i actually feel so incredibly uncomfortable and isolated in this space right now and i know that’s silly because of how many people there are just like me who share the same feelings but idk…the fact that people even think this is defensible behavior is making me feel sick
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When someone else’s art is so good you physically can’t look at it because of artistic jealousy
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as someone who is ace and entering college years, how has your dating life been as an ace? what other struggles have there been that you have advice for? i dont know any aces or similar around me older or otherwise. thank you for your time and i hope you have an easy day!
Okay this will get a little long so I'll put it behind a cut
Honestly I'm probably not the best person to ask, since I never really...struggled? Not specifically with asexuality or with anything related to it. I can tell you my experiences, though, and you can decide if there's anything worthwhile to take away from it!
I grew up in a house run by science and math. I knew the prefix a- meant without/not and I knew there was heterosexual and bisexual and homosexual, so when young and, importantly, before really ever interacting with other queer folk, I went Ah ha, these are (prefix)(sexual) and so therefore I am asexual (without sexuality), and that was that. That was literally all the thought I gave to it. People had crushes on other people, I didn't have crushes on people, end of story. If, for some reason, I developed a crush on someone, I would deal with it then.
Maybeeeee midway through HS, a very good friend of mine asked me about it, and I said well, some people like everyone the same, and I dislike everyone the same. And she said well, then it sounds like you like everyone the same, that amount is just zero, so that seems like bisexual? (she didn't know the term asexual was an actual sexuality term either at that point, just the biological term for reproduction and, well, I could reproduce theoretically so couldn't be that) And I said well, alright then, and called myself bisexual for the next 6 or 7 years. THEN I found out asexuality is a sexuality not just a mode of reproduction and I said Ah Ha, I was Correct, and that was that again.
So I guess if I was offering advice it would be... you know you. Don't let someone else tell you about you if you think they're wrong. Make up a word if there isn't one. Use a new word if you find one that already exists and fits.
Also, that it's fine to not worry about it. Literally it's fine to just never think about it if you have better things to do. I think a lot of people get really wrapped up in finding the right label and/or "what happens if-" when like... you're not a canned good. You don't need a label. Worry about what-ifs when they come up, don't borrow anxiety if you can help it.
I dated a few people in HS, like... three people I think, and one Almost. One predatory mistake I thankfully recognized (HEY because I had older folks online I could talk to about it!) and got out of quickly, and one hot mess relationship that was a LOT of fun- my boyfriend, Sark, and then his ex-girlfriend, and then I stepped out so they could get back together, and then they said wait no, and invited me back in, and that went on for most of the end of HS, and nearly into college, when I stepped out again (and peacefully, I am still friends with both of them and I married Sark in the end). There was one guy whom I was always, perpetually, extremely fond of, and we hung out a lot, kissed once, and I think we would have had a lot of fun dating, but ultimately it was a near miss that became a fond memory, because we were never in the right place together. Sometimes life does that, and that's okay, too.
In college, I simply didn't date anyone. I had better things to do. I met my best friend, @idkfandomwhatever, online that year (and still talk to her almost daily, sometimes for hours, despite that we are on opposite sides of the world!!), and in person @mishapeep who was the best roomie I ever had (hi!!!!! i love you!!!). I had great friends, I went on a TON of adventures, worked a cool job where I had awesome coworkers, and just all around had a blast learning stuff and napping in sunbeams or on couches at the food court. A couple of guys made passes, and I turned them down because I just wasn't into it, and we remained friends. There was one coworker at my dispatch job that I got along with like a house on fire, and everyone ELSE thought we should be dating, but neither of us ever brought it up- I can't say why he didn't for sure, but I know I never brought it up because I was 85% sure he didn't swing for the right team to date me, which I ALSO never brought up until he found me on facebook years later to tell me about his husband running for local election somewhere. so. again, don't let anyone else tell you what to do lol there was ALSO another guy that I had NO interest in that spent a lot of time around me, but we mostly sat in my bunk watching Queer as Folk, which I KNOW was his first exposure to queer material. I never talked about queer stuff with him otherwise, but I heard from a mutual friend of ours that he's also happily married to his husband. Sometimes just being yourself, openly and without shame about it, does more than you think, even if it's not doing anything directly for you (but it is, it's good for you too).
SINCE college ended, I dated one guy I met through an online game and that was great in person briefly, but ultimately didn't work out because he couldn't be a nice person, another guy I met through the same online game and that didn't work out at ALL in person, and then I started hanging out with Sark and co again. I was on the phone with him driving somewhere, and I said something to the effect of someday you're gonna find a gf and she's not gonna want you to keep going on adventures with your ex, and we won't be able to talk anymore and I had a real recordscratch moment where I realized absolutely NOT on MY watch, I wanted that boy in my life forever actually, and we've been married now for... this is year 8.
I may have landed in a soft place, but I didn't seek it out. I just lived my life and didn't worry about my sexuality or about who I was or wasn't gonna date. When I DID date, I was up front about what I wanted from any of those relationships and part of the problem with the relationships that didn't work out was sometimes that I did not KNOW what I wanted, yet. But, it was IMPORTANT I think, that I gave the chances I did, because I did learn about myself and what I wanted. That's probably the hardest fucking thing to learn, that relationships sometimes happen not because they're likely to be permanent, but because it may be fun or be a way to learn what you do or don't want. Maybe alongside of that, the lesson that it's okay to go "hm, actually this is Not For Me" and exit peacefully whenever possible. But it's okay to give temporary things a shot and see how it goes, even knowing up front it may be temporary (honestly maybe that even takes some of the stress of it off? if you don't have to worry about it being forever, and you don't have to worry about "what if I never experience other things," and you don't worry so much about messing it up so it feels easier to take chances saying and doing stuff you might otherwise consider too risky to ask for etc).
I'm aware I'm lucky that things went pretty smoothly for my entire life so far, insofar as dating or sexuality is concerned. Part of that was definitely because even the worst of the people I dated weren't really all that bad of people. A lot of it was that I just didn't date if I didn't want to. I didn't care about sex, so I didn't have sex for the first time until a few years after college, and only one guy ever pushed the issue at all (the guy in HS I immediately dropped all contact with).
The thing is... I dated or nearly dated like ten people, flirted with countless others (because it's FUN), and the only one I still have regular contact with (not just occasional friendly hellos) is the one I kept at the end.
But the friends I made in college? I kept a lot of those. I still talk to several of my college friends on a regular basis. I have made other friends since, some of whom I talk to every day, some of whom have become irregular contacts I am still fond of. But those bonds are important and the ones you make with your friends from here out do have the potential to span at least huge chunks of your life, if not the entirety of it. If you only take away one thing from this little novel...take that knowledge.
also this has nothing to do with asexuality but for pete's sake find SOME kind of hobby club to be a part of, or make one if there isn't one, follow your stupidest instincts for adventure on occasion (like playing freeze tag frisbee in a lightning storm on the PAC lawn at 11pm until the campus cops show up to make you go home), and take at least one "fuck it this sounds fun" class. Mine was archery at 7am, the only early-morning class I ever took. Worth it, we were all TERRIBLE but god it was awesome.
Good luck out there!
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i have a soft spot for fics where billy sort of ends up adopting el and will alongside max. like, these are the kids that get dibs for rides in the camaro haha.
also im unfortunately not participating bc prev commitments but #harringrove for turkey is happening right now if yall want to donate to the earthquake relief funds for turkey & syria and get some art/fic back from harringrove fans! :) check out the tag if you're interested!!
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Over the years, I've gotten a lot of cis people messaging me about how they should go about dating or courting somebody who's trans, and I always felt like my responses would almost... disappoint them because there isn't this magic secret to dating us.
Cis people, if you want to date us, just date us. We're human beings, we're not wild animals to tame! I promise you can have a healthy relationship with a trans person without needing to feel like the world will end if you mess up.
Trans people who date cis people often want to feel secure in your acceptance of them. You don't have to talk about our transness for hours on end to prove that you accept your loved one. You don't have to put on a display and cabaret about how Much You Accept Us. Just be a person around us, and let us be people, too!
I almost want to disappoint cis people by reminding them of this. Some of the best relationships I've had with cis people have been ones where my transness is acknowledged, sure, but it's acknowledged in the same way that my left-handedness is. It's not a joke to them, it isn't something to be horrified about, but it's also something that they don't objectify me for.
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Do you have any tips for drawing men/masculine looking faces? I love your style and that's specifically something I struggle with ;;;
hi anon! this ask has been sitting in my inbox long enough that you’ve probably forgotten you sent it (yikes!) but i swear that the entire time i’ve been trying to think of a way to answer it.
first of all, i wasn’t entirely sure i could give you any helpful advice at all, considering that i personally do not think about faces in terms of masculine/feminine when drawing them (and this is not a gotcha or anything, i just genuinely don’t think about it on purpose; as in, i rarely go into drawing a face with explicit intent of making it appear masc/femme).
i also as of late have (mostly by accident) defaulted to drawing just these two face shapes, applying them to any characters as i see fit with slight adjustments:
so i figured that since i can’t give you any specific advice, i’ll just walk you through my overall thought process when constructing a face (of any gender).
first thing you should think about is the general shape of it all:
if you imagine these three feature groups as a diagram, you could play around with them & get a wide variety of facial shapes to pick from.
another thing you could modify is bone structure:
generally speaking, sharp features are often associated with masculinity, so i suggest you try experimenting with jaw & cheekbone shape. a face with more fat will hide the cheekbone and make the cheek appear lower and rounder; it will also make the jaw appear softer.
this next thing that i personally omit while drawing (purely as a stylistic choice) but could be of use to you is the brow bone and eye size:
i like drawing the brow & cheek as a straight line (just makes it look more fun and easier to draw), and the eye size varies greatly depending on what vibe im trying to go for.
you could also play around with forehead size, sometimes it makes a big difference.
hope this helps! sorry it took me five million years to answer ^^;
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Hey quick question.
How do you know if you should make a webcomic? I have this story idea that’s been floating around in the back of my head that I think could work well for a comic series. But the problem is I’m mainly used to writing screenplays and more traditional writing.
What I’m saying is, how can I tell if making a webcomic is worth it or if I should stick in my comfort zone?
I mean, there's no definitive right answer when it comes to "knowing" if you should make a webcomic. It really just comes down to you. Do you really like the medium? Do you feel your story has to be told within that medium to achieve its goals?
Same thing goes for whether or not it's "worth it", it really comes down to how you define that. For some people, simply posting their comics online to a few readers each week is worth it. For others, if it doesn't get into print or publishing or whatever have you, it might not be quite so justifiable to keep up with. Neither is better or worse than the other, both reasons are valid because it ultimately comes down to what we as individuals are trying to accomplish and what we define as "worth it" on a personal level.
I actually live on both sides of the spectrum right now because with Rekindled, posting it on Tumblr and getting all the great feedback and company through the audience it's gained makes it worth it. But that worth was defined by my expectations going in - I wasn't making Rekindled for money (legally I can't), I wasn't making it to get an Originals deal or anything of the sort, I was just making it because I found myself deadset on going through with it after months of it living in my head rent free, and so what I've gotten out of it as a result is very much worth it, all I was really looking for was maybe some other readers who would enjoy reading a transformative 'foe fiction' from a former LO fan and I've found those readers in spades simply due to the demand.
Time Gate, on the other hand, was something that I wanted for years to be a 'successful' project, defined more by actual tangible growth and gain. Because I came up with it as a kid, for a long time it was my "magnum opus" project, the thing that I wanted to see get turned into books and an anime and a video game and all those sorts of things as 'proof' of how good it was. Of course, I know now years later that those expectations were WAY too high and it resulted in me feeling incredibly depressed over it for ages. It made it hard to work on and even though I did have some readers, I didn't see it as "worth it" because my expectations were a lot higher than that of Rekindled's going in. But that was simply a matter of experience at that point, because I had been making original comics for so long, when I went into Rekindled I knew a lot more what I was capable of, what I wasn't capable of, and what boundaries I was willing to put down for myself. Even still, I do still want to return to Time Gate some day and when I do, I want to still treat it like a series I want to get off the ground as an actual published piece of work - it's just that this time around, I actually know how to make those steps and be proactive in my approach (and I know where to keep my expectations) which is certainly a perspective and skillset I didn't have when I was 15 LMAO
I will say, realistically speaking, it is a lot harder to pursue webcomics as a writer, because the reality of this medium is that most people who go into it are artists who learn how to write to make a webcomic, not the other way around. Unless you're willing to learn how to draw - which is a whole other skillset that requires years of work and patience - you're likely going to have to seek someone to collaborate with and - I cannot stress this enough - it's not going to be someone you simply find on reddit who's willing to work for free. Again, many of us as artists went into webcomics with a project already in mind, so most artists are already working on their own passion projects, trying to convince someone else to work on yours is just not realistic or fair. I'm fortunate enough to have @banshriek along for the production of Rekindled and even then I still pay for their contributions out of pocket, they're as invested in an LO rewrite project as I am (and thus they're given a lot of room to make suggestions in both the set designs and the writing), and I still had to carry the first 20ish episodes on my own before they joined along, i.e. I would still be making Rekindled if they weren't onboard, but having them is a massive help that's taken the comic to a whole other level in its artistic production.
But that doesn't mean it's hopeless! There's a lot of interest right now in webnovels and writing comic scripts is still a completely viable way to get into the comics industry if you're really interested in doing so (fun fact: before I was making comics, I wrote fanfiction! This is probably not shocking to hear all things considered LMAO) There's a reason Webtoons owns Wattpad now, webnovels are a no-brainer when it comes to adaptations to visual mediums, and webcomics have become part of that environment by extension. So at the very least, if you want to get your story out there, there are loads of ways to do it that don't require you to make a comic - but if you really want to make one, there are ways to get into that industry through writing in other ways such as pitching scripts to comic publishers and/or going indie with webnovels. Ultimately, if many of us webcomic creators stopped drawing our works, we'd still be coming up with stories to write, because that's what's really at the heart of these sorts of projects. So even if you can't get into comics right away due to lack of visual artistry, that doesn't mean it's off the table forever ( ´ ∀ `)ノ~ ♡
Sorry, that was a lot of rambling but I hope it helps ! Remember to keep your goals and expectations manageable, and most of all, write lots! You'll be doing it anyways regardless of whether or not you get into comics, so whatever value you see in getting into comics is up to you to determine! You don't have to know right away, it might be something you'll find along the way or have to adjust as you get more experience, but don't stop yourself from getting creative and messing around until you find out what works! You won't know if it was worth leaving your comfort zone until you try it <3
Good luck! (•̀ᴗ•́)و
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it was always a strange dichotomy.
every middle school classmate i had told me i'd be a millionaire when i grew up, a Famouse Artisté. it's easy enough to imagine as a teen, i suppose: skill equals fame equals money. i was doubtful about this prophecy, not because i wasn't confident in my ability to draw, but because it was hard to imagine a world where i'd be paid for it.
it was an ice breaker game at summer camp. horrible one, really - everyone in a group were given a character profile. now we had to imagine that it was the zombie apocalypse, and the helicopter to safety was two seats short and we had argue why we deserved a spot. the character i got was an asshole doctor of some kind. i don't remember if i argued my way into the helicopter or not, but i do remember the feeling that's been hanging over me my entire life - if the apocalypse happens right now, i have nothing to contribute.
there's something really painful about it. i have cultivated a skill for my whole life, i can make art and tell stories that are entirely unique to me, there is no way to get someone else to create in the exact same way i can, and yet - i've contributed more to capitalist society by sitting in an empty hotel reception for eight hours a day.
which made me develop anxiety, to boot.
i illustrated two children's books. they're some of my best work. the contract i signed was industry standard and the indie author who had hired me was incredibly kind... but even after stock sold out i had earnt little more than some pocket change.
in high school we had an outing to dig our own snow caves that we would spend the night in. in teams, thankfully. i have so little physical strength to speak of, most i could do to help was clear away the snow rubble and toss it outside. i know, i know, my classmates reassured me it was an important job to do, i was an invaluable member of the group, sure - but it's that feeling, you know?
what would my task be in the communist solarpunk commune?
a person cannot be useless. it's a human being. they just exist, no ifs and buts about it. one can only be useless in the eyes of an ableist, capitalist society that sees no value in being alive beyond production and profit.
sometimes i receive messages from internet strangers to tell me something i said - often several years ago - was helpful to them. maybe it was a throwaway comment on a forum. maybe it was replying to a question they could've googled the answer to. maybe it was an encouraging reply to someone's artwork. turns out it mattered to someone. huh.
of course you can learn new skills. i have learnt plenty over the years! i have also learnt that there are limitations to what i can do. that some of the obstacles i face are not in fact obstacles everyone faces. it's not that i can't break tasks into smaller steps, it's more that half of those steps are going to be "rinse your hands because you Touched a Thing and now you're going to have to touch Another Thing." i wonder if that's adding to my cognitive load or something.
i was never raised to be a man, so by all accounts i do not understand why i'm so haunted by the spectre of toxic masculinity - what would i do if i was a medieval peasant and a war broke out? what if i was in a pre-historic hunter gatherer society and i was expected to hunt? what if i was a humble farm boy discovering the sword of the chosen one and the world depended on my non-existing courage to face certain death?
look, it's stupid. these are not scenarios i will find myself in. besides, pre-historic humans depended on community and taking care of each other. that's how we survive.
i'm not useless and i decided to make peace with being useless anyway.
we're surrounded by digital clocks. we can't really escape them. do we need watchmakers? would they save me a spot in the zombie apocalypse helicopter? no, don't answer that. i'm just happy i found something that requires a light touch and an observant eye.
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Charles and fem osc having such father-daughter energy whenever they’re together
yup. charles saw girl!oscar winning qatar while max absolutely dominated the season and was like "this is my child now"
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core
tell me core how do you push through with writing and editing
i have like so much wip ideas written out, but when i try to add more to it, i blank out 😭
there's a bird inside of me that won't stop singing.
sometimes she sings for hours. sometimes for a few minutes. sometimes she sings when i don't want her to, and she's silent when i need music. sometimes she's silent for a long time. i try to give her water. i poke her. i take her on walks. sometimes she sings again. sometimes she doesn't.
sometimes she sings and i don't like the song. i try to change it. morph it. the song dies with my meddling. sometimes she's missing a stanza for weeks and when she suddenly finds it, she won't stop repeating the lyrics over and over.
you can't push your bird to sing no more than you can force your hands to create art. short songs are just as good as long songs. simple songs are just as good as complex songs. someone's bound to stop and enjoy the melody, even if it's just you. even if it's half finished. you can try to add more or force it, but there's really not a way to push through something like that, ya know? encourage yourself. give yourself a healthy environment. inspire yourself with other art, or songs. give yourself rest. maybe that wip idea just stays an idea. maybe it turns into a story. either way, nothing good will come from anything if it's forced.
there's no right way to do it; but just make sure you don't kill your bird.
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To answer this reblog https://www.tumblr.com/molinaskies/756745213630939136/alexs-prompt-folder-anonymously-or-not-tell
This was extremely difficult to answer considering the amount of MOMENTS that had me melting, like the photos in Chapter 6. But if I had to pick, it would be:
"Who was it who taught Gamma, a non-sentient robot, how to think and feel? Who appealed to Shadow's love and dedication when he was blinded by rage and fury and revenge and pain? Who stepped up to keep Cream and Big hopeful when Metal Sonic kidnapped their friends? Who kept my head on straight when I was all bummed-out over 'mister monster guy'?" I squeeze her shoulders tighter with each question. "Amy, who keeps me fighting every single day?"
Ik this line may not be as deep as later on in the fic (won’t say what for spoilers to others 💅please go read it, it’s better that way).
But my heart was in joy having Sonic tell Amy about her efforts and what she accomplished from literally just being unashamedly Amy, even when it’s not acknowledged often or seen as important as what the other characters have achieved.
And the last line??? 🫠
Sorry it’s taken me so long to get to this one! Thank you for your kind words 💕
I’ve seen some feedback that Amy’s arc in ILYCWM feels “out of character” or “regressive,” in that Amy’s been more confident and productive in recent iterations. I get that, to a degree, but I still completely stand by my decision to delve into Amy’s anxieties the way I did.
I started writing ILYCWM in 2021 as an “in defence of Amy Rose” from Sonic’s perspective. I wanted to showcase how Sonic views Amy, what he appreciates about her, with the overall “point” to prove that he’s always loved her. My original outline was built on the different traits of Amy’s I wanted to highlight: chapter 2 focused on Amy’s silly, adventurous side; chapter 3 focused on her compassion and stubbornness, with hints of a strong desire to prove herself alongside a weakness to (rare) praise; and so on.
Of course, as I kept writing, Sonic’s character arc evolved in a parallel to Amy’s, but it was important to me to build up Sonic’s view of Amy in order to shatter that paradigm with how Amy views herself. That’s where the climax you quoted came from! It serves the purpose of not only showing Amy her value but showing the audience her value.
As for the last line, I’m not sure which one you’re referring to, actually! Depending on when you read the fic, you would have read it before or after the prologue was released (which came about 4 months later). Let me know!
“[…] her shield of optimism shattered in front of me, and seeing the dysphoric state she lives in daily shattered mine. We put each other back together, but we traded a few shards in the process, and I’ve been living the effects of our new mosaic ever since.”
———
“I Love You - Come With Me”
What if when Sonic asks Amy to go with him on an adventure, she says yes? They’ve always been inseparable kindred spirits, but what exactly makes their bond so unique, and where do they make each other stronger?
This is my Sonamy Thesis. This is that story.
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Any advice for writing fic? I used to do it but it's been a few years so I feel so rusty
i drafted a response to this a few times and deleted it each time because i felt like it was really cheesy. i still want to say it, because i really believe it, but i'll start with a revelation from my dark past to contextualize why i believe it:
svsss isn't the first fandom i've written for - it's the second. the first fandom i wrote for was years ago now, and back then, my writing was drastically different. i'm talking way different; think writing everything in the first person and describing characters as "green-orbed brunettes."
those things aren't inherently bad, of course! at the time, i was really proud of my writing, and i still am to some degree - but my tastes have changed since then by quite a bit, mostly informed by stories (fic and original) that i've read since then.
and because of that natural change in my own preferences for what i liked to read, the way that i wrote naturally changed too.
it had been about... 6? years since i had stopped writing fic when i suddenly decided i wanted to write fic for svsss. and even though i hadn't been writing all that time, the first fic i wrote for svsss was - in my eyes - a dramatic personal improvement from the last fic i wrote for my old fandom.
basically, what i want to say is this: how can you be rusty, when you've been reading things this whole time? how can you be rusty, when you've been slowly absorbing things you both liked and disliked, subconsciously noting what you think makes for a good story?
i 100% understand that it can be a bit nerve-wracking to restart a hobby you've let gather dust, but it's a hobby for a reason - you do it because you enjoy it! and so long as you're focusing on making something that you personally like, i full-heartedly believe that the fic you make today will be better than the fic you made years ago, even though you haven't practiced writing fic in all this time.
...ah, it still turned out really cheesy 🙈 well, anyway, have confidence and have fun! and if you wanted Real™ advice instead of this wishy washy stuff, i have another post where i give some more actionable writing tips. good luck!!
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do you have tips on drawing robots/mecha?
augh I really do wish i could have like a really good and thought out tutorial but honestly I don't even know how I learned WAUUHH
ummm I think if I had any tips that I personally had to share which isnt a lot
1. try focusing on bolder geometric shapes!! it REALLY helps to sell the mechanical look. organic things tend to have a lot of soft irregular shapes, so deviating from that helps makes things look inorganic. also, try and picture things as a 3d model in your mind if you can! (if you can't, that's alright! people's imaginations work differently, some people can picture things, some people can't. that's just what I personally do)
2. exaggerate your parts and proportions to your hearts content!! robots and mecha are an excuse to really go crazy with things!! while something like drawing humans would typically have sort of a 'set' anatomy and proportions (varying on art style of course) mecha isn't really bound by any set of 'rules' especially if you don't care about being realistic!! (which i dont HEHE)
3. study and try and learn from some of the details of other mecha art. watch/play/consume media that focuses on mecha/robots like gundam or things like transformers, etc. other things that are good to study is real machinery, dolls, and real organic anatomy in general. i'd probably recommend searching some terms like "how to draw mecha/robots" on here and seeing what other tips more experienced artists have
4. PRACTICE!!!!!!! this should be like the tip ever for anything at all. im only able to draw like i am now because i spent a good few years drawing almost nothing but transformers which sort of forced me to learn. don't stop trying even when things look 'wrong' because fucking up is how you get better at Not fucking up
here's a snippet of like some of the first mecha art i can find in my files from back in 2021, you can tell i wasnt really confident in my shapes at all at the time, but keeping at it gave me the ability to improve
(obviously none of these are concrete rules pls dont take them as such!!! i also HEAVILY encourage finding lessons elsewhere because beyond generic primary/middle school art classes i have never taken any sort of art education ever and I have no idea what im talking about. i'm entirely self taught, and i've also rarely done serious studies on my own. bad, i know WAUUUGH.)
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hii !! bit of a strange question, but i really want to write my own smiling friends fic but i’ve never really written a fic before,, do you have any tips you don’t mind sharing ??
OKAY YOU KNOW WHAT?
YOURE GOING TO WRITE. YOURE GOING TO WRITE SOMETHING THAT MAKES YOU HAPPY. YOURE GOING TO WRITE SOMETHING YOURE PROUD OF. YOURE GOING TO WRITE AND WRITE AND WRITE. AND YOURE GOING TO ENJOY IT GODDAMN IT.
DONT GIVE A FUCK. ABOUT WHAT OTHER PEOPLE THINK. WRITE FOR YOU. WRITE WHAT MAKES YOU HAPPY. NOTHING ELSE MATTERS. AS LONG AS IT PUTS A SMILE ON YOUR FACE, YOURE DOING A GOOD GODDAMN JOB!!!
AND YOURE NOT GOING TO COMPARE YOURSELF EITHER. YOURE GOING TO FUCK UP. AND THATS SO FUCKING AWESOME. YOURE GOING TO LEARN AND GROW ITS GOING TO BE SCARY BUT IT WILL BE SO FUN.
yelling out of the way, when i have an idea, i just write the scene out in my notes app. the first scene i wrote for creature of habit wasn’t the beginning, it was the scene where they kiss on the car. you can worry about formatting and tying stuff together later—- just write what’s in your brain :)) i have faith in you, and you can do it!! and if you feel comfortable enough, i’d love for you to send it my way!! of course, no pressure :)))
good luck and have fun!!!!!
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five stages of grief but it’s five stages of social anxiety
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