of other Central forces. So now the Tunnel Team is walking into a hostile environment without knowing. They have to be warned, but how? Ed wants to go but he’ll freeze before he gets anywhere close… [Al]: “There is a way! Listen: send someone who doesn’t have a body. That storm won’t freeze me to death!” Uh, Al? Sure I guess you wouldn’t catch hypothermia, but you’re still a giant suit of steel armor. Remember how there was that whole “Ed’s arm freezing up” problem that was fixed by replacing his entire arm? You don’t have body heat like a living person, your limbs are just gonna ice up. Actually, how the Leto hasn’t that happened yet? Huh. I guess Souls act as armor heaters too, Al’s having more trouble just seeing where he’s walking in the blizzard than actually moving. He sees the path but the winds picks up and the screen whites out from the snow GAH ZOMBIE AL! Oh shit how did Al end up in the Whitespace? Uh, well you’ve found your body? Quick, grab it and let’s get wait no it was an illusion. What, you getting snow madness buddy? Oh. Oh shit. We’ve got a flashback to Barry musing that foreign bodies can’t hold souls for too long, Al’s freaking out about his body trapped in Whitespace, pulling on his soul as it’s rejected by his armor… he can’t think about that right now, he has to hurry. Without the map now, since he dropped it after that vision. Oh hell it’s this asshole. [Uncle]: “Alphonse Elric. Edward Elric. And also… there’s… Van Hohenheim. Izumi Curtis, she’s a possibility-” Aside from all the awfulness of listing off Potential Sacrifices, which is looking a lot more like ‘killing all of these people, not just one or the other’, did you just purposefully knock over Izumi’s piece? Rude, and I can’t wait to see her punch you. “That leaves one more.” New end credits! Rapid guitar music as we race through a 3D hallway/tunnel, outside looks like Ed’s standing in the ruins of the Elric house, Al’s somewhere else standing among some tall square rocks. Flashes of red-eyed Envy, Gluttony, Wrath, Pride, and Uncle (what, no Lust, Greed or Sloth?) A look at Riza’s scarred back with that strange symbol before she turns and I am very sorry for walking in while you were changing ma’am, I’ll be going now. Roy’s still in his eveningwear outfit probably trying to get someone to take all those flowers off his hands, Beard is oh Leto what is happening with your face, are you actually smiling. That looks so weird, stoppit. Oh hey it’s Mama Elric, so sad that we lost you before we could fully appreciate your snark. Ah there’s the scowling Beard that we know, go kick Uncle’s ass. We’ve got Ed jumping and Al and LING YES BRING HIM BACK and a lion and monkey oh my Leto is Al actually going to build a Chimera Army this is the best thing of all time yeah there’s Toad and Boar we are totally getting Rebel General Al. Also there’s Alchemist-Slayer Scar on their side now but who cares CHIMERA ARMY ok fine we also get May and oh Marcoh’s getting in on the action looks like he lost a few teeth wait Yoki no we need you as the secret tactical genius get off the front lines. Selim’s there looking all cute and innocent in his little schoolkid guise until his shadow gets teethy and attacks Ed. Winry’s power walking through a hallway (can’t see if she got her earrings back). Then a bunch of hands reaching up, one larger one grasping a smaller one (which ship will sail?!) before we’re back in the tunnel, shots of Ed and Al and Beard before a final map of the country-sized TC.

#wmtw #where my twin watches #full metal alchemist #full metal alchemist brotherhood #fmab #fmab 39

2 notes · View notes