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eaudera · 2 months

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eaudera's detailed tutorial for skin rendering

okay loves i've put together a tutorial in text form detailing my step by step process of shading darker skin + the brushes and techniques I use and why I use them. you will be following along as we shade a piece together, you can find the lineart to the piece here. *turn off your true tone and night shift displays for the most objective viewing.

i wrote a lot on the preview pictures, if you find spelling errors (which you def will) or are unable to read my handwriting, you'll find the typed out version of the writing in the alt text feature.

disclaimer: i'm not an art professor nor am i academically/classically trained in art. a lot of the verbiage and techniques i'm using to teach you all here are from my current self taught and observed understanding of art, light, and anatomy

support me: kofi / ig / twt / commissions

firstly, here are my two staple brushes. you can find the second brush here, i modified it by making it larger.

the lineart brush is very good for easy sketching and simultaneously cleaning up that sketch to produce the final lineart you'll be using in your piece. the diffusion from the erased parts/the diffusion created by lowering the pressure of your pen creates a light graphite effect which i enjoy! give it a shot.

you'll notice quickly that there are lighter strokes throughout this lineart, these are simply acting as rendering guides for me in order to remember certain placements. i erase/draw over these lines a lot.

i initially learned to shade skin on a completely grey background with very slight orange undertones, and for a while this was very helpful in providing the most objective view of the base colors you're using (objective as in free of being effected by colors of different values). as you might know, using a white background for dark skin will seemingly darken the value and dim the vibrancy of your base colors, and using a black background will do the opposite. if you're using a darker skin tone, you want your canvas shade to be of a value that is proportional to your skin tone to avoid the same problems created by colors with too light or dark of a value. now if you're using a screened device to draw, you have the extra burden of screen reflections/wavering color output on different screens, so you're never really sure if the exact color you're using will be consistent across the board. priming your canvas with neutral colors will help with that. whereas priming with more vibrant colors will slightly change the undertone of your skintone (especially if you're using a low opacity brush), but it makes for a funner canvas and more creativity with your color palette imo. if you're a beginner i recommend you stay below the wavy line to avoid too light of a canvas shade.

for these same reasons i avoid keeping my lineart jet black. when you lay down the base colors under a black lineart it can look very unfavorable.

here are some skin tone variants that i tend to use the most, peep how i never wander off too far to the left of the spectrum where the reds are. i definitely favor red-oranges as compared to green-oranges for my skin tones, however, because i stay primarily on the left side of the color spectrum for my rendering, red can quickly become too much too fast. so i make sure to use a skin tone that can work very well with green-orange shadows. for this specific piece i will use the third shade (#2d1606).

heres where the gouache brush comes in handy. i use it very loosely to "prime" the canvas almost. if you've ever done oil painting you'll realize very few artists draw directly onto a completely white canvas, though i've already primed my canvas essentially by changing the background color, i loosely shade over it with the skin tone color using the gouache brush. i find this gives me a better grasp on the composition of the piece due to increased harmony between the canvas and the skin color. it also looks really cool to me and resembles a real canvas almost.

as stated before, priming your canvas with neutral colors (grey) can help give you a more consistent view of your base colors, when you get the hang of understanding the colors you most often use (i.e, how they interact with other colors), you can start using more vibrant and fun colors to color your canvas with! the gouache brush changes opacity depending on the pressure exerted by the pen, if you zoom in you'll notice patchy areas where the canvas color bleeds through the layer more prominently than it does in other areas. for some people this might throw off the consistency of the shadows, but you should be fine as long as you're using a consistently opaque brush (which we will be doing)

i know i recommended beginners use a grey canvas like i did, but since this tutorial is using my techniques i figured i'd also teach you guys how to use variantly opaque brushes to your advantage. we will be drawing on the pink canvas from here on out.

a reference is so helpful, i still rely on references to guide my shadows/lights. i'm past the point of relying on references for exact coordinates for rendering or lineart, but they are still incredibly helpful. in most references of darker skintones you come across, color dropping directly from the picture will give you very grey colors! we want to prioritize vibrancy in this case, so attempt to formulate your own colors or colordrop and increase the vibrancy :)! keep in mind i'm now using the lineart brush to shade. the diffuse/soft corners of this brush allows fewer pixels to be scattered wherever you lessen the pressure, this is perfect for color dropping medium colors to blend two colors together. you'll see how i blend colors later on.

as mentioned previously, red can become too much too fast- so i avoid monochrome rendering as much as possible by using shadows of different undertones. my most frequent combination is using a red-orange skin tone and then using a green-orange shadow.

the value spectrum will be your best friend in mixing values and undertones, i use it all the time to formulate the best less saturated darker shadow that is proportional (not too dark, not too grey) to my skintone value. if the shadow is too green simply increase the magenta, if you're looking for a "reflective" shadow, increase the blue.

when i begin shading, i always slide the curser to a truer orange color on the spectrum and increase the saturation (slide towards the right) while i decrease the brightness (slide down). heres how it looks when i'm jumping between shadows and highlights while trying to keep my colors proportional (but not identical) to whats happening in the reference ^. i most often times will rely on the value tool, however.

you will notice that a lot of darker skin tones have patches of orange vibrancy, these areas are most common on the nose and cheeks. this is only a detail to pay attention to if you're going for more of a realism rendering style :)

now onto how i prefer to bridge/blend colors together by utilizing the blend tool.

i do not like simply blurring colors in order to blend colors together, it can lead to overblending which can make your portrait look heavily gaussian blurred (think 2010 deviantart art... yea that). the brilliant thing about procreate is you can utilize brushes really efficiently, which include changing the brushes you use for blending. so in reality, artists who use the blending tool on its own can still have portraits that don't look it! there also exists plenty of brushes that have properties allowing it to blend into its surrounding colors are you draw. but in my case, the above photo is 99% of the times how i will bridge two colors together. doing this allows me to keep pretty consistent brushstrokes across the whole portrait, which i enjoy. it also gives me better control of the shapes i use in my rendering, an aspect that is pretty easy to lose when you're using the blending tool directly and solely.

in case the blending process is a bit hard too see, heres that same process recreated with different more visible colors:

now once you've placed your shadows where they generally tend to be (according to the reference photo), let's make those shapes a bit more specific and pick up on smaller details to make your rendering look more complete.

your base colors will never be as dark or as light as you need them to be when you begin rendering, making sure you have a decent contrast between your lightsource highlights and the shadows is key to capturing the essence of a light being cast on your character. it's much easier to keep building upon your shadows before rendering the highlights, i laid down the highlights only to create a guide/help me map my shadows better. do not darken the entirety of the areas affected by shadow, you'll find that shadows are rarely ever the same value, it's a gradual process affected by things like position, height, etc. so make sure the darkest of your shadow colors are preserved only in areas where the shadows are the or should be the darkest.

you'll notice i labeled some areas as "detail", adding very specific shadow placements is a detail. in the reference, the model has a pretty prominent brow bone, creating a shadow over where his eyelid creases just above his lash line, paying attention to feature details like this help enhance the rendering and its realism.

now that i've mapped my shadows i'm going to move onto to rendering my highlights and the region of the face where the lightsource is most prominent.

i described shadows as a gradual process earlier, this is because of the lightsource. light tends to spread when its further from the affected surface, creating a larger area affected by the light. of course, this varies depending on how intense and how close/far the light source is. in this case, the light is being casted above him further to the other side of his face, but again, remember that the face is not 2d and more prominent areas are affected more by light. it's due to this that there still exists a, albeit very minimal, shadow beneath his cheekbone. i exaggerate the shadow here for stylistic purposes, but it also helps in keeping me uphold that contrast between the highlight and shadow once again. so i refrain from blending the light into this area like i did in other areas.

midtones are the areas most unaffected by the light source, they're neither shadows nor highlights. and because light spreads, it is brighter in certain areas and darker in others. it is most easiest to blend the darker ends of the highights into the midtones of your portrait. you can emulate this by once again using your blend tool. blend the outer areas of the light and colordrop this color and use it as the darker light more proportional to the midtones. note that before i add even lighter shades to the areas where light is most concentrated, i blend what highlight placements i currently have there.

we're going to switch gears now and focus on the reflective shadow occurring on the darker half of his face.

this shadow is a reflection from the lighter background the model is up against, the light being casted above him is allowing for some bounce back from his surroundings, leading to very faint light visible in areas primarily affected by shadows. hence why i'm referring to these colors as "reflective shadows".

in this case, the reflective shadows are blue, or appear to our eyes as blue. on darker skin, "true" blues (blue-purple) are not often times present. what is present rather, is a very grey tone with cool undertones/a grey tone on the blue side of the spectrum, which creates a blue that is much more proportional to the value of the skintone than a true blue. in this case i used a deeper grey on the pink color spectrum, which is more purple. this was intentional, and was done in order to create some sort of color harmony between the contrasted deep oranges im using for the bordering shadows and the blue-grey i'm attempting to emulate.

while i utilize this blue-grey, out've a purely stylistic choice, i still introduce true blues to my rendering. in fact i love using blue/purple reflective shadows in my art, it creates a stunning and colorful render. in this case, i used the blue-grey as a stepping stool to introduce that trueer blue more naturally. you'll see this happening in the second picture above, where i used a slightly more vibrant and slightly more brighter blue, and used it on areas where this reflection was more prominent (and therefore brighter).

you'll notice how the shadows that border on these reflective colors are less saturated and darker than the shadows on his chin. introduce a darker and less saturated (more green) shadow to that area on his cheek and the darkest shadow of this photo, the sunken area near his nose bridge and inner eye corner. i emphasize this line in the lineart so you can follow this shadow more accurately:

this is also a detail in my opinion and can make your portrait more realistic if you include.

we're going to pivot to his neck area before continuing. you'll find the area of his neck with the most light is also the least vibrant, i laid down a grey base color to emphasize this detail in the portrait. afterwards i added key details. i wanted to stay at least somewhat true to the color dynamics occurring in the reference hence why i used the grey, but i'm not a very big fan of using blatant grey directly on the skin, so i made it more blue.

moving forward, the outer eye and the nose can be some of the most "detail focused" areas of the face when it comes to rendering. due to their more "bulbous" anatomy, light tends to curve around them in more complex ways than the flatter parameters of the face.

when it comes to the many creases that surround the eye, the skin folding over itself creates a very thin shadow from between the folds. the key to rendering this crease is to concentrate the blending to a very small scale, do not overblend the area because the hill created by the crease very easily captures light, creating an area where the shadow and highlight meet in very close proximity. slight blending is needed for this area, you can deepen the shadows in both horizontal corners of the eye for more accuracy. the midsection of the total eye area (eyeball and socket) tends to capture the most light, remember this is due to how bulbous rounder shapes tend to capture light from whichever direction its coming from.

this is of course the case for the nose as well. highlights are typically placed as a dot on the outermost part of the nose by artists, but highlights also spread on either side of the tip of the nose. the nose tends to collect a lot of oil, creating a sort of sheen on the upper parts of the nostril. when rendering a portrait where the position of the head is more cast to the side, the highlight of the nose changes from the bulb of the nose, to the upper nostril. in this case, the highlight spreads, causing a "half tone", or the remnants of the light on the bulb of the nose. this is the easiest place to blend highlights and shadows together. now for the shadow detailing on the nose, i'm actually drawing on top of the lineart on a separate layer. which i'll go into detail about in the next part. you want to focus the shadow on where your lineart is, the outermost part of the nose.

now were going to really detail your portrait by introducing a new layer, the detail layer! this isn't technically apart of the skin rendering, so i'm gonna keep it very brief. this is the layer you're going to render the lips, eyeballs, and eyebrows. more specifically, the purpose of this layer is to reduce the reliance on lineart. in terms of order, it goes above the lineart layer. we're going to soften and even erase the lineart in certain aspects. i use bolder/thicker lines when creating my lineart, but this can become a nuisance/hinderance when rendering.

starting out with the lips:

people w brown skin tend to have two toned lips, with the top lip resembling the same skin tone as the face and the bottom lip being redder/pinker and lighter than the upper lip. in my case, i prefer a more vibrant red for the bottom lip. once i lay down these base colors, i begin shading on the second layer.

i personally enjoy the look of a poutier lip shape, this includes emphasizing the middles of the lips as opposed to the ends. i've highlighted the shapes that this lip shape often entails. the small circles on the corner of the lip line are just pockets that occur when the mouth is closed and become emphasized by the fat around the mouth. the parameters of the lip lines do not often meet these round corners, theres often times a "double lip line", that exists around these areas. i love including that in the art, its very easy to emphasize by simply drawing a highlight from the corner of the lips along the curvature of the bottom lip towards the middle.

shadow mapping on the lips tend to go: highlight, shadow, highlight, shadow. the top lip going inward creates a highlight on the most outward part: the top of the lip. and the bottom lip curving outward thus creates a shadow on the bottom of the lip.

when it comes to the eyeball, i don't draw the white parts as solid white, nor do i make them too bright most of the time. they're most often times an orange grey, i also dont spread this color out if you can notice the uncolored white part of the eye. i do this intentionally to keep some of the shadows that are naturally present on the eye. very specifically right where the upper eyelid sits on the eyeball, it tends to create a small shadow that follows the curvature of the eye. this shadow is crucial, if you can see the first and second picture do not have this shadow, making the iris look more exposed and the eye appears to be held wider.

when it comes to the iris, i do very little. if i'm drawing a dark colored eye i will cover the entire iris brown, before darkening it with an almost black color. i leave the brown sides of the iris exposed to aid in bridging the values between the whiter parts of the eye and the very dark iris. this blended ring also appears on all eyes in real life. lastly, dark eyes tend to show light reflections much easier than lighter eyes. these reflections can be any color in art, in this case i kept it blue-green. i bend these reflections around where the pupil would most likely be depending on the drawing.

next, the eyebrow. i find it tedious to draw individual eyebrow strands when it comes to rendering, i actually prefer to blend the parameters of the eyebrows to create cohesiveness. sparse and fine eyebrow hairs are penetrated by light and shadows more than what you'd find on the scalp. it's harder to see light on someones scalp due to the bulk of hair crowding the scalp, whereas as its easier to see such light on the eyebrow. to introduce this concept to my art, i will initially draw the entire shape of the brow. then when rendering, i erase the parameters, leaving the darkest part of the brow. then i blend. the lower brow bone will be blended the least, whereas the area of the eyebrow connected to the T zone will be the most blended thanks to the shadow following the nose bridge. the far end of the brow by the hairline tends to be the lightest given the light source.

and lastly, i loosely draw a white border around the portrait for stylistic purposes. then i combine the layers (group together your layers, then duplicate and compress the duplicate group so that you still retain your individual layers) to edit. i typically add noise and play with the curve setting. and heres the finished image:

i hope you enjoyed!!

#i didnt proofread this if u find spelling errors pls lmk #black artists on tumblr #digital art #illustration #painting #black art #commissions #tutorial #art tutorial #how to shade #rendering tutorial #brushes

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librarycards · 2 months

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hi sarah. feel free to delete this if it’s too much, but do you know of any work (academic, personal essays, art, etc) about grieving someone who’s died to suicide/wishing they were alive while also grappling with how to square it with your anti-psych, anti-carceral, pro-bodily autonomy politics? for reference i’ve read Alexandre Baril’s paper on Suicidism before and may revisit it in this light, as well as aleks thom's writing on disenfranchised grief and your lovely recent poem about suicide, but i’m sort of at a loss about where to look for other work about the intersection of these specific topics. many thanks and much love in advance

thank you so much for asking! i feel strange saying "i'm sorry for your loss" because it's clichéd and trite and you've heard it a billion times before. i am sorry, though, and i am equally sorry that you carry your loss into a world that is so deeply hostile to everyone affected by suicide – loved ones, those who have attempted, those who have completed, those who are dealing with suicidal thoughts, all of us.

i think that perhaps the most useful thing to remember is a bit simpler and a lot more challenging than can be conveyed in a paper or poem. it's that peoples' bodyminds are their own, including when they treat said bodyminds in ways we on the outside don't like. this is true for people who do all manner of "unhealthy" and "self-harmful" things, and as loved ones, it's incredibly fucking hard to witness, especially when the consequences are deadly.

suicide grief, and in general, work by loved ones and caregivers to those of us who experience extreme states, is pretty tough to find in the area of Mad studies. this is partially justified, given the degree to which we've all been spoken over and around by abusive "caregivers." yet it also denies the simultaneity embedded in basically any Mad community: we are all both, because we're all together and hurting at once.

i actually have two friends who have written about their own experiences as suicidal + Mad people who have lost close people to suicide: MT Vallerta, a scholar-poet [check out In Memoriam], and poet S.G. Huerta [you should read their poetry book, Last Stop].

Sophie Lewis also wrote an intriguing piece that touches on suicidality, death doulaing, and kinship.

Emily Krebs studies suicide/bereavement from a Mad crip abolitionist perspective, and is worth checking out.

i think it's also a good idea to remember that a way to honor those who have completed suicide is to take better care of suicidal people who are still alive. it only does more harm to suicidal people to approach ideation/attempts carcerally, and indeed encourages more covert, risky, and isolated methods rather than open dialogue. here are some ways to honor - not only support, but truly honor, trust, and respect suicidal people:

candidly speak about death, self-harm, and "dark thoughts" - and what to do around them - before and outside of immediate crises. be explicit in your intentions to support those who are actively suicidal before the next crisis occurs. ask people their preferences - who should you call? is the hospital ever on the table, and if so, under what conditions? who will be there to advocate for them when interacting with carceral authorities?

be candid about how their actions affect you, without placing blame. when someone attempts suicide, everyone they love is affected. this is not the person's fault, but it is something that needs to be addressed in community. here's an example from my own life: a dear friend was forcibly hospitalized after an attempt. i had been a main support person of hers in previous crises, when we lived near each other. when we spoke about her experience months later, i admitted that i felt "guilty" and as though i had somehow caused her to be institutionalized by living in a different place now. she admitted to me that she felt "guilty" for having "let [her loved ones] down" and "letting" her health deteriorate. we were able to find comfort and commonality in our affective experiences, and have become better friends for it.

cool it with the solutions. ask for consent before doing anything, but especially giving advice. many people kill themselves, or try to, because they feel cornered - often for very logical reasons (poverty, oppression, abuse/complex trauma). the adage that a poor person probably has more financial wisdom than a rich advice-giver holds true here, so don't immediately offer tips unless they've asked for them. sometimes, suicidality isn't connected to anything concrete, either, or a person's reasoning doesn't "make sense" (duh). if someone has the courage and trust to come to you with their feelings of suicidality, what they need most is someone to listen, to take them seriously, and to afford them the same personhood that they would have otherwise.

when people disclose thoughts of suicide, they take an immense risk in terms of their safety and credibility, and they do so because it is not possible to be a person alone. but, we also need to hold simultaneously that the individuals who do their best to support a loved one, but are not equipped to do so, are also not at fault for somehow "killing" them. suicide is incredibly complex, and suicide grief perhaps even moreso than other types of grief.

i also don't have concrete answers as to what to do about this conflict between our emotions around suicide - wanting to save a person we love, wanting them to stop hurting, being willing to do anything to keep them around - and imagining a world against and beyond the institution in all its permutations. but i know we will move toward it together through open conversation and trust and collective risk. much love and respect to you for asking such a challenging question during a heartbreaking time. <3

#suicide n #madness #world healing #resources #readings #antipsychiatry #grief #love #ask #anonymous

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blossomwritesthings · 1 year

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𝐭𝐡𝐞 𝐬𝐨𝐮𝐧𝐝 𝐨𝐟 𝐲𝐨𝐮𝐫 𝐧𝐚𝐦𝐞

pairing: hyunjin x fem!reader (afab)

genre: dark academia college au. nonidol!hyunjin. enemies to lovers // academic rivals. angst. reader pov. smut - MDNI, 18+ only.

content & warnings: explicit & strong language. mild thematic elements. kindaa toxic relationship between hyunjin and reader since they're enemies in uni. ANGST!! reader comes from a poor background and hyunjin is the uni dean's prodigy son. smut warnings below cut!!

word count: 10.6k (enjoy you filthy animals 😈)

summary: ever since you started studying at korean national university of arts in seoul, hwang hyunjin, the other top student of the school and the dean's son, has been an absolute thorn in your ass. although, it turns out that not all thorns are necessarily bad.

18+ warnings: dom!hyunjin x sub!reader. unprotected sex (wrap it before you tap it, friends). fingering. dirty thoughts/fantasies are mentioned. degradation (whore, slut, bitch, etc). pet names (baby girl, sweetheart, doll face, etc). LOTS of hair pulling. BIG ownership/possession kink. breeding kink!!!. overstimulation. orgasm control. nipple/breast play. lots of dirty talk. subspace. loud sex. manhandling. humiliation kink. exhibitionism (fucking in a public library).

a/n: first of all, i'd just like to give a BIG shoutout to my dear friend @ahactress, for giving me the initial prompt to this about a month ago haha- without your help, I wouldn't be here right now honey!! 🤭💙 also, i'm sending all my love to my beautiful bestie @h0p3l3ssromantic, for encouraging me with her pretty words and her endless love... girl, you RULE and ilysm!!! 😫❤️ I don't know if it's public knowledge around these parts, but my dms on all my sns platforms are ALWAYS open for ya'll to spew your ramblings about my work haha - hmu on twt babes, I'm always down to chat~ ✨

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ᴅᴏ ɴᴏᴛ ʀᴇᴘᴏsᴛ ᴛᴏ ᴏᴛʜᴇʀ sɪᴛᴇs (ᴛʜɪs ɪɴᴄʟᴜᴅᴇs ᴛʀᴀɴsʟᴀᴛɪᴏɴs). do not copy, spin-off, or write inspired work based off of this fanfic without full permission to do so. ©ʙʟᴏssᴏᴍᴡʀɪᴛᴇsᴛʜɪɴɢs ⤐ ᴀʟʟ ʀɪɢʜᴛs ʀᴇsᴇʀᴠᴇᴅ

The moment you saw the dark, heavy clouds swirling low in the sky as you walked to your Survey of Humanities class, you knew that the day was going to be a shitty one. Already, you had woken up with a raging headache from the all-nighter you had pulled the day before to finish all of your homework for the following week.

Besides, it was a Monday too, and you fucking hated Mondays.

For one thing, the start of the new week always meant being bombarded with loads of assignments from the four classes you were taking. Being a junior with a Liberal Arts major was not as easy as everyone thought it was — and you constantly felt like you could never catch up on all of the homework.

With two formal art classes, one on charcoal drawings and the other on watercolor techniques, and then two upperclassman Humanities classes, your schedule was packed with studying time. Sometimes, it was hard to even eat during the day, since you were so busy with your schoolwork.

But there was no way around it, no excuses that could be made.

You either continued to stay at the top of your classes, as one of the best students in your grade for your graduation year, or you didn’t.

Your mother didn’t sacrifice everything she had for you to fail so horribly at university.

So you were okay with the stress and deadlines. Because you wanted to make both her and yourself proud.

And yeah, maybe you also wanted to prove to your classmates that you could do it.

You especially wanted to brag about your success to a certain man…

Hwang Hyunjin.

He was slated to graduate in your same year and was studying Technical Art. And holy shit— was he an insufferable ass. Unfortunately, since the two of you shared such close majors, you had found yourself in one too many classes with him during your time at the Korean National University of Arts in Seoul. It also didn’t help that he was coined as one of the #1 students in the entire school, and did everything in his power to make everyone aware of this fact.

Especially you.

If he earned just two points more than you on an exam in the same class that you were taking together, he’d nonchalantly wave the white paper in front of you after the exam period, taunting you with his sly tongue and that cruel grin of his.

Most of the time, you managed to ignore his wicked teasing, sticking to yourself and your small group of study buddies. But on the rare occasion that he did get under your skin, you’d snap irrevocably and usually land yourself in the Dean’s office.

But of course, Hyunjin was also there because — news flash — he was the son of the fucking Dean of the university.

Usually, the meetings after your blowups were casual and spoken in soft voices, with Dean Hwang recounting the school’s long integrity policy to you, which you had already memorized in the back of your head after your third visit to his office. The entire time the Dean reminded you of how your ‘behavior was uncalled for in the situation,’ Hyunjin would be standing in the corner of his father’s office, arms folded across his chest and canting his head to the side as he studied you with a pleased little devilish sneer on his face.

After every single one of the meetings, he’d always try to catch up to you outside of his father’s office. This usually landed in you cursing him out under your breath and telling him to fuck off before you retreated into the shadows of one of the many hallways.

And as it just so happened, your Survey of Humanities class also had a certain raven-haired man constantly sitting in the farthest seat from the front of the lecture hall.

It was almost comical how good-looking he was, coupled with his genius brain. Because as much as you wanted to deny it, you couldn’t ignore the fact that he was incredibly smart… in both the arts and all other forms of academics. He aced every single quiz and exam he was given, got 100s on every technical art research essay he wrote, and was involved in practically every club there was on campus.

The girls of your grade fawned all over him, and even the freshmen were weak to his looks whenever he’d pass them in the hallway. He looked right out of an early 2000s fashion magazine, with his model-like physic, long, shaggy black hair that perfectly framed his face and curled at the nape of his neck, not to mention the expensive designer clothes he was always seen in.

You had never seen him dress like the other guys of his same age — had never seen him clad in a pair of baggy grey sweatpants and a worn oversized graphic tee. Instead, he rolled up to the curb of the university in his cherry red 2023 Rolls Royce, dressed to the nines in fitted coats, light-washed designer jeans, and crisp white button-downs.

Hwang Hyunjin had been the school’s ultimate heartthrob for as long as you could remember, and you had heard rumors of the kind of things he did with his lovers — taking his girlfriends out to expensive restaurants in the heart of the city, before bringing them back to his luxurious apartment and fucking them late into the night. Usually, you tended to ignore the dating and sex part of your arch nemeses' life, and instead just focused on beating him at his own game of academics.

And during that early Friday morning in the middle of October, as you strolled through the doors of the lecture hall and your eyes scanned over the students already seated, you caught sight of him.

Dressed in a casual, brown turtleneck and dark-washed jeans, he looked like he had just walked straight out of an autumn edition of GQ Men. He was seated in his usual place, legs crossed and hands busy scribbling away notes on his iPad. As you floated beside him and towards your seat at the very back of the hall, you caught the scent of him — a mix of earthy musk and dark roasted coffee beans.

He didn’t pay you the time of day as you flitted past him and took out your notebooks once you were seated down. Thankfully, he seemed to be choosing the route of ignoring you for the day, much to your relief.

Soon, the professor strode into the lecture hall and began the class. For a while, he droned on about the midterm that all of the students had taken the week before, and how he was impressed with the class’ results. “Although, two students in particular outshined everyone else,” he began, his eyes scanning the lecture hall until they landed on Hyunjin seated just two rows before you. “Hyunjin, excellent work — it’s quite rare that I see a student score a 100 on the midterm,” then his focus was floating upward and landing on you. “Y/N, you’re short essay for the midterm was superb, and your choice of art analysis was a very unique one for sure.”

Just as the professor was focusing back on the rest of the course material, you could sense someone’s gaze trained on you. Staring forward, you caught a glimpse of him shooting you a snarky grin. You glared daggers into his skull, just wishing that he’d get shot in the foot and keel over in pain at that moment.

He always liked to gloat when he got a higher score than you on the tests, and you both knew that he had done better on the test overall — since the professor only mentioned his 100 and not yours. But apparently, your midterm essay was a hell of a lot better than his.

Sticking out your tongue at him playfully, you rolled your eyes before folding your arms across your chest and turning your attention back on the slides that the professor was ticking through. Hyunjin got under your skin so much he sometimes felt like a fucking disease — burrowed so deeply inside your veins, it was almost impossible to cut out the hatred.

“For this week’s assignment, you guys will be paired up into groups of two to create a joint presentation on the topic of ‘The Descent into Madness,’” As soon as you heard the professor mention splitting the class into groups, you felt your heart leap inside your chest. You only hoped that you wouldn’t be paired up with him. “Using your textbooks as a guideline, I want all of you to choose one specific piece of art from any period you want and conduct deep research into the mad aspects of it — dive into as much detail about the formal elements as you’d like, but make sure to follow the grading rubric and cite all academic sources. I’ve posted the list of paired groups on the bulletin board up here near the projector, so make sure to check it before you leave class today.”

You tuned out all other information the professor gave about the week’s assignment, too focused on seeing who you were paired with. As soon as he dismissed class, you were shooting up from your seat and hoisting your heavy tote bag across your shoulder.

Flitting down the stairway, you made it to the bulletin board before all of the other students did. They were idling around because no one gave two shits about who they were paired with. No one except for you.

“Please, please, please—” You prayed in a whispered tone under your breath as your eyes scanned the matched columns of students. When you came upon your name and saw who was next to it, it felt like the ground at your feet had opened right up and sucked you in entirely. “Fuck my life.” Heart dropping into the pit of your stomach, your palm squeezed a little tighter around the strap of your bag.

“Oh shit— looks like the professor decided to give you a fighting chance by pairing you up with the best student in the entire school.” You heard Hyunjin’s silky voice say from somewhere behind you.

Swinging around on your heels, you caught a glimpse of his sardonic, wide smirk, as his eyes scanned the look of sheer anger on your face. Giving a dry, humorless chuckle, he shoved his hands into his pockets and canted his head to the side in a quizzical kind of way.

“We’re only going to ace this project because of me— and let’s be clear here, I’m the better writer out of the two of us.” You said in a low voice, pointing an accusing finger at him in utter disgust. You could feel your brows pulling together from the rage that was building up inside of you. And all from the thought of being forced to work with him.

“Yeah, but I’m the better test taker.”

“Fuck you.”

Hyunjin chuckled wickedly, the tip of his blush pink tongue coming out and wetting a corner of his plush bottom lip. “Oh honey, I’m sure you wish you could.”

Already, you could tell that he was egging you on. Trying to get your goad so that you’d explode and be dragged to the Dean’s office. So that he could stare down at you with that same smug look on his face as his precious little daddy rattled off the university’s code of conduct.

Well fuck that bullshit.

Seeing too much red, you decided to excuse yourself from the equation before you said something horrible that got you sent into the Dean’s office again or even worse — kicked from the class.

“I’ll see you on Monday night at ten in the library,” you said in finality, squinting your eyes up at him and just wishing you could wring your hands around his perfect little neck. “Don’t be late.”

“I don’t take orders from you, sweetheart.”

“For now you sure fucking do.”

Then you were turning around and pushing out of the lecture hall, practically running down the corridor as fast as you could, heart pounding in your chest because… what the hell were you going to do?

That entire weekend leading up to the Monday night that you planned to spend with Hyunjin, you just about lost your mind over the worry of it all. Would he continue to be an asshole to you the entire time? Would he work well with you and compromise on things? How would everything go?

You were so stressed about the entire thing that you practically drove your roommate Felix insane with annoyance. Late Sunday morning, when you were making circles around your living room couch as you stressed about everything, he finally burst out in a loud outcry.

“Y/N! You seriously need to take a chill pill, you’re going to run holes right into the fucking carpet!” He said in an exasperated tone, muting the show that he was watching on the large flatscreen TV.

Peering up at him with wide, guilty eyes, you offered him a meek smile. “I’m sorry, Lix— it’s just… you know how much I hate Hyunjin and I—”

Felix rolled his eyes at you, completely fed up with your bullshit at that moment. “Yes, yes, I know. You’ve told me about a million times at this point. But like… don’t let it get to you, yeah? Just go out there and do your very best,” his eyes flitted back to the TV as he un-muted his show. “I mean… how bad could working with Hwang Hyunjin really be? Besides you, he’s one of the top students in the entire school.”

But he didn’t know Hyunjin like you did.

No one did.

They didn’t see the cruel side to him, the mean side.

They didn’t hear the words he’d mumble to you with venom after a big test or the taunting he’d throw your way if you one-upped him in some way.

Others didn’t see the dark looks he’d give you after classes or the way he’d practically talk behind your back each time you passed him in the hallway — whispering to his groupies and making all the guys chuckle heartily.

So yeah, working with him was a pretty fucking big deal.

Nonetheless, you took Felix’s advice and tried to relax as much as you could before the start of the new week. You studied the material that you wanted to research for the project, deciding to focus on Hamlet’s Ophelia for your analysis.

And if Hyunjin didn’t want to go with that character, well… too bad.

By the time Monday night rolled around, you felt more prepared than ever before and stepped into the Library’s main doors with settled ease. The university’s library was your favorite place on campus and had been the location for many of your long night study sessions over your time in school. With its dark gothic architecture outside and its sweeping gables, it was a true sight to behold. Not to mention the cozy atmosphere of the interior — all of the cozy nooks and crannies of the place, filled with warm candlelight and large chandeliers and settees made everything feel so mysterious and relaxing.

You strode through the isles filled with books, noticing how it was almost empty of any other student. That’s why you liked coming to the place late at night because it was relatively devoid of life and incredibly quiet. And you liked the quiet — it made it easy for you to focus on your studies. Finally, you stumbled upon a spacious table tucked into the very corner of one part of the place on the upper floor, with a large bay window just in front of the wooden table.

With a glance outside the pane, you noticed how the darkening sky had opened up to reveal a sheet of heavy rain — it pelted down on the few students that were passing by the outside of the library on the sidewalk there, as they ran for cover. Methodically, you brought out your supplies — booting up your laptop and positioning your notebook and pens just so.

Checking your phone, the screen flashed that it was fifteen minutes past ten o’clock already. Was he not even planning on showing up? Was he going to completely bail on you and instead take you down by sabotaging the entire thing?

As you sat down in one of the cushiony, velvet-lined chairs, your mind began to race with all of the possibilities of what Hyunjin might be stewing up to take you down.

Then, almost like your thoughts had summoned him, you heard footsteps at your back and turned to see Hyunjin rounding the corner of the tall bookshelves that were lined on either side of your chosen table. With one glance at him, you noticed the soaked-through fabric of his tan coat and the way his dark hair curled around the nape of his neck with moisture. He must’ve gotten caught in the rain and that’s why he was late.

“I thought you were going to bail on me entirely.”

Giving you a swarthy look, he plopped down into the seat just across from you and threw his heavy book bag atop the table. “Good evening to you as well.” He grumbled, slipping off his coat and showcasing the wetness hidden just underneath there. His light, cream-colored button-down was almost sheer from the rainwater… highlighting his muscular shoulder blades and the tips of his pecks.

“Didn’t you know it was supposed to rain heavily tonight?”

Not even paying you another glance, he focused on pulling out his supplies. “I’m not the fucking weatherman, I don’t regularly check up on shit like that.”

“Well, you should— maybe you wouldn’t ruin so many of your precious, rich boy clothes if you did.”

At that, his hands stopped moving and he stared up at you with slitted eyes. Giving your own choice of outfit a long once over, the corner of his mouth ticked up. “Well damn— are you jealous or something?” You weren’t particularly dressed up, opting for a comfortable pair of black sweatpants and a warm violet turtleneck top.

“Let’s just focus on getting to work.” You shot back, hands typing away at your computer keyboard. “Did you figure out a piece you want to analyze?”

“Yeah, Hamlet’s Ophelia.”

His words were silky and smooth against your ears, but his answer is what got you shooting your gaze up to his again. Mouth dropping open a little bit in surprise, you cleared your throat from the sudden quietness between you. “Oh— uhm, I was thinking the same,” you began, opening up the Word document that you had already started working on that past weekend. “It would probably be a good idea to study Hamlet’s character too since he's the catalyst of her problems.”

“No, he isn’t. She already had them to begin with — he just heightened their outcome.”

You were so taken aback by his comment, that it took a few seconds for your brain to process everything. But when it finally clicked, you were gaping up at him in astonishment. “I’m sorry, what? You’re going to blame her for the fact that Hamlet was the sole cause of it all?” Your voice was steadily rising, as you began to get irritated by his suggestion.

Hyunjin shrugged nonchalantly, as he scribbled down a few things in his notebook. “I mean, yeah. She already had a history of mental disorders, her death was bound to happen anyway.” He matched your tone, words growing louder and ringing out across the small expanse of the library that the two of you were in.

“I seriously cannot believe you right now.” You began, shaking your head in anger as you tried to focus on your bright computer screen again. But his argument just rubbed you the wrong way entirely, and you found yourself speaking up again. “I didn’t realize how much of a fucking misogynist you were. But oh, wait— it’s perfectly clear now if the way you treat me is anything to go off of.”

“I’m not a misogynist, Y/N.” The way his tone curled around the sound of your name did something funny to the depths of your soul. He had never called your name outright like that, never addressed you head-on. And it was both weird and oddly satisfying. “All I’m saying is that her descent into madness was pretty warranted since she was in an already heightened state of emotions.”

You gave him a deep glare, tilting your head to the side in annoyance. “Just say you hate women, it’s okay, Hyunjin. I won’t bug you about it.”

“Like hell, you won’t.” He mumbled under his breath, long fingers typing out something on his computer.

And that was enough to completely set you off.

There were no other students around, no professors to tell you off, and no Deans to harp on you about correct student conduct.

“Seriously, what the hell is your problem?! You’re so fucking annoying and a total piece of shit. I honestly have no idea how you’re at the top of the school when all you do is belittle others!” This time, you were shouting outright. Throwing him an ominous glare and shutting your computer with a resounding thud.

Hyunjin leaned back in his seat, lengthy arms folded across his chest as the rain pelted against the misty window just at his back. “Oh, and like you’re any better? You always love to shove your accomplishments in everyone else’s faces— you ever stop to think how that makes others feel?” He was yelling now too, stroking a hand through his long locks that were steadily dripping with tiny droplets of rainwater.

Shaking your head in disappointment, you took in a resounding deep breath. “I knew this was a bad idea. I knew you’d be an asshole the entire time and I knew we wouldn’t get any work done,” as you said the words, you were already gathering up your things, shoving them into your bag, and leveling him with a cold stare. “So let’s just forget it - this - okay? Just… work on it by yourself and then we can compile our info together the day of and—”

“Sit down, Y/N.”

The way his command slipped out from between his lips in a low, gravelly voice shook something loose deep within your very being. For a moment, you almost felt compelled to listen to him. Like under a mystical enchantment, your limbs wanted to move on their own accord and seat yourself down again. But the rational part of your brain overtook all other thoughts as you stood your ground and hovered just next to the table.

“You can’t tell me what to do. You’re not your daddy— you don’t have the authority of the Dean.”

For the last few moments, he hadn’t been looking at you, eyes instead trained on his computer still. Almost like, the entire ordeal didn’t bother him that much. Like you were a minor inconvenience to him in the grand scheme of his rich, privileged life.

But all at once, he was tipping his head towards the high rafters of the library’s ceiling, stare catching with yours. The stormy look you saw there, dancing around in his brown irises, forced your heart to leap in the pit of your throat.

“Don’t make me say it again.”

“I’m never going to listen to you, so tough luck, fucker.”

Taking in a deep breath, his entire body shuddering with the motion, he held your gaze and motioned with a tilt of his head to the seat in front of him that you had just gotten up from. “Sit. Down.”

And like a single crack suddenly appearing in a delicate vase, your mind was losing all conscious thought and you were moving without any other thought. His seething, low tone overtook your entire system, his focus on you sending a shock of shivers up the length of your spine again and again, unrelenting.

“What?” You asked, noticing the surprised expression on his face from the way that you had fucking listened to him once, seated in your chair again. “I was tired of hearing your stupid demands.”

Hyunjin flipped through a few pieces of paper in his notebook before he pushed it your way. “Give that a look over, it’s the notes I took on Ophelia over the weekend.” The idea of him studying for the project just like you had done forced your mind to run rampant with all kinds of thoughts. Like, was he also stressing out about the meeting like you had been doing?

“I already told you— we’re not working together.”

“For Christ’s sake, just give it up!” Hyunjin exclaimed in a loud voice, throwing his hands up into the air in mock defeat. “You act like this is the deciding project of our grade— it’s a fucking weekly assignment. All we have to do is our best, which will be pretty damn good if we’re both working on it.”

“So then you admit that I’m a good student.” You raised an eyebrow his way, fingers slowly taking ahold of his notebook and playing with the edges of the paper.

Taking in a deep sigh, he pointed at the notebook in front of you. “Just focus— okay? I want to get as much work done as possible tonight.”

“Fine, but don’t blame me if we get a bad grade because we rush it.” You said, finally raising the white flag of surrender and taking in the contents of his notebook. The notes were detailed and insanely good, highlighting certain formal aspects of Ophelia’s character and the overarching themes of her madness. “Wow— this is… really good.” You said in a quiet voice, almost hoping that he wouldn’t hear it.

Rummaging through your nearby bag, you pulled out a pink highlighter to take some notes, and your chosen lollipop for the night, mango flavored. You liked to reward yourself with a fun treat of candy whenever you did late-night studying sessions since the sugar kept your energy levels high and helped to keep you focused. Ever since you were a little girl, you seemed to concentrate better when your mind wasn’t entirely on the content you were studying.

“I mean, I’m not coined as one of the school’s top students for nothing,” Hyunjin remarked in a sarcastic tone. You chose to ignore his comment and instead focus on his neat handwriting and the way his words fit in perfectly to the columns of the notebook paper.

Everything about him was perfect — from his looks to his academic success to his damn handwriting. Hell, what wasn’t he good at?

For one thing, being a nice fucking person.

And he seemingly couldn’t grasp the idea of how not to be an asshole to people he didn’t like.

Unfortunately, you were categorized in his list of people that he hated.

As you flipped to the next page in his notebook, your tongue swirled around the lollipop in your mouth. The sugary sweetness of the artificial mango flavor coated your tongue deliciously, and it awakened all of your senses in the best way possible. The minutes seemed to tick by, as you began to make notes based on Hyunjin’s research from his notebook, turning away from the paper and typing into the Word document that you had started for the project.

Faintly, in the back of your mind, you could hear Hyunjin’s soft inhales and exhales, as he focused on his research. All else was quiet in the library, what with it being completely void of life on a Monday at eleven at night. You could distinctly pick out the sounds of rainfall pitter-pattering just outside the large window behind Hyunjin’s seat, as the night drew on in a heavy mist of dew and moisture.

“Why do you hate me so much?”

Hyunjin’s words were faint and broke you out of your daze of thought. You had been frantically writing down some of your critiques about Ophelia as a character, and your head shot up from your computer to catch a glimpse of him staring back at you.

You didn’t know how long he had been like that, sitting back in his chair, long, raven hair a wavy mess around his face and eyes a little bleary from a mixture of sheer exhaustion and that… darkness that you could never quite pinpoint. You had only ever seen him direct such swarthy looks at you, and that fact disheartened you a lot.

“I think the real question you should be asking is what’s not to hate about you.” You deadpanned, giving him a deep frown as you poked your lollipop into the corner of one of your cheeks, tucking it away for the moment.

Folding his arms across his chest in that abrasive way that he always did around you, he tilted his head to the side with a raised eyebrow. “Okay, spill the tea.”

Taking in a deep breath to stave off your rising nerves and irritation with the man before you, you carded a few fingers through your hair. “To start with, you’re a complete and total asshole.”

“I think we’ve already touched on this point by now.”

His retort left you to stare daggers into his eyes, wishing someone would just come up behind him and slit his throat because you sure did want to at that moment. But you also supposed that the Dean of the university wouldn’t take a liking to you murdering his son.

“Secondly, you’re always stuck up and hard-headed and annoying and… and immature.”

Hyunjin blew out a deep, long whisper. “Damn, spare my ego some, will ya?”

But you weren’t planning on stopping anytime soon. He had started the engine of the train, and now you were rolling down the tracks of sheer rising anger and all of the pent-up rage that you had felt towards him for the past three years. “And you’re right okay? I am fucking jealous. I’m so jealous of you that I can’t breathe sometimes— you haven’t had to work a day in your life for your position, yet I’ve had to scrape by on my hands and knees, clawing— begging at life to grant me just one fucking break.” You weren't even yelling. Instead, the words just come out hushed and all too grave.

Like, if anyone else but him heard them, you’d crumble into a pile of ash and disintegrate into thin air, never to be seen again. Because it was fucking embarrassing, to be so affected by him still, even after all of these years.

He stayed silent, watching as you flayed your hands around in the air in your exasperation. You were fed up with your life and the hold that he had over it. You were finally at your breaking point and you had had enough.

And you think that at that moment, he had also seen and acknowledged that, staying silent to let all of the words spew out of you like an erupting volcano that had been bound to blow from the very start.

“But you? You get everything handed to you on a pretty, silver platter because your daddy is wealthy and you're drop-dead gorgeous and practically have the brain of a neuroscientist. Meanwhile, I was raised by a poor single mother in the slums of Seoul and the only way I got into this university in the first place is because I busted my ass throughout middle and high school to earn the top student’s place,” you pointed a finger between the two of you. Almost like, the tip of it was sharp enough, you could cut right through him. Blade tearing through sinew and flesh and bones. “And then you dare to come around these parts, acting like you own everything, trying to put me in my place. When in reality, you’re the one that needs to be put in your place. Someone needs to knock you down a few pegs, and I’ve always thought… why not me?”

For a moment, nothing else happens after that.

And irrationally, you’re suddenly afraid of him.

Of what he might do — what he might say and to whom — with this newfound information about you.

Hardly anyone at school knew about your personal life and struggles. You tended to stay to yourself and instead focus on your studies instead of going out to late-night parties or hitting up the local clubs. And you were an extremely private person, to begin with. You saw no point in pouring out your life's sob story to people you would never see again after four years.

But all at once, you wondered if Hwang Hyunjin was a dangerous man.

If he was someone who would use your personal information against you.

And if the last three years were anything to go off of, you wouldn’t put it past him.

“Fuck— I shouldn’t have said all of that,” you grumbled, jamming your fingers into your eye sockets and scrubbing at your lids. “Just… forget all of this, yeah? Forget I said anything.” Then you were standing up from your seat for the second time that night, heart leaping in the pit of your chest as you once again gathered your things into your bag. “It’s late anyways. I should head home and keep studying for my other classes. We can meet up some other time for this, it’s not due til, what… Sunday? That gives us plenty of—”

“Y/N.” Just like before, the sound of your name on his tongue caused you to pause entirely, limbs halting their movement of shoving your computer into your bag. “Just— shut up, yeah?” His voice came out softer than you expected it would, forcing a shiver down the length of your spine.

“Don’t call me that.”

“Don’t call you what?”

“Y/N.”

“Why, because it makes you feel things?” He asked in a gravelly voice. You were avoiding even looking at him at that moment, hands a little shaky as you anxiously started to suck on your lollipop again, rolling it around in the corner of your cheek. “What are you so afraid of?”

“You, okay?! It’s always been you!” Your outburst was a lot louder than you expected it to be, ringing across the space between you and echoing in the far distance of the library’s upper-level floor.

A beat of silence lapsed between the two of you, and you trained your gaze on a corner of the room, studying the small dust bunny that stood there, completely still and lifeless. In that moment, you could relate to it quite a bit. Lost and confused. Wanting to move away, but not being able to for some weird reason.

Hyunjin’s old wooden settee creaked in the silence, as he shifted in his position. “To be honest, I’m scared of you too.” And just like that, your head was snapping his way and your eyes were widening in surprise. “For one, I’m scared of that stupid thing.” With his dark eyes, he motioned towards your mouth. To the lollipop that you were dutifully sucking on, in and out, in and out. You stopped altogether when you realized why he had been so quiet during your studying session. He hadn’t been studying — he had been focusing on you, on the candy in your mouth. Feeling self-conscious about it, you took it out of your mouth and laid it down on the table. “And I’m scared of how you make me feel— crazed out of my mind, all of the time. Like a sick fucking plague, you inhabit my everything… from the moment I wake to the moment I ease, you’re all I can think about, all I can dream about. And I hate it so fucking much that it kills me a little bit more every single day.”

“Hyunjin, I—”

His eyes nearly rolled into the back of his skull, head tipping back in delight as his lips parted just slightly. “Yes— fuck, say it again.”

“Say… what?”

“You know.”

Heart leaping wildly in your throat, and broken butterflies waning in the depths of your stomach, your mouth was moving on its own accord. “Hyunjin.”

Like a trigger being pulled back from a gun and flitting the weapon into action, the bullet was shot across the distance between the two of you. And the bullet was your words — you calling out his name.

In an instant, he was a flurry of motion before you. All designer clothes soaked from rainwater and long, wavy hair that still had droplets of water at the tips. He was a flash of milky skin hidden underneath a sheer, wet button-down. The faint, waning moonlight shining through the window pane cast an ominous, angelic-like halo around his tall, built frame.

And by the time you could breathe again, he had you exactly where he wanted you. Pinned up against the nearest tall bookshelf that reached up into the height of the library's ceiling. One strong hand pinning your two hands against the wood above your head, while the other was positioned just unearth your chin, holding your jaw bone and stroking the flesh there with a gentle thumb.

“Now tell me you feel nothing at all, tell me you fucking hate me with your entire being, that you’ll always hate me, and that you think I’m a deprived cunt who needs to be murdered ruthlessly in front of everyone I love.” His words were hushed, their meaning brutal. His face was so close to yours, that you could feel the warmth of his breath as he spoke. Leaning into you, he drove his middle a little closer to the part of your legs.

Breath catching painfully between your windpipes and the lump in your throat, you stared up at him with blurry vision. Your attention was growing fuzzy at the edges, as you could do nothing more but hone in on… him. Subconsciously, you could feel the mango sweetness of your lollipop coating your tongue again and again as you swallowed.

“I—I hate you so fucking much, Hwang Hyunjin.”

He pressed into you a little further, breathing in your scent and closing his eyes as his head tipped close to one part of your neck. Mouth hovering over the shell of your ear, he whispered, “Say it again, sweetheart, with a little more passion this time.”

“I… I hate you so much, I can’t function with the thought of you existing in the same lifetime as me.”

You felt him moving against you then, hand moving away from your jaw and coming around one of your hips, fingers digging into the soft fabric of your black sweatpants. “You don’t have to be afraid of me, sweetheart…” He started, mouth hovering over that space just behind your ear, warm breath fanning against your exposed gooseflesh there. “I won’t hurt you— it was never my intention in the first place. It was… just a fun game to me, to toy around with you. But I never wanted to actually fucking hurt you.”

You could feel your mind and heart racing in tandem, going a mile a minute, as you took in all of his words. Because what, the actual fuck? What was he saying? And why was he saying it? And why did you feel yourself crumbling from it all, your resolve breaking down into dust and getting whisked away to the future of Neverland?

“I never meant to make you cry,” He said slowly, pulling away from your face just a tiny bit to gauge your reaction to his confession. You gaped up at him, completely speechless in your unadulterated wonder. “Sure, I wanted to make you cry— but not in the cruel kind of way… not in the way that most people would like to do.”

His insinuation, his innuendo there, jumbled something around deep inside of your spirit. And you could practically feel your knees buckling underneath you from the reality of it all. From the fact that he was never truly set out to cause you permanent damage. And so far, he hadn’t. All he had done was make an ass out of himself and be a continual thorn in your side. But he wasn’t necessarily entirely cruel, and you never truly suspected that he’d do something catastrophically damaging.

“But all you have to do is tell me— tell me you never thought about me or dreamed about me or wondered about me, and I’ll be gone forever. You’ll never hear, or see me again. It’ll be like I never existed in the first place and I—”

“I can’t fathom a life without you in it,” you suddenly blurted out, already feeling the hint of crimson blooming beneath your cheeks and at the tip of your nose. You peered up at him, staring into those depthless, chocolate-brown eyes, reading the dancing emotions there. “Sure, I might despise your guts at times, but… I also think you’re a pretty amazing guy. And… I have to admit that sometimes, I do think about you when I’m alone, at night, and laying in my bed.”

His hand clutched a little tighter at your hip then, his fingers intertwining with yours and continuing to hoist your arms up and above your head. “Oh yeah? What do you imagine when you think about me so late into the night?” He rasped out, the sound of his voice grating against your ears and sending flames to burst across the entirety of your veins.

“Your face, mostly— how your lips would feel and how you’d taste and what you’d sound like if—”

After that, you didn’t even get the chance to finish your sentence.

He was honing in on you like a vulture to its prey, moving with such swiftness — like a phantom in the night, like a monster hidden underneath the bed, like a selkie in the depths of the ocean.

As it turns you, your dreams about him were accurate.

Because his plush lips did feel like pure heaven.

They pushed against yours, his mouth fitting atop yours like something that was carved into the universe — something that was almost meant to be. He was devouring you whole — heart and mind and soul and body.

And with each press of his silky lips, you fell down the hole of darkness and heat just a little bit more. Then the tip of his tongue was poking out and tracing the line of your mouth and you fell into him, fingers clawing at his that still had your arms held up high above your head, desperately searching for purchase as your legs threatened to give out underneath you.

When his tongue plowed into the small part between your lips, you let out a breathless moan. The kind that had been hidden deep, buried, and un-satiated for so fucking long. By the time he was tasting you, his hands had released your arms and you were scrambling for something to hold. Desperately, in your haste of arousal and temptation, you were clutching at the cool, wet fabric of his cream-colored button-down, holding on for dear life as his hands tightened around your waist and hoisted you up against the bookshelf further.

Your spine crammed into the wooden shelves there, as you wrapped your legs around his torso, yanking him closer with each passioned kiss that he gave you. Again and again, he drew those same, sinful sounds out of you. Just like all of the times before, he was playing a sick kind of game with you. But this time, it wasn’t all that bad. This time, you were quite enjoying yourself.

As your parted legs held his hips close to your frame, you could feel the hardness there, in the center of him. Just aching to be released. And suddenly, you came to terms with the fact that the wetness between your legs was rapidly growing with each kiss that he gave you.

He sucked on your lips like they were his lifeline — and you wondered, in that moment, how he’d treat the rest of you — how much attention he’d offer the rest of your body.

“J-Jin, I—” The shortened nickname slipped out between your lips when the two of you parted to catch your breaths. And when you noticed his swollen mouth, you were almost positive that yours looked just as bad, if not worse.

“What, baby doll?” He hummed, mouth moving away from yours entirely and coming close to the line of your jaw. You blushed wildly at the pet name, liking the way it sounded in his silky voice. He moved aside the thick fabric of your violet-colored knit turtleneck with his nose, lips attaching to the skin of your neck and suckling like a vampire drunken on the crimson of his lover. “What is it that you need right now?”

Your hands were scrambling for him, finding purchase in his dark roots and pulling just a tad bit there. The abuse to his scalp made him hiss out, warm breath painting across the heated flesh of the column of your neck brilliantly. “N—Need you t—to—” But your words were cut short by the way one of his hands was moving away from your waist, traveling under the hemline of your sweater, a long, nimble finger dancing across your belly button and rising to the center of your stomach.

“You need me, hmm?” He mused lowly, mouth having journeyed down to the skin closest to your clavicle, leaving violet-hued marks that would surely survive into the next few days. “Need me to fuck you, right? Need me to take you so irrevocably well right here and right now… can’t wait any longer, yeah?” As he spoke the words into existence, his naughty hand was already finding its way toward the lace of your bralette, skirting across its edges. Then, a single finger dipped underneath the elastic there, skirting up the length of your breast until it was resting against your pebbled nub. “Such a naughty little thing… who knew that the university’s prodigy just needed a good fucking, huh? That all she wanted was to get fucked open against the library bookshelves.”

You were gasping out in pure bliss, fingers digging in a little harder into his long wisps of hair as his hands began to explore your chest. Brushing, twisting, pulling. Then doing it all over again with the other mound. “Y—Yeah,” you managed to spit out, trembling underneath him, legs wounding tighter around his waist, bringing him ever closer. “Can you do that… fuck me? I need it so bad right now, I can’t handle it if you just leave me like this…” You were practically begging out the words, so desperate in your pleas that you were almost certain your groveling was boosting his already inflated ego.

“I only fuck good girls. Girls who don’t call me an asshole and don’t say they hate me.”

At that, your eyes were tearing open in a mix of surprise and despair. But the way that his hand didn’t stop touching your breasts, still playing with them, told you everything you needed to know at that moment.

You wiggled your hips slowly, grinding into the hardness between his dark-washed jeans. “Stop touching me then— stop kissing me and stop looking at me,” you began, taunting him with your movements and the way that you spoke in a velvety tone, all soft and delicate and innocent. When what the two of you were doing was anything but innocent. “But you can’t, right? Can’t get the thought of me out of your head— of what this pussy would feel like clenched around your cock, squeezing you for dear life as you fuck into me for the hundredth time in a single day—”

He was cutting off your words with his quick hands, shedding off your sweater and bralette in one go. Then he was bending down slowly, hands coming up to cup your chest. He stared up at you from his crouched position, watching the feelings rove across your face as he blew hot hair against one of your nipples.

“Just fucking shut up already bitch,” he said in a low grumble, as his hand came over your tit, mouth melding onto the warm skin there effortlessly. His other hand was busy playing with your neglected breast, squeezing there a little bit harder when his teeth grazed one of your nipples, tongue lapping at the bud. “You’re only to speak when spoken to, you understand me?” He asked, pulling away from your breast and making a crude, wet sucking noise as he did so.

Glaring down at him through lust-filled eyes, you sneered his way. “You don’t get to tell me what to do, asshole.” Hands gripping onto his hair a little bit, you pushed his face closer to your chest as he began to work on your other breast, leaving a ring of wetness as he went. “And don’t call me bitch.”

You could feel him smirk against your skin, his low chuckle vibrating against your gooseflesh and sending ripples of energy to course through your veins. “Mhm— why not? Your pussy sure seems to love the name.” He mused sadistically, completely unlatching from your breast, hands finding their way back at your hips.

“What are you even talk—”

But he didn’t leave any more room for questions, one hand ripping away from your waist and covering your covered centre. “This, right here,” he said in a low whisper, fingers cupping your warmth there, and you could practically feel the essence dripping out of you, just behind your thin panties and sweatpants. “Bet you’ll get even more soaked when I call you it again.”

“You know nothing about me.” The words came out garbled and wobbly, as he maneuvered your sweatpants down and off of your legs entirely. “Y—You don’t know my body.”

He threw you a sardonic kind of smile, leaning into the side of you, lips caressing the shell of your ear as he spoke in soft tones. “Yeah, but I’ve done a hell of a lot of observing over the years…” At his words, you could feel his hand nearing your middle again, and you involuntarily parted your legs in want.

When his fingers came in contact with the lace of your panties, you had to pull out your biggest bout of self-control to hold in the moan that wanted to escape from you. His movements were expert level, as he pushed the fabric off to the side, running a single finger up your lips, feeling for that small spot at the very top. Circling his thumb around there, his other fingers worked at your entrance, and before you knew it, he was pressing two long digits into you.

“F—Fuck—“ You groaned at the feeling of it all, falling into him and clawing at his shoulders that were still covered in that damp button-up shirt. “Hyunjin.” You were moaning out his name before you even realized it, hips jutting up slowly against his hand, your head getting thrown back as his fingers searched and found that warm, gooey spot deep inside of you.

“See? I know exactly what the fuck I’m doing,” he muttered, lips coming around the side of your neck and suckling violet marks into the skin there. “So be a good bitch and shut up for me, yeah? Take it like a good girl— like the good whore that I know you are.”

You couldn’t even protest against him using the name again, because, in all honesty, you did like it. It felt dirty and wrong but so very fucking right at the same time. It caused your walls to spasm against the three fingers he had stuck inside of you, as he pumped in and out with a rabid kind of pace. The sound of his movements forced shivers down the length of your spine, as his thumb pressed into your clit a little more.

“Y—You gotta fuck me now, Jin—” You mumbled, already reaching the edge of orgasm from the way that he was steadily working you up with his hand alone. Half of his fingers were buried deep inside of you and the others were desperately clutching at your hip bone to bring you closer to him. The sounds he was pulling from you, both wetness and moans of pleasure, were other-worldly. “N—Need to feel your cock inside of me, right fucking now.”

In your daze of lust, you found yourself clasping at the buttons of his shirt, quickly undoing them and sliding his damp shirt off of his frame. What lay underneath was a chiseled chest — a muscular abdomen, biceps that rippled with each breath he took, and a dark trail that led towards his dick. You ran your fingers down the milky expanse of his chest, marveling at how soft and chiseled everything felt.

Sighing out quietly, you stared up at him with pleading eyes. “You’re so fucking hot… always knew you would be.” That made Hyunjin smirk with satisfaction, as he tipped into you for a breathless kiss.

While his lips captured your own, you could feel his hands working at your panties, sliding them off your legs and leaving you completely bare. Then you heard the clanking noise of a belt coming undone, as he unmistakably rid himself of his pants and boxers.

Then he was parting from your mouth, focus turned down to where the centers of your bodies met together. Your mouth fell open at the sight of… him. All seven-and-a-half inches, long shaft curving upward in arousal and precum leaking out of the pretty red tip. A single vein ran down the side, bulging from his unchecked want.

“Need you to be nice and loud for me, yeah?” He growled in that low tone of his, as he guided himself near your entrance. “Let the entire school know who you belong to— scream my name, bitch, and tell everyone who fucking owns you.”

His words jumbled around inside of your mind, making you feel lightheaded as he slowly began to slide into you. You widened your legs a little bit for him, wrapping them around his waist as he quickly bottomed out. The stretch was only slight and left you hissing with relief when he was fit into you at the hilt.

Without any warning, he was sliding out almost completely, before thrusting back in, hitting into you so roughly, that your spine jammed into the wooden bookshelf at your back. And just like that, he was setting a hellish pace. One that was sure to make you crumble before him — fall apart at the seams.

“Mhm— fuck!” You screamed out in a guttural voice, throwing your head back against the bookshelf desperately as his hips snapped against yours feverishly. You were gripping onto his shoulders so hard, running your nails down his back, that you were sure you’d leave red marks later. “Holy shit- feels so good!”

One of Hyunjin’s hands traveled away from your waist, long, nimble fingers digging into your scalp, yanking at the hair there. “Louder, bitch— take it all like the filthy slut that you are.” He shouted, voice coming out raspy as he pounded into you roughly.

In the very back of your mind, you distinctly heard the pitter-patter of rainfall against the nearby windowpane mixing in with the sounds of the two of you — skin slapping against skin and wetness squelching. It was straight out of a porno and made your head swim with so many dirty thoughts. Breath catching in the center of your throat, you found your lips opening up and releasing a blood-curdling cry of pleasure.

Your noises of ecstasy seemed to compel Hyunjin forward with drive, as he rutted into you in a manic kind of way, thumb tracing figure-eight symbols into your inflamed clit. Almost like, if he didn’t get it out of his system, he’d never be able to live afterward — wouldn’t be able to breathe or think or speak. The tip of him hit up into that warm spot inside of you, and you clenched a little harder around this throbbing cock every time he teased you right there.

“Fuck— I can’t… I’m gonna…” You groaned out loudly. Your eyes flittered into the back of your skull from the way that he pulled at your hair at the same time that he fucked up into you.

Hyunjin grunted out lowly, hips snapping against yours with each thrust. “J—Just a little farther, doll face…” From the way that his domineering tone was slipping away, you could tell that he was also creeping near the edge of release.

You could feel the slip and slide between your legs, your essence coating every surface of your inner thighs and making everything feel silky and smooth. The intensity of his movements slowed down somewhat, the frenzy of his rocking leveling out as he chased your guys’ highs.

“Yes… right there!” You mewled out breathlessly just as the tip of him hit so far into you, that entire galaxies were cast against the expanse of your closed eyes. Your cheeks felt like they were on fire — the flush creeping down the column of your purple-marked neck and into the depths of your soul as he continued to circle your bundle of nerves.

Walls clenching around his cock that was buried deep inside of your warmth, you could feel the moment Hyunjin found that blissful space of his release. “I’m gonna come— fuck—” He rasped out, his voice on the quiet side as he lost all semblance of control.

Hips stuttering against yours, he made to pull out of you completely. But you found yourself shaking your head, eyes shooting open, and giving him a serious frown. “N—No… want you to… come inside…” Your head was empty of all thoughts, as you could do nothing more but focus on the way that he felt so close to you - so far deep inside.

At that, Hyunjin was offering you a tiny, satisfied grin. Then he was seizing up inside of you, cock stretching against your walls as he met his high. It overtook his entire system, overruling all other obstacles and forcing his head backward in pure, orgasmic bliss. The prettiest sounds fell from his plump, crimson, kiss-swollen lips, as he let himself slip down the cliff with ease.

The feeling of his release painting your walls in warm whiteness caused your entire body to convulse with pleasure, as you finally found your high. It was unlike anything you had ever experienced before… perfect and whole and so fucking hot. Bursts of rose and topaz and turquoise splashed across the inner workings of your mind, as your insides fluttered around Hyunjin’s cock that fit perfectly between your legs.

“Holy shit, that was…” You said breathlessly after you had begun to come down from your high. Cracking your eyes open you noticed the darkness still there in Hyunjin’s gaze, and the way that his eyes slit shut with want. The sound of the rain outside lulled your mind into a perfect state of peaceful limbo. “What?” You asked, raising an eyebrow his way in question. “What is it?”

He shrugged slowly, eyes coming away from your connected middles and locking with yours. “Nothing, just… I can’t fucking believe you just let me cum inside of you— with no protection.”

You could feel his cock softening inside of you, and finally, your legs stopped shaking around his waist. “Why? You don’t like the idea of that?” Beginning to pull away from him, you tried to yank as far away from his cock as you could. “If you didn’t like it, you should’ve—”

Hyunjin’s mouth was coming onto you in the next beat, capturing your lips up into a heated kiss, stealing the labored breath right from your lungs and sucking on your puffy bottom lip. “Just shut the fuck up, alright. I fucking loved it… it was so hot— you’re so hot. Makes me wanna come in you every single day.” You could feel him move between your legs then, as he began to fuck his seed back into your aching walls. In the back of your mind, you could feel his hand lazily working at you, pushing a single digit back into your entrance between his cock, thrusting in the cum that was splattered across your thighs.

Groaning out softly at his words, you placed your hands on his bare chest and pushed a little bit so that you could get a look at his face again. It was filled with so much lust and want and adoration, the sight of it all almost overwhelmed you entirely. “Well, I suppose I could allow that…” Your voice trailed off, as you dragged a single finger up the center of his chest and towards the sharp line of his jaw. “If it’s with you— then yeah, you can fuck me raw every day.”

Hyunjin let out a low noise, which sounded like a mix between a moan and a cry for help. “But we can’t, baby doll— it wouldn’t be smart and I’d never want to put you in any kind of uncomfortable position.”

You found yourself shrugging off his concerns nonchalantly, as you drove your hips a little forward, meeting his shallow strokes. You loved the feeling there, of wetness and silky essence. “Yeah, but… the good thing is, at least we’d know who the father is.”

At that, he was flashing you a wicked smirk, pearly white glinting against puffy, red lips. His tiny smile was the last thing you saw before he was tipping into you and fitting his mouth around yours again. “Oh, you devilish little minx… I think I’ll keep you for a very long time.”

In the back of your mind, you could feel him moving against you, cock already stiffening again just from your words and insinuations alone. But at that moment, you weren’t too worried about what he planned to do with you for the rest of the night. Because right then, all you wanted to focus on was his face, and the way he let you ring your arms around his neck, pulling at the hair at his nape as he pressed kiss after impassioned kiss to your mouth.

It turns out that your roommate Felix had been right after all. In the end, working with Hwang Hyunjin hadn’t been that horrible.

It had been quite… nice.

Despite all of the bickering and shouting.

After a while, the rough bumps and edges of your rocky relationship seemed to mellow out between the tall bookshelves of the library. And before you knew it- he had you completely bending at his will — practically groveling at his feet for his love, attention, and care.

In the end, you supposed that that’s what you had always wanted from each other, and that’s why you had been so horrible to one another. If you couldn’t garner each other’s attention with regular conversations and friendship, the next best thing was to be rivals in your academics and throw insults at every opportunity you were offered.

But the thing about trying to hate Hwang Hyunjin — trying to hate such a smart, caring, passionate man — is that eventually, one’s willpower always breaks down, and they’re left in a pile of mess and limbs as they search out his affection.

Fin.

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ineedjesusverymuch · 19 days

Text

Diabolik lovers headcanons pt. 3 (even more stuff)

Hi, it's been a while, no? Even though I feel a bit like I'm screaming into an empty void, I do enjoy writing my thoughts down.

The Diabolik Lovers fandom gets smaller and smaller and since just a few blogs are active, I wanted to post more! I know that without Rejet producing more content (that is canon and not "just" new merchlines, even though I deeply love the art), the dl fandom is bound to shrink. But: now, there are a lot of very respectful blogs, which I do enjoy! The toxicity just shrinks a lot on smaller fandoms. And I really love that no slander of Yui is happening!

Now, lets get into the headcanons after my short ramble.

I won't write anything nsfw this time, just a quick psa.

⚠ I'll try to mark anything that could be triggering with this: ❗trigger warning ❗

⚠This post will briefly discuss topics like: parental trauma and childhood trauma.⚠

The topics in this post will be mostly happy or cute (?), asks are always appreciated!

As always, I'll try to be at least a bit true to canon. But... Well.

this time I did not just ramble about Kanato, I think I talked about Laito quite a bit though...

Headcanons under the cut ⬇

First of all: Shu.

Genuinely loves dogs (remember the scene with Yuma? The little puppy? Yes.)

All fluffy dogs are loved, just as all other dogs.

Loveslovesloves Golden retrievers and sheperd dogs. Likes big dogs a bit more than small dogs, more to hug.

Deeply hates toads. Not frogs, toads. He thinks they're quite ugly and hates how big they can get

Shu is Not dumb but being a little fuck by not-obeying-karlheinz's-orders-like-being-good-in-school

Has only socks with terrible obnoxious patterns, like the weirdest psychedelic shit? I'm talking about rainbow colored mushrooms on sunyellow backdrop and comical faces. (Ngl, it's a vibe)

Huuuuge crush on Yuma. He likes his long hair and the fact that Yuma doesn't try to lie to him. Shu likes honest people and Yuma with his blunt approach is amazing for him. Also, he is convinced that Yuma is very simple to understand, nit at all complicated like some other people.

Next in Line is Reiji! What a surprise.

Has a huge collection of Hand cream and lotion. He has those long, slim fingers and his nails are manicured so impeccable that they don't even look real anymore.

Wears only black socks. Its a hassle to sort them since some of them have different lengths or fabrics

Has pet rats. Definitely pet rats.

They're cute and all but he's named ever single one outrageous names like Berthold and Brunhilde, the typical old german names you'd read in very old books.

Reiji Is able to speak not only german, japanese and the demon language but can also speak latin (even though shu is on a much higher level), a bit of French and russian.

Would be the type to do things simply out of sprite. Shu once mentioned not liking blue curtains and now all curtains are blue.

Has an academic rivalry with Ruki. All the other students (including Ruki) think they're flirting, only Reiji is oblivious.

Next: our boy Ayato!

Hates bees with a passion.

Kanato once "gifted" him a box of bees out of spite (the little shit put the whole bee hive in that box), ever since then Ayato runs as soon as humming from a bee can be heard in a ten mile ratio. (Being outside is very exhausting for everyone, himself included)

Very much enjoys shows like Brigderton and say yes to the dress. Loves the drama and the intrigue.

Ayato actually? Doesn't hate his brothers??? He likes to bicker with them, especially his other triplets, but genuinely cares about them. He's just a bit too emotionally stunted on that front (thank you cordelia).

Likes not only takoyaki but also any type of japanese festival food. I'm talking about mochi, dango and tayaki, etc.

the type to have lactose intolerance and ignore it completely to seem "cool"

went on an ice cream date with Yui once and spent the entire night in the bathroom because he was too proud to say no

Actually wears makeup? I'm not talking about full-on glam but a bit concealer and eyeliner. Ayato has red mascara and omfg he looks so good with it???

Laito and he enjoy playing those multiplayer games for nintendo

He has an entire village on animal crossing that is managed by him and Laito together

Next in line: Kanato!

I have made quite long posts about him in the past so I wont elaborate on some things that I already wrote down.

Very skilled at makeup. Like top-level skill. Wears eyeliner, liptint or gloss and glitter under and on his eyes. Light blush is a must-have!

Can crochet and knit but is often too impatient to make bigger projects

Will hyperfocus on things like historical fashion and garments for weeks at a time.

Once was so focused on the black plague that he didn't drink blood for like five weeks and passed out until he was fed some blood

Gremlin.

Has a friendship with Yuma? They plant plants together and since Kanato (canonically) likes apples, Yuma will bring him some after plucking.

Kanato enjoys tea time with Reiji

Kanato also likes to gossip with Laito. Or more like: Laito gossips and Kanato sits next to him and munches on some sweets.

Huge crush on Azusa. (I went into more detail on that in earlier posts but I'll answer any questions on that matter! Feel free to send me asks or prompts!)

He and Ayato have both the same interest for old fairy tales and will read them together on those nights were everything just comes up again

❗Laito will comfort him when Kanato has nightmares and Kanato will be there for Laito, since they went through a bit if the same things even though Laito's was much more intense

Cuddle time with Shu

Quiet time with Subaru

Now Laito!

Can speak a fuckton of languages.

I don't care if its canon but Laito is like B2 Level of French. Is able to discuss theological matters is perfect french.

Can also speak italian like all the triplets but he's also able to speak a bit german, polish and romanian

Friends with Kou! ❗They're really good ffriends and can understand what the other went though. Laito stays often over night at Kou's and they spend the night watching funny movies (Deadpool is Laitos current favourite)

Laito enjoys comics. He likes Marvel and DC a lot!

We know that Laito likes crossword puzzles but like. He's so good at them it's almost frightening. Is able to not only do japanese ones but also french.

So intelligent???

Not only booksmart but also "people smart". He notices the smallest things on people around him, constantly analizes everyone. Knows a lot about medicine and psychology.

Loves learning new things.

Has immense knowledge about the universe, is able to name every single star sign on the sky.

in the games we often see Laito wear casual clothing. My headcanon is that he likes the sort of style skaters usually wear.

Really likes cargo pants since everything fits in all of the pockets

Wears oversized hoodies and shirts

Has those two piercings on his left earlobe but also has a lip piercing on the right lower lip and a septum that he got when he was bored

As soon as he's alone, he let's the perverted fassade fall down. He doesn't smile a lot actually, more along the lines of a serious face most of the time.

It took a bit for him to be able to drop that fake face of his in front of Kou and his other triplets but after some time he got used to not fake being friendly and perverted.

Dropped the infamous "bitch-chan" after some time, now uses Yui's actual name. The -chan stayed though.

Last but not least: Subaru!

has very soft plushies in his coffin

Loves those tiny fluffy bunnies. Lionheads especially!

Very gentle with animals.

Animals love him (#disneyprincesssubaru)

once tried to color his hair, it went horrible and his hair was a patchy muddy color for eight weeks

Wears eyeliner. The black, brush-tip ones

Long eyelashes. They genuinely look fake.

So pretty

Is naturally more fair and frail-looking than some other vampires so he tries to roughen himself up

❗Bruises his knuckles and bites his lips to look more dangerous. Even though the scowl he usually wears is more than enough to ward off anyone who wants to pick a fight...

Also friends with Kou (Kou really collects Sakamakis like pokemons)

Wears black nail polish but it chips off pretty fast due to the gardening Subaru does

Bonding time with Kanato is applying nail polish together

Enjoys playing pool and darts with Shu when his older brother has enough motivation

Knows he is fucked up from all the stuff with his mother and wouldn't be opposed to therapy (at least after some sweet talk from Yui... And a whole lot of promises for new seeds for his garden and a new set of black clothes)

Has a motor bike and it's his entire pride

Polishes it every week and has a lot of clothes for biking

Takes trips to somewhere when he's bored and/or annoyed by his other brothers

does not realize that Kou flirts with him every time they do something together (obliviousness lies in the family)

So! That's it? I guess? Sometime in the future I'll write about the Mukamis too, I promise!

If there's anything you'd like me to write about, just send me an ask.

And to whoever reads this: I appreciate the time you took to read my post and I hope you have an amazing day/night !

you are truly appreciated!

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transmutationisms · 1 year

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hello! im just finishing up my read of structures of scientific revolutions, which has genuinely been very useful and shifted my understanding of science in a way being around people doing scientific research all day really didn't! i don't have a liberal arts education so i would love to get a sense of (a) what else of the philosophy / history of science canon is worth reading in the original (b) standard review papers or introductory textbooks and (c) critiques of the canon. i understand this is a big ask ofc, so feel free to point me to good depts / syllabi from good courses. thanks :)

yessss such a fun question >:) so, the thing that was so great about 'the structure of scientific revolutions', which i'm sure you've picked up on, is that kuhn pushed historians and philosophers of science to challenge the positivist model of science as a linearly progressive search to 'accumulate knowledge'. the idea of a 'paradigm shift' was itself a paradigm shift at the time; it was an early example of a language for talking about radical change in science without giving into the assumption that change necessarily = 'progress' (defined by national interests, mathematisation, and so forth). this is still an approach that's foundational to history and philosophy of science; it's now taken as so axiomatic that few academics even bother to gloss or defend it in monographs (which raises its own issue with public communication, lol).

where kuhn falls apart more (and this was typical for a philosopher of his era, training, and academic milieu) is in the fact that he never developed any kind of rigorous sociological analysis of science (despite alluding to such a thing being necessary) and you probably also noticed that he makes a few major leaps that indicate he's not fully committed to thinking through the relationship between science and politics. so for example, we might ask, can a paradigm shift ever occur for a reason other than a discovered 'anomaly' that the previous paradigm can't account for? for instance, how do political investments in science and scientific theories affect what's accepted as 'normal science' in a kuhnian sense? are there historical or present cases where a paradigm didn't change even though it persistently failed to explain certain empirical observations or data? what about the opposite, where a paradigm did change, but it wasn't necessarily or exclusively because the new paradigm was a 'better' explanation scientifically? how do we determine what makes an explanation 'better', anyway, especially given that kuhn himself was very much invested in moving beyond the naïve realist position? and on the more sociological side, we can raise issues like: say you're a scientist and you legitimately have discovered an 'anomaly'. how do you communicate that to other scientists? what mechanisms of knowledge production and publication enable you to circulate that information and to be taken seriously? what modes of communication must you use and what credentials or interpersonal connections must you have? what factors cause theories and discoveries to be taken more or less seriously, or adopted more or less quickly, besides just their 'scientific utility' (again, assuming we can even define such a thing)?

again, this is not to shit on kuhn, but to point out that both history and philosophy of science have had a lot of avenues to explore since his work. note that there are a few major disciplinary distinctions here, each with many sub-schools of thought. a 'science and technology studies' or STS program tends to be a mix of sociological and philosophical analysis of science, often with an emphasis on 'technoscience' and much less on historical analysis. a philosophy of science department will be anchored more firmly in the philosophical approach, so you'll find a lot of methodological critique, and a lot of scholarship that seeks to tackle current aporias in science using various philosophical frameworks. a history of science program is fundamentally just a sub-discipline of history, and scholarship in this area asks about the development of science over time, how various forms of thinking came into and out of favour, and so forth. often a department will do both history and philosophy of science (HPS). historians of medicine, technology, and mathematics will sometimes (for arcane scholastic reasons varying by field, training, and country) be anchored in departments of medicine / technology / mathematics, rather than with other faculty of histsci / HPS. but, increasingly in the anglosphere you'll see departments that cover history of science, technology, and mathematics (HSTM) together. obviously, all of these distinctions say more about professional qualifications and university bureaucracy than they do about the actual subject matter; in actuality, a good history of science should virtually always include attention to some philosophical and sociological dimensions, and vice versa.

anyway—reading recs:

there are two general reference texts i would recommend here if you just want to get some compilations of major / 'canonical' works in this field. both are edited volumes, so you can skip around in them as much as you want. both are also very limited in focus to, again, a very particular 'western canon' defined largely by trends in anglo academia over the past half-century or so.

philosophy of science: the central issues (1998 [2013], ed. martin curd & j. a. cover). this is an anthology of older readings in philsci. it's a good introduction to many of the methodological questions and problems that the field has grown around; most of these readings have little to no historical grounding and aren't pretending otherwise.

the cambridge history of science (8 vols., 2008–2020, gen. eds. david c. lindberg & ron numbers). no one reads this entire set because it's long as shit. however, each volume has its own temporal / topical focus, and the essays function as a crash-course in historical methodology in addition to whatever value you derive from the case studies in their own right. i like these vols much more than the curd & cover, but if you really want to dig into the philosophical issues and not the histories, curd & cover might be more fun.

besides those, here are some readings in histsci / philsci that i'd recommend if you're interested. for consistency i ordered these by publication date, but bolded a few i would recommend as actual starting points lol. again some of these focus on specific historical cases, but are also useful imo methodologically, regardless of how much you care about the specific topic being discussed.

Robert M. Young. 1969. "Malthus and the Evolutionists: The Common Context of Biological and Social Theory." Past & Present 43: 109–145.

David Bloor. 1976 [1991]. Knowledge and Social Imagery. Chicago: University of Chicago Press (here is a really useful extract that covers the main points of this text).

Ian Hacking. 1983. Representing and Intervening: Introductory Topics in the Philosophy of Natural Science. Cambridge: Cambridge University Press.

Steven Shapin. 1988. ��Understanding the Merton Thesis.” Isis 79 (4): 594–605.

Steven Shapin and Simon Schaffer. 1989. Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life. Princeton, NJ: Princeton University Press.

Mario Biagioli. 1993. Galileo, Courtier: The Practice of Science in the Culture of Absolutism. Chicago: University of Chicago Press.

Bruno Latour. 1993. The Pasteurization of France. Translated by Alan Sheridan and John Law. Cambridge, MA: Harvard University Press.

Margaret W. Rossiter. 1993. “The Matthew Matilda Effect in Science.” Social Studies of Science 23 (2): 325–41.

Andrew Pickering. 1995. The Mangle of Practice. Chicago: University of Chicago Press.

Porter, Theodore M. Trust in Numbers: The Pursuit of Objectivity in Science and Public Life. Princeton University Press, 1996.

Peter Galison. 1997. “Trading Zone: Coordinating Action and Belief.” In The Science Studies Reader, edited by Mario Biagioli, 137–60. New York: Routledge.

Crosbie Smith. 1998. The Science of Energy: A Cultural History of Energy Physics in Victorian Britain. Chicago: University of Chicago Press.

Chambers, David Wade, and Richard Gillespie. “Locality in the History of Science: Colonial Science, Technoscience, and Indigenous Knowledge.” Osiris 15 (2000): 221–40.

Kuriyama, Shigehisa. The Expressiveness of the Body and the Divergence of Greek and Chinese Medicine. Zone Books, 2002.

Timothy Mitchell. 2002. Rule of Experts: Egypt, Techno-Politics, Modernity. Berkeley: University of California Press.

James A. Secord. 2003. Victorian Sensation: The Extraordinary Publication, Reception, and Secret Authorship of Vestiges of the Natural History of Creation. Chicago: University Of Chicago Press.

Sheila Jasanoff. 2006. “Biotechnology and Empire: The Global Power of Seeds and Science.” Osiris 21 (1): 273–92.

Murphy, Michelle. Sick Building Syndrome and the Problem of Uncertainty: Environmental Politics, Technoscience, and Women Workers. Duke University Press, 2006.

Kapil Raj. 2007. Relocating Modern Science: Circulation and the Construction of Knowledge in South Asia and Europe, 1650–1900. New York: Palgrave Macmillan.

Schiebinger, Londa L. Plants and Empire: Colonial Bioprospecting in the Atlantic World. Harvard University Press, 2007.

Galison, Peter. “Ten Problems in History and Philosophy of Science.” Isis 99, no. 1 (2008): 111–24.

Daston, Lorraine, and Peter Galison. Objectivity. Zone Books, 2010.

Dipesh Chakrabarty. 2011. “The Muddle of Modernity.” American Historical Review 116 (3): 663–75.

Forman, Paul. “On the Historical Forms of Knowledge Production and Curation: Modernity Entailed Disciplinarity, Postmodernity Entails Antidisciplinarity.” Osiris 27, no. 1 (2012): 56–97.

Ashworth, William J. 2014. "The British Industrial Revolution and the the Ideological Revolution: Science, Neoliberalism, and History." History of Science 52 (2): 178–199.

Mavhunga, Clapperton. 2014. Transient Workspaces: Technologies of Everyday Innovation in Zimbabwe. Cambridge, MA: MIT Press.

Lynn Nyhart. 2016. “Historiography of the History of Science.” In A Companion to the History of Science, edited by Bernard Lightman, 7–22. Chichester, UK: Wiley Blackwell.

Rana Hogarth. 2017. Medicalizing Blackness: Making Racial Difference in the Atlantic World, 1780–1840. Chapel Hill: University of North Carolina Press.

Suman Seth. 2018. Difference and Disease: Medicine, Race, and the Eighteenth-Century British Empire. Cambridge, UK: Cambridge University Press.

Aro Velmet. 2020. Pasteur's Empire: Bacteriology and Politics in France, its Colonies, and the World. Oxford: Oxford University Press.

i would also say, as a general rule, these books are generally all so well-known that there are very good book reviews and review essays on them, which you can find through jstor / your library's database. these can be invaluable both because your reading list would otherwise just mushroom out forever, and because a good review can help you decide whether you even need / want to sit down with the book itself in the first place. literally zero shame in reading an academic text secondhand via reviews.

#sorry this got long as shit lol #book recs #hps

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txttletale · 9 months

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Your discussions on AI art have been really interesting and changed my mind on it quite a bit, so thank you for that! I don’t think I’m interested in using it, but I feel much less threatened by it in the same way. That being said, I was wondering, how you felt about AI generated creative writing: not, like AI writing in the context of garbage listicles or academic essays, but like, people who generate short stories and then submit them to contests. Do you think it’s the same sort of situation as AI art? Do you think there’s a difference in ChatGPT vs mid journey? Legitimate curiosity here! I don’t quite have an opinion on this in the same way, and I’ve seen v little from folks about creative writing in particular vs generated academic essays/articles

i think that ai generated writing is also indisputably writing but it is mostly really really fucking awful writing for the same reason that most ai art is not good art -- that the large training sets and low 'temperature' of commercially available/mass market models mean that anything produced will be the most generic version of itself. i also think that narrative writing is very very poorly suited to LLM generation because it generally requires very basic internal logic which LLMs are famously bad at (i imagine you'd have similar problems trying to create something visual like a comic that requires consistent character or location design rather than the singular images that AI art is mostly used for). i think it's going to be a very long time before we see anything good long-form from an LLM, especially because it's just not a priority for the people making them.

ultimately though i think you could absolutely do some really cool stuff with AI generated text if you had a tighter training set and let it get a bit wild with it. i've really enjoyed a lot of AI writing for being funny, especially when it was being done with tools like botnik that involve more human curation but still have the ability to completely blindside you with choices -- i unironically think the botnik collegehumour sketch is funnier than anything human-written on the channel. & i think that means it could reliably be used, with similar levels of curation, to make some stuff that feels alien, or unsettling, or etheral, or horrifying, because those are somewhat adjacent to the surreal humour i think it excels at. i could absolutely see it being used in workflows -- one of my friends told me recently, essentially, "if i'm stuck with writer's block, i ask chatgpt what should happen next, it gives me a horrible idea, and i immediately think 'that's shit, and i can do much better' and start writing again" -- which is both very funny but i think presents a great use case as a 'rubber duck'.

but yea i think that if there's anything good to be found in AI-written fiction or poetry it's not going to come from chatGPT specifically, it's going to come from some locally hosted GPT model trained on a curated set of influences -- and will have to either be kind of incoherent or heavily curated into coherence.

that said the submission of AI-written stories to short story mags & such fucking blows -- not because it's "not writing" but because it's just bad writing that's very very easy to produce (as in, 'just tell chatGPT 'write a short story'-easy) -- which ofc isn't bad in and of itself but means that the already existing phenomenon of people cynically submitting awful garbage to literary mags that doesn't even meet the submission guidelines has been magnified immensely and editors are finding it hard to keep up. i think part of believing that generative writing and art are legitimate mediums is also believing they are and should be treated as though they are separate mediums -- i don't think that there's no skill in these disciplines (like, if someone managed to make writing with chatGPT that wasnt unreadably bad, i would be very fucking impressed!) but they're deeply different skills to the traditional artforms and so imo should be in general judged, presented, published etc. separately.

#ask #ai art

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heavenlymorals · 4 months

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Some artists that I think Arthur would really like cuz I'm kinda bored(aka, an excuse to show art history):

John Singer Sargent (1856-1925):

John Singer Sargent is an icon and his composition is legendary. He wasn't that focused on very intense detail as he was with form and it's amazing what he was able to do. Eye catching, yet unrendered. Realistic, yet simplistic. Though he paintings were phenomenal, I think Arthur would enjoy his charcoal portraits the most, though. They are so beautiful and I feel like Arthur would be fascinated by how Sargent was able to use tones to give the allusion of detail rather than actually drawing out the detail. I think Arthur would adore how Sargent made them feel so real with how simplistic the composition is.

Thomas Moran (1837-1926):

Thomas Moran is a landscape artist whose main muse was the vast American frontier. His most famous paintings are that of Yellowstone National Park and the gorgeous Grand Canyon. His oil paintings are colorful and vibrant and have so much emotion to them. Given that Arthur is often outdoors and is super connected to nature, he'd probably really enjoy Moran's oil paintings of higher elevation like canyons and mountains.

Alexandre Cabanel (1823-1889):

Alexandre Cabanel is a portrait artist who created some of the most iconic oil paintings to have ever graced our eyes. His academic style of painting focused a lot on detail and precise rendering, unlike Sargent. Given the general gloominess and the melodrama of his oil paintings, I feel like Arthur would really like the figures that Cabanel painted, especially considering how emotional they are. Arthur, being emotionally repressed, might connect even more with them because of it. Cabanel was a damn genius.

Ulysses S. Grant (1822-1825):

I know some of y'all are like "what the hell is Civil War hero and US President Ulysses S. Grant doing on this list?" Well, cuz he was a pretty dope artist too. In the few drawings we have from him, his main medium seems to be watercolor and his watercolor drawings are really unique. They focused more on composition than detail and they remind me so much of Arthur's own drawings, except they are in watercolor rather than lead or charcoal. I think Arthur might also enjoy how personal they all feel and how simplistic.

Winslow Homer (1836-1910):

Homer was an impressionist painter whose main muse was the everyday man and woman. His oil paintings are vibrant and full of life as they depict the everyday life of workers rather than people of leisure. Unrendered strokes from the brush put so much personality into the paintings and even life. Beautiful and bright paintings, all of them, but I feel like Arthur would connect most with the ones that depict land rather than the ones that depict water.

#rdr2 #red dead redemption 2 #arthur morgan #john singer sargent #thomas moran #alexandre cabanel #ulysses s grant #winslow homer #art history #i hope arthur got to go to art museums at some point in his life #he'd be so intrigued

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nattaphum · 11 months

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Mileapo’s interview conducted online after shooting for Spur Magazine

I changed into my clothes and the first person who appeared in front of the screen was Mr. Apo. While waving at me he said, "Hi! How are you? Mile will be coming soon, so please wait a little longer” he said with a refreshing smile that was no less than a vitamin yellow T-shirt. Mr. Mile, who appeared immediately after that, glanced at Mr. Apo and held two cushions that were nearby. While gently attaching one of them behind Mr. Apo, he sat down with a cheerful smile, saying, "Thank you for waiting." I witnessed the deep bond between the two of them, who care about each other on a daily basis.

You are two people who have been active as models since you were teenagers before you were active as actors. Please tell me how you aimed to be a model.

Apo: When I was looking for something to put into, I felt that "modeling work is cool." Luckily, I got a chance to be invited by an acquaintance.

Mile: I was also invited by an acquaintance and signed a contract with a model agency. At that time more than 10 years ago, there was still no culture of scouting through SMS. The way to enter this industry was either by chance or by acquaintance.

──At that time, it seems that model work and academic work were parallel, but each of them was quite conspicuous on the university campus ...!

Mile: Well, i was popular (laughs). Because I was also doing music activities. Since I was a child, playing the guitar has been my hobby.

Apo: I wasn't popular at all! Because i looked like a "simple boy" at that time. Because i was skinny, my face was elongated, and people around me often said that i looked like Ultraman (laughs). (Crosses arms and imitates Ultraman's pose)

Mile: hahaha. I also thought when we first met! It is similar to both Ultraman and the actor and who plays the role of Zhan Zhao

──Mile and Apo have appeared in fashion magazines from various countries so far. I saw a project that talks about the commitment to dressing and your favorite products, and I felt the love you two have for fashion.

Mile: I like fashion very much. I'm especially attracted to items that can feel the skills of craftsmen, such as tailor-made. Among them, I like accessories and shoes such as watches and rings.

──Apo seems to be particular into eyewear. I was surprised at the large number of things you carry, such as sunglasses and glasses.

Apo: hahahaha! It's a video that introduced the contents of my bag. You did your homework! ( =You've prepared well) Even in a day, I try to change the design according to the scene and mood, and wear glasses with a degree. I'm the type with a lot of luggage in the first place, but I especially carry a lot of glasses.

──As Apo mentioned earlier, the two of you who were appointed as Dior's ambassadors this year. In June, I participated in the men's collection in Paris and received cheers from many people there. How did you feel when you decided to work as an ambassador?

Apo: i was very happy. Actually, we've talked about it many times before it's decided. It started in the fall of 2022, when I worked with Dior for the first time. " While I was on a concert tour around Southeast Asia with the members of KinnPorsche, the Dior team came to see the concert and appreciated our attitude towards our work. From there, we discussed and came to the conclusion that "Dior and we should be able to do a good job" and decided to appoint them.

Mile: This is the first time for us to do long-term fashion work. I am sincerely grateful to the people of the Dior family for welcoming and caring for us.

──In August, the movie "Man Suang" where you co-starred for the second time together was released." Following "KinnPorsche The Series", this work produced by BE ON CLOUD was also very impressive with very gorgeous costumes and visual beauty. Mr. Mile is performing traditional Thai art with a taphone (taiko) and Mr. Apo is performing rum (Thai dance), but how long did it take to prepare?

Apo: It took 4 to 5 months just to prepare before shooting.

Mile: it took almost a year to combine the shooting period. Thanks to spending a long time, I feel that I was able to firmly express the beauty of Thai traditional art.

Apo: Unfortunately, the screening in Japan has not been decided yet. If you are interested, please contact me!

Mile: (smiling and nodding) What Apo is trying to convey is, "Please let me know if there is a company that will become a distributor of the work."

Apo: Oh yeah, that's what it is (laughs). You may get a chance to meet Japanese fans in the wake of the broadcast. I look forward to working with you!

──Fans should be looking forward to the day when they can meet the two of them in Japan.

Mile: we've always wanted to meet.

Apo: we will definitely make it happen

#NOT MILE PUTTING A CUSHION BEHIND APO’S BACK #THE INTERVIEWER WITNESSED THE DEEP BOND BETWEEN THEM #cute interview !!!#kinnporsche #mileapo #apo nattawin #mile phakphum #mileapo x spur

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yurucamp · 1 month

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Hi, I love your art so much. I wanted to ask, how did you get so good at drawing anatomy & posing? Are there any resources that you use for referencing, have you studied anatomy? Any tips on that? Thank you ;_;. Also wanted to express my appreciation: I really admire how kind you are, especially with how generously you share detailed art tips and advice.

hi! first of all thank you so much ❤️ it's funny that you say that because i think anatomy and posing are two of my biggest weaknesses/things i really need to improve on! i am very reliant on using posing dolls like the clip studio paint models and magicposer.

i try to do a bit of studying every day to break myself out of this reliance and build my visual references. croquiscafe used to be a go-to suggestion for figure drawing practice. i can't recommend them anymore but you can still find their resources online, and there's also the Art Models series of books. in addition to more static figure drawing poses i try to study more dynamic poses (photos of figure skaters and volleyball players are personal favorites) and ones from odd angles (jookpubstock has a lot!)

i don't know how helpful my advice will be, though, considering how tremendously much i have to learn! i will say, i think finding ways to improve your art that are fun for you personally are important- i often see more intense books like anatomy for sculptors recommended and i find that it's so hard for me (out of pure lack of spine) to focus on more academic approaches that it ends up as wasted time

thanks again and take care! i'm happy to hear my advice can be helpful, i always worry i have less to say than i'd want :,)

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cherryrainn · 7 months

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Can i ask for some headcanons from Charlie (hazbin hotel) comforting a neurodivergent reader, with she thinking she is selfish because of the emotional outbursts of ADHD and impulsivity but people don't realize how much she sacrifices so that others see her as productive, kind and a good human, masking a lot of disorganized behavior just so the college can accept it better? Sorry if it seemed too personal, i'm just tired of neurotypicals

HEADCANONS OF CHARLIE COMFORTING A NEURODIVERGENT READER .

; pairing ; charlie x neurodivergent reader (platonic)

; note ; these headcanons felt really nice to come up with. i can totally see where you're coming from and i am here for you.

; warnings ; none

charlie is incredibly empathetic and recognizes the struggles that come with neurodivergence.

she assures you that your feelings and experiences are valid, offering a safe space for you to express yourself.

charlie understands the societal pressures to conform and mask one's true self, especially in an academic setting.

she validates your efforts in trying to fit into societal norms and assures you that your true worth goes beyond appearances.

charlie fosters open communication, making it clear that you can always talk to her about your struggles without judgment.

she encourages you to express your feelings, thoughts, and challenges, creating a dialogue to help you feel heard and understood.

charlie recognizes and celebrates your achievements, no matter how small, emphasizing that every step forward is a victory.

she helps shift the focus from perceived shortcomings to the progress you've made.

charlie may share some of her own coping strategies or suggest activities that could help you manage.

whether it's through music, art, or other creative outlets, she encourages you to find what works best for you.

charlie emphasizes the importance of self-care and taking breaks when needed, reminding you that your well-being is a priority.

she may even organize activities or events that cater to your preferences and comfort.

#CHARLIE MORNINGSTAR #charlie morningstar #hazbin charlie #hazbin hotel charlie #charlotte morningstar #hazbin hotel x reader #hazbin hotel #platonic #charlie morningstar x reader #y/n #reader insert #x reader #ask

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technicallyverycowboy · 9 months

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playboyy: no fags, no femmes

okay, so. playboyy meta. thanks to @lugarn, @chaos0pikachu, and @cryptidafter for talking all this out with me <3

i originally started this post with "not to be that guy," but honestly, i do want to be that guy. because so much of the critique and analysis of playboyy i'm seeing is a) grounded in a lack of knowledge about queer history and aesthetics and b) veers unintentionally but wildly into unexamined homophobia.

so, given i'm going to reference susan sontag's notes on camp several times, i've decided i might as well go full queer studies major about it and copy the list style she uses. (i would highly recommend reading notes on camp. it is academic and somewhat dense, but it's a tame 13 pages)

1. so many people are confidently asserting that playboyy is not camp, regardless of what the creatives behind the show think. to which i have to ask: how are you defining camp? what things are campy to y'all?

2. the personal definition of camp that i arrived at after writing a bunch of papers about it is two-fold: camp is exaggeration, treating things that are serious casually and treating things that are casual seriously. camp is about an aesthetic of inhabiting a role, where something is a little bit off or being something that it's not meant to be.

and to be clear, this is a wildly incomplete and simplified definition, because one of the points of camp is that it's a vibe, not something concrete. It’s also something that shifts over time the relationship between queerness and society changes.

2a. camp often intersects and overlaps with surrealism, like in rocky horror picture show. very often media that is campy exits the mundane world and enters a heightened world of exaggeration and stylization.

3. so, is playboyy campy? i sure as hell think it is. i think lugarn and chaos0pikachu both made really good points about the campiness of playboyy and it being specifically sexwork camp. (both replies are at that link.)

4. a brief list of things that specifically resonated as campy to me: first throwing american dollars in the pool for soong to catch, zouey's fantasy of feeling up teena in art class, every single element of nant's room (especially the projected images), captain's sports plot that involved zero doing the sport and 100% fucking and fantasy, the softly romantic framing of nuth and phob's sex scenes, jump's pleather tank top & coverall combination, prom wearing assless chaps to a rooftop party at 2:30 in the afternoon, the entire concept of investigating a disappearance via a themed party... i could go on and on, but i said this was brief.

5. i think the actual problem a lot of people have with playboyy is that it doesn't care about straight people.

6. what i mean by that is that playboyy is not a universal story. you could not plug different characters with different sexualities into the plot and preserve the essence of the story. the gayness of the characters is integral to the plot. the sex work is integral to the plot. this is not a world where homophobia doesn't exist and being gay is just like being straight.

7. additionally, these characters are all performing gender in a specifically queer way. they are femmes and fags, they are obvious, they are clockable, they're visible. when nice gays talk about the people who are giving gays a bad reputation and making it harder for everyone (to assimilate into heteropatriarchy) they're talking about playboyy gays.

8. comparing playboyy to only friends is low hanging fruit at this point, but i would argue that the reason boston stood out in that cast and was so viciously punished by the ending is because he was a fag stuck in a nice gays narrative.

9. and this is where the fandom homophobia comes in. so, so many people describe these characters and chaotic and messy, watchable as incoherent and vaguely amusing from a distance, but without real substance. the resulting narrative is often that no one could take their characters or their stories seriously or resonate with them.

10. again, why? why was ray and sand's high and low, blow up fights, calling each other whores relatable but soong and first's miscommunications about what they mean to each other unbelievable chaos? why is white taking black's place an acceptable plot point, but nont pretending to be nant is absurd?

11. most bls do not deal with flamboyance except in limited capacities by comedic side characters. flamboyance is a baseline trait for most of the playboyy characters. so if they feel too much, too loud, too out there, consider asking yourself why they do.

12. to a large extent, i think a lot of the criticism of playboyy is rooted in a bad faith refusal to engage with the show beyond a surface level pearl clutching about the sexual content. the unspoken belief here being that sex scenes are inherently vulgar distractions. they can't be integral to characters or their relationships. they can't be vital pieces of a narrative.

to which i say, there are nine thousand other BLs out there where the kissing is chaste and sex scenes are ~tastefully abstracted shots of shoulder blades and hands. watch those instead.

13. if you decide you want to watch it anyway, take a couple minutes to examine what parts of the show make you uncomfortable and why. and to be clear, i think there’s a lot of value in watching things that make you uncomfortable; media is often one of the best ways to dip into interrogating your emotional responses from a safe distance.

but don’t use discomfort to dismiss the possibility that there’s meaningful artistic and stylistic choices made to serve a meaningful narrative. take a second to sit with your reactions and ask yourself where it’s coming from.

#playboyy #playboyy meta #i want you all to know i hunted through three emails to find the rhetoric of camp essay i wrote in college for this

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fragmentedblade · 7 months

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Can you expand more on Ratio's philosophical influences? You seem super knowledgeable!

I've been sitting on this for some time because I didn't know what prompted this message and thus I didn't know what to answer and how. I guess it may be the comment I wrote about him having a socratic but also a sophist air?

There are a lot of details in Ratio's overall design that point towards philosophical references. I want to draw attention to the fact that since this is a vague message on anon I don't really know what to focus on or what could I skip because it's information already known, so what I'm going to say is a very brief summary of many ideas, which of course makes such ideas but the shadow of an echo of themselves, so faint they almost become untrue. I fervently advise to look more deeply into any of this if something catches anyone's interest. And I also want to point out that the problem of knowing a little bit of something, even its existence, is that seeing turns to seeking, and an excess of seeing is also a blindness; what I mean by this is that I'm not sure how much of what I am going to say was intentional by the developers/writers and how much is just me suffering the blindness of seeing too much haha

However, I also want to clarify that I do think many of the things I’m going to say are present even if perhaps not intended by the writers/designers. This is due to the fact that Ratio’s main influence is platonism, and platonism is everywhere in western philosophy and in general western culture; once you see it you cannot unsee it. So perhaps I am reading too much or making correlations between things in his design that were not meant to be linked, giving a depth to the character that is probably incidental, but that I would say nonetheless exists because it pertains to a certain philosophical tradition in which the elements stem from each other. I hope this will become clearer in its development if it isn’t right now.

Ratio has an Apollonian air. At first that and his mask made me wonder if he was going to be linked to the Mourning Actors, who alongside the Masked Fools for now remind me a lot of the Nietzschean Apollonian and Dyonisian dichotomy. This was conjecture on my side so I won't go on about this on this ask.

Ratio retains however the Apollo air. When I saw his splash art he reminded me instantly of the Belvedere Apollo, down to the strap under his chest like the sculpture has the quiver's strap. His sixth eidolon too recalls that sculpture, since it seems to be a mix of the pose in Michelangelo's David with the cloth in the Belvedere Apollo. Among other things, Apollo is a god linked to truth, medicine, archery and divination. The owl seems to be a reference to Athena, though.

Ratio also has the laurel or bay branch on his head, which is one of Apollo's traits. Laurel on someone's head became linked to victory as well as academic and artistic merit (I know in Italy people still use it when graduating, for instance; I mean, that's where the word comes from). The fact that he has half of it is most likely due to an aesthetic choice, especially given how the character designs are pointedly asymmetric in this game; however, I think it works well with how, no matter how much he achieves and how hard he tries, Ratio is never gazed upon by Nous nor accepted by the Genius Society with the frustration, bitterness and questioning that brings both himself and others.

This last point, being ignored by something akin to a divinity, works also with his Apollonian air, I'd say. Given his Apollo look, his snake-like pupils made me think instantly of Delphi. Delphi was where a temple to Apollo was (linked to a mythological snake, and snakes thus became associated with Apollo in imagery), and it was famous for its prophecies. Socrates (the master of Plato and main figure in his dialogues) is said to have started the habit of questioning he is mostly famous for because a friend of his went to the temple in Delphi and was told by the Oracle that the wisest man in Athens was Socrates. Socrates was perplexed by this because he knew nothing, and started posing questions to supposedly erudite people about the matters about which they were experts, only to come out of that feeling unsatisfied with the answers. Thus, Socrates thought the Oracle may be right after all, but he was only the wisest man because he at least knew that he knew nothing.

This works very well with Ratio because Socrates starts the journey by being distinguished among his peers, gazed upon, by a god (Apollo was supposed to possess the Pythia, or at the very least the prophetic power came from him), while Ratio never gets that recognition, and seems resigned to that already ("If this day I have not gained the recognition of Nous, it stands to reason that I never will at any point in the future" and "One day, I received a letter from the Interastral Peace Corporation (...). I could tell the solemnity of the invitation, so I excitedly passed it on to Mr. Ratio. Yet, he said nothing. I could sense his heavy silence even through the headgear. He then politely asked me to leave. The moment I closed the door, I heard a grim sigh followed by a self-deprecating laughter... Perhaps he realized he would never be accepted into the Genius Society..."). The mix of arrogance and humbleness, although enhanced in Ratio in a comical degree, is already somewhat present I would argue in the way Socrates talks in Plato's dialogues. Arrogance was also a trait Heraclitus, the author of the line cited in the name of his banner (“Panta rhei”), was famous to have.

So Ratio takes the position at the IPC. The Intelligentsia Guild is "often seen as a vendor of knowledge", and is looked down upon by the Genius Society. This is where I think the philosopher/sophist dichotomy comes in. Sophists were teachers, and were paid. They also were known to use rhetoric to convince (I would say there's a reference to this in one of Ratio's daily messages). In the political landscape of Athens, they were very useful for young men interested in politics. Some sophists became quite rich and famous. Usually philosophers, who didn't receive any money and did everything for the "love of knowledge" itself, looked down on them. At least in the texts of Plato that's often the case, although some sophists are portrayed under a better light even there; btw many of the things I've been saying come from Plato, but since this is an intricate subject on its own that isn’t directly pertinent to the ask I won't dwell on it right now.

Education in ancient Greece consisted of both intellectual and physical training. Intellectual education included music, poetry, mathematics, astronomy,... Physical fitness was held as something very important in a young man's curriculum as well. I think this is where the fanservicey choice of making Ratio so fit and pretty comes from. And I say “pretty” because beauty too is an important concept for Plato, and ancient Greece in general. It is also part of what linked the need of a young man to develop himself both intellectually and physically. Beauty is linked to harmony and order, both on an individual basis and cosmologically, often in some philosophical trends to a mathematical level; pythagoreanism has a lot of this.

Indeed I think pythagoreanism has to do somewhat with Ratio's design, considering his link to mathematics and geometry, and given his name ("Ratio" made me think of the golden ratio and in general pythagorean ratios even before it made me think of "reason" tbh), but in general the main philosophical reference in Ratio seems to be Plato, who was influenced greatly by pythagoreanism; this is one of the perhaps unintended indirect yet present links I mentioned at the beginning.

Platonism is very present in many ways in Ratio. It's noticeable even in his visual design, with how buff and handsome he is, arguably the references to Apollo and Athena, the geometry imagery, and even the sculptures he creates with his technique, but the influence is seen throughout his entire character, story, dialogue lines,... Part IV of Ratio’s character story, the way he talks with Roseth and what he says, has in my opinion an echo of platonic dialogues, as does his line “To spread knowledge, we must first make people realize their folly” recall Socrates. In the Trailblaze mission the main character had to argue for their innocence, which to me brought to mind the Apology of Socrates. On the other hand, the way this was done was very reminiscent of the socratic method, both in the discussion and counterargument mechanic of the game as, and especially so, in the use of memory. The main character had already the knowledge they seeked, yet they had forgotten about it, and had to retrieve it through memory guided by the intense questioning of Ratio; this, if applied to the research of a more essential knowledge instead of circumstantial, is the core of Socrates' maieutics. Maieutics is "midwifery". Socrates called by that word his method because he thought he was helping give birth to truths or knowledge that were already present in people's minds, if forgotten. It's what Ratio's skill, "intellectual midwifery", references.

The fact that Socrates' method, the "intellectual midwifery" to put it in in HSR terms, works in platonic philosophy is because it is taken that there are eternal truths, something Ratio believes as well (“The beauty of truth is that it never changes, even when no one understands it. Well, that's true for me, at least”). This has to do with what is called the theory of Forms or the theory of Ideas. The world that we see is but the shadow of that other conceptual abstract world, of which we have but forgotten memories and that we can access only with the mind's eye. Our soul once saw/was part of that other world, which is why it can remember it. Plato was influenced by the pythagorean view of a sort of journey or reincarnation of the soul after dying, to put it some way. This is also extensive, it has to do with orphism, is at the core of a lot of philosophical and theological western traditions, and thus I will say only this, even though it feels very close-to-fake simplistic haha. To summarise, there’s the other abstract perfect world of which everything in this world participates from and is but the shadow of (everything beautiful participates on the Idea of Beauty, eternal and inextinguishable, but it’s never as perfect as that Idea, only but its echo). The idea that the world is but the shadow of the other world is present in Ratio's English line when he is ko-ed, "Mere flesh…" (in Chinese, though, if I’ve understood correctly he says “«Mediocre»… hah”, which is very different if still lore-heavy). This of course implies a strong ontological dualism.

In this sense it is extremely interesting to me that Ratio’s banner is named “Panta rhei”, because Heraclitus is the epitome of the defender that all things were in constant change yet all things are One, the process of “becoming”, the constant struggle, at the core itself of reality (this too is harmony). He was pointedly monist, and is often contrasted to Parmenides, who spoke of eternal unchanging truths and beings. Both are cornerstones in the development of western philosophy and influenced Plato, but the choice calls my attention. In the Japanese wiki the line was linked/took to the buddhist concept of impermanence; while not necessarily related to that, this wiki suggestion made me wonder whether the choice of making “Panta rhei” the name of Ratio’s banner was done to further enhance another aspect of the many parallels between him and Ruan Mei, who also talks about life as something seemingly diverse and changing, hopes to obtain permanence, and talks about a something that transcends the multiple faces of life and that unifies them all (“Life is countless and varied in form. I firmly believe in that. Its beauty is like a myriad of flowers, and I want to pluck the one that never wilts”; “I wish to discover "the true essence of life," something that all individuals possess unknowingly, whether it is the materialism of their existence or an unknown entity beyond corporeal realms”; “The core of all existence is unity”). Even beyond that, in the context of everything else Ratio has going on, the mention of Heraclitus brings very intriguing food for thought to the table; yet I think this may be another instance of things that are, yet were most likely not meant by the writers.

Moving on, I’ll give a quick comment on the more explicit philosophical references we can find in Ratio’s traces, attacks and voicelines, and will dwell a bit only when I think they work well with the subjects and concepts I already commented Ratio plays with, otherwise this response will be eternal.

Summation (trace): in Chinese this is more clearly linked to the inductive reasoning, which in context it is obvious this is what this trace references; I don’t know why they chose to translate it this way. It is a method of reasoning that comes from the observation of particularities to generalisation, hence “summation”. It works well with Ratio causing more damage per debuff, and with the references to empiricism in Ratio’s attacks. The consequences in inductive reasoning are not truly ensured by the premises (the typical example is how you can’t ensure that all ravens are black by as many black ravens as you observe).

Inference (trace): this baffled me because again it is more clear in Chinese that this is referencing deductive reasoning, but every language translates “inference”, whereas in the “deduction” trace the characters are exactly the same as the ones in the Chinese wiki for “inference”, but every language translates “deduction”. I don’t know what’s happening here, I wish I knew Chinese and found this less confusing, but at least both words are present in his traces. Deductive reasoning is the one that goes from premises to conclusion. It is heavily linked to logic and it doesn’t necessarily require empiric knowledge.

Deduction (trace): this is what is called “inference” apparently in Chinese (if someone knows about this I would love to know what is happening in Chinese in these two traces). Inferences are, well, the process of reaching conclusions. It can be either through deduction or induction (or abduction, some would argue, but that’s another can of worms).

Mind is might (basic attack): in latin this is “scientia potentia est”, and while at this point the line is very detached from its context, initially it was linked to Bacon and Hobbes. I honestly think this is just a very convenient name for an attack of a character following a philosophy/sciences/knowledge thematic.

Intellectual midwifery (skill): Socrates, and platonism. I talked about this before.

Syllogistic paradox (ultimate): Syllogistic paradoxes were one of my favourite things when I was studying. Syllogisms are a form of logic reasoning, which consist of two premises and one conclusion. Though the premises may be true, and though the reasoning may be sensible, at times contradictory or illogical conclusions may be reached. This is a syllogistic paradox. Why this happens is because of a myriad of reasons, like the differences between natural and logical language, or the development of theories (the paradoxes in set theory are among my favourite things ever). I personally like to draw a strong distinction between paradoxes and contradictions. Anyway, I have a lot to say about this haha In general, this is what the name of the ultimate is referencing. It works well with Ratio’s traces. It also goes well with some of the other subjects present in his characterisation, like platonism, Descartes and such; there are a lot of paradoxes that arise from many of the theories that play with such topics. I think reading Alice in Wonderland’s apparent madness through the lenses of logic makes us see that most of those incongruences are actually pretty logical; many of them iirc are syllogistic paradoxes. Carroll was a logician. I mention this because this, as well as many other ideas present in Ratio, work extremely well with Penacony.

Cogito, ergo sum (talent): this is a line by Descartes, a rationalist. This too is something that fits Penacony incredibly well. Descartes starts doubting knowledge, ends up questioning pretty much everything, establishes inspired by mathematics and logic a method of acquiring the truth, and in the research of true knowledge he starts doubting everything with a methodical doubt to be able to tell what knowledge stands after being hit by doubt, and why, and try to reconstruct knowledge from there. Ratio’s lines about “seeking answers with a negative hypothesis in mind”, “When one is immersed in academic research, scepticism comes more naturally than belief” or “Pursuit tinged with negativity is still pursuit, and it is capable of leading us to the right conclusion” reminded me of Descartes’ method. One of the steps in the process is doubting one’s own existence, but since I (pardon the “I”, but the first person is very important in Descartes) doubt, then I think, and since I think, then I exist; cogito, ergo sum. This is closely related to platonism in some senses, and while Descartes’ philosophy comes in part from a criticism of scholasticism, it still has ties to it, but Descartes was a massive breakthrough in the history of Philosophy. I also won't dwell on this, but this is fascinating imo haha

Anyway, Descartes’ doubt about the existence of reality, of the world, is heavily linked to dreams, because in dreams we believe things are real but are not, so equally we could be at every moment in a dream and not be aware of that; only the existence of oneself is clear of this doubt (Zhuangzi’s text about the butterfly plays with this too; I comment this because butterflies have appeared in Penacony and the Zhuangzi’s text seems to play in an interesting way with the concept of “I”, taking it a different route than Descartes, which is a very intriguing idea but I don’t know much of Chinese philosophy at all). The concept of simulated realities, Matrix-like settings and such, all are strongly linked to this conception of Descartes, even though similar things existed previously (such as Plato’s allegory of the cave), and this works very well with Penacony again. Obviously, Descartes’ theory is strongly dualist, and it’s even established a body-mind dualism. The idea of the ghost in the shell also comes in great part from Descartes. Descartes’ view of the body was not too unlike that of a machine.

This was in a time in which clockwork and automatons were quickly advancing and fascinating people. Physic theories started to look (even more) like clockwork, with the universe as clockwork and god as a watchmaker that put it into place and then let it run its perfect course, needing or not (depending on the theory) adjustments from the watchmaker from time to time. I said before that harmony was linked to both the cosmos and the body, with the body in part being a reflection of the cosmos, and even linked to it by the harmony of the spheres. This new way of approaching the cosmological and human issues and developing Physics still has echoes of that. Newton, who is referenced in one of Ratio’s idle animations, is one of the epitomes of this concept of the universe as clockwork. Again, I don’t know how much they’ll do with these ideas nor even if they were written on purpose, but it all works so well with Penacony it would be a pity if they did nothing with this.

Another thing I want to note about Descartes is that besides mentally detaching himself from everything while doubting in his deconstruction and construction of knowledge, seeking undoubtable truths, he famously did so physically as well for some time when he first started thinking about the matters in his Discourse on the Method one night: “having no diverting company and fortunately also no cares or emotional turmoil to trouble me”, while he “spent the whole day shut up in a small room heated by a stove, in which I could converse with my own thoughts at leisure”. This reminded me a lot of Ratio’s head and how he uses it: “with the headpiece on, isolated from my five senses, i can think without interference”, “he put on a headgear to keep away all external distractions and completely focus on thinking? Who else in the world could manage that?”.

Mold of idolatry (technique): this links mainly again to the theory of Forms of Plato, with that representation of something else that is what is real. The name of the technique and what it does works well also with the idea of idolatry, especially of idolatry of false gods, idols or even falsehood in general, and how Ratio criticises people’s blind infatuation with geniuses. It also reminds me of Nietzsche’s Twilight of the Idols, or, How to Philosophise with a Hammer. Among other things, Nietzsche heavily criticises platonism and platonic philosophy, and mostly all western philosophers (he has kind words for Heraclitus, for instance).

Wiseman’s folly (ultimate’s effect): the idea that knowledge or beholding the truth brings to something similar to madness or ends up leading to foolishness is a very common one. Many of the Ancient Greece philosophers were said to have been extravagant. Diogenes the Cynic and Heraclitus were two such examples. Democritus was said to have plucked out his own eyes. Empedocles is said to have killed himself in a volcano. There’s Nietzsche, Georg Cantor, Kurt Gödel. It is the idea of the wise ending up being very much like the fool, but also the idea of the wise ending up losing sight of basic truths I believe, in that alienation from the world.

Know thyself (eidolon): this is what was inscribed in the temple of Apollo in Delphi I spoke of before. This is linked to Heraclitus, Socrates, Plato and platonism, of course. I think when it comes to Ratio that’s it, really. But this maxime has had a lot of implications and interpretations in different contexts and at different times. It could be seen as just a salutation, recommending temperance, the idea of knowing oneself and one’s limitations as key to succeed when approaching subjects or problems, the first step of getting to know anything at all, humans and the world being closely linked and even reflection of god so studying one helps studying the other, etc.

Vincit Omnia Veritas (eidolon): the translator says this means “eternal truth” in Chinese, which would play way better with the philosophical ideas and concepts present in Ratio while still playing with his name, “Veritas”. I won’t dwell on this because I’ve already talked about the link between eternal truths and Ratio a lot, and besides I can’t even confirm this is the true meaning because I don’t know Chinese.

Eidolon “The divine is in the details” seems to be a reference to a Chinese idiom that comes from a book. I don’t know if it has greater significance, but if anyone knows I am all ears. The other eidolons obviously work with Ratio, but I don’t see obvious philosophical influences so I’m skipping them.

Esse est percipi (ultimate line): “To be is to be perceived”. This is a line by Berkeley and linked to his philosophy. He criticises both dualism and materialism. The core idea is that the world’s existence is entirely dependent on the mind, that things don’t exist unless they are perceived and thought. His justification for one’s own existence seems to come from this perception, as Descartes’ came from thinking: “I do nevertheless know that I, who am a spirit or thinking substance, exist as certainly as I know my ideas exist”. Parmenides has a similar idea in his poem. I don’t think this was intended to be read too much into when it comes to Ratio, but I think it fits nicely with the other topics he has going on, and the dichotomy they often entail. It also works well with Ratio’s plaster head, with how he says “I don't have to set eyes on stupid people. Of course, they don't want to see me either”, with how he uses it to go unnoticed or unrecognised in both Herta’s Space Station and Penacony, and I think it could be overread or taken to more exaggerated levels in a juicy manner reading this under the notion of nothingness, mediocrity and being disregarded by Nous.

One of the listed researched achievements of Ratio is in the field of epistemology. Epistemology is the field that studies knowledge. Although studied in particular at times, it is of course often linked to ontological conceptions; all the philosophical theories I’ve stated carry with them epistemological implications as well as ontological. In one of Ratio’s character stories there’s a mention to epistemic logic which is, speaking broadly, a logical approach to the analysis of knowledge.

Another one of his listed achievements is in natural theology, which is the study of god through reason and logic instead of things such as transcendental experiences or revelations. This is very common in philosophy in general. It often has to do as well with the world as a harmonious whole, god as watchmaker/the universe as clockwork, and teleology. I will mention Newton and Darwin here because Newton is referenced in Ratio’s idle animation, and Darwin because he broke up with the teleological tradition when it came to the world. Ratio’s work is named Aeons: A Natural Phenomenon, and the title and its description, how its “Aeon non-theism”, makes it seem to me like he wrote of Aeons as if they were just another form of life or something that pertains to nature itself and not detached from it, which although very different from Darwin’s ideas did remind me of how he dismissed teleology in nature. This also clearly links, in my opinion, to Ruan Mei.

Other than that I also want to note Ratio’s final speech to Screwllum about inspiring doubt and scepticism when it comes to established ideas and geniuses. It reminded me of Socrates, how he was said to have “perverted” youth inspiring all that questioning among other things. It reminded me of Nietzsche, how he fervently encouraged individuals to use critical thinking, question dogmas and preconceived ideas they could have, and come up with their own conclusions that does not mean necessarily negating absolutely everything they held true before the questioning (this exchange between Screwllum and Ratio: “Screwllum: «You wish to uproot the researchers' blind worship of geniuses». Dr. Ratio: «I am only laying out my questions».”). It also pointedly reminded me of Kant's “Sapere aude!”, “Dare to know!”, and his text What Is Enlightenment?, in which among other things Kant talks about the lack of courage, not of intellect, of people to think for themselves, how humanity lives in a constant immaturity or adolescence of the mind, and urges them to get out of that state, to dare to know. Kant was greatly influenced by rationalism but said to have awaken from the rationalist slumber thanks to empiricism; the plays on rationalism and empiricism, deduction and induction, and the presence of idealism in the rest of Ratio’s writing as well as this fervent push for people to snap out of their lack of criticism and dare to think for themselves are what made me think of Kant here.

There’s more things to talk about Ratio, like his view on mediocrity and geniuses, and how that view is constructed and described in traces through fragments in his lore, the character stories, snippets of conversations; how he seems to be so similar in character and drive to geniuses, but never accepted as one, and how he is regarded as very different and eccentric by “normal” people, even in the Guild. In short, how he is detached from both the “normal” people and geniuses, like suspended between both states without being either completely, and how it makes so much sense in this context that he tries to breach the rift between both. I couldn’t help but mention this, to avoid forgetting this aspect of his characterisation in the future, but I won’t dwell on this because it isn’t really directly linked to any philosophical influence that I can think of.

I think this is it. Hopefully I didn’t forget anything important. And I’m sorry it is so long, but I really tried to summarise. As I said, I may well be reading too much into some of these things, but I also think that since Ratio plays with many of the core authors and concepts in the history of western philosophy, some things I expect were not intended by the writers still are present somewhat, because mentioning this or that thing alongside this or that other thing ends up having implications if you know a bit of the context.

I hope this was clear enough. However, I can try to explain myself better or further if I wasn’t. Philosophy may look unapproachable and dry at times at first, but it really isn't, it just needs one to get accustomed to some basic terminology, and it becomes fascinating and beautiful, and lifechanging haha. I would love it if Ratio is making people get a little bit more invested or interested in it, or open to explore it. The Stanford Encyclopedia of Philosophy is a good place to check the main ideas, texts and authors that may spike someone’s interest if anyone wants to read further about anything I've said or compare sources, but tbh I think even Wikipedia can be useful with getting a first feel of some basic ideas to know what to look for. And although I am not an authority or the most trustworthy source at all, I will help as best as I can if someone reading this has any further question. I recommend reading the texts firsthand though, with historical context in mind and footnotes perhaps if possible, and making one's own mind about everything.

#Dr. Ratio #Veritas Ratio #Ratio #Dr Ratio #Honkai Star Rail #Sorry for all the tags but I want to try to reach the person who asked this since it's been some time #If you are still around and see this I would appreciate confirmation that you saw it just to ease my mind a bit xD #Ratio fits Penacony so much I hope they do something with it #I talk too much #I should probably delete this later #And reread it just to make sure everything is alright after copypasting the text to tumblr #Traces

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