#convinced people are just making these things up at this point

[gabessquishytum]

Dream is a vampire who struggles with luring in thralls. He can put people to sleep, which works just fine in order to feed himself with minimum fuss, but he can’t seem to find the knack to tying even one mortal’s mind to himself for the long-term, who is forevermore convinced that all they live for is to provide him blood and devotion.

All of his siblings can manage it in one way or another; for example, Desire has a gift for making their thralls believe that they fulfill all the humans’ strongest wants and longings, Death manages to convince her thralls that she’s their dearest and oldest friend and thus someone they can trust implicitly, and Destiny somehow overwhelms his thralls with the belief that they were always fated to stay by his side and provide him with sustenance.

Dream has been studying and researching and preparing though, and he’s ready to try luring in his first permanent thrall, the perfect companion and pet to care for and feed from.

And here in the woods, away from anyone that might stop him, he finds the most perfect man seemingly tailored exactly to his taste. At first sight, he knows that he wants this man always beside him, prettied up and pampered like a good and precious pet should be.

Dream wants to have him wrecked under him, to see those big brown eyes well up with tears as he begs for yet another orgasm. Dream can already see it in his mind’s eye, can see this lone traveler turned into his sweet little pet, his mind fucked out of him and enthralled forever.

And so he steps out from the trees and throws everything he’s learned into the thrall magic. His voice is as soft as a lullaby, and he coaxes the man’s name — Hob Gadling — and life’s story out of him until he is entirely at ease, allowing Dream further and further into his space and thus tightening the vampire’s hold on his mind.

Before long he’s enticed Hob to lay back on the forest floor and remove his clothes, to open his legs up to him and bare his neck.

Even with Dream’s new knowledge and skill, he’s amazing at how easily Hob falls into the thrall, already looking at him with eagerness and adoration even as his back meets the ground, immediately agreeing when Dream proclaims that Hob now belongs to him, is his forevermore, and will consider Dream his beloved master. The only conclusion Dream can come up with is that the darling man is particularly susceptible to mind magic, practically made to be a devoted pet to someone like Dream. Clearly it’s a good thing he found him when he did, before some other unscrupulous creature could snatch him up and take advantage of him, abusing the poor thing before draining him dry.

As Dream pounds into his new thrall’s hole and lovingly licks the bite marks he’s left on Hob’s neck, he revels in his newfound skill, and looks forward to taking very good care of his pet.

——

Hob Gadling is a fairly seasoned traveler, and has gained a few boons on his adventures from decently powerful people. Like the spell cast on him by a grateful witch that permanently grants him immunity to mind manipulation magic, including vampires.

So Hob could be considered safe in his own mind when the beautiful—and clearly vampiric—stranger emerge from the spooky woods and immediately tries to enchant him, and doesn’t appear to realize that the magic isn’t touching him. It’s ultimately a moot point though, when Hob “But Red is My Favorite Flag Color” Gadling decides to go along with it anyway, allowing his new “Master” to fuck him and feed from him, and then take him home with him afterwards.

At some point Hob might decide end the charade and continue his traveling, but as he shamelessly rubs himself against an indulgent but pleased Dream as they settle into his new home, he has a sneaking suspicion that it’s an unlikely possibility.

(He is admittedly looking forward to seeing how long it will take Dream to realize that Hob is in fact unaffected by his magic, and is choosing to be his pet. At the very least he’s curious if the vampire will even notice that Hob is a particularly long-lived pet, thanks to a different boon of immortality given to him by a grateful goddess he once helped 😁)

-🪽anon

I'm on a real vampire kick lately what with Good Dog au AND it being spooky season, so I am sooooo into this!!

The truth is Hob was kind of going through a rough patch, so he was very grateful to be taken in by such a kind, sweet "master". Dream isn't the type to want his thralls all skinny and beaten up, far from it! He makes sure to give Hob the absolute best of everything: nice new clothes, good food, warm baths. He really treats Hob like a pampered lap dog, always trying to tempt him with some new treat or gift. Hob quickly becomes very spoiled and is very content to laze around while Dream takes care of him. The best part is that Hob doesn't even have to think for himself, because Dream does all the important decision making. Hob’s only job is to thoroughly enjoy himself and act like the cutest little himbo.

He wakes up each morning and gladly spreads his legs for Dream to fuck into him. Sometimes he dozes off again while Dream works his pretty little hole. Sometimes he stays awake while Dream plays with his nipples and makes him beg to be allowed to cum. Either way Hob always bares his neck eagerly: he LOVES being bitten and will pout if Dream doesn't drink "enough" from him. What a sweet little pet he is!

When Dream’s family come around and inspect his new thrall, Hob has to press a finger to his lips and silently beg Death and Desire not to tell Dream that he's not actually under any spell at all (they can tell immediately, of course). And they do keep the secret, because Dream finally seems so happy, and there's no harm it in really. Hob is enthralled by Dream, just not in a magical way - it's just love.

Hob is so relieved when Dream’s siblings go away. He crawls right into Dream’s lap and starts riding his cock, rubbing all over him and nearly purring. He doesn't want to travel anymore or be cold and wet and alone. He's so happy with his "master", why would be ever want to leave? He's quite happy to be Dream’s spoiled pet immortal blood bank, thanks very much.

And Dream never wants or needs another pet, with Hob’s delicious blood sustaining him. He's so glad that Hob seems happy too... maybe Dream IS good at keeping thralls, after all!

[demodraws0606]

My thoughts on the latest episode (aka HU IS THE CULPRIT I WILL DIE ON THIS HILL)

Warning : My sassy attitude is not directed towards anyone else, I'm simply amusing myself and also I've only gotten barely 5 hours of sleep god save me.

This is gonna be very long and messy so strap in folks

It's so obviously not Eden or Ace it's painful (idc 'i'll die for my hubris). Not even just because Eden lying and being the culprit after all of that would be both underwelming and just...miserable. But also because of how the way we're getting the reveal in advance that it could only be Ace and Eden. The fact the cast was already on Eden's throat as well just makes this point even more clear to me.

This isn't like fucking Korekiyo in chapter 3 of DRV3, this isn't how a culprit reveal happens. Especially not when there's so much we don't know yet.

So who is the culprit ?

...

It's Hu, it's literally Hu.... and like 1 pourcent chance it's Nico but I think both of them are accomplices here.

The thing is, I don't buy any of the shit Nico is saying, their admission of guilt is strangely quick and detached. They also seem to go along with anything people say about them (like them framing Hu) which makes it even more suspicious, they could've just said they used Hu's weapon out of conveniance ? The only thing this episode has proved me is that Nico is an Active accomplice rather than a Passive one like I thought. For what reason ? I honestly don't know fully yet but again we don't know a lot about Nico anyways.

Hu's behavior really makes me think she did it and is acting out, mostly out of guilt. She seems really stressed this trial which while makes sense for character reasons, it also makes sense if she's the culprit and feeling guilty. It would explain her defending Eden and Nico mainly I think despite her probably being the culprit she doesn't want the perception that Eden/Nico has to be broken (especially not bc of her). I've already explained how Hu being the culprit makes sense from a character perspective so I'm not gonna get more into it.

By the way any arguments in this post being like "it would be out of character for Nico or Hu to do that" should honestly review their own hypocrisy if they think Eden did it, or even Ace for that matter.

Another thing that makes me even more convinced that it can't be Ace or Eden is that...you can't fucking prove any of them did it with 100 pourcent certainty. David fucking threw the BDA rule out of the window, so we can't be sure Eden didn't do it but like what decisive evidence would make it clear between the two of them.

The only pieces of evidence we have left is :

-The sticky ball of clothes (most likely turpentine because the soil of the relexation room would cause the ball to have stains on it)

-The alibi for the relaxation room water

-The missing glove (which I think i've changed my opinion on what it could mean here)

Eden did know about the ball of clothes (but that piece of fucking evidence has strings attached so we'll get to that) and Ace doesn't have an alibi against taking the water like Eden does.

The missing glove is the only evidence left untouched here and honestly I actually don't think it had anything to do with the glove having someone's hair or anything, mainly because first of all the culprit could've technically just removed any hair on the glove even if it was sticky.

And also there's something else that makes more sense.

I think they probably had to use the glove to avoid rope burn while trying to set up the mechanism to kill Arei. Especially with how high the playground's ceilling is, it wouldn't be child's play. I'm not really good at deciphering what could've possibly happenened directly in the murder but I'd argue it's just more likely that the culprit would be put in a situation were rope burn could happen. This murder set up would require a lot of physical effort, and if the culprit even slipped for a second their hands would end up being damaged from rope burn making them obviously look guilty (also ouchie), which I think is what happened.

It would also explain the scuffs on the floor, maybe the culprit was struggling to hold onto the rope leading to them causing marks with their feet while trying to pull on the rope.

The reason why I think the glove is missing is probably because it's damaged and the culprit wanted to avoid the cast knowing they used Arei's glove during the murder. In fact it's the only piece of evidence that is completely missing

But why ?

Has anyone realised something about, I argue, the three other main suspects here ?

Nico, Eden, Ace ?

They all have gloves.

"But a huge portion of the cast has gloves this doesn't mean anything, it's just a stylistic choice !!" Yeah, the majority of the cast has gloves.

I think now you can understand why the culprit wouldn't want the cast to know that the glove was used. Because if the cast did see the glove that was probably damaged, they would assume the culprit wore it and it would narrow down the suspect list to an extremely narrow pool. This forces them to basically take the glove and hope to fucking god the cast doesn't catch on which they clearly haven't yet.

You know who doesn't fucking wear gloves.

HU JING

My girl got no gloves on !!!!

So yeah, with the glove being untouched evidence yet I think it will be the main decisive thing to point out who the culprit truly is, and I just don't think it's just gonna be like "oh let's just search everyone to see which one has the glove !". For all we know the culprit could've fucking eaten the glove, I don't think we're getting another Min in trying to search shit on people's person.

Anyways I'm gonna transition to other stuff to explain how the Nico and Hu theory makes sense from a logical standpoint here.

Let's get on to the sticky ball of clothes.

First I want to get it out there that I do not think the ball being sticky is due to the soil of the relaxation room. Mono-TV's talk about the "special formula" was mostly to foreshadow the floor of the playground's properties, also the fucking ball would have stains on it.

For me this means the ball of clothes has to have been covered in turpentine especially now that we have confirmation from Ace directly.

This is extremely huge and I'm flabbergasted has no one has mentioned this. Pray tell where the fuck did that piece of cloth go, did it get isekai'd into another world ?

This question actually has multiple meaning here because that fucking ball of clothing actually has massive implications. It confirms a lot of things and also puts a lot of doubt in things that seemed to be confirmed.

Before that I also want to say that Arei 100 pourcent got knocked out with turpentine. I don't want to argue over and over again that it was used because I've done this before but I have to since there are multiple reasons why she had to have been knocked out.

The floor is extremely prone to scuffs, if Arei was struggling then we definitely would've seen more than just a few marks in one area.

The method of murder would have been extremely difficult if she was struggling, like to a ridiculous point. Especially with someone like Arei who has been shown to have been sneaky and very prone to attacking people in their weak spots.

The tape binding Arei's hand in hindsight actually probably wasn't to avoid her struggling, it was most likely due to how the mechanism of the murder work. Keep in mind how the murder had to have worked and imagine if Arei's hands were just loose and flopping around. There could have been possible injuries with her arms that would ruin the culprit's obvious plan to make it look like a suicide. It also just makes sense for weight reasons, again Arei having her arms flopping around would make moving her body even more difficult.

And even if you want disagree with all of that, the culprit could've just binded her tape to avoid the same mistake that happened with Ace with him waking up from the turpentine.

Now that I've made my case about Arei being knocked out, let's get on the actual new arguments I want to make.

First, we know for a fact that a piece of cloth was used to knock out Ace meaning it has to have gone somewhere, if you say "well they could've just thrown it away" I will personally come into your home and shit in your shoes. And you're also wrong because I've already proven that Arei had to have been knocked out.

This means the only piece of cloth available to us would be the sticky ball of clothes.

But...like let me just explain everything that's mind boggling about all of this.

-This ball of clothes had to have been made for Ace's murder to knock him out

-The only people who knew about the old clothes were Hu, Teruko and Whit. Eden only knowing later on, way after Ace's murder was planned probably, because Hu told her about it.

-The culprit used this ball of clothing against both Arei and Ace

-The cloth is suspiciously absent from the murder scene, which makes no sense considering Nico's account rely on them not having left the gym while trying to murder Ace. Them leaving to chuck the cloth aside only to come back to the gym doesn't make sense with the timeline in how we discover things.

Yep, I'm making the claim that Nico didn't actually kill Ace here, I still think it's Hu. Again you can try and complain all you want about how it's out of character for Nico but the reality is...shit is not adding up.

It's really suspicious how silent Hu becomes when her weapon is brought up, immediatly clamming up and not defending Nico anymore. When Teruko makes assumption that Nico lied to Hu to get her weapon, she doesn't reply with a betrayed "Nico is that true ?" or even a sentence she responds with "That's...". The amout of ellpises both Nico and Hu give are extremely suspicious and just make me side eye both of them extremely hard.

I'm gonna go on another tangent here, on the subject of Hu being suspicious. Mainly because I do wanna point out a moment that both makes Eden seem a lot more innocent and makes Hu a lot more guilty.

The subject of Arei potentially committing suicide.

Now, it's very clear that the way Arei was hung was meant to make it look like Arei killed herself, this was very much meant to be the culprit's intention. Both to hide the true murder mechanism and probably to mislead the cast. The fact that it's only an incidental red mark of Arei's wrist that proves she didn't kill herself, proves that the culprit intended for it to look like a suicide.

However guess who argues against this...Eden, which, if she is the culprit I don't see why she would do something like that (and if you say "well why is Hu defending Nico and Eden" I already explained it). Clearly the Eden!Culprit theory relies on her being capable of manipulation so there's no reason why she would be so caught up in her own feelings to just ruin her own plan like that.

You know who seems to really be into the idea of Arei killing herself though, Hu.

That's all I have to say on that, now let's get onto how I think Nico actually helped Hu.

I do think there's still a 50/50 on them working directly together or just Nico catching onto Hu's plans and deciding on their own to help her.

I do think Nico directly helped her though in two major ways

First, the water, it's the obvious one. Nico probably ended up giving the water the Hu here weither they did so with/without knowing Hu's intention doesn't really matter since they're deciding to keep quiet about it now.

I also want to quickly mention how Hu getting water from the relaxation room makes a lot of sense. Hu was busy with Eden in the kitchen and Teruko had taken all the drinks from the gym, so it's likely Hu was forced to take the water from the relaxation room.

Second, the note

Oooo baby let's get into my favorite realisation in watching this episode.

One piece of dialogue has made me realize something

This made me puzzled too, because yeah, who would be listening in and how did Arei not notice when she went into the room ?

Let me take you all back to Chapter 2 Episode 5

Rose and Teruko have a conversation about Rose's secret and that conversation lasts a good while, until...

Nico was actually shown to have been there the entire time, Teruko and Rose were talking without noticing they were there.

Nico then explains themselves like this, pretty much proving this is something they just like doing casually sometimes.

This actually would explain everything on how the eavesdropping happened, Nico was on the literal fucking floor of the infirmary leading to them listening to everyone's conversation. Which tmeans they could have had the information to write the note.

This would explain the inconcistencies as to why would the culprit know to eavesdrop and how they didn't get caught by Arei when she was barging into the room (if they were outside by the door).

Now this leads to two possibilities with Nico and their relation to Hu.

Either they worked together with Hu and they both came up with the murder together. Which means either of them could've written the note.

Or Nico helped Hu without her knowledge, making the note to help her (edit : just realised this doesn't make a lot of sense ignore this).

I believe this is all I have so far and I'm very tired so you won't get a conclusion

Oh wait I hear something in the background...

"WHAT ABOUT THE TAAAAAAAAPE"

First of all, y'all gaslit me into thinking Ace couldn't have taken the tape so I'm already sick of this tape bullshit being used as decisive unshakeable evidence.

You know what I think probably happened ? Ace took the tape, after all it disappeared when he woke up and it's possible that he just then threw it away in the trash.

I mean Ace did say he was gonna "commit a murder of his own", it would be in line with him taking the tape.

Why isn't he talking about it then ? Because he'd be seen as the fucking culprit and also Ace is not really the most honest bitch out need i mention Ace witholding info about David and Arei's conversation.

[sgtpeppers]

Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:

Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public! 

The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭

Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Richard Short and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much. 

Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great 

Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit. 

One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed 

Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it. 

The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here. 

Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people. 

SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!! 

The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly. 

Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go 

Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this

[myfairkatiecat]

okay so shannon giving us a keefe pov seems actually lowkey important and what i would do in the story rn but I'm not convinced she's going to use it to do the things I feel like we need her to do.

let me explain.

Shannon set Sophie up as a character who behaves certain ways. A lot of those ways are very good, and she's certainly a hero, but she also has character flaws that get worked through. For example, she can be a little reckless (personally I would have made all the same choices) (I know we think of Keefe as the reckless one but he's a different type of reckless) she can prioritize the wrong things, she can be disorganized, etc (all things that are super valid and understandable and make her relatable btw. I am a sophie foster defender)

and BECAUSE sophie is the protagonist, we see all of this develop. She has certain qualities that are a little stagnant sometimes, at least if you look from the outside, but there's actually a ton of development going on. She hears others' opinions on her actions, good and bad, and the reader sees how this impacts her and how she grows and changes, even if that change is nonlinear or in many ways she stays the same and just grows more mature.

Here's the thing about Keefe. he wandered out of side character territory and into second main character territory starting at the end of everblaze and peaking in legacy. And Shannon has been INTENTIONALLY writing him with consistent character flaws since the beginning, explainable by his past circumstances in fascinating ways. But we aren't there to see a lot of the falling out for that stuff.

A lot of people complain that keefe never faced consequences for stealing the caches or never had the black swan or adults yelling at him or mistrusting him or his friends avoiding him. And like... we do not know that. It could simply be that that was just not Sophie's problem at the time. Sophie also may have simply not been one of the people giving him a difficult time about it. In fact, we know she wasn't, but boy oh boy Fitz certainly didn't bounce back in less than five seconds. And we don't know what the Council and/or black swan did with him that sophie just wasn't involved in--and bc it didn't become relevant to the plot from sophie's perspective, sophie being the actual MC, it just seems unimportant.

Another thing is that Keefe has a lot of the same character flaws throughout the series, but they do shift somewhat with his experiences, and that's without us even seeing in his head, you know? So here's the thing.

Shannon went and started developing Keefe like a second protagonist (who is interestingly also an anti hero in some ways) and even if you aren't a person who thinks he's the most developed character on the paper (disagree but see where you're coming from) he's DEFINITELY most developed in shannon's brain, and that bleeds through. But then we ONLY see Sophie's perspective BECAUSE THIS IS SOPHIE'S STORY, and everything revolves around what is relevant to the plot from her perspective, and then keefe is just in the background being extremely important and relevant and having all these extra issues that we ONLY ever see from sophie's perspective.

Unlocked was... well, it was half a book, and only half of it was keefe. I actually do think his perspective was enlightening in some ways, but a full keefe book at this point kind of seems necessary to me. Because... he's taken on the role of another main character in this story, but we don't see any of that development happening, and for a lot of people i can see that getting taxing. Now I get that those same people also wish keefe would just. step back from the plot. and i get that! but I think with the way he's involved in the plot NOW, seeing his perspective is important, because sophie's POV (especially with her unreliable narration) doesn't give us enough of a window into the complexity that is keefe's worldview right now, especially with all the ways he keeps impacting things. it's just a really important perspective to have at this point.

Shannon, if unraveled is just keefe trying different human foods and giggling like a kotlc react on wattpad, I will probably enjoy it bc i love your work always, but i will also be shaking you by the shoulders because we need this book and you better spend it doing the things we need

[ghouldtime]

I just followed you based solely on an ask you responded to because I very much vibe with a Ghost who walked into a craft store for paint and came out with two new hobbies.

💚💚💚💚💚💚💚 AHH THANK YOU SO MUCH!!

I'm a proud 'Simon "Ghost" Riley is just A Dude ©' Truther

I love seeing that where he is just living a nice domestic life. I usually write spooky AU's or things with the paranormal but he's always just a dude there too, I like keeping him like that!!

To me, I can never look at him flat on and agree with the version of Ghost that people usually write (no shame to those who do, keep doing whatever makes you happy - it's not personal it's just not my taste) where they make him this ultra edgelord dommy sigma guy where he's always somehow towering over EVERYONE, growls every word, and is just???? That version viscerally reminds me of my early wattpad days or those rlly weird thirst trap biketoks

Like, have you LISTENED when this man speaks? Have you heard his jokes? His sense of humor that he doesn't hide??? Give me the dad jokes, give me the terrible puns that would make you give him a significant side eye if you heard them as his shoulders shake with the laughter he's trying to hold back !!!

Soap implied he made his masks and he probably would have to to make sure that hey, this isn't something flammable. I don't think he'd just buy something that personal to him. Which means he would have to sit down and pull out the paint kit, pull out the Dremel, and get to work

THAT MEANS he has to go buy the art supplies. He has to go shop for them and browse the aisles of paint, holding up two of the bottles, determining if he would rather have Eggshell white or Ivory. And I'm convinced that yes, he knows there's a difference and he'll insist on it and NO it's not the same shade

He sews, he has to. He HAD to have made his mask. Sewing is also a super practical skill when you're out on the field and it helps improve dexterity and coordination so I'm going to say it's likely he does. Sewing is super cool y'all.

So I implore you to imagine him in the fabric store, trying not to get distracted by the seasonal prints or the really ornate shimmery fabrics that you can't help but to look at. I refuse to accept that he hasn't sewn pillows in his house just because he liked a certain fabric and wanted to use it

And I'm going to say he's made a god awful holiday themed mask. It's simultaneously the most ugly thing you've ever set eyes upon and the greatest thing ever too. He's committed to the bit

He's also picked up embroidery because, like sewing, it helps improve your dexterity and keeps your hands busy. It's also practical because how else can people steal your things or confuse them if there's a tiny ghost embroidered on the hem????

He's just a guy and I love imagining Ghost with actual domestic hobbies, being himself, living his life (falling into the trap we all do at some point of going into an art store and finding something interesting to do)

Just A Dude© Ghost is my favorite and I'll never let him go

[reblogandlikes]

I'm convinced I'm not the target audience for the acotar series because I just saw someone say that they're rereading it and somehow love Rhysand more...? The first time I can understand the lack of introspection and caught up in the hype, but the second time? Seriously? Do people honestly think as Feyre and the IC does about him and are unable to see past the false persona of "amazingness" when he's a terrible leader and throws his power around to those who rightfully challenge him as a form of intimidation?

Maybe because they know where they story ends, they're now reading everything from a 20/20 romantic lense because they "understand him", but even with this understanding, to me, makes his entire personality even more underwhelming, forced and unnecessary. Oh so powerful, yet barely does anything substantial with it. Then what's the fucking point of you other than to fill a "morally ambitious", super powerful, dark haired quota trying to convey feminism, but not actually?

And then, when I'm critical, I have to check myself and ask if I'm being bloody pompous, but no. No, I'm not. The love for Rhysand is baffling for the genre he is in, and i think that's one of my main gripes. Dark romance, sure. But not in a series that has the audacity to hammers down "abusive" behaviour on one character but not the other in the books and by fans in online spaces. It's so weird. If you have fae's, let them be viciously so, because they are not human. Their behaviours and customs should be the differences highlighted. That should be the appeal, or am I wrong? Not for the faeness to used to be OK in one moment, but not in the next because it doesn't suit the convience of the plot or may paint your beloved in a bad light. You've then just convoluted your own world, sjm, and takes away character depth.

I'm tempted to say that I've aged out of sjm's storytelling style, but i've witnessed fully grown adults eat this shit up. But age has nothing to do with this, and I'm just honestly at a loss. I feel like an outlier. Like, I'm just not getting the appeal to these favourable characters and get frustrated when things are clearly unjust or misrepresented, yet others swear ones actions and behaviours are perfectly fine yet hate to see it in others. You can't just pick and choose when shit is ok or not, especially when the characters have very similar reasoning behind their actions. Maybe I like shit to be nuanced too much, which would explain why it irks me of being told what to believe in contrary to evidence.

It's ok to like whatever book you want, but just dont lie about the content within or delude tourselfninto believing characterisations that are false because even authors fall victim to their own character bias. *Sigh* So I'mma chill and go tackle the books on my tbr.

[theotherpacman]

got s1 is really a very faithful adaptation of agot, with only minor divergences. sometimes I really love the little details in the book that the show doesn't have room for, but sometimes I like the decisions the show made differently.

things I appreciate about the book:

the fact that jon is 14 makes his naivete regarding the wall hit so much harder. he's just a little boy and he's willing to sign his whole life away bc he believes he can be a part of something noble... neither his father nor his uncle nor anyone else tells him that to take the black is a grim sentence steeped in shame

ned hearing that bran's direwolf saved his life and being like "holy shit I killed one of them... what the fuck did I do"

sandor just whole ass traumadumping on 11-year-old sansa completely unprompted and then when he realizes he's just made himself vulnerable for literally no reason he goes "if you tell anyone about this I'll fucking kill you"

mormont thinks jon will be disappointed that bran is now a cripple but jon is so ecstatic bran's alive that he picks up tyrion lannister and spins him around (tyrion is startled by this) and then proceeds to cheerfully make friends with a guy who hates his guts bc jon kicked his absolute ass in training

tyrion and bronn starting to become friends on the way to the vale <3

THAT SINGER BITCH i love him

"whatever you may believe of me, lady stark, I promise you this -- I never bet against my family" screaming crying throwing up

jon going to maester aemon and convincing him to let sam take his vows!!!! using the metaphor of the maester's chain to make his point about how just bc sam is different that doesn't mean he's useless!!!!!!!

TYRION FIGHTING IN THE BATTLE AGAINST ROBB'S MEN!!!!! THE SHOW DID HIM SO FUCKING DIRTY i get that they didn't have as big a budget back then but come on man ToT

"when the sun rises in the west and sets in the east. when the seas go dry and the mountains blow in the wind like leaves. when your womb quickens again, and you bear a living child. then he will return, and not before." LET THE BARRENNESS BE PART OF THE CURSE why did they cut that

when tywin says "because you are my son" tyrion fucking Hates him for that bc he knows that if jaime were he tywin wouldn't spare him a second glance, he's only Tywin's Son now that jaime is prisoner and might die at the hands of the starks

things I appreciate about the show:

arya shooting a bullseye from behind bran. queen

jaime being a dick to everyone all the time for no reason. just going around starting shit. also that scene outside robert's bedroom where he talks to jory. jaime in general

ROS!!!!! MY GIRL ROS MY ABSOLUTE QUEEN ROS

"she's our guest." "she's our prisoner." "do you find the two to be mutually exclusive in your experience, my lord?" lmaooooo get his ass maester luwin

"sometimes possession,,,,, is an abstract concept"

THE DRINKING GAME!!!! first of all it gives us more insight into shae as a person who is so different from tyrion's established worldviews, secondly tyrion is always going around saying offensive shit and he thinks nothing of it bc a) people say offensive shit to him all the time and that's one of the ways he deals with it and b) he's usually right BUT when he makes all those assumptions about shae he's totally wrong and she stands up for herself, but my favorite part of that scene is that tyrion is hesitant to share this traumatic story from his past but he's just made bronn and shae confront their traumas so now he has to share too. and I think that's beautiful

all of varys and petyr's bitchy conversations when they're alone in the throne room

this only covers the first book/season I might make more of these as I keep reading

[maybe-im-dark]

🔍 X-Men Origins: Wolverine & X Men 2 - The Cold Manipulation of William Stryker 🔍

Okay, let’s talk about the absolute MASTER of manipulation in X-Men Origins: Wolverine and X Men 2—William Stryker. If you thought this man was just another “mad scientist” villain, buckle up, because we’re about to dive into the layers of how twisted, manipulative, and downright delusional this guy really is.

1. The Ultimate Manipulator: Twisting Truth and Emotion

When Logan confronts Stryker about Kayla's death, we see the FULL extent of Stryker's manipulative skills. He doesn’t miss a beat—looks Logan dead in the eye and says, “I didn’t know it was Victor. I swear on my son’s life.” And for a second, you almost believe him, don’t you? Because he’s just that convincing. But let’s be real: it’s a complete LIE, and what makes it so twisted is that Stryker knows EXACTLY how to push Logan’s buttons.

The thing is, swearing on his son’s life means absolutely nothing to him. Why? Because he HATES his son. In the comics and movies, Stryker’s son is a mutant, and that’s a source of shame and rage for him. He despises mutants with every fiber of his being, even when it's his own flesh and blood. So, in that moment, when he swears on his son’s life, it’s not a gesture of sincerity—it’s an act of cruelty. He knows it’ll manipulate Logan into believing him, and that’s all that matters. Stryker doesn’t care about truth; he cares about control.

Key Point: Stryker’s willingness to use even the most personal aspects of his life as tools for manipulation shows how far he’ll go to get what he wants. He’ll twist any truth, exploit any emotion, just to keep people dancing to his tune.

2. Logan as the Ultimate Experiment

The moment where Logan gets the adamantium injection is the perfect example of how little Stryker values him as a person. When Logan’s heart and brain activity stop, there’s this brief moment where Stryker looks devastated—like he’s just lost something precious. But let’s be clear: he’s not mourning Logan’s death; he’s mourning the failure of his experiment. Stryker isn’t sad that Logan might be gone; he’s ANGRY that his weapon didn’t work. That’s what Logan has always been to him—an experiment, a tool, a weapon.

This man never cared about Logan’s humanity. He never saw him as a person with feelings, memories, or dreams. To Stryker, Logan was just another piece of the puzzle, another project to perfect. And the moment it seemed like that project had failed, Stryker wasn’t heartbroken—he was infuriated. That’s why he doesn’t even flinch when Logan starts to regain consciousness. There’s no relief, no joy, just the cold, calculating realization that his weapon might still be functional.

Key Point: Stryker’s reaction to Logan’s apparent death reveals his true feelings—Logan is nothing more than a tool, a means to an end. There’s no empathy, no connection, just cold, hard science.

3. Stryker’s Fantasy of Being a Hero

Here’s where Stryker’s delusion gets next level. He lives in this fantasy world where he genuinely believes he’s working with mutants to make the world a better place. But let’s be real—Stryker hates mutants. He despises them, fears them, and wants to control them. But instead of facing that reality, he convinces himself that he’s the “good guy,” that he’s fighting the “good fight” to protect humanity from the mutant “threat.”

It’s the ultimate form of cognitive dissonance. He’s not building weapons to protect humanity—he’s building weapons because he wants CONTROL. He wants to be the one who decides how history is written, who the heroes and villains are, and who gets to hold the power. And the most terrifying part? He actually believes his own lies. He’s convinced himself that he’s a hero, that his actions are justified, even as he tortures, manipulates, and murders.

Stryker isn’t just a villain—he’s a man who’s so deeply trapped in his own delusions that he can’t see the monster he’s become. He thinks he’s “saving the world,” but in reality, he’s only saving himself, saving his ego, and building a legacy on the bones of the people he’s destroyed.

Key Point: Stryker’s need to be seen as a hero blinds him to the reality of his actions. He isn’t fighting for a better world; he’s fighting to create a world where he’s in control, where he’s the savior, even if it means becoming the very monster he claims to be fighting.

4. The Warped Sense of Control

Stryker’s obsession with controlling the war against mutants isn’t about “protecting humanity”; it’s about rewriting history to cast himself as the hero. Every lie, every manipulation, every betrayal is just another step toward cementing his own power. He doesn’t care about right or wrong—he cares about winning. And that’s what makes him so dangerous. It’s not that he doesn’t understand that what he’s doing is wrong; it’s that he doesn’t care, as long as it means he gets to write the ending of the story.

5. “Only I Understand You, Logan” – The Offer to Join Him Again

In X2: X-Men United, Stryker tries to tempt Logan to join him once more, saying, “You were always an animal, Logan. I just gave you claws.” And there it is—the classic manipulation. He preys on Logan’s fear, his sense of not belonging, and tries to convince him that only he understands him, that only Stryker can help him find his place in a world that sees him as a monster.

But let’s be clear: if Logan had accepted Stryker’s offer, it wouldn’t have been a partnership. It would’ve been enslavement. Stryker would have used Logan’s power, his rage, his pain, and twisted it into something monstrous. He would’ve used Logan to kill his own friends, likely through mind control, and then basked in watching Logan spiral into guilt and self-hatred once he snapped out of it. Because that’s what Stryker does—he takes the broken pieces of people and molds them into weapons of his own making.

Key Point: Stryker’s offer to Logan isn’t about understanding him—it’s about owning him. It’s about taking Logan’s pain and using it as fuel to further his own twisted agenda. And the worst part? He’s so damn good at making you believe that he’s the only one who truly gets you.

When he looks at Logan, he doesn’t see a man—he sees a weapon. When he looks at mutants, he doesn’t see people—he sees threats to be eliminated or tools to be used. And that’s why he’ll never be the hero he pretends to be. Because a hero fights for people. A hero values life. And Stryker? Stryker only values power.

---

TL;DR: William Stryker is the ultimate manipulator, using lies, emotional exploitation, and self-delusion to control everyone around him. He doesn’t care about mutants; he doesn’t care about making the world a better place. All he cares about is control, power, and rewriting history to make himself the hero. He sees Logan not as a person but as a weapon, and his disappointment at Logan’s apparent death is the purest reflection of that. Stryker will always be trapped in his own fantasy, unable to see that he’s the real villain in his story.

[a-student-out-of-time]

Even using the carousel (“the spinny thing”) and the ceiling rafters as tools for the murder—would Eden *physically* be capable of doing it?

She is small and doesn’t seem that strong

((Compared to someone else with an Athletic Ultimate talent…))

//Not only that, here's something else I think more people need to consider: how could Eden, if she were the culprit, have possibly gleaned enough information from this scene to replicate the basics?

//When Teruko and her showed up, the entire thing was in shambles. The fan was broken, Nico was holding wire, there was a broom, some tape, and that was it. Nothing about how or why it was arranged told them anything meaningful other than a couple implements involved.

//And there was barely a minute between their investigation, Ace waking up, and MonoTV shoving them out the door. Eden was way more focused on the angry, bloody man she thought was dead, and Ace was clutching his bloody neck as he ran out to find Nico. Neither of them had any real opportunity to discreetly grab the tape.

//To assume Eden is the culprit, you have to accept the idea that she saw this whole scene, has some Junko-level analytical skills to piece together how it works, decide to murder Arei in a similar way to frame Nico, pretend to care about Ace being dead, completely feign her concern over him being alive, grab the tape, and the discreetly leave the scene with no one the wiser.

//The biggest problem with Eden being the culprit isn't just that she has no motive, it would require her to think and act at superhuman speeds, making implausibly fast decisions on the fly while pretending to care about everything going on around her.

//And that just seems utterly implausible to me, especially with the direction our story is heading.

//And not only does she not have the motivation, because I remain convinced everyone who believes she's the killer completely misunderstands her as a character, but Ace has even LESS motivation to do so and he had no opportunity to even notice the tape was there.

//At this point, the tape seems literally unsolvable unless outside intervention is involved. Eden and Ace are the least plausible culprits in this entire cast if you ask me

[astarionancuntnin]

Dancing on the Edge of a Knife

summary: ever since his ascension, Malva was convinced that Astarion was the only person who could understand her every twisted desire. well, almost. there are some things she still keeps to herself, he simply wouldn't understand this part of her, the one who dances on the very edge of her knife.

or Ascended Astarion learns how real punishments work

rating: E

word count: 2.8k

pairing: ascended astarion x consort malva (oc, evil!sorcerer!tav)

cw: 18+. KNIFE PLAY (big warning cause the whole fic will turn around this specific one), smut, post-game setting a few years later, mention of violence/murder, mentions of and actual self-harm, slight voyeurism, shared sensations, blood play, bdsm relationship (Master/Pet, punishment), teasing, overstimulation, orgasm denial. full list on ao3

a/n: i just dont pick where the inspo comes from but malva lives rent free in my head

a/n2: decided to make the stories about malva and astarion into a series, they can be read independently but if you wanna read the first one featuring lotsa spanking, here it is (they also get to cum in that one)

read on ao3

or keep reading down below~

It was just another day of bloody business for Malva and her Master. 

Another party used as distraction; another life to take; another bloodshed.

Another reason to dive her pretty blade into the chest of yet another unfortunate soul.

She remembers back when Orin had mentioned her potential to join the ranks of the bhaalists, and of course, she would’ve; Malva’s talent to murder people came as naturally to her as her powers had, but the mere idea of being attached to any godly entity made Malva retch.

And Bhaal out of all of them? The same one who sent his minions to do his dirty work? Really, what was the point in becoming a God if you didn’t use that power for yourself?

No, Malva acted sinfully within her own code based on her own goals; no Gods or voices guiding her blade, only her inner bloodthirst and the knowledge that she was mightier than any other mortal crossing her path. Compared to other species, she was already considered immortal, but now, as a vampire? A spawn of the Vampire Ascendant, out of all of them? She might be even greater than the Gods themselves.

Even then, killing was just a job, something that needed to be done nevertheless, and knowing how much she had to do, she just decided to take pleasure in it. After all, the line between pleasure and pain had been blurry ever since Malva could remember, even at a young age.

Ever since her mentor had shown her how to master her powers.

“You will need to use your powers for the greater good,” he had said. “They come with responsibilities. Wield them to perfection so they serve you on every occasion. Those powers are a part of you.”

Obviously, she remembers thinking, they're what makes me better than the others.

“But you need to know that, as much good they can do, they can also harm, and to fully understand this, you'll need to feel them yourself.” 

She recalls how he had grabbed her arm and inflicted a benign version of a lighting spell on her, just to show her how it would feel to receive it — the impact of it, even on a smaller scale.

“Now, every time you inflict this pain on someone, you'll carry the weight of it as if you felt it yourself.”

He couldn't have been as right and wrong at the same time.

Yes — the spark lighting up her skin had burned, and she had flinched and pulled her arm back the second the shock hit her. 

But what a delectable sensation it had been.

How the burn had tingled and resonated through her entire body, lingering long after, introducing her to a new world of possibilities, one she hadn't even considered.

She had spent the rest of her life chasing that feeling.

Using her powers on herself as she was still learning them, gradually increasing the intensity as she became numb to the minor pain to still feel the hurt but relishing the burn of the wound, that sweet tingle rippling on her skin.

Venturing into taverns as she grew older, looking for easy strangers with whom to spend the night to easily discard them once morning came, until one night led to her first kill, and instead of fear she had felt a thrill. The same one as her self-inflicted burns.

Picking up dangerous bounties only to use her powers on others without holding back, see the light leave their eyes as she felt the blood from her own wounds drip from her body, smearing her pale skin.

A knife held at her throat, her life hanging by a thread — the burn of the blade penetrating her skin even better than any cock could ever feel.

The rush of heightened pleasure that clouded her mind for those brief moments was better than any sketchy potion on the market, and yet, the conclusion always turned out the same.

This rush was short-lived. 

Every kill was done with the next one already in mind.

Pain was her pleasure, and no one had understood that about her in the past. She even led herself to believe that Astarion didn't understand how far her limits went. Believing he couldn't satisfy all of her needs — and he would go far; spank her hard, choke her, bite her — all things she adored, but there was still something… missing. 

Something she would just need to take care of by herself.

So that night, a night that felt as meaningless as the others — or that should’ve been — she let her mind wander after disposing of this nuisance of a man. With her spirit  clouded with lust from the blood now warming her veins, she eyed her dagger in her hand with a different intention.

Her dark, yet see-through long dress didn’t allow for under clothing — like most of her other dresses, she had noticed — and the skirt, which split in the middle only to be covered by a thin layer of fabric, made it easy for her to pull the slit of her skirt aside and slide the blade of her knife along her plump thigh.

The tip just ghosted over her skin at first, teasing herself with the weapon that had taken so many lives already. A shiver ran down her back at the promise of what was to come — finally, feeling somewhat alive once again — getting wet from the mere memories of the last time she had touched herself like so.

The blood of her previous victim still coating the blade as she pushed it deeper, breaking into her skin — just enough to draw blood and for her breathing to turn into whimpers.

Just enough to feel that same burn, that pain that turned into pleasure so quickly for her.

She had thought she had been subtle, that her time away wouldn't cause Astarion to come looking for her. Afterall, the kill had taken her mere seconds, she still had plenty of time to take care of herself and go back to her Master. She could always use the excuse that he had been a difficult target — either way, she’d come up with something.

Little did she know, he had felt it. 

Their connection was greater than with his regular spawns; he was able to feel any sensation she felt as well as accessing her mind at any time — not that she knew about the former — and the second that knife slid across her skin, Astarion had known.

The pain in the inside of her thigh, this familiar burn; one he recognized instantly.

Oh, and he ran to find her, expecting the worst, only to find her with her legs spread open, leaning against the wall of the hallway with a body at her feet, and the hilt of her knife sliding across her wet slit, with sinful moans escaping her luscious lips.

He couldn’t say he was surprised at the sight, this was Malva after all, the woman who took a malicious pleasure in the murders she committed — ones she never questioned. The same woman who smiled as she took each and every of his punishments.

And yet, that was the last thing he expected to see when he ran for her.

So here he stood, watching as she pleasured herself with the soiled weapon she had visibly used on the corpse lying nearby, her other hand holding back the fabric of her dress as leaned back against the wall, her chest heaving as her pleasure overtook her.

Worry aside, he was now fixated on her every move. Watching, learning, so he could use it on her later. This was just one more thing to add to his library of possibilities when it came to her.

What was unacceptable was how she took those liberties without involving him, how she so easily broke those chains, and dismissed his authority.

Not only that, but she had been cutting herself — cutting him. 

He only had himself to blame, after all he had never made her aware of this part of their connection, but now the consequences of his actions had caught up to him. The same cuts he remembered suffering, that made him bleed out to near unconsciousness years ago, and all because of their connection, he was reliving these moments all over again. 

No, no, this time was different — this time he was in control, he had a say in how this would go. If his consort wanted to play, he would play along.

He leaned back and away from her eyesight, a flicker of malice flashed in his ruby eyes as he opened his mind to reach out to hers.

“Enjoying yourself, pet?”

He smirked when he heard the clink of her dagger as it fell to the floor.

“Master?” She answered back through their connection. “I was just finishing up with this—”

“Oh no, dearest, you are far from done.” He cut her off. “Pick that dagger up, and cut through your other thigh, the same way you did the other.”

She briefly remained silent as she collected her thoughts, “How did you…”

“The dagger, pet.”

“Y– Yes, sir.”

He felt the ghost of the blade over his own thigh at the same time he heard her breathy moans echo in the hallway. 

He didn’t expect the vivid flashes of his past coming back to him, the burn of the scars in his back searing through his skin. He was all powerful now, this was long in the past, why was he still affected?

“Enough, pet.”

He needed to change his approach, no matter what, Malva was going to inflict this pain onto herself. He just needed to control it — make it feel good — for both of them.

He closed his eyes, banishing the remaining memories of his past to conjure the image of his consort instead.

“Take the hilt of your dagger and smear it with your blood.”

He imagined her in her long-sleeved black dress — the one he had picked for the night, with the embroidered red dragons partly covering her chest, matching his own ensemble — legs apart and cunt exposed with her dark blood slowly dripping from her thighs getting smeared over her skin as she ran the hilt of her weapon across it, coating it in her crimson.

“Now, guide it towards your slit, but don’t push it into you.” he paused, giving her time to follow his instructions, “And up to your clit. There, good girl. You’re gonna be rubbing yourself with it until I tell you to stop.”

He sensed a hint of doubt from her when she remained unmoving, “Do you not trust me, pet?”

“I… I simply didn't expect this from you.”

“Are you not glad I’m making the effort to keep your days exciting?”She bit her lip, remembering her dread of the previous dull days, “Yes, Sir.’

“Good, then close your eyes, and start rubbing that dagger over yourself.”

He heard her loud sigh before she finally let the bloody weapon touch her sensitive spot, allowing himself to feel her pleasure in his groin as she made it twirl and slide over it.

He let his head fall back against the wall as the sensation took place between his legs, only taking in the feeling temporarily before he shot his eyes open, ready to take the matter in his hands.

With her eyes still closed, Malva didn’t see Astarion approach her. She didn't feel the weight of his gaze as he stared her down like prey. But she did hear the pounding of his heartbeat against his chest as he grew closer, and her throat bobbed in anticipation between two raspy breaths, the movement between her legs relentlessly accelerating, her juices mixing with her blood as she neared her collapse.

“Tell me,” he purred down their connection. “How do you feel?”

“Good. Really good.”

“Don’t shy away from details now, I want to know exactly how you feel, dear.”

“The cuts… they burn deliciously, Sir. I’ve— missed this feeling, ah—” She became increasingly sensitive as she rubbed her swollen bud ceaselessly. “How… my wounds feel as the blood rises to the surface. When the burn spreads through my thighs and between my legs, fuck—”

Her breath accelerated and her mind blanked out as she focused on the growing ache between her legs.

“I’m— I’m close,” she panted.

Astarion might have to learn more about his dark consort after tonight, but if there was one thing he knew without a doubt, it was the clear signs of her collapse. With her head thrown back, her body messily leaning against the wall as her legs quivered from the excessive stimulation, and her pace getting sloppier as she was reaching her climax, he knew exactly how long until she reached the edge. Some time, right about…

Now.

“Stop,” he finally spoke up as he stood in front of her.

“What?!” She exclaimed, shooting her eyes open as she lifted her head back up, staring right into his eyes.

“Drop the knife, now.”

Reluctantly, Malva plunged her blade into the luxurious carpet, grunting as she did so. 

“Still feeling good, my dear?”

She shot him a frowning glare, chest heaving and lips parted as she panted.

“What do you think?!” She shouted. “I was so damned close– fuck!”

He snickered, stepping forward to meet her stare, “So you truly believe you deserve this? That you deserve more than what I've already allowed you, when you’ve been touching yourself behind my back?”

She lifted her head and without breaking eye contact, retorted with a growl, “You wouldn’t grasp how to please me, even if I showed you precisely how.”

He wouldn’t usually accept this behaviour from her, but this time around, he wanted to see how far he could take it.

“Is that so?” He smiled as he closed the gap between them, his stance hovering over her. “In all the years we've spent together, have I not proved you wrong already?” 

She backed into the wall as he pushed her against it, one hand caging her beneath him, while the other reached for his waist to pull out his signature dagger, bringing it up and pushing Malva's head upwards as he pressed the tip right under her chin.

“Do I need to prove my point again?” 

Her frown softened, “You seem to have underestimated me, my Lord.” 

Their lips were but a whisper apart, the threat of the blade restraining Malva in this position, leaving Astarion in complete control once again. All his consort could do in this position was talk back, something she was annoyingly well versed into.

“I'll have you know that it'll take me more than a few spankings to be truly satiated.”

He chuckled, “My beautiful, dark consort. I should've known you grew from the thorniest vines.”

His vision dropped from her eyes to her lips, trailing the tip of his dagger along her jaw and down her neck, stopping right at the valley between her breasts.

“Is this what you want?” He leaned his head above the crook of her neck, whispering roughly in her ear. “For me to slice you open and bleed you out, right here, in the middle of this hallway with our guests still waiting in the main room?” 

As he slid the blade down, partly slicing open the front of her dress, a faint line of blood appeared in its wake. The knife travelled down her chest, just past her navel, where it paused, leaving the dress only partially cut through.

He brought the blade back up with the same agonising pace, resting it right over her breast, barely pushing against her to pierce the skin, “Answer me, pet.”

Malva was already lost in the feeling of the blade hovering right above her heart, the word barely slipping between her lips as she held in her breath, one she kept forgetting wasn’t necessary anymore.

“Yes.”

He pressed deeper into her, just enough for the blade to penetrate her supple skin, pushing a deeper moan out of her, “And do you think you deserve it?”

“Y– Yes, Master.”

“Mmh…” He let his knife slide back down where her pleasure had accumulated, pressing its flat side against her glistening cunt, just enough for her to believe in the promise of what would come… 

Only to remove it completely right after, licking her blood and juices off from his weapon before pushing himself off the wall.

Malva blinked as her breathing came back to her, watching as her Master walked away from her, leaving her in an even messier state than he found her in.

“Maybe next time I’ll believe you.” He made sure to pick up the blade she had thrown down earlier as well, “You'll have to use your powers to carry out your tasks from now on, I’m sure you’ll manage though. After all, I can't trust you to carry around a blade if you risk to hurt yourself, can I? It would be unwise on my part, I’m sure you understand.”

Without knowing it, his consort had opened up a whole world of possibilities for him, and it all started with her first, real, punishment.

Thank you for reading! Comments, reblogs, and likes are very much appreciated, I love reading your feedback! <3 (tag list will be in the comments moving forward!)

[draw-ren-draw]

Avantris Comic Scripts #3 Often when I get ideas for comics, I break my panels into scripts first. These are less prose-y than fics but still contain dialogue and basic interactions. This is a jokey followup from the concept of my last one, be sure you're up to ep:56 to avoid spoilers!

Shaky Origins (spoilers up to ep: 56!) [A snippet exploring how Torbek may have met Carnival Lecroux based on my favorite theory: that The Duke/Gorebek is the original inhabitant of their shared body and it is Torbek who came second. A lot can happen to an cursed amnesiac. Especially around Carnival LeCroux.] * * * * *

It's a pleasant sunny day near Carnival LeCroux where a Bugbear stumbles out of the brush, blood on his hands, matted fur, drink on his lips and not a single thought in his head. In his claws he tightly grips a piece of torn parchment with chunks of it missing. He squints at it, willing the foreign characters to make sense. He can't remember a thing! Where is he? How did he get here? Who... is he?? He feels like he should be able to read this but the letters don't quite look right. They dance in front of his eyes as he desperately tries to pick out any of them. He points at each in turn, sounding them out. They almost seem to say something like… "Torr... Bek?" He murmurs it again and stares deeply at the writing. Parchment taking up all of his focus, he wanders forward into the carnival proper.

???" You there? You one of mine?"

The bugbear holds the paper, paralyzed as he tries to form one coherent thought, but all that comes out is the last thing he read. "T-T-orbek…?"

Kremy grimaces, smelling the boozy breathe on the bugbear, almost regretting his choice to interact with them at all. Kremy: "Ooh, you reek. You must be one of mine. Listen, what did you say, 'Torbek?' That your name? Whatever, look Turkbek just go use those long arms of yours and get those patrons down." With a wave of his staff, he gestures to the oval-shaped legally distinct 'herris' wheel that has clearly broken down full of riders. Kremy: "Drink break is over." Utterly stunned and still unable to get a grip on reality, the bugbear can do nothing but follow the alligator ushering him toward the broken down ride.

It doesn't take the bugbear long to fulfill the order and he tries again to collect himself as he stands amid the bustling carnival, confused once more. A Tabaxi comes jogging up Frost: "You, you're.. Torbek, was it?" The Tabaxi squints at something he has written on papers.

"Torbek.." the bugbear shakes, wide eyed, trying to cling to the one rational thought he can. So much is happening--!! Frost: "..Right, listen, Kremy just needs you to fill out these forms, I don't care if you don't have a resume, but all the new hires need to." Frost shoves the papers into his hands, continuing to hurry to the next pressing task in his clearly full day. He points one last time before he departs. Frost "Come turn them in later-!"

Hand now full of employment pages, 'Torbek' stumbles, starting to wander again. Who are all these people?? This paper says his name is Torbek, so is that his-- He walks past a goblin, who is manning a small stall. Gricko: "Oh hey! Kremy Finally hired another goblinoid! That's nice, always been waiting for that. Anyway it's me lunch break, gotta get a goblin surf n' turf if you know what I mean, ohhh I'll catch ya later!" He laughs, clapping Torbek on the back and shooting finger guns Gricko: "Thanks buddy!" Left alone at the stall, the bugbear sits down, ignoring everything but the papers in front of him. Undeterred his customers just help themselves to his game. He checks the paper again. It has Torbek on it. Is that his name? It must be, everyone else seems convinced of it! He takes a deep breathe, confirming it for himself with a nod. "…Torbek i-is. Torbek." ???: "Torbek huh? I've heard of weirder" He looks across his stall to see a tent of clowns, Chuckles shoots the bugbear a knowing look and gestures at the state of him. Chuckles: "More like 'Torn-bek', in more ways than one! Ah-hoho-hah! HEHhhheh... workshop it…" The Clown mumbles, stopping to write something down. Gideon enters from the right, we hear him before we even see him "Man, I hate walking past the clowns." Gideon: "Hey turkey or whatever!" The Bugbear jerks in place. "Come on, Kremy needs ya." With a groan, 'Torbek' follows obediently. It seems his day is not going to get any easier... * * The camera pans out * * From afar, a figure watches the once proud and ruthless Duke of Iron and Glass meandering around some shitty carnival like an absolute fool. Something had gone very wrong, or very, very right.

Bonus joke panel of Gid and Krem 'ironically' shacked up, chilling after hours: Kremy: I don't know how you pick em gid but at least you got a new hire this time. Gideon: [Internally] Huh did he? He must have, he was just that awesome.

[worstloki]

there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these

[cosmics-beings]

I think another thing I like about starscream, yet hate that the fandom fails to acknowledge about starscream is that, a lot of his rotten personality and his nastiness comes from way before he meets megatron and way before he was a deception.

That’s not to say that a lot of the ways he acts doesn't mirror megatron and the mistreatment he went through. and that impacts how starscream heals, makes friends, etc., idw - like what megatron did still badly affects him and that's not something to be ignored, and it's still not fair that he doesn't get the same happiness megatron did.

But, I think that people do tend to act as if Starscream was perfect and uncorrupt before Megatron.

That's not true...starscream was also a rotten, manipulative and bad person before that. and a lot of that was in response to how he was treated and hating his own body/existence, and the caste system, etc. We see how a lot of people in transformers react to oppression and I think starscream is such an interesting case of someone who is so angry and furious at the system he was created in that he takes it out on others yet still fights for himself and only himself. It is sad, and it’s awful to see how his own existence and the caste system does destroy him, but I think its important to note and to understand to just see how oppressed people still have to fight through their own oppression and sometimes, because of that, because of the trauma they go through, turn rotten. And Starscream did terrible, sneaky, and awful things. He did shitty things to climb to the top and he hurt those around him, he hurt people he trusted him, and he was happy to be that way. No one made him evil, manipulative, or untrustworthy, he did that on his own.

I don’t like that a lot of the fandom tends to tie Starsream’s negative and problematic behavior and personality to megatron because it also takes away from a lot of growth, agency and discussion about starscream’s personality and why he is the way he is.

He wasn’t a perfect, innocent and shy person before he met megatron, or before he became a deception. He still did awful things and while becoming a deception was a way he could grow past the system that created him, he still did very much do so for power. Starscream was an ambitious yet a morally ambiguous person before megatron and he had to be to survive in his own mind. His life wasn’t perfect and happy before megatron, he was still fighting and he was still scheming to survive.

I really don’t like how people kind of take that away from him, and act like everything he does and every shitty way he acts is *because* of megatron. I know it’s not fun to have to admit that he wasn’t a good person before megatron met him, but I think it’s necessary to understand his character, and not a lot of people do. And when you don’t do that, you have people misinterpreting his character and being genuinely shocked when he does villainous things. Like for instance, sky bound starscream’s actions shock a lot of people because they don’t think that he is a villain - I remember a lot of ES critique is that earthspark starscream doesn’t need a redemption act- he just needs people to love and accept him. And I think you guys forgot that he was also a space fascist and enjoyed killing people on his own accord. And while megatron himself does impact how starscream acts and treats others - starscream still was an extremely problematic person eons before he met megatron.

I don’t think this negates just how badly Megatron’s treatment fucked him up, and made it so that it was difficult for him to form relationships even after, or find happiness. And I think that’s just something that cannot be ignored. But I also think starscream is more interesting as a character if the fandom acknowledged that he was this way before, that he wasn’t perfect or innocent, and that he reacted that way because he was unhappy with is life, his station, his caste, etc.

this also isn't a chance to come and try to excuse how megatron treated him, so pls don't do that on here.

[ganondoodle]

okay, bc i have seen this argument alot now (and it also seems to be the view point of aonuma himself..) is that "zelda cant do everything link does bc whats the point then"

and i take personal offense on that bc its a stupid argument (in. my. very. personal. opinion.- not judging people for liking it. its a ME thing)

whats the point? its that its her. its still a different character, different in story, background, personality, but i WANT to play zelda and she can do everything link does, why does she have to be so restricted and be bend over backwards to find some new way to make her 'useful' when link gets to do basically everything no questions asked (the only thing thats hers is like .. sealing power and sacrificial maiden, which i find a little underwhelming to say the least), if theres no point to it why are there always modders that model swap link with someone else, and in that case it has even less impact bc its an artificial model swap with no changes to the story (which can and should still be different when its the vanilla game with a different protagonist... its still a different character), clearly theres joy in just the model being a different one- and that isnt even to mention the story possibilities, since, again, its stil a different character

if we ever (never ... i know who we are talking about here) get to play as ganondorf i want to him to be just as versatile and active as link is, if we got a point and click adventure game for him instead bc 'whats the point' id be disappointed too- you can find any sort of excuse/explanation for zelda to be singled out but the fact remains it tracks with how female characters are often treated, and that hits a very sore spot for me

i guess i am unfortunately one of those annoying people that want to see female characters be treated exactly the same as male characters, possibly bc i am myself afab but identify as agender and have a deeply personal dislike for anything 'traditional' feminine bc i cannot and never will be able to truly live as myself in real life, it influences all of my work, my work is as just as much as my opinion on this, very personal

and in line with my point about modding, i see theres joy in just beign able to play as her even if its like this, i get that, i also get it for the creative aspect (though that mechanic worries me even more for the future bc it really seems to be the path now that -freedom = good, linear anything = bad-) it is a different idea and its not like i cant see that value- im not trying be "right" either, just bc i have that opinion doesnt mean i need everyone to agree, its a very personal thing, if you like it good for you! not for me though, and i think both of that is equally valid

i just personally wish she was allowed to be just like link, fight just like him but be different bc its still her and not him in the end- to be physically/playstyle like jsut like him, but you know ... as her, i dont think shed stop being zelda if she could wield a sword just like him

i dont really know how to get my point/feelings across, i dont want to step too much into personal stuff nor spam people with something that ultimately doesnt interest me alot, im just saddened by it really

(EDIT: bc i forgot to add this on here again; this isnt as much of a problem as it might sound like here, just the main topic i wanted to talk about; why im so uninterested in it is MAINLY bc i dont trust them to write anything interesting/care about lore anymore after totk, im always on the more pessimistic side that thinks its most likely worse than id hope and i know even the past games arent perfect or super interestingly written, but now its much more just a general distrust, together with everything like the price ... im just much less hopeful and cant get excited until i see more of it, like im waiting for the game to get out and reveal that its just as much of a mess and money i regret spending- kind of fear)

[markantonys]

just accidentally stumbled on an egwene hate reddit thread and everyone was bitching about how she tries to act like rand's equal when she's only the second-most powerful authority figure on the continent, and one sane person was like "well, balance was a huge theme of the series, so it's pretty clear that RJ did consider the dragon and the amyrlin two halves of a whole and that rand is meant to be egwene's equal co-authority rather than her superior" and of course they were downvoted to hell. and this one little thread just really epitomizes how the readers who approach WOT as a male power fantasy just fundamentally will never understand the series and its themes and the story it was ACTUALLY telling.

[purpleshadow-star]

Pic context: Talking about the exy stadium at USC considering the fact that USC is a real school

I love how Nora just invents things in order to avoid complications with real-life things.

Like, using USC's football stadium as the exy stadium too would take a lot of work to figure out how that would be possible. Solution: invent a new stadium!

Having the characters play a real sport that already exists would mean looking into all the rules and regulations and history, etc, and there could be multiple elements of the sport that work against the plot of the story or complicate it in some way. Solution: invent a new sport!

I mean, it gives her full creative control over what happens in the story, and we as readers get to learn about a cool new thing without feeling the need to fact-check every element. Tbh, it makes so much sense to me.

Like, go off! Make stuff up! It's your world. We're just reading and enjoying and becoming obsessed with it!!!