#especially about aang and katara

[only-lonely-www]

So basically ATLA brain rot has hit me like a truck

[icegoddessrukia]

You know, so much of the fandom bashes Katara harshly for one harsh comment she made in The Southern Raiders to Sokka, when she was highly upset about her mother's death and she felt Sokka was dismissive of her feelings (which he kind of was, to be honest) and they go on about how unfair it is that Sokka didn't get an apology. Meanwhile, I've never seen any fans complain about how Zuko literally says the most disrespectful thing about Aang's culture (the "this isn't air temple preschool" comment) when he's literally the prince of the imperial nation that wiped out Aang's entire culture in the first place. Aang is just supposed to let that slide and no one in the Gaang defends him either. He never gets an apology for his culture and religion being mocked by an imperialist. Zuko is two years older than Katara here and this is after he went through the Day of Black Sun development when he realized that the Fire Nation were horrible to the other nations. There's no excuse for Zuko being such an asshole to Aang but I guess because he's Zuko, he gets a free pass while Katara has to be bashed forever for saying something unfair when she was traumatized and no one was really listening to her.

[zukomysweetbabyboy]

i simply cannot tolerate hate for any of the atla characters. when someone says something mean to my children i feel like a mother bear ready to attack

[heliianth]

is it still cool to be a netflix atla hater bc i want to point out how weird it is that they seemed to try making ozai a more "interesting" character by making him more sympathetic and how much it bothers me. like. why is zukos agni kai the scene where we try to shift focus onto ozai's emotions. why are we lingering on his face looking sad while he's horrifically mutilating his 13 year old son like someone is forcing him to do it

[victoriartdrawings]

Me seeing the number of Zutara followers raising up every day for an entire week:

Also me seeing meme made out of Katara's guilt and pain from losing her mom:

[rageofthemuffin]

idk who needs to hear this but aang certainly does not see katara as his mother. and katara never acts like a mother to him except for that one joke where she tells him to stand up straight or whatever. they??????are friends. who have crushes on each other.

[devilofdots]

Well I have finally watched the first three episodes of Netflix’s ATLA…

Ugh.

[aangarchy]

Ok now we're just taking the piss right? Right?

Once again this sort of thinking is removing a fundamental character arc that makes this story what it is. A big part of Aang's journey, especially in season 1, but tbh it does return in later seasons too, is accepting that he is the Avatar, and that he's the only one who can end this war. During the whole first season he is in complete denial about who he is and what he's supposed to do, which is why in most of this season there's no sense of urgency, and then once Aang gets faced with a very real, very close deadline he panics. This makes it even more brutal when in season 3, after accepting this responsibility, he gets faced with the reality of failure. He runs away again, this time not because he doesn't want responsibility, but because he knows how heavy his responsibility is and he doesn't want to burden anyone else with it. Removing the first aspect, aka running away and denying responsibility, it in turn also removes the heavy emotion from his later arc.

It keeps surprising me that people who claim to be such fans of the original seem to completely miss the point of most of this story? Like how could you look at Sokka learning about women's rights, Aang learning to accept responsibility, and Katara's motherly warmth which happened because how young she was when she had to step into a motherly role, and think "well we should remove that." You're taking out all of character development and going purely off of plot (which isn't gonna be nearly as good without the character development!)

Atla is probably one of the most analyzed and picked apart story, has one of the most long running loyal fanbases, people are STILL making thinkpieces about this show, and you manage to still misunderstand so much???

[dalekofchaos]

AU Asami is Amon by nikoniko_808

Give me the forbidden enemies to lovers Korrasami

Okay I wrote up my own au of Asami as Amon

Hiroshi and Asami witnessed the death of Asami’s mother at the hands of the Red Lotus society. Asami swore revenge on all benders. The corruption of Benders has gone too far and Asami and her father cannot let it continue. So they create a movement. The Equalists. Near the end of season 1. Asami would be nowhere to be seen. The Krew believes the Equalists have kidnapped Asami and when Korra confronts Amon, they don’t see her.

Tarrlok is still captured by Amon, when Korra sees him and they chat, he tells the whole story of Amon as it happened in the show to her and everything. Like it goes in the show. Korra and friends go to confront Amon at the arena where Tenzin and his family are about to lose their bending. But they don’t because she gets there in time. She accuses Amon of being a bender, as per Tarrlok’s story. Amon doesn’t unmask. And he isn’t a bender. Tarrlok lied to get Korra to confront Amon so that he could capture her and he could hopefully save his own skin for the service at least. They fight. Amon takes Korra’s bending in a big demonstrative way. So all the crowd can see what comes to any benders, especially The Avatar who stand against him. Then the reveal happens. Asami is Amon.

In order to get her bending back and learn how to give others their bending back (yeah, Korra wouldn’t get it back at the end of Book 1 because consequences? What’re those?), Korra has to go on a quest to learn her bending(her masters would be Toph, Katara, Izumi and Tenzin) in the Spirit World to understand everything. Korra does not cry about loosing her bending because she realized she’s still The Avatar and has to go to The Spirit World to get her bending back, to help everyone get their bending back and stop Asami

Throughout the series, we would meet Kya, Bumi, Izumi, Eska, Desna(Eska and Desna would be Korra’s siblings in this universe, because fuck Unaloq) Opal and Kai. We have the same romance between Bolin and Opal and Jinora and Kai. We would also meet Varrick and Zhu Li, because they are comedy gold. They would all help in the fight against Amon and the Equalists.

In Korra’s venture to the Spirit World,

she would still see Wan’s story(because that’s the only thing I liked about Book 2) and I think in her journey in the spirit world she would see Asami’s story, in which her family were victims of the Red Lotus society and Asami learned to take bending away in the spirit world. Not only that, we would find out that Asami would be bonded with Vaatu. Asami is the darker Avatar.

Before she leaves The Spirit World she connects with all her past lives to ask what she should do about Asami. Korra has her Aang moment where she has too has to decide what to do like he did with the fire lord, only this time there’s more to it than just stopping the bad guy. It’s about the person she loved. She can restore everyone’s bending by reversing Amon’s convergence, but she can’t do that so long as the avatar spirit is split. And as long as Asami is part avatar, she can go into the avatar state. That’s still pretty damn dangerous even with only water and blood bending. Korra realizes the only thing she can do to stop Asami? Love her.

After her journey to relearn her bending and journey in the spirit world, Korra travels the world to gain allies. From the Fire Nation, Earth Kingdom, Water Tribes and Air Nomads. Korra unites the world against Amon and the Equalists.

In the final fight, Korra defeats Amon. She exorcises Vaatu from Asami, thus ending the dark Avatar and stopping Amon’s convergence. She reverses what Asami has done and uses it to restore everyone’s bending. So she has to come to the hard part. Amon makes it clear, no matter what, even without the ability to energy bend or without Vaatu, Amon will never stop, Benders will never be safe. Korra shows Asami what she was denied. Korra loves her and forgives her. Asami gives up and accepts whatever punishment.

During Book 3, Asami would work with Korra in stopping and killing the Red Lotus society. However, when Zaheer is stopped. He is left at the mercy of Asami and for everything he’s done and turned her into. Asami kills him.

Book 4 happens. Asami’s redemption is rebuilding Republic City and using Future Industries to repair the damage she’s done as Amon. Blah blah blah Korra stops Kuvira blah blah. Asami earns her redemption and the love of Republic City, the krew and more importantly Korra. Ends with Korra and Asami venturing in the Spirit World and ends with a kiss.

[thefandomthings]

5 fluff zuko

𝐊𝐢𝐬𝐬𝐞𝐬

Fluff prompt #5: "I have to go but-one more kiss."

Pairing: Zuko x f!reader

Warnings: Fluff, kissing, slight angst, Zuko being Zuko. ¡¡SPOILERS!!

Notes: Bluntest request I have ever gotten (It's from my sister 😶). Takes place in Book 3. Ep 14. @shellbell4

Prompt event

To say you aren't happy that Zuko and Katara decided to go on a 'Revenge mission', is an understatement. You aren't close with Katara, never have been. On two different ends of the spectrum. You both maintain a respectable relationship between each other, BUT that doesn't mean you like one another.

Zuko is completely aware of this. Having this conversation with him multiple times about how she looks at him, or what happened under Bai Sing Sei. But as you know, he isn't to great at reading people and how they are feeling. And it doesn't help that he is the one who suggested it, stings like alcohol on a open wound.

You are currently sitting against one of the dock posts, watching as Katara and Zuko get Appa ready to fly. The nasty look on your face is extremely noticable, Sokka and Aang are both looking at each then between the three of you.

Zuko finishes strapping a few things on Appas saddle and slides down the fluffy sky bison. He might not be the best at reading social cues but he can tell just by the way your eyes burn into his soul, you are pissed and hurt.

He cautiously approaches you and slides down the post next to you, his left arm resting on his knee, his right hand playing with the grass and dirt; picking and prodding.

You don't look at him, your eyebrows are furrowed in anger, you mouth set in scowl. Zuko carefully puts his arm around your shoulders. You don't push him away, but you don't lean into him like you usually do.

"Did you really have to suggest going with her?" You finally spoke, turning your head to look at him. Zuko has a frown on his face as he looks back at you, honey eyes soft and determined.

"She needs closure, Y/n. And Sokka and Aang won't go with her, so I have to." His right hand slides into your own, squeezing it softly. You know he is right, after all he's been through he just wants to make peace with the Gaang, especially Katara.

You sigh finally leaning into his side, your head resting on his shoulder. Zukos' pale cheeks burn pink, his arm squeezing you closer. He leans down and kisses you softly, his dry lips molding with yours before he pulls away.

"Zuko, let's go." Katara hollers from her spot on Appas neck/head. Zuko sighs and stands up, looking down at you with a soft smile.

"We'll be back soon, okay?" He ruffles your hair gently and starts to walk away. You smile slightly, already missing him even if he isn't gone yet.

Zuko then pauses a few feet away and you watch him curiously. He turns on his heel and speed walks back to you. Zuko leans down holding your chin with his forefinger and thumb.

"I have to go but-one more kiss." He presses his lips to yours longer, taking the breath from your lungs. "For good luck."

[wileycap]

So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

[comradekatara]

i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.

but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”

but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.

people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.

until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.

i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.

and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.

[transboysokka]

“hey why didn’t Sokka seem to care nearly as much as Katara about bringing his mom’s killer to justice?”

Hey that’s a great question but What You Need to Understand About Sokka is that this boy’s feelings about his family and childhood are SO repressed in order to allow him to function

I know I have other posts about this somewhere but like

This guy has always been the Big Brother. When his mom died and especially when his dad left he was Suddenly In Charge of his sister and the his VILLAGE and ALL the people in it.

He didn’t have TIME to have FEELINGS about these things. He’s a kid and the feelings are just so big they would just shut him down. He hasn’t even had the luxury of time to sit down and Feel and Mourn

He’s always moving from thing to thing right up to the end of the war until he’s suddenly basically become responsible for the fate of the world. (alongside Aang ofc ofc) He’s the plan guy, he was always responsible for everyone, and even if it’s not always necessarily true he definitely still feels that way all the way through the war.

So all of these personal things like thoughts of home and family…. They’re buried WAY deep because he’s trying to save the world right now. So it’s like

“Do you think we should stop the guy who killed mom?”

“Yeah sure but I don’t have time for selfish indulgences right now, I’ll think about that later”

[melzula]

Could you write a Sokka x firebender reader that has the plot of the secret tunnel episode but instead of aang and katara getting stuck together it’s him and reader? :)

Don’t Let the Cave In Get You Down

a/n: got two requests for this sokka storyline and i was very excited to write it! i couldn’t find a way to seamlessly include the fire bending part of the request but i could definitely build on that in another piece. hope you enjoy <3

you met the Gaang when they were passing through a small trading village on the outskirts of the Earth Kingdom

they were low on supplies and in need of a shopping spree, so they stopped at your little food stand in search of fresh fruit and snacks for their travels

you seemed awfully young to have your own business, especially when compared to the other merchants, but you were kind and your prices were affordable

their shopping spree was cut short by the arrival of fire nation soldiers, but you quickly escorted them through the backstreets of the marketplace and helped them evade the soldiers

“That was a close call,” Aang breathed out in relief, “thanks for your help.”

“Those guys are jerks, I couldn’t live with myself if I had just let them capture you.”

“Who are you?” Katara asked in awe.

“My name is y/n, and I’ve been hiding out in this village for about three years now. I escaped from the Fire Nation when I was 12 and never looked back.”

“Wait a minute, Fire Nation?!” Sokka exclaimed before quickly pushing his sister and Aang behind him. Raising his boomerang in a threatening manor, he narrowed his eyes at you. “Is this some kind of trick?! Did you just lure us out here so you could capture Aang and get the reward for yourself?”

“Sokka, you’re being ridiculous!” Katara had scolded angrily, harshly pushing his boomerang away. “She said herself she came here to get away from the Fire Nation, I’m sure she’s just trying to make a better life for herself here and you’re not making that any easier for her by being a jerk!”

“I don’t trust her, Katara!”

You’re a little disheartened by the disdain in his voice when he speaks about you, and despite Katara vouching for you you can see that you’re out of place

“I’m sorry, I’ve made things awkward,” you apologized sheepishly, “I’ll leave you now.”

“Wait!” Aang called, stopping you from going. “If what you said is true then… then I think you should come with us.”

“Tell me you’re joking,” Sokka scoffed in disbelief

“If she’s from the Fire Nation then she must have knowledge about the ins and outs of that place. Maybe she can even help me find a fire bending master. We need her help, Sokka.”

Though he was reluctant and very distrusting of you, Sokka realized Aang was right, so he begrudgingly allowed the airbender to welcome you to their team

You agreed to help as much as you can, and the rest was history

From there on out you’re officially a member of Team Avatar, but that doesn’t mean Sokka becomes any more trusting of you

He always keeps a suspicious eye on you, never letting you help with tasks he deems too important to avoid having you “sabotage” the group

His lack of trust in you hurts, you can’t lie about that, but you continue to do what you can to aid the Avatar and his friends and earn their trust

Of course, this all changes when you get to the cave of two lovers

Unlike Sokka, you found Chong and his group of Nomads to be great fun. They’d braided your hair beautifully with flowers from the lake and performed wonderful songs, so despite your predicament you were in a cheerful mood

Being stuck in the cave had put a strain on your group’s mission to make it to Omashu, but you tried to remain hopeful and help as best as you can

Surprisingly, Sokka even puts you in charge of holding one of the torches

“I’m only giving this to you because I know you’re at least smart enough not to waste resources while we’re in here.”

It’s a start

And it’s a good thing he gave you that torch, because it comes in handy when you both end up getting separated from the rest of the group

“This is just great,” Sokka utters sarcastically after several failed attempts to dig through the rock and get back to the others.

“Come on, Sokka, lighten up. We have a torch and your map, I’m sure we’ll be able to figure something out,” you try to console. “What did Chong say earlier? ‘Don’t let the cave in get you down, Sokka.’”

He’s not amused by your singing

It’s a bit awkward being stuck with the boy who’s been so adamant that you don’t belong despite your best efforts to prove that you can be trusted

You don’t speak much and try to stay out of his way and follow his lead, but the tunnels keep changing and you keep getting lost and your torch is about to burn out, so things are beginning to seem hopeless

“Maybe we should try changing our strategy,” you offer only for Sokka to immediately dismiss you.

“Right, like I’m going to let you lead us through the cave. You’ll probably make us get lost on purpose.”

“You know, if you stopped being so judgmental for a second you’d probably realize that i want to get out of this cave just as much as you do!” You snap irritably, surprising Sokka. you’ve mostly stayed docile to try and keep the peace whenever Sokka accuses you of being untrustworthy, but at this point you’re finally starting to get fed up

“You’re right, I’m sorry,” he says softly, and this time you’re the one who’s surprised. You never thought he’d actually apologize to you, and it’s a nice feeling. “What do you suggest we do?”

“Well,” you start with a sigh, “maybe the story is right. Maybe if we trust in love, we’ll find our way out of here.”

“You’re joking, right?”

“Do you have any better ideas?”

You simply shrug, prompting Sokka to let out a heavy sigh. Your torch is going to run out soon, and his map isn’t doing anyone any favors. It seems you have no choice

“How exactly do we trust in love?”

“I’m not sure… the only love I know is the love I had from my parents, but I haven’t felt it in so long… I’m not sure I ever will again.”

“…What happened to them?”

“My parents were peasants with nothing but love to give each other. They were poor, but they were happy,” you explain with a faint smile. “My father was a fire bender, but he kept his gift hidden in fear he’d be forced to serve in the Fire Nation army. He didn’t want to leave me or my mother, but our home was attacked, and he had no choice but to bend to protect us. Our lives were saved, but he was taken away.”

Sokka hangs on to your every word, eyes glistening with unshed tears and sympathy. Your story is similar to his own, and he knows what it’s like to lose your family to the Fire Nation. He feels less disdain towards you now, more empathetic. He still isn’t 100% sure how to feel about you, but hearing your story makes you easier to understand now

“My mother knew I’d never be safe or happy if I stayed there, so she arranged for me to be smuggled out of the Fire Nation and brought to the trading village you first met me in. I haven’t seen or heard from her since, and I’m not even sure if she or my father are even alive.”

“I’m sorry,” Sokka utters solemnly. “Katara and I lost our mother to the Fire Nation, and we haven’t seen our father since he left to fight in the war. I know how you feel.”

“I don’t want to be Fire Nation, you know. None of this was a choice, and I understand why you don’t trust me but I’m not like them Sokka. Please believe me.”

“I’m sorry for always giving you such a hard time. It’s just… it’s hard to believe people from the Fire Nation can actually be good. But you’ve proven that you can be trusted over and over again, I was just too blind to see it.”

“Can we start over?” He asks with a sheepish smile, carefully sticking his hand out for you to shake. Instead, you push his hand away and throw your arms around him in a tight embrace.

The force of your hug knocks him back a bit, and though he’s unsure at first, he eventually returns your embrace by carefully wrapping his arms around your figure

The fire of your torch slowly begins to die, but neither of you seem to notice or care as you enjoy your moment together

You expect to be engulfed in darkness when the flame goes out, but instead you’re met with the beautiful shimmers of the crystals that line the roofs of the cave

“It’s so beautiful,” you murmur in awe, your eyes sparkling under the light

“Yeah,” your counterpart utters quietly, but he isn’t looking at the crystals

“Was she always this pretty?” Sokka wondered to himself

Together, you’re eventually able to follow the crystals and make your way out of the cave

And when you leave the cave, hands woven tightly together, you leave as two completely new people

You understand each other now, you trust each other

And your relationship will only continue to grow stronger from then on out

| atla tags: @sirkekselord @chronic-daydreamer @niktwazny303

[blacknailsandheartbreak]

Part 2 to how the group cannot fathom how you and Zuko are so close with your angel of a self and Zuko being... well, Zuko

AN: OKAY! Look at me go, coming out with a part two. I think I might do a part two to some previous pieces of mine but we will see.

SO this is a part two, so you can read the first one here, it will give some context clues into this second part of the story (but can probably be read solo) : Part 1

Any who, ~2300 word count, enjoy :)

KIDDIE FREE ZONE

Good Friends

That's all you guys were. Good Friends. Zuko kept telling himself he had no reason to be so bothered by that statement, but he was. He didn't want to be just good friends, but you had given a better answer then he would have in your position. But now the Gaang has been flying for the past couple days and has given him lots of time for thinking. Especially having you for the majority of the time sitting with him leaning against his arm, grazing legs, as you were not shy to the general touch. You always seemed to start up the conversations with him, your way of speech held him in interest, but as already known, he never said much back, but always was happy to listen.

But ever since that last night of camp a few days ago he cannot let the thought go. Good Friends. He knew that the talks you two have, the moments you both cherish, and the secrets you two shared was enough of a connection to be more than just good friends, or at least in his mind it was. You two were absolutely glued to the hip, and seemed to be together, just without the title. Zuko was fine with no title, he would rather the group didn't know but for you two to have that clarity is what he was craving. He knew there were other things that were more important at the moment but it couldn't calm down in his mind. He had to know, he wanted to be together. Even if that became another secret you both shared he would gladly add it to the pile.

As the afternoon began to fall fast on the fourth day of travel, the Gaang was running low on rations and decided to hit the next market in the upcoming town. Upon arrival, Aang and Sokka grabbed Zuko to tackle their list as Katara and Toph grabbed you to get the remaining items. Zuko was hoping to buddy up with you but it would have to wait. As the group divided and conquered, Sokka was getting very nosy with Zuko about a certain someone. Zuko ignored all of his questions or what felt like more accusations. Meanwhile the girls had finished with their tasks and Toph had somehow gotten into a gambling match with the remaining money they had and won every time. You stood back leaning against a nearby wall smiling, not wanting anything to do with the situation but you weren't going to interfere either. You feel a brush against your shoulder and look up to see Zuko, you smile and greet Aang and Sokka. You ask how their huntings went and they all agreed it had gone well. Zuko looked at you and asked if Toph and Katara were seriously gambling the little money they had left. You laughed and were about to answer but before you could Toph came over with a large bag and tossed it at Zuko. He caught it effortlessly, and it jingled heavily. All of the boys eyes widened, and Toph said "We will be sleeping well tonight thanks to yours truly."

The Gaang walked around the town as the night grew darker and the many street lamps glowed near and far, Zuko's mind still buzzing with the taunting thought of good friends. Maybe he was over thinking it and there was already an unspoken agreement you two were together? Or was he being weird and obsessive? Or maybe you had a completely different view on all of it? Or maybe-

His thoughts were cut off by you linking your arm through his and pointing out the beautiful lights, from the shops, to concessions, to the fountains, to the groups of lively people. He looked down at you and for the first time, he wasn't really listening to you. He just looked at you, looked at your smile as if you knew this moment was made just for you. He would forever be in awe at how effortlessly you spoke as if you had already rehearsed it one hundred times. He feels your genuine happiness and spirit in your eyes as you look up at him and he wonders how you hold such grace through everything. All his thoughts left his mind as he looked at you and thought, yeah, that is my girl.

Once the Gaang decided to call it a night, you all looked for an Inn to stay at for the night. There was not much of an option in the small town, so you all entered the closest place and the lady at the front desk greeted you all with a warm smile. Aang went to talk with the lady and brought back a handful of keys. Everyone was confused as he handed everyone their own key and explained that they only had single rooms left for the night. Nobody really complained as everyone seemed they could use some time to themselves. Everyone shuffled into their rooms with quick goodnights, but before Zuko walked through his door, he looked over his shoulder at your direction, and there you were. Walking into your room and almost as if you felt his eyes you looked over your shoulder and stopped for a moment, you smiled at Zuko and gave a small wave of goodnight before stepping into your room and closing the door. Zuko's eyes stayed on your room for a moment longer, before a small tap on his shoulder made him spin around. It was Katara. Zuko was lost for words. Katara smiled and whispered "I won't tell, not that is isn't already so obvious, but you should really talk to her." Before Zuko could respond to her she waved goodnight and walked into her room. He stood in the hallway like a man who was shot and was too afraid to move. He looked back at your door, he felt the longing in every part of his being to just go and knock on your door and say everything he has been thinking just like you do. How you so effortlessly say exactly what you're thinking, that is what he wanted to do. He wanted to tell you what it meant to him to have someone like you become so close to someone like him. He wanted to tell you that the secrets you both shared with each other meant the world to him and he would take them to his very grave if you wished so. He wanted to tell you that every time you smiled it felt like it was for him and him only. But he didn't. He walked back into his room and shut the door.

Zuko got ready for bed and laid down for a few minutes, he tossed and turned and his chest felt so heavy. He let out a sigh as he laid on his back and placed a hand on his chest with the other one behind his head. He stared up at the ceiling. Zuko let out a small grunt of frustration when he got up, deciding to go get some water. He grabbed the bucket from the small table in the room and walked towards the door. Zuko grabbed the bridge of his nose in exasperation and pulled his hand down his face, he went and opened the door and to his complete shock, there you stood. You looked almost as surprised as he did. You both stood in silence for a moment, and for the first time, Zuko spoke first. He asked if you were alright, because the last thing he expected was for you to be standing at his door in the middle of the night. You replied softly, saying you were ok, just had a lot on your mind. You noticed Zuko holding the bucket for water and offered to go with him to fetch some, he agreed. This time you both walked in silence to retrieve the water and walked in silence back to the rooms. You both came to stand outside Zuko's room and he asked if you were sure you were ok, and you replied that you were, probably just over tired. Zuko looked at you and asked you if you wanted to come into his room. You smiled softly and insisted you didn't want to intrude. He didn't respond and just motioned you inside, you accepted and walked in, Zuko shut the door behind you.

Zuko grabbed the ladle and poured you some water while you sat on the bed, he handed you the cup. You smiled and thanked him as you grabbed the cup and took a sip. Zuko sits next to you and rests his elbows on his thighs and looks down between his knees to the floor, he's not sure how he wants to go about tonight. He has no idea where to start, no idea how to talk or truly express his thoughts. He worries about sounding like a bumbling fool compared to your angelic soft spoken way of words. But before he could think further, the bed shifted and you were now directly beside Zuko with your head leaning on his shoulder. He looked up and he knew he wanted this, he wanted to be the one to call you his. He wanted to be by your side every step of the way and watch you regain the pride of being a fire bender. He wanted to have you by his side helping him with the path of change after the comet, and he didn't want to do it as good friends, he wanted to do it together. Zuko took in a deep breath, and asked "Do you really think we are just good friends?" and without a breath missed you replied "I knew your ears were on fire that night." you sat up with that comment, Zuko smirked and chuckled, you two were very close now, mere inches from each other's faces. "But no..." you replied, "I don't think we are just good friends, do you?" Zuko looked into your eyes, they seemed to shimmer the most beautiful shade of amber even with the liminal lighting in the room. "I don't think so either." He replied. Zuko saw your eyes dart to his lips and back to his eyes but the second your gaze connected back with his, he was already pulling you into a kiss. He put his hand just under your ear, along your jaw, pulling you in gently, as if giving you an option to back out. But you didn't, you leaned in and placed your hand on his arm and you kissed deep. Zuko lavished in this moment and if there was any way he could pull you in even closer he would. You pulled away first and looked at Zuko, he looked at you with so many emotions, "We are together." he stated. You smiled so wide and nodded, for the first time you were speechless and practically tackled Zuko to the bed, kissing him so deeply while he gladly reciprocated with the same action. You were straddling Zuko as he effortlessly flipped you over on the bed so he was now on top, you placed both your hands on his jaw and leaned up to give him a small kiss and then laid back down. "Would you stay with me tonight?" Zuko asked, you smiled, "Of course I will, I thought you'd never ask." Zuko rolls his eyes and leans down for a kiss but you halt his actions by asking, "What about the others, they will see me leaving your-" Zuko cuts you off with a soft kiss and after responds "I don't care, they can make their own assumptions." You smile so happily and nod your head, "But, they are going to ask questions-" you started but again Zuko cut you off before you can overthink, "So answer them however you want to, however you feel is right." He leans down and kisses you so romantically, and moves to your cheek, and down to your jaw, and making his way to your neck, you let out the smallest gasp. You could feel tingles all throughout your body, from your fingertips to your toes. This was the moment you were both waiting for, Zuko knew this is what he wanted, he wanted you now, tomorrow, the day after that, the months that follow and the years to come. You were his as much he was yours. He gave himself to you that night as you gave yourself to him. Both vulnerable to one another, savouring each movement, each touch, every breath you both shared. The night was exactly what you both wanted, it was what you both needed.

The next morning Zuko woke up with you laying on his chest and his arms wrapped around you. Both of you spent the morning getting ready and just smiling at each other, no lingering feeling or questions of what ifs. You could both just be together.

It was time to check out and continue the journey, so you both gathered all your belongings and walked to the door. You both stopped and you looked at Zuko, "They are going to ask." you stated, and Zuko looked right back at you, "Then answer." he replied. He opened the door and the Gaang was waiting in the hall. Katara was the first to see you both exit and she tried to hide her smile with a polite hand, the others turned to look and were caught a blank. Zuko shut the door with you standing by his side. You greeted everyone and you both walked towards the group, "What are you all staring at, let's head out." Zuko said so nonchalantly, everyone stood in silence for a second longer and proceeded on like nothing happened.

[paishowhitelotus]

Rewatched book 1 after watching the live action and here is a list of everything that wasn’t in the live action that I think should have been :

Sokkas war paint

Saying the words “hair loopies”

Barely seeing the boomerang

Katara being able to calm down aang during the avatar state

The comet

Importance of mastering all 4 elements

Sokka dressing in kyoshi warrior clothing and learning the strength of women (removing and growing from his sexist beliefs)

Zukos honor /destiny (think it’s mentioned once?)

Mouthfoaming guy

Aang water bending

Roku manifesting and telling jeong jeong to teach aang firebending

Aang trying fire bending too soon and burning katara which leads to him being hesitant on learning firebending in book 3

Katara finding out about her healing abilities

Aang being selfish by keeping location of Sokka and kataras father from them

Aangs crush on katara

Aang doing everything he Can to heal his friends in the swamp

"Miyuki, did you get in trouble with Fire Nation again?”

Rokus dragon

Aang dealing with the guilt of leaving the southern air temple and all his people getting killed and not accepting his role as avatar

Sokkas intuition for recognizing Jets deceit

Sokka being a natural inventor (it’s barely even touched in the live action) Sokka is smart and creative

Katara’s dedication to learning water bending by stealing the scroll

Katara’s jealousy of aang being able to bend and learn faster than her

Kataras fierce determination and her take no shit personality

The cruelty of the fire nation by imprisoning earth benders into work camps (this is just one example)

Katara’s selflessness and bravery by getting herself imprisoned in the war camp and saving all the prisoners shows how much empathy Katara feels for people and always wanting to help those who can’t help themselves

Showing how master jeong jeong and others left the fire nations army because of its cruelty (fire nation people can be good and recognize the evil in their own ranks)

How aang feels upset about the disrespect and condition of the northern air temple/legacy of his people but accepts it in the end knowing they need this temple as their home

Using the fallen war balloon to create a fleet of airships in the final battle with Ozai

Appa being a badass and also fighting to protect aang multiple times

Iroh and his white lotus tile (this is important foreshadowing for later seasons)

The healer in the northern water tribe recognizing the betrothal necklace and realizing it belonged to her friend and kataras grandmother, kanna, who was engaged to master pakku of the northern tribe but left to live in the South Pole

Katara confronting pakku and telling him “I’ll be outside if you’re man enough to fight me” ( the challenge is off screen in live action, dumb choice tbh just glad we got to see the physical fight at least)

Pakku finding the betrothal necklace and talking about kanna and katara saying her gran left because “she wouldn’t let your stupid tribes customs control her life” which in turn makes pakku reconsider and start teaching katara waterbending

Pakku complementing kataras skill saying she’s has advanced faster than any other student he has trained (this shows how great and powerful of a water bender she truly is)

How strong the water benders are at night especially during the full moon

How the moon was the first water bender

Zuko kidnapping aangs body while he is in the spirit world

“You rise with the moon, I rise with the sun”

Not showing emotion to koh cause he’ll steal your face

Zuko talking to unconscious aang telling him how everything always came easy to his sister, she’s a firebending prodigy. Ozai telling Zuko that azula was “born lucky while Zuko was lucky to be born” (another instance of ozai’s cruelty as a father)

Talking about how iroh has been to the Spirit world

Zuko trying to challenge katara during a FULL MOON” “Here for a rematch?” “Trust me Zuko it’s not going to be much of a match” and then her kicking his ass in 5 seconds

Aang showing compassion to Zuko by saving him again despite Zuko kidnapping his body

Iroh staying with katara Sokka and yue after the moon spirit is killed (this shows his heart)

Yues body disappearing and her spirit kissing Sokka and her saying “I’ll always be with you”

The ocean spirit grabbing zhao and dragging him into the sea

Pakku wanting to help rebuild the southern water tribe

Pakku Calling her Master katara and saying she’ll train aang from now on

Azula appearing at the end and Ozai sending her on a task because Zuko is a failure and iroh is a traitor