#disagree with that interpretation but like oh my god

[dhmis-autism]

what’s the biggest mischaracterisation of each character that you feel like you ‘suffer’ from the most? obviously no disrespect to ppl who do characterise them in certain ways! :] this is just out of curiosity…your thoughts are so intriguing:]

I am so sorry I am about to get so unbelievably bitchy and prissy and fussy. I have thought SO much about this question and I have also SEEN so many interpretations of my boys that I completely disagreed with.  Like you said though, clearly, no disrespect to people who characterize them this way! I know I am a very picky, persnickety bitch.

Anyways. Best boy up first.

 Duck mischaracterizations that I hate:

- him being super effeminate and given like an hourglass figure and human woman legs. like what.

- him being feminine being like, his whole personality. I loathe when people just start writing him like a super twinky, aave spitting gay. It’s really fucking weird can you all be normal about him wearing a dress ONE time please. LIKE HES JUST A NORMAL GUY. OK. GOD

- written as a bitchy or abusive mother/parental figure ( specifically towards YG. why.)

- him being super loud and just constantly spouting verbal/physical abuse at the other two (girl he is much quieter than you remember and he insults them like. twice. in 6 episodes. get real.)

- I hate hate hate when people act like RG is his whole world and have him ignore YG/act like he doesnt exist

- him being written as deliberately manipulating the other two, sometimes even like. physically self-harming in order to do so?? like oh my god. he would NOT fucking do that.

- him being written as totally HATING yellow guy and just constantly acting like hes a burden (I’ll actually kill over this one. how dare you. biting)

- weird thing I’ve noticed where people will make him refer to himself as 'the smart/intelligent one' of the group (something he's never done) but then like. the narrative/author will legitimately treat him like he IS very smart. like. no he is not.

- having him take YGs batteries out of sheer malice / ( ABLEISM(??)) and like. hate.  and somehow forgetting how hard he was freaking out that his friend was different earlier in the episode???????

- him being in a nuclear family situation with red with YG as their "son" . like 1. he is NOT a good dad and would not be a good one. 2. he SAID how he feels about that boy if you cant accept dad dog duo as a dad dog duo you do not deserve them

- writing him as CONSTANTLY ANGRY/PISSED OFF oh it makes me wanna shake people by the shoulders and SCREAM like!! Rewatch the show!! Baker Terry did not give us that bizarre and soft and joyous performance for you to write him like Squidward in a yaoi!!!! I’ll KILL YOU!!!!!!! HE IS AN UPBEAT PESSIMIST!!! A CHEERY DEFEATIST!!!!! I’LL GNAW YOUR BONES TO DUST!!!!

- when people make him skinny. How dare you. How DARE YOU. HOW DARE Y

- when people make him taller than YG. I would be less upset if “the smallest one” wasn’t literally something he was called IN THE SHOW

YG mischaracterizations I hate:

-Him being portrayed as GENUINELY stupid. Yes I know the crew call him that, yes I know other characters call him that, I think it’s obvious they’re exaggerating a bit.

-Him being the only one of the three that’s written as incredibly childish (imo, all three of them are a bit childish- but if you write just YG that way, I roll my eyes)

-Him being incredibly passive and soft and nice and conflict avoidant and a huge big pushover crybaby who never fights back or says anything mean.

-When people make it out like he’s really bad at art/draws like a child- really ticks me off because we are EXPLICITLY SHOWN IN EPISODE 1 OF THE WEBSERIES THAT HE’S GOOD AT ART

-I actually hate when people discount a lot of his talents, ppl acting like he wouldn’t be good at music or art when we KNOW HE IS!!!! WE KNOW HE IS!! WHAteever

-Him being socially inept/inadequate ! He is imo the most socially adept out of the 3 of them and the one most likely to thrive among a new friend group

-When people act like. YG with fresh batteries and YG without them are two separate people/have separate personalities??? They are literally the same dude (my good friend Am has a great post on this actually. Here. Read.learn.)

RG mischaracterizations I hate:

-The idea that he is nice. LOL I’m almost joking, but not really. Verbally, he’s very barby and I WISH more people would remember that genuinely.

-When he’s written as the ONLY voice of reason/ smartest guy in the room. He is not. God help him he is so fucking stupid and goofy and canonically loves Smash Mouth and thinks MAGIC is real.

-Super Hyper Sexy Man with vacuum-sealed abs and a COMPLETELY new personality

I have nothing else for him I don’t think of him often.

[maddy-ferguson]

i have never in my life seen a fandom hate fun the way this fandom does. someone will post a headcanon and preface it by saying "i know this would never happen but wouldn't this be so cute" and within 20 minutes someone else will make a post saying "um if you think this could Ever happen you are gravely mistaken. you don't understand anything about the show. how dare you post this on the internet. you should be ashamed of yourself" all because the first person didn't take every "agreed upon" theory into consideration like bro maybe they aren't here for that maybe they just wanna be silly and have fun maybe you should consider shutting up

[lucaplushie]

okay well i need to get out my demons effective immediately, so im just gonna go crazy here for a second. tw for cringe under the cut (me being crazy about willry)

dear god where i do start. okay so basically my interpretation of willry is that wills extraordinarily in love with henry like genuinely so down bad for him. unfortunately for him henry is so oblivious to this fact.

i also think that williams deeply repressed homosexual because let's be real this is utah in the 70s-80s and i don't think he would even have the words to describe how he feels. he'd be like "yeah i just think me and henry are destined to be partners (in business) and i always want to be around him etc etc. BUT THAT DOESN'T MEAN IM IN LOVE WITH HIM THOUGH THAT JUST MEANS WE ARE BEST FRIENDS FOREVER!!!!" (<- denial is a river in egypt you are gay)

as for henry he's just some guy. to me (bi-oriented aroace) (he's just like me fr) but he also doesn't have the words to Describe how he feels. so he just kind of ignores it. i don't think they'd ever get together, though that's just me. mainly because like i said williams Deeply Repressed homosexuality would probably get in the way of any of that.

also.... william doesn't really love henry per se. he thinks he does in the deepest recesses of his mind/subconscious. but he Doesn't. he loves the idea of henry. he loves the concept of henry and not the actual person. how do i explain this without sounding insane (<- impossible). he loves the henry he's made up in his mind, for many years, while getting to know the actual henry. in his mind, he loves the idealized version of henry. yes, he has a basic understanding of henry's personality and likes & dislikes etc, but at the end of the day, he loves only the made up henry in his mind.

he loves the henry who'd love him unconditionally and without question no matter what he did to him. he loves the henry who'd go along with his bullshit and believe every word that comes out of his mouth (which henry has NEVER done). like i said, he has a basic understanding of henrys personality, sure, but that doesn't mean he actually loves him. when he remembers what the actual henry is like (strong willed, an actually decent father & family man, slightly awkward, and withdrawn, etc) he just becomes insanely jealous of what henry has and he doesn't. hence that one gay gay homosexual gay line from the books (which i will paste here for your viewing pleasure)

ummm... yeah thats my interpretation of their relationship pretty much summarized in a neat little package heart. if you've read this far you are gods strongest soldier and heres a special little treat just for you <3

(this would never happen btw its solely for the bit)

[nebbyy]

Hi! Could you please do a part two to the lester/apollo x reader fic you posted?

Apollo x reader - Eternal Bonds

A/N: thank you so much for your request, anon! Sorry if this took a bit more than the time I usually take to write my fics, but as I said the past weeks have been really tiring for me🥹 

Anyway, I hope you like this fic, I personally like it better than the first part, but as always let me know your thoughts on it<3

Aaaand as always, painting is "Springtime" by Pierre Auguste Cot for anyone interested!

Summary: Having regained his immortality and prestige, all that remained for Apollo was to stabilise something in his life was one thing: you. It might sound easy, but he honestly would disagree.

Warning: it is implied that Athena has a great admiration for reader, but they’re not their child. This reconnects with my own personal thoughts on how Athena’s cabin should work, so the goddess’ relationship with reader in this fic should be seen as the same as hers and Odysseus’ (if you want further explanations on what their dynamic was let me know:))) Also I must say, I haven’t read any of the trials of Apollo books in ages so I took it as an occasion to interpret Apollo’s return to Olympus how I see it more fit to this little scenario of mine.

And lastly, not a warning but this fic starts just a bit before the end of the first part, if anyone was wondering:)

Word count: 3813 (longest fic yet omgg)

Apollo stood there, standing on the elevator that would take him home. How strange, he had dreamed of this moment for months, eager to return to his home and be welcomed as a glorious hero, with restored dignity, free of the mortal shell in which he had been confined all this time. He had imagined himself proud, tall and triumphant as he entered the gates of Olympus.

Yet as he stood on his way home, he could not prevent the continuous movement of his foot against the elevator floor. There was no trace in him of the security typical of a hero, in him at that time reigned only the same anxiety and nervousness that had characterized his mortal form. First it was Apollo inside Lester’s body, now Apollo had his body back, but Lester was inside of him. That Lester had become an integral part of him? Or maybe it didn’t add up, maybe it was always there, unable to make its voice heard under the omnipresent spirit of Apollo.

Okay, maybe he was rambling, but he couldn’t help it when he felt like his nerves were about to make him explode!

The point was, he wasn’t just going home, he was going to convince his father, the king of the gods, the exact same person who kicked him out of Olympus, to make the love of his life immortal so that he could stay by his side for eternity. It was not a situation in which one could easily remain connected to reality.

Finally, the elevator slowed down its run, until it stopped completely and opened its doors with a characteristic "ding".

Slowly, one step at a time, Apollo stepped out of the elevator and advanced to the throne room, walking up the path that would take him directly there. His performance had an air of regal composure, but it was nothing more than a method of masking his tense nerves. He walked until he reached the first areas inhabited by the Olympians and some other immortal creature.

"Apollo? I didn’t know you were already back. We thought it would take you millennia to make it up to Zeus!!" He hadn’t heard it in a while, but there was no way he could ever forget the sound of Nike’s voice. The winged goddess came to meet him flying curiously, also attracting the attention of the entities that had not paid attention to the scene so far.

Some approached, recognizing the face of the beloved god, while others ran to announce his return to the major gods. First came Hestia, who with that loving family attitude, embraced him gently. "Oh Apollo, you were so good! I never doubted you could do it." 

"I can’t say that with as much confidence, but I must congratulate you, Apollo, you have exceeded all my expectations." It was the authoritarian voice of Athena who spoke, who wore a smile on her face, a more unique than rare event. Apollo was so surprised by this unusual compliment from her that he hardly paid any attention to her questioning his chances of success.

For a moment he felt his eyes almost come out of his skull when a large hand was planted on his shoulder to pat him. " Well done, little brother, aren’t you as soft as you look, eh?" Massaging his shoulder, Apollo smiled faintly at the mountain that was his half-brother. "Thanks, Ares, it means a lot I guess..."

He was about to receive the coup de grâce, if it were not for Aphrodite, unconscious of her intervention, she had put herself right in the middle, affectionately placing one hand on Apollo’s shoulder while the other not very secretly found place in that of Ares, to the delight of Hephaestus who observed snorting away from the scene, but thumbs up at the sun god to express his joy.

He didn’t know how long this lasted, or exactly how many gods surrounded him at that point, but when Nike was about to hold a banquet in his honor he couldn’t control his reaction: "No wait!" His tone sounded so panicked that he caught everyone unawares. For a moment the gods almost had the sensation of speaking a mortal, so much his voice had squeaked in the air. Realizing that he had drawn even more attention to you, as if it were even possible in that situation, he gently shrugged his shoulders, to mitigate the gaze of the Olympians his nerves more tense than ever.

"Um I-" he made a false cough to try to regain his posture before starting to speak again, illuminating his companions with a dazzling smile, "sorry, mortal’s pollen, am I right? Anyway, much as I would be... ecstatic to attend a banquet, I’m afraid I must first have a discussion with Zeus about some... matters of utmost urgency! If you’ll excuse me, now.”

With little pomp, he made his way through the crowd stunned at his unusual behavior. "Poor thing, the Earth has changed him." Someone shook their head resigned, someone else did not even notice his abrupt exit, simply saying goodbye and congratulating him as he got smaller and smaller in the distance. The attention to him lasted just before each god went for their merry way. After all, when you have a whole eternity to live, there are few things left for you for a long time.

Everyone resumed doing what they were doing before Apollo’s return, all except Athena. It was in her nature to predict the rival’s moves- or rather, the moves of anyone around her. She may not have been born with the ability to see the future, but her intellect allowed her to come to conclusions almost as apt as an oracle. Silent as night, he followed the solar god, whose aura seemed to be clouded by some heavy burden.

The closer he got to the heavy bronze doors of the throne room, the lighter his head felt, as if his brain had gone numb. He was mathematically certain that he had NEVER felt so nervous in his entire existence. Not even his many figures in human form could compare to how he was feeling at the time. But it’s not like he could back out now, not after all the way he’s come, not after promising you not to leave your side. Not now, that had arrived in front of the doors.

He didn’t even have to knock, or announce his own name. No use, Zeus was waiting for him. Apollo took a breath, pumping his chest to emulate some sense of confidence before making his way into the vast hall. Out of the corner of his eye, he looked around and looked at the empty thrones, each with small inlays reminiscent of its owner. He passed by his own throne, and a sense of longing pervaded him to the thought that in no time he would have sat there again. Maybe you could convince Zeus to put a similar throne for you next to his own..

No, stay focused, Apollo, first of all he had to convince Zeus to make them immortal in the first place.

Without even realizing it, he was so taken by his own thoughts, he had reached the end of the room, finding himself a few feet from the king of Olympus. Now he could not afford to show himself weak, fearful. Come on, it had to come easy for him, he was also the god of the theater after all! As if a thread pulled him from above, he felt himself erect tall and proud, his chest out, his muscular back straight; a slight halo of light surrounded him, reconferendogli a little of that shine that has always distinguished him from the rest of the gods. He smiled at his father before bowing down gracefully. "It’s good to see you again, Father."

“Apollo, I see it took you no time to get used to your old life once more. I trust you have learned your lesson.”

“Indeed, father. And I came here to thank you for it all. It was… better than I expected.” Zeus lifted a brow suspiciously, eyeing his son as if trying to make out what’s in his mind just by his appearance. “Mmh I hardly believe that you only came here to thank me for your punishment.” Okay, even if he had second thoughts, it was DEFINITELY too late to back out. Yet despite the seriousness of the situation, Apollo no longer felt the same anxiety that had accompanied him throughout the climb to Olympus. He felt powerful, confident in his words, in his actions, but above all confident in you. He knew that if ever there was a mortal worthy of immortality, it was most certainly you. He looked up at his father, this time his smile had become less dazzling, almost a little nervous.

“Heh, you’re not wrong, father. I came here to make a request.”

“Depends. What is it that you desire?”

“How do you make a demigod immortal?”

Total silence fell in the room. The expression of Zeus was intelligible, and not being able to read the true emotions of Apollo, moreover in such a silent environment did not help to calm his nervousness. Zeus slowly blinked, covering his icy eyes for a moment before opening them again as he breathed in just as slowly. " Few mortals have earned the gift of immortality throughout history. He must deserve that honor with out-of-the-ordinary feats," he paused, as if to reflect, then resumed speaking, in a neutral but glacial and authoritative tone, "this is not impossible, but I count on one bare hand how many times a mortal has been added to the abode of the immortals over the millennia."

"I am aware of this, Father, and that is precisely why I believe that the person I speak of is the most deserving of this honor." Zeus did not answer. Not immediately, at least. He seemed confused and intrigued at the same time, as if he had not expected such a response. " My son, what do you mean by that?" Apollo could not avoid the smile that spread on his face having an opportunity to talk about your countless qualities, which in his eyes were endless. It was one of his favorite activities even when he was mortal, actually.

"You see father, they are a demigod of qualities worthy only of an immortal god. They are strong and wise, although they are still at a young age. They fear nothing but the limits imposed by Olympus, which they have served since the day they set foot inside Camp Half-Blood."He took a little dramatic pause, perhaps expecting to be interrupted by the divine father, but he gave no sign of wanting to intervene in words; he preferred to remain silent, peering at his son while he justified his reasons for satisfying his will.

"And they are beautiful, Father. They shine with a beauty far beyond that of an ordinary mortal. Even on the battlefield, soiled with blood and filth of all kinds, their beauty always resembled that of Aphrodite and Eros and all the gods of all the Pantheons of this world who possess the gift of supreme beauty." To this the father could not suppress a snort of derision, not trusting the words of the son in fact of beauty, "If I remember well such words were spoken by you also for Hyacinth, and before him Daphne, and before her still such a long series of river nymphs and mortal beings that I lost count."

Apollo lowered his head in resignation, sighing gently before looking up to speak again, "I realize this, Father, but I mention their beauty only because it would be a crime against all that is right to omit. However, it remains only one of the many qualities that characterize them, which none of my past lovers can say. But that is not the greatest reason why I consider them worthy of immortality."

"Speak openly then, you know I don’t like to wait." The blond-haired god nodded and took another step towards the king of the gods, his eyes even brighter than before, inflamed by his longing desire to obtain what he most desired in his entire existence. You, at his side. Forever.

"You see, they have done a great service to the goddess of wisdom and the manual arts. They have done the will of Athena and have done such glorious deeds that they have increased her honor. I myself was able to attend only some of their quests, but I assure you that they were so great as to justify the support and blessing of a goddess so hardly affable." To these words, Zeus seemed completely incredulous. In Olympus it was well known that Athena was the beloved daughter of the king of the gods, who always kept her close to him and always made all her will an uncompromising law. It seemed impossible to him that any mortal had been able to win the favor of the goddess, and he strongly doubted the veracity of Apollo’s claim.

The young god opened his mouth to answer, but was interrupted by a voice echoing from behind him, "As much as the idea of supporting Apollo’s petty whims, this time I must agree with him." Athena had followed Apollo to the throne room, suspicious of his strange behavior. He had to be honest, Apollo literally had no idea what to say at that moment; he did not expect to get to that point with his interview and certainly did not expect Athena’s support in his intent. But this was a real blessing, for she herself could bear witness to your worth.

She only gave him a scowling look, like a silent admonition to avoid yelling at him, pick up your mouth from the ground and be a god, genius! But his silver eyes were enough to relay the message, and after a moment Apollo had returned to his usual divine bearing. She blinked slowly before turning her eyes again to Zeus.

"Y/N Y/L is a demigod of undeniable quality, which also left me pleasantly surprised. It is true, they have diligently served Olympus and have especially served me, and I have let them fight in my name precisely because their wit deserved such honor. If only it were possible, I would claim them as my own child, for only twice in my existence have I met two mortal men of equal virtue, and those mortals were the king of Ithaca and your son Hercules, to whom you rightly granted immortality.

You know that I do not speak in vain when I express my opinion, and that is why I consider them worthy to also obtain the gift of immortality, especially when to these incredibly successful quests are added the love of a god and the admiration of another." 

Now Zeus observed the two with two comically wide eyes, mostly due to the unexpected intervention of Athena. Even Apollo could not hide his amazement from that sudden help, but he certainly did not complain at all. Three beats passed, then Zeus cleared his voice and I speak in a more serene tone than before, though still authoritarian, "Very well, if you yourself, Athena, consider this mortal worthy of so many honors I want to believe you. Your lover will be granted immortality, Apollo. This will happen at sundown, when you bring your chariot back here to Olympus. Lead them with you, and they can live forever here with you."

"Yes!!" Apollo threw a fist in the air for joy, a small habit he had taken in his stay on earth, but soon after he realized that perhaps it was not quite the right place to give free rein to his happiness, judging by the unimpressed face of Zeus, "Um, I apologize. I thank you father, for this wonderful gift. I assure you that you will not regret it!" He slowly stepped back as he spoke to him with the biggest smile on his face, extending his arms and bending his knees in a farewell bow. Zeus, for the first time in what seemed like centuries, smiled at Apollo and nodded slightly.

"Enjoy this concession of mine, my son, and may it remain in your mind as your reward for having demonstrated your qualities, even without the intervention of your divinity."

"I’ll never forget it. They’ll never let me!" With some other ceremonious thanksgiving, which they had little given the haste and irrepressible joy of the sun god, Apollo rushed down to Olympus, hastening as much as possible to reach his beloved in the place where they had met. He looked at a clock to see how much time he had left. 7 P.M., he still had some time left. He ran like a madman, until he saw the entrance of the familiar Campo approaching. He ignored everyone around him, his perplexed children, his disappointed fangirls, his friends not too surprised to see him running like a bullet through the field, with the biggest smile they’d ever seen on him. Only Meg had a vague feeling about what exactly happened, but even if she did, she didn’t say anything and just looked at him smiling before going back to her things.

Apollo entered the forest next to the Camp and continued to run. Lucky he was back in his cool form, if he was still Lester would have collapsed out of breath for half an hour. And then finally, he finally arrived at your rendezvous point. She found you there, gently lying on moss, slumbering from the weariness of the activities at the Camp and from the worries you had freed yourself of the previous day, in that exact same place, when you had finally found your beloved. Apollo was quivering, thinking how you would react to the awakening, among the golden blankets of his heavenly palace. What would you have said seeing your body invigorated and illuminated by immortality. What would you have felt seeing that his declarations of eternal love were not fallacious, but promises that he had dedicated himself body and soul to keep.

He gently picked you up, taking care not to wake you. He invoked his golden chariot and rode with you to your new home. He kept you close, as much as he was physically allowed by the confined space. The journey did not last long, being facilitated by the godly transport; once arrived right in front of the golden gates of the Apollonian abode, he took you back in his bridal style, leading you to his- your bed. You were stretched out just as he saw your skin begin to shimmer gently, its color gradually became richer and filled with eternally vital sap. He stood by your side, filling your neck and shoulders with kisses as he crouched behind you, eagerly awaiting your rebirth as a deity.

In the morning you woke up with a strong light that dazzled you. You thought it was Apollo, who since he had returned to his true form had regained all the lustre of his nature. But no, it wasn’t him; it was you, whose skin emanated a faint light that bounced against the various gold inlays that were in the bedroom. Yeah, you didn’t remember falling asleep in a bed, the last thing you remembered was lying in the forest moss while you waited for Apollo. Wait a minute, this isn’t even a room in Camp Half-Blood! 

You did it to snap up to the alert, but then you stopped when you felt the familiar touch of Apollo caressing your shoulder, sliding towards the back of your neck and passing through your hair, which had been twice as long as the day before. Normally you would have yawned, but it didn’t seem physically possible to experience any fatigue in the state you were in. You felt... almighty. You finally turned your attention away from your body and turned it towards Apollo, who was already looking at you with a loveless look.

"Good morning, beautiful." You smiled though still confused by the situation you were in. Tempting your luck, you took a sigh and then you spoke, your melodic, honey-sweet voice even though you just woke up, "'Chicken, where are we?"

"We are in Olympus my dear. I promised you that I would not forget you, that I would love you forever. And I meant every single word I said, which is why I had a little conversation with Zeus earlier, and well... let’s just say with a little help I was able to convince him to give you immortality." He said it with the biggest and most satisfied smile I’d ever seen on him, and meanwhile he hugged you and held you and caressed you all over his body, as if to confirm himself that all this was true.

You were utterly speechless, incredulous at what this god had just done in the name of love for you, but at the same time you felt a warm feeling pervading you from within, filling you with joy and happiness, as if that of him had infected you like a disease. You held your hands to his face and laughed in disbelief and said, "You’re the biggest crazy idiot I’ve ever met, Lester!" 

He laughed with you, feeling pervaded by this joy that moved him from within, almost pushing him to tears by the power of these feelings. Holding you tighter, she stroked your silky soft hair as she chuckled happily, "I guess you’ll have to get used to the gold and clouds here." " Still better than a bunk bed to share in five."

Laughing together, you held each other so long as you had time, before he had to take off and lead the sun across the sky. Before he got on the golden chariot, he touched your face with his bronze hands and kissed you gently. " I still can’t believe I’m gonna be able to kiss these lips forever, Y/N." You smiled at him before you grabbed him by the shoulder to push him towards you, and kissed him again. " Then hurry up and leave, so you’ll be back soon and I’ll have a chance to convince you that everything is real." Winking at him, he laughed loudly and heartily, a more melodic sound than any lyre or flute.

"Then I shall not be long in returning to your arms, my lord" And so he departed towards the horizon, and you smiled as you watched him disappear into the sky, thinking with satisfaction of the world that will look up to him with longing and admiration, knowing that he will never again stop for anyone but you, once his daily duties are over. 

[david-talks-sw]

I got a good feeling about "The Acolyte"

Not even kidding. Like, I've spoken before about why I'm wary of it.

George Lucas' Star Wars is something that intentionally has black and white morality, rather than shades of gray. Those movies are meant for kids and projecting a "gray" morality onto them then proclaiming it was George's vision all along is doing so in bad faith.

The narrative of the Prequels doesn't frame the Prequel Jedi in as negative a light as Leslye Headland, Dave Filoni, etc etc do.

See here for more details, but bottom line: yeah, a show that has a darksider as the underdog is bound to demonize the Jedi (who are the actual underdogs in the Prequels), and obviously that rubs me the wrong way.

BUT.

The trailer looks fucking cool. It really really does.

And more importantly? I've done some research... and Leslye Headland is ticking a lot of good boxes, in my book.

1. The Acolyte won't be a 10-hour movie.

I've criticized Disney Plus shows before, explaining that a big source for most of their issues is that these series are being structured as "long movies" rather than, y'know, actual shows.

But in this interview with Collider, Headland addresses that: it'll be a series. Not a long movie that you need to watch across four weeks.

Thank God. You have no idea how much that comforts me. Finally a showrunner who's, y'know, actually running a show.

And this goes hand in hand with what she told IGN, here, about how she's going about building suspense.

Yes! Exactly! That's how it's supposed to be!

Like, compare this to Baylan Skoll's storyline in Ahsoka.

In no possible way was that emotionally-fulfilling. For 8 episodes we had no idea what he was after, and the season ended where we still don't know. What does he want? What is he after? Your guess is as good as mine, it's something Mortis-related.

So yeah. Maybe getting the Emmy-nominated trained screenwriter on board to run this was a good idea.

2. Maybe the Jedi will not be as demonized as I originally thought.

Don't get me wrong. 80% of what she says about the Jedi makes me cringe. It's the typical fan's interpretation and y'all know I disagree with that interpretation.

It's painful to see her refer to the Jedi as an institution (not how the Prequels' narrative frames them) and to see her frame "Balance" in the "oh there's so many of them and just two Sith, that means the Force is out of balance" meaning... but at least she acknowledges the Jedi are a benevolent institution.

They're not an "elitist force hiding in their ivory tower" as others have described the Jedi.

Moreover, there'll be a variety of Jedi POVs, many personalities.

Yord Fandar, is described as a strictly by-the-book Jedi Knight and guardian from the Jedi Temple, is an overachiever and a rule follower.

The question now becomes: will the narrative frame him as "your typical Jedi" or is it just this one guy? I'm hoping it's the latter.

I also like how her reasoning goes re: Jedi drawing their lightsabers.

Which explains the hand-to-hand combat seen in the trailer.

This teenager is coming at Carrie-Ann Moss with a dagger, of course the Jedi won't draw her saber.

3. She's a fan of Star Wars... but a screenwriter first.

You can tell in the interviews she's a fan. She's using words like "BBY" and "EU" casually. In the above-linked interviews she's bringing up the Nightsisters, Timothy Zahn, The Clone Wars, she mentions she has a tattoo of Ralph McQuarrie's concept art of Leia, the High Republic books, etc.

She's done her homework. She's a fan.

But the vibe I'm getting from these interviews is that she's weaving in these various lore-elements in a more organic way, rather than in the "fan-servicey" way Dave Filoni has been doing in his shows.

The references and Easter Eggs will be there, but the narrative won't bend over itself just so you can get it. Crafting a good story comes first, and Andor is a beautiful illustration of why this is true.

Which is why I was never bothered about one of the writers never having watched Star Wars before getting the job. You need those fresh eyes when you're tackling something of this scale.

That makes sense to me. Maybe it's because of my own screenwriting experience, but yeah. That out-of-the box perspective is precious.

And like, obviously, that writer watched the films eventually, but for some reason everyone who bitched about Headland omitted that detail and opted for a more bad faith interpretation.

Hm. Wonder why.

Maybe it's the same reason that months ago this clipped audio circulated socials without context, in which she debates whether Star Wars only came from George Lucas and only Lucas is the key.

The FULL context of that interview reveals that she's actually:

debating the "autheur director" myth and positing that it was achieved by a collective of excellent filmmakers and craftspeople that George was skilled and smart enough to recruit...

the studios now think it's a simple as hiring one guy and throwing money at him, because they have no idea what the fuck they're talking about. See Napoleon (2023) for example.

Yes, she also does a jab to the Prequels, which speaks to the generation of fans she's a part of... but overall she's giving Lucas props whilst also stating an ideological difference, that's it!

George is a proponent of the "autheur" theory, Leslye isn't.

However, guess what, in like half the talks George gave post-selling Star Wars? He's giving shoutouts to everyone who helped make the first film, even remembering their names.

So I'm not even sure he'd vehemently disagree with Leslye, in fact they'd prolly have a conversation about it and immediately bitch about how stupid studio executives are :D

But that's not as incendiary, is it? Again, the more I do the research, the more it feels like the reason most of these influencers are hating on her is purely sexist.

I mean, on IGN she's even acknowledging that she does plan on taking stock of fan reactions for Season 2.

It's not a guarantee that she'll incorporate the feedback, but at least that's more consideration than, say, JJ Abrams or Rian Johnson gave the fandom.

She's even bringing the moral ambiguity that the Gray Jedi-loving edge-lords love so much.

"No, she's a woke feminist! Anything she does is evil! Eww, girls!"

🙄

Needless to say... I'm gonna give it a shot.

I think it's gonna be a good show, I think it's gonna be a solid story.

I'm crossing my fingers that they won't as biased against the Jedi as it seems they'll be. Even if they are... if it's still an enjoyable experience, I'll gloss over it.

As @gffa states in this post:

Worst case? It's not a story from George. I can dismiss it from my headcanon without a moment's hesitation :D

[smokestarrules]

Why Caleb & Evelyn’s Absence is Good Writing

So if you don’t know me, I’m a big fan of Caleb and Evelyn (Clawthorne. Because I’m sure). I’m fascinated with their story -- I wrote an entire fic about them in 2022 before we even knew Evelyn’s name -- and I find them both incredibly interesting considering what is both shown about them and not. Despite that, I had a feeling that neither of them would make an appearance in Watching and Dreaming, and I was right. 

Understandably so, some people were disappointed with that decision, that they were hoping for an entire flashback scene or something close to it. But while that also appeals to me -- oh my god does it appeal to me -- I also really enjoy the intangibility of it all. 

So, I have three reasons as to why I like that Caleb and Evelyn didn’t show up again, which I’ll go through in no particular order. The rest of this post will be under a cut because it’ll probably get pretty lengthy. 

1) Haunting The Narrative

Half of Caleb and Evelyn’s intrigue comes from the fact that in the end, we really  don’t know all that much about them. Everything that we do know is from second-hand accounts at best and the rest of their story is up to your own singular interpretation; we only know the bare bones of their tale, but at the same time, they’re both extremely monumental to the main plot of the show. 

They’re hardly ever shown centered on-screen (in Evelyn’s case, never), and again, despite their huge impact on the characters and world even 400 years later, it’s part of their charm that... they’re mysterious. You’re not meant to know much about them, not meant to perceive them as normal characters. Caleb never speaks in the show, Evelyn hardly even appears, and in the end, they’re not meant to be understood. 

Caleb seems to have undergone some semblance of a redemption, but that’s only alluded to considering how he ends up dead; the implied is everything, and getting a concrete answer would, in my opinion, ruin part of what makes this story so fascinating. 

Of course, the biggest argument I’ve seen against this idea is that casual viewers of the show, the ones who don’t care about combing the background of Hollow Mind for lore about Emperor Belos’ big brother, will be confused without the lack of context. And... I disagree. 

Sure, maybe some people haven’t seen the portraits from Hollow Mind, but they’ve certainly seen Caleb when Gus went through Philip’s mind in King’s Tide. Maybe they missed the book about Grimwalkers in Labyrinth Runners, but they definitely caught Caleb in Philip’s diary during Elsewhere and Elsewhen. Then, in Thanks to Them, there’s an entire scene in which Masha very kindly gives an entire summary on the topic, tipping off both the main characters and anyone else in the audience who may be confused. 

The story’s all there, both in the background and in the forefront of the show, and it’s weaved in so beautifully that it’s hard for me to believe that anyone would see Caleb in For the Future (of which is a scene I will be talking about soon) and have absolutely no idea who he is. 

So in the end, I think having a more clear understanding of the going-ons that set everything into motion would be almost doing a disservice to the fans who have spent their time piecing things together and it’s also not really necessary in the first place. It’d be nice, and I’m sure I would have gone even more insane with more to analyze, but with the way this show has always portrayed Caleb and Evelyn, them fading into obscurity in the final episode just seems... fitting. 

2) Philip Doesn’t Really Deserve Closure

It’s a simple fact: Philip Wittebane is kind of a fucked-up guy. 

Besides a flashback scene, another idea for a potential Caleb and Evelyn appearance that I saw tossed around most was this: it’s the end, Philip’s about to be defeated, and in the interim, he sees his brother one last time. 

Either he’s given forgiveness or not, Caleb being present at his lowest moment would undoubtedly mean something to Philip; over the centuries he’s spent a significant amount of time trying to remake his brother -- to make him better -- and no matter how you feel about him, Philip is a tortured soul. Perhaps Caleb could help him accept his inevitable death, perhaps he could have one last chance for Philip to have a moment of genuine vulnerability. 

He’d die with the ghost of his brother and the ghost of his brother’s wife looking over him, and he’d die content... maybe. 

Or you can go the other route: 

On the other hand, maybe Philip goes to his death kicking and screaming the whole way, with Caleb and Evelyn staring him down as he’s ultimately annihilated for good. The tale of two brothers is over, and while Caleb is the one who perished first, centuries ago now, it’s Philip who is undoubtedly the one who loses in the end. 

The last thing Philip sees is his brother’s hateful, tired face, and he dies with that image. 

Of course, that’s the one that sounds better to me; Philip is not a villain you could ever redeem (a cruel upbringing will not excuse everything) and to even make an attempt at it would feel cheap and be completely unaligned with ToH’s core values, which actively (and correctly) condemn people like him. 

The problem with both of these ideas, different as they are, is that both of them give Philip a sense of closure that he simply does not deserve to have been rewarded with. Either way, he knows for sure how his brother would feel about him -- or, at the very least, how he believes his brother should feel about him -- and it’s just that, the knowing, that rubs me the wrong way. 

In the end, the last time Philip sees his brother is in this scene in For the Future, and it’s safe to say that there’s no actual closure or anything close to it here. Whether or not you believe this is actually Caleb or just Philip hallucinating him (personally I subscribe to the latter), it doesn’t really matter because the idea stays the same. 

Philip spends this scene snarling curses at his unyielding brother -- who seems to be, notably, his younger self, given his hair length -- while also actively melting away in front of his eyes. Philip is the one who’s alive, Philip is the one who (he believes) is on the right side of history, and yet Philip is also the one on his knees, his entire body disintegrating slowly due to his own choices. 

As the episode continues, it’s shown that Philip is seeing Caleb and the other Grimwalkers that he’s likely killed as well, and they’re clearly more of a taunt to his already-collapsing mental state than anything else. Again I reassert my opinion that they’re not actually there, that they’re simply Philip hallucinating in one of his weakest moments yet, and because of that, there is no answer given. 

They stare; he tells them to “Shut up” and they don’t react in the slightest. They watch and they stare and they dare him to care about them in any way and the entire scene is just... a precipice. Eventually they disappear for good, and Philip moves on without even trying to process this phenomenon. 

Basically what I'm saying is that Caleb appearing in Philip’s last moments would give him too much credit. And that actually leads us right into the final point I want to make, which is this: 

3) Caleb Wasn’t Actually That Important To Philip 

In the long run, at the very least. 

Now hear me out. When I say ‘important’, I don’t mean that what happened with Caleb didn’t have long-lasting effects on Philip, because that’s simply not true; otherwise, my entire last point would be meaningless. Obviously, it’s Caleb (and to a lesser extent, Evelyn) who can be credited with initially setting Philip down this path; Caleb was probably the most stable thing in Philip’s early life, and losing him in a way that felt like abandonment -- and then killing him -- is undoubtedly something that would stick with you for a lifetime, 400 years or not. 

But Caleb’s death is also largely an excuse. 

Much in the same way that “saving humanity” is an excuse for Philip to commit the atrocities he does, Caleb’s betrayal pushing him towards that path and his subsequent attempts at bringing him back are also an excuse. 

Here’s the thing: if Philip was genuinely passionate about remaking his brother -- but better -- then he’d care about the Grimwalkers more than he does. If Philip actually considered every Grimwalker a potential Caleb that he could just fix, then he would not have been able to dispose of them so coldly. There’s dozens of their corpses piled under the Skull, yet he only even commits to memory a rare few. Even Hunter, the closest to Caleb a Grimwalker’s ever gotten, was given a Sigil! A Sigil, which tells me that no matter what, no matter how perfect Hunter may have turned out, Philip was never going to let him survive the Day of Unity. 

True, there’s definitely a part of Philip that hates the Grimwalkers because they can’t be Caleb, at least not in the way he thinks he needs (which is impossible, but I digress) there’s also a part that I think is just... carrying on because this is what he’s done for the past few centuries. It’d feel like giving up on himself to give up on the prospect of having Caleb beside him again, but there’s no passion anymore. 

In the end, I think Papa Titan said it best:

“...That man doesn’t care about anything but his need to be the hero in his own delusion.” 

That’s exactly it. Philip believes himself as the hero of the story, as someone who’s been suffering for centuries but will one day finally get the ending that he deserves. He goes through all of this not because he wants to go home and not because he wishes he could return to the life he and his brother once had, but because he so desperately wants to believe in the delusion that he is a person doing all the things he does for good. 

You don’t live for over 400 years working towards a singular moment without at least having the thought that maybe what you’re doing is incorrect. But Philip has never let those supposed doubts stop him, and by the time the series is ending, nothing matters except his goal -- to see the destruction of every last witch and demon on the Boiling Isles.  

Which is why, in this final scene of his, there’s not a single mention of his brother. His brother, who he’s spent the last 400 years trying to save; his brother, who, by learning to be better, essentially kickstarted Philip’s entire goal, but it became so twisted so quickly as Philip subconsciously decided that he was the only one who could ever fix things. 

To put it simply: Philip’s only ever been concerned with himself. His idea of morality, his vision of the Boiling Isles, his opinions on the witches that live there. Nothing else matters; Caleb is a crutch to fall back on and so is the idea that Philip’s saving anyone, it’s all just more vindication to feed into his hero complex, because he’s the only one that really matters. He’s human and Luz is human and so they’re redeemable, but he stopped seeing Caleb as human the moment he saw him with Evelyn. 

In the end, I feel as if it’s almost safe to say that Caleb and Evelyn as constructs are more important to the all-encompassing plot than they are to Philip specifically; they set him on his path, sure, but his descent into madness almost feels inevitable, death of his brother or not. He blames his own misfortune on them, and the fact that they're never quite seen makes Philip’s villainous qualities that much more emphasized, I think. 

Overall, I loved Watching and Dreaming and I loved ToH and I think the characters of Caleb and Evelyn are some of the most haunting I’ve ever encountered, literally and metaphorically. 

Their story is largely up in the air, but it still gets told, you just have to look for it. That's their charm, that’s why they’re interesting to me, and that’s why I am content with getting the amount we got of them. 

[starfleetshrimps]

i love star trek bc it's actually a high school theater production most of the time. We focus a lot on the over-acting, theatricality of the actors and the directors, and that's all well and amazing, but /I/ want to focus on the /TECH/ bc ASHAijnjsdnbhgaARREghghhuuagjkshdmhbAHJBSSHJHIEJBnkjsdjhbsdhjBmahbsjshsbHkjnswkjshsn yea.

FIRST THE SETS?!? they're so silly and stupid? i know they get a lot of shit but the amount of work (not to mention styrofoam) that went into building individual sets for each planet they went to? like sure about 50% of the away missions take place in the california desert (the arena, *cough cough*, etc) but the rest of them have individually made sets that look PRETTY GOOD MAN. they get the point across, they're FUN, and innovative, and they really don't reuse planet sets all that often as well.

PLUS they used traditionally /theatrical/ cycloramas with painted backgrounds and classical cyc lighting (reminiscent of mariano fortuny's domed cyc! i WILL talk more about lighting) which look really cool and once again get shit for being unrealistic.

it's not supposed to look realistic it's supposed to look cool as shit. and it does. shut up. <3

if you view the sets as being modern TV sets then yeah, they're weird, and they look sorta bad, but THEYRE NOT modern TV sets: they're THEATRICAL SETS FROM THE 60-70S. AND I LOVE THEM.

SECONDLY, THE

lighting

while it's true that some shows in the 60s were developing new lighting styles specifically for TV, remember that in the year 1950 less that 10 percent of US homes had a television. this shit was new. COLOR tv was ESPECIALLY new. nobody knew how to light these things! and actually why would you need a new lighting style, we already KNEW how to light dramatic productions, why would we ever need to reinvent the wheel Stanley Mccandles, Mariano Fortuny, and Gene Rosenthall already invented says Gene Roddenberry and Jerry Finnerman (the head lighting designer). and oh my god i am so ridiculously glad. because the lighting. is so good.

i HAVE seen others talking about how good it is in the super early episodes (Charlie X and the conscious of the King, etc.) and i do agree! but i disagree that the quality goes down. i think it just got a tad bit more subtle as the show went on and it gets less in your face, harder to notice. but i noticed. because I'M the WORST (and also a lighting tech)

the impossibility of listing every example of amazing theater lighting choice they made is absolutely horrific and nasty so i'll just lost some my my favorites:

the cyc! i mentioned before but the cyc they used on away missions was only painted when they needed a specific scene in the background, otherwise? that bitch was LIT. and i LOVE IT.

any of the scenes where they light spock's face have green and half pink? or even just washing the walls behind him? i eat that shit UP. the METAPHOR. the CONFLICT. i will acquiesce that green and pink are (and were) pretty goddamn industry standard gels (color-films) to add to lights, for subtle contrast, but this is not subtle. it is LOUD. was it purposefully done from a storytelling perspective? no idea. is it cool as shit and interpret-able as hell? absolutely. also sometimes they do it with just green when they want to emphasize his vulcan-ness and other him a bit. like they do it a lot when he's in his room in amok time. anyway.

whenever they shutter a light so they can emphasize a character's (kirk, we're talking abt kirk here. and *sometimes* spock, and also Charlie in Charlie X but yeah mostly kirk) eyes when they say something #Deep, or just pre-commercial break closure worthy line. it's so SHJSDJBFEJNKN. to add onto this, they'll do a striking half-wash over half of their face sometimes in conjunction and it looks So Good

The GOBOS. sometimes, they'll just throw light through a gobo, or wall screen, or something, for /visual interest/ and it looks so silly i love it sm. does it make sense from a realism pov? nO. but star trek is a theater production actually and they lit everything using mainly naturalistic techniques! amazing!

honorable mentions: the glowing time donut, and the entirely random colors in the hallway.

there are so many other examples but this post is long enough lmao. notice the lights next time you watch tos!!,! please!!! <3

[hauntedgrin]

An unnecessarily thorough analysis of the Tarot imagery in Merlin Season One by an amateur tarot reader

(who is also a hopeless romantic and is currently very affected by the disaster that is BBC Merlin)

I started watching Merlin around two months ago. I fell in love with the show instantly, even if I technically haven't finished it yet because of time reasons (though I did spoil myself everything right to the ending and I’m devastated. Still trying to find courage to start season 5. But that’s beside the point)

There was something in the first season that caught my eye and hasn't let me go since. In fact, I was thinking about it today, went on a search for discussions about it, fully under the assumption that this is something the fandom noticed long beforehand is a well-known fact. To my endless surprise, I’ve found no mention! Nada! Not a single one. That won’t do, I thought. I have to share with the people. It's something that fueled my conviction in Merlin the Show being a love story between Merlin and Arthur (whatever the nature of that love may be, I love both the platonic and romantic interpretation equally, though this specific instance could be leaning towards romance somewhat more, I'll explain it in a second) and here it is.

It's this scene.

It is Merlin and Arthur, facing each other with two cups in between them, trying to decide who is going to drink the poison, sacrifice himself and save the other. And I thought Oh my god, tarot symbolism.

That's the card, the Two of Cups. The similarities are obvious (and, in my opinion, very intentional. I’d like to kiss whoever came up with this specific creative decision)

Slight disclaimer: Tarot reading can be very subjective, meanings shift depending on the reader and their perception of the card. I’ll try to be objective with the main aspects of the cards, but there is a lot of subjective opinions too. It’s okay if you disagree)

The main meanings of this card are partnerships, loving relationships, mutual attraction, unity, harmony and, you guessed it!, soulmates. It’s not hard to see why that card would have been chosen to represent them. I think that’s the most outright the show’s ever been about calling them soulmates, without hiding behind labels such as ‘each other’s destiny’ and ‘two sides of one coin’ as if those are any less gay. There is also themes of equality and becoming one, mutual respect and, in certain cases passion and sexual attraction (though it’s not a definition that is applicable in all cases, and can absolutely be ignored for platonic or asexual relationships, it’s still one of the main aspects, given that its represented by, you know, the big red head of a lion with wings right at the top of the card. Can’t exactly forget about it.)

Personally I've always preferred the Two of Cups to The Lovers tarot card (which looks very similar and has some intersections in themes, also concerning love, intimacy, passion). Plus, The Lovers is part of the Major Arcana, so technically it should be more impactful, ‘epic’, someone said, divine. While doing some research into that distinction I've found why exactly it makes me a bit queasy. The Lovers are not always a card about love, in fact, more often it isn’t. And The Lovers aren't made for each other. That is to say, they obviously are, considering the entirety transparent Adam and Eve imagery (and this also makes it a more conservative card, with clear molds for a ‘traditional relationship’). The Lovers are brought together by a higher power, made for a purpose. It serves something. It is a message. It is a lesson. It's a choice between what you want and what you need. It is a partnership, often intense, out of this world, but it’s also about all the factors in between, the things that unite them, the snake, the temptation, the apple, the garden. It can be also about soulmates, and happy relationships, of course, about fated lovers… and mortal enemies. It actually is more in line with Merlin’s and Morgana’s relationship. Out of this world fated connection? Absolutely, guaranteed. Do you want that kind of connection though, really?

How is this relevant, you might be thinking?

Well, there is no such divine power pushing the couple portrayed by the Two of Cups. In fact, they are choosing each other. It’s only them and their union. That’s why I like it so much. They are only the way they are, not the way they are meant to be, not specifically made for each other and yet they are right for each other anyway. And, somehow, just being them is enough. Is that not love?

In Merlin we are told that Merlin and Arthur are a part of each other’s destiny. The Once and Future King and Emrys, his protector, uniting Albion, prophesized by some unnamed seer(s). Does not seem very much like a choice, does it? I guess it depends on the way you view the prophecy and destiny in the show. Is it really all inevitable, and destiny is set in stone, unable to be changed, all leading to the same end, no matter what you do? Or is it the choices themselves that are the constants, fixed in place by the prophecy fulfilling itself? I think the answers to those questions are entirely up to each viewer, and that we can only speculate on it, and never know for sure which was it. Maybe there isn’t a right answer at all. But what I do know is there was a choice Merlin and Arthur made. Let’s return to the imagery on the card..

The couple is exchanging the cups. They are not just toasting – they are performing a ritual, a ceremony. Like exchanging rings, like giving vows. It’s a promise, it’s a connection, it’s a new step, it’s a commitment. And the parallels of the scene in 1x11 don’t end with just imagery. Merlin and Arthur complete the ritual! In the show!

In the episode 1x04, The Poisoned Chalice, Merlin starts the ritual by drinking from Arthur’s poisoned goblet, which he does to protect him. I would also like to add that this is the first time Two Cups appear that season (that's twice they used the imagery), notably, two ceremonial goblets that are supposed to symbolize peace and partnership between two kingdoms. Even if it doesn’t represent the actual state of the two kingdoms, it definitely shows King Bayard’s genuine desire for a peaceful alliance. And Merlin drinks from one of them!

Merlin drinks poison for Arthur and in Labyrinth of Gedref, Arthur drinks ‘poison’ for Merlin in turn. Very unconventional way to get married, I must say, but it’s remarkable that they do it in the same way (even if not at the same time).

So. What does all of that tell us about Merlin and Arthur?

We’ve established that the card signifies a very close, strong and significant relationship, chosen by both parties. Again, I like that it emphasizes the choice, that they didn’t just fall into the friendship because of destiny (even if it aided them). The Two of Cups is a part of the Minor Arcana, which deals with the every day matters, earthly lives. Is that not fitting? Merlin didn’t choose The Once and Future King, he chose Arthur, and Arthur didn’t choose Emrys, he chose Merlin.

Merlin’s who been promised a peaceful future. A land where magic is free. Merlin, who knows what’s supposed to happen: The Once and Future King brings that future. The King dies. Merlin, who has a choice to bring that future. To save Mordred. To remove the ban on magic. He doesn’t choose that, he chooses to essentially destroy that future entirely, just so he can have Arthur.

Arthur, who values Merlin’s opinion above everyone else’s, Arthur on his deathbed, finally seeing Merlin for who he is, says, “I don’t want you to change, I want you to always be you,” Arthur, who is dying, a few steps from the chance being saved, (still too far, not enough time), decides to stop because in his last moments he just wants to be held by Merlin.

They chose each other.

And that’s, dare I say it, love.

[thatanimewriter]

REGRET.

➳ synopsis: you have an argument with them before you leave for a mission, and you can’t get the harsh words that were directed at you out of your head, even if your life is on the line.

➳ character/s: bakugou katsuki, tokoyami fumikage, shinsou hitoshi, aizawa shouta, shigaraki tomura

➳ warnings: swearing, angst, violence, blood, injuries, mentions of death, implications of death (these are very open-ended and up-for-interpretation headcanons), pro hero!au

➳ notes: i'm in need of angst and i don’t know why?? i’m sorry in advance, especially my aizawa stans, i seem to only make him feel PAIN

𝐫𝐞𝐪𝐮𝐞𝐬𝐭𝐢𝐧𝐠 𝐫𝐮𝐥𝐞𝐬 / 𝐜𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫 𝐥𝐢𝐬𝐭  / 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 𝐨𝐟 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭𝐬 / 𝐰𝐢𝐩 𝐥𝐢𝐬𝐭  

──  𝐁𝐀𝐊𝐔𝐆𝐎𝐔 𝐊𝐀𝐓𝐒𝐔𝐊𝐈.

firstly

not surprising that you guys had an argument

he can be pretty disagreeable

you were trying to get his advice on a hero costume upgrade

but he didn’t feel like being helpful that day, i guess

because he got snappy with you and asked you why you hadn’t thought of this already

you could think of countless times he’d not thought of things 

which only made you retaliate

because if he’s allowed to think of things later down the track, so are you

but the moment you voiced that

it all went to shit

‘oh my fucking god, you’re such a pest, this is pathetic.’

at that point you gave up and left him alone until you went on the mission

it was supposed to be a simple investigation

you’d gone with some of the others from your ua days

midoriya, iida, tsuyu and shoji

but it seemed that the villains were a step ahead of you

and though the others advised to retreat and return later

you told them to go back

you’d hold them off to buy them time

which they do - begrudgingly

but they make a beeline for bakugou’s agency

when he sees them barging into the building, he’s pretty annoyed, but quickly notices you’re not with them

he asked your whereabouts in the most serious tone they’ve ever heard from him

when they lead him back to you, his breath hitched in his throat

there, in a pile of rubble, was your body

unconscious and covered in blood

rushing to you, he pressed his fingers to your neck

panic filled his mind when he could feel it, but barely

as iida called the medics, bakugou kept mumbling about how he was sorry and that he should’ve helped you with your gear, otherwise you wouldn’t be here

a wave of guilt washed over him as he waited for the medics to take you to hospital

he would have yelled at midoriya for pointing out the tears that lined his eyelashes, but he got mad at you for something stupid and look where you are now

when you were passed off to the medics, he felt paralysed in his spot as your hand that was resting on your stomach slipped and hung lifelessly off the stretcher

no one could get him to move from his spot with mere words, and it took shoji to carry him from the scene for bakugou’s pained wails to finally be let loose

──  𝐓𝐎𝐊𝐎𝐘𝐀𝐌𝐈 𝐅𝐔𝐌𝐈𝐊𝐀𝐆𝐄.

he’s a bit of an edge lord

and i feel like the argument would have started with him just being pessimistic about everything

he can take it too far though

the night before you left

he was talking about how all good things come to an end or something

and you asked if that’s how he felt about your relationship

that was what made him annoyed in the first place

and in his irritated state, he said yes

so now, at 2 am

you’re virtually yelling at each other until he tells you

‘if you can’t deal with me and my beliefs, just leave. don’t be a burden to me.’

‘fine.’

the morning of the mission, you considered saying goodbye

but his words repeated through your head 

and you decided to head off without seeing him again

you were grouped with lower level heroes and even though there were plenty of you

the villains were stronger than you’d anticipated

the others offered to call for tokoyami for backup

but you refused the help, saying that it wouldn’t be worth burdening him over this and to just fall back and let you handle it

and though they retreated, they still ran to get tokoyami

they actually didn’t tell him why he had to come and fast

because you were on the verge of death at any moment

which was true, because it was a 5 vs 1 and you weren’t sure how much longer you could last

when he got to the scene, all he could see was red

everywhere

blood was splattered against almost everything, though to varying degrees

at the base of a lamp post, you lay in a pool of your own blood

kneeling by your side and pulling you into his arms, you weakly struggled against his hold, but a strangled cry escaped your lips at the pain

tokoyami’s heart shattered, both from the sound of you hurt and the fact that you tried to reject his help

lifting you gently, your head rolled back and your eyes finally closed

passing you to the medics, he laid you on the stretcher and rested his forehead against yours, nuzzling your nose with his beak before letting you go

his mind raced with reasons you wouldn’t call for him as you always had done if you were in dire need of assistance, but he soon recalled your argument from the night before

he turned to the remaining villains, but not before telling dark shadow to go wild

he wouldn’t let your injuries be for nothing

──  𝐒𝐇𝐈𝐍𝐒𝐎𝐔 𝐇𝐈𝐓𝐎𝐒𝐇𝐈.

what an untrusting fellow

he’s still a bit cold

childhood trauma does that to someone

he probably pushed you away when you asked if he was ok

he was very pouty when you were leaving the house

and then he got kinda mad when you pointed it out

it very quickly got to a point in the argument where it was no longer about the original point you each were making

you both started pulling shit from previous fights and going around in circles

until eventually it hit the climax

‘stop being so annoying and just go on your fucking mission.’

you stood there with your mouth agape

and shinsou was too slow to take it back before you were out the door

to be honest

you definitely needed help with this mission

more than you’d already got

because there had already been a couple casualties

and the villains were far from worn out

meanwhile you and your team were spent

you didn’t feel any pain with the adrenaline running through your veins

and you were heavily debating calling for back up 

but the nearest agency would be shinsou’s

and you weren’t gonna deal with his attitude

you would rather die in that moment

and you almost did if your team didn’t call for back up in your stead

running to the mission site, his eyes darted around the scene, looking for you

a teammate gripped his shoulder, pointing to the building you were last in

but as soon as he followed their finger, a scream erupted from his throat as a bomb explosion filled his ears and remnants of the building rained down the streets

sprinting into the just-exploded building, he called your name over and over again

the lack of response filled his stomach with dread as he frantically searched the building for you

he dropped to his knees when he found your limp body sprawled along the stairwell, blood seeping into the concrete and dripping over the edge

he didn’t think he was all that much of a crier

but he couldn’t help the tears that escaped his eyes at the sight of you on death’s door

as the rest of your team arrived at his location, he turned to them, practically growling as he asked why they didn’t stay with you

when they nervously told him the reason, his heart broke just a little bit more and he stared at the ground blankly, praying that you would make it long enough for him to apologise

──  𝐀𝐈𝐙𝐀𝐖𝐀 𝐒𝐇𝐎𝐔𝐓𝐀.

my man’s a teacher

the guy is super stressed

and probably snapped at you because of that

you came in to say goodbye to him

and he literally just wanted to sleep

but he can’t see you off if he’s asleep ;v;

gently, you woke him up with a small nudge

and when he opened his eyes, you couldn’t help but feel dumb for doing so

because the glare he gave you told you enough

after asking what you want, you just said you wanted to say goodbye to him before you left

‘if that’s all, let me sleep. you’re disturbing me.’

closing his eyes, he sighed in exhaustion as he heard you leave

it was mainly a training mission you were assigned

helping near-graduates from ua for their internships

it was meant to just be that

but you definitely couldn’t account for an underground group of villains to wreak havoc

you told the students to retreat for their safety

and it would’ve been a good idea to follow, but you refused to be a disturbance

regardless, aizawa was called to come collect the students

and when he got there, he was quite alarmed that your presence was absent

and his concern was valid as they brought him back to the fight scene

you were barely conscious, eyes fluttering shut soon after you forced them open

your hand weakly pressed against your side to stop the large gash that oozed blood at a faster rate than anyone had ever seen

aizawa turned to the students to thank them, but gently pushed them to the other heroes who had turned up 

he didn’t want them to witness what could be the death of their mentor

gently, he sat you up, wincing at your sharp scream of pain, but wrapped his capture weapon around your waist

leaning your head against his chest gently, you muttered an apology for disturbing him

his heart shattered at your words and he stared at your wound, the blood seeping through his capture weapon and staining his clothes

he softly called your name as he began his apology, but stopped when he looked at your face again, noticing your eyes had closed and feeling your body go limp

he reached for your wrist, feeling for your pulse and anxiously glancing at your face in case you opened your eyes again

when he felt your pulse, even if it was light, he cradled your head to his chest and pressed a chaste kiss to your forehead, holding onto you in case you slipped from him if he loosened his grip

──  𝐒𝐇𝐈𝐆𝐀𝐑𝐀𝐊𝐈 𝐓𝐎𝐌𝐔𝐑𝐀.

he’s just like this

difficult

and he says about a thousand things per day that he wished he never did

this is possibly the one he regrets the most

because you would be working with overhaul and the shie hassaikai

and though you knew this was an important mission

you didn’t particularly want to go

there was something about him that made you feel uncomfortable

so when you went to say goodbye to shigaraki

you mentioned how you were hesitant

but that clearly didn’t sit well with him

‘why didn’t you say something at the start? i wouldn’t have sent someone useless otherwise.’

so here you are

just trying to survive

because huzzah, heroes n shit have come to infiltrate the base

how surprising

you weren’t gonna lie

you were out of your depth

but you were very determined to do as much as you could

even if toga and twice told you to come with as they retreated

to which you responded by an exhausted shake of your head and running back into battle

toga and twice looked at each other with uncertainty, but took kurogiri’s portals back to base anyway

it was kurogiri who noticed your absence first, actually

and then shigaraki hit them with a brief interrogation filled with rage as to why they left you

demanding kurogiri to warp him to you, his eyes widened as you leaned against a wall, eyes closed and mouth slightly agape

he briefly noticed the blood that dripped from your mouth, but his main point of concern was the pole that pierced through your torso

a hushed whisper of your name left his lips, but he stood still

frozen in shock

he couldn’t pull the pole out of you or you’d die, and he couldn’t move you or you’d be in more pain

but he couldn’t leave you to die here

cautiously, he knelt by your side and pressed a light kiss to your cheek, leaning his head on your shoulder

reaching for your hand, he mumbled into your shoulder words of affirmation, even if they were pointless

when kurogiri brought the both of you back, shigaraki didn’t want anyone to even be near you, holding you closer whenever someone tried to come nearer

though he couldn’t stand to be in the room where you were being healed, your screams of agony will ring in his head as a permanent reminder of one of his biggest mistakes

[devizakura]

If you disagree please just skip this but I have been empowered by other posts to bitch about this because oh my god. As a fellow precious snake boi lover I am begging the Hazbin fandom to let that one stupid Sir Pentious joke die.

It was cute the first 1 or 2 times someone riffed on it but now whenever I see "because I [do sth] with everybody!" I just roll my eyes so hard I can see the back of my skull.

Doesn't help that the joke in canon is a display of possibly the poorest poor taste to have come out of this show (and one that is unequivocally so, unlike many other things that some perceive in poor taste but are more down to interpretation and assumption of the writers' malicious intent where there may not be one).

I get that a dark comedy is gotta dark comedy and normally I wouldn't bat an eye at it much but AH YES, have one character's SA be played for laughs then IMMEDIATELY have another face their abuser in a scene we're meant to treat seriously. Real classy.

The setup of rule of three where the third time he blurts out something he regrets is hilarious, like I laughed when he said that and when the instant regret hit him but then the door slammed shut and I was like "... they really just did that. What the fuck."

They could've shown him narrowly escaping. I dunno, let him hide in the bathroom or something because I get he kinda needed to be out of the picture so that the first guy Cherri sees isn't him and he can catch that L. But noooo.

And the thing is, it's not like the fandom lacks material to work with. Why they don't riff on Pen trying to confess his love then chickening out in ep 8 for example is beyond me. Or the absolute slapstick comedy of him blasting off again like Team Rocket. Or him being a little weirdo who watches people sleep. HE IS LITERALLY THE COMEDIC RELIEF AND has a lot of silly romantic material to base the fanservice content (like the "How would these characters confess to you" stuff) on, but they just HAVE to stick with that one awful running gag. Guys, he is so much more than that.

[eleccy]

man we always say kristoph is "petty" but then you read these lines again, and man. it's so much more than that. imagine being THIS level of narcissistic and paranoid to the point where you perceive losing a job as someone out to "shame" you. the fact of the matter is, zak didn't even hate kristoph, all he did was fire him. the fact that kristoph interprets that as being "shamed" is. a lot to unpack. and phoenix didn't even KNOW him. how could he shame someone he didn't know?? like, these lines seem to imply that kristoph believes he was being targeted on purpose and that so was never the case. imagine a world where kristoph had the character and fortitude to thank zak for the opportunity and request a reference, should any of zak's friends or family require his services. imagine if he'd actively helped phoenix with the case by sharing all of his investigations and evidence so far, instead of giving klavier all that information. bro is WACK. and to think the main reason he didn't want to help phoenix, beyond just being replaced by him, was that he disagreed with phoenix's bluffing in the courtroom. he literally said "god he's so silly and i don't like silly so i'm going to ruin his life instead." to look into this man's mind is an enigma:

Kristoph: I couldn't believe it.

Kristoph: Phoenix Wright...?

Kristoph: A second rate attorney who relies on luck and bluffs!

Kristoph: He dismissed me... and went with that pitiful excuse for a man?

Kristoph: ...He deserved to die for that error alone.

Apollo: Hold it! Apollo: So, the one who requested that forgery was...?

Kristoph: ...Oh, I'm not admitting to anything. My point is...

Kristoph: ...these two men shamed me, and I could not forgive that.

Kristoph: Phoenix Wright and Zak Gramarye both deserved what they got.

[thefloatingstone]

Sorry, this is about a post from 2020, but in answering an ask about homophobia in Utena you mentioned, “another is a man who is gearing himself up for a hetero marraige because he feels its the proper thing someone in his position should do, until he meets a teenaged boy and it’s like “…..oh fuck…””… are you talking about Mikage? Are you saying the search for eternity he’s researching is a metaphor for hetero marriage, à la Akio’s “the castle is where a prince and princess will live together forever?” (not disagreeing just wanting to make sure I understand correctly, id never thought of it that way before)

or did I miss something in the series lol

Oh oof this was a while ago and I haven't watched the series in a while. But kind of?

More like, Mikage is very emotionally detached from social norms when we first meet him and is completely engrossed with his work. He is constantly referred to as "a human computer".

When he meets Tokiko there is enough symbology to make you realise as he's speaking to her he is very logically and coldly thinking to himself "ah yes. A female. I am supposed to marry one of these and start a family. She seems like a good candidate".

"She is feminine and is doing feminine things. This is seen as attractive by men so this must make her an attractive partner."

"Yes. This is good for what is expected of me. Starting a family with her would be a good move."

While at the same time there is ONE singular moment with the flashing hand that is difficult to catch. In all the previous scenes the flashing hand makes a beeping noise. But in one singular moment during this scene while he and Tokiko are speaking, the camera pans over the other researchers walking to and from the hall and you can HEAR the hand but it's not onscreen until the VERY last second and even then the camera cuts away before you can really figure out what it's pointing at.

The hand is pointing at two men holding hands as they walk.

As Mikage is speaking to Tokiko and gauging if she might be worth pursuing as a partner as a Good Hetero Boy should. But this image shows just as Mikage is saying "They have gathered a good group of boys here who can continue my research".

There is no solid way to interpret this as "Ah THIS is what Mikage means!" but I think it's placement and the way the camera cuts away from it pretty quickly is pretty telling. Especially since the flashing hand in this scene has been showing us Mikage's internal thoughts as he's spending time with Tokiko.

It's possible to see this as his thoughts briefly wandering to the male students in the program, and that doing so automatically, if only for a brief moment, becomes a dreaded GAY THOUGHT. which is why the camera cuts way from it so quickly and back to the room he and Tokiko are sitting in.

AND THEN. FUCKING. (sorry I am rewatching this scene and losing my mind at details I didn't notice before)

FUCKING. AFTER THIS GAY THOUGHT. He is speaking to Tokiko about how the boys are spreading rumours that they are trying to revolutionise the world. But it's clear he has no interest in this and says "It's like they're trying to build a perpetual motion machine" to mock them as ridiculous. BUT THAT'S NOT THE IMPORTANT PART!!!!

THE IMPORTANT PART!!! is AFTER this gay thought, and him dismissing the boys as stupid, the camera does a LOOOOOOONG pan over Tokiko's body as Mikage says

GOD DAMMIT MIKAGE!!!!!

"If I run away fast enough the gay thoughts can't get me!"

I AM GOING INSANE KSDHKSHDKHFDS

Anyway then Tokiko runs when she hears mamiya in the rose garden, Mikage follows her, and the SECOND he lays eyes on mamiya, Tokiko, very WEIRDLY, just leaves the room and walks away without Mikage or Mamiya even acknowledging her.

REAL SUBTLE.

The next scene has Tokiko explaining to Mikage how his research of attaining eternity is what could save Mamiya's life. Even as she's explaining to Mikage and her motivations, he remains emotionally detached from her, as he is only seen in this shot reflected in the mirror. Standing next to her, but not.

But when Tokiko sheds a tear and apologises for this, Mikage says, still reflected in the mirror, "I feel like this is the first time I've seen a person cry."

Basically 'This is the first time I actually feel emotionally responding to someone else's sadness"

Baby's first empathy... because it's about Mamiya.

And then as he moves to leave and return to his research, this time with purpose, Tokiko asks him if he has anyone who is precious to him. That part's not important. The important part is the next sentence she says as Mikage leaves.... having said for the first time he's connected to someone's sadness over the young boy....

And then he throws himself into his research

So that is how Mikage embraced the gay thoughts in his weird academic way. "Well it's not TECHNICALLY gay if I'm just trying to save the life of the woman I have selected to be my partner!" And so the story starts to unravel for him.

TO get back to your question tho, Mikage is actually NOT chasing Eternity when he meets Tokiko. And his hetero relationship with here does not actually symbolise eternity to him at all.

He repeatedly says before he meets Tokiko that he is a "living computer" and describes himself as "a dry man passing dry days". He also says the research isn't going well, but he doesn't actually care.

However, when he is at Tokiko's home he is STILL expressing disinterest in the research when she brings it up. He not only makes fun of the other researchers as I previous said, saying "it's like they're trying to invent a perpetual motion machine". He specifically refers to the research and his fellow researches in a detached way. THEY are trying to create a perpetual motion machine. THEY are trying to attain eternity. He is completely disinterested and detached from the research himself.

In fact he tells Tokiko

He even says "I have done more than what the contract called for." (which incidentally he says directly before it cuts to the boys holding hands)

IT'S ALMOST LIKE HE ISN'T TALKING ABOUT RESEARCH AT ALL HMMMMMMM 🤔🤔🤔

"I was an emotionally detached man. Living on auto-pilot. I find the thing everyone else is doing to be stupid. But I am taking part despite being completely disinterested. The BOYS are extraordinary tho. But anyway, it's stupid to want more. People should be satisfied with the chosen direction they already have. But purely for business reasons."

*Mamiya enters* hey

"Oh shit now see THIS is a different story!!! I have something to live for!!! Doing this thing because of this BOY is now the most important thing in the entire world!!! I am a man possessed!!!!"

*whispers* nothing in this scene is about research.

[murderandcoffee]

I'm sorry I sent the ask too early-

Can i get some of your tma character design hcs

👉👈

well of course you can! sorry it's taken me a bit to get to this ask, I'm uh. bad at keeping up with messages lmao

okay so quick disclaimer: I didn't have solid visual ideas of all the tma characters--details would change or shift or whatever, so I'll only list some major ones/the ones I really imagined well

jon:

I see jon as a japanese-british guy who's like 5'6"/5'7" (168-170cm) with a bit of a dad bod. stern-looking, with short black hair that's graying around the temples, and some well-kept facial hair. I imagine him growing his hair out over the course of the show. he's also got glasses. I've drawn my interpretation of jon a couple of times--check out my bs.art tag if you wanna see it!

martin:

uh oh this is the one that could get me in trouble with the fandom. now listen: I had NO contact with fandom interpretations of the characters when I listened, so there was no influence from fanon designs. the martin in my head is a very tall, very lanky, awkward trans guy with blue eyes, shaggy blond hair, and a crooked smile. he's got freckles and glasses, and moves kind of like he's still a teenager getting used to how long his limbs are after a growth spurt.

sasha:

okay so the way I imagined sasha is actually pretty close to a lot of fan interpretations! I see her as a tall-ish, well-put-together, academic-looking black woman with glasses and a natural hair. I picture her wearing a lot of skirts and sweater vests. she's definitely the most professional-looking of the archival staff in my mind.

tim:

I'm not gonna lie I really pictured tim for longest time as tim wright from marble hornets. I kinda still do. tall white guy with dark hair, sideburns, and expressive eyebrows. goofy and expressive. not much else I can say for him lmao.

michael distortion:

this is another one where the picture in my mind is waaaaay different from popular fanon. the distortion, to me, was not psychedelic-eyestrain-tie-dye-colorful. it was more of a black and white, reality but a little to the left, slenderman-/cryptid-esque vibe. definitely inspired by the visual auras I get from migraines. the distortion looks completely normal until you see its reflection/see it through a warped pane of glass, then it's all sorts of fucked up! but fucked up in a take too much nyquil and see the hat man sort of way, instead of a take too much acid and see god sort of way.

gerry:

I believe in natural redhead gerry

basira:

okay okay another one that people are gonna disagree with. the basira in my head does not wear a hijab. she's got her hair slicked back into a tight, military-style bun. brown hair, brown eyes, brown skin, some moles and freckles, some scars, no-nonsense, take-no-shit attitude.

daisy:

the daisy I picture is a small firecracker of a woman. she's dangerous the way brass knuckles are dangerous--sure they fit in the palm of your hand, but they will deliver blows that you won't ever recover from, if you're lucky enough to survive. she's covered in scars, muscular, very pale (I see her mostly as a redhead), and with some tattoos, too. sometimes I picture her as blonde, but I like ginger daisy.

melanie:

I've drawn my version of melanie! I see her as desi/south asian, with wavy brown hair and brown-green eyes. I hc that she dyes her hair red, but once she's infected with the slaughter it starts staying that way (un)naturally. she's short in my mind, probably a few inches shorter than jon.

I don't have much for elias, georgie, or helen, really. their designs kind of shift around in my head. I feel like I'm forgetting characters, but oh well!

I've drawn a few not listed here (annabelle, agnes)

if there are any characters in particular that you're curious to see how I envision them, lemme know!

[minsungchronology]

My Personal Opinions on Minsung's Dynamic (2020)

Disclaimer: I am not trying to pass off my opinions as facts. This is my personal interpretation of what is laid out right in front of us. I could be completely off base because I don’t know these guys personally, so take this with a grain of salt and feel free to disagree!

I think it’s more than safe to say Lee Know and Han find each other attractive.

They don’t even try to hide it.

You really start to see it this year, especially from Han’s side (how the turn tables).

2020 was such a good year for them. You can tell that the guys are a lot more confident and vibrant, especially when you compare it to the latter half of 2019. I think Lee Know really starts to come into himself during Gods Menu era (like I mentioned previously), like his confidence here is another level. Compare him to his 2018 self and you'll really notice the difference.

But as I also mentioned before, Han’s attitude really changes this year.

First with the Osen Star Road video: Lee Know talks about working part-time at a restaurant flipping steak and Han blurts out “Flip me!” The members’ reactions to that are priceless if you replay that clip. His intrusive thoughts won that day.

Then there’s the Unlock concerts: the clip of him staring at LK through the giant monitor like he saw the galaxy and LK catching him in the process has me in stitches every time I watch it. (Almost foreshadowing to another instance where he does the same exact thing in 2023, but for a different reason 😉)

The fancam from Music Core during Gods Menu Era where Han literally fans himself right after he stares at LK.

And then casually calling him “Hot” as he films him in one of the SKZ talkers.

Last but not least, the “All in” clip where he goes “You” (Dangshin) after Lee Know asks “What have you been all in?”. Intrusive thoughts win again!!

And the feeling is mutual too.

During the Weekly Idol episode when Han does yet ANOTHER sexy dance, Lee Know tries to create an exaggerated, taken aback reaction much like what the other members are doing. (Some of them are playfully grossed out) But he can’t hold it for that long at all lmfao. Like, his body language completely betrays him. (Man literally says ‘wow’ and bites his lip skjdhaksjhkjashd)

Lee Know also seems to really like Han’s look in the “Easy” MV. (this is one of his best looks imo so I don’t blame him) First, he draws it in one of his vlives and then makes it his mission to mention that was his favorite part (exact time stamp and everything!) before getting all teeheehee shy. Like bro??? How do you even remember that?

Much like last year, it’s not as obvious as it was in 2018. But the occasional "slip up" doesn't ever really go away. Though, they come back in full force around 2022 and 2023 (especially!!).

We get to see a little bit more of their little hangouts. Either that or they just casually mention them in passing. They really do take the time to hang out together outside of work schedules. As much as they’ve mentioned hanging out together, fans have also spotted them out together on many occasions throughout the years. Imagine living with someone, working with them 24/7, and then wanting to spend the very limited amount of spare time you have with them as well, when you…already see them every day.

Oh! and Butt-hunter LK makes his official debut this year. His unique way of showing affection towards the members. Han seems to be his number one victim though (ooooh wow how shocking 🤥).

My personal opinions:

Again, I’m preetty sure they are just friends this year. From what we are shown, I personally don't see anything more (outside of potential feelings) unless you purposefully take moments out of context and ignore how they perceive each other around this time.

Though, they don’t shy away from the mutual playful banter and flirting, as well as being appreciative of each others looks. They seem a lot more comfortable and confident with themselves than they were in previous years, so its not something they refrain from doing. It also seems to carry onto 2021 and future years. But it’s not something you saw as much prior to 2020.

However, I do think Han, for the first time, starts developing feelings that go beyond platonic this year. If I had to pinpoint a year for him, it would probably be 2020. Han’s "Han's Communication Show - Stay 2nd Bday" Vlive gave a lot of insight in such a brief time. He seems like someone who wants to put a distance between himself and any sort of feeling that crosses the platonic/non-platonic boundary with LK. He says he doesn’t want to spend too much time with him, but they always end up together. 🙃 He literally says "Lee Know is annoying" while giggling/laughing like that. (Is he attempting to convince himself or us? I don’t know.)

It kind of goes back to him saying stuff like: “I stared/glared at him b/c he was so handsome...cause i was jealous of his looks." "I ranked him as one of the lowest b/c I don’t like good looking men." "I don’t like when he winks at me it’s so annoying" etc etc.

I honestly don’t think he’s even aware of it. Like sometimes he’ll blurt something out that kind of….gives him away in a sense? Like a Freudian slip or an intrusive thought.

I’ve also noticed he tends to pay extra attention/laugh extra hard at Lee Know’s jokes or little quirks that might go undetected by the others. 

In 2021, the playful back and forth flirting really ramps up between them. I think that year (and onwards) is when they are the most secure with themselves, at least compared to 2020 and the years prior.

[argetcross]

Astarion looks over Wyll's contract, a missing BG3 scene

[The camp in Baldur's Gate. Nighttime has fallen and everyone is in their tents. To Wyll's surprise, Astarion saunters over.]

Astarion: The Blade of Frontiers. Come on already. Hand it over.

Wyll: Hello to you too, Astarion. I assume you don't mean hand over this bowl of stew because, as you can see, Gale outdid himself and it's quite gone.

Astarion: Not the stew, your contract. Since it's clear from that escapade in the towers that someone should take a look at that Infernal scrap of paper.

Wyll: Oh. Oh!

Astarion: It wasn't my idea, you know. Our fearless leader wants me to take a look, since, for some reason, being raised on the suckling tit of Baldur's Gate high society has made you both terrible at reading basic contract law. And if that gods-damned cambion shows her face again demanding more addendums, you ought to be prepared.

Wyll: Yes, well. You make a fair point. Mizora's been getting the drop on me for a long time now. Once, just once, I'd like to turn the tables on her.

Narrator: Normally infernal contracts are hard to get a hold of. What devil would allow you to look twice at your soul signed away? But a tip from Karlach and a sizable donation to a local diabolist wins you a plain text copy of what signed away your soul seven long years ago.

Astarion: ...and you'll want to be careful of this clause in particular. There's two ways to interpret the word and I trust you know devils well enough now to always pick the disagreeable version.

Narrator: The parchment containing a version of your infernal contract is now dripping with so much red ink that it looks as if it was bleeding. Seems like the vampire was as good at understanding law as he was breaking it.

Wyll: Color me impressed, Astarion. And here I thought you got your magisterial position the way most do in this city, through bribery.

Astarion: Oh, I most certainly did. And infernal law is hardly my expertise, but you don't have to be an expert to see how this contract was a terrible idea. Really, what were you thinking, agreeing to this?

Wyll: You heard the story. Tiamat, the Cult of the Dragon, no matter what else came after, that, I won't regret that.

Astarion: Oh yes, you saved the city from Keres's loony cousins. Raising the god of dragons from the Hells, just so they could juice up their magical bloodline in eternal draconic servitude. Pfah, and I thought vampires were obsessed with blood.

Wyll: Wait. What? Those cultists were part of her family?

Astarion: Ah. She didn't tell you, did she? ...Well, before you start begging for her forgiveness, I have it on good authority they were quite evil and corrupt. So really, you probably did her a favor! Saved her some trouble of pruning her own family tree. She probably would have cried the whole way though and honestly, that takes all the fun out of killing your own family members.

Wyll: ...I see. That's quite a lot to take in. I suppose I ought to talk to her later about it. But you know, Astarion, I was wrong about you.

Astarion: Hmm? Are you going to tell me you're just now realizing how smart and handsome I am?

Wyll: You're a good man. I know you were worried for me in your own way. Even if, for some reason, it galls you to admit it.

Astarion: And I told you, I was simply sent by my meddlesome darling. Practically ordered. You know how high handed she can get sometimes. All my bad influence, I'm sure, ha-ha!

Wyll: Alright, I won't push the point. But you know, you needn't hide behind the others. After all, Keres had already told me to seek you out myself and I quote, "I can tell he wants to help, but he'll be happier if you ask him yourself, instead of me butting my nose in again."

Astarion: Ah, well, that is— You know, we'll make a liar of you yet. Because I do believe that counts as "pushing the point".

Wyll: Fair enough. But truly. Thank you, Astarion.

[dairyfreenugget]

That oc with pk is absolutely adorable! What’s the lore for that au and how they got together, if you don’t mind me asking?

Sorry this is a bit late, but thank you!

This is basically a little post game ending AU I made with @demonicintegrity 's help except PK survives (and I also frankenstained our messages together so hopefully it's a coherent story)

Anyway this is super long so I'm putting it under read more

Hollow is sort of aimless and doesn't know what to do with themself now that they've served their purpose so they just. Wander. Until they meet PK and basically decide hey I'm his knight, knights are supposed to protect their kings right? I'll just follow him. Meanwhile, PK's having an awful time and doesn't want anything to do with Hollow but the stubborn bug will. Not. Leave. Him. Alone.

PK also wants them to not be subservient to him and be an actual person and shit but he doesn't know how to go about making that change. First option was avoiding them so they had no choice but to make their own decisions but they just wouldn't. Piss. Off. Second option was just ordering them to be a person. He's not the best at this

Hollow just interprets any suggestion of his as an order and it's one hell of a battle to change that. PK and Hornet essentially try to teach Hollow how to be a person, with mixed results.

Hollow also has a lot of mixed feelings. Hurt and anger mixed with wanting affection and comfort from their parents mixed with feeling they don't deserve that affection and putting them up on a pedestal and treating them as gods and royals instead of parents, any kind of attention or care feels blasphemous to them. They're stubborn and think very badly of themself, still clinging to this idea that they're a tool and are meant to serve. Hell concoction!

They get out of it but. It takes lots of work.

First time they disagree with PK and have an argument, he genuienly celebrates after he cools off. FINALLY they're not just going with anything and everything he says! If only this argument wasn't about Hollow's worth, but...you know. Two step forward one step back.

Hollow also has a mouth now, one The Radiance made. The bottom of their mask shattered to make room for it. They also now have a voice, raspy, rough and painful, and mostly unused because they hate it.

So the first time they use it around PK it's a shock for him

Hollow: Can you stop fucking pacing? The tap tap tapping is going to give me a migraine

PK: Oh, very sorry I just- YOU TALK?

Hollow, nodding:

Pk: since when!?

Hollow: ….. since She was using me to scream

Pk, slapped in the face:

But! On the plus side, now they can eat and taste things. PK's new favourite hobby is getting them new meals to try...for better or for worse,

PK, finding a VERY bitter fruit: "....Hey Hollow, wanna try something?"

Hollow makes a face and that's probably the first time they heard their father genuienly laugh

Proceeds to eat fruit out of his hand like a horse.

And then just. Keeps the fruit there after one chew.

“….. you can spit it out if out if you need too.”

“………. -slowly let’s it slide out of mouth and onto the ground-“

Looks at their father with an absolute look of betrayal

“……..”

“…….. some people like bitter fruits.”

"You could have warned me. You knew."

But their favourite food is berries :] Any berries, as long as they're not bitter. Will wat them right off the branches, often with leaves and stuff because they don't feel like picking them off.

He ans Hornet also teach Hollow how to hunt. And they proceed to hunt regularly for their entire family (the poor tiktik population...)

They just drop a dead bug on their mother's lap all proud and she makes a face

WL: Thank you, but-

PK, through their mind link: DON'T YOU DARE

WL, also through their link: But I don't need to eat with my mouth!

PK: THEY DON'T NEED TO KNOW THAT, LOOK AT THAT FACE!

Hollow, waiting for the rest of her sentence: …….?

Wl: …. I’ll get to it in a moment dear, not super hungry at the moment

Hollow, still pleased with this:

PK helps her burry it so she can absorb it through her roots

PK eventually tells them and they start burying their kills and helps PK keep the soil nutrients rich for their mum

At least once a day Wl looks down and feels hollow digging a hole for their kill for her

Eventually she pats their head and tells them that decomposition, even with her roots, isn’t as fast as eating. So she really doesn’t need a substantial kill each day

Starts giving their dad kills every day instead

Pk, internally wondering about the ecological impact his kid might be having:

Hollow is an invasive species

Gets them to be occupied with something

But their family quickly tries to figure out a different possible hobby before they decimate the local wildlife population

Hornet and Pk at least keep moving around so they have to spend time finding them

Hornet: one day you’re gonna get caught in one of my traps I swear

Hollow: Nu uh

OH PK trying to get them to treat him like family and not authority and I think Hollow going to sleep in the nest he made for them right next to his would be a pretty big step

Because previously being close to him felt wrong, blasphemous, knights aren't supposed to sleep in the same den as their Kings, they're supposed to have their own quarters

Especially since they’ve never really. Seen him sleep before

After first they’re tempted to sit up, still play guard, but Pk tells them to lay down and rest. Put that fucker in a headlock because they absolutely will follow their old programming otherwise

Pk opens eye and sees they’re laying down but clearly just watching him and not actually sleeping.

Just baps their face.

“Sleep”

And keeps his hand their as he closes his eyes

His hand fits squarely between their big eyes

A scene I thought up that I kinda wanna draw (but probably won't)

Hollow's going Through It and PK doesn't know what to do so he just wraps himself around them and hopes physical contact will help calm them down

This is the first full on affection he showed to them aside from that one time he kept his hand on their head as they slept

And Hollow just. Starts crying

They don't know why, their chest just feels tight and...hurts. They didn't realise how much they just wanted a hug from him all these years

"...D...dad..." They croak out in their broken, rough voice between their sobs

It felt like a hit aimed right at his heart, clawing his chest open. They never called him that before. He curls tighter around them and shifts to place a gentle lick on their forehead

"Shhh," He nuzzled them, "It's okay. It's okay, Hollow. I'm right here."

Hollow chewing PK's tail like one of these necklace stim toys and PK doesn't mind because his chitin is extremely hard

He's just doing his own thing while his kid is chewing and growling

PK absentmindedly moving his tail while he works on something and Hollow's playing with it

He only notices when he moves it further than usual and Hollow zooms across the den to catch it

Looks over and Hollow's staring at his tail like O_O

Has to move his tail a couple times to confirm that yes, hollow is zooming

“You’re just like your sister when she was little” (Bold words from somebody who would also get zoomies if his wife put a root in front of his face)

Hollow is also only a nickname, they don't have a proper name and go by their title The Hollow Knight. Others aren't happy about it either but Hollow doesn't care about picking a name. File this in your brain for later, it'll be important in just a second.

Anyway. Hollow has kids.

yknow how some trees when damaged or moved they lay down a ton of seeds to make up for potentially dying? They realize Hornet is missing from the whole silksong shenanigans after growing and being basically okay and better.

Stress and drop some seeds before going to look for her.

And then coming back and seeing some weird ass sprouts in their house/den/whatever

Trips on a growing sprout as they come back home to have their first night of sleep in like three months.

just faceplants and goes yeah its naptime right here

Wakes up to like. 5 whole children

most of them look v v much like a bby Hollow so for a good thirty seconds they think theyre still asleep and just kinda groggy

Gonna panic and scoop the babies up and head for the first family member they can find

"Dad I need help"

"What is it Ho- WHAT IN THE WORLD???"

Hornet, who also just woke up because she just had her first night of full sleep in months: huh

Hornet, not ready to unpack this: Theyre not hungry not injuried and responsive?

Hollow, nodding:

Hornet, rolling over: okay cool its a tomorrow problem then

Oh so helpful sister

Hollow: I don't wanna be a parent :( I can barely take care of myself

PK, looking at the five babies in their arms: I think it's a bit late for that

Hollow: How did this even happen

PK: i dunno youre the one who procreated. Whos the other parent??

Hollow: i dunno I just came back, tripped on a weird plant growing in my den and woke up to them.

Pk: ........ Here hold them I'm gonna go talk to your mother real quick

They have mother fucking Mary situation on their hands. FIVE Jesus bugs

One hell of a conversation did PK have to have with his wife when they arrived huh

“Our kid had kids it seemed.”

“Oh? I wasn’t aware they were seeing someone.”

“They seemed to have laid roots down and kids spawned kids that way my root.”

“Hm”

Hollow after getting a Root birds and the bees talk: Is there any way to stop that from happening again? I think five is enough for me

WL: Not that I know of

Hollow:[let's out the most miserable Ough known to man]

Luckily the new babies seem well behaved enough. And just kinda. Want to be on or around Hollow.

Dont seem to demand much

Theyre gonna be shocked when five little peeps are just babbling in void speech tho

Hollow decides that maybe being a parent isn't so bad once they figure out they can get the babies to torment their grandpa

the psychic damage pk receives bc they look so so similar to a bby hollow. Affectionately calls them the clones because of that

Another nickname is the terrors because they WILL try to maul him

Hornet, next time she sees the babies and is playing is one of them: Have you named them yet? Hallownestians name their babies right?

Hollow: Spawn one through five.

Hornet: fu-....God help me. Just one through five??

Hollow, nodding and pointing to each kid and knowing which is who:

They dont know how to name. they were never named. they were only ever given titles. described. they dont know how to name. But they know how to observe. One was the first one they saw when they woke up, and so on.

But theyll be observant. the curious one. the chatty one. the active one. theyll all be known.

PK is gonna dig through the Hallownest ruins in desperation to find a damn names book

Maybe recruits Hornet to help

Hornet: Here

Hollow: What's that?

PK: A book of names. You are not naming my first grandchildren One through Five

Hollow: they are getting titles! As they grow!

Pk and Hornet: huh????

Hollow: The first one, they are the curious one. They explore the most, and always want to see what im doing. They like to be picked up to be tall. This second one, the chatty one. Constantly chirping and poking through the void. They will wake their siblings if theyre awake first.

Hornet: That's hardly any better! Titles aren't names either

Hollow: Well, you call me Hollow, don't you?

PK, having a horrible realisation:

Hornet: ............. ohhhhh shiiiittt......

Pk:

Hollow: It's fine. They will earn many nice titles growing up.

Hornet: okay. I get like, Deepnest does the naming after getting to know them but thats a name. Not a collection of random adjectives.

Hollow: Its not random I know them.

PK: ..........I need to find some sort of still living therapist, I swear........

Hollow: Huh???

But the numbers/titles stick. Hollow is one stubborn bitch

One is the curious one, the explorer. Two is chatty, likes to be social. Three is clingy and shy and just wants to be with someone at all times, but if you're not their siblings, parent, grandpa, grandpa or auntie they will NOT like you. Four is a menace, just a little mischievous bug. And Five is the brave one, tries to be the leader and protector of their siblings, has a stick for a "nail" because they wanna be a knight like their parent and brave protector like their auntie.

The mini Hollows are cute. The group of them like to sit in the dirt and watch.

Gets to plan a whole attack on grandpa or auntie

With an excuse of teaching them to hunt and defend themselves early

pk will never see it coming

many of the babies like to dig.

Dig holes. Dig tunnels. Dig and bury themselves in dirt.

Gonna break his damn leg on one of the holes one day when he's visiting Hollow and the grandterrors

menace number four, stepping right on top of every healed wound on Hollow as they climb across them simply trying to lay down and rest:

Hollow:

Hollow: ah

I think it'd be cute if PK teaches them how to groom the babies. He still remembers something from raising Hornet so he helps somewhat. so many wriggly babies to try and keep clean challenge (impossible. they yearn for the dirt)

Nr 1 squeaks and squals in protest and wiggles as grandpa cleans them

They don't wanna be CLEAN they wanna go explore and play in the dirt >:[

Hornet told Hollow once that its important for children to explore and look at different things and see different places.

So they would saddle them all up on their back and go on field trips.

Number four would try to eat a crystal in the mine

It makes pk happy because its actually really encouraging hollow to go out more often and plan to do different things

Whenever they stumble onto each other when they're like that he jokes that the stag of little terrors has arrived

"okay. Attack"

"Wait-"

Pk can fly so it saves him if he reacts fast enough

Grandpa won't play with them?

Cruel and unusual punishment

they cheep and try to chase after him in the air

They do not pay attention and run right into a sewer in the city and make Hollow panic

The children are alright but both pk and hollow panic for a good moment

and they need a proper bath now

The One Time the terrors would like a bath time

But neither their parent nor grandpa want to groom them so into the fountain or lake they go

Poor things get pulled out a shivering wet sad mess

PK: Maybe now you won't try to maul grandpa

Hollow: Nah, just look where you're going when trying to kill

They all immediately climb onto Hollow and shove their little faces into them. No more wet time its time to get out of the rain.

The 5 menaces start attacking PK on their own accord when they grow up enough. Hollow taught them well (PK doesn't agree)

They also eat out of hands like horses, just like their parent. The Foals 💜

PK is feeding the babies berries out of his hand and suddenly mama's looming over him also, waiting for a treat

PK: ...Seriously, you need to think up some names, I'm not calling them numbers

Hollow: They'll get titles with time, it's alright

PK: Titles are not names

Hollow: They're just as good

PK: Hollow-

Hollow: Pale

PK: 🧍

Hollow: ..... thats what I thought

PK: What if we'll find you a name also? Wouldn't you like one?

Hollow: Eh, I'm used to Hollow by now

PK: 🧍

number one would be fascinated by eyes and try. to touch. Bother grandpa. "Please dont"

The five are so used to mama not being warm and then they discover the joy of warm toasty cuddles with auntie and grandparents

Hollow gets abandoned SO fast

Must absorb all warmth

Hollow: The betrayal. My own children. Stabbed me in the back.

PK with babies piled on top of him (and Hornet): Don't be dramatic

Hollow slowly just scruffs a baby one at a time to pull back into their own nest

They're gonna SCREAM for WARMTH. CRUEL PARENT. TAKING THEM AWAY FROM BEING COSY AND TOASTY

plops them in blankets and tells them theyre fine. Hornet and PK can't help but be amused

Mx. "I don't want to be a parent" now being super doting and jealous whenever their babies aren't with them

these are their babies. Their babies who they know well and take good care of thank you very much

They're SO gonna get teased for that. A typical protective wyrm parent. It's cute

Hornet makes the babies little sweaters or cloaks

They're all a little different

From insight from Hollow on their personalities and what they like

theyre all silent/can only speak in void. So gauging some personality needed some help.

Hollow is so pleased they all like their new cloaks.

And they deny endlessly that they need a new on. But Hornet gets them a new one anyways

The kiddos make dirtmouth so lively once theyre old enough to play outside more

Okay back to the canon characters and the angst,

PK often babysits the 5 to give Hollow a break, and during one night when they're staying with him he has a nightmare about Hollow killing him. Wakes up startled and panting.

He feels like he would deserve that fate but the nightmare still felt so horrifying and real, and he just stays there shaking and wonders if the anger and hatred he saw in his dream is really how Hollow feels and they've just been tolerating him at best in actuality

His grandkids were sleeping with him, so he just looks down at the baby currently in his arms and just buries his face in them

He loves these five so so damn much, he wonders if they love him too- he wonders how Hollow can even tolerate him around their young

He just nuzzles into the baby in his arms, trying to forget about his brewing thoughts and fall back asleep

Hollow definitely had some wildly complicated feelings about him, their relationship was very volatile at times, and they for sure felt anger at him for what he's done to them

But it's been years now that they've spent bonding together, years to heal and grow a more proper father-child relationship, and with time they've learned to stop seeing him as a king creator but their father, and they learned to love him like one too

They're just not an overly affectionate person, but they're generally a complete recluse so the fact that they spend so much time with him is a testament to their love for him, he just haven't seen it yet. He didn't really get many opportunities to see how Hollow is with most people so he doesn't realise just how differently they treat him, Hornet, White Lady and their children.

And yeah, they won't lie, their relationship is rocky at times and he did massively fuck up in the past, but they still love him and see him as their father.

Had they found out about his nightmares they'd just lie with him and gently nudge their muzzle against his hand, maybe even worming their snout under it so he can hold his hand on their mask like that one time, hoping that this gesture would be enough to make him realise

And it would be

Also he is Very bothered by them still going by The Hollow Knight alone while they couldn't care either way

He'd bring it up again and they just look at him

"You really want me to have a name?"

"That...would be better, I think."

"Okay. Name me, then."

"...what?"

"You're my father. I don't have a name because you never gave me one, so if you want me to have one you should give it to me."

"But...me? Why me?"

"You're my father."

"I know that, but... I don't think I deserve to- Wouldn't you like to name yourself?"

They shake their head, "I do not care either way. I am just fine continuing to go by The Hollow Knight, I would also accept any name you pick for me, I truly don't feel strongly about this."

"But- I- why wouldn't you want to choose? I picked that title for you, I chose the trajectory of your life, I think you should get to choose for once."

"I am choosing. I'm choosing for my father to give me a name. It's Hallownest's tradition for parents to choose names for their hatchlings after they develop their personalities, so if I was to have a name I want it to be a proper one. One my parent would give me."

"...but...why me? Why would you want a name I give you after everything..."

"Doesn't that also apply to my title? The Hollow Knight, or even this nickname Hollow, is something you've given me," They tilt their head, "Is this why you feel so strongly about me choosing a name?"

"..."

Really torn up between continuing to call them Hollow here as shortening of The Hollow Knight or if they should get a name

Because I thought of calling them Echo that that's such a pretty name,, could be named after their quiet disposition

I think they'd be a recluse who doesn't say much and prefers to let their actions speak for themselves, only really talks when spoken to

But for now it's Hollow

I think after Hollow has the five seedlings they might move from living in the ruins of Hallownest and frequently travelling around to the outskirts of Dirtmouth, where they can keep their privacy and relative quietness but where its also considerably safer for the children

Hornet and Pale King would visit frequently, sometimes babysit for them while they go off to have a break (mostly their father, who doesn't mind and even enjoys taking care of these children (he sees this as an opportunity to fix his past mistakes, could never be a father to his child so at least he can help raise his grandchildren), as opposed to Hornet who's probably a very cool aunt but isn't the best with kids in the long run)

I think PK would also settle in Dirtmouth after a while. Spends 50/50 time living there and with his wife

Azalea, the moth, is an old librarian that eventually moved to Dirtmouth after the infection ended. She likes the quiet and keeps to herself, likes to have long conversations over tea, gets along best with Elderbug and PK for that reason...and weirdly enough, somewhat okay with Zote, but only because she likes to listen to people ramble on for hours, he's like a white noise machine to her but she has 0 clue what bro's yapping about.

She meets PK after Hollow moves to Dirtmouth with their seedlings. PK naturally visited them often and even stayed over to help take care of the kids, eventually moving there. They happened to stumble on each other while he was with his grandkids and started chatting. Their love is slow burning they first became friends and slowly came to take care for each other more than that, but it takes PK a long while to realise she's into him and he feels the same. She also eventually learns of his past and doesn't care much, doesn't treat him differently because he was a king, which is a huge relief to him. She enjoys his company and loves flying with him, she rarely gets to do that with anyone anymore. WL is very encouraging to PK about pursuing this relationship, but for a long while he didn't because he had convinced himself that she only sees him as a friend (it won't stop Azalea from making jokes that she's the second woman in the relationship/a mistress). Eventually she gets to meet WL too and they get along, swap funny stories about PK over tea. Eventually Azalea and WL become an item too, but similarly to her with PK it takes a while for them to get together.

Also I've been very tempted to keep Radiance alive for this AU because her reaction and feelings towards 1 out of 2 of her last surviving moths being with HIM would be very entertaining. Azalea doesn't remember their old goddess and would think she's just an ordinary moth and tries to make friends with her because there's so few of their people nowadays, it's good to have somebody you relate to! She occassionaly mentions her lovely centipede boyfriend and Radi truly couldn't give two shits, until she finds out who he is. PK also becomes very protective of Azalea after finding out Radi's alive, suddenly becomes very comfortable with PDA when she's around KDHDBDV Azalea doesn't mind and finds it amusing, but also why is he so clingy all of the sudden?

That's roughly everything :] This AU doesn't have a name yet so. If you have any ideas feel free to propose something