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Good news, Critical Thinking Witches! We've got another FREE Witches' Brew coming! Savannah Rayne (DIYWitch) will be hosting a Brew on Pop-Culture and Witchcraft with some surprise special guests! Sunday May 19th 12 PM PST/ 3 PM EST/ 7 PM BST (5/20 6 AM AEDT) Register on our website
[Image ID: Background is pastel yellow and lavender stripes exploding from the center. Top banner is askew in the upper left corner, pastel magenta with white block letters reading "Pop-culture & Witchcraft!" An image of a vintage styled with in a black hat, white coat with 3 quarter sleeves, and a long orange skirt with matching boots in seated on a broom is super imposed into a pop art heart in the upper righthand corner. The middle features an off center yellow banner the stretches all the way to the right edge with simple black type. It reads: "Sunday May 19th 12 PM PST/3 PM EST/7 PM BST 5/20 6 AM AEDT Hosted by: Savannah Rayne & Surprise Special Guests!" Super imposed into a pop art circle with an orange border is an image of the Sanderson Sisters form Disney's Hocus Pocus. Another pastel magenta banner sits askew in the lower right corner reading "Register on our website! CriticalThinkingWitches.com". ]
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upthewitchypunx · 6 months
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critical thinking witch con vlog & channel updates ✨
What a lovely review of CritWitchCon2023!
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agathisfelis · 7 months
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Witch Con
I missed the whole thing so I'm catching up on the replays. Maybe next year I can be there live again.
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ziracona · 2 years
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Me just trying to god damn find a gift for my terrible uncle, but every four seconds Fenris is going for Anders’ or Merrill’s throat like an angry middle schooler who hasn’t had his lunch yet
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fishofthewoods · 8 days
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I see a lot of people clowning on the people of Pelican Town for not repairing the community center themselves or clowning on Lewis for embezzling and. like. Those criticisms aren't entirely unfair. But I think instead of coming at it from a perspective of "why can't the townspeople do this" we should be asking "why and how can the farmer do this?"
Like. Think about it. The farmer arrives in Stardew Valley on the first day of spring. By the first day they're obviously different. By day five the spirits of the forest who haven't been seen by the townsfolk in years or generations are speaking to them. By the second week they've developed a rapport with the wizard that lives outside town.
In the spring they go foraging and find more than even Linus, who's spent so many years learning the ways of the valley. Maybe he knows, when he sees them walking back home. Maybe he looks at them and understands that they're different, chosen somehow.
In the summer they fish in the lakes and the ocean for hours on end, catching fish that even Willy's only ever heard of, fish that he thought were the stuff of legend. They pull up giants from the deep and mutated monstrosities from the sewers.
In the fall, their crops grow incredibly immense; pumpkins twice as tall as a person, big enough that someone could live inside. The farmer cuts it down with an axe without even batting an eye. Does Lewis wonder, when he checks the collection bin that night and finds it full to the brim with pumpkin flesh? What does he think? Does he even leave the money? Does he have the funds to pay the farmer millions of dollars for the massive amounts of wine they sell? Or is it someone--something--else entirely?
In the winter, the farmer delves into the mines. No one in Pelican Town has been down there in decades. No one in living memory has been to the bottom. The farmer gets there within the season. They return to the surface with stories of dwarven ruins and shadow people, stories they only tell to Vincent and Jas, whose retellings will be dismissed by the adults as flights of fancy. People walking by the entrance to the mines sometimes hear the farmer in there, speaking in a language no one can understand. Something speaks back.
The farmer speaks to the the wizard. They speak to the spirit of a bear inside a centuries-old stone. They speak to the shadow people and the dwarves, ancient enemies, and they try to mend the rift. They speak to the Junimos, ancient spirits of the forest and the river and the mountain. They taste the nectar of the stardrops and speak to the valley itself. They change Pelican Town, and they change the valley. Things are waking up.
And what does Evelyn think? She's the oldest person in the valley; she was here when the farmer's grandfather was young. (How old *is* she, anyway? She never seems to age. She doesn't remember the year she was born.) Does she see the farmer and think of their grandfather? Does she try to remember if he was like this too, strange and wild and given the gifts of the forest?
And does their grandfather haunt the valley? He haunts the farm, still there even after his death; his body died somewhere else, but his spirit could never stay away for long. Does Abigail, using her ouija board on a stormy night, almost drop the planchette when she realizes it's moving on its own? Does Shane, walking to work long before anyone else leaves their house, catch glimpses of a wispy figure floating through the town? Does the farmer know their grandfather came back to the place they both love so much?
Mr. Qi takes interest in the farmer. He's different, too; in a different way, maybe, but the principles are the same. They're both exceptional, and no matter what Qi says about it being hard work and dedication, they both know the truth: the world bends around the both of them, changing to fit their needs. Most people aren't visited by fairies or witches. Most people don't have meteorites crash in their yard. Most people couldn't chop down trees all day without a break or speak to bears and mice and frogs.
The farmer is different. The rules of the world don't work for them the way they work for everyone else. The farmer goes fishing and finds the stuff of fairy tales. The farmer goes mining and fights shadow beasts and flying snakes. The farmer looks at paths the townspeople walk every day and finds buried in the dirt relics of lost civilizations.
The farmer is a violent, irrepressible miracle, chosen by the valley and destined to return to it someday. Even if they'd never received the letter, they would've come home.
They always come home eventually.
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wedonthaveawhile · 6 months
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When she says my name.
Garreth Weasley x F!MC (18+)
Garreth finds himself entangled with the heroine of Hogwarts. As their encounters become habit, they devolve into a game of power dynamics and possession.
Warnings: Explicit sexual content, possesive!Garreth, dominant!Garrreth, public sex, dirty talk, aged-up characters, unrequited love, pining.
AO3 // Word count: 3k
Garreth picked at the splintered wood on his broom from a recent tussle with a bludger, scanning the courtyard intermittently for any trace of his Quidditch team. Their head of house had recently delivered a stern criticism about their hero complex. Apparently, each member was too focused on personal glory, neglecting the importance of working as a cohesive team.
He eventually detected a figure on a broom, although quickly realised they displayed a level of nimble grace far beyond what he'd expect from one of his lumbering teammates. Hogwarts' resident hero was evidently making a return from one of her mysterious outings.
His eyes swept the courtyard again, a scattering of students strolled across the well-kempt grass, a handful basked in the sun near the fountain, but none he recognised. Thinking about it, Garreth wondered whether he should hang around for this team-building training. It was probably wise, considering he was not only the captain but also the one who had organised the whole thing. However, they were running late, and he had spotted far more appealing company.
Before he could put much more thought into it, he swung his leg over his broomstick and began to silently trail the unsuspecting witch.
He couldn't quite pinpoint when he started noticing her disappearances. He assumed he just hadn't been paying much attention to her whereabouts prior to her inquiry regarding his more 'unobtainable' potions. His tactics hadn't evolved significantly since fifth-year when he’d charmed the newcomer into pilfering Sharp's office for supplies, but he had become far more adept at sneaking around for rare ingredients.
He agreed to assist in whatever scheme she was cooking up, on the condition she helped him obtain the key component. Partly for the benefits of having someone on the lookout for wandering faculty, but mostly because the beloved heroine of Hogwarts could do no wrong. If their covert operation were to be exposed, her involvement would mean the detention time his aunt dished out would be significantly reduced.
They needed snakeweed, which he was fairly certain was cultivated and harvested in the greenhouse. However, Professor Garlick was extremely protective of her plants, requiring their thieving to be done after curfew.
Moonlight wiggled through the twisted tendrils of the countless plants scattered throughout the greenhouse as they dispelled their disillusionment charm and got to work.
"What do you reckon all of this is?" The witch gestured towards a dense blanket covering the harvesting bench, a few neatly folded sheets at one end made it appear like some kind of makeshift bed.
"Perhaps the rumours about Garlick and Kogawa are true. Maybe we've stumbled upon their secret little sex den.” Garreth turned around and playfully wiggled his eyebrows, narrowly avoiding stumbling into a venomous tentacula lurking in the shadows.
She pulled back the cover, unveiling a project in progress—mallowsweet leaves neatly laid out, drying between the two blankets.
"You need to get your mind out of the gutter,” she scoffed, laying the covering back over the golden foliage. “Or you need to get laid.”
"It was a logical assumption," he argued, crouching beneath a table, casting a dim lumos across a collection of small plant pots. "The height of these tables are just right for it."
"Should I ask how you know that?"
She lifted herself onto the table as if testing the height for herself. Garreth smirked as he shifted the pots around with flicks of his wand.
"I’m a warm-blooded male, I'd say I'm an expert in these things."
Spotting a small propagation of snakeweed, he cast a glance over his shoulder to make sure she was keeping a watchful eye on the door. She wasn't. She was perched primly on the edge of the table, legs pressed together from knees to toes.
His eyes roamed across her body, and he realised he had never really had the opportunity to thoroughly check her out. She was like forbidden fruit, always flanked by her two Slytherin gatekeepers. It's not that he hadn't noticed she was attractive, she certainly was. Her feminine figure hinted at subtle signs of muscle earned from days spent sprinting around the castle.
His lusty gaze travelled up to her face, only to discover she had been watching him the entire time. Suppressing the flicker of embarrassment, he instead leaned into his Gryffindor bravery. He grabbed the small pot and approached her, his hips meeting her knees with an intentional bump.
"As promised," he presented her with the delicate plant, his fingers brushing against hers as he handed it over.
"That was easy," she raised the pot to catch the moonlight. Her eyes shifted from the plant to him, and her pupils bloomed. "You've earned yourself a returning customer."
"Splendid," he grinned, wondering whether this meant more after-hour hangouts, a thought that kindled his overactive imagination. "The first one's on the house, the rest might come with a price tag."
“I suppose I’ll have to start saving then. What's your price?”
“Well, I wouldn’t want to make demands beyond your means,” he backtracked, worried she might think he was being serious. “Wouldn’t want to scare off my favourite customer.”
"Snagged the title of the favourite customer without parting with a single penny?” She chuckled lightly, scraping her teeth across her lower lip, “Business must be crawling."
"I prioritise quality over quantity," his eyebrow quirked as he studied her face, purposefully lingering a beat too long on her lips before flitting back to her eyes. "Now, what assets do you bring to the trading table?"
"Let me think," she reclined on her palms. "What do I bring to this specific table..." she emphasised each word with a tap of her nails against the wood, "that a warm-blooded male might find tempting?"
Heat surged through his body, and he began to regret pressing himself up against her legs, there was no way she couldn’t feel his enthusiasm swell against her knees.
“Did I mention it’s one for the price of two?”
She laughed, the sugar-sweet sound tickling his brain and the movement of her body causing her legs to part slightly.
“See, what did I tell you?" he pushed his palms against the table on either side of her thighs as he slotted himself between them. "Perfect height."
"I took your word for it. After all, you're the expert." She gave his tie a tug before running the fabric through her fingers. “Well, so you say...”
"Correct," he answered simply, because the only other words rattling around in his head was an offer to sit on his face, and he was trying really hard to play it cool.
She cocked her head to the side, “Are you going to verify that claim?”
You would have thought they were time-fated lovers, not classroom acquaintances. She had been right. He needed to get laid, and she needed some stress relief. It didn't take long before her skirt was hiked up around her waist and he was showcasing just how perfect the height of the table was. He assured her the greenhouse was soundproof due to the mandrakes, though he wasn't entirely sure if that was true. Frankly, he didn't care. Her unrestrained moaning, nails scraping across the wooden table, heels digging into his back to pull him in deeper—it made a lifetime of detention feel like a minor nuisance.
The saying goes, once is a mistake and twice is a habit, but Garreth wondered when it tipped into addiction. Whenever she was stressed—and fortunately for him, that was often—he found himself happily yanked by his tie into the nearest broom cupboard, beneath the Quidditch stands before one of his matches, by the edge of the lake under a disillusionment charm...
Maybe this time, on the balcony of the highest tower?
That's where she gracefully dismounted her broom. He followed suit, touching down behind her without a sound. Her jumper was splattered with mud down one arm, but for the most part, she was reasonably unscathed which was a rarity. She tugged it over her head to clean it with a quick charm, and he realised the stain bore a suspicious resemblance to a troll's handprint.
He knew she could handle herself, she’d been doing so for almost two years without his observations. Nevertheless, he realised he’d begun to worry about her when she was away.
He cleared his throat.
She whirled around with startled eyes and he muffled her gasp with a kiss. She squirmed for a few seconds, but her resistance crumbled as his thumbs glided up her neck, tracing delicate patterns under her ears.
He wasn't certain if she was doing the pulling or if he was doing the pushing, but somehow her back ended up crashing against the wall. Her fingers wove through his hair as his lips tore from hers and latched onto the sensitive skin of her throat.
“You scared the shit out of me,” she landed a weak thump on his bicep.
"You look like you lost a fight with a swamp," he mumbled against her skin, his hands wandering down to her hips.
"I'll have you know, I beat that swamp fair and square."
A ghost of a laugh dispersed across her neck, "I like the thought of watching you mud-wrestle. Let me come with you next time."
“Or you could come in me now?”
It was an obvious deflection tactic, but he gladly took the bait. His kisses grew forceful as he began to nip at her exposed skin.
“You better not be leaving marks, Weasley.”
He grumbled in protest against the light pink blotch he had begun to work into her throat. Something in the primal recesses of his mind itched to brand her. He wanted his lips stained on her skin, regardless of wherever or whoever she was with when she was gone.
"What if they're out of sight?" His fingers danced against her neck as he worked on undoing her tie, it fluttered to the ground before he finished asking for permission.
She withdrew her wand and uttered the incantation for a protective charm to shield their misdeeds from any potential spectators. He took that as consent, leaving a trail of wet kisses down her chest as he unbuttoned her shirt.
"Where have you been?" he probed before his teeth dug into the plump flesh above her breasts. It had been nearly nine days since their last encounter, easily their longest dry spell in the two months since their greenhouse tryst.
"None of your business," She hooked her fingers into his trousers to pull him closer, trying to find some friction.
"I want it to be.”
"Tough shit, Weasley,” her voice faltered as he hiked her skirt up around her waist.
“Garreth,” he reprimanded.
She only called him by his first name when they were fucking. He was certain she’d been deliberately conditioning him with it. If he teased her too vigorously in class all she had to do was say, "Shut it, Garreth," and he'd have to discreetly conceal his excitement for the next ten minutes. She made him dumb, plain and simple.
"You'll have to earn that," she purred, licking a trail along his neck that made his gut twist taut.
He scooped her up, spinning her around until she perched on the balcony's banister. A yelp escaped her as she teetered on the concrete edge, arms instinctively wrapping around his neck.
“I want to feel this tomorrow,” she popped open his buttons to speed up the process, “Please?"
“I've got you," he assured, feeling her pulse thunder against his chest as he positioned himself between her thighs. One hand supported her back, while the other fumbled to unclasp his belt.
It was difficult to recall how he'd ever got aroused before she came along. The way she demanded and begged all at once sent his brain spinning. "Say please again," he whispered, nipping her lower lip as he moved her soaked underwear to the side and positioned himself at her entrance. "I like it when you ask nicely."
"Pretty please?" she simpered before kissing him, her tongue eagerly seeking his.
He swallowed her moan as he pushed himself into her, she felt better than he remembered. Tight, hot, and quivering as he gave her everything he had. He loosely wrapped his fingers around her throat, and she whined against his mouth, her head tilting back as her eyes fluttered shut. He tightened his grip, her own hands scrambling at his waist to encourage him deeper.
He pulled her close by the small of her back with one arm, maintaining his grip on her neck with the other, aligning her to accommodate all of him. With each thrust, she bit down on the flesh of his shoulder as he bottomed out.
So, it was fine when she left a mark. He'd certainly remember that.
“You feel so fucking good, Garreth-”
A fractured cry fell from her lips as he pounded into her because his name had floated off her tongue like a prayer, causing something inside him to shatter, like it always did. Defining the constantly shifting dynamic between them was impossible, but it was addicting - He always found himself craving a little more than what he was getting.
“Who do you belong to?”
Garreth threaded his fingers into the hair at the nape of her neck, tugging her head up to look him in the eyes. She regarded him with a dizzy stare but remained silent. He began to slow down, and she instinctively bucked her hips to maintain some friction as her building orgasm began to ebb away.
“I said, who do you belong to?”
She wasn't his, they were both aware of that. This was never more than a matter of convenient timing and a means of stress relief. Nonetheless, he took pleasure in the hold he had over the most formidable witch of their generation. The witch with unwavering principles and determination. The witch who never faltered in her beliefs. The witch who was currently lying through her teeth for the pleasure of coming undone on his cock.
“You,” she whimpered, “Please, Garreth. Don’t stop, please.”
He didn't know if it was the way she was begging or the frantic desperation of her hips grinding against his, but he was teetering on the edge of his breaking point. He bit down hard on his lip, struggling to hold himself together long enough for her to reach the finish line.
"Chin up," he demanded, his breath coming in ragged pants as he reached one hand between them, rubbing a lopsided circle around her clit. “You look at me when you come."
He groaned through clenched teeth as his words caused her to instantly tighten around him, and that beautiful, hazy look fell over her face. She pulled him in by his collar, kissing him so hard it carved itself onto his brain and he released nine days of pent-up desire. He rolled his hips against hers as they both rode it out, briefly forgetting he should be gentle considering she was perched on the edge of a several hundred-foot drop.
He had believed there was nothing better than watching her unravel in his arms before seeking his own release, but he was wrong. Feeling her orgasm spasming over his shaft as he filled her up damn near killed him.
He fastened his trousers and helped her down from the stone balustrade. She smoothed down her skirt, trying to hide the fact that she was wobbling. He hoped his performance had met her expectations and he’d still be making her legs tremble tomorrow.
He peppered kisses across the blemishes he'd left on her breasts as he fastened the buttons of her shirt, trailing up to nip at the delicate spot on her neck just beneath her ear, the spot only he knew about, the spot that made her head tilt back and her vision fill with stars. He whispered an "Accio" against her skin, summoning a tie from the ground. He secured it around her throat with a playful tug before pulling her jumper over her head.
“You have to go?” he murmured between kisses, finding it bothered him less when he asked rather than when she told him.
Her chest heaved as she sighed, planting a lingering kiss on his lips before bending down to gather her things. “I have a study group. You’re welcome to join?”
He gave her a foggy smile and shook his head lightly. “I have some Quidditch thing I’m late for.”
“Alright, well…” She cast a fleeting glance at her abandoned broom on the floor. They hadn’t quite mastered the art of goodbyes yet. “Later, Weasley.”
“See you later,” he offered her a half-hearted wave, hoping she wouldn't make him wait another nine days before flying into his line of sight again.
As he watched her leave, he found himself wondering what impulse had led him to fasten his Gryffindor tie around her neck. There was the undeniable hope her irritation at his bold act would result in some passionate hate sex, but it ran deeper than that. It felt territorial. He’d been growing increasingly irritated with Sallow's lecherous stare and Gaunt's persistent attempts to cater to her every whim. They seemed to believe they held a Slytherin monopoly on her affections, all due to some unspoken event that happened over two years ago. Garreth understood her on a deeper level. She wanted someone who wouldn't procrastinate for two years, someone capable of making her scream on a greenhouse bench at two in the morning. He had a claim too, a far more substantial one.
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machinesonix · 25 days
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Somehow I have made it this long without realizing that none of the screen adoptions of Dune so much as mention the Butlerian Jihad. Like I guess it's burned into my brain so hard I sort of assumed it was part and parcel of the universe. Don't get me wrong, I think that's probably the first thing you learn if you want to dive deeper into the setting, but it still hits me like if the LotR movies showed us the big flaming eyeball tower and was like ‘Oh, that's why there are bad things, but don't worry, that's just background stuff.’ Yeah, you can understand the movie, but if the story is just like Frodo vs. The Witch King you are losing out on any of the conversation about the corruptive allure of power or theological undertones. So without further ado let's pretend this is for the benefit of interested new fans roped in by the movies and not part of my desperate attempt to silence the howling specters of literary analysis that live in my blood.
The Butlerian Jihad is an event set ~10k years prior to the events of Dune in which humanity won their freedom from the machines that they had enslaved themselves to. As a result, it is a religious taboo to create a machine that thinks like a human. That's frankly the bulk of the information presented by Frank Herbert in the text without dipping into books 7+, but whether or not those are canon is frankly an enormous can of worms, which really makes sense when you consider the size of the worms. But boy howdy, Frank loved his subtext and parallelism. Everyone has a foil character, every theme is hit from multiple angles, and Villinueve has been doing an excellent job of capturing a lot of that in repeated imagery and dialogue. The Butlerian Jihad happens off camera, but it's themes are absolutely critical to the big picture.
The Butlerian Jihad was a holy war. It was not merely a rebellion against the machines, it was a crusade against them. The prohibition against thinking machines isn't just a law, it's in the pan-universal Bible. Absolute psychopath Pieter DeVries himself claps back at the Baron for insinuating he might have a use for a computer, and this is a guy who has been hired specifically for his preternatural absence of morals. Let's hold onto that idea for a minute. 
Probably my favorite scene in the first book is the one where planetologist Liet-Kynes is dying out in the desert. As the last of his strength fades to dehydration he hallucinates conversations he had with his father concerning terraforming Arakkis for human habitability. He's told that the means are not complicated. There is already enough water on the planet, the Little Makers just have it all trapped deep underground as part of the sandworm reproductive cycle. You just need to isolate enough water to start irrigating plant life, and once it's established that'll keep the water on the surface on its own. The hard part is making sure everyone on the planet is environmentally conscious enough to foster a developing ecosystem. Nobody can drink any of that water while it's being collected, because they'll just introduce it back into the water cycle where the Little Makers are. It's going to take generations, so that sort of water discipline is going to have to go above and beyond a social convention. People need to be willing to die before they'll take a sip and compromise the plan. Ghost Dad Kynes concludes that the only mechanism in the human experience to enforce this consensus is religion. 
In the context of this whole parallelism thing, you have probably noticed that the Butlerian Jihad is not the only holy war in the narrative. Paul sees a new jihad as the only way of creating a future where humans can flourish. Now you might be saying ‘Wait now, Machines. I thought the point of Paul’s holy war was to avenge Leto and disempower established power structures by taking away the control of the spice!’ And you’d be right. The thing is, without getting into spoiler territory, Dune Messiah is not going to be about how everything just gets so much better now that Paul has destroyed the economy, government, and untold billions of human lives. This isn’t the endgame. Dude can see the future and the way he does it involves looking into the past. Paul lives in a society defined by a holy war and his goal is to redefine society. 
Putting it all together you can see what I mean about the Butlerian Jihad being essential to the themes even though the story never shows us a thinking machine or a narrative beat where the absence of computers changes the outcome. It helps us see the big picture. I’ve seen a lot of dialogue lately on whether Paul is a tragic hero or a consummate villain and I’m not here to answer that, but I am here to underline the critical detail. Paul intends to be seen as a tyrant. Just like Kynes’ hallucination says, religion is the lever to make a value stick around forever. He wants to traumatize humanity to hate chosen ones and emperors the same way the machines traumatized humanity to change them forever. The Water of Life ritual doesn’t invert his values, it lets him realize these visions of war are the means, not the ends. He is absolutely not happy about it, but this is Paul’s terrible purpose. 
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sepublic · 1 year
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            It’s interesting that S1 is the most conventional in terms of kids’ show formats and lessons, especially given the confirmation that it suffered the most executive meddling (not counting Seasons 2 and 3 dealing with the shortening). S1 is primarily where Luz, as well as King, learn the standard, typical Aesops of ‘Be nice and think of others, don’t be selfish’, that sort of thing. It’s where a humbled Luz is most reminded that she’s not the Main Character, and must be mindful of the people around her… A necessary lesson, keep in mind.
         However, there’s still an undercurrent of her asking and sometimes even demanding things, things she wants and needs and deserves, and Luz gets it! Eda enrolls Luz at Hexside because Luz wants to! Bump lets Luz do multi-track learning after she and the others insist! And that comes to fruition in the rest of the show, as the ideal Luz should accept for herself… Even as the events and trauma of S1 leave Luz with the takeaway that, no, she IS a bad person who is selfish and has hurt others in her narrow-minded pursuits, and must actively atone and cease being a burden.
         I think it’s neat; The first season, the ‘safest’ one, as influenced by Disney, is the one that espouses to Luz to ‘Be a good kid’. But the rest of the show afterwards, more true to Dana’s vision, is Luz encountering the downsides of devoting herself too deeply to that idea, with little to no forgiveness for herself; We see and know the merits of that typical lesson, but it also gets a bit deconstructed as TOH argues it’s just as important, if not moreso, for Luz to take care of herself too, give herself some credit, etc.
         This ‘second phase’ of the show is when Luz really begins to face off with Belos, who is an actual, literal puritan motivated by their ideology. And as I’ve discussed in the past, puritan ideology presumes humanity as existing in a natural state of guilt (which coincides with the Guilty until proven Innocent nature of the witch trials), due to the first sin. As a result, just about anything engaging in pleasure or fun is seen as hedonistic and ‘sinful’, and puritans are expected to constantly atone for their existence by devoting themselves to a higher cause, God and the collective.
         It tracks that the puritan mindset has had its legacy in real life, with a lot of conventional kids’ media reminding their audience not to be a brat; Kids are expected to obey rules, trust in the wisdom of their elders, etc. Stories like Pinocchio come to mind, with Guillermo Del Toro even criticizing it for seeking to ‘tame the child’s spirit’, hence his own version of the tale deconstructing the original by being a defiance to conformity.
         So it’s rather meta that TOH starts off with that surface-level quest to be a responsible child for Luz, in its first season (the executive one, the introductory ‘testing the waters’ season where each episode is about an Aesop). But there’s that undercurrent of Luz being rewarded for thinking about herself; So when the show really begins to dig deeper in Season 2 -being more apparent with its more mature storylines and tone, and less bound by corporate mandates to stick to the regular episodic formula- TOH’s true nature begins to reveal itself.
         Dana did explain that S2 was truer to her vision, and especially in light of the shortening, she outright admitted that the crew went for a more “Screw it, let’s just do what we want” route with TOH, and you can really tell. Dare I say, a more disobedient approach, as a contrast to S1 being more corporate, and on the surface about being the Responsible Child. I find it neat how the writers made Disney’s mandates work (such as Hexside for example), giving us the surface of that conventional story about a child learning to behave herself, only to say But there’s much more to her actualization than that.
         The narrative begins peeling back the layers of that supposed story by showing the consequences of the kid protagonist’s adventure, not just in the trauma, but by displaying how its morally righteous takeaways can lead to toxicity and outright evil, such as with someone like Philip Wittebane. TOH is being nuanced by balancing the selfless and selfish ends of the spectrum, but ultimately it’s finishing on the note of Luz learning to fight for herself, at least as much as she does for others.
         After all, there’s definitely a real-life social trend leaning towards being easier and less punishing on kids; Physical punishment is seen as physical abuse, and people are becoming more aware of just how difficult it really is to be a minor, actually. A lot of conservative groups complain that society has become ‘softer’, but the idea of disobedience and rebellion has become more and more attractive as corporate power constricts and demands you work full-time, emphasizing productivity.
        ‘Empowerment’ is a term that’s more discussed, so when we use that word for minorities, it’s inevitable that people will extend it to adolescents as well, hence the meme of Okay Boomer, as a response to Millennials supposedly ruining everything. Dana herself also mentioned she grew up in a catholic school and was even placed into a headlock by a nun as a child once, which given her story’s villain is a puritan…
         I think TOH argues that Yes, some of the ideas behind being a responsible child do have a bit of a place. BUT, it follows this up with the notion that this default sentiment for kids can and has been damaging, just as S2 follows up on S1’s more corporate, lesson-of-the-day format with a freer story that has Luz struggle with her unfair guilt. The show’s very structure and organization on a meta level ends up reflecting how it offers a typical lesson, but then deconstructs it to argue the opposite is good; Just as Luz enters expecting your regular pretty isekai, but finds something grotesque and demonic, only to accept and embrace that too.
        Luz forgiving her desires pairs with TOH saying it’s okay to be selfish and not expect yourself to be a Hero who saves the world, which is a presumption both egotistical but also demanding. This matches with S2 introducing more prevalently the idea that, hey, maybe kids shouldn’t be expected to save the day either, given the trauma it instills, and the expectation to essentially be a responsible, productive child who is successful in life. That defies the puritan mindset to atone, work hard, and devote yourself to something greater, such as the collective and/or God, which is something American society is continuing to unlearn; And The Owl House reflects these trends as the product of various social movements, such as queer rights.
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bullet-prooflove · 5 months
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Taken!Series Part Five: Perfect - Angel Reyes x Reader
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Tagging: @wakeama @witches-unruly-heart @keyweegirlie @trhett21 @annetje @infinity-mars @emily2003alzaga @danzer8705 @im-just-a-mississippi-girl @thatonesexycancerian @expir3dl0v3 @appreciatelove @the-wandering-lunatic @weiwei0210 @anime-weeb-4-life @multifandomloversworld @harperdoodle @cheyrenee @fanfic-n-tabulous @stressed-chas @daydreaming-belle @est1887 @prettyinpunk85 @adaydreamaway08 @thanossexual @briefpersonenemy @creativitybeware @crimeshowjunkie @librarian1002 @mortal--soul @buddinglinguist @spookyboogyuniverse @spaghettificationandpretzels @nu1freakshow @thebaileybugle @legally-a-bastard @bonsaijoons @sclitvdes @justreblogginfics @crazy4chickennuggets @kmc1989 @withakindheartx
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You survive, barely, but you do.
They let Angel have a couple of minutes with you once they have you settled in the ICU.
The next few hours are critical they tell him, there’s nothing he can do.
He sits beside your bed, his fingers curling around yours. His thumb traces over the veins, he can’t get over how stark they are against your skin. You look so small, so dilapidated. There’s tubes running into your body, he has no idea what any of them do only that they’re keeping you alive.
You’re usually so vivid, so passionate, seeing you like this is a blow, one that’s not sure he’ll recover from.
“Valeria’s safe.” He tells you. “We got her back.”
There’s no response from you, he doesn’t expect one. He doesn’t know if you can hear him, but he hopes you can because that means you’re coming back to him, back to the family you fought for.
“It was bad Lila.” He whispers, his lips brushing over your knuckles. “Our baby girl was wrapped up in bath towels, sleeping in a cardboard box in a fucking shanty town. That’s what you were trying to save her from.”
His eyes are stinging now, he feels the tears spilling over his cheeks as he squeezes your hand.
“She could have died up there.” He says, his voice breaking. “She was crying, dirty, hungry…”
He draws in a shaky breath, using the back of his hand to wipe away the tears that stain his cheeks.
“She needs you Lila, we both do. I can’t… I can’t do this without you.” his voice breaks, a sob erupting from his chest. “I don’t want to do this without you. I need you to get through this so we can be a family again because you’re the mom she needs, the one that was there when…”
He can’t bring himself to say it because the images it conjures in his head are too raw, too visceral. Everytime, he closes his eyes, he’s sees you lying there bleeding out across the laminate.
He thinks of his mother’s ring nestled in the top pocket of his kutte, the one he’d collected from his father a couple of weeks ago. That’s the reason he’s agreed to go out last night, him and EZ were putting their heads together, trying to come up with a proposal that you’d love.
EZ had suggested the rose garden because they all knew how much that place meant to you. Jo and him had put together a plan, they were going to decorate the place with fairy lights, make it magical for the two of you.
Next weekend is when they decided, his Pops would take Valeria for the night. EZ and Jo would set things up while Angel took you out for dinner, your first date since Valeria came along, you’d go for a walk afterwards to the rose garden…
It would have been perfect, he thinks as he watches the rise and fall of your chest. You would have loved it.
Love Angel? Don’t miss any of his stories by joining the taglist here.
Interested in supporting me? Join my Patreon for Bonus Content!
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hexpositive · 4 months
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Hex Positive, Ep. 042 - Extended Warren Tea with Jenn the Ouija Girl and Lorelei Rivers
Now available on your favorite podcast app!
Happy New Year, witches! While we’re recovering from the mad rush of the holiday season, I’m sitting down with returning friend of the show Jenn the Ouija Girl and new pal from the tumblrverse Lorelei Rivers to both drink AND the spill the tea on those ghost-hunting grifters we all love to despise, Ed and Lorraine Warren.
Discussions about the careers and rhetoric of the Warrens make the rounds regularly in discussions about the paranormal among members of the witchcraft community. But who were the Warrens? Why do they inspire such ire even as the Conjuring franchise gains steam? How much of what we think we know about the supernatural comes from them? And why is it important to recognize – and refute – their rhetoric when we encounter it?
The Critical Thinking Witch Collect will be having a free virtual brew January 20th! Join me and Julie Bloomfield as we discuss glamours and self image. Sign up on their website: ⁠http://www.criticalthinkingwitches.com⁠.
This Month’s Guest Hosts –
Jenn – ⁠The Ugly Kitchen⁠, ⁠ASMR Geographica⁠ on YouTube, ⁠TheOuijaGirl.tumblr.com⁠
Lorelei – ⁠CrazyCatSiren.tumblr.com⁠
Check my⁠⁠ WordPress⁠⁠ for full show notes and links for further reading, as well as show notes for past episodes and information on upcoming events.
⁠⁠Hex Positive is now on YouTube⁠⁠⁠⁠! Visit the merch shop on ⁠⁠⁠Redbubble⁠⁠⁠ as well!
You can find me as @BreeNicGarran on TikTok, Instagram, and WordPress, or as breelandwalker on tumblr. For more information on how to support the show and get access to early releases and extra content, visit my⁠⁠ Patreon⁠⁠.
Visit the⁠⁠ Willow Wings Witch Shop⁠⁠ to purchase my books and homemade accoutrements for your craft! (And look for the Shopify announcement coming soon!)
Proud member of the⁠⁠ Nerd and Tie Podcast Network⁠⁠.
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samwisethewitch · 2 months
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In Defense of Fluffy Bunnies, or Witchcraft in Times of Burnout
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At the very end of 2023, I used my Christmas bonus from work to buy myself a tarot deck I never would have purchased six months earlier.
This deck was from a creator whose work I had really enjoyed in the past, but when I had looked at it earlier in the year, I'd had concerns that it was softening the meaning of some of the more "difficult" cards in the tarot. For example, The Hanged Man is replaced with "The Patient Witch" and Death is replaced with "The Broom." I'd had concerns that replacing these cards, which are traditionally associated with more dire or upsetting readings, meant the creator was trying to whitewash tarot into something cute and fluffy, sacrificing a lot of its depth in the process.
The deck is The Cozy Witch Tarot by Amanda Lovelace, and I'm so glad I gave it a try. This deck has an incredibly kind and gentle feel, but it is absolutely capable of giving serious readings. The depth of the tarot hasn't been compromised at all by Lovelace's changes, and her version's greater emphasis on agency and personal empowerment is exactly what I need in my practice right now. I use this deck to read for myself almost every day.
So what changed? How did I do a complete 180 in my thoughts on this deck in only a few months?
I've always been very opposed to "love and light" or "fluffy bunny" witchcraft. For those who aren't familiar, these are both terms used online (usually negatively) to describe witches who only do "light" or positive magic. According to the Witchipedia, "Generally, the 'fluffy bunnies' have based their practice on only the most delightful aspects of their spiritual path or romanticized, fictional Hollywood or literary accounts of witchcraft or Wicca." From what I can tell, this term came out of Wiccan Internet forums in the 1990s, and it refers to someone who dons the aesthetics and mythology of Wicca or witchcraft without actually engaging critically with magic theory. Fluffy bunnies also tend to focus on feel-good magic, at least according to stereotypes.
Similarly, "love and light" witches are known for only focusing on the lighthearted side of witchcraft. In an opinion article for The Wild Hunt, Storm Faerywolf writes that, "On the surface it seems harmless enough: a philosophy of love, kindness, non-violence, and a concerted practice of positivity." This type of witchcraft is very closely tied to the "spiritual but not religious" movement and borrows a lot of concepts from New Age spirituality, like crystal healing, the Law of Attraction, and chakras. While fluffy bunnies are very much a product of the 1990s, love and light witches are very much a product of the New Age boom of the 2010s.
I've been very vocal about my dislike for both of these types of witchcraft on this blog in the past, and I still 100% agree with Storm Faerywolf, who says in that same article: "But to assert that pain, and fear, and even anger are somehow less important than our joy, our courage, and even our love, is to do a grave disservice to our collective mental and spiritual health... groups that embrace this mode of thinking have effectively ensured that they can mutually avoid anything that might challenge their cultish mindset. Angry over injustice? You’re just living in a lower vibration. Afraid of contracting a deadly virus? You just don’t trust Jesus enough."
I think accepting and working with challenging emotions is an important part of what it means to be a witch. Spiritual bypassing and cries of "good vibes only" do more harm than good. But for a while I got so caught up in rejecting anything even remotely fluffy or love-and-lightish that I ended up with a magical practice that, to be honest, kind of made me miserable. And I don't think I'm the only one.
I spent a lot of 2022 and 2023 wrestling with injustice, both in my spiritual practice and in my personal and professional life. My practice is inspired by witches like Starhawk and Christy C. Road, and politics play a key role. Most of the spells I did in 2023 fall into the category of justice magic, including breaking family curses and hexing rapists. At the same time, I was working a series of direct services jobs that saw me working closely with homeless teenagers, domestic violence victims, and people battling addiction, just to name a few. And that's not even getting into my personal life and recovery as a queer, disabled survivor of abuse.
And let me tell you: By the end of 2023, I was fucking exhausted. I was beyond burnout. And I didn't even want to do magic anymore, because magic had become just another part of my life where I had to face the injustice and harm happening in the world around me.
I was in desperate need of some fluffiness, some love and light. And that was when I bought the Amanda Lovelace tarot deck.
I knew something had to change. In my burnout, I desperately needed to be tenderly cared for. I needed my spiritual practice to be a source of peace and comfort, not a drain on my energy. I needed to get out of the dark for a bit so I could remember how to see the stars.
What I've realized in the last few months is that yes, anger, pain, and fear are important in a balanced magical practice and a balanced life -- but joy, love, and comfort are equally important. And if you spend a lot of time in one part of your life dealing with pain and fear (like I do in my day job), focusing on love and healing in your witchcraft can help keep things balanced.
"Comfort" and "care" are definitely the keywords for my magical practice right now, and that means my magic looks a lot more fluffy than it has in the past. And that's a good thing.
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Critical Thinking Witch Collective presents: CritWitchCon2022
Virtual con Fri, Sep 30, 2022, 4:00 PM –Sun, Oct 2, 2022, 12:30 PM EDT
CTWC's Con 2022 is the place to be for skeptical, secular, agnostic, non-theist, atheist, and scientifical-minded witches.
CritWitchCon2022: Circles, Paths, and Building Our Own
One of the best things about being a Critical Thinking Witch is making what we need, just as we need it. It’s one of the hardest things about it, too.
In this year’s Con, we are exploring the Do It Yourself (DIY) dynamic, and applying it to our craft, our chosen family, and even ourselves. Join us for panel sessions, meet and greets with speakers (who are your friends and world-wide witch neighbors!), vendors, opportunities to connect with far-flung critical thinking witches, and the building of something amazing – our community.
All Access Pass $25
Saver Pass $15
Scholarships are available 
Tickets can be purchased at the link below, as well as the application to be a vendor or for a free ticket to our pre-con preview event on September 24th.
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upthewitchypunx · 2 years
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SASS Witch Con is changing our name to Critical Thinking Witch Collective! August 21st we are having an online Witches Brew event all about the magical use of names! Brew events are always free but you must sign up to get access. Come and hang out with thoughtful witches!
Sign up for free here!
P.S. We will also be hosting another paid big event in October! Stay tuned!
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raccoonfallsharder · 5 months
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fanfiction masterlist
currently under construction!
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about me | what you'll find here (spoiler: it's rocket raccoon all the time) fluff ✮ | spice ✩ | some smut ❤︎‬ | much smut ❤︎‬❤︎‬
recently updated
✩࿐࿔ take what you need. brush your frickin' teeth. for nonnie [3/25] ✮
⋆˚.⚘𖡼𖥧𖤣 windfall. Part Two. Crystallized Ginger. [3/27] ❤
cicatrix .⋆☁︎ :・꧂ chapter five. o'erpine. ✩ [4/2]
cicatrix .⋆☁︎ :・꧂ chapter six. lockheartedness. ✩ [4/11]
rocket raccoon prompt week ✷.⁺⋆˚₊ [4/17] ✮✩
cicatrix .⋆☁︎ :・꧂ chapter seven. starlorn. [4/22] ✩
florescence❀ Year Three: Flowering [4/27] ✮✩
what’s the forecast for this month? longterm future projects
masterlists
sfw masterlist | nsfw masterlist | headcanons & imagines art [rocket & your OCs] | writing thoughts & "advice" recommended works (writers, artists, etc)
full masterlist below the cut. banners & dividers are by @saradika-graphics and @v6que ♡ thanks to them!
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everything is in alphabetical order with pending works at the end, but if you can think of a better way to organize, feel free to hit me up ♡ what to expect from my fanfiction
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⋆ ˖ ⁺ ‧₊ ☽ anthology ☾₊‧⁺˖⋆ varies | no use of y/n | complete | word count: varies. miscellaneous one-shots belonging to no specific collections or series. gender of reader varies. collects three oneshots. adorations | Autopilot Systems Check | overheard on the bowie | the raccoon, the witch, & the roadtrip | rocket raccoon prompt week | tomorrow | warm compress
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♡‧₊˚✩ Blackmail Material ✩˚₊‧ ♡ 18+ only MDNI | no use of y/n | f!reader | 3/3 parts | complete | word count: 30,591. a classic tale of "that fuckin raccoon found your sex toy." post-endgame friends-to-lovers smut with feelings, fluff, & love confessions. Blackmail Material | Self-Sufficience | Bioluminescent
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⋆⊰∙∘⋆❆ borealis ❆⋆∘∙⊱⋆ winter collection varies | no use of y/n | complete | word count: varies. an anthology of various winter-themed/holiday one-shots. gender of reader varies. collect four 2023 winter oneshots. traditions. | ugly sweater. | frostnip. | snow & stars. | winter across the galaxy
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꧁・:☁︎⋆. cicatrix .⋆☁︎ :・꧂ 18+ only MDNI | rocket x f!oc | wip | 4/25+ | word count: pending. a story about scars. inspired by mary shelley’s frankenstein; or, the modern prometheus. a freakish little monster visits the high evolutionary’s bride on her wedding night.  please pay attention to all ao3 warnings/tags for every chapter. nemotia | ambedo | rasque | anthrodynia | o'erpine | lockheartedness | starlorn |
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Domestic Scenes in Space Travel ✩°。 ⋆ [UNDER CONSTRUCTION] The Very Boring Adventures of Space Pilot & Sweatshirt Girl 18+ only MDNI | no use of y/n | f!reader | word count: varies. reader x rocket domestic fluff & smut with feelings. comics-based but you don't need any comics background knowledge to ride this ride. collects Installments 1-5 and an Interlude. The Very Boring Adventures of Space Pilot & Sweatshirt Girl | Outer Space Safety & Spaceship Maintenance Training | Reconnaissance for Beginners: An Instruction Manual | Critical Interview Questions for Potential Room & Crewmates [explicit & smut-free versions] | Proof: A Moment in Space | Untitled Installment 6
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florescence❀ ˖⁺‧₊˚ (a meetgroot) 18+ only MDNI | no use of y/n | f!reader | 3/6 years | wip | word count: pending. Rocket & Groot leave their friends behind on Knowhere, despite the latter’s protests, and end up hiding out on a nothing-planet (with a non-extradition policy) at the edge of the Shi’ar Galaxy. It was the flowers that drew you in. mcu-based, slight au, medium-burn, eventual smut circa Year Four. tentative allies to friends to lovers. the middle is angsty but there are only happy endings here. Year Zero: Seed | Year One: Sprout | Year Two: Growth | Year Three: Flowering | Year Four: Formation | Year Five: Dispersal
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˚₊‧✶ headcanons & imagines ✶‧₊˚ smut-free | no use of y/n | gn reader | oneshots & drabbles various guardians of the galaxy headcanons, minifics, and more.
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°˖✧˚♡ kinktober 2023 ♡˚✧˖° 18+ only MDNI | no use of y/n | f!reader | oneshots | word count: varies. based on @flightlessangelwings Kinktober 2023 prompt list. please read all warnings.
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rocket raccoon prompt week ✷.⁺⋆˚₊ smut-free | no use of y/n | gn reader | oneshots & drabbles | word count: varies. based on @rocketraccoonpromptweek. most can be read platonically, with only some brief mentions of romance or spice. explosives | hurts | emotionalistic | family | machinery | bite | home
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✩࿐࿔ take what you need smut-free | gn reader | no use of y/n | 11 complete reminders | word count: varies. the world is hard, and sometimes it's difficult to complete daily tasks & take care of yourself. rocket bullies you for your own good. non-smutty. reader is gender-neutral. accepting requests via reblogs, asks, and tumblr & ao3 comments. collects various Reminders (ongoing) ࿔ eat somethin ࿔ go to frickin bed ࿔ get outta bed & get your shit done ࿔ take a damn bath ࿔ leave your frickin skin alone ࿔ take a fuckin study break ࿔ drink some goddamn water ࿔ stop destroying your fricking clothes ࿔ just buy the damn thing already ࿔ it's frickin laundry day ࿔ get some goddamn sunshine ࿔ have you taken your meds today? ࿔ schedule your fuckin appointments ࿔ do the goddamn dishes ࿔ brush your frickin teeth ࿔
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⭑˚.⚘𖡼𖥧𖤣 windfall 𖤣𖥧𖡼⚘.˚⭑ (a meetgroot) 18+ only MDNI | no use of y/n | f!reader | 2/3 parts | wip | word count: pending. wind·fall /ˈwin(d)ˌfôl/ noun. an apple or other fruit blown down from a tree or bush by the wind; an unexpected piece of good fortune. semi-shy ultrafeminine touch-deprived reader tries to avoid meeting knowhere’s intimidating captain. is profoundly unsuccessful. Sugared Violets. | Crystallized Ginger. | Candied Apples.
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Window Across the Galaxy *:・゚✧*:・゚✧ 18+ only MDNI | rocket x f!oc | 27/27 chapters | complete | word count: 235,940. girl falls first; raccoon falls harder. Rocket is captured by a Ravager crew hoping to get rich off the excessively large bounty on his head. Throwing a wrench in everyone’s plans is the Terran girl they hired to do some freelance assessing on a recent haul of goods they’ve seized from a Xandaran luxury liner. Oops. slight AU starting pre-GOTG volume 1 (but will hit most of the same major plot points). slow burn + eventual smut with a lot of pining in the middle. kinda enemies-to-lovers? (but only one of these idiots thinks they're enemies). collects Chapters I-XXVII. *:・゚✧
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what's on the horizon? future projects
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pinksummer444 · 2 years
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what does your future self desperately want to tell youuuu? ♛
~ what you need to know right now ~ 🌷🌷
some of you guys will be drawn to more than one pile. *sorry for any typos*
sub to my youtube acct for more readings <3
#pickacard #pickapicture #psychicreadings #tarotreadings
• use your intuition to choose your piles below ⬇️ 💕
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1>2
3>4
sorry for any typos. general reading & messages!
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pile one. ✨✨✨✨
you are powerful. you are such a strong force, even when being alone in your own energy, you don’t need anybody else to add to your power. your actually too powerful for others to handle. you should use more of your ancestors powers as well when doing spell work and candle magic. (if your a witch) your raw, authentic & your talented. you’ve been programmed to think otherwise. weak minded people use these tactics on self sufficient people. in order to be self sufficient you have to have a mind of your own. people fear to see this in others so some people use tactics like brainwashing etc. (they usually start at a really early age) (they even show this process in some movies) i feel that your higher self wants to tell you that your not toxic, your not self centered, & your not poison but people are going to tell you this because of your powers. people are going to tell you that your dangerous. people are going to tell you that you should never be doing this or that. practicing this or that. people are going to tell you that your not good enough even when they can clearly see that your more than good. weak and fearful people fear to see someone doing all of the things they can’t possess and do for themselves. so it makes since that these types of people are going to make you feel like you shouldn’t be who you truly are. if you don’t live in your natural essence, if you can’t stand in your truth and claim it then are you truly powerful? most people can’t stand alone, they can’t make choices on their own, & some people are afraid to be single lol. “people value other peoples opinions more than they value their own happiness” so don’t listen to what others have to say, don’t even give them a chance to speak to you if you don’t feel they are worthy to be sitting at your table. protect yourself at all cost from negative thought forms/projections and narratives forced on you that people telepathically, and verbally send to you each and everyday unknowingly/knowingly it doesn’t matter just protect yourself but continue to do you, don’t let people push you into becoming a avoidant personality. there are other people like you who aren’t afraid to seek the truth and to stand tall in their truth. i feel like your higher self wants to say, you are actually winning by walking through the fire instead of trying to avoid conflict/chaos. you dealing with your problems head on is difficult and uncomfortable right now but your going to be grateful and more than happy that you decided to do this in the long run. don’t be afraid to become and embody your shadow self. people criticize you and critique you only because your putting yourself out there to be vulnerable and that’s very strong, that’s fearless and that’s brave. it takes a lot of inner power & strength to be in front of headlights. you’ve been taking blow by blow but with every jab your adapting and becoming invincible. you always need to know that nobody is going to stop gossiping about you. so you need to get over it. these gossips are never going to be true! so stop trying to clear up your name, stop trying to defend yourself. your better off being quiet and continuing to focus on you and your own self growth. you have bigger fish to fry. most of you who picked this pile, are the black sheep, the black swan of the family. your are the black sheep, black swan around any collective consciousness. your just different, smart, clever and you think outside the box. you weren’t born to fit in you were born to destroy comfortability. some of you have heavy fire, or air placements in your chart. your whole life is taboo for a reason. a lot of outsiders or romantic partners subconsciously see your suffering and endurance as sexy, illuminating and irresistibly appealing. your higher self is helping you fight internal & external battles day by day - side by side with your spirit team and ancestors. also being sexual isn’t something that is evil, being sexual is a natural thing and I feel that you are a huge sex symbol in this pile, own it. live your life truest.
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pile 2.
you’ve made peace with your demons. they love you and need you to survive. they get more powerful the more you try to push them away. they don’t like when you deny them. they want to show you how to play this game called “life”so that you’ll never lose to anyone or anything. your higher self is proud of you, and wants to thank you for finally accepting and forgiving your dark angels. because sometimes they would come around you and destroy you and consuming you. you needed to carry them with you, you needed to look them in the eyes and make peace with them. they look scary yes but it’s apart of who you are at the end of the day. even if that’s not who you are anymore. yes they will come back up from time to time but as long as you know how to handle them and use them you will always be able to win all of your battles and challenges in life. no more running away and no more ignoring them. it only feels like torment when you feel like they are ugly or not apart of you. they give you the strength and power you need to see through the dark shadows of the people around you and the environments that you might be in. you can also seek your dark angels for help and guidance not just your higher self. ask them to take care of your dirty work. your dark angels honestly love being around you and are here to protect you. just don’t let them control you and over power you. you need a strong balance. ☯️
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pile 3.
11:11 could be your angel number. i see it as I’m doin your reading. your a goddess. and you deserved to be praised. you’re already being praised. people look up to you and will always look up you you. your beautiful & masculine as hell. you have no shame in what your doing with your life and to people they view this as perfection. it turns people on, and it makes their imagination run wild for you. you guys are a sex symbol at its finest. people wanna have you so badly & to be you so badly. a lot of people drool over you in this pile. & envy you. anybody who dates you needs to be powerful enough or they aren’t going to make it out alive. this person will suffer the flames of your intensity. you aren’t for a average joe. your definitely someone who needs someone who is an extremist just like you, or they need to come into the relationship with understanding that you need attention and praise or it just won’t work out, it would be bad on your mental health and theirs. your someone who naturally just gets attention from others so it became a norm in your life. your a star and you have star qualities inside of you. you love to show off your body, & you love to show off your features. nothing is going to stand in your way not even a relationship. you would literally trample over their heart. your unapologetic and beautiful. your higher self wants you to know your a blessing and a curse. your sexual being is very expensive in the spirit realm. certain spirits love when you act animalistic and barbaric you release a intense fume that makes them feel alive in the awaken life. they would never harm you, but your higher self wants you to know that once you learn to have more control and power over your sacral chakra you’ll be able to posses or seduce anybody you want in a creative and beautiful way. never dim your sexual energy for anybody you love. be as creative as you can be. love your body, love your shape, love your curves. fall in love with yourself in every phase of life, and age. you are walking art litterally!
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pile 4.
you’ve been a witch at birth. you didn’t have to develop these talents and work on your clairvoyance. you’ve just always had them. they were passed down from generation to generation. you have alot of witches in your family. you already have a strong connection with spirits, and your higher self. you seek them all the time and they always come to you, and answer your prayers. so what you need to know is that your loved and very protected. you have many gate keepers but they want to be able to develop a secret language, sound, metaphor, time, symbols to know when and where they need to be there for you/with you. maybe when you cast spells, when your in danger or when you simply need advice and want to talk for a while. your really smart and sweet in this pile. they adore you and they know your someone who is making changes to heal and keep the families name in good grace. you are a gift from god and you’ve been on this earth before, this isn’t your first time being here. a lot of people look up to you, and are coming to your for help. most people won’t even know that their subconscious seeking you & clinging on to you for that reason alone needing spiritual guidance and help. you could have noticed this at a very young age that people and spirits just come to you for help & guidance during karmic situations, trauma etc. your strong enough to break curses, case spells, create potions, make predictions, do magic, astral travel, lucid dream, receive messages in dreams and in the waking life, cast hexes/curses on other people and time-travel. your mostly a earth witch but you have many psychic talents and gifts in this pile. and their only growing stronger the more and more you gain control over your powers. your higher self wants you to take more care of your hair, nails, feet, hands, and teeth. do weekly root chakra cleanses to remain grounded and very well balanced in the waking world because you spend a lot of time in the in-between and in the sleeping world. you wanna create balance, as well as boundaries with people and spirits. you could work & put your magic into dolls, items, shrunken heads, 🫙 jar magic, (basically symbolisms, objective symbols) you have a gift, and your not just a witch, or medium for trend you really can do many things with your premonitions and insight. your very enlightened and resourceful. your higher self wants you to know a lot of people want what you have and stalk you or obsess over your power. protect and cleanse your home, your head, and any other portals and gateways you use frequently. don’t tell people your a witch, a medium, a psychic, always hide your powers and tell them something simple like I work with herbs, im in school for nursing or anything but your a witch. because the moment you give it away is the moment you’ve given your power away. keeping secrets, is keeping your power. you don’t need to tell people your weakness or your strengths in this pile. people will use it against you subconsciously. there was a reason witches never truly told people verbally they are a witch. people overreact, they assume, they project, they act like weirdos or even worst obsess over you. you wanna be loved and liked for who you are as a person not for your abilities and what you can do for other people. you don’t wanna be seen as a witch every where you go. you wanna also have a fun life/ a social life / a personal life of your own. it’s okay to keep that part of you hidden and private. you deserve to have lovers and friends who don’t just come to you for help, wishes and spells. you need to have friends who just wanna hang out, party, and take you away from the witch play for a while so that’s another reason to keep your practice on the hush hush. (or just be selective about who you wish to tell) live your life and enjoy the waking life as well as saving and helping people because being a psychic does get boring and exhausting. be free alittle, smile, and turn up every once and awhile. take a break from spirituality and focus on your social life!!! :)
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having thoughts about marlene mckinnon for way too many words
In honour of breaking up the fanon characterisation of Marlene a little, here’s every bit of information I could find about Marlene from canon, and variants of Marlene that aren't a Marauders' year Gryffindor that I think could be really fun to write! As a fandom we all seem to stick to the same few traits for the characters like Marlene, to the point where it almost creates a kind of ‘canon’ which kind of defeats the creative freedom which makes writing in the Marauders era so interesting.
And please note that this is not a criticism of fanon at all, headcanon what you want to headcanon, there are so many talented writers and artists who do amazing Marlene work within her fanon characterisation as a Gryffindor classmate in the Marauders’ year. I just had a lot of thoughts.
So anyway, here’s the three quotes we have that mention her:
“No one lived after he decided ter kill ‘em, no one except you, an’ he killed some o’ the best witches an’ wizards of the age - the McKinnons, the Bones, the Prewetts - an’ you was only a baby, an’ you lived,” - Hagrid, The Philosopher's Stone
“That’s Marlene McKinnon, she was killed two weeks after this was taken, they got her whole family,” - Moody, Order of the Phoenix
“Wormy was here last weekend, I thought he seemed down, but that was probably the news about the McKinnons; I cried all evening when I heard,” - Lily, The Deathly Hallows
Let’s get into it. Alright, so to get an indication of what Hagrid means when he’s talking about “the best witches an’ wizards of the age,” we can look at the Bones and the Prewetts.
“That’s Edgar Bones… brother of Amelia Bones, they got him and his family, too, he was a great wizard” from Order of the Phoenix. Apparently, his mother and father were also murdered by Voldemort (fandom wiki). It’s unclear whether “great” refers to magical skill or strength of character; however, we know Amelia Bones, his sister, was a fair and principled woman, so it probably includes elements of both. 
“Gideon Prewett, it took five Death Eaters to kill him and his brother Fabian, they fought like heroes.” Combining this with the Hagrid quote, we can gather that the “best witches an’ wizards” likely refers to prodigal magical skill, as well as strength of character - generally acting like a hero. 
So from these quotes, we can gather that Marlene was either a great witch herself, or at the very least, most of her family was skilled at magic, and that they all had great strength of character. By strength of character, I guess, from looking at the type of people the Prewetts and the Bones were, I mean that she valued stuff like justice, compassion and courage, and also, to put it simply, had a backbone and could stand up for what she believed in. 
I don’t think this necessarily makes her a Gryffindor, although it does make it more likely. The Bones family was known to be affiliated with Hufflepuff (Susan Bones), and people of every house can exhibit these traits. Although still very much possible, I find Slytherin to be the most unlikely house for her, as Hagrid does tend to harbour certain biases towards Slytherins (i.e. he tells Harry that there wasn’t a witch or wizard who went bad who wasn’t in Slytherin) so would be less likely to describe a Slytherin-affiliated family in such a positive manner. However, realistically, all four houses are open options for Marlene. 
Now, onto her relationship with Lily Evans. Lily does not refer to her by name, only as part of a collective “the McKinnons,” implying that to the extent Lily knew Marlene, she was also associated with more than one member of the McKinnon family. Her death is also mentioned in a throwaway sort of line, as an explanation of Peter’s sadness, meaning she had to be somewhat close to Peter for it to be reasonable that he’s at least as sad as Lily about her death. This also reads like it’s the first time Lily has discussed her death with Sirius, and it’s been about a week. This, to me, seems to indicate a relationship that isn’t necessarily very close, more like coworkers than anything - if they were closer, I think we could expect more of a specific comment about Marlene rather than a generalised one about her family. As this letter is addressed to Sirius, it’s also likely that Sirius wasn’t particularly close with Marlene either, as Lily offers no attempt to comfort him about her death, which occurred sometime close to “last weekend.” Given Lily is often shown as quite a caring character, if either Lily or Sirius were extremely close to her, I think you’d expect more from Lily. However, Lily still does “[cry] all evening” when she hears, so it isn’t completely detached news of something happening to a stranger. Casual friends or acquaintances, maybe, but probably not a deep friendship.
We’re looking at a relationship close enough to warrant an initial shock reaction from Lily, but not close enough to warrant continual intense grief for more than a week, with a connection that was to the whole McKinnon family, not simply Marlene. In my personal view, while being Gryffindor classmates fits this model (allows Lily, Peter and Sirius to all be familiar with her, and could have a similar level of detachment as Harry has from Dean or Seamus), I’d think sharing a dormitory for seven years and also fighting in a war together would form a deeper connection between Marlene and Lily (think of Harry’s connection with Neville by the end of Deathly Hallows), or at least warrant a mention of Marlene in particular rather than “the McKinnons” in her letter. 
Moody also doesn’t point out additional members of the McKinnon family in the photo, implying that they were absent when the photograph was taken or were not members of the Order. I think it likely that more McKinnons than Marlene were in the Order, as this would allow Lily, Sirius and Peter to be connected to the family. There are three scenarios: the McKinnons are in the Order photograph and are simply not mentioned by Moody, the McKinnons are in the Order but not the photograph, and the McKinnons are not in the Order. In the first scenario, Marlene is singled out as the most significant member of the McKinnons, as she is the only one named and the others are referred to as “her family” - she could be more involved in the Order than the others, or she acts as some kind of leading figure for the household, or she was simply better known to Moody than the others. In the second scenario, she is mentioned as the only one present, while the others are absent - they could be in hiding, although Lily and James were in hiding and were still present for the photograph, or are on some kind of Order activity (like Lupin, who is also not mentioned as being in this photograph). In the third scenario, Marlene is the only Order member in her family. The way Moody describes her death as “got her whole family” also suggests an element of being caught, as if the whole family was wanted to some extent by the Death Eaters. Hagrid also says that Voldemort had “decided ter kill ‘em,” further implying that the whole family were targets, not just collateral damage from targeting Marlene. For these reasons, I find it more likely that she is not the only member of the Order in her family.
Lily, James, Sirius and Peter are seated in the same row of the photograph - from this, we can gather that there likely wasn’t arranged seating and people sat with those they were friendly with. Marlene is standing nearby to Dedalus Diggle, Frank and Alice Longbottom and Moody, implying these were the Order members she was closest to, not the Marauders. For this reason, I think it’s reasonable to interpret Marlene as older than she often is portrayed. Frank and Alice’s ages are unknown, but they are well-accomplished Aurors, repeatedly stated throughout the series to be an extremely challenging career with training for at least three years after graduation to even enter the position, although they are not too old to have Neville (the average age of first-time mothers in 1981 was about 25, but given that Alice was a well-established Auror by the time Neville was born, she was probably a bit older), likely placing them somewhere in the mid twenties to thirties range. Dedalus Diggle could be any age, but he is quite an eccentric and cheerful character, wearing a purple top hat, known for enthusiastic displays like summoning shooting stars in Kent upon Voldemort’s downfall, bowing to Harry in a shop, and attempting to be friendly to Vernon Dursley (a monumental task). Her association with Dedalus Diggle implies she isn’t bothered by this kind of behaviour - or maybe she is, and she’s unfortunately stuck standing near him. Moody is described as having grey hair, and just generally comes across as an older man (grizzled appearance, gruff, battle-hardened cynic). Given Moody is also nearby, Marlene is now associated with at least three Aurors, so she could reasonably be interpreted as an Auror, or Auror-in-training.
So, in conclusion:
Marlene is a member of the Order, likely at least a few years older than Lily and James. Her family members, whether that be her children or parents or siblings, are also in the order, and she is probably fairly close with them, given they were all murdered together. The McKinnons are highly skilled wizards and have strength of character, standing up for their beliefs, to the extent that they become a specific target for Death Eaters. Her closest associates in the Order are probably the Longbottoms and Dedalus Diggle, as well as Mad-Eye Moody. 
Marlene Variants!!
I think being described as one of the best of the age, not her age, but the age, might imply that she was either a younger member of a well-known magical family like the Potters (James Potter’s parents), or was an older, well-accomplished witch in her own right. 
Marlene, part of a large family affiliated with the Order, who knew Sirius, Lily and Peter through having been the Defence Against the Dark Arts professor one year. We know that, in Harry’s time, Dumbledore asked at least two former Order members to teach DADA in a six year time span (Moody and Lupin, from Harry’s first to sixth year), so it isn’t unlikely that Order members could be asked to fill in the role for a year. Professor McKinnon, who puts her students through almost military paces, but who sits on her desk while teaching, who knows which students are friends, who arranges her seating plans accordingly to make sure everyone has someone they can ask for help nearby. Marlene, who teaches the first years how to duel and goes tramping through the forbidden forest searching for Hinkypunks and takes her third years to the lake with Gillyweed to hunt for Grindylows, because doing is the best way to learn.
Marlene McKinnon and Dedalus Diggle as friends; whether Marlene is similar to him in being enthusiastic and just generally kind of extra, or whether she’s a kind of down to earth character foil for him, just… I think those two would be very interesting to see interacting. Marlene and Dedalus as old schoolmates, who love magic for the wild and the untameable, who charm rain into shooting stars and charm autumn leaves to fly in dizzying dances.
Marlene as an Auror. Marlene as Moody’s colleague, as around his age, as Frank and Alice’s colleague. Marlene who can hold her own against any given Death Eater, even when caught by surprise. Marlene, who can cast spells so powerful they make the floor crack under her feet and sear the walls with energy. Marlene McKinnon, who makes Death Eaters flee when she appears in the doorway, who can never be ambushed and can never be beaten, who decimates the ranks of every opposing force. Marlene, who isn’t afraid to kill where Moody spares, who can snap from kind to deadly in an instant. 
Marlene who is delighted when Alice tells her she’s having a baby, who comes around for lunch on Saturdays, who helps design the wards, and patches loopholes in the magic until it's impenetrable, and who makes Neville a quilt that is never finished. Marlene, who would have been an incredible aunt figure to Neville Longbottom. 
Marlene as an Auror in training, with parents who are already Aurors, potentially siblings too. Marlene who goofs around with Moody, who Tonks reminds him of years later, Marlene who dies despite her training. Maybe Evan Rosier is the one who kills her; maybe Moody remembers this when Rosier refuses to come quietly; maybe Marlene McKinnon is half the reason Rosier ends up dead that day.
There’s my brainrot analysis! This turned out a bit longer than I intended it to be. Feel free to use any of this in anything you make (maybe I’ll cough up some art eventually… tag me if you do, I’d love to see). And a friendly reminder that if you do headcanon Marlene differently, in the end, it’s all for fun, and you’re free to view her any way you’d like. And who knows, maybe I’ll get around to doing this for the other characters one day.
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