Thinking about trying to start the first chapter of one of the novel ideas that I came up with about a year ago...
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Sorry, but having Zuko actually fight back against Ozai during their Agni Kai is just wrong. He was a child, only 13 at the time, afraid to fight his own father and was mutilated as punishment, because Ozai saw Zuko's begging and unwillingness to fight as unforgiveable weakness.
The Angi Kai isn't meant to be a showcase of Zuko's fighting potential (that's what the Zhao fight is for), but to show the utter cruelty of Ozai.
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Danny is glad he actually made a plan for once. Jazz had been on his back about telling their parents he was Phantom, and he had managed to convince her he had a plan. The only thing that would extend how long it took was the frequency of ghost attacks.
He generally didn’t have much free time, so luckily Clockwork was willing to put him in a time bubble so he could get stuff done, like get enough sleep. But mostly he was training. Sometimes with Wulf to make portals, but other ghosts had come by too.
The power that was giving him the most trouble, and that he needed most for his plan was duplication. It took forever and he still couldn’t have more than 3 versions of himself at one time. How Vlad managed so many he had no idea.
Anyway back to his plan. He got all his stuff that he couldn’t afford to lose hidden away, got copies of all his parents blueprints and files, replaced items that he didn’t feel comfortable letting them keep if worse case scenario came, and a few more miscellaneous things.
He decided not to tell Sam and Tucker what he was doing. Though he did give them a mysterious file that they weren’t able to open yet. It would lead them to him later. But he needed their reactions to be legitimate, even if he hated having to potentially distress them for a bit.
He then sent his duplicate in his place back home while he went to the Ghost Zone to keep learning and keep an eye on things. Hopefully things went well, but he planned to spend a full living realm month here just in case his parents faked taking it well.
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It did not go well. About two weeks after his duplicate told his parents they knocked him out and buried him in a ghost proof coffin. Was he glad he wouldn’t have to experience his worse fears as a lab experiment? Yes. Was he still going to have nightmares of being trapped underground unable to escape? Also yes.
He was glad it was his duplicate though. It was easy for him to undo from a distance and since they had been connected he still had all the memories. He typed in the code for the file he gave his friends before he left. Time to go to Gotham, the one place he was able to wheedle out of Clockwork would be best for him.
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Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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i made a soulcaster! it works about as well as jasnah's does
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the miku worldwide thing is fun. we should do that with Percy, since he doesn't have a canonically established ethnicity besides "ambiguously tan." just get every theoretically potential Percy design out there. it'd be fun
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My turn to be skk-posting
in my ideal vision, when they finally get in something resembling a relationship (as adults, they were Not There as teenagers), it's because they both want it, which means they unlock previously forbidden features with each other like sharing a bed instead of a couch (you all know about my weird obsession with skk and couches), but also freely touching.
Dazai is a rather tactile person; my guy is freed after 2 weeks in prison and the first thing he does is dance, poke at, lean/hug and play with the hair of the first non-evil person (a stranger) he meets. Being with Chuuya, he constantly finds himself in Chuuya's bubble, and indulges in ways he usually can't with others. That often means direct skin contact, not even with ulterior motives, but really just because he is allowed and he wants to.
Chuuya on the other hand has never done something gently ever: he is fierce, he cares and loves intensely, and he never lets go, but he barely knows the concept of a reassuring gesture (working on it). Dazai being in his bubble wouldn't bother him at all by that point, but the handsy part? it's awkward. needs some getting used to. It's a learning opportunity.
And when Chuuya gets used to it and finally makes a move to return the favour? it's Dazai who short-circuits.
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