Yoko: "ENID! STOP BLUSHING OVER WEDNESDAY AND HELP ME"
Enid: "YOKO SHUT UP! YOU'LL EMBARASS ME!"
Bianca: *still fighting thing* "You can do that on your own"
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But I have promises to keep—and miles to go before I sleep.
I couldn't stop thinking about VAL listening to Shrue's radio speech when she confronts Carson, and wondering just how many times she listened back to that recording while waiting for him. Did it bring her some comfort, to listen to someone else's last words as she waited to speak her own? Did she feel a little less alone, keeping company with another ghost that hasn't realised it's already dead?
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the topic of Helpy makes me go insane /pos like I have this headcanon that William/Springtrap just, DESPISED Helpy because William took heaps of pride from the Funtime line of Animatronics, he saw it as his son's crude mocking of HIS creations, when in reality its just Michaelangelo S Afton trying to use humor to once again cope with the horrors™️
Like I've probably said this here before but I headcanon that Helpy found his way into the PizzaPlex's marketing is because after the FNAF6 fire he just was under the rubble remarkably preserved or something and instead of going into the RockStarRow Museum, the FazExecs had dollar signs in their eyes and were like "yeah, that one will make us bank, ong"
Ive also probably said this (bad memory sozzz) but a headcanon to go in tandem with that headcanon, is that Glamfreddy sighs in resignation whenever he passes by one of those Helpy monitors (he wasn't paid royaltys <//3 )
AND LIKE I GOTTA KNOW WHAT (glam)MIKE WOULD THINK OF THE ENTITY THAT IS SATAN DISGUISING HIMSELF AS AN AGENT OF LIGHT (Helpi) WOULD HE FEEL SAD? ANGRY? AT THE MIMIC? THE COMPANY?!
please the topic of helpy is so interesting PLEAs-
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Just full of ✨ Thoughts ✨ over the development and progress from when you start the game to when you finish on how P/Carlo just evolves, and kinda just thinking on some internal stuff on how I would like to write him.
How you start and he's just P, he doesn't know his purpose, he just knows he's being called somewhere. Lost, alone, faced with peril and made to fight when he hasn't even stepped out of his "birth place". He wakes up and he's just handed a sword. And he fights. At the start he's very much this empty slate; A newborn stumbling through Krat, and despite the man who calls himself himself father saying stuff like "Krat isn't how you remember it--" He really doesn't 'remember' anything at all. What is there to 'remember', he wonders?
And then he starts to get the memories-- they're not his but also... they are? They feel so close and yet so far away; Foreign and yet familiar. And then he hears a name whispered: Carlo-- and his whole world shifts right from under him. He feels sick, the name makes his head spin. The voice to have said it makes his head spin all the more. And bit by bit. He remembers. Not all of it, but... he remembers enough.
And he's hurt by what he remembers.
But by the end of it, after he claims his own freedom, after everything is resolved, and he returns to the hotel, he doesn't feel fully like Carlo-- doesn't feel at all like "P", either. He woke up not too long ago, and suddenly his life is flipped in its entirety. He's neither, and yet he's both. He doesn't know who he is anymore, but the name sticks. It's all he has left, even if a part of him feels some strange form of imposter syndrome, somewhere deep down... But he doesn't like being referred to as Geppetto's Puppet, either. He's not a puppet, not anymore. He's human, albeit, a different kind of human.
So just Carlo, is fine with him, even if he's changed far beyond of who-- and what-- Carlo was.
'--an Ergo puppet can have a second life and become another kind of human--' He just needed now to decide just what that second life meant for him, now.
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not to get discoursey on the nsfw account but you do realize both "chasers fetishizing trans women for penises they may/may not have/want to use is wrong and should be warned against to young vunerable insecure trans women" and "some trans women feel indifferent or even positive about their genitals/using them during sex and/or might not want bottom surgery and theyre still equally trans women to the trans women who do have bottom dysphoria or have/want bottom surgery and also deserve protection from chasers" can both be true right? i just dont think its fair to try to erase those members of the community because they might not align with your standards for "real" or "safe" trans women who "deserve" to be trans and safe from chasers ykwim? am i making sense?
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this is one of my favorite theses in the inkworld each way it plays out is so!!
elinor's dad valued his books over her and her sisters to the point she internalizes it and becomes the same kind of hermit he was, before and after the folcharts come back into her life. basta was groomed into believing he was inherently unlovable except by capricorn so he'd do anything to keep that small remaining amount of love. brianna realizes if dustfinger wasn't dead then he had to have abandoned her, so the next person to give her their full attention? she'll throw away every other relationship she has for them, the same way she was thrown away. the verbal abuse violante endured as a kid (and currently, because 19 is still a kid) influenced the kind of mother she is and she doesn't even realize until it's almost too late that she's done to jacopo what the adder did to her! and I've already talked about the physical abuse from farid's birth family influencing how he forms severely anxious relationships.
and none of these are just character padding! all of these characters influence the plot so heavily by becoming traumatized and by working through it and I don't have any idea how she pulled it off
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