Happy Wholesome Wednesday! Today, I'm spreading kindness through volunteer work. Small acts can make a substantial impact. Let's create a better world together.
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So I’ve been joking for a while about how Inko manages to afford all of Izuku’s AM merch
But I decided to nerd out and look closer, and I’m pretty sure the only expensive piece Izuku owns is the poster he got from Sir
You might think his dorm looks absolutely stacked
but that’s only because it’s a very small room and he brought every piece he owns
If you look in his old room it’s all the same posters
so he’s owned it all for at least a few years, he’s been working up to this for god knows how many years, just to be the proud owner of 5 posters so basic even he would put tape on them
All of his figures are less than 50$
One of which he’s had since he was a child
And it doesn’t look like the other unidentified figures are anything special either(except maybe AM in his yellow suit)
Izuku only has generic fanboy shit, like maybe one of the posters is a custom but I honestly I don’t think he owns a single special anything
The dead guy poster is 100% the coolest thing he has, no wonder he’s so reverent about it 💀
As for fits this is all we’ve really seen is
So yeah Inko isn’t dropping stacks on merch, I’m pretty sure those sweaters were a 2 for 1 deal because they’re almost identical 💀
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Yk what blows my mind is when i’m reading something amazing right, i am so immersed in the story the writing is beautiful it’s making me feel more emotions than i’ve ever felt in all my years of living and then the end notes are just like. “uhhh hope u enjoyed ig? haha” or “idek what this is lol” like sir ma’am my guy your writing is the most gorgeous thing i have ever read. i cried and i laughed and i screamed and i did that thing where you roll around in bed and giggle like a child at 3am. if it was the zombie apocalypse and i could only take one story with me as i fought to survive it would be yours. “what even is this lmao” a masterpiece. a fucking masterpiece is what it is
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hm ok so for a while i was thinking that Wally, for the most part, only perceives reality as "Home", the neighborhood. that's his entire world, it's all he knows
but then i slapped myself and went wait. the Live Interview. Wally has been outside of Home, and has interacted with humans (presuming that the interview did actually happen, of course). and through Wally's interactions - or rather, attempt at interactions with Us, the QA, and the WHRP, it can be strongly assumed that he knows that there's an Elsewhere. there are places outside of Home. maybe he doesn't quite understand that there's another reality of sorts, but there's no way he's unaware that there's more than just the neighborhood out there
(and then of course there's the fact that Clown has said that humans are deeply involved (not a direct quote, im paraphrasing) in Welcome Home. maybe Wally interacted with them / regularly interacted with them. there could have been an adjustment period after he gained consciousness where humans helped him learn how to walk/talk/fine motor skills - this could be why he has such a seemingly inherent / desperate trust in Us & the WHRP & the QA... humans made him and cared for him. it's possible he could view them as a sort of higher power to trust & have faith in
& maybe he's been off-set or could go off-set. i mean, the houses' rooms were all different sets - the buildings themselves were empty husks, right? who's to say Wally wouldn't physically walk to the individual set pieces whenever he went over to someone's house (but then that leads me into speculation on how the puppets' consciousness works and how multiple copies of them could co-exist and wondering which is the - im getting off track. but there's all of that and then the two part "you're okay!" art pieces of Wally & Eddie, which are technically canon - dont quote me on that - and that's Another ramble/theory post i could go on about & have strong feelings on. Anyway!)
"but wait," i hear someone protest, "what about Barnaby? he was in the Live Interview too"
but was he? was he really? was that Barnaby, or was that a person in a suit playing the character Barnaby B. Beagle? i mean, if it was Barnaby, there had to be some memory fuckery going on that prevented him from either fully comprehending/realizing the situation, or just made him forget as soon as it was over.
and actually wait, Wally has to be aware of the reality discrepancy. because it was certainly him in the Interview as himself. He had to have understood on some level that either that wasn't really Barnaby, or that Barnaby wouldn't remember the interview.
(there's a connection in my head between all of this & how he would view an apple pie. "it isn't the same anymore. something's different". but i can't pin it down for the life of me.)
and with the Talking Telephone calls, Wally explicitly tells Us that he's not going to tell anyone who was behind the calls. i remember listening to the "original" prank call audio tests, which while were very similar to the canon in-website ones, have a few changes. one of which was Wally - in the tests - saying that the others weren't ready to meet Us yet. now in canon that tidbit has been swapped out for "You have to go too. You have work to do" but i think it's still implied through Wally's purposeful withholding-of-information that he doesn't think the others are ready to know. or he straight up doesn't want them to know
i mean, one little theory i previously had is that Wally wants them all to catch on to the nature of their reality and situation, but he doesn't want to - or Can't - tell them outright. they have to figure it out. and that can't was either something keeping him quiet, or because if they learned too soon / inorganically, their little puppet heads would pop into confetti like Red Guy's in dhmis 4
However my views have Changed and i'm pretty sure Wally is purposefully not telling anyone to maintain the illusion that everything is fine and can continue on as it always has. maybe it comes from a place of protectiveness, of love? whatever the motive i think he wants them all to keep being unaware and dare i say, Complacent while he "fixes" their situation.
which is delusional, but we all know Wally is digging his metaphorical claws into a desperate bid to keep everything the same / return it to its original state, leaving bloody scratches in something already rotted. or something like that!
all this to say i think it's interesting how it seems that he's the only one aware of humans / an outside/other world, yet he's so determined to stay in his lane. he wants connection & communication yet he doesn't want to leave or change. he wants help in keeping things the same (some could say in keeping Our reality & his separated) but in the process he's dooming everyone/everything and tearing down those walls himself
(Wally: i'm going to stay where i am, and you're gonna stay where you are, and we're gonna help each other keep me and my friends where we're meant to be. anyway i wonder what this sledgehammer does)
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Spirited was heartfelt in a way I didn't expect. I've read A Christmas Carol before and seen the many adaptions as I'm sure all of you have too, but I loved how this one tied in the Old Scrooge with the New One. Clint meeting Present who is so similar to him yet so different, for the fact that the whole time Present seems as if he's looking at a horrific fun house mirror, while Clint is meeting maybe the only person who has deeply and intrinsically connected with him. Clint learns that Present knows what its like to be a cruel controlling money hungry leach who desperately fears that when he tries to make up for it, no matter what he does, he won't ever be able to rectify the pain he caused. And yet? Present still tries, and inevitably is able to convince Clint to as well. Wasn't really a Christmas Carol beats wise but it was a realistic answer to the question; what happens after the story is over? Does the mean old Scrooge become a good man indefinitely? Or does he realize that it's not about desperately grasping at the idea of what is good, but instead about embracing and excepting his past, present, and future so he can move forward with honesty and without shame? Realizing he had to choose everyday to not say Good Afternoon, even though he knows he'll fail sometimes, and try to give grace when he does. It's the age old question; Can a bad person be a better one if they try? The movies answers, yes, everyone can do a little good.
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