#even worse because I was emotional

[goat-boy]

Wow people make Käärijä a villain in the story that is actually so much bigger than our fandom or the history we’ve lived. It’s so unfair to him. I’m scared actually and hope he will be safe <3

I think he'll be mostly fine though admittedly I'm only tuned in here on tumblr. I have definitely seen some people being incredibly harsh on here as well though and I have heard that the reaction on Twitter has been way worse. (I heard people sent kä death threats, which if true is just like really??? over this?) It's just such a strange hill to die on to me.

I see it as reflective of the more recent phenomenon of people snapping at others online for what are ultimately little mistakes or just opinions that don't fit a specific mold. I've seen literally anyone being attacked just for not holding the most extreme version of a belief.

I don't think there's much cause for concern this time. Most of what I'm seeing here on tumblr is just people wanting a better apology or explanation anyway <3

[deathricedrawn]

i'm ready to try

[lucabyte]

Perceptive kid, I wonder just how much they pretend not to overhear.

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[puppetmaster13u]

Prompt 317

IMAGINE THIS: Lil baby Damian, bored and being not quite old enough to start learning how to use proper weapons (curse these wooden ones, he wants true steel!) is wandering the base. This is not out of the ordinary, he’s the prince after all. What is out of the ordinary is that his shadow, his Akhi, is not here. 

Technically, he should be napping, but he woke up and neither his mother or his brother- who is quiet but gentle and isn’t a good speaker (mother said it was from a head injury)- is there. Which is how he finds his way to the Pit, which he’s not supposed to be at. Or at least not alone. 

But! His mother and Akhi are there! And- and Akhi is screaming and he’s never heard him scream like that, like he’s in agony- His eyes are green- they were blue, had, had Mother placed him in the Waters- 

And then the pool is bubbling- he should be running away, get assistance or something, he’s five, he shouldn’t be running towards it when everything is screaming to flee. But one moment he’s at the doorway, the next he’s clinging to his akhi as something writhes in the Pit, a mighty bellow echoing even as the Shadows take defensive positions. 

The water cascades, laps at their feet, splashes everywhere as a scaled form rises from the depths, wings like a bloodied sunset spreading as fur bursts into flames. Crimson eyes glare down at them all, pupils slits as they bare down at his Akhi. 

The creature- the dragon- dips its head down, its breath warm as it chuffs at his akhi, wings folding as though it is bowing. His akhi is clinging to Mother, shivering, several scars glowing as they fade and a burst of hair burned white. 

Oh. 

Oh.

@fairy-lights-and-blobs @f4nd0m-fun @hdgnj @radiance1 pspspspsps

[getyinyusedtoit]

that brief passage during the banyue arc where the book is like "the two became immersed in a serious discussion on stars and the night sky" is so important to me because how many times over the past centuries have they looked up at the stars separately and made individual wishes from the bottom of their hearts and now they're standing together beneath the stars, bonding over their shared knowledge like they've been doing this forever.

[farshootergotme]

The idea of Bruce having a crush on someone in the League and others realizing it is so amusing to me. Everyone just looks at Batman after he accidentally does something stupidly obvious that makes his crush evident to the rest and they're like "Oh my god, you have a crush." And they never stop teasing him about it at any chance they get.

It's just so great that the infamous Dark Knight has a crush. Like, they know he's dated. But there's a difference between knowing and seeing how Batman acts when he likes someone.

(Spoilers: he's more of a loser than they expected)

[tora-the-cat]

An interesting little fun thing with team 7 is that you assume that Sakura's gonna, like, woobify and simplify Sasuke by putting him on a pedastal,cause her goal is centered around him and shes a 12 y/o fangirl so like of course her understanding of him is skewed cause she doesnt see him as a person, just an object of affection, right? She's can't get Sasuke, can't imprint on and/or traumabond with him like Naruto and Kakashi do. They don't see him with rose tinted glasses, because they've lived through their own Horrors and empathize with Sasuke's experience.

......right?

WRONG lmao!! They have too many ghosts!! Naruto's single-minded codependent ass won't get out of his own way long enough to see Sasuke for who he actually is, only able to empathize with the parts of his trauma Naruto relates to and not really capable of understanding him outside of the context of himself (because Sasuke is. His other half). And Kakashi is far too jaded to be fair to him!! He can't decide if Sasuke is gonna end up as a mini-him or a mini-Obito or maybe a mini-Itachi, but either way he ALSO is too traumatized to see Sasuke AS SASUKE.

meanehile SAKURA'S autistic ass may have dogshit empathy, but you know what she does have? A special interest in sasuke. Nothing better to do then give herself a degree in Uchihaisms. She can write character studies about him. she can read his soul. Whenever she says something about him she is right. Every fucking time! She is RIGHT!!!!

'sasuke would NOT compliment me this directly or explicitly express worry unprompted, especially if it gets in the way of his goals' correct.

'Sasuke shouldn't hide that curse on his neck its not healthy BUT if I tell anyone about it he'll never trust me again, which might be even more dangerous for him then the curse mark. Like he can probably handle the curse mark but no one else can stop him from ripping peoples arms off.' correct.

Speaking of! 'Sasuke would not hurt me even when he seems to be...possessed? whatever the only way to knock him out of it is to present myself as Alive and thus something to be protected rather then something to be avenged, because he gets really stuck in his own head about revenge' CORRECT

'hey so um. like. Sasuke's gonna leave Konoha. I'm not sure anything can stop him at this point and honestly I'm kinda starting to doubt anything should, so the only thing I could possibly do to help him at this point is ALSO defect.' CORRECT!!!!

[the--firevenus]

God forbid when aang has emotions and act like his age, like seriously I can't with people. Like I'm sorry, a lot of you assume people that defend aang thought he's perfect that could never do anything wrong, like no bitch I love him DESPITE his flaw, because guess what?? When he act childish, and or do anything wrong in the show, his ACTION HAS CONSEQUENCES. and ya know what else?? DESPITE EVERYTHING HE'S STILL A VERY COMPASSIONATE CHARACTER WITH HEARTS AND LOVE SO BIG FOR THE WORLD THAT DONE NOTHING BUT GAVE HIM SO MUCH PAIN AND SUFFERING.

You people keep nick picking every single thing he had done as if it's the crime against humanity, it's not him who commit genocide and colonialism in the show now isn't!? I'm sick and tired many of y'all act like he's one dimensional as well. HE HAS DEPTH, WE LITERALLY WATCH THE SAME SHOW!?

Come on man, it's almost two decades of this same thing, I'm so tired, leave my boy alone for fuck sake oh my god

[puppyeared]

its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously

[triglycercule]

i need the murder time trio to drink eachother's blood after causing an injury. that's so romantic in both my eyes and theirs. i need them to bite eachother and claw at eachother and injure eachother and hurt. and then when they try to patch eachother up make the injury hurt more before finally wrapping it up with a bandaid and a kiss or a lingering glance or DARE I SAY a hug (because imo a hug is much more vulnerable than a kiss). peak of romantism i dare say

i need them to use violence against eachother as a way to keep them grounded or to just let out anger towards eachother i need dust to gouge out horror's eye and then give horror his own to replace it. i need horror to squeeze killer's soul until he can feel the pain but in exchange killer gets to use a knife inside his head i want killer and dust to fight everyday and soon their bones will be littered with scars of the other's attacks I NEED THEM TO HURT EACHOTHER!!!!!!

they share pain and release anger and frustration and all that stuff onto eachother but dw dw this is how they love. but they do genuinely dislike eachother (because no matter how much they love one another they STILL can never manage to get over their differences and that's what makes them PEAK) but they also care for the other two and in their fucked up minds this is a good relationship. not because its not toxic because it definitely fucking is but because everyone is satisfied

i love murder time trio poly

[nailgunstigmata]

i couldnt fall asleep and spent the last few hours watching tiktoks of people pretending to be wolves so i probably cant articulate this well rn but i think theres something deeply sad about how much of not just fandom but life in general is done with ironic detachment nowadays. a kind of plausible deniability of feeling anything at all. and i catch myself doing this too!! its just a lot easier to not be vulnerable and earnest online. baring ur soul in front of anyone is terrifying because ur always giving them the opportunity to hurt u when u do it

like even with this post a part of my brain is going ok its not that deep omg but like. maybe it is that deep. maybe the things we do and say and the way we navigate the world matters even in an online space about a sitcom. maybe everything can have meaning and we should be careful of what we are saying and listen to other people and try to be nice to each other because theres already plenty of cruelty in the world

and again i have the internet socialised part of my brain screaming at me that this is cringe and nobody cares but again thats stupid. like thats stupid. nobody is being held at gunpoint to read my dumb rambles and if people mock my words thats their personal failure and not mine. u just have to kinda not listen and be earnest anyways and be comforted by the fact that this mindset of self denial isnt healthy for anyone. u cant be detached and happy those two things are mutually exclusive and irony is a thing that can genuinely poison you. like im speaking from experience i literally have the same kind of brainrot and i think that most people have it, especially gen z since we grew up on the internet and started curating the way people perceive us online way too soon. like yeah theres a point where u only know the self that exists to be perceived and that sucks i think.

mocking others vulnerability is fun and safe but it cant make you happy. the only thing that can is being genuine and open and vulnerable. its scary but its the only way. what im trying to say is that the live laugh love girlies were kinda onto something (minus the christian fundamentalism) and we are gradually spiraling into a world in which nothing is real and everything is a commodity and the only way to save ur soul is to be genuine and earnest with people u love and with the world in general. lets cling to our humanity as capitalism alienates us and keeps us trapped in a perpetual cycle of dissatisfaction so we can consume and be consumed forever and ever while giving just enough to keep the engine pumping. im not saying that actively trying to be earnest is the antidote for capitalism but i do think it helps salvage our humanity. and i do think its the only way to be happy

[thevioletcaptain]

if you as a fic reader ever become possessed by the urge to do a popularity bracket with the fics other people wrote and shared for fun and for free, consider:

don't ❤️ 

[fabled-lady-twilla]

"So, how's the Jujutsu Kaisen/My Hero Academia fandoms doing right now?"

DANGER, DANGER! THIS IS NOT A DRILL. I REPEAT, THIS IS NOT A DRILL! ALL HANDS ON DECK! SPOILERS AND MISERY AHEAD!

WE ARE NOT OKAY!

WE ARE 100% ABSOLUTELY NOT OKAY!

IN THE SPAN OF LITERALLY LESS THAN FOUR DAYS, BOTH FANDOM'S BELOVED WHITE-HAIRED FAVORITES, WHICH GEGE & HORIKOSHI HAVE TEASED/HINTED/TORTURED US WITH POTENTIALLY GETTING A HAPPY ENDING, ONLY RIP THAT POSSIBILITY OUT FROM UNDERNEATH US LIKE NOTHING!

THIS IS LITERALLY THE CURRENT STATE OF BOTH FANDOMS:

HOW DO YOU THINK WE FEEL, TF? WE ARE EXPLODING ALL OVER TUMBLR/TWITTER/REDDIT/ETC. ALTERNATING BETWEEN YELLING AT OURSELVES AND EACH OTHER AND DROWNING OUR SORROWS IN COPIUM JUICE. 😭😭😭

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[de4thparty]

I remember watching YTTD playthroughs on YouTube after 3-1b came out and seeing a lot of people in the comments hating on the logic route and going on about how Nankidai must have intended for it to be some sort of “punishment” for choosing Sou over Kanna and like. I’m sorry. Did you not see the appeal of Ranmaru going beast mode. Did you really feel punished when Sou got offended at the drink machine because Sara lied about it having soup. Ranmaru murking one of the Yabusames was a small price to pay for “That would make it look like the interior of your head Miss Sara 😄” .

me when i play Your Turn to Die and someone Dies