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exploring-the-spiderverse · 1 year

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Expanding on that post I made of Noir adopting Hobie but I love the idea of that making Peni and Hobie adopted siblings. Soooo general headcanons and thoughts time! (Inspired by @ryderdire and @queercoded-disney-villain and the comments they left!)

This got a lot longer than expected so there is a lot more stuff under the read more!

I like to think that Peni and Hobie already knew each other beforehand but in passing. Hobie knew of her and occasionally they talked but he never really got to know her

Of course that all changed when Gwen gathered her small team of Spider Folks to save Miles

After everything goes down and they have time to actually hangout, Hobie tries to get to know her at first. He thought her mech was pretty sick. She mostly avoided him though. He didn’t exactly know why but didn’t care. He assumed it was cause her and Miles weren’t on the best of terms anymore. And while her, Noir, and Ham were still close, there was some tension between them. Especially since she sided with Miguel (at first).

When Noir adopted him (that’s an entirely different story to tell later), he was sorta shocked that Peni was Noir’s adopted daughter. He thought the two weren’t on great terms. Noir explained that despite what she did he still loved her. Fathers are supposed to love their children no matter what right?

Of course since Peni was Noir’s daughter, that meant they had to be around each other more often than not. It was…very tense at first to say the least. Noir usually hung out with Ham (he wasn’t allowed to stay with Peter B after Mayday was born) so it was an awkward experience having serious conversations in a cartoony world.

Eventually, Hobie cracked what was eating at Peni. Despite her being more closed off (which everyone who knew her said was odd) Hobie somehow managed to break through her walls. Jokes and his general demeanor slowly eased her.

In general, Hobie and Peni are a force to be reckoned with. With him being more reckless in his fighting style and Peni being more coordinated, enemies are afraid of even getting near them. Especially cause of SP//dr.

If anyone dare lay a hand on Peni, Hobie would be sending an electric guitar through their head with no hesitation. That’s his sister goddamn it.

Hobie does like to paint his nails and allows Peni to do his sometimes. He’ll do Peni’s for her too but they end up more messy than what she can do. They’re still passable though as he’s done Gwen’s before a few times.

As they get more comfortable around each other, Hobie absolutely will tease the hell out of Peni. She isn’t good at teasing him as he just doesn’t give a shit but does eventually finds some fuel.

Like Noir, Hobie will carry around Peni on his back if asked.

Secretly, he taught Peni some curse words so when she said fuck around Ham, he was immediately on his tail. Hobie doesn’t regret it though. He thought it was hilarious.

Hobie will carry Peni under his arm like a sack of potatoes when she’s not in her mech occasionally. He’ll be just hanging out with someone and have her under his arm.

Peni will fall asleep if held for too long. She just finds it relaxing. Hobie finds it amusing.

Hobie has taken Peni to his world and has let her join in on his rioting. She actually ended up being more of an anarchist than Hobie. He was THRILLED about it.

She was even given yellow shoelaces by Hobie and goddamn Noir was proud as hell

Speaking of Noir, he does also have blue shoelaces but keeps them around his belt. He doesn’t want to make them dirty or destroy them by accident. Hobie is secretly very happy Noir accepted them and wears them.

The two siblings will argue about their world’s food. Hobie says that his cuisine is unique and good but Peni just tells him that he’s clearly never had Japanese cuisine. They will always argue about this.

Occasionally they’ll go to Noir and ask him. He’s literally only had 1930s food so he thinks everything is amazing. Everything except beans on toast. Telling Hobie he’s had this in his world before as a cheap meal.

Hobie will play his guitar for Peni and has learned songs that she likes. Even if they aren’t from his era. It gives him a chance to learn more stuff and make Peni happy.

He refuses to play anything that he considers too slow though. He’d rather rock out than play a slow waltz.

Peni will sneak into Hobie’s world and replace his alarm clocks with indestructible ones. He HATES when she does this.

Once when Hobie got burnt slightly by a rouge molotov, Peni ended up making him a sorta protective bandage that was fire proof to wear under his suit. He ends up using it both for him and anyone who is with him. Peni was extremely happy to help.

Speaking of riots, Peni once got pushed over and nearly shot by a cop but Hobie DID NOT let anything else happen to her. Let’s say his guitar needed an extremely good wash afterwards. Brains aren’t easy to get out of guitars. Ham was horrified but Peni kept telling him she’s seen worse. That didn’t help.

Peni and Gwen do have girl days which means Hobie isn’t allowed. Despite trusting Gwen with his life, he will tell her to bring back Peni unharmed or something will happen. Gwen knows he’s serious about that.

Peni loves to tease Hobie about his romantic relationship with Miles and Pavitr which surprisingly makes him flustered. No one knows how she does it but she does.

(I’ll explain their romantic relationship in more detail later but Hobie is dating Miles and Pavitr while Gwen is dating just Miles. Pavitr is still dating his girlfriend while dating both Hobie and Miles. Gwen was never romantically attracted to the others except Miles.)

Hobie will get dragged along to the mall by Peni. It’s a hilarious sight. Just this punk dude with his younger, more preppy sister.

Since Hobie can purr like most Spider Folks (silly headcanon of mine), he does it a lot around Peni. She can’t purr but enjoys hearing Hobie purr. It’s comforting.

Hobie will hold Peni’s hand if she asks and isn’t ashamed of it. He’s a big brother goddamn it, he will act like one.

He did teach her a bit of guitar too. He even gifted her one. It was a not so great one but Peni treasures it. It has a bunch of stickers on it.

When Peni cries over her past, Hobie is very commonly the one that is immediately there to comfort her. Purring nonstop and giving her words of comfort. He knows what it’s like to have no one to cry to and no comfort.

Hobie doesn’t cry much but when he does, which is rare, Peni is always nearby. She doesn’t even hesitate. Hugging him as hard and close as she can. He appreciates it.

Peter B likes to call them Peni and Hobs (like Calvin and Hobbes)

Hobie wears some pins on his jacket that Peni gave him. They’re mostly just similar to the normal ones he already wears but some are cutesy. He will not take them off even if he’s made fun of.

They rarely stay over at Noir’s place (he lives with Ham) but when they do, they’ll share the guest room. It’s always chaos.

Ham has gotten more than one noise complaint from his neighbors about loud guitars playing at night. He loves them both but god they give him a headache.

If Hobie wasn’t held back by anyone when he met Miguel again after becoming Peni’s brother, he would have already bashed Miguel into oblivion. He was NOT pleased about him manipulating Peni.

#spiderverse #across the spiderverse #hobie brown #peni parker #across the spiderverse spoilers #spiderverse spoilers #atsv spoilers #spiderverse headcanon #spiderman noir #noir spiderverse #look gordon it’s writing!

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descendantsramblings · 28 days

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First of all, take your time with the storys (god i love your writing style, its not rushed and not too cheesy or out of character) And cause my Brain is a full on simp for Morgie and the Boy is just a little good one that wants to fit in, i have another idea

Maybe a story based on the Deleted scene pics of Him sleeping(?) alone in the Hideout from the lagoon in this chair(?) and of him finding the book

in the whole thing morgie and reader have this Tension like always and are pretty close (they are in love but both dont know how to make the first step and they know it wouldnt really be good news for uliana which scares morgie off)

Male!reader is another villain kid that is also in Ulianas crew but mostly in the background, he didnt go to the office to steal the cookbook nor did he look out for merlin with morgie (maybe reader is even secretly slightly friends with bridget who knows)

Morgie went to find the cookbook in chloe's and red's room after finding out what happend to uliana and the crew, he hesitates to open it and goes back to the Hideout in the lagoon where he starts to panick a little cause his friends are frozen, he is all alone and it all depends on him now.

On one side he wants to impress uliana and the others and be a good villain like his Mom (cause he has a reputation to hold up and he has mommy issues lmao) but on the other hand he doesnt think that Bridget deserves it and he doesnt wants to really be like his mom, morgie also opens the book which also proves that he is good in his heart

Reader comes into the hideout to see morgie having a complete life crisis and he tries to comfort him, Reader wants Morgie to leave the villain group cause he just isnt a villain and a good soul at heart but Morgie thinks that this will just cause more problems so he sticks with this life now (god bless him)

Morgie ends up not doing the prank and telling Uliana later after she is unfrozen that he just didnt find the cookbook and he couldnt pull through with the pranks and that he and Reader couldnt think of anything just as cruel for Bridget before castlecoming but they totally did still try to.make bridgets day bad (they didnt xD)

You’re so sweet, thank you so much. I really do try, end up reading it like 4 times before I post it and find something I wish I changed a day later. And I love the concept of a secretly good VK being with Morgie (who is also secretly good idc what Disney has to say on the matter)!! I’m so excited about this one

True to Heart

Morgie le Fay X Reader

Pronouns used: He/him/his

Summary: When faced with something that knows the truest part of your heart, it’s bound to see right through you.

Warnings: Uliana sucks, they're very touchy but really this is just fluff with some panicking. Death mention but it’s sorta playful

Word count: 2K

It had been hours since he heard from Uliana. Surely the sea witch should have come by his room by now , yelling at him about how he needed to be ready for their plan. Convinced he’d do it at the drop of a hat to be part of her main circle. She was a fool of course, that he believed with his whole heart, she was ridiculous to believe he’d hurt Bridget. It would be like asking him to hurt Hades. They weren’t close but he had an obvious care for them, that was easy to see. Uliana was an idiot to believe he would even consider letting go of that part of himself. There were few parts of his morals he could actually hold in the position he’d put himself in. He’d be keeping one, (Y/n) was not the type of guy to betray anyone. Despite that though, he was on his way to go find the dreadful girl and her friends, skipping across the rocks of the black lagoon. Regardless of who he wanted to be, villainy ran in his blood, he had no other options but to be on their beck and call. Well, he assumes he did have one other option, but the idea of being alone by choice wasn’t exactly one that made his chest all warm and fuzzy. And to leave certain people in the crew would kill him.

“Oh what did I do?” The familiar voice panicked, speaking to himself as he paced the length of the hide out. “Why did I take that? What do I do with it? Why did I?” Morgie is speaking faster than he can make sense, repeatedly looking over at some old book settled on the table. (Y/n) slinks in, carefully making his way up to the boy. Not that he noticed the presence of his, well he can’t actually tell you what Morgie considers him. Arms outstretched, grabbing his biceps from behind, “Morgz, where are your friends? I thought Ulilana would’ve come by to snatch me up by now.” Hazel eyes are panicked and wild, turning and staring into the most comforting face he’s ever seen. “I-” he takes a deep breath, stepping closer for his friend to hold him closer, “I failed at being a good watch and now they’re all frozen and I don’t know what to do because it’s my fault and I don’t want to do this alone.”

His right hand slides up Morgie’s arm, resting on his shoulder as his left hand cups his cheek. “Morgie, I will never let you be alone. Now, tell me what we’re doing.” He watches Morgie’s eyes close, rubbing the boy’s cheek with his thumb lovingly. “I can’t ask that of you,” he breathes forcing his eyes open as he pulls away from the boy’s hand, “If pranking Bridget falls on me it has to fall on just me. I know you like her and I couldn’t make you do something like that. It would ruin your chances.” (Y/n) laughs, tapping Morgie’s cheek with his hand and letting go to look at the book on the table, “Morgz, Bridget is a lovely friend but I do not like her. Not like that. Now,” he drags a finger over the cover of the old book, “Is this the book that Uliana wanted?” He pauses, turning around. His back straightens in shock, realizing just how close Morgie had gotten, he could feel the sorcerer’s breath on his face. He was really close, far too close.

“Did you say Uliana was frozen?” “They all are,” he steps back ever so slightly, as if he realized how close he’d gotten all of a sudden, “I heard those two girls talking about it. They said there was a spell on the book that keeps people with evil in their heart from being able to use it. Something like that and they opened it and now,” he shakes his head. “Now they’re all frozen,” (Y/n) bites his hand to hold back a laugh, “They didn’t research the book before they went to get it?” He turns back to the book, “So what are you planning to do with it?” Morgie’s hands settle on either side of him, chest pinned to the boy’s back with his breath fanning over (Y/n)’s exposed neck.

“I mean, I need to do the prank don’t I? Uliana is going to be fuming if I don’t and it would make my mom happy. Or at least I hope it would. So I need to do the prank, right?” He bites his lips, eyes fluttering closed as he relishes in the closeness. They’d never act like this in the hideout if Uliana had the chance to see them. she had her qualms when it came to them both -one more than the other- no reason to make it worse. “So, you want to prank an innocent girl so that two women who can’t even see you would be proud of you?” He shakes his head, “It’s not that I want to prank her. I just, I need someone to be proud of me. You can understand that, can’t you?” “Morgz,” he shakes his head, turning around and putting them nearly nose to nose. He can hear someone take in a sharp breath, Morgie seeming to hold the gasp in as he stares at his friend. He was almost sure the sound had been him. “You do not need to make Uliana and your mother happy all the time. What would make you happy?” He shakes his head, the motion making their noses brush up against each other. “You know it’s not that simple.”

“Okay, then open your magic little book, serpent boy.” He lets out a sound that (Y/n) thinks is supposed to be a laugh. “I can’t, villains can’t open the book. That’s literally how we got in this situation.” He nods, grabbing Morgie’s face in a way that would make most people raise their brows. The display was a touch two cozy for the two boys to just be friends. “Open the book. If you freeze then I will unfreeze you and help with the prank.” He raises a brow, eyes drinking in his best friend’s face, “And if I don’t?” “How about we focus on if you do first, huh?” Morgie lets go of him, stepping to the side so he can look at the book. “What if,” he takes a breath, looking over at his friend’s gentle face, “What if you can’t turn me back?” His hand reaches out, smoothing a strand of Morgie’s hair into place, “Well, then I will fight tooth and nail until I can. I can’t be without you.” He picks up the book with slow shaking hands, eyes flickering back over to the other boy. “I really think you should open this. I mean, we know that you could open it and be just fine. You’re so,” he looks the boy over, licking his lips, “You.”

“Morgz, open the book. I promise you, we’ll be okay.” Morgie takes a deep breath, bracing himself for the worst as the cover of the book gives way to his hand. Sliding open without so much as a shine of a spell coming off of it. His eyes flicker open, slowly looking over the page before looking up to his friend. “I didn’t freeze.” A smile comes across his face, walking over to Morgie’s shell chair and falling into it. “You knew that,” he turns to watch as he speaks. “You knew I would be okay.” (Y/n) looks up at him from his seat, smiling at Morgie, “Of course I did, I know you. You might be a le Fay but you’re also,” he pauses, shaking his head, “You’re you. There’s no need to be Morgie le Fay right now. You can just be, Morgie.”

He shakes his head, walking over to his friend and falling to sit between his legs, “I can just be Morgz.” Without so much as a second of hesitation (Y/n) wraps his arms around Morgie’s waist, lightly pulling him back to lay down on top of him. There’s no hesitation on the other boy’s end either, the sorcerer melting into his arms, his head lulling back to rest on his friend’s shoulder. The two boys become a tangle, the tip of his nose brushing against (Y/n)’s cheek bone as he gets wrapped into his arms. A grossly adoring and gentle display that the other boys of the group would never give into. Words can’t explain how happy he is for the curse on that stupid book. “What am I supposed to do now? I mean, if I’m not evil what am I doing with the villains?” (Y/n)’s hand comes up to scratch at the boy’s scalp as he speaks, Morgie letting out a whine at the contact.

“That’s a great question, what are you doing with the villains? You and I both know that you deserve better than this.” Each of the other boy’s words fan across his cheek and lips as he speaks, the air of it tickling his cheek, “You know why.” He was so close, how had he let himself pull the other boy so close? His mind was in overdrive, doing everything he could to think about something, anything, other than the closeness. “You know you don’t have to be her mini me, right? You don’t have to be here just because of her.” He scoffs, nuzzling further against (Y/n)’s cheek, “Why are you with us then? Everyone knows you’re nothing like your dad.” A hum follows the words, stroking the boy’s hair instead of responding. “I mean realistically, Hades and I are the only ones you hang out with one on one. And I think everyone knows you’re not a fan of Maleficent. But you’re still lumped in with us. What’s the point of it?” “You,” he has his eyes closed as he says it, bracing for whatever the response would be.

Morgie stills, (Y/n) honestly hadn’t noticed he was still nuzzling against him until he stopped it. Grip loosening so the boy could get up and leave him. But he doesn’t, he can feel Morgie’s eyes burning into the side of his face. “Look at me.” “What?” “Look at me,” he grabs the boy’ chin, tilting him over to look at him, “Open your eyes.” “I’m okay actually.” “Please,” he whines it, cupping the boy’s face. And they both know there’s no way (Y/n) ignores that tone in his voice. Eyes slowly opening. “You’re stuck here because of me?” “I want to be stuck with you.”

Morgie sits up, looking over at the book with a sigh, “How are we supposed to get that thing back into Merlin’s office?” (Y/n) shoots up, looking at the boy with bewilderment in his eyes, “What?” Morgie lets out the shell of a laugh, turning to him, “Well, if you’re stuck with them because of me, then while they’re frozen, we can do things your way.” He looks at the sorcerer with the softest eyes, lip caught between his teeth in hopes of stopping the grin that begged to stretch across his face. “You’re not gonna prank her?” He turns, pointing at the other boy, “We’re not. We are however going to have to work together to figure out how to lie to Uliana though. Because we are so, so dead if we don’t figure this out.” “Morgie le Fay! I am so proud of you!” He laughs, pulling him into his lips. It’s soft, short, barely even a kiss but he relished in it all the same. Morgie was kissing him, he got to kiss him. Whatever was set to happen to them didn’t matter, he could roll with the punches. For a while, at least for the next day, the two not-so-villainous Villain kids could live true to their hearts. That could be enough, for now it would be enough.

“So uh,” (Y/n) pulls back nervously, wiping his bottom lip with his thumb, “Since we already have the tickets to castle coming do you want to“ “Please.”

#descendants #descendants imagines #descendants rise of red #morgie x reader #morgie le fay #morgie le fay x reader #descendants x reader

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thetidemice · 7 months

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Do ya ever think about Andy and Annie's dance during "Rag Dolly" and feel like watching that specific scene on loop AND sorta feeling like doing their little dance with someone at the same time 'cause hhhhh I love it and those sibs a bunch, it's just the somftest and adorablest dance to a likewise comfy song made more so by Andy's singing and I get a genuine burst of serotonin revisiting it (and lowkey that scene/song alone was what got me to watch the musical for the first time a couple years back :> if ya also have knowledge on who animated their dance or any part of Rag Dolly for that matter that'd be cool to learn about too! but I understand if that might end up being a lot to share :0)

AAAH i love love love that sequence so much!! its the cutest dance it has so much character and Andy's voice becoming so gentle and sweet right after singing No Girl's Toy is just the best thing ever. he doesn't even like Babette he's just helping his sister make a good impression.

analysis under the readmore:

what's crazy is looking through this whole book - i'm talking about The Animated Raggedy Ann & Andy - An Intimate Look at the Art of Animation Its History, Techniques, and Artists by John Canemaker (the linked version has no pictures D-:) - Rag Dolly isn't really mentioned that much, despite being essentially the main theme music.

i would love to tell you more for a fact, but i just can't say for sure who animated it, as a lot of scenes aren't credited individually.

for some songs, like Richard Williams doing No Girl's Toy, Tissa David doing Candy Hearts, Art Babbitt doing Blue, and Emery Hawkins doing Never Get Enough, the artists get a section dedicated to them and the main chunk of animation work they contributed. in the credits of the film, Art Babbitt animates the Camel, Emery Hawkins animates the Greedy, etc etc - they were generally in charge of those character-centric scenes, along with a team of inbetweeners, painters, etc.

there isn't one for Rag Dolly, since it's relatively short and bounces between characters. so basically TAKE ALL OF THIS WITH A GRAIN OF SALT!!!

the ONLY expertise i have is that 1. ive flipped thru john canemaker's book and 2. i love this movie so much

what i CAN do is make wild guesses ^_^ and this first little verse as Ann fidgets with her dress and apron just SCREAMS Tissa David to me. here's a pose from that sequence side-by-side with one of her famous (and one of my favourite) Raggedy Ann drawings.

here's something she notes about Ann's first action sequence of falling off the chair (she was set to work on candy hearts before anything else, to really get to know the characters):

and here's a fantastically convenient gifset from Rag Dolly. EVERYTHING!!! her hair falling in her face, the movement of the fabric, the wonderful sense of timing. also note the lack of eyelashes, which isnt exclusive to one artist or anything, but does pop up in David's drawings:

now to go on a tangent about an artist who could well have worked on that scene, and whom i wish there was some more info about!!!

"The only thing that Disney never understood is that to animate girls, one must be a girl!" - Tissa David believed (along with pretty much the rest of the team) that herself and Chrystal Russell (whose work is woefully sparse in the book but very much present in the movie) were the best animators of 'little Annie'. she also worked on Fern Gully; you can find her credits under her married name, Chrystal Klabunde! she supported Tissa as the primary actor for Raggedy Ann, and her style appears as this distinctive, adorable, muppet-y look throughout the film. these pics are examples of, if not her own drawings, then her stylistic influence in these scenes:

she's credited as animating the playroom dolls, but you can notice her influence in Annie come through from the beginning ('I Look, and What Do I See?') to the end ('Home') of the whole thing. like i said, the credits are never too specific, but if i had to GUESS, then this looks like her stuff. we also know for a fact she worked on the first song because of this lovely set of drawings in the book!

here's the sweetest photo of Didi Conn (Ann's voice) and Chrystal together with some clean-up sheets of a shot right before Rag Dolly - when Ann introduces herself to Babette, 'my name is Raggedy Ann, and this is my brother, Raggedy Andy,' (i still can't confirm whether they're her drawings but i wouldn't be surprised!):

anyway tl;dr: i have no way of knowing for sure who was in charge of it, and no doubt a whole team of artists were involved, (and i'm in no way trying to discredit anyone if i'm wrong) but my best guess is you can thank Tissa David for the first part, and Chrystal Russell (now Chrystal Klabunde) for their dance together - the animation changes subtley between those shots. i wish i had more artists/resources to look at, or god forbid a full breakdown of that scene, but at this point i would bet money on David's part in Annie's little introduction.

also some final appreciation for this silly slide to the ground that Andy finishes with:

anyway i'm SO sorry for going on such a long rant in response to this lovely ask!! and i'm sorry it took so long! it took so long, in fact, that i was actually accepted into university halfway through writing it the other day! so thank you!

i had so much fun playing amateur detective so double thank you!!! again i'm probably wrong about ALL of this but it was a blast to reread sections of the book and rewatch different bits of the movie to sleuth around for clues. i hope whatever i have come up with is of some interest to you, and i hope someone learned something about the wonderful artists behind this movie :-D

chrystal and raggedy ann ^_^

#raggedy ann #i may be crazy! i may be crazy!#ask #raggedy ann & andy: a musical adventure #tissa david #chrystal russell #john canemaker #animation #art

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stiffyck · 6 months

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Hey Stiff,

@scittiesenjoyer here (why won’t Tumblr let me ask from a side blog)

I kinda went off in the tags of two anonymous asks you got implying you were racist for giving Scar a big nose in your art

I’m here to double down

Because I love your art and seeing you in the community and it makes my blood boil to think that some dickhead accusing you of something you didn’t do will make you feel less welcome here (honestly I wanna be a lot meaner to that anon, but I’m choosing to believe that they were coming from a good place and are just ignorant rather than malicious)

Anon has taken a very real issue and over applied it to the point of almost parody. I would like to make it clear that I am white myself and was raised Christian (agnostic now not that it really matters), so by no means an expert on the issues faced by others. But I do listen to Jewish people and have read into the topic of harmful Jewish stereotypes seemingly more than anon. Prepare for me to give you two whole sources more than that anon

Yes overly large noses (often also hooked) are used in caricatures of Jewish people, but never in complete isolation. Here’s a post on Jew-coding, the practice of applying character traits that make you think of Jewish people. Which can be good or bad, depending on what is making you think of Jewish people

https://www.tumblr.com/roach-works/703234602671751168/on-jew-coding

It doesn’t touch on large noses, though it is often brought up in discussions around art and animation. Especially as villains are often negatively Jew-coded. Think big hooked noses, curly hair, bankers/moneylenders (or otherwise tight with money), and of course stealing or harming blond haired, blue eyed children. Here’s an article that goes more into that for Disney especially

https://www.heyalma.com/why-do-so-many-disney-villains-look-like-me/

I think something important about most of what you will read on this topic is that it’s never a single trait in isolation. It’s the layering of bad Jew-coding that makes something racist. A college student being frugal is not a racist stereotype. But if that college student also had curly hair, was cowardly, antagonised others, and had a thick New York accent then we’d need to be concerned

You giving a character with no illusions to being Jewish a big nose is not racist. You’re not making him the villain, or greedy, or part of some shadow council or otherwise applying any negative (or positive for that matter) Jew-coding to him. You are just drawing a guy and having fun with your art style

I know nothing I can say will take away how you’ve been feeling about that initial anon, it feels horrible to be accused of something like this. Especially when it comes out of nowhere, and in this case is quite unfounded. I know I would have been scrambling trying to figure out where I went wrong. I hope knowing some of the context helps alleviate any distress you’ve been feeling

Please keep playing with proportions and your art style. There is nothing wrong with exaggerating only select features while leaving the rest proportional, the implication that there could be baffles me. I totally understand you wanting to take a break from posting art for a bit. This would be a massive blow to anyone’s confidence. But I think it’s important that you not let this steal away your joy in creating the art you want to

I’m happy to talk more on this or anything else if you wanna reach out, sending love and artistic inspiration

Hi, thanks for the ask!

I think I can see where the anon is coming from when it comes to some of the stuff I drew but I genuinely never thought it would come off as anything bad? Like to me my design just sorta looks like a character you'd see in a cartoon, which is why the ask took me so off guard.

I also feel that since I'm white and I can't really talk about this because I'm not really well educated when it comes to this sorta stuff? Like I don't want to argue with someone or try to defend myself when I don't know enough.

I've been meaning to read up on some stuff but adhd has been making it hard to do literally anything tbh. I need to get medicated so I can read non-fandom related stuff and in general actually do more productive stuff (more art, other stuff i enjoy I haven't been able to do because executive dysfunction) but I'm getting off track here dkvfkdjge

Ive been real anxious lately and that ask really got to me so I don't know about any art for now. I just need some time I guess for the anxiety to ease up idk.

Basically. What I'm trying to say.

I dont know enough about this and in no way would I ever want to do something that's bad or comes off as a racist stereotype or something.

Thanks for the sources and thanks for the nice words

#asks #i still dont know what to tag this #ask to tag

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skyliv · 3 months

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Fantasy AU Basics!!

because i need to get my mind set on smthn and i wanna write for this one soon

(the dragons r unrelated to the main plot i just rlly like this divider also this will probably be updated a bunch)

luce is the princess and liv is the king’s appointed sorcerer/alchemist. soo basic but hear me out

it’s a seaside kingdom! not gonna name the monarchs or the kingdom itself because i don’t gaf. its economy is obviously based around fishing but the surrounding town has become a hotspot for artisans

like. scrunkly if u see this. there’s probably a royally mandated school for sciences, meaning i can shove martor into this! yay!

but. there is no queen, or it seems that way, she was an oceanid nymph who saved the king little mermaid style and fell in love. she retreated to the sea (idk why don’t ask) and their daughter is a selkie! dayum!

liv’s got an ursula/yzma vibe. soooooo sorry but i’m a sucker for those purple ladies. she’s still on the basis of being drawn by the need for knowledge and a splash of mad science, but it’s spliced in with a bit more magic

liv!!!!liv has a curse! damn! it’s the same as the dunmeshi thoughts i had, but the basics are that she’s got her soul mixed with a kraken’s. she can summon the beast if she’s at the water (it takes a lot of strength) and she can conjure tentacles on her back like usual yayy

i always get embarrassed bringing up that they have such a large age difference, luce is a full adult in all iterations but i never want it to come off weird. whatever anyways they’re around the same ages here anyways (mid twenties nd early forties)

i think the reason why for that^ is cuz i see so much bad booktok shit and i don’t want to seem too similar. they don’t have a “i’ve known you since birth” thing like ive seen, they’re not some manipulative dark romance. they’re just chilling

ANYWAYS TANGENT OVER! luce nd liv have known each other for a good while, obvs, having first been introduced when the former was youngr

but. their first true time together was when luce was 22/23. her father is flanked by advisors and overseers who have slowly made him more and more almost demanding. she’s 22 and hasn’t married, so the school of piranhas crowding her father have been insisting she gets sold off to a neighboring kingdom

she was in the court when they all decided this, so she ran off in a flurry of seal fur to the laboratory and just pleaded for a potion to calm her down. a lot of liv sorta messing with her for a little bit, mainly just because she’s been slowly treated worse and worse by the court, but after a while she warms up promise

unfortunately, for a cliff side palace, the only exit to the ocean is through the lab (the excuse was that liv needed easy access to more materials) so liv nd luce meet more and more often as luce keeps trying to sneak out to the sea

ITS ALL SUCH A CHEESY DISNEY PLOT IM SORRY😭😭

whatever. yuri prevails

#i may write their first meeting idk #selfship #self ship #self shipping #selfship au #self ship au #🪶🧪#selfship writing #gif #fantasy au

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togglesbloggle · 11 months

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Is it just me, or is there a pretty under-explored niche for a massive D&D fantasy franchise along the lines of Star Wars and Marvel? The sort of missing third genre leg beside science fiction and comics, so to speak.

They've clearly tried this with Tolkien, at least as far as extending the LotR movies to the Hobbit trilogy and the Amazon show which is kinda-sorta in the same lineage. And those things had more than none traction. But the Tolkien estate isn't making it easy with rights licensing, and there's an awkward founder effect they have to contend with- the Jackson LotR trilogy gave the entire franchise a very distinct 'vibe' in the popular imagination, and in practice it seems to be hard to recapture given current production constraints. It seems like it's really hard to make a Tolkien movie or show that 'feels like' the Jackson movies unless you sink a lot in to costuming and practical effects, but the current trends are in the opposite direction, with elaborate greenscreening and digital everything.

But in any case, Middle-Earth really isn't the brand you want for a mass-media culture juggernaut, is it? It's literary when it needs to be pulpy, mournful when it needs to be exciting, pensive when it needs to be strident. The world is vast, but delicate, and written by a single author exploring a narrow, coherent set of themes and styles.

Surely D&D- which is to say, the Forgotten Realms, realistically- is better for this all-around. It has a truly massive baked-in fanbase that's clearly (through 'actual play' podcasts etc.) already chomping at the bit for high production value experiences, a vast backlog of source material to draw on owned by corporate entities rather than a single brittle family estate, a wide variety of scenarios allowing for multiple sub-genres and directoral styles all under the same umbrella. It's just as popular but less sacred, meaning the audience will be more tolerant of failures. It has merchandising options for days, already has beautiful examples of video game and multimedia tie-ins, and has established and successful writing patterns for epic-scale crossover movies, long-running multi-season campaigns, one-shots, and everything in between.

There's one weakness, which is that compared to Star Wars and Marvel, individual characters are less central in the existing property. D&D has some, such as Drizzt, that rose to prominence in the novel spin-offs, so of course this isn't totally wrecked. However, the brand was originally built fundamentally as a game system and as a set of places, with the heroes to be assembled by the consumers themselves; it must be said that iconic characters are somewhat sparse, and awkwardly spread across multiple settings and continuities. But I think if you got the thing really roaring, this might give it longevity that Star Wars and Marvel ultimately lack- Robert Downey Jr. is Iron Man, Mark Hammil is Luke, and notwithstanding AI representations, once those actors are gone, the franchises themselves flounder awkwardly. But if audiences come to identify their enthusiasm for D&D franchise movies with the world and brand itself, then the turnover in the cast is much less damaging to that brand, because the whole thing is already built from the ground up without overly relying on a specific group of 8-10 actors as a lynchpin of the whole operation. Even the leveling mechanic allows for franchise tentpole actors to grow in prominence as they emerge as audience favorites, then conveniently transition in to CG apotheosis or some other suitable end as the actors age out and new favorites are found.

I mean, far be it from me to give advice to the goliaths of culture, but I'm genuinely puzzled about why Disney hasn't bought D&D yet, or why Hasbro hasn't made some kind of big push to do this outside the single (pretty good!) movie. I think I'd even kind of enjoy it.

#I'm still hoping that I can make 'commedia' stick #as the name for these giant culture-dominating media franchises #but alas #not all wishes come true

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guineapigzwei · 1 year

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I'm bored and I haven't really posted for my COD Poc..so these are just random thoughts and scenarios in my head rn.....idk maybe headcanons...my brain at workin vare woth me....maybe I'll sleep after this.

Wolf likes to steal hoodies mostly Ghost's, much to his dismay (he lowkey loves it❤️). It started after ghost left one of his hoodies in the washer, and Wolf rewashed it with her oversized hoodie. Didn't really notice til she wore it. With ghost being 6'3 or 6'4 (idk how tall he is) and her being 5'2 its like a freaking blanket. She has stolen everyone's hoodies, but prefers Ghost's because it's the most comfy.

Wolf once dared Soap to eat a spoonful of wasabi, he died, no really (no seriously they almost planned him a funeral) he dropped on the floor flailing and drank and entire milk cartoon while running his head under a faucet. He's now terrified of wasabi.

Ghost and Wolf bound over they're childhood drama.

Wolf: I hate my dad

Ghost: Me to

Wolf: And my mom

Ghost: Can't relate

Wolf: K bye

Ghost:.......

.......sorta

Gaz, Soap, and Wolf know every Disney song.

Ghost took a video of them singing "Let it Go". Sent it to Price.

Price sent it to Kate. The three of them don't know the video exists.

Wolf talks about weird shit in her sleep. She once told Price in her sleep that Soap blew up something on base.

Soap had to run for hours.

Gaz and Wolf do tik tok dances and are very good at it.

Price once shaved his muttonchops(idk the style..don't come for me) and Wolf and Gaz cried...Soap didn't know who he was and Ghost....Ghost.exe has stopped workin.

Wolf has Adhd and dyslexia....it has kicked her ass on missions...thankfully nothing to serious happened.....aside from them almost being blown to bits....like I said nothing serious.

Wolf sings in the shower.....that's all I got...night...

#poc #codoc #cod mwii #cod mw2 #task force 141 x reader #ghost riley x reader #simon 'ghost' riley #captain john price #john price #john soap mactavish #simon ghost riley x reader #kyle gaz garrick #kyle gaz garrick x reader #gaz mw2 #johnny soap mactavish x reader #cod x reader

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stephofromcabin12 · 2 months

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Any art tips for artists just starting out? I’m struggling big time to find my style 😀

Sure.

It got kinda long. Bc when have I ever been a person of few words?

There is no trick to finding your style other than drawing a lot, and setting a, more or less, loose goal. When I was young it was old school Disney and Don Bluth. That was my holy grail, ideal style. But it evolved to be something else, because that's how style works. You'll put your own twist on things, in time. But first focus on practicing and don't narrow yourself down to just one thing. You'll also probably develop multiple styles out of convenience. Sometimes I prefer the cartoony, simpified stuff. Sometimes I'm more into fully rendered pieces.

Experiment. Make bad art a lot. The more you expose yourself to the inherent let-down of sucking at something, the less it stings. The key is asking yourself why something didn't turn out right.

You can't get good at All Art at once. Start with something you're most interested in learning. Maybe it's anatomy, or gestures, or expressions, or colors. Start with that one thing and practice is with a specific goal in mind. Fx: "I want to get better at drawing faces and expressions, so I'm going to do an expression sheet of a character once a week, and do a little practice every day if I can" – That sorta thing. Everyone is different, though. My old music teacher used to say 30 minutes a day. If we couldn't do 30; 15 mins. So on. As long as you do a lil doodling every day that's still progress.

Learning art is sometimes frustratingly non-linear. Somedays I still 'forget' how to draw a certain thing I've had down since I was 14. Other days I bang out something I've always struggled with on the first try, then fail the next day. It's not a linear progression, it's a damn roller coaster. Best you can do is throw your hands up and try to enjoy the ride. The pipe line for me is usually: First attempt (sucks ass but I've learned to laugh at this stage, just throw ideas at the wall) -> getting comfortable (this is where you think to yourself you have a concept down but you really don't) -> Getting good (you start to draw with more ease, you're not having to 'remember' how you wanted something to look, it's just muscle memory by now) -> Actually having it down (and still having more growth to go. But this is where you get to look back on the comfortable phase and go: 'wow I really had a long way to go')

In fact, having fun is by far the thing that's made me progress. More than tutorials, more than fancy equipment. If I'm not having fun, I have no motivation to keep going. If it's not fun, try and make it so.

Get into the habit of stepping back (whether physically or more metaphorically) and really looking at your art often while you draw. When you add a line, or color, or background element etc. Ask yourself "Does this work?" And adjust accordingly. It seems like a lot of work at first, but eventually it becomes a natural part of the process. I don't really realise I'm doing it but most of the patreon screen recordings I have show the way I zoom in and out of the canvas constantly lol.

Make the things you want to make. Even the most self-indulgent stuff. We have a million artists already doing their thing, but we don't have you yet. Show us what you got! There's room for everything.

Get used to people expressing mild envy/annoyance when you're drawing near them. I've gotten the 'wow I wish I could draw, I can't even do a stick figure!' comment from waitresses, cabin crews, classmates I'd previously never spoken to, teachers, strangers on trainstations, etc etc etc. But! Learn to say 'Thank you' when people compliment your art.

Don't ask for critique if you don't really want it. Don't let people critique you if you didn't ask for it.

You! Don't! Need! Fancy! Equipment! Save your money and get the version of a medium that's affordable and comfortable for you. Look at Stardew Valley's creator's old setup. It's really not about how the tools are set up or the price of them. It's how you make use of them. Didn't FNAF's creator build the models in a moving car on a laptop?

Art takes time. There is no short cut to make it take less time. But the more fun you have the more it'll feel like it's faster. If you're miserable the time will drag on and on and on.

Look at a lot of art. Take in and analyse. I wish I could go back a few years and tell myself to analyse paintings I liked, rather than just going "Oh I like that! Nice!" and then moving on. Why is it good? Why does it move you? What captured your attention? Be the person at a museum leaning forwards to see the paintstrokes, you learn more that way.

Don't feel ashamed if you want to take inspiration from others. Everyone takes inspiration from somewhere. If you see something cool another artist is doing with their rendering or lighting or whatever, try and do a drawing or two emulating it! Maybe you'll discover a new favorite technique, or you'll not really jam with it. Either is good. Both teach you something.

You'll go through more eras than Taylor Swift. Sometimes you gotta do a lil Eras Tour of your own and go back through the catalogue. I'm currently working on reviving several projects I made when I was 13-14. Keep everything. Don't delete; archive.

Get good storage. Like, seriously, wish for a harddrive your next birthday or christmas or whatever. If you're working traditionally wish for some good ringbinders and the good plastic sleeves. Much nicer than running out of storage and having to delete things. Never delete!

You are already an artist. You became one the second you picked up a pen and put it to paper, and then decided to keep going with that. So don't compare yourself. When you find yourself jealous of someone, it's because they have something you want. Figure out what it is, and make it for yourself.

Deadass? Tracing helps so much with learning forms. But it's only helpful when you also practice drawing the same things freehand.

The trick to coloring is just that everything looks good shaded with purple set to multiply, and that if you're ever in doubt go in an L shape on color wheel. Down in brightness, inwards in saturation.

People who say you can never use white or black in drawings are jerks and you should not listen to them. You can do literally everything you want. Sure, experiment with other ways of using white and black. But art advice is just that: It's an option, not gospel. As a wise prophet of our time, Justin Bieber, once said: Never say never.

People will say you should be your own biggest critic. But fuck that. Be your own biggest cheerleader. Love what you make, even when you hate it, find something that works. That stepping back I mentioned in point 6? Sometimes that's zooming out and saying "Damn! That looks really good!" – People will often make art out to be something that should be suffering and painstaking. It's not though. In my honest experience, I've made just as much good art when I was happy and content, as I did when I had severe depression and anxiety and burnout. You're not an artist because you suffer. You're an artist because you can't just sit in that suffering all the time. You know there's beauty besides your pain, and so you'll remind yourself in the act of creation that there is always something more.

Once you realise you have the power to draw truly anything, you'll start having a lot more fun. "Oh but I've never done it before" or "Oh I tried and it just didn't work" Okay. So?

In case of frustration to the point of throwing your art supplies out the window: Take a breath. Go for a walk. Sometimes it's just not your day. Sometimes the rollercoaster gets stuck in the middle of a loop or right at the top of a hill. Wait it out. Try again.

You have absolutely got this. Let me know if there's anything else I can help with.

#asks and answers #art advice #ames rambles

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