Hey so head canons about appearance when there is not a lot of concrete descriptors in the source material are very much up to the listener. Y’all gotta stop acting like people who don’t agree with the hive mind of this fandom are fat phobic or racist.
My personal, original, character headcanons before becoming active in the online fandom:
John:
Short, neatly combed hair. British south Asian who dressed in like elbow patches and bullshit hipster glasses he didn’t even need but wore cus he wanted to look like a distinguished professor. First edition books on his desk. The kinda dude who smokes a pipe for the aesthetic and refuses to drink well drinks at the bar. Basically a pretentious little twink so kinda on the money with the popular opinions tbh.
Martin:
Curly light brown hair. Clean shaven. Freckles and the kinda pale skin that gets blotchy/flushed easily. Grandad glasses but not like in a trendy way. In a thrift store cus he’s poor kinda way. In my head he has medium build. Like not muscled or fit, but not plus sized either. Just tall and solid with threadbare lil sweaters and he absolutely decorated his institute lanyard with vintage broaches. Rarely wears matching socks.
Tim:
Tim in my head is just Phil Wang in like California surfer fits. Dude wears board shorts and flip flops with his collared short sleeved shirts and ties. Really good at beer pong and pub quizzes.
Sasha:
Jessica Brown Findlay meets Angel Colby but like with hip style and ink smudges on her fingers and a cheekier attitude. Catherine Bohart personality vibes would be a close comparison but not quite on the money.
Elias:
Artfully dyed grey hair to hide his actual grey hair with that 1920-30 little bang wave. Lean but not like scrawny. Slacks, perfectly ironed dress shirts, douchebag Patagonia vests. His loafers cost more than a years rent in central and he has days of the week cuff links. He has the fake corporate smile that promises shitty snacks and forced ice breaker games and incredibly polished generic conversations.
Gertrude:
Lily Tomlin if she were British and way more serious. Yes, this makes me laugh now too.
Basira:
Literally just one of my friends but butched up a bit. (Sorry that’s not helpful for y’all’s imagination) intense when it comes to studying and pushing herself. Button ups and slacks and sensible shoes.
Daisy:
Long box black hair always in a bun but but with an under cut. Strong af but not bulky. Mean lesbian vibes. Sleeves always rolled up to her elbows and her shirts tucked in.
Melanie:
My self insert character. Bi bitch. Backwards baseball cap. Jeans and converse or docs. Oversized sweatshirts. Not cute knit sweaters but like old band crew necks and hoodies and soccer kits. (If anybody would love to go scream at the opposition fans it’s Melanie okay)Nose ring, messy hair to her shoulders. Always looking for a fight and a puzzle to solve.
Georgie:
Rose Matafeo if she was less chaotic and more put together. A wearer of Overall dresses with colorful tights and floral printed cardigans. A lover of tote bags and planners. She has a sticker of The Admeral on her hydro.
literally my favorite aspect of sock opera is bill calmly but repeatedly failing to buckle his seatbelt. like its funny enough that Bill Cipher of all people is putting on a seatbelt but its so funny that he keeps fucking it up. but he's still just smiling like a dumbass the entire time
if your "original story/rpg" idea is rooted in the premise of "what if [existing franchise] was good?" then just start over. i am not kidding. your ego is like insulation spray foam being inserted into the cracks of the premise-- sure it fills the gaps, but it's beyond ugly and everyone can see it.
the thing about disco elysium is that it has women in it. what you see on the internet about it might lie to you about that but it has women, gay women even, very compelling women even, in it.
i'm sorry but i cannot stop thinking about it for reallll imagine you're richer than god and never had to face consequences for anything and you have so much money you don't even know what to do with it so you toss a quarter million at the stupidest tourism option on earth. and you see that the paper you have to sign tells you you could die and you look at the flimsy metal tube you're going to be plummeting into the ocean in and it doesn't even phase you because bad things don't happen to people like you. imagine some hours into the journey you realise something is wrong. maybe not you but somehow the knowledge that there was a fuckup becomes known to the 5 of you trapped in there. and you know you can't get out from the inside and you know you have no food and no bathroom and not even the room to ever stand up again. when does the realisation that your wealth cannot protect you from your inevitable mortality set in. how does someone like that reconcile with both death and the fact that it's 100% their own doing? can someone like this even come to terms with that or will they be fighting to find someone to blame until the last second? when does it reach you that all 5 of you are going to die one by one and there's nothing you can do? does the fact that 5 of you have enough air until thursday but one of you could have enough air until at least next week ever cross anyone's mind.
before you know about women, you hear that you do not need to love the man, just that you need to love him through his manhood. which is to say you have seen the future painted in lamb's blood over your eyes - how your mother shoots you a look about your father's inability to cook right. how your aunt holds her wineglass and says i'm gonna kill em. men, right! how your best friend bickers with her boyfriend, how she says i can't help it. i come back to him.
you learn: men are gonna cheat. men aren't going to listen when you're talking, because you're nagging. men think emotions are stupid. they think your life is vapid and your hobbies are embarrassing. men will slam things, but that's because men are allowed to be angry. if you get loud, you're hysterical. if a man gets loud - well, men are animals, men are dogs, men can't control their hands or their eyes or their bodies. they're going to make a snide comment about you in the locker room, about your body, about how you're so fucking annoying. you're going to give him kids, and he will give you the money for the kids, and you're going to be running the house 24/7 - but he gets to relax after a long day, because his job is stressful. the man is on stage, and is a comedian, and says "women!"
and you are supposed to love that. you are supposed to love men through how horrible they are to you - because that's what women do. that's what good women do. wife material. your father even told you once - it'll make sense when you're older. it was like staring down a very lonely tunnel.
it feels like something's caught in your throat, but it's all you know, so. it's okay that you see sex as a necessary tool, a sort of okay-enough ritual to keep him happy, even though he doesn't seem to care about happiness as-applied-to you. it is relationship upkeep. it is kissing him and smiling even though he didn't brush his teeth. it is getting on your knees and looking up and holding back a sigh because he barely holds you as you panic through the night. it's not like the sex is bad and you do like feeling wanted. and besides! he's a man! like... they're another species. you'll never be able to actually communicate, right. he isn't listening.
you just don't get it. you don't feel that sense of i'm gonna climb him like a tree. mostly it just feels fucking exhausting. you play the part perfectly. you smile and nod and are "effortlessly" charming. and it's fine! it's alright! you even love him, if you're looking. you could have good life, and a good family, and perfectly happy.
in the late night you google: am i broken. you google i'm not attracted to my husband. you google i get turned on by books but not by him. you google how to get better in bed.
the first time he yells at you, it almost feels like blankness. like - of course this is happening. this is always how it was going to end up. men get angry, and they yell, and you sit there in silence.
you mention it to your friend - just the once - while you're drunk. she shrugs and says it's like that with me too, i just try to forget and move on. men are always gonna hear what they want to. pick your battles and say sorry even though he's in the wrong. you play solitaire online for a month. you go to your therapist appointment and preach about how you're both so in love.
after all, you have a future to want. nobody lied about it - how many instagram posts say marriage is hard. say real love takes work. say we fight like cats and dogs but the best part is that we always make up. how many of your friends say happy anniversary to the best and worst thing to ever happen to me. if you really loved him - loved yourself too - you'd accept that men are just different from you.
the first time she kisses you, it's on a dare at a party. something large and terrifying whips through your body. you wake up sweating from dreams where her mouth is encrusted with pearls and you pick them off one by one with your teeth. fuck. you sit at the computer and your almost-finished game of sim city. you think about your potential perfect life and your potential future family. you google am i gay quiz with your little hands shaking.
you delete each letter slowly. you don't need to love him. you just need to keep going.
this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...
For some reason lately I've started thinking about beta!Wally and ordinary Wally.... I make headcannons and think about the difference between these two, even though they have the same appearance 🤨🤨🤨🥄 (my first attempts to draw a beta!Wally. two versions, because I'm undecided)
AND THEN HOWDY, BECAUSE I ADORE HIM..... YEAH (I'm still thinking about what I want him to look like in my artstyle—)
redraw (You are what you eat, they said. But I don't remember eating such a handsome man. Thanks to @//eechytooru for the idea :]]
I dunno how to comment on this, so just keep more sketches ☠️
Miguel is Fine, Actually (Being Spider-Man's Just Toxic As Hell)
Before I watched ATSV I said that I would defend my man Miguel O'Hara's actions no matter what, because he's always valid and I support women's wrongs. I was joking, and I did not actually expect to start defending him on Tumblr.edu. But I'm seeing a lot of commentary that's super reductive, so I do want to bring up another perspective on his character.
Miguel wasn't acting against the spirit of Spider-Man, or what being Spider-Man means. Miguel isn't meant to represent the antithesis of Spider-Man. Miles is the antithesis of Spider-Man. Miguel represents Spider-Man taken to its extreme.
Think about Miguel's actions from his perspective. If you were a hero who genuinely, legitimately, 100%, no doubt about it, believed that somebody is going to make a selfish decision that will destroy an entire universe and put the entire multiverse at severe risk - if you had an over-burdened sense of responsibility and believed in doing the right thing no matter what - you would also chase down the kid and put him in baby jail to try and prevent it. He believed that he was saving the multiverse, and that Miles was putting it in danger for selfish reasons. Which is completely unforgivable to him, because selfishness is what he hates the most. And then he goes completely out of pocket and starts beefing with a 15yo lmfaooo he's such a dick.
But why did Miguel believe that? Why did he believe that Miles choosing himself and his own happiness over the well-being of others was the worst possible thing? Why did he believe that tragedy was inevitable in their lives, and that without tragedy Spider-Man can't exist?
Because he's Spider-Man.
Peter Parker was once a fifteen year old who chose his own happiness over protecting others. It was the greatest regret of his life and he never forgave himself. Peter's ethos means that he will put himself last every time, and that he will sacrifice anything and everything in his life - his relationships, his health, his future - to protecting and helping others. Peter dropped out of college because it interfered with Spider-Man. He destroyed his own future for Spider-Man. He ruins friendships and romantic relationships because Spider-Man was more important. If Peter ever tries to protect himself and his own happiness, then he's a bad person.
That is intrinsic to Peter. Peter would not be Peter without it. A story that is not defined by Peter's unhappiness is not a Spider-Man story. If Peter doesn't make himself miserable, then he's just not Peter.
That is a Spider-Man story: that not only is tragedy inevitable, that if you don't allow yourself to be defined by your tragedy then you're a bad person. If you don't suffer, then you're a bad person. If you ever put anything above Spider-Man, then you're killing Uncle Ben all over again. Miguel isn't the only one that believes this - as we saw, every Spider-Man buys into what he's saying. There's no Spider-Man without these beliefs.
Miguel attempted to find his own happiness, and he was punished in the most extreme way. He got Uncle Ben'd x10000. He tried to be happy, and it literally destroyed his entire universe. It's the Spider-narrative taken to the extreme. Of course Miguel believes all of this. Of course he believes this so firmly. He's Spider-Man. That's his story. And the one time Miguel tried to fight against that story, he was punished. And like any Spider-Man, he'll slavishly obey that narrative no matter the evil it creates and perpetuates. Because if he doesn't, the narrative will punish him. The narrative will always punish him. It's a Spider-Man story.
I don't think the universal constant between Spider-Mans, the thing that makes them Spider-Man, is tragedy. I think it's the fact that they never forgive themselves. And Miguel is what that viewpoint creates. He doesn't believe this things because he's an awful, mean person. He believes them because he's a hero. He's a good person who hates himself.
Across the Spider-verse isn't really a Spider-Man story. It's a story about Spider-Man stories. Miguel's right: if this was a Spider-Man story, then Miles acting selfishly really would destroy the universe. But Miles' story isn't interested in punishing him. It pushes back against Peter's narrative that unhappiness is inevitable and that you have to suffer to be a good person. It says that sometimes we do the right thing from love and not fear, and that Peter's way of thinking is ultimately super toxic and unhappy. ITSV was about Miles deciding that he didn't need to be Peter Parker, that all he needed to be was Miles, and ATSV is about how being Peter Parker isn't such a good thing. Miguel shows that. Whatever toxic and unhealthy beliefs he holds - they're the exact same beliefs that any Spider-Man holds. He's a dick, but I don't think he's any more awful a person than Peter is.
TL;DR: Miguel isn't a bad person, he just has Spider-Man brainrot.
holy shit I did NOT realize how popular my "I will remove my teeth, for I want to remain kind despite my anger" quote is. I just googled it for fun to see what would come up, a bunch of people are quoting it not knowing who its from, an artist called Kuma made an album titled that, so bizzare
While deep sea diving in the web archive I stumbled upon some neat bits of Kingdom Hearts fandom history, like this— what may be the first ever “Riku is Gay” essay (in English).
The first snapshot of the page is from 26th November 2002, just after the international release of KH. Soriku really been out here since day 1…
The purple prose dates it a lot but I didn’t notice any blatant Kairi bashing, which is impressive. It’s interesting that Riku’s complicated feelings for Sora have been documented even as early as 2002, pointing to the same subtext fans discuss even 20 years later.
Here’s a link to the essay: Dissertation on Riku x Sora by Ruaki
“In the end, Riku fell into the 'as long as he's happy' mentality. A much needed noble gesture on his part, but who can say what the future holds for him?“