#cassandra's monologue

[hauntedbythenarrative]

The darkness said, You die whether you risk anything or not. I emptied ashes from my pockets. I crawled to feel the stones cut my knees, God's foot on my throat. The dream said, Follow me. The angel said, You're here.

Yellowjackets (2021-)//Andrei Tarkovsky//If I Believe You, The 1975//Agamemnon, Aeschylus//“dear thanatos, [it wasn’t a dream…],” come the slumberless to the land of nod, Traci Brimhall

[lunewolf13]

Duke, Kon, and Cass all enter a darkened room.

Duke: So, why did you gather us together?

In the center of the room, a chair turns. The person sitting on the chair, with Alfred the Cat in his lap, is none other than Tim.

Tim, in an embellished tone: Welcome.

Duke, reaching for a taser in his pocket, unsure of whether Tim is mind-controlled or roleplaying: Uh, we are honored to be in your presence?

Kon is only slightly weirded out: Dude, what the heck?

Tim: You see, dear allies.

Tim drops back to his normal voice: I have a problem.

Kon: I hear therapy is good for that.

Cass: Problem we can punch, or problem that needs words?

Tim sighs forlornly: Words, unfortunately.

Cass: Sad.

Tim: You see, I need to practice my villain monologues. That wouldn't be a problem by itself, but I need an audience that won't be completely insufferable when I just need some performance feedback.

Duke: Is that why you didn't invite the others?

Tim: That's exactly why.

Cass nods sagely: We will help.

Duke: It'll definitely be fun at least.

Kon: Sure. I'm free.

Tim: Thanks. I'm going to start now.

Tim in an accurate impression of Ra's: It truly was fun to play with you, if that is any consolation.

Kon interrupts: That sounds too friendly.

Tim frowns: How, exactly, is that too friendly? This is literally the part when I kill someone. I stab them brutally in the stomach with an actual longsword, right before I chop off their head. Even if I invited my victim on a picnic, he'd still be freaked out from whatever I say. Because, y'know, stabbed in the stomach?

Kon waves it off: Out of context, it's too friendly. You should say something like 'This was fun, but I'm bored now.'

Cass: End it with goodbye. Menacingly.

Tim shifts in his seat and gets into character: This was fun, but I'm bored now. So long.

Kon: Better. But you should totally put some flair into the 'so long!'

Duke turns to Kon: Do you want him to be flirty right before he kills a guy?

Kon: Have you never heard, 'if villain why hot?' before? If Tim was a villain, he'd be the hot villain.

Tim blushes at the kinda-compliment: I mean, I guess I can try.

Tim: This was fun, but now I'm bored. So long~

Tim: Like that??

Kon pumps up a fist: Yeah!

Cass: Wrong. Make the goodbye scary. Be mean.

Duke: And maybe bring back the consolation thing. Make that the first part of the line.

Kon: Oh! Get rid of the bored part! It'll roll off the tongue better!

Tim shifts in his seat again, and the cat leaps off his lap: If it is any consolation, this was fun. Goodbye now~

Duke, Kon, and Cass think to themselves a bit. It's better, but they feel something's missing.

Kon: Oh!! Tim!

Tim: Yeah?

Kon: Drop the evil rich guy impression and just use your Drake voice!

Tim frowns: My what?

Kon: You know, that voice that sounds nice and sweet, but in a scary way!

Cass nods: Gala voice.

Duke: You can mix it with some Red Robin edginess for an extra kick.

Kon: Yes! Do that! It'll be terrifying!

In a blink, Tim shifts to his sleek, gala persona. Smiling, openly polite, perfect posture. Then he lets the smile sharpen. His voice is slick, sweet, and with an edge of sarcasm when he opens his mouth.

Tim: If it's any consolation, I certainly had fun with you. Goodbye now :)

Duke:

Kon:

Cass:

They erupt in applause. Kon whistles and takes a picture.

[abisalli]

I know you currently aren’t taking asks but could you eventually draw cass and clayface doing a Shakespeare play? She was never happier and never had a bigger smile on her face than in those moments

to be or not to be!

[fiddler-on-the-starship]

I apologize for the shit quality I have never made gifs before but I strongly felt that this moment needed to exist in gif set form.

[caitlynmeow]

Cassandra: I've been here in jail for so long I think I've lost my mind.

Cassandra: The days turn into weeks, weeks into months.

Cassandra: How long have I been there now? Almost a year, no? Decades? Probably...

Daniela: ...

Bela*huge sigh*: This is Monopoly.

Bela: why didn't you study theater instead of math?

[heleeanthea]

Rules: put your music library on shuffle, then list the first five songs that come up in a poll to let people vote for their favourite!

Omg, thank you sm @octarineblues for tagging me, I'm always happy to be allowed to talk about music, ha.

Alright, let's see what we'll get!

and about the tags: @abignopefromme, @lunalunaris, feel free to join the game if you want, as well as anyone who stumbles upon this post by chance.

-----------

Oh god, these are so random actually! But I'd say that I'm pretty happy with them, even though randomizing "Master of the house" out of all Les mis songs and aaaaaall the versions of them is... well... I don't even like this song that much.

I am however happy that "Tonight I Feel Like Kafka" found its way onto the list as it is one of my favourite songs ever!

Aannnnddd we also have a competitor from Poland - Lordofon!!

[quillweaves]

Just finished trespasser with Amaera… god solas when I get my fucking hands on you. Not even for the veil shit, just for making Amaera cry.

[the-bisexual-and-damned]

i’m reading tmi (i was bored on vacation)

and i read city of glass thinking sebastian was kinda like goro akechi - in build and hair length.

and i’m absolutely confuzzled by the general audience perception of him and who he’s portrayed by in the tv show

[stardustandors]

I'm on the 3rd episode of Midnight Mass and Jesus Christ, is this shit preachy, it's bringing out the atheist in me. 😭😭😭

[lifeinked]

Why I Love Caitlyn, and Why You Hate Her

⚠️ READER DISCRETION: I am not condoning Caitlyn’s actions and behavior, I am simply exploring the depth of her character and explaining what motivated her pursuit of revenge.

There’s no denying the gravity of Caitlyn’s actions as they are unquestionably wrong. However, her character cannot be reduced to these actions alone. This sudden, devastating behavior of hers is shaped by a thread of complex motivations and circumstances, but many choose not to acknowledge this simply because of her elite background. 

Like many others, I initially overlooked the point of the gassing in Zaun, which I think is a crucial thing everyone must first understand before diving into the discourse over Caitlyn's character. 

The Grey, often misunderstood as being used indiscriminately, was strategically deployed against the Chem-Barons to limit collateral damage. Caitlyn chose precision over chaos, targeting those directly responsible for Zaun’s turmoil. Furthermore, Caitlyn didn’t kill the Chem-Barons; she captured them, with net-deploying bullets. While her methods are controversial, they reflect a calculated approach; mischaracterizing her raid as a reckless attack ignores these details.

This isn’t to deny or excuse the fact that Caitlyn did, indeed, gas Zaun. Who’s to say that gas didn’t seep into the streets where innocent Zaunites roamed, harming them in the process? It’s entirely possible that innocents were affected and devastated. However, my brief explanation is only added to gain better perspective over the objectives of the gassing itself.

Now moving on, despite her privileged upbringing, Caitlyn shows a genuine effort to understand and connect with Zaunites. She places her trust in Vi, a Zaunite she’s never met before, to guide her in her search for Silco. Her journey through the undercity opens her eyes to the struggles of its people, challenging her perspective.

In S1E4, when investigating the airship attack, she encounters an undercity resident and reassures him, “I can protect you.” Later in the season, when Vi gets stabbed, Caitlyn encounters someone formerly connected to Vi. He’s grown a distaste over himself due to his appearance, and yet Caitlyn embraces him with compassion and tenderness, as a silent sign of gratitude. Then, she surrenders her cherished firearm—her only means of protection—in return for a healing potion to save Vi. In S1E7, Caitlyn’s heartfelt monologue in her conversation with Ekko perfectly captures her hope and determination: “This city needs healing. More than I ever realized. Please, let me help you.”

When Caitlyn and Vi stand in front of the Council, Caitlyn declares: “Councilors, this is Vi. She was born in the undercity. Even though we failed her in countless ways, she risked everything to show me what life is really like down there. People are starving, sick, ravaged by Shimmer. They live in constant fear of the coordinated efforts of violent crime lords.” This monologue alone shows how Caitlyn embodies optimism, believing in the inherent goodness of people, even Zaunites. It also shows that she is very willing to fight for them; she sees helping Zaunites as an act of bringing justice and equality into this world.

Many overlook the depth of Cassandra and Caitlyn’s relationship, reducing it to a simple narrative of a daughter mourning her mother. However, Caitlyn’s mourning is more layered than that. Throughout her life, she has been rebellious, driven by a desire to uncover the reality her mother tried to shield her from. In S1E4, Caitlyn reflects on this by saying, “She’d do anything to keep me from seeing the real world.” Caitlyn’s defiance wasn’t just rebellion for its own sake—it was a stand for her ideals. She sought enlightenment and understanding, even if it meant stepping outside the privileged bubble her mother built for her. By venturing into the undercity and aligning herself with Vi, Caitlyn rejected her mother's own ideals.

Here's another scene in S1E8 that emphasizes this:

Cassandra: You're a Councilor's daughter. Your actions reflect on the entire body. Caitlyn: My actions? You know what else reflects on the Council? Its citizens living on the streets. Being poisoned. Having to chose between a kingpin who wants to exploit them and a government who doesn't give a shit!

In a way, her actions mirror Vi’s: just as Vi betrayed her people by working with the enforcers, Caitlyn betrayed her own mother by involving herself with Zaunites. Remember: The last time we see Caitlyn and Cassandra interact on-screen is during Caitlyn’s plea before the Council. And in that moment, Caitlyn was fighting to protect the very kind that would soon kill her own mother.

You say that Caitlyn’s drastic shift is unjustified, as she’s only experienced a fraction of the suffering Zaunites have been enduring. But that’s precisely the point! Her transformation shows how personal loss can drive the change of one’s entire character; she’s never experienced loss before which is why it feels so heavy for her. And unlike Zaunites, Caitlyn actually has the power to act on her grief. Zaunites have only known misery their whole lives. When their loved one dies, they know there is nothing more they can do but grieve. They don’t have an inch of the privilege and military support Caitlyn has. If you had given them the same resources as Caitlyn, they wouldn’t hesitate to bring ruin to Piltover. Simply put, they don’t fight Piltovans because they don’t want to, but because they can’t.

When Jinx takes her mother away, her compassionate ideals completely shatter. Having always sought justice and understanding for Zaun, Caitlyn feels deeply betrayed, as her faith in the good within every Zaunite is overturned. Her mother’s death becomes a turning point—driving her to abandon her ideals and adopt Piltover’s disdain for the undercity, finally understanding the resentment many Piltovans harbor.

We also tend to forget that, aside from losing her mother, Caitlyn has directly suffered under the hands of Jinx. Caitlyn was held captive by Jinx in Season 1��and God knows what was done to her during that period. In the tea party scene, we see Caitlyn break down in tears, visibly flinching when Jinx moves toward her. It’s clear that Jinx has traumatized Caitlyn not just once, but twice. These experiences deeply shape Caitlyn’s actions moving forward. The pain and fear she’s endured push her to a place where she’s willing to sacrifice almost anything, even if it means putting a child’s life at risk (Isha's) or severing ties with Vi.

While they share their differences, Caitlyn and Jinx are the perfect example of foil characters. Here’s an instance which proves this: Both allow themselves to be influenced by manipulative, powerful figures all while being in a vulnerable state of mind.

Jinx is haunted by guilt; her attempt to save her family only ended up killing them, leaving her with the crushing weight of self-blame. She clings to Silco, not because he was the father she needed, but because he was the father she wanted. Silco indulged her destructive tendencies, keeping her at an all-time high on the edges of chaos. Fragile and broken, Powder crossed paths with Silco at the right moment; he saw the perfect chance to mold her into someone bewildered, unrestrained, and astray.

Caitlyn has her own Silco: Ambessa, the ruthless Noxian leader with a brutal philosophy of war. Ambessa enters Caitlyn’s life at a pivotal moment, stepping in just as Caitlyn is grappling with the devastating loss of her mother. In a spiral of self-identity, Caitlyn struggles with the weight of Piltover’s expectations and her unresolved guilt over her strained relationship with her mother (as explained in previous paragraphs). Just as young Powder mourns her family, Caitlyn blames herself for the death of her mother. Caitlyn got herself involved with the Zaunites even when she was warned not to, and at the expense of her defiance came the death of her mother. Driven by guilt and a thirst for vengeance, Caitlyn steps fully into her role, declaring in S2E1: “I am a decorated officer. Leader of House Kiramman.”

Jinx and Caitlyn share a tragic parallel: they both lose everyone they hold dear. Jinx loses Vi, Vander, Claggor, and Mylo. Caitlyn is left without Cassandra, Vi, Jayce, Mel, and Tobias. Stripped of their support systems, they are left isolated, with no one to confide in or rely on. They become vulnerable, used as pawns in the larger schemes of Silco and Ambessa’s strategic games.

Caitlyn's inner turmoil is exactly why Ambessa’s manipulation is so effective. Caitlyn is compelled to take revenge, but she doesn’t know how to. And without anyone else to guide her, she places her complete trust in Ambessa's expertise. Ambessa doesn’t just give Caitlyn the authority and power to avenge her mother; she teaches her how to use them to their full potential. She toys with Caitlyn's vulnerability, making her adopt the Noxian values of wrath, bloodshed, and ruthlessness. 

It’s easy to downplay Caitlyn’s grief since she comes from an elite upbringing. While Cassandra Kiramman is laid to rest in a golden casket with a proper burial, countless innocents in Zaun become victims of merciless violence, being left to die on the streets. After the timeskip however, Caitlyn is shown to recognize the moral cost of her actions. Though the series portrays this realization subtly, it becomes evident that Caitlyn is grappling with the inhumanity and immorality of her pursuit of revenge. In S2E4, this internal conflict comes to light during her conversation with Ambessa. When Ambessa attempts to stoke her fury again, Caitlyn disarms her with a piercing question: “Why is peace always the justification for violence?”

Here's another scene that subtly depicts her realization and remorse:

Caitlyn: You're a monster. Why? Why do all this? Singed: Why does anyone commit acts others deem unspeakable? ... For love.

When Caitlyn steps further and sees Orianna, she realizes that Singed's revenge is a reflection of her own: a person grieving the death of their family member. Here, there's a saddened glint in her eyes. She finally understands now, that love and grief made her do things that once seemed so foreign to her. In this case, going against her own principles just to succeed in her revenge.

Caitlyn is now forever haunted by the outcome of her mistakes, but she knows her past cannot be erased. During her confrontation with Jinx in the prison, she admits, “No amount of good deeds can undo our crimes.” While this statement is directed at Jinx, it feels like Caitlyn also holds this against herself for her own wrongdoings. 

Caitlyn’s acts of atonement are done quietly. She’s not good with words; she’s bad at articulating how she feels. Ironically, Vi is much better than Caitlyn when it comes to confronting and vocalizing internal conflict. So instead, Caitlyn’s actions speak for herself. By removing the guards at the prison, she tacitly allows Vi the opportunity to rescue Jinx. She knows Vi will come to save her sister, and yet she lets her. She finally lets go of Jinx and the grudge she held against her, as a silent act of her love for Vi.

And in S2E9, Sevika is shown to be sitting among the Councilors. But thanks to a fan's keen eyes, we find out that she is sat particularly on Cassandra Kiramman's chair (which not many notice). By allowing a Zaunite to occupy her mother's seat, Caitlyn gives them a chance to be rightfully represented, a chance for their voices and suffering to finally be heard. It’s a quiet display of Caitlyn’s evolution and willingness to bridge the divide between Piltover and Zaun.

That said, Arcane’s ending left much to be desired regarding Caitlyn’s arc. The heavy focus on Hextech overshadowed the sociopolitical dynamics of Piltover and Zaun. This is the main reason a lot of hate is thrown toward Caitlyn—there is an act of accountability, but there a lack of consequence. While Caitlyn acknowledges her mistakes, her privileged status keeps her from real repercussions, unlike the tragedy other characters had to face. This is frustrating, even to me, as someone whose favorite character is Caitlyn. Yet, in a way, it realistically portrays the inequalities in our own world—where the elite are often shielded from justice, and repentance is the closest they ever come to redemption.

[solelifauna]

Yandere Batfam & Neglected Reader Prt. 3

Finally getting a tiny bit of Bruce's monologue!! And uh oh, looks like you've gotta clock in!

As the car began to move, you couldn't help but feel a growing sense of panic. The tension in the air was palpable, and you could feel the weight of everyone's gaze on you. You tried your best to focus on anything but the Waynes, your mind desperately attempting to process what just happened in the parking lot. You shifted uncomfortably in your seat, staring out the window as the city lights blurred past. It was then that Damian decided to break the awkward silence.

“Father, what is the meaning of bringing her along with us?” Damian spoke curtly, disdain marring his voice when mentioning you.

As much as you disliked him as well, he had a point. Why the hell are you sitting here with them?

Bruce glanced at Damian. Truth be told, he didn't quite know why. While you were his child, one out of the only two biological children he had, he had never really had the time or care to acknowledge you. You coming into his life abruptly disturbed everything, so he paid you no mind. He’ll admit, it wasn't fair of him to do so, but he had bigger things to worry about. He was tired, and a child that wasn't involved with his night business, who did not understand what his life of vigilantism took out of him, would never understand the sacrifices that he's had to make. It wasn't until seeing you on the football field, happy, talking to your friends and acting in a way he'd never seen you do, he'd begun to realize what he missed. 

When did you get so tall? He could have sworn you were no taller than his waist. And when did you join the cheerleading team? And who was that girl throwing her arm around you? Who was that boy? Gods, just how much has he missed? 

But he couldn't say all of that. So instead he just replied, “She's a part of this family, Damian and she needed a ride back home.”

He could feel Cassandra’s knowing stare, she could read him better than anybody and she knew the inner turmoil brewing in his heart. That's coupled with Stephanie’s smirk and Dick’s predatory grin. Jason grunted in response, clearly not pleased with the arrangement. Lastly, he could see the disbelief on your face, as if you couldn't believe you'd even be considered part of this family. And he’s mostly to blame. 

He internally sighed. He'd have to work on that. You were his daughter. His. It was his job to keep you safe and happy. It was his job to make sure you felt loved. And right now? He was no better than Jannet and Jack Drake leaving poor Tim to fend for himself. But that would all soon change, starting with himself and his children.

You on the other hand were still reeling from Bruce’s words. “Family”? Is he fucking kidding or what?

Dick, always the one to break the tension with his charm, spoke up next. "Hey, (Y/n), when did you become a cheerleader? I didn't know you were into that sort of stuff." Dick said with that condescending tone.

Your eyes twitched. You did not like his tone.

“That's none of your business Dick.” You shot back before you could even think.

Everyone looked your way. Whoops, that was your bad. 

It was Jasons turn to get upset, “Watch your fucking mouth.” He growled, ever possessive over his older brother.

You immediately froze up, offering a quick and quiet apology before retreating into your own head. Jason–Jason scared you more than any of the others. You knew about his pit rage, you knew about the bloody and beaten bodies he's left in the wake of his rage. You knew he’d never dream of hurting his family, the pit often aiding in his possessive tendencies over the rest of the bats but– you weren't family. And you'd hate to be on the receiving end of Jason’s wrath.

If anyone had continued talking to you, you wouldn’t know. The sound around you was muffled like your head was filled with cotton and you could feel yourself shaking. You wanted out. Now. Thankfully, the rest of the ride was mostly quiet. Sure, everyone would occasionally turn their eyes towards you, making you shrink further in on yourself, but you were almost at the manor. The vehicle barely came to a stop before you were throwing yourself out the door and into the manor. You bid Alfred a quick “goodbye” and “thank you” before bolting up the stairs and into your room. 

You locked the door, not that anyone would bother coming up to your room, but still it gave you security nonetheless. You stripped and hopped into the shower, the soreness in your body now making itself known. God it was gonna suck tomorrow. Why? Because it was Friday today, that meant tomorrow would be Saturday, and that meant that you'd have to go to work at the ass crack of dawn, 5 am. Plus, you didn't even have your bike, so you’d have to rely on Alfred to take you and bring you back. Great.

So with a heavy heart and heavy limbs, you tucked yourself into bed ready for the worst sleep of your life. 

You wake up to the grating sound of your iphone alarm, as you groggily get up to brush your teeth, shower and get ready for the long day ahead. Making your way down for a cup of coffee, sleep still in your eyes, you fail to notice the looming figure of Tim Drake already sipping his own coffee. It was dark downstairs and you were still fighting off exhaustion from the day before, so who could blame you for not seeing the corner of the cabinet. Before you knew it, you were hunched over on the floor grabbing your pinkie toe in pain. 

“Fuck! Fuck, fuck, fuck, that hurt! Holy shit, kill yourself, kill yourself! Who the fuck puts a cabinet there, oh my god.” You wailed in pain, cursing at the damn cabinet. You’d blame it on delirium and exhaustion. Honestly, it was an expected crashout.

You laid pathetically on the floor for a couple of more seconds before you heard a monotone, disinterested voice make itself known.

“Are you done now?” Tim says from behind you.

You yelp in surprise, before clumsily scrambling up and turning around. And there he was, sitting at the counter, coffee in hand and an almost (dare you say) amused look on his face. You blanche. Shit, how long has he been sitting there? Oh god, please don't say he’s witnessed the entirety of your embarrassing crashout? 

And as if reading your mind, he cryptically answers, “Yes, I've been here this entire time.” All while sipping his coffee as his calculating eyes scarily bore into your figure.

You don't know what to say, embarrassed out of your mind, so you just apologize. 

“Right–um, sorry about that. I’m just tryna get some coffee. I'll be out your way.” You hastily say before turning, tail tucked back towards the coffee pot. 

You could still feel the weight of Tim’s stare on you but you're too tired and embarrassed to care. You pour yourself a big cup of straight up black coffee and proceed to chug it while walking towards the sink. After finishing it, you proceeded to gag for a few seconds, the bitter taste still permeating your mouth. God you hated the taste of black coffee, but you’d do whatever it takes to not fall asleep on the job. You discard your cup into the sink before you decide to find Alfred, it was 4:37 am and you needed to clock in by 5:00 am or else your ass was grass. You conveniently ignore Tim who has watched all of your misfortune happen this morning. He doesn't say anything when you leave the dining/kitchen area, just eerily watches. 

God, he made you nervous.

Anyways, your quest to find Alfred was short lived as he seemingly appeared out of nowhere, Damian in tow (you could feel the scar on your face burning). Great, was everyone up at this ungodly hour or was it just them two? You avoided the heat of Damian’s glare as you relayed to Alfred your predicament, apologizing profusely since you did ask him last minute. He simply smiled at you, letting you know that “it is never a hindrance when you need something Master (Y/n).” You smiled back in relief, thanking him once more as Alfred got ready to drop you off.

But of course, Damian just had to break the silence. 

“What could you possibly need to do at this hour? Alfred has better things to do other than encouraging your galavanting.” Damian spoke sharply.

You just sighed, “Not that it's any of your business, but I have work.”You don't offer any more information as your hand unknowingly caresses the scarred tissue on your face. 

Damian’s eyes draw to your face at the movement, seemingly fixated on the scar he left on you. He doesn’t think much of it, but sometimes, something green and dangerous purrs inside of him. Yes, his mark. It was his mark on your face. As much as he hated you, you were his only other blood-sibling no matter how weak and useless you were. He had bested you, and usually would pay you no mind, you knew your place and would typically remain docile. But recently you’ve been showing a new abrasive side, one he is not particularly fond of.

He’d have to talk to father about it.

Silence permeates the air as he doesnt bother to dignify your disrespect with a response. You’re saved when Alfred comes back with keys, both you and him rushing to whatever vehicle he's pulled out from the large, large selection of coveted cars Bruce owns. Looks like it's a BMW today. You practically throw yourself in, as Alfred speeds away to the cafe you work at. You arrive at work in record speed, bidding Alfred a “goodbye” before rushing to throw your apron on and clock in. 

You’re greeted by the one other person working your shift, Matheo. He’s a sweet boy, very soft-spoken and mostly sticks in the back near the kitchen to bake the pastries while you work the register. Of course he comes and helps with drink orders when it's particularly busy, he’s too kind to leave you to fend for yourself. Regardless, you have a pretty straight forward agreement, which is what spells your doom. It was a regular Saturday shift, with the pilate moms coming in, middle schoolers loitering, and the occasional customer with an attitude. Everything was fine and dandy till three familiar faces walk in.

You were ever the busy body, finishing one last drink before yelling out a quick “I’ll help y’all shortly!”, to whoever just walked in. You quickly rush over to the register, not even bothering to look up from the register.

“Sorry ‘bout the wait! Now what can I get you?” You said in your regular customer service voice.

“Well, well, well, turns out you were right Dami, she does work here.” A chillingly familiar voice jests.

You freeze, slowly looking up only to be met with Dick smiling at you. It was not a kind smile, no, there was something dangerous about it. Behind him, you could see the familiar figures of Cassandra and Damian. What the hell are they doing here? God, you should have never mentioned anything to Damian, now you had to deal with this.

“R–right, what can I get you?” You shakily say, putting back on your customer service persona. 

Dick’s smile grows, his teeth now visible, almost as if he was baring his teeth. Danger. Something inside you screamed.

“I’ll just have a vanilla cold brew, extra cold foam. Dami, Cass, what do you want?” Dick grinns.

“Tch, I don't want anything from this place.” Damian says, uninterested.

“Cass?” Dick asks, looking at her.

She comes up to the register, giving Dick a one-off-glance. Worryingly, her eyes seem to be fixated on you. She doesn't say anything for a few seconds, holding immensely uncomfortable eye contact with you before relaying her order.

“Just a caramel latte.” Cass says, still looking down at you.

You frantically fill in their orders on the register.

“Will that be all?” You ask. You hoped that was all, you didn't want them spending another minute talking to you.

Dick says a quick cheerful “no” before you ring them up and get started with the two drinks. It doesn't take too much time before you’re calling out their names to come get their drinks. You hope they leave right after. But of course, nothing goes according to your wishes as they grab their drinks and seat themselves at a table. Great.

The minutes after result in further disaster. After a couple of more customers, a lady comes up to you, face already molded into a scowl with a half empty drink in her hand. Oh great, a “karen”.

“Hello ma’am, how can I help you?” You kindly say.

“You! I need a refund. Right. Now!” The lady booms, wagging her finger in your face.

“A refund, right, is there a reason you’re requesting a refund?” 

“A reason!? You made my drink wrong and I want my money back!”

“Please correct me if i'm wrong, but I believe you ordered a double mocha cappuccino, correct?” You ask slowly.

“Yes, that's what I ordered! Why are you asking me all these questions?!”

“Sorry ma’am, but that is the drink I gave you. Is there something specifically wrong with the drink?”

“The drink that you gave me is wrong, you made it wrong! It doesn't taste anything like regular coffee!”

“Oh, well sometimes different cafes use different recipes for the same drink, i think maybe that's why–”

“–Well I don't care! I want a refund!”

You could feel eyes on you as the other patrons start to notice the commotion brewing.

“Ma’am, i'm so sorry but i can't give you a refund, you’ve already drank half the drink. If you would have let me know sooner, I could've remade it for you, but–I'm sorry ma’am I can't give you that refund.”

“Are you serious! Why I never!? It's always bitches like you who try scamming people out of their money!”

“Ma'am, I'm really sorry, it's the company policy. I just work here–” You gently say, trying to calm her down.

“–Go to hell you bitch!” Is all you hear before you’re doused in the face with warm coffee. 

You just stand there is shock, blinking through the coffee. There's no way that just happened. Theo, comes out having heard the commotion (albeit a little too late), only to be met with the sight of you covered in coffee.

“Oh my gosh (Y/n)! I should have come sooner, are you okay?”

“Peachy.” You say, voice audibly watery and cracking.

“I'll take care of everything up here, you go take some time in the back. Clean up or honestly if you don't feel like it, just rest in the back–”

“–It's okay Theo, I–I just need a couple of minutes. I'm fine.”

He gives you a quizzical stare.

“I'm fine. I promise.” You smile, although you could feel your eyes starting to water. 

You hastily walk off to the break room and proceed to cry for a good 2 minutes before deciding to start cleaning yourself up. You do your best to get the coffee that's dried into hair out while wiping down your now sicky arms and face. Changing your apron gets rid of most of the mess, but your shirt underneath still has a couple of large patches of coffee. Sighing, you tidy yourself up as much as possible before heading back to the counter, Theo worriedly waiting for you. You just shoot him a thumbs up and let him know that it’s okay for him to retreat back to the kitchen; he lingers for a moment, hesitant to leave you alone, but drudges back regardless.

There are eyes on you. You look up perturbed, only to find Dick, Cass, and Damian still sitting at their table, sharp stares pinned on your figure. They saw all that happen, didn't they? You mentally cringed. 

Checking your watch, you realize that there are still four more hours left on your shift. Great, that's great–just another four more hours, which is technically thirty minutes eight times, which is technically fifteen minutes sixteen times–and you’ve lost it. Jesus you were losing your mind, which was understandable (honestly you're surprised it hasn't happened sooner) during one of the worst shifts of your life.

It’s fine. You got this. Just four more hours, and you can have your “Mental Breakdown Part Ⅱ™”.

Tag-list!!:

@sitepathos @ferakillia @uknowimdumb @shycreatorreview @niggrrooo @dhanyasri @cantfindmelol @space1crow @earth-to-mee @rosecentury @yuyuzi-ling @simpingfor-wakasa @bat1212 @sheepintherain @person-from-daaaa-voidddd @resident-cryptid @cupids-pretty-boy @danni1323 @couldeatthatgirlforlunch @erikasurfer @toast-on-dandelioms @hazbinlove @h0neysiba @shycreatorreview @ch1cky-093 @kore-of-the-underworld @krazy-kattzz @ceramic-raven @randomlyappearingartist @bleep-bloops-world @hasty-desert @bellethesleepypotato @lilyalone @delias-stuff @amisupposedtomakesenserightnow @soriansick @vanilliona @thoughtfulbelieverstrawberry @vanessa-boo @kitsutsugikuni @mottysith @beeaskewwrites @starsdotalk @yandere-fetish @mybones537 @mochien0tfound @black-swan-blog27 @phoenixgurl030 @meowmeeps @tatsuri-zomushiki @sereinitysmind @l0g0phobe @alias-sam @fairygardenprincesss @chocolatesweetsdestiny @lunaastars

[ultimate-marysue]

Cassandra Cain is the most character of all times cause everyone around her is like "oh no, we need to explain to her how to people properly" meanwhile her internal monologue is something along the lines of "I'm surrounded by idiots (affectionate) but it's okay, they can't help that I'm better than them".

It's especially hilarious when she's clearly in the wrong. Like I wish we had more female characters like that.

[ramp-it-up]

Cassandra’s Muse

Summary: Your job is to distract and read all who dare to go against Cassandra. And you take pride in your work

Word count: 2.5 K

Pairing: Deadpool x Reader; Wolverine x Reader; Johnny Storm x Reader; Deadpool x Wolverine x Johnny Storm x Empath Reader

Warnings: 18+ Only, Minors DNI. S MUT Not Beta’d. DEADPOOL X WOLVERINE SPOILERS AHEAD of this line!Read at your own risk. S MUT! Morally Grey reader, sex worker reader, reader is an empath, lots of dark emotions, group sex, oral (m & f receiving) pansexual touch and intentions (it's Deadpool, folks) explicit sex acts, raw p in v (wrap it up), anal sex (f receiving) rough sex, dvp, squirting, copius amounts of cum, bukakke, after care. Reader has pet names from each hero: Sweets, Sweetie, Sweetheart.

A/N: Ok. I had to do it. If you inspired this, you know who you are, you menace. 😘 This occurs within an imagined scene between the scene where Pyro captures Johnny, Wade and Logan and when they were delivered to Cassandra Nova. This is pure filth. Let me know you like it by liking, commenting and reblogging!

I no longer have a taglist. Please follow @rampitupandread and turn on notifications to learn when I post! 😘

I Do NOT Consent to my work being reposted, translated or presented on any other blog or site other than by myself.

————

“Let me put your hair up for you. So pretty.”

Wade Wilson cooed down at you to the music of his shackles clinking as he gently pulled your cloud of hair up and out of the way. 

“Need to have a clear view of you hoovering that anaconda.”

Your lips were stretched around Johnny Storm’s thick, tan cock as his blue eyes stared down at you and a steam of eloquent pornography flowed from his lips.

“Mm. That throat is so gatdamn tight Sweetheart. Can’t wait to fuck that tight little wet gash of yours. Holy shit, that’s good. I know you can take it deeper. I know you can. Such a sweet little innocent slut for us.”

He had no idea. You were in service to Cassandra. She called you her muse, a tool to service her future victims so that when she felt their minds up, she had something more to get off on. You were her little slut, her psychic empath who fed off of other’s joy and you loved your job.

Giving others joy got you off something fierce. The fact that Cassandra loved it and that kept you alive was an added bonus.

Johnny’s hand snaked around the back of your neck to encourage you to take more of him. You looked up at him, eyes wide with tears streaming down your cheeks, while saliva escaped from your stretched-out lips.

“So pretty for us like this, Sweetie.”

Wade’s mask almost seemed to be emotive as he looked down on you, his long fingers fisting his cock with increasing speed as he watched you take Johnny down. It was disconcerting that he was completely naked except for his mask, but that was none of your business. He was sincere, despite the sarcastic monologue.

“I’ve always wanted to say that in real life and not just in my 1D/Destial crossover fanfics on Tumblr. Username is MrsLarryDestiel (no spaces) if you want to follow.”

Wade was leaning over to Johnny, who had steam rising from his head as he gazed down at you with devotion. You felt his amusement at this entire scenario. You tried to smile back around him, even though you knew his affection was only due to your skill.

After all, you’d just met him less than an hour earlier. 

“Get your hand off my ass before I burn it off, Wade.”

“Was just trying to help you push it in her tiny little mouth. Wasn’t trying to cop a feel of what looks a lot like America’s Ass, not really,” quipped Wade who was stroking and looking down at Johnny’s derriere.

Before anyone got injured, you pulled off of the hot one’s dick and licked Wade’s thick plum shaped tip.

“Sssss. Ahhhh, yes!”

 Wade groaned and threw his head back.

 “Suck that dick like your life depends on it, Sweetie. It may be our very last night on earth. I mean, in the void.”

You sensed no fear in Wade, only irreverence.

You followed his direction and opened wide as he slid his long, thick, Deadpool dick along your outstretched tongue. Wade was still talking, of course, even as he made eyes at Logan, who was lurking on the edges of the light, pulling on his dick with two hands and making low, almost indiscernible grunts. 

Now there were about a thousand different emotions coming off him, irritation, rage, despair, grief, a deep sadness, and foremost right now, need and frustration. You tried to watch him through your tear-filled eyes.

Wade and Johnny took turns with your mouth as Logan just moved nearer, his large, impressive cock raging against those impossible abs. His stare, and his body, made you drip even more in the dirt floor of the cave they were captive in for the night.

You needed him inside you, to at least extinguish his need. But yours was growing too.

“Why don’t you relax over there while we get her ready, Mr. Grumpy Pants. Little Miss Triple Threat looks like she’s almost ready to take three cocks at once in all of her holes.”

The Wolverine grunted, but went to a spot just a few feet away and reclined against a cave wall as he continued to handle himself.

Wade looked down at you and stroked your hair again, stage whispering to you as you deep throated Johnny’s cock down your throat.

“I know he seems like a party pooper and not down for this at all, but the fact that his beautiful meat is hard and leaking precum, which is delicious, bee tee dubs, oh, AND HE'S NAKED, means he definitely is.”

You smiled around the dick in your mouth and nodded as you pulled off Johnny, a string of saliva connecting you three as Wade grabbed you by the hair and plunged down your throat, barely giving you time to take a breath.

As you choked, you could see Logan jacking off faster from the corner of your eye as you swallowed Wade whole. Even with the mask, you could tell when his eyes rolled back into his head as you took every single inch.

“Get over here and sit on my dick.”

You were surprised at Logan’s voice, not having heard much of it during his ride in the cage, except to tell Wade and Johnny to shut up. Currently, his tone was more intense and raspy with desire.

You did as you were told and the action moved from the fireside to where Logan was reclining. 

“Move the fuck around, asshole.”

Wade stomped his foot.

“That’s what I’m trying to give you, Wolvie, baby.”

But he moved from in front of you so that you could take your throne.

“C’mere.” 

Logan reached up for you, the tender gesture a contrast for the crude situation you are in: fucking these men because it was the last night of their lives, which it almost surely was. You knew when Pyro let you into the cave halfway to her lair where they stopped for the night that no one escaped Cassandra.

You almost felt sorry for them. But when you read their emotions, you sensed no fear in these heroes. Only a myriad of other things including pent up tension, stress and desire for you. And for freedom. Or at least the sensation of being free.

Fucking all three of them would free your own soul, if only for the short time you would spend with them. They were all fine, and they looked like they would be a good time. If they only knew that your purpose was distraction, to keep them busy and not trying to escape.

If you searched their emotions hard enough you might find that they knew what you were about, and that they didn't care.

You accepted the offer of Logan’s hands and settled on his muscular thighs, glancing at the other men stroking themselves by firelight to the sight of you stretching yourself around the thick head of Logan Howlett, the Wolverine’s, cock.

Their attention only made you wetter and you slid further down Logan’s thick staff than you thought you could. When Johnny and Wade each grabbed a nipple as you whined and got even slicker the sensations allowed you to encase that extra inch at the base of him.

You were so full, not having been stretched like this in a while with a human, visually pleasing partner in a long time. You moaned in pleasure and closed your eyes, biting your lip at the delicious sting of taking him.

Logan looked up into your eyes and then commanded you with that deep, sexy voice.

“Open your eyes, look at us, and bounce on this cock Sweets.”

The smack on your ass spurred you on as Johnny leaned against the wall, watching your tits bounce as he jacked himself, and Wade got behind you, straddling Logan's thighs and rubbing them. You thought you knew what was coming next as you felt Wade’s hot breath on your shoulder as his hard length slid through your slick folds. But you were surprised as he entered you, although not in the hole you expected.

Within a few seconds, Wade was nestled deep within your cunt, cock alongside Logan’s in your snug sleeve, making you mad with pleasure. An obscene groan from you accompanied Logan’s warning to Deadpool.

“Watch it fuck face.”

Loan’s voice was husky, and there was a glimmer of a smirk as he grasped your breasts, roughly pulling on your nipples. Fear of his claws coming out and injuring you caused the contractions of pleasure in your belly to quicken, even as Wade sassed him back.

“You can fuck my face later buddy. Right now, let’s both concentrate on fucking this beautiful, nice, accommodating lady’s beautiful, nice accommodating cunt..”

The two men fell into an oddly synchronistic, sinful rhythm, both of them filling you to the brim in the best way possible, sexy groans finally replacing the smart words coming from Wade and literal grunts and groans coming from Logan.

Johnny moved, filling your mouth and causing your moans to vibrate around his shaft as Logan and Wade fucked you stupid.

“Holy fuck!”

Johnny rasped as you started sucking his balls, your legs shaking as Logan and Wade pounded you into oblivion. You feel a tremendous pressure and you tried to run from what was coming, but Wade’s fingers were circling your clit and Logan’s hands are around your waist, his mouth latched onto your left nipple. That and the feeling of Johnny’s fingers massaging your scalp collided to make your impending doom come much more quickly.

You pulled off of Johnny's unit to scream.

“Oh shit, oh shit, ohhhhhh shitttttt, I- I- I- I’m cummingggg!”

“Holy shit, she's gushing like Old Faithful all around us!”

You soaked Logan as you squirted, seemingly never endingly, all over. everywhere. Wade slipped out of you and so did Logan, but instead of giving someone else a turn with your pussy, Logan growled in your hair and pitched you forward onto his chest with his hands underneath your thighs. 

“Want that ass.”

You clenched around nothing as Logan lifted you up and squeezed your ass cheek in order to give his hard, thick cock access to your puckered hole. You were so wet that he kept slipping around until you felt Wade reach in and grab Logan’s dick, pumping it a couple of times before guiding it home inside your tight ass.

You saw the sneer, and you heard the ‘schnick’ of Logan’s claws coming out and Wade’s giggle as he explained. 

“Just trying to help with the mission, Boss.”

You didn’t care about any of it as your head lolled back on your shoulders because Logan was filling you up deliciously.

Wade retreated and pulled his mask up to lick his fingers. He and Johnny resumed stroking as they watched Logan pounding you mercilessly from below, your cum making it embarrassingly easy. You locked eyes with him, and grabbed the tufts on top of his hair for purchase as you screamed and came again, just from his cock in your ass.

"Ahhhhh! Shittttt!"

“Mmmmnhhh! Incoming, Sweets”

Logan’s cum spurted inside you and began to leak out around his cock, making you even messier than before.

“Ugh. Fuck. So good.” 

He kissed your forehead as he softened inside you, then lifted your thigh to slide out from underneath you. You braced yourself on the wall as you tried to catch your breath and savored the feeling of him dripping down your legs and the peace, if only momentary, emanating from his soul. You didn’t realize that your eyes were closed until you felt  a new desperation accompanied by a hand on your arm and two hands on your ass. 

“Don’t usually go for sloppy seconds, but I’ll take it tonight.”

Johnny’s sparkling blue eyes and sincerity held you captive. His tender kiss on your lips distracted you as you felt Wade’s hands on your ass and you lowered yourself down around Johnny’s long cock.

Johnny slipped easily inside you because Wade and Logan had stretched you out, but he was so hot, literally, that you quickly clenched down on him. Your hands caressed his shoulders and trailed down his sternum and his happy trail to where you were connected. 

The way he looked at you from under his long eyelashes made you want to give him a show. You bit your lip and circled your clit, earning a groan and an appreciative stare from him as you started to ride. 

You sensed a sudden a wave of mischievousness from Wade and felt his tongue in our ass. He moaned, sending vibrations up your spine as he caused you to clench around his wet muscle and Johnny’s cock. He slurped you up, and pulled away momentarily to come up and whisper in your ear.

“Mmmm. You and Logan taste so good. You’re doing amazing, Sweetie.

He was down again and licking you clean, causing irritation to emanate from Johnny.

“I’m tryna cum, here, Wilson. Stop licking my balls, you jerkoff.”

Wade came up and wiped his mouth.

“So sorry, that was a total mistake. Didn’t mean to touch your huge, full, sexy balls with my velvet tongue. Not at all, Johnny.”

“Shut the fuck up, I’m trying to concentrate on this Sweetheart right. Here.”

Johnny kicked Wade away, stroked upward to make you moan, and then grabbed you by the neck as he flipped you over onto your back, grasping your thighs and folded you in half like a pretzel. 

“You ready to take this hot cock?”

You nodded enthusiastically as Johnny Storm began to fuck you relentlessly, his long cock reaching that magic spot inside you as you tightened around him, much to your chagrin.

It was going to be over too soon. You wanted him to use you longer.

“Mmmmph, Darlin’ I feel you, still so tight around me even after these two knuckle heads fucked your cunt silly. Should be loose, but damn, girl. C’mon. Cum for me like you did for Wolverine and Wade. Gimme that shit.”

Johnny reached down and strummed your clit, as Wade came and held your legs in place, his oddly beautiful cock hard against his abdomen. You stretched your neck and teabagged him, earning a choked, garbled moan, and no words from him.

Out of the corner of your eye, you saw Logan standing over you and stroking his hard-for-you-again dick.

“Shit, shit, sheeeeiiittttttttt this pussy is so good. Fuck!”

Johnny pulled out and stood over your body as you scrambled up on your knees to open your mouth for your reward. The men gathered around you as first Johnny spurted white, hot cum all over your face, then Logan jerked on your tits, rubbing his bulbous tip all over your nipples, and Wade just sprayed everywhere as he watched the show.

You collapsed on your knees, wiping your face as strong arms lifted you up and took you to the other side of the cave and started washing you off with a bucket of water that had been warming by the fire. You looked up into Logan’s eyes and he avoided your gaze, concentrating on getting the cum out of your hair.

“You can rest now. We’ll cook up this bird that Pyro threw in here for food and you can sleep for a while.”

You sensed genuine tenderness, and another spark of a future need within him. You knew that they would wake you up for more than food later.

And you were more than okay with that. 

So you just smiled at him as his hand trailed the water down your body, this moment a respite for all of you, in the chaos of Cassandra’s world.

——

If you liked it, hit Reblog!

[casscainmainly]

The Evolution of Cassandra Cain's Dialogue

Since Batgirl #1 is out and thriving, I thought it'd be fun to dive into the history of Cass' dialogue throughout different writers/runs. This is not comprehensive - I'll miss some writers, but I'll be covering her generally most known runs in mainline continuity (so no DCeased, Shadow of the Batgirl, etc.). Not a linguist by any means, so linguists on here feel free to chime in! (I'll also give opinions on which interpretations I personally prefer at the end).

Without further ado, we'll start at the beginning:

Kelley Puckett - Batgirl (2000)

Pre-issue 4, Cass speaks minimally in one-word sentences and doesn't have internal narration. Post-issue 4 (when a metahuman changes Cass' brain), she develops an internal monologue and begins to speak longer sentences. I'm splitting Puckett's Cass dialogue into 3 stages: early, middle, and late.

Early (#4 - #12): Cass speaks short, fragmented sentences. Each word has an ellipses between them (panel 1 above, from #7).

Middle (#13 - #24): Cass continues to speak incomplete sentences (often missing a subject or pronouns), but without ellipses (panel 2, from #13).

Late (#25 onwards): Cass begins to speak complete, simple sentences, punctuated by a few ellipses (panel 3, from #33). She continues to speak grammatically (though slowly) throughout the final part of Puckett's run.

Dylan Horrocks - Batgirl (2000)

Horrocks writes very similarly to late-Puckett, with Cass speaking in full, simple sentences, punctuated by the occasional ellipses. Horrocks introduces two new elements to her dialogue:

Cass stutters, sometimes repeating a word or phrase at the beginning of a sentence (panel 1 above, from #39). This is mostly used in the earlier parts of Horrocks' run.

She quotes reality TV (panel 2, from #51).

Maybe because of the reality TV, Cass also speaks more colloquially here than in Puckett's run, using phrases like "come 'n' get it" (from #57).

Andersen Gabrych - Batgirl (2000)

Gabrych's run focuses heavily on Cass' dialogue. Panel 1 above, from #58, suggests her narration boxes are another form of dialogue - Cass is speaking into a recorder. Several features of Gabrych's Cass dialogue are:

Ellipses: Even more than his predecessors, Gabrych scatters ellipses throughout Cass' speech (panel 1).

Fillers: Cass extensively uses filler words such as 'uh', 'um', and 'like' (panel 1, panel 2 from #61).

Longer sentences: Cass is more talkative and speaks longer sentences (panel 1, which is basically more words per panel than Puckett and Horrocks combined).

Wordplay: Cass often ponders definitions and word structures (panel 1, 2).

Adam Beechen - Batgirl (2008)

After evil Cass (that dialogue is not worth discussing), Beechen gets another chance with Cass in this miniseries. More than any other writer, Beechen differentiates Cass' internal monologue from her dialogue - her narration boxes are much wordier than her speech.

Her dialogue is a more loquacious version of late-Puckett or Horrocks: full sentences interspersed with ellipses (panel 1, from #1). The ellipses drop off towards the end of the series.

Her narration boxes use a variety of sentence structures and vocabulary. They read more or less as fluent English (panel 2, from #4).

Scott Snyder - Gates of Gotham (2011)

Snyder's Cass somewhat resembles mid-Puckett, using short sentences without ellipses (panel 1, from #2). She speaks a fair amount, but is more taciturn here than in any previous run. This is partially due to her not having narration boxes.

A unique feature of Snyder's Cass is preferring formal to informal speech. Though she uses contractions (panel 1), she goes large stretches without them (panel 2, from #3). She also omits the subject of a sentence only once in 5 issues, whereas native speakers (like Dick) drop the subject all the time ('have you ever been to Paris?' vs. 'ever been to Paris?'; Snyder's Cass would always say the former instead of the latter).

Sidenote: Batman & Robin: Eternal (2015)

Quick note about B&R:E: Cass is reintroduced into canon after being erased by the New 52, which means she's back to having very limited language ability. The series is scripted by multiple people, so it's hard to analyse. Suffice it to say she speaks in monosyllabic words, at most a short, incomplete sentence, but is mostly silent.

James Tynion IV - Detective Comics (2016)

Because Cass' language ability has been reset, Tynion develops her speech along the lines of Batgirl (2000).

Early Tynion has Cass speaking single word sentences (panel 1, from #938). Very similar to pre-metahuman touch Cass in BG (2000).

During the League of Shadows arc, Cass begins to speak a few words at a time, often separated by an ellipsis (panel 2, from #956).

Afterwards, Cass' friendship with Basil Karlo blossoms, leading to this run's most distinctive language feature - Cass improves her speech via studying and quoting Shakespeare (panel 3, from #958). Her improvement is reflected in the rest of the run through speaking longer and more frequent sentences.

Bryan Hill - Batman & The Outsiders (2019)

Like other writers, Hill's Cass generally uses short, simple sentences. She frequently drops the subject or pronoun in a sentence (panel 1, from #1). Hill doesn't use ellipses to separate the sentences, opting for periods most of the time.

Cass sometimes omits other words from her sentences too, dropping articles like 'a' and 'the' (panel 2, from #4), prepositions like 'to', and verbs like 'is' (panel 3, from #9). This peters out in the second half of the run.

Becky Cloonan and Michael W. Conrad - Batgirls (2022)

Similar to mid-Puckett, Batgirls has Cass speak mostly in short, 1-2 word sentences (panel 1, from #2). Cloonan and Conrad occasionally use ellipses as well, though mostly for emphasis/natural hesitation rather than indicating a unique speech pattern (panel 2, from #7).

Cass also has a habit of repeating/echoing a phrase Stephanie says (panel 3, from #16). This might be more of a friendship thing than a speech thing, though.

Alyssa Wong - Spirit World (2023)

Wong's Cass uses short sentences sometimes interrupted by ellipses, like late-Puckett and Horrocks (panel 1, from #1). Generally, if the sentence is three words or less, there won't be an ellipsis (panel 2, from #5).

Kelly Thompson - Birds of Prey (2023)

Thompson's Cass draws on a lot of previous iterations, but is somewhat unique as a whole. Some elements of BoP Cass include:

She speaks in sentences of varying lengths, but rarely with more than one clause (panel 1, from #1). Thompson is more strict about not using commas with Cass than most other writers.

Cass is a little more talkative (panel 2, from #5). Her sentences are fairly lengthy compared to most other runs, and she doesn't always opt for the shortest way to say things ('where is it?' instead of 'do you know where it is?'). Thompson also doesn't use ellipses, which adds to the sentences feeling longer/more complete.

BoP is ongoing so Thompson may add more to her speech.

Sidenote: Ram V - Detective Comics (2023)

Putting this in a sidenote since there's not much to say, but Ram V takes after mid-Puckett, with Cass using shorter, incomplete sentences. Cass almost always omits the subject of a sentence; her dialogue is as short as possible while retaining clarity.

Thoughts

Because Cass' language disability is a core part of her character, but learning to speak is also a core part of her character, I prefer writers who emphasize her unique speech patterns without reducing her range of expression. My favourites are:

Gabrych - by far the person who put the most effort into his dialogue, Gabrych-Cass has such a vibrant, distinctive style of speaking. The narration boxes, Cass' wordplay, and the use of fillers and ellipses all combine for a speech style that highlights her disability without reducing her to it.

Puckett/Horrocks - combining because they are really very similar. Puckett and Horrocks both use ellipses to great effect, and is a great style to emulate for Cass in an earlier stage of life. Horrocks' use of reality TV is severely underutilised. Puckett, of course, is the gold standard for typical Cass dialogue - if Gabrych's style is a little too much, Puckett and Horrocks are the way to go.

Tynion - mostly because of the Shakespeare thing. It's such a beautiful and clever way of showing her progress, and the amount of symbolism you could do with Cass quoting Shakespeare is unmatched.

I don't super enjoy the more talkative Casses (Beechen, Thompson to an extent), though I kind of like Snyder's take because there's a sense of Cass being very careful with her speech there. If you're writing Cass for a fanfic or something, I would avoid Hill's Outsiders; the run is great, but Cass' ungrammatical speech is unusual and doesn't jibe with the rest of her depictions. Ram V and Wong are relatively good depictions to draw from though.

Of course these are my opinions! I may have gotten some things wrong/overgeneralised stuff, so take all this with a grain of salt. All you need to know is you should read Batgirl (2000) :).

[artificiallita]

i got bit by the butch wolverine bug and trust me im in lov w her BUT have we considered futch deadpool???

(headcanons and upcoming fic snippets under the cut)

working on a big silly fanfic about this hot mess boinking logan in the odyssey. here’s some headcanons while the story finishes cooking.

- so. kept her first name as wade. i’ve seen a few alt names floating around for f!deadpool (big love for the winnies, winonas, and wandas of the ladypool extended universe) but genderfuck ‘not rlly a name’ just fits my vision for her. her parents were weird idk.

- deadpool is a woman in all variants except one in my personal headcanon. he is called dudepool. also her corresponding nicepool is male gaze-ified pre-mutation wade. she’s bleach blonde and her suit has a titty window.

- ex special forces turned mercenary whose life shit the bed when she was diagnosed with cancer. tried to be proactive about it long enough to get a mastectomy, then found out said cancer was pretty much everywhere else, and we know the story from there. since this predates her healing factor, she’s permanently single-boobed. has padding in her suit to even her out since it doesn’t leave a whole lot to the imagination, wears big t-shirts and ignores it in her civilian life.

- bisexual disaster zone. spent many years in a very happy and deeply perverted relationship with a male stripper named van carlysle, until that went down the toilet. a solid 70% of the casual sex she has is with women.

- dresses like the shitshow nightmare we know and love, loves an awful t shirt and a pair of crocs. put little to no effort into her appearance pre-mutation and that hasn’t really changed, had a brief phase of screwing around with makeup and wigs and then decided it was basically - to use a line of internal monologue from the pending fic - rolling a turd in glitter.

- speaking of, has a real complex about the changes to the way people perceive her post-mutation, namely that they seem to find her super fucking irritating and odd in a way that they very much Didn’t when she was still conventionally hot. between her military background and the general company she keeps, she’s quite often the only woman in her circles, and has always been a dysfunctional mess of adhd and unfiltered word-vomit, but that was generally read as mpdg ‘cool girl’ behaviour prior to her transformation, and now people seem to just think she’s a lunatic. less ‘oh god im hideous’, although she *absolutely* has those moments too, more ‘oh god everyone i know has thought i was a weird pain in the ass this entire time and only tolerated me because they wanted to fuck me’

- wears a lot of poorly applied eyeliner and purposely sleeps in it because she thinks it looks cool. it does not.

- had absolutely zero plans to snitch to cassandra about johnny’s rant, right up until the ‘bald hell’ line. she took that shit personally (almost definitely didn’t need to but whatever. i support women’s wrongs.)

and some snippets from the fic, all of which are me wade objectifying logan. technically spoilers but also what else did anyone expect

[catofoldstones]

Elia of Dorne and Cassandra of Troy parallels

Daenerys IV, ADWD // The Oresteia- Aeschylus // Tyrion X - A Storm of Swords // Aeneid by Virgil - Book II // Cassandra’s monologue, Agamemnon by Aeschylus //Cassandra by Anthony Fredrick Augustus Sandys - 1864// Ajax and Cassandra by Solomon J Solomon - 1886 // Kassandra by Florence and the Machine