#can't lose this

[dendrochronologies]

maya angelou saying the funniest thing anyone has ever said about editing, which i can never let myself forget EVER AGAIN [x]

[prouvaireafterdark]

listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.

Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.

writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.

so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.

she's the reason Claudia exists.

she's also the reason Claudia cannot be saved.

[chubbychiquita]

guys, i'm getting really fat 🫢

[montanabohemian]

if i see a single one of you pissed that your faves canceled an event or a con appearance because they're striking for fair wages then imma come for you in your sleep 🔪🔪🔪

(direct that fury where it belongs: AMPTP and the execs)

[hansoeii]

let time pass.

[mwagneto]

the companion will go oh god doctor who is that?? and the doctor will get all serious and somber and say listen. he's the most evil creature in the universe. he's the worst enemy i've ever faced. he's horrible and unpredictable and you can never ever let your guard down. and then the villain will walk into the room like this

[seatoss]

It's not diving underwater, but he still looks pretty good swimming and burrowing up like a mole.

[just-a-silent-sorcerer]

Was practicing poses but it turned into a desperate beg for certain demon cat to not kill him

[ofswordsandpens]

its funny because Percy has been spiraling ever since pjo and whenever he has a particularly bad episode you have other characters actively worried about it and you think to yourself surely they're going to intervene, surely someone is going to talk to him about it, and then like no one ever does lol

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[letsplaythermalnuclearwar]

"there are strangers in our halls, trying to win the heart of my Mom but she is standing tall" I'm insane about this line. Penelope is dealing with 108 men living in her house, all of whom are trying to marry her. they are not taking no for an answer. they are disrespecting her son. we see what they're attempts at 'winning her heart' look like Antinous when I catch you. and she is handling it. she is resisting they're advances. she remains dignified and proud. she is still the queen of Ithaca, no matter how these men treat her

and Telemachus sees it. and he loves her for it

[courtmartialme]

how foolish can one man be?

[autism-sprinkles]

I NEED to talk about ody and eury's conversation near the end of thunder bringer, like. dude they sound like Scared Children. those aren't men in war dude those are scared fucking kids. you can't tell me they didn't grow up together or Something.

"captain?," ",,i have to see her," ",but we'll die," ",,i know,"

YOU CANT TELL ME THEY DIDN'T SOUND LIKE SCARED KIDS :( THEY'RE SCARED AND THEY KNOW ONE OF THEM HAS TO LOSE THE OTHER QND THEY DONT WANT TO LOSE ANYONR ELSE.

AND THEY DIDN'T EVEN HUG OR ANYTHING??? THINK OF HOW MUCH SADDER ITD BE IF HE WENT ",,i know," AND JUST PULLED HIM INTO A HUG AND STARTED CRYING IM GONNA.

[ladystoneboobs]

so, one aspect of catelyn which i think is underrated (certainly the biggest adaptation loss which nobody talks about) is her, let's say superstitiousness, or better yet, let's call it genre-savviness, being one of the few adult characters open to magic and the supernatural in this fantasy world. we first meet her in the godswood, home of gods which are not truly hers, yet she is still very aware of their power. when she and ned talk of the deserter he killed, he hopes he won't have to go with the nw to deal with mance rayder, but she has even more fear of that idea bc there are worse things beyond the wall than just wildlings. ned scoffs and says she's been listening to old nan too much, but she's right. we already know from the prologue that she's right! and here she is, understanding the genre of their world better than her husband, who was actually born and spent his earliest years in this northern land of deep magic, listening to old nan's stories. same with the direwolves, where she was uncomfortable with them at first, but later believed in them as guardians from the old gods even after robb had lost his own faith. and once again, we know she's right even if she doesn't know the evidence to back up her instincts, bc summer and shaggydog did not fail bran and rickon and robb was almost certainly a warg like his brothers. (perhaps making it more fitting that she's the one brought back as a fantasy vengeance monster, not ned and robb, the most unbelieving dead starks.) and in her 2nd agot chapter, everyone focuses on her ambition in wanting ned to agree to the hand job (pun intended) and sansa's betrothal, and while she does recognize the value of their daughter being a future queen more than ned does, that's only her stated argument bc she thinks it's rational enough for ned to listen to. (if ambitious matchmaking were as important to her as to her father she never would have made those frey betrothals fandom loves to blame her for.) in her own head there's a deeper urge driving her. she keeps thinking of the dead direwolf with antlers in its throat, an omen which filled her with dread from the first she heard of it, before robert's arrival, and thinking of it again is what makes her desperate to convince ned not to refuse robert. she had to make him see. and really, she's not wrong, as jon snow would say. the dead direwolf was an omen of ned and robert getting each other killed. it's just one of those misread portents, with no way of knowing the danger to ned was in his loyalty to robert, not conflict with him. BUT the next time she's dealing with baratheons, she knows exactly what she's talking about. it's catelyn, not brienne, who sees the shadow slaying renly, and explains that it was stannis who did that through some dark magic. with no way of knowing how it was achieved and no prior expectation that such a thing were ever possible, she realizes with no hestitation that stannis was guilty and that his red witch was capable of pulling this off somehow. really, the only instinct of the supernatural she's wholly wrong about is her insistence that varys gathered his knowledge through some dark enchantment. however, though that might offend varys, given his own personal experience with a sorcerer, i'd say it's a reasonable assumption without knowing the dude had children moving through walls everywhere like oversized rodents. and imo it just shows she had a healthy respect and awe for varys's power which most other characters lack.

oh, oh, and let's not forget that she also believed in the curse of harrenhal, from her own childhood and the stories old nan told her kids. "and every house that held Harrenhal since had come to misfortune. Strong it might be, but it was a dark place, and cursed. 'I would not have Robb fight a battle in the shadow of that keep,' Catelyn admitted." sure, that wasn't enough to save robb, but he did not die from the curse of harrenhal. that doom was meant for his enemies from tywin lannister to roose bolton.

[nevermeyers]

“When it's your time to go, make sure you're surrounded by others”

[nonasbirthday]

Tbh? I don't like Paul. I don't want Paul. I understand that Paul serves an important narrative function and that Paul is the best possible ending for Camilla and Palamedes given their situation, personalities, and relationship. However what I really want is for Camilla and Palamedes to attend the ATN wedding as two individual humans and for Pal to be a lightweight who loses his tie in the garden fountain after three drinks and for Camilla to do exactly one shot with the group, keep Gideon from ripping the sleeves off her dress shirt, and absolutely kill it at lawn games during cocktail hour. Since this scenario is a wild tonal mismatch for the series and also Palamedes was already dead, this was unlikely to ever happen. However Paul is the final nail in the coffin for the theoretical existence of this scene and I can't help but resent them for that