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#false vindication
melongumi · 3 months
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I've decided that if I see a post where the OP or a later reply spreads blatant, inflammatory misinformation. I will simply block the responsible party. Nuked off the dashboard forever. No benefit of doubt. Don't be a fucking psyop maybe.
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jjsanguine · 1 year
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Kawi: did you know he was dating you and Kwan at the same time? Do you know you've been fooled?
Pear, sighing:
Kawi: you did know, didn't you? Then why?
Pear: I'm pregnant.
Me: and that's why we have this magical thing called abortion
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isfjmel-phleg · 1 year
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It is very satisfying, in the courses of one's research, to find a scholar referring to an article that you disagree with vehemently and then following it up with something like "A look at Burnett's life shows this to be a false assumption."
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townpostin · 1 month
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Surya Mandir Committee's Registration Safe as Govt Panel Rejects Cancellation
Committee debunks allegations, Surya Mandir leaders celebrate ‘victory for truth’ Jharkhand Government’s investigation committee dismisses Deputy Commissioner’s recommendation to cancel Sun Temple’s registration. JAMSHEDPUR – A three-member investigation committee from the Jharkhand Government has rejected the proposal to cancel the Surya Mandir Committee’s registration, overruling the Deputy…
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ominouspuff · 5 months
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No Man Left Behind / Something Worth Dying For
REQUESTS / BLOG EVENT
Request from @razzbberry - Palette #1 - Alpha-17, Cody - Death of the Cynic in Me
Notes and close-ups beneath the cut!
Notes: I think Seventeen would, both subconsciously and consciously, keep his cynicism as long as possible. It’s how he thinks the world works, but it’s also a survival tool. It’d be a very, very slow death.
It’s put to the test with Cody — not because Cody is special among his fellow clones, but because he’s one of the first that bothers to fight Seventeen on his own terms. The argument is always the same. Cody wants to talk about what he hopes to be, someday, after he is a soldier. Seventeen thinks he’s stupid to think that’s possible, or that he’d be capable. Cody knows it, and he, might not be. Seventeen thinks it’s even more stupid, in that case; what a waste of energy.
It develops. When they’re older, and in the thick of war, one day Cody risks his life for the chance to save a brother that was going to die anyway. Seventeen yells at him for fifteen minutes once he’s conscious about luck and stupidity and the trouble it’s causing Seventeen and the false hope it’s engendering in others. Cody says he can disagree all he likes, but he doesn’t give a fig, respectfully. Seventeen thinks Cody can go try to get blown up again, if he thinks so.
There’s no point fighting for a better tomorrow; they’re bought and paid for to fight for something else, FOR someone else. Seventeen is prepared for being fodder, as a result. He’s prepared for unfairness and the bleak life that they’re living. Instead he watches as Cody defeats odds time and time again, somehow managing to balance being an exceptional military leader with a secondary war to live for something more, running himself ragged and — inexplicably — gaining ground. Each of those little victories are a little death for Seventeen’s cynicism; a chipping away. A little seed of Cody’s brand of hope takes root, awkward and begrudging, fond and tentative.
Then Order 66 happens. Cody’s efforts for a better life are in vain, and Cody himself-
Cody may never know that Seventeen was right abut just how helpless they were. Now he only knows that Seventeen is a traitor, apparently, because Seventeen — for once in his life — was the lucky one and his chip malfunctioned.
And Seventeen could say ‘I told you so’. He could rest, vindicated and resigned, in the fact that every dream Cody built up and everything he thought was worth dying for is pointless, now — as he always suspected it would be.
But it isn’t fair, even by Seventeen’s standards.
“What are you doing,” Rex will rasp, caught in a strange role reversal as Seventeen paints an armor set with Cody’s golden colors. “He’s not coming back, Seventeen. He can’t. It’s pointless to keep going after him, you need to stop.”
“No,” Seventeen will answer, unbothered, “I don’t think I will.”
“We can’t — we can’t keep hoping,” Rex says, because he means he will probably have a breakdown if he imagines there is even a pitiful possibility he could save his brothers and then have to turn away from that scrappy chance for the greater good and Rebellion, and all that. “We’ve got to move on.”
“Go on.” Seventeen will invite sincerely, one brow raised because he knows Rex better than that.
“Do you want him to shoot you?” Rex will finally yell, all knotted up at the thought of losing Seventeen too, even though it’s funny because Seventeen was never kind to Rex.
“He can try,” Seventeen will say, touching up the last of the paint. He will stand, wiping his fingers, and pick up his pack. “See you when we get back, then.”
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ae-cha08 · 2 months
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In the Bible, Joseph was betrayed and sold into slavery by his own brothers, then falsely accused and put in prison. He could have used excuse after excuse to be bitter and angry, but he had a "no excuses" mentality. He kept doing the right thing when the wrong thing was happening. And in the end, he came out vindicated, promoted, and in a place of influence and respect.
Let go of the hurts, offenses, and wounds of the past. Declare that they have no power over you. 💙
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jewish-vents · 3 months
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something i’ve noticed lately is online leftists being ignorant to some (most) forms of antisemitism, but vocal ONLY about jokes/stereotypes about jewish ethnic features.
they can point out the big nose stereotypes all day long (and they should) but when we beg them to have more concern for conspiracy theories, double standards for jews/israel, disinformation about jewish history and the war, holocaust inversion/denial/fake care for survivors, using zionism as a get out of jail card for judenhass, generalizing all israelis and diaspora jews as genocidal, denying that most jews identify with zionism, misusing jewish terms, demonizing jewish culture and hebrew, actual modern day blood libel, tokenization, accusing jews of “stealing culture”, denying indigeneity, painting ashke jews as white colonizers/villains, completely disregarding other diaspora groups, calling for israelis to be murdered, trying to “revoke” israelis’ jewishness, falsely calling the jewish people /only/ a religious group, redefining or goysplaining words/concepts they learned last week, using historically antisemitic canards, desecrating jewish monuments, houses, businesses, schools, and synagogues, AND literal, physical violence against jews….
it’s silence. crickets. it’s excuses and justifications. it’s thoughtless conversation enders. it’s refusal to sit with discomfort and address one’s mistakes. it’s a buzzword copy and pasted with a flag. “death to israel” or “kys zionist”. it’s “antizionism ≠ antisemitism”.
if you refuse to acknowledge the many forms antisemitism takes, of course you’d hyperfocus on one specific type. racist tropes about jews in media are awful. they’re harmful and part of dehumanization.
but if your understanding of antisemitism starts and ends at “greedy long nosed goblins in harry potter,” and you refuse to listen to jews, and refuse to see how antisemitism functions outside of pop culture and how it manifests into verbal and physical violence, you are no ally.
spreading antisemitism will not help palestinians at all, and it’s so fucking devastating that online activists can log on and feel vindicated and like they’re all heroic just for harassing random jews. meanwhile they’re wasting time and energy that could go towards something that ACTUALLY helps the palestinian people.
(also funny that they wanna call jews white when these stereotypes are about non-white ethnic features. and they stem from nazi propaganda about jews/jewish blood “ruining” white genetics. i could go on and on about the weird racial science lefties have ran with since oct7, especially within what we understand as race/ethnicity as social groupings, what makes someone indigenous, the weird blood quantum shit, noble savage trope, and the infantilization of palestinians)
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memecucker · 1 year
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I can’t confirm but I’ve heard people say Israeli sources aren’t even doing the whole “there was mass rapes by this animalistic horde” thing it’s just something that -somehow- popped up in Western social media circles including seemingly left-liberal ones that supposedly are opposed to Israeli policies
Like I’ve seen people go “look I’m opposed to Israel’s policies but” and then describe the music festival as a “pro-Palestinian rally” (right wingers -love- the trope of “naive white woman raped by the savages the tried to help” bc for them it’s the ultimate vindication and punishment for race traitors) and that wasn’t true to then saying the woman seen in a pickup truck was brutally murdered but then she turned out to be alive and a hostage so now people shifted to claiming that woman was raped despite lack of evidence and how there’s an entire trail of false narratives that spontaneously sprung up around the narrative.
Like if it’s true that Israeli sources aren’t doing the whole “mass rape” angle bc they don’t need to lie about that but Western left-liberals feel the need to project that assumption in, it kinda says something
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jokes aside, kendrick lamar is such a socially conscious musician who centers his artistry around vulnerability, introspection, and fighting for social justice -- based on reputation alone, i would be inclined to believe all of his accusations leveled at drake. allegations of sex trafficking and sexual assault are extremely serious, and if they were false, it would completely contradict the years of credibility that kendrick has worked for. i doubt that someone with his level of integrity would lie about or exaggerate these claims. drake has been known as a creep for a while, but this is an entirely different level of predatory behavior. i expect that we'll see more and more testimony from victims and that legal proceedings may follow. i sincerely hope that every woman and girl who has been victimized by this ring of sex traffickers finds peace, vindication, and closure in the coming days, weeks, and months. remember that this current feud started with megan thee stallion, a survivor of domestic violence, speaking out against drake for defending her attacker and mocking her physical and emotional trauma. fuck drake and all his friends, i hope kendrick's next song is a recital of drake's routing number and answers to his bank security questions
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shyentsmissingink · 16 days
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.EXPRESSIONS OF REGRET by rena | Shyent
-angst no comfort
-Scara cheated
-Scaramouche x gn!reader
-mentions of sex, very mild, however.
-I wrote this in 30 minutes lmao the juices were flowing
-not checked
@chiscaralight I wrote this with you in mind <3
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You continue with your relationship even after he'd cheated, and you're just not the same. Even when you'd promised him that you'd give him a second chance...not once had he ever heard you respond to his expressions of regret.
You're not as affectionate as you used to be, you doesn't say 'i love you' anymore, you doesn't look at him the same. You would emptily tell him "I love you", hoping that it'd feel the same as he fucked you, as he kissed and worshipped and praise you for your every scar, bump and fold.
But you couldn't. It felt like sandpaper coming from your mouth. It sounded wrong. It felt wrong. It was wrong. Tasteless, disgusting. It felt like a lie. Was it?
You don't know.
And thus, he feels used. That you were only using him for sexual gratification. That you wanted to torture him. Sometimes, he'd suspect that you're cheating on him. You're not, and he knows that. That you'd never because despite everything, you still holds respect for a man who you don't even know if you love anymore.
He feels inadequate, angry, vindicated, like a toy. He feels as if you're only keeping him around for pleasure. At some point, he was going to break up with you.
It was the night prior of him going through...and you'd crawl into his bed. Almost, he'd demand to know why you were here, so terribly hurt, sick and tired of this, only for you to shake you head and pull his face into you chest.
You cried.
And he didn't know when it would end.
He did not know when he'd stop realising how badly he fucked up. Everytime he thought that he'd realised how terribly he'd hurt you, at the height of his false exoneration, you'd always do something to cease his train of emotions on its tracks. He could never realise it enough. He doesn't think he ever will.
And he'd cry into your chest. Why? Why is it that you took to caressing his head as if HE was the one that deserved your kindness, this consideration, your touch, your care? Is this intentional? Do you mean to torture him?
He'd grasp your wrist and look up at you, and he could see you break when he did. Your eyebrows furrowing, the wrinkle around your eyes and the curl of your lips and the redness of in your cheeks.
"Stop it..." Scaramouche would plea.
You sniffle, adding with a familiar whine in your croaking voice. "What did I do-"
You choke on your sobs. Scaramouche whispers an abundance of apologies, caressing your cheek and kissing your neck.
And despite all that you'd give him, despite your grace... Not once had he ever heard you respond to his expressions of regret.
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No, but regardless of how season 2 ended, I believe this is a huge win for the queer community. I mean, after decades of being ignored, baited and made fun of we finally won.
We knew they weren't trying to gaslight us, but can you blame us for still being cautious and careful after Destiel, Jonlock and all the other queer people that were used as bait?
After spending years begging for scraps of queer representation, for a way to be seen and feel validated, we were finally vindicated.
Yes, the finale did break my fucking heart, but i also want to get out and scream “WE WON. FINALLY AFTER YEARS OF BEING GIVEN FALSE HOPE WE FINALLY WON”.
The cast and crew worked so hard to give us a queer love story from start to finish and I just can't describe how much this means to me. I don't think non queer people can understand what it feels like to have it proved to you that you are not crazy. You are not delusional. This is real. We made something real for you.
I hope every queer person who reads this feels everything I'm feeling. Because series like Good Omens means that we're here. We are here and we won't fucking go anywhere. We are finally seen.
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sevensoulmates · 6 months
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Buddie 7x01 Meta
Okay! Finally, I was able to watch the full episode uninterrupted and have had a couple days to gather my thoughts. Quite simply this episode was fucking fantastic. My meta does sometimes include some spec, so if that's not your thing feel free to ignore those parts. Those of you who follow me know I write long ass essays, so fair warning for a long meta under the cut. ((Also idk how to make gifs, so enjoy my shitty screenshots)).
First, I love to see Buck and Eddie back at it again in their natural element being partners on a scene.
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This was very obviously a call back to season 2, even down to the positioning, having Buck watch Eddie be competent in defusing a bomb. Buck has complete faith in Eddie's abilities, it's the fighter pilot whom he distrusts. In the end, they narrowly avoid getting blown up, just like they did in 2x01. This one scene re-establishes the Buck/Eddie work dynamic and shows how they inherently trust each other on and off the field.
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Next, we get a scene of Buck and Eddie getting dressed in the locker room. Notably, Buck is fully dressed and Eddie is without his shirt until halfway through the scene. Buck also keeps his eyes on Eddie's naked torso pretty much through the whole shirtless section. This is another blatant callback to season 2x01 when Buck's first introduction to Eddie is when he's shirtless. This draws attention specifically to Eddie's physical attractiveness and how that affects Buck. This scene is odd to have with Eddie half-naked if we're then gonna make comments later on about "sexual tension" with friends, no?
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In the same scene we are reintroduced to Buck and Eddie's separate love lives. Eddie is just now learning that Buck and Natalia broke up, and gives an odd facial expression that looks far too much like vindication. We know from the graveyard scene in 6x17 that Eddie wasn't really a fan of Buck's relationship with Natalia (I don't think there's ever been a relationship Buck's had where Eddie has legitimately been happy about it, which is weird if they're just friends, right?) so to him, this was always coming down the road. He seems proud that Buck was able to end it this easily.
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Meanwhile, Eddie's going on a "not-date" with Marisol to chaperone Christopher's date with Penny. It's telling to me that Eddie doesn't classify this as a date with Marisol, but Buck does. Buck considers being at home watching Christopher as a date, and yet he seemingly doesn't classify all the times he's been over at Eddie's hanging out with just him and Chris to be a date? To me, this shows the first big disconnect in Buck/Eddie's brains that the show will likely dismantle this season: what is classified as platonic and what is classified as romantic, and which gender is allowed to be in each category. We'll come back to this when we get to the next scene.
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Eddie is very supportive of Buck breaking up with Natalia. He doesn't say it directly to his face, but it's implied that Buck really lost himself when he was with Natalia, hence Eddie's "Welcome back to the land of the living". While Buck did struggle with figuring out his life purpose at the end of season 6, he falsely prescribed that purpose to Natalia. Thankfully, this was rectified here. This also shows significant growth for Buck from his last relationship with Taylor Kelly. Buck was able to identify issues in his relationship quicker and was able to cut the relationship short when he realized it was no longer healthy to maintain for him. I am extremely proud of Buck in this moment, as is Eddie, which is the first of two big moments in this episode where Buck and Eddie really showcase their pride in the other's personal growth. "You were missed" is such a simple yet perfect line for Eddie to give to Buck. To show Buck that Eddie has always seen him, and will always see him, even through personal lows, and will still remain by his side when they come out the other side. I really love this showcase of unconditional love here.
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The next time we see Buck and Eddie, the chaperone date has already passed. Eddie and Marisol are seen watching Chris and Penny from behind the wall, but it's highkey awkward to watch and the focus of this scene is really not Eddie/Marisol but rather Chris and Penny and Eddie relaying this info to Buck. I first want to point out that we don't actually get to see Eddie/Marisol's first date, we don't see any subsequential dates, and the first time we DO see her, in an episode meant to be establishing couples, she's so blink-and-you'll-miss-it that I had to try 3 times to get this screenshot because it went by so fast. It's never a good sign when we don't actually get to see the beginnings of a non-established relationship.
Additionally, Eddie/Marisol's relationship is framed WITHIN Eddie recounting the night to BUCK. The important Eddie relationship we're supposed to be paying attention to in this scene is not Eddie/Marisol but Eddie and Buck's. It's not important for us to see Eddie and Marisol hanging out, but it IS important for us to see Eddie TELLING Buck about the night. That isn't insignificant. This means the show is clearly placing far more importance on Eddie/Buck than on Marisol, and for a pointed reason to be revealed hopefully later this season.
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This is the only line that Marisol has in the entire episode. This being the one line she has is interesting because it's a callback to Eddie's arc last season ie. "Eddie has no game with women". Christopher makes a pointed comment about it in 6x18. And of course, it's a callback to Performance Anxiety 6x14 where Eddie was being pressured about dating women and 6x17 Love Is In The Air where he once again pressures himself into dating women until he finally settles on Marisol. It's an interesting call back to have, considering this scene could have been considered Eddie successfully dating a woman. And of course this ties into later in this episode where we get the "turning women off" comment, which I'll talk more about later.
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Eddie goes on to tell Buck that he didn't really see any difference between Christopher hanging out with his male friends vs hanging out with his female friends. This is drawing attention to two things. The first is a call-back to Buck and Eddie's previous scene where we saw that Buck and Eddie have two different ideas of what constitutes "a date" when it's with a man versus a woman. Buck thinks that an at-home date with Marisol to watch Chris counts as a date, Eddie doesn't. Yet Buck doesn't consider his own at-home "hang-outs" with Eddie and Chris to be a date despite them being far more frequent and more meaningful than what we just saw with Marisol. Eddie also doesn't see it that way. This line is an indicator that both Buck and Eddie have blinders on currently when it comes to their interactions with each other, interactions which very much COULD be considered a date (including the later mentioned "underlying sexual tension") if they had done the same thing with a woman. They're just unable to recognize the truth of it at the moment, and this is clearly demonstrated when Eddie can't tell the difference between Chris having his date with his male friends vs. female. My prediction is that this will become more defined for Eddie by the end of the season or leading into next season.
But it's very interesting that this idea of not being able to recognize the possibility of romance except for the heteronormative options is coming into play now because there's really only one gay way to subvert that.
Which is then doubled down by Buck in the very next scene.
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This is blatantly not a true statement. Buck is not only assuming Chris's sexuality, but he's assuming the same would be the case in general, which is not true. Buck knows many queer people, but at the same time, every queer person he knows canonically falls more into the gay-lesbian binary, and not really anywhere in the middle (ie. bi/pan people). It's an oddly heteronormative statement coming from Buck, who is known to be very open-minded and also researches a shit ton? So why are we being shown that Buck has this sort of narrow-mindedness specifically when it comes to the possibility of people being bisexual?
(Spec) Firstly, I think this is to set up for a bisexual Buck arc. It's showing that Buck actually 1.) hasn't ever been with a man before so this is not just a casual bi reveal and 2.) that he's never actually considered it a possibility to have sexual tension with a man before. This is what we in writing call "the character's fundamental misbelief" and it is brought in specifically to be challenged, and I'm near-positive it will be at some point in the season.
Secondly, On the surface, this statement is telling the audience that obviously Christopher would only have tension with his female friends, right? (sarcasm). But what's interesting is that this statement is purposefully gender-neutral. It leaves the real meaning up to the audience to decide. Why? Because this part of the conversation is not really about Christopher. On the surface, yes, but beneath that, this line and the line before it are about Eddie and Buck's relationship with each other. Buck's not out here talking about Christopher having sexual tension with people, and even Eddie recognizes that it's weird to talk about in relation to their child. He's still in the nest for christ's sake! These lines are in relation to Buck and Eddie's friendship and how both of them are blind to the fact that it very much IS possible to have sexual tension with your female AND male friends.
And this is where the gender-neutrality of that phrase gets extra interesting. Because as we've seen before, Buck and (more prominently) Eddie often lack chemistry with their female love interests. It's up for debate, but the general consensus was that most people did not feel any chemistry between Buck/Natalia, and Eddie/Ana or Eddie/Marisol. What's fascinating is that Buck has had chemistry with some of his female love interests, but Eddie hasn't had any since Shannon (and this is not an endorsement of Eddie/Shannon's romantic relationship. I'm not getting into the extreme nuances of that right now.) Some argue Eddie's had chemistry with Felisa or Vanessa, but they aren't the ones Eddie's dating right now, are they? So Eddie, unlike Buck with his female LI's, hasn't really had any sexual tension with Ana or Marisol. The only person that (most) people agree Eddie has had sexual tension with is Buck. And we had a scene with them earlier with Buck watching a half-naked Eddie change too. So in this case, the line might also be a reference to Eddie having chemistry with men, but not really with any of his female LI's. I think the purposeful vagueness here though was a very telling choice on Tim's part.
Additionally, the use of the word "underlying". Underlying implies that the sexual tension isn't overt, but rather is something that lingers unspoken. Under the surface. Subtextual, if you will. Of course, it's possible to have subtextual sexual tension between an M/F pairing. But placing it in the context of this scene, where Buck is being weirdly heteronormative, it feels contradictory. If Buck believes that he (and Chris by proxy) can only have sexual tension with a female friend, why is it something that is hidden under the surface? If anything, due to heteronormativity, the sexual tension between a boy and girl should be plain as day for anyone to see, on the surface, very much textual and with no room for interpretation (ie. "He was a boy, she was a girl, could I make it any more obvious?"). But let's flip this around. With queer pairings and couplings, there's a huge history of their sexual tension and romance only being able to live and breathe in the subtext. This line being spoken between two men that many people for years have pointed out are heavily queer-coded and have a romantically-coded "bro" relationship with each other that so far has only been able to exist in subtext? Tim, you're not sly. I see right through you.
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After that, Eddie tells Buck about Christopher seeing 5 girls at the same time. Everyone's shocked and Eddie insinuates that Christopher didn't get this from him. By pointing out that Buck is a reformed playboy (I personally disagree with aspects of this statement but that's neither here nor there), Eddie is implying that Christopher may potentially be getting this trait from Buck. Which is an interesting thing to say to someone if they're not already heavily involved in the process of raising your child. Eddie claims that he's a "nester", which in my mind means someone who is very paternal/maternal, or constantly trying to build the home or the family. ((Sidebar: I googled nesting and apparently it's ALSO a term used in both polyamorous spaces and was later separately coined as a term referring to "where men treat women like they’re in a relationship, but they expect those women to know that it will never lead to real one." I don't interpret this line to mean either of those other definitions, I just think it's interesting that this is what popped up when I googled Nesting)).
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Eddie then says he "married the first girl he dated" and Buck instantly volleys back with "think you mean slept with", which is EXTREMELY telling of a few things. First, I want to point out, that I don't believe this is Buck denouncing or disrespecting Shannon's important role in Eddie or Chris's life, but rather recontextualizing it.
We got clarification last season that Eddie fell into his relationship with Shannon almost in the same way that he fell into one with Ana and Marisol. It was heavily implied that Shannon was the pursuer, the one who made their relationship happen. Not Eddie. While Eddie was a little less passive with Ana and Marisol, being the one to ask both of them out, he still exhibits extreme passivity in the furthering of each of these relationships, preferring to "stick it out" rather than actually end it when it's not working. This is the exact same thing he did with Shannon. It's interesting that Buck argues that Eddie married the first girl he slept with rather than the first girl he dated.
Dating someone implies you really genuinely want to form a deep romantic relationship with someone (ie. call back to Buck's line to Maddie "at least when I date someone, I date them"), whereas sleeping with someone does not have to immediately mean wanting to be with them romantically. To me, this implies that while Eddie might've deeply loved Shannon as a friend and eventual mother of his child later and had sexual chemistry with her, the reason why he stayed with her is not because he wanted to continue dating her or being with her because he was IN LOVE with HER but rather because they slept together. And what came about from sleeping with her? A fucking traumatic teen pregnancy.
Both Buck AND Eddie recognize that in this scene (which is huge, especially for Eddie). I'm kinda blown away honestly. It's extremely important for the audience to see that while Eddie did, does and will always love Shannon, it is NOT romantic love, and may have not ever been. Which is FINE. They were literal teenagers for god's sake.
This is once again a recurring theme in Buck and Eddie's story in this episode. Defining what is considered romantic and what is considered platonic AND the possibility of redefining those distinctions years later. And it's interesting that in this case with Shannon, a woman, it's finally being acknowledged that it might not have been as romantic as Eddie may have believed for all these years.
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Eddie then asks Buck to be the one to talk to Christopher about his relationship indiscretions. We see Eddie making the active choice to bring Buck deeper into the co-parenting role that's already been established in seasons 2-6. Right after Eddie talks about being a nester, a home-builder, he brings Buck deeper into his family in a parental role. To me, this scene doesn't imply that Eddie can't do it, or that it's out of his wheelhouse, but rather because he feels like Christopher might relate to Buck more about this. But even more so, it shows that Eddie inherently trusts Buck to be the one to talk to Christopher about this, because he's seen how Buck has grown over the years.
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Eddie doesn't want Christopher to continue making bad choices in life and he tries to convey this to Buck, but Buck, with his own self-esteem issues, assumes that Eddie doesn't want Christopher to end up like Buck. Which is fascinating because Buck's made it a huge point throughout the series to show that he's grown past his sleeping-around phase (which was never about disrespecting or using women, it was always about Buck's own desire for love and connection that he felt he could only get through sex). And yet with this line, we see that Buck still doesn't realize how far he's come. He still feels like he isn't worth emulating or being someone to look up to. But Eddie does. Eddie sees and loves Buck to his core, and so he points it out to Buck that no, Buck actually didn't become that person, and that Buck is, in fact, worthy of being the one to parent Christopher in this situation. Once again, this is a great moment of showing how these two are able to see past their facades to the truth of each other's issues and provide strength, reassurance, and clarity to each other, as an ideal life partner would be able to do.
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Then we get to see this amazing scene of Eddie talking down a panicking woman using his own unique "jello" methods. This coping mechanism tool he walks her through really does sound like something a therapist might teach their patient. Eddie not only is able to admit to having panic attacks but he's able to do it in front of strangers and his team alike with no shame (even a bit of pride at the end). This scene, which could've gotten very awkward very fast, ended up becoming a very sweet, serene moment where we also get to see that love reflected on Buck's face just how proud he is of how far Eddie has come. This episode made a point to show Buck and Eddie recognizing the other's growth and their pride in the other, as well as demonstrate how both are able to be there for the other emotionally in their times of need.
What's interesting is that this is all stuff that we've seen before. Buck and Eddie have been each other's emotional pillars for many years now. This is just a re-establishing episode. We know that this season their relationship is going to be shifting, growing, and showing a new side to it. So I'm intrigued to see how that will manifest given that we have already seen in one episode how Buck and Eddie are each other's closest person. Some might argue that this episode actually frames them to be closer and more emotionally supportive of each other than two of the other canonically romantic couples on the show.
Bathena are shown to be having marital problems in this episode, with Athena worrying she and Bobby might not actually have that much in common outside of the chaos. Madney is shown with pre-martial problems, with Chimney unnecessarily worrying he and Maddie's spark might fizzle out over the years and they might grow to resent each other. I'm not saying either of these relationship problems is really accurate, but it's just interesting to look at in comparison to how Buck and Eddie were framed in this episode, despite not being in a canonical romantic relationship at the moment.
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This exchange absolutely took me the fuck out. Because this line did not need to be there. Even for the giggles. It could've even been a line of Buck being sincere and saying that he's proud of Eddie or something. Instead, we get this. "I've never seen a man turn a woman off with such skill". This line connected with the line from Marisol are both callbacks to Eddie's series-long issue with dating women. We get this in conjunction with Buck pointing out that Eddie doesn't really date these women he's in relationships with. He's just with them due to circumstances. Even if the circumstances are of his own making (which could be a symptom of compulsory heterosexuality). Eddie has never once talked about dating women like he's actually attracted to women. I'm so sorry. AND combined with the line where Buck and Eddie actually acknowledge that Eddie wasn't really with Shannon because he wanted to be with her but because of the family they accidentally created. All of this in ONE episode leading up to this line where it's heavily implied that Eddie's skill is his inability to turn women on, and to actually be able to turn them all the way off. And I'm just going to say it, but this line HEAVILY implies queerness. This is the kind of line you'd expect someone to say to a gay man or someone who doesn't actually want the sexual attention of a woman. This, again, in conjunction with Eddie not being able to tell the difference between a date with a woman vs. a man, is all too pointed.
This line alone in a vacuum could maybe not mean queerness, but alongside the whole rest of the episode where beat after beat after beat implies that Eddie has in fact NEVER been in a relationship with a woman 100% of his own active desire for her as a person and not just for what she can provide to his or his son's life?
This points to a very particular direction with Eddie that I'm expecting to see him fight against really hard this season. I would not be surprised if he ends up holding onto Marisol as the last shreds of perceived "normalcy" (ie. heterosexuality) are being threatened. Hopefully, he'll be able to reconcile the truth by the end of the season or going into season 8.
God this is so long and we haven't even gotten to the buddifer scene yet. This part will be a bit more condensed because I'm not really analyzing Chris as a character here or his relationship with Shannon. Maybe I will later.
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I'm really loving seeing Christopher become his own person this season. But what really fascinates me here is Chris as a parallel to both Buck and Eddie. Christopher's abandonment trauma is starting to manifest in him through his choices with his love life. The same thing happened with Buck and with Eddie individually. Buck's trauma growing up informed his choices of sleeping around and seeking love from a myriad of individuals who didn't necessarily have his best interest at heart. Eddie's trauma manifested in him being so self-sacrificing that he can't ever choose a relationship for himself, but it always has to be in service of someone else or in pursuit of a perceived "Normal" standard.
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In this case with Chris, his trauma is manifesting in a way more similar to Buck's, which is another reason why it's so perfect to see Buck being the one to discuss this with Chris, even though they don't necessarily delve too deep into it. There's no question Buck sees his own issues reflected in Chris. This has been true since 4x08 Breaking Point when Chris runs to Buck's house and confides in Buck his worries about people leaving him. Chris demonstrates a similar issue that Buck and Eddie both hold individually. That being the notion that "it doesn't matter what I do, or how good of a person I am, or how good of a partner I am, I am not worth staying for."
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But the difference here is that Eddie and Buck, like the amazing co-parents they are, recognize the problem and take steps to address Christopher's trauma in a way that gives Chris autonomy and isn't condescending or out to make Christopher feel bad about making mistakes. The Buckley parents and the Diaz parents both failed Buck and Eddie in these ways because they blamed their children, never actually took the time to see the underlying issues let alone address them, and made them feel like everything was their fault, even going so far as to actively put their children down over and over and over again. Eddie and Buck get the beautiful chance to break the cycle here with Chris and get to be the parents that they never had.
It was so amazing to watch this episode with Buck and Eddie being supportive partners to each other and supportive parents to Christopher. It was an episode of growth just as much as it was an episode of reintroduction to a new audience. It was also extremely telling of what the future conflicts and themes will likely continue to be for Buck and Eddie for the rest of this season. I'm so excited to see what the rest of this season brings! And thank you from the bottom of my heart, ABC.
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yeyinde · 8 months
Text
fever in a shockwave
pt., iii | stagnant on my betterment
“I don't want to lose you,” he's saying, and it's odd because he never really had you to begin with.
WARNINGS: angst, pining, yearning; eventual smut; trauma; grief and the existentialism of moving on; recovery; poor/unhealthy coping methods; codependency; reference to drug use (but it's just weed); reader has a backstory; spoilers for the series
WORD COUNT: 14,7k
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an update; this isn't the final part lmao dangerous words coming from someone like me oops. there's probably going to be three more parts after this.
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There is no sense of closure when you watch the jagged pieces of a broken man fall to the floor by your feet. The splintered edges offer no succour, no victory, when they come to rest along the scattered ruins of a delusional love affair: alcohol bottles—Kraken, Captain Morgan—and grease-stained boxes of takeaway, most unfinished in favour of satiating yourselves on flesh, sex. 
(Booze, more often than not.)
Seeing him struggle to find meaning in what you say—watching that ethanol-soaked resignation filter through hazy, electric blue—brings a fresh pain instead, taking space in the hollow gaps where you expected vindication and self-worth to bleed through. 
You're doing the right thing, after all. Aren't you? 
Aren't you? (please, someone, anyone, say yes—)
Uncertainty is an uneasy, nauseating feeling inside your guts. Much like a broken bone, it emanates a visceral sense of perturbation through your body. Every synapse fires in protest; every nerve screaming out. They bellow one thing in unison: something is wrong and not quite right. 
You feel their cries deep in your being. Each muscle twitch and frayed thought that passes carries the echo of it. 
This pain, it seems, is cracking your ribs apart and exposing the rotting marrow to the open air. Slurping from the putrefying sludge, satiating itself on the sickness eroding you from within. 
It's all wrong. It feels wrong. 
Bear swallows. You watch the way his throat works around the bitterness that lashes across the cut of his brow; gyres darkening in his eyes. Storms on the horizon. 
(You think you'd welcome the squall. Might embrace anything to get out of this place—)
“That's what you want?” He rasps, thick and gritty, and you think about the last time he sounded like that—all torn up, and broken. Words mangled in his throat. Husked out when he told you about Rip, about the boy, his daughter, and—
No. No.
None of this is what you want, and it pains you that he can't see that. 
(Such a selfish, broken man.)
Inside the festering slurry of your marrow, an urge wells up. Bubbles in the putrid pools until it's frothing, raging against the walls keeping it trapped until it seeps through the cracks, leaking into your muscles, your tissue, your bloodstream. 
This silly little body of yours carries it up to your heart where it sinks talons into your pericardium, subsumes the serous in this terrible essence, this idea, this whim—
(“what?” the scoff he lets out trails on the coattails of what might have been a laugh in another life. if he was another man, maybe. you, more honest with yourself. but you are just two broken people in a run-down bar. humour exists somewhere in the muzzle of a loaded pistol. “got a saviour complex or something?”
or something. or something—)
Because the thing is: you do. 
You spend most weekends wandering around antique stores because you're convinced that everything deserves a home. A place of its own. You find the unwanted, the unsellable, and you let it take space in your lonely, cramped apartment. 
And why not? No one else will buy it. You're, technically, helping the environment. It's a win-win. 
(and more lies you tell yourself.)
These false promises are always made that one day, one of these days, you'll find something to do with it all—maybe you could learn how to make something out of it; stitch all the unuseable parts, the unwanted pieces, and create something that everyone will want—but so far, none of your rescues has ever been finished. Saved. They sit in a corner taking up space. Untouched. Unused. Collecting dust. 
That insidious whim curls inside of your heart, and whispers: 
it's never too late to try again. maybe this time, it'll work out for you—
It's the same one that lures you in, making you purchase a complete set of ugly-looking dolls because some ladies were recoiling at the sight of their lumpy, antediluvian faces, and you felt bad thinking that they were doomed to end up sitting on the shelf until they were unceremoniously tossed into the bin with all the other things that won't sell. 
And the one, now, that stares at the terse set to Bear's shoulders, the lines rucked across his broad, the helplessness etched into ashlar, and considers that maybe all he needs is someone. A friend, maybe. 
(And maybe, maybe, that it could be you—)
“Bear—” it would be so easy to swallow the words back down until you choke on them. 
You breathe in. Taste nicotine in your throat; the phantom burn of a memory from long ago: one once buried under the rubble of your crumbling foundations, now rearing into this yawning abyss as you waver on the precipice. This vacuum that syphons you dry. Leaves you empty, gaping. 
It’s your mum leaning over the railing of a mezzanine as she smokes a cigarette—the eighth in the last three hours, pack near gone—and tries (and fails; always, always, always) to find some temporal kinship with a higher power as you sit on the porch swing and drink in the scraps she tosses your way. 
(Today, it’s the way the smoke curls in the periwinkle sky like a naked gospel; grand televangelist to a crowd of one.)
She scrambles within the ruins of her own making to seek answers to compensate for the lack of worth that slips from the cracks. Left behind again. Again, but it’s not her fault. It’s never her fault. 
(You should know best, she tells you—you suckled from the shattered parts of herself before you broke away from the cradle of her arms. Genetics leaves you wrecked for company, for permanence.
It’s just not made for us, baby. We’re unloveable only because we love too much—)
An epiphany comes in the middle of her eighth cigarette, and she divines enough wisdom to come to the succinct conclusion that those broken pieces are not the cause of her misery. 
(How could they be when they’re a part of her and she’s a part of everything?)
Can't fix a broken man, she murmurs into the midmorning fog, blood-red mouth splitting into a sneer. There was beauty, you thought, to be found in the pale yellow of her teeth against the pastel dusting of dawn. Rapturous, almost. You couldn't look away even as the words snaked through the underdeveloped fibres of your mind. They're like someone who's drowning, you know? They'll grab on to anyone that gets too close and try to pull them under, too. Maybe because they want to save themselves, or maybe because they don't want to die alone. Better to leave them behind. 
Can't fix a broken man, (but maybe—)
Your dad tried to fix me, she adds, and it comes in the same cadence of an afterthought, blase; but the thinness in her voice, the reedy pitch of barely veiled urgency, all feigned indifference to the topic, all give her away. She's been waiting for this, you know. Gearing up in steady increments so that the blow lands harder when it's thrown. 
Isn't that stupid? And he couldn't even bother to stick around. What a joke… But I guess some people are like that, huh? Couldn't be me, she scoffed, jabbing her finger in your direction. You could see the yellow of her nails beneath the pock marks in her chopped, blue nail polish. And don't let it be you, either. The best thing you could ever do for yourself and someone else is leave. Don't cheat. Don't be the other woman. Just fucking—
The bubble bursts, and in that breaking, a truth is revealed to you in some strange, hangover-induced epiphany brought on by dehydration, malnutrition, and the terrific idea of going home with a man who has never once talked to you while being completely sober. It screams—first and foremost—you are an idiot, but beyond that, you really are your father's child, aren't you? 
Lost amid your memory, the emergence of a forgotten fallow, it’s Bear who shakes you awake when he reaches for you after the silence sat for too long. Fingers touching, too tender and too rough at the same time, and the juxtaposition makes you quiver as it ploughs disquiet into your being. 
Tears pebble in your lash line, threatening to spill over. You haven't cried in a long time and yet, yet—
His hand folds over your wrist, tight and unrelenting. Shackles against your bones. Grinding them into soft, fine powder. 
“C’mon,” he slurs, pleads; tugging you closer as if distance is what makes you say these things to him and not the heavy, overwhelming scent of alcohol wafting off of his numb tongue. “You don't know what you're saying right now—”
His fingers tighten. The midnight scabs on his knuckles tear from the strain, the stretch. Blood wells under the slit that lifts from his broken, battered skin. Pebbles like a tear-drop on the wrinkle of his bruised knuckle, and then sheds itself free. Running down the yellow mess of moulted flesh until it meets the cliff edge of where his palm rests against yours. 
“You don’t mean it. You can’t mean that. Stay with me, stay—”
The alcohol makes him sway where he sits, eyes upturned but focused inward, lost to thoughts and feelings and places unreachable to you. Ephemeral lines in jaded, blue sands. It slips, too, from between his fingers. Uncatchable to anyone but the flush under his skin, the slur in his words. 
Can’t fix a broken man. 
The motion dislodges the droplet and it waterfalls over his palm until his blood kisses the clean, unmarred skin of your hand. 
He doesn’t notice the way he bleeds on you (through you, in you; drowns you in it, in him—): outside of a thready determination built on drunk devotion, he doesn’t seem to see much at all. Clouded. Overcast. Those hazy eyes regard you with a thin, untouchable distance. Filmed over and too far gone for you to pull him back—
(and you can’t help but wonder if he even notices you or if, in those unending crevasses, an icy, broken bergschrunds, the misshapen silhouette of you strikes a different chord to him; if these slurred hymnals are just a hollow orison for someone else in your stead.)
—so you stop trying. Let it sit, let it rot. Smell the infection in the air as the wound splits apart. Gangrenous and beyond palliative help. 
Something must flicker across your face sharp enough to cut through the fog he drowns himself inside because his eyes widen slightly, and his hand tenses around your wrist. Tight. Unyielding. 
As his fingers dig in over your pisiform, deep enough to bruise—to mark you once more with his stain, his touch—you’re struck by the sudden thought of brittleness. It’s not something you’d ever considered yourself as—delicate, fragile—but with the way he holds you now, not at all dissimilar to the way he held on last night, fingers loosely wrapped around your wrist as he used your joints as a stress ball to calm himself down, you feel vulnerable. Swallowed whole, caught. 
What once felt like a comfort, a sense of security as you moulded yourself into an anchor point, a lighthouse on the sandy, dark shore, for him to find, to swim for amid the roaring waves dragging him down, now feels like dead weight. 
For the first time since you've met him, you taste chlorine in the back of your throat. Feel the pull of the currents dragging you down. 
You know all too well what it feels like to drown. 
You pull away. He clings tighter. 
“Bear, please—”
Please, you think. Please, please, please—
(If you keep stripping yourself bare, you'll be nothing but bones—)
He doesn't even notice. Nothing, it seems, will pull his fixed attention from every minuscule expression that flickers across your face as if the mere notion of weakness, of hesitancy, will give him reason to hold on just that much harder. 
“Can't just give up on this—” the words are tangled in his throat, caught on the end of a snarl, and vicious. He tugs on you, pulling you closer. “On us.”
“There's no us, Bear.” 
And it isn't a lie. Of course, it isn't. 
There's an empty chasm between you both, void of any tangible substance. Whatever he thinks this is, it can't work. Won't. Not in the real world. Not outside of the bottom of a bottle. 
You won't be his crutch. His bad habit. His midlife crisis amid a downward spiral. 
You can't be.
Won't be. 
(you will not be the other woman. you will not be your father's child.)
And it isn't remotely the same, you know. Bear's wife is—
Dead. Gone. 
—and yet, this whole situation still makes you feel like a homewrecker even though the home you demand he returns to is empty. 
Selfish, you think, but you can't even begin to know who you're referring to in this beautifully devastating moment. Bear, for chasing ghosts, drowning them in alcohol and bad choices and vices that end with bringing strange women back to his lonely hotel room just to feel more than the vicious bite of grief in his chest.
Or you, for pulling away from this drowning man because you're not strong enough to save him and yourself at the same time. 
(or—something sneers—you just hate the idea of being like either of your parents, but what can you do when you've stolen all of their bad parts for your own?) 
You think of the man in the bar. One hundred dollars to send him back home. Where he belongs. 
(...he can't destroy himself like this. You'd know that, though, as his friend.
send him home, alright?)
“Go home,” you say, harsh and severe. All the things that your mother wished she said to him. Regurgitated words spat out by his feet because borrowed doctrines are you've ever known. 
A fissure crackles across his expression, cutting through the fog. It's anger, bitterness, pain—some strange, fantastical amalgamation of the three—and it coalesces into broken defiance where it sits, clinging to the glossy grease around his brow, his nose. 
It makes your fingers itch with the urge to soothe—to unfurl the wrinkles in his brow, to tuck this grown man close to your chest until the tension in the thick set of his shoulders liquifies in your hands, and he melts into malleable putty. 
(Another trinket to collect dust on your mantle.)
You swallow it down—the salt and blood, and the pathetic pulse of your heart, and all. Hurt him, you think. Hurt him deeply. Deeper, still. Push him away and run. Run. Keep running until your legs give out, until your lungs collapse because if you don’t, if you don’t, you know you’ll stay with him until he throws you to wayside, until he wakes up one morning and decides that you are not enough compared to the big, wide world just outside his door; that your walls and your roof are not big enough for him—
“Please. Go home. Go home, Bear—”
Your words land like you knew they would, and he reels back for a moment, as if struck, but the anger, the twisted pain etched in the lines of his unkempt beard, his greasy brow, make stand firm. Unmoving. 
You catch the acrid scent of gasoline on his skin when he leans forward, forcing himself back into your space with his chin dipped low, eyes blazing with a defiant inferno. His scarred, battle-battered hands drop to his splayed knees, gripping tight. Holding firm. 
(Or holding himself back—)
His voice is a matchstick when he speaks. Smouldering embers sparking to life. Renewed with a sense of purpose you can't make sense of. What set him off? What made him flip—
(You're not worth it. You're not worth it—)
“M’not giving up on this.” 
His jaw is slack. Laxed. The words slip out slow, languid. Curling with a touch of humid derision, mordant humour, at the idea that after all of this, everything (nothing, you think—nothing, nothing, nothing), you could just walk away unscathed. 
If I burn, the crackle in his throat says, promises: then you're burning with me. 
“Bear—”
“I'm not giving up on us.” 
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He leaves, and takes another part of you with him. 
(You sever a part of yourself and leave it in the mouldering hotel room that still reeks of stale sweat, cheap whisky, and sex.)
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The aftermath goes like this: 
A tsunami of regret and indecision dredges up terrible, awful things—phantom memories and stains in the shape of fingerprints that pollute the inside of your psyche—ones that should have been left to rot at the bottom of your buried trenches. It makes leaving harder than it should have been considering the abrupt nature of this—whatever it is. 
(Untitled. Unnameable. Unknowable.)
There's betting on losing dogs, and then there's this: 
Pacing all your cards, all your coins, on one that wasn't even in the race. 
One foot in, one foot out doesn't apply when Bear has never even stepped over the threshold. That notion roots itself in the scorched fibres of your chest, knotweed in your alveoli, as you scent liquor on his breath when he speaks. A cavernous distance grows between want and reality. 
You thought you knew him. Learned and memorised all his hard lines, his soft valleys, the thick thatches of hair that dust his body like the dark depths of a riverbed; a nebula of loosely connected scar tissue—Orion's belt made of fine, silvery lines—and pock marks from blemishes and bumps born from the rich, enigmatic tapestry of his life beyond the mere sliver of you. Crows' feet in the corner of his eyes, but only when they're crested in pleasure, twisted in that tender sort of humour only comfort brings. 
It takes you a weekend to map out the burly topography of a man, and only seconds to realise you know nothing about him outside of this rapacious intimacy. 
And even though you want to feel like this was the right choice—because it is, it was—you can't seem to stem the sheer brutality in which regret tears through you as you stand alone in a desolate parking lot under the waning sun. A whimpering ending to a desolate beginning. 
Was it loneliness that brought you here, or just the mundanity of fearing failure? It's these unanswerable questions, these skewed thoughts, that tumble over themselves, struggling to stay buoyant in the molasses of your sicky grey matter. 
(Let them sink. Let them drown.)
These distant sentiments barely echo in the gaping vacuum of that is your mind. Untethered, whispering by as you stare, transfixed, at the broad strokes of pretty pastels in periwinkle, tangerine, and bluebonnet are rapidly consumed by the darkening sky that opens like a chasm above your head. The sight of it a little too close to the colours that danced in the aether when you both broke, finally, meeting somewhere in the middle, tangled webs. Broken people coming together in a cataclysm that was always, always, headed down a single path to devastation. 
(The perfect conclusion to a story without a beginning.)
It's something you shouldn't think about. Let them sink. Let them drown—
This looping, knotted thread is a dangerous one to follow—the agony of watching Bear storm off (even after asking, demanding, that you let him drive you home; an offer you quickly refused) is still raw and gaping; a pulsating wound in the back of your throat—but you're brittle enough to want it to hurt, maybe. Chasing that unequivocal high only self-flagellation brings. 
Masochism in failure. In heartbreak by your own design. 
And it should hurt, right? This lonely climax (not with a bang, but a fizzle) should devastate you. Cut you to the core. Leave false starts on your bones. Scars on your ribcage. A meteor shower in milky white. Something tangible. Permanent. 
But instead, it feels unfinished. More of a sudden paroxysm than a defining choice you've made. Concretely. Absolutely. It's a hollow win for your bruised ego. Your battered pride. It slinks, somewhere, in the depths of this renewed pain, and licks at the tender wound made when you pierced your chest and ripped your heart cleanout. 
Threw it at the floor by his feet. 
Quid pro quo, maybe. Or a desperate bid to rid yourself of the Bear-shaped hole now taking residence inside. 
(It's fine, though. That pesky thing, all wrapped up tight in thick layers of duct tape, has never really felt like it belonged to you, anyway—)
It's all such a beautifully horrific panoply, you find. Paradoxical. Oxymoronic. Smothering and somehow claustrophobic at the same time. Being burnt alive and dying from hypothermia. 
The cudgel of pain to your chest is white-hot and vicious, but there's a seismic polynya in the lavascape of sadness that drapes through the topography of your being like a sluice, and in that little island of ice sits the unrelenting sense of flat resignation. 
You left Bear of your own free will, but in the jaded fibres of your being, you know it was all—
Inevitable. 
And fuck—
(fuck, fuck, fuck—)
Was it? Was it all inexorable or are you just making up flimsy excuses for yourself? 
Yes, you think. And then: no. Maybe. Maybe. 
(you are your father's child—
and your mother's broken daughter.)
You want to cry, and scream, and break the pain against something willing to fight back, to cut you just as deeply as you hack at it, but all you have are fragmented memories swarming you in this vacant parking lot on the wrong side of Virginia Beach, and—
(don't let it in, don't—)
—you chase it, lure it all in as you compare the blue in the sleepy gloam to the colour of his eyes, and then—
Your back against a brick wall, his knuckles sticky with blood closing around the nape of your neck, pulling you closer. Closer. The wide expanse of his palm swallowing your wrist as he led you to his truck; then, heavy on your thigh the entire—ill-advised—drive to the Motel 6 down the road where you stand now, fragile, raw, and all alone. 
When this all started, when you finally had the cobbled remains of Bear’s lucidity in your arms, the flat press of his attention against your jugular, you considered it to be a victory—
(a victory in amber)
—but hindsight is a cruel, mocking laugh in the back of your head. Twisting the knife deeper, severing the fraying threads that anchor you to yourself. With a sadistic glee it tells you that while you might have won the battle over the bottle, you lost the war (—abysmally, and without even the haze of a fever in your veins to numb the hollowness of your loss). 
You just can’t fix a broken man, and you certainly can’t keep him afloat all on your own when you’re too busy trying not to drown yourself. 
It's just that the weight of your shared brokenness was incompatible and insurmountable to the grief in Bear’s heart, but really. You just wonder if it was inevitable that everything you offered would be passed over in favour of numbed indifference at the bottom of a bottle. For someone, something, else. And while you might have been the one to leave first, but somewhere in the misplaced hurt inside of your chest threatening to collapse in on itself, folding into a black hole that devours all of your messy, ugly parts, you know that Bear was never really there, anyway.
That thought stings more than it should because you know, you know—
It’s just not made for us, baby.
—and maybe it’s all your fault for forgetting that inevitability in the first place. 
(shame on me—)
The thread you warned yourself not to chase gets tangled around your throat, choking you with the very same line you should have stayed far away from. It feels like hollow cyclicity—a gluttonous ouroboros gorging on itself—when it all, eventually, leads back to the beginning. 
Your fault, again, for trusting broken guidelines in the dark. For betting on losing dogs. For picking up another stray who already had a home. Another trinket to gawk at that ended up being chock full of arsenic, killing you with every touch. 
But He's gone, now, despite the fire that raged in his eyes, he still left you here to burn on your own. 
(inevitable—)
You should learn when to let go, you suppose, and fight the urge to bite your nails down to the wick just to taste blood in your mouth that isn't his. 
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For the most part, though, you’re fine.
You’ve always been a good liar (“terrible, actually,” Bear snorts, and it’s the closest you’ve ever come to seeing him roll his eyes. “Jesus, never play poker if I'm not around—”), and especially to yourself, so after a moment of self-reflection in the form of a scalding bath and a purging cry in your car as you shoddily cut the Joe Graves-shaped cancer from your aching heart before it can metastasise and infect you further, you come out of it all standing, somehow. 
It might be the pastiche of indifference you slip into; a facsimile of the one, jaded and so bone achingly tired, that fell over you when you stumbled out of the bathroom, ready for something more only to find a man half-gone already to a bottle in the span of a few moments alone with his thoughts. 
Regardless of what it is, it works (—in shades, and only as long as you cling so tightly to anger that your fingers bleed and your joints ache—), and you let the familiarity of your unpractised trot to some gnarled finish line lead you forward.  
A clean break, you think (—hope: plead, bargain; wishing so hard on every eyelash that falls, every eleven you come across so that something, someone, listening might cradle the delicate splinters in their arms and nurse this whim, this want, into fruition), and you'll be fine. Fine. 
You have to be. 
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But the thing is this:
Despite your best efforts to put some sense of distance between you and the heartache that must be, at least a little bit, on par with being gutted, a clean break is never clean, is it?
Case in point—
Thinking about him makes you bleed, and you think about him constantly. 
(Regret, then, is a wellspring in which the pain drinks and you didn't know a body could thirst this much.)
And it's made even worse when you realise just how bullish a man like Joe Graves can be. 
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Maybe it's the thought of everything that had built up between you shattering into pieces that awakens this sense of urgency within him. Clinging, perhaps, to the only form of comfort he knows. The only one who toughed it out—in part, due to your employment obligation; the rest? an unresolved saviour complex when it comes to the people even a contrarian wouldn't place a bet on. Maybe. 
(Probably. Undoubtedly. 
You stopped trying to find the reason why you kept picking up the strays who always bite you in the end.) 
Whatever the reason, Bear is persistent. Relentless. 
He makes it Wednesday (you'd left him behind Sunday evening—day of the Sabbath, you learn; how fucking ironic) before his campaign starts. 
It's forty-six missed calls, half a dozen texts (because he doesn't like texting—he likes talking. Face to face. No fallacies, no bullshit), and thirty voicemails (twenty-seven of which are drunken ramblings you don't even bother to listen to, and the rest—
Pick up. We need to talk. 
Listen, I—
I fucked up. I fucked everything up—
Delete. Delete. Delete. 
What are you supposed to do with any of that, anyway?) 
The crux of the issue that Bear seems to miss swims in ethanol and leaves behind a five-minute voicemail filled with slurred I miss you's amid a background chorus of a rowdy bar. Then, a woman's voice—a woman who isn’t you—urging him back for more shots. 
You can imagine how the rest of that night unfolded. 
(You wonder if the word meant for you—I miss you—was still on his tongue when he followed her back.)
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It's your fault (again; always) in the end because while you don't answer him—neither text, nor call; all voicemails deleted—you can't bring yourself to block him, either. 
You let it sit somewhere in the murky middle. Untouched but looked at. Longed for. 
It would be so easy to just give in. To let Bear back into your life—properly this time, maybe—and to take him up on those slurred promises made at two in the morning about coffee shops on the boardwalk, and breakfast at the Gulfstream, and movies and dinner, and talking until three in the morning, fucking in the back seat of his pick-up truck—
But that's the thing about yearning, isn't it?
Everything seems sweeter when you want it bad enough. 
So, you drown yourself in him. Stand as close to the fire as you can without burning alive.
Dousing yourself in the scent of ethanol cleaner. Clinging to broken pinky promises. Thinking about peanut butter and bacon staining your fingers. Prying information from rotting timber, and keeping the saprophyte that falls off the wood in your pocket for safekeeping. Filling space on a drumroll because you talk too much, anyone ever tell you that? 
(ad infinitum.)
Taping the ugliest bible verses to the back of your eyelids just to get closer, to feel closer, only to come to the realisation that you have no stake in religion to care about the deeper meaning behind it all. Metaphors and imagery are hollow when they mean nothing at all. 
There's no comfort, no succour, to be found in the thin pages. 
(You roll them up and smoke them instead. Easier to digest that way, you find.
Bear would probably hate it, and that alone balms the hurt some. Marginally, infinitesimally, because nothing can cauterise this gaping hole in your chest so you might as well fill it up with paper mache instead. Origami cranes with how much you hate him miss him need him want him written on the inside.)
You ache. Moulder. But you let it all rot inside of you until it's a congealed mess of putrefying memories and the moulted remains of the yearning you kept locked in shackles; the one that keeps biting, gnawing at the limbs of its cage to free. 
It's easier to let it all decay together in a controlled space so that you can bisect the necrosed mass in a single go. Sever the limb to save the body. It's a mantra you repeat as you call in sick to work over and over again. 
The flu, you say, and if the sniffle you give is from crying, and the cough from the weed you've been smoking all morning (blue dream, the shaggy-haired kid tells you with a nod; adds: the good shit), well. No one—especially your shitty boss and his shitty work ethic—has to know. You balm the hurt in a way that makes you feel good, smoothing it all over with trashy reality television (though, the Japanese dating show you end up dozing off to is pretty good, admittedly), and junk food. 
Moving on—even some sad, pathetic facsimile of it—helps. Routines forged in wilful avoidance take the edge off of the livewires inside of your body, nerves overstimulated and burning up with a fever much too hot, too vicious, for you to palliate with home remedies. 
And so, you throw yourself into it. Become a human battering ram against the ghosts in your head. 
Things quickly become more of a coping mechanism than a potential, but that's fine. It's all fine. It'll work in the long run until the bruises that line your flesh fade along with the want and the hope, and the terrible memories, too. 
(Terrible, in the way only a desperate, all-consuming one-sided love can be.)
All of it up in flames, in smoke. 
You burn through an ounce in retaliation while watching his name flicker across your screen, and then spend an hour googling whether or not weed is really addictive (it isn't, but the routine, the habit, can be), before deciding that this whole affair is stupid, anyway. 
It's a carousel of self-pity, spite, and masochism that feels like it might never end. Your efforts to palliate the sickness amount to a week of paid sick time spent watching a slew of old romantic dramas on repeat, and ignoring the string of texts that pour through (talk to me, let me fix this, let me—). All voicemails are immediately deleted before you can even hear the hitch in his voice. 
It's duct tape over a gaping wound. Drifting aimlessly along Lethe, careless and indifferent, but all the while, desperately reaching down and cupping water into your palm for a sip that never seems to quench the thirst in the back of your throat.
You think you could drink until you're just standing in a dry riverbed and still feel parched. Effloresced by your own hand. 
(as usual. as always—)
But this wound is still raw, still tender, even beneath the tape. 
Ignore it. Ignore it—
(—before the edges begin to tear. Cloved down the middle.)
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Another buffer is born when you get a text message from your boss—u comin in tmrrw?—and realise you can't avoid it, work, forever. 
The prospect of going back on Friday evening—tomorrow, you suppose (the days have been slipping like molasses through your spread fingers)—makes you nervous. 
You're not ready to see Bear. 
But more than that (deeper than it, too), you’re not ready to see Bear unaffected by all of this. Sitting in his usual spot, in their chair he barely fits in, ordering the same drink over and over and over again. 
Moving on, too—in his own way. Meeting someone else.
(His horoscope holds no punches when it tells you a past relationship may re-enter your life, which may open your eyes to a world of new experiences—)
It isn't as if he usually pairs celibacy with his whisky, and with the plethora of ignored messages (read receipt turned off), unanswered phone calls, and deleted voicemails, you know it's inevitable for him to give up. To get the hint—whatever that might be. Move on, maybe? 
(get your shit together and chase this properly, Bear, jesus christ—)
You consider calling in again, but without any paid sick days left at your disposal, you know you can't afford to. So, you swallow it. 
(And if it takes a little longer than usual to get ready for work, then so be it.) 
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Even with all of the false bravado you can scrape together come Friday, your nerves are frayed. Raw. The anxiety rolls off of you in waves, noticeable enough that even the regulars loitering outside (the ones who usually try and bum smokes off of any passersby, yourself included) offer you a cigarette. 
(Politely turned down, but fuck—fuck—you wish you took it.)
The first hour into your shift is spent trying to pretend you're not aware of the way your roaming eyes skirt to the door in thirty-second intervals. Traitors. Or the involuntary flinch each time the door opens. 
It would be easier to get lost in the familiarity of this desolate dive bar on the fringes of town, and so, you do. 
(Try to, anyway.)
Immersing yourself in the routine of it all—the motions of pouring drinks, sizing the newcomers up (profiling their personage down to a drink and a random idiosyncrasy); the astringent scent of alcohol, the mild barley and hops; the noise of hushed conversations lulling between the static rumble of the television (sports, per usual). 
The clock ticks down the seconds, the minutes, hours. You pour drinks. Clock the local gossip. Listen to the patter of condensation dripping into the tin bucket beneath the hole in the roof. In between the threadbare stirrings of routine, you find yourself waiting with dread gnawing at your insides until they're shredded and raw, pulsing ligaments burning with the fever of infection. 
But it's moot. All of it. 
He doesn't come back to the bar. 
Where you expect to see his broad shoulders slouched over the counter, head hanging low over his steady accumulation of shot glasses (a drinking challenge with only one participant; his demons the spectators), the seat he usually occupies remains empty. 
And maybe you're idealistic and stupid and wet behind the ears, but a part of you expected him to. To wander up to the counter with roses and chocolate and sobriety etched into the Neptune blue glow of his eyes, and to pick you, to choose you, but—
A fairytale. 
The box on the counter—complaints—$5—is picked up by some wayward frat boy, and the mocking laughter that follows makes you think of cobalt blue, and peanut butter and bacon burgers in the empty parking lot near the beach, watching the endless midnight black ocean rock against the sandy shore. Talking. Talking. Talking. 
Everything. Nothing. All the things in between. 
You told him about college—failed the first semester, and then my dad… well. Anyway, had to drop out for a bit. But. I went back. Stupid, I know, and it doesn't matter but—
His hand falls on your arm, fingers a little greasy from the sweet potato fries, the ones he kept sneaking from your pile when he thinks you aren't looking, and he says:
It matters to you. 
And it did, but only because it was something your dad mentioned a long time ago—I'd be proud if you followed in my footsteps—and despite everything he'd ever done, his attention, his affection, was all you'd ever wanted. 
Yeah, you'd said, and stared out at the vat of blue until your eyes burned. Yeah, I guess so. 
Well, he had peanut butter staining the corner of his mouth when you blinked the sting from your eyes, and turned to him. What do you wanna do?
Nothing. Everything. 
Your dad once picked you up from practice, hands tight around the steering wheel. He filled you in about his day (stupid fuckin' guy from upstate came down and bought all the houses we were fixing to sell), complained about your mother (god, you know, that woman didn't even tell me what school to pick you up from? Said I should know where my daughter goes to school, as if I'm not working all damn day to keep you fed, and—), and gave you the biggest piece of advice you'd ever get:
"Look, no job is better than real estate. All that crap you think you want to do? Not important. All you need is four walls and a roof, and that's it. The rest is secondary."
(If that was true, why weren't you enough for him? Why weren't your four walls and roof enough to keep him?)
A shrug. I don't know. I've never been good at anything. You think of bruised knees. Scraped skin. Chasing a car, a dream, that never once slowed down. Can't even run right, it seems. 
I can teach you. He clears his throat when you look at him, wipes his mouth on the back of his hand twice but somehow misses the dollop of peanut butter tangled in his beard. M’used to training men, I'm sure I can whip you into shape. Teach you how to run. Put you through the wringer until you come out sprinting on the other side. 
"Teach me how to swim instead." 
The bark of laughter he let out was cut off when you held your pinky up. 
His brows bounced, incredulous. "Really?"
"A Taurus always keeps their promise." 
"Christ's sake," he shakes his head, and you count the lines on his forehead when he turns, and rubs his fingers against his temple so hard, you wonder if he's trying to chisel through his skull to get at where it hurts the most. "I might not even be a Taurus."
"When were you born?" 
His tongue pokes out from between his teeth, chin dropping to his chest when he huffs. You watch the way his shoulders shake, the flesh softening around his neck when he dips it low, and wonder if this is what it was like to yearn. 
His eyes spark, Neptune blue, when he looks up. He says nothing, but holds his pinky up to yours, the digit swallowing yours whole. 
It's a promise. He squeezes your hand in three pulses. One. Two. Three. You think you might get lost in the canyons that keep dividing inside of his eyes. 
"Bet you were born in April." 
"Not even close." He grins, all teeth, and drops your hand. Motions to the fries spilling over your console with his chin. "Finish up."
"Oh, did you even leave any for me? Thought you ate them all."
"Watch it."
Your stomach churns at thoughts, the memories. Plagued by him, it seems. So tantalisingly out of reach, and yet—your phone vibrates in your pocket; another voicemail left for you to listen to in your car and pretend that this whole thing is fine—so close. 
He's everywhere, it seems. The scent of this place makes you think of him, and the stench of sickness—
Every square inch brings back some reminder of him. 
When he got too trashed the first few visits and stumbled into the washroom. His bulk falls into the cheap door frame, and sends the ugly photo of what might have been the boardwalk crashing the floor. His call of: take it outta my tab when it shattered into pieces. 
(You didn't. You hated that picture, anyway.)
When he knocked over his shot of tequila when you told him you thought he'd look really handsome in a beanie—a touch too bold, high off of the ethanol that leaked from his pores—and the rubescent smear over the bridge of his nose that followed. The ruddy stain on the counter—nail polish, you think, from that time a group of bridesmaids stumbled in after a wedding on the beach, and used the washroom to freshen up—matches the shade of his blush. 
You spend an hour before closing scrubbing the counter down until your fingers are cracked and dry and burning from the chemicals you douse on the cheap, aged wood. It doesn't come out. Nothing you do will ever make the table unsticky. It's too far gone. 
Like him. Like—
"Whisky," a man barks, slapping a dollar bill down on the stain. "Two shots." 
Four walls and a roof, right? Right. Right. Right. 
The walls here bleed condensation from the humidity outside, and the roof leaks when it rains. Always. It's patched up with duct tape and pipe dreams. 
(Like you—)
The box on the counter catches his attention, rheumy eyes skimming the words. He scoffs. "Funny. Make me a drink worth a tip, and maybe I'll—"
"You know what?" You snap, throwing the wet cloth down with a splat that sends droplets pelting across his abdomen. There's a vindictiveness in seeing the splatter on his smooth, unwrinkled shirt. 
Your eyes sting from the bleach, the lemon cleaner. Pebbled tears in your lash line threaten to spill over, but you swallow it all down. You won't cry. Not now. Not anymore. 
Your hands twitch, an aborted motion to scour the wetness from your lashes, but you stop it in time. Curl your fingers into fists instead. 
(And stupidly, nonsensically, you have the sudden, passing regret over washing your hands of the blood he'd spilled on your skin.)
"I don't work here."
"Since when?"
"Now. Get your own whisky, and take your shitty tip, and shove it up your ass—"
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Quitting your only source of income certainly isn't the wisest decision you've ever made—but you've never been wont to make good ones, anyway, and so, you think it's all perfectly fine, considering. 
Considering. 
If anything, it's better than waiting around for the inevitable collapse of this shaky, patchwork foundation of paper-mache you cobbled together (reinforced with pipe dreams) to come crumbling down around you when Bear wandered in.
(If he ever would—
Fuck. You hope he does. Hope he doesn't. 
Get better. Come back—)
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You sit in your car at the end of your shift—the very last one after several odd years of growing roots down into the worn floorboards, and keeping more secrets about the occupants in this town than you care to admit—and just—
Breathe. 
Sort of. 
It's twisted in a way that makes you entirely too aware of what everyone would think if they knew about it. So, you cup this little secret between the palms of your hands, and cradle it to your chest, only exposing it to the outside world when things become too much. It's easier to say you count to ten—in, out, in, out—than to admit that your methods of self-soothing, of quelling the visceral sense of anxiety from pinballing around inside your guts like a marble, is to lean back, close your eyes, and pretend that you're back in the deep end of the swimming at the local chapter of a YMCA. 
Drowning, of course. 
Or some fictive version of it. 
It comes to life in smeared yellow against hazy blue. A cacophony of muted sounds in the background—exultant shrieks of children, splashes in the distance, the low chatter of garbled conversation—is all you can hear in your underwater sanctuary, but only just. Noise is distorted and strange. A warbled mimicry of noise. 
Your world is pressed into a cerulean marble, untouchable and inescapable. You linger in the centre, floating aimlessly in stagnation. 
Down here, nothing matters. Everything is dissolved in the heavy chlorine that saturates the cold waters, and whatever resilient pieces remain sink low to the pool floor, scattered around the yellow goggles just within arm's reach. 
You sink with them. Your thoughts become liquid; mercury slinking around your head. Intangible. Nonsensical. And above all else—silent. 
Or they're supposed to be. 
But even down here where nothing can touch you, where no one noticed you haven't surfaced in ages, your thoughts are carried by the lulling currents. Saved from your murky grey matter, from the sap that traps them in the mouth of a pitcher plant, they buoy to the surface, unmoored now. Free to scream at you in whispers. 
You think of Bear.
Or rather, you think about not thinking about Bear. 
About other things. And nothing—forced white noise. Static. What you're going to do now that you don't have a job. The scabs on his bloodied knuckles. No. Work, maybe. Finishing up that degree you promised yourself you'd get, if only to fill some absent void in your chest—or a futile obligation to a man who forgot your birthdays. Who spelled your name wrong on holiday cards—on the rare occasions he ever bothered to send them. 
Other things. Other things—your faucet is leaking. You'll need to call the property manager to fix it. You need to get gas, too. Groceries. 
Faintly, you catch the musk of his cologne still clinging to your passenger seat when you breathe in. Hold it, count to ten. It makes you remember the warmth of his humid breath on your cheek when he leaned in close, tapping your console as he pointed out your CHECK ENGINE light was on. Had been, you confessed sheepishly, for a few weeks up to that point. 
Stupid pothole, you grumbled around the electricity running down your spine when his arm brushed yours as he leaned back with a derisive snort. 
You caught the headiness of white oak, musk, when he turned his face to you, decidedly unamused by your answer, and flatly told you that you were driving around in a death trap. 
Things not even on its last leg—it's in the damn grave. 
Whatever, you shrugged. I'll just hit another pothole on the way home and it'll turn off. 
Jesus Christ—
He didn't smell terrible. Faded cologne from a few days ago. Something woodsy. Cedar, maybe. Leather, smoke, pine. Sweat from the unrelenting humidity. Loam clinging to his skin. Spiced rum around his collar when he spilled his drink down his chin (you, eagerly, hungrily watching the amber droplet roll down the length of his neck—). He always seems to smell like he had been working in a thick, taiga forest in the dead of winter. Cindersap. Evergreen. Sweat-soaked leather. Chopped wood. 
It congeals in your senses. Glueing to soft tissue, embedding itself in your skin. Permanent, unshakeable. 
Unwashed sheets shouldn't be appealing. Motel shampoo. Cheap soap. The muted smell of old, stale cigarettes. 
And yet, in this marbleised world, you think of it. 
Of his skin, and the way it feels against yours. The slight sheen of grease along his nose when it nudges the soft slope of your neck. The rough drag of his beard over your pulse. Wry curls that end up on your tongue after he'd kiss you. 
Any plans on shaving?
He dragged his cheek over your collarbones, eyes lidded, heavy. None at all. That a deal breaker?
You hold your breath until your lungs start to quiver, to ache; until you're dangling precariously on the verge of hypoxia with ink blots splashing across your vision in a garish Rorschach (they're all butterflies. with knives. what does that say about me, doc?). Phosphenes scatter in a nebula of colour. Your throat constricts around nothing, empty. Empty. The urge to swallow follows on the coattails of a pitifully fleeting euphoria. Temporal and untouchable, but you still reach out, grabbing and grasping with straining fingers because you'll hate yourself forever if you don't try. Scrambling, desperately, to catch cosmic dust on the tips of your fingers. To imbue your disjointed cracks with the chemical makeup of a Magellanic cloud until your broken parts burn incandescent. Kintsugi in cuts, scraps, of Andromeda. 
But for as much as you want to shatter your lungs into infinitesimal pieces, and scatter them across the universe, your body has a failsafe against stupidity. 
It forces you to gasp, gulping down thin, crisp air until you feel the burn in your chest from overexertion. 
You open your eyes, and wish the world around you was still draped in teal and hazy yellow. That you could taste chlorine in the back of your throat. It's a brutal awakening to find a gossamer of silken midnight draped over the parking lot in the back of the dive bar. Empty, barren, save for yourself and the chef. A man you guess you'll never see again. 
Soft, crushed ochre smears a hazy ring in the east. The dawning sun of a new day. 
Leaning against the old leather of your car, your eyes cut to the console briefly. The CHECK ENGINE light is off. You made Bear groan, out loud, when you hit a pothole on the freeway and it flicked off, like you knew it was. Problem solved. More duct tape over what is probably something wrong with your engine (probably dented the filter in your catalytic converter, Bear grumbled, and you nodded along, pretending like you knew what that meant). 
A light catches your eye. Your phone buzzes on the dashboard, screen illuminated in the reflective surface of your window. 
You could pretend you were getting a call from RAEB if you tried hard enough. Answered it, maybe, and feigned ignorance while you chatted away to him like nothing happened. Like you sometimes don't try to drown yourself on land. 
You reach for it, fingers tingling at the last vibrations before the screen cuts out, and bring it close. 
It takes a second, but the voicemail icon pops up in the notification bar beside a text from your friend sent hours earlier begging you to come out next weekend (haven't seen you in forever okay?? come out w us!!). 
You don't know why he keeps trying. Why he's so persistent over something that is, quite decidedly, nothing. 
The icon taunts you. You hate seeing it—always have. It can't be swiped away. Can't be hidden. It irks you somewhat, seeing this little symbol. 
Make it go away—
You shouldn't. Not when your insides are this raw, this fractured. Broken. But you turn your phone over in your hands for a moment, mood mulish and itching for something. A fight, maybe. Something to be angry about, justifiably. To vent your frustrations. 
You tap it before you really think things through, watching as it dials VOICEMAIL and the automated message pops up after a ring. 
Please enter your password—
You have one new message. To play your messages, press one—
It starts shaky—like he's moving. You can hear the shuffle of his body, the rasp of his shirt. A door slams. He huffs. 
Look, uh. I'm not… I'm not good at this kind of thing. I was hoping—hoping we could talk… but. I guess I, uh. Anyway—
It goes quiet. You reach up to hit SEVEN on the keypad, delete the message like all the others, but a noise stops you. The screen hums under your finger. 
I've been thinking lately. About a lot of things. The team, myself. You. I made—some bad calls. Got some good men…uh, into some trouble. The kind of trouble you… don't walk away from. 
It made me think about Rip. I told you about him, right? In the—the motel. Rip is—Rip was… important to me. To us. Saved my life. In Iraq. Mosul. Bullet nearly hit me but somehow, he pulled me back just in time, took the bullet instead. Right in his stomach. And you know, he, uh—he huffs. It sounds like a laugh, but one he's choking on. He got right back up and took the bastard out. Just—wasted him. I owe him my life. Always have. It's muffled, as if he has his hand pressed to his mouth, keeping the words in. Should have saved him, but I couldn't. Couldn't do a damn thing to help him. I let him get that bad and I knew. I fucking—I knew. I saw it. Watched him spiral. And now—shit. Now I'm—uh, talking to your voicemail at four in the morning—
You think you catch what am I doing before the line cuts out. 
Fog settles in the midmorning dawn. You lean against the headrest, clutching your phone, and try not to think at all. 
(wash, rinse, repeat)
The hole in your chest, filled in with clay and papier-mache, crumbles under the seaspray.
What am I doing. It stays with you. 
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These flimsy excuses become a house of cards. 
It doesn't surprise you much at all when they wobble, falling on top of you.
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It's his name flashing across your screen—just Bear—as you lay in bed days later, pretending not to think about him that starts it all.
(again, again, again)
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This is all a cruel sort of timing, you think, and feel the harsh thud of your heart so strongly against your rib cage that you wonder if the silly thing might break through them yet. 
You shouldn't answer. Know, without any hint of uncertainty, that Bear has the potential to pull you back in—fish to a pretty, glimmering lure—and that the moment you acquiesce to one thing, others will immediately follow in rapid succession, much too quick for you to keep up with. 
There will be no stopping the deluge once it breaks. 
And yet—
What did you expect?
The words thrown back into your face echo in the small of your flat as the walls around you wobble, teetering on the edge of collapse. 
Like most things when it comes to him. 
After the second buzz, one that sends a thrill through your spine that you refuse to give attention to, you hesitantly press your finger against the green answer key and slowly bring the phone up to your face, inches away from your nose, before stopping. Abruptly. 
You can handle Bear at a distance, you think, and so, deciding better than to have him murmur directly into your ear, you quickly tap the speaker button, and stammer out a muzzy greeting. 
“...Bear?” 
There's a sharp inhale that threads through the speaker, and you know, all at once, that he hadn't expected you to pick up. Was, instead, ready to meet and reluctantly embrace the cool, blithe distance of your voicemail. 
“You answered,” he hedges, and you wonder if the wariness in his tone means anything deeper. “I didn't think you would.”
Despite his honesty, there are shades of derision tainting the gruff timbre. 
“I wasn't going to,” you volley back, matching the fickleness of his misplaced scorn with your own. 
“Then why did you?” 
“You know why,” you admit quietly. 
No one is around to see your boundaries crumble. To watch as the cards you kept so close to your chest dip once, quick enough for him to glimpse them, to see what is tucked in the palm of your hand. 
In that loneliness, you find a sense of freedom that you had been missing. One tinged in the bitter coat of nostalgia. 
It feels too much like those nights spent arguing about the meaning behind the perfect pour (and why yours would always be trash), and showing him abysmal creations on Instagram in a thinly veiled attempt to make him see that you weren't, objectively, the worst at it. 
Back when you held the patchwork remains of your bruised, duct tape heart out over the countertop that never seemed to ever be clean as an offering to a man who bluntly looked down into the nozzle of his bottle instead. 
He huffs a little, then. Put-off, maybe, by the distance you pitch when giving in is always just within reach. “I don't see the problem.” 
“Well, yeah…” you mutter, shuffling in bed to get comfortable. You drag your knee to your chest, as the other stretches out in the sheets, and lazily wrap your arm around your shin, fingers digging into your flesh. Bruising, biting. It centres you, this fleeting pain. “You wouldn't, but I'll have you know—”
It's comfortable. The thought is a battering ram, one that hits hard, vicious, and dredges up the realisation of just how much you missed this. And just how easy this all is with him, even know when your heart is in tatters and you can hear the slur in his words (though, that might be his usual mumble—the man is hard to understand on a sober day, what with his penchant to grit words out between his teeth, as if he needs to tear them to shreds, to chew on them, before forcing them out), the normalcy in all of this, or as normal as this abnormal situation can get, is a bludgeon to your resolve. 
“...what, huh? What'll you have me know?”
You'll get suckered back in again, but this time, all the way to the event horizon. Inescapable. 
“You know, Bear.”
It's flimsy when he huffs, and sounds too much like relief when he growls: “Then why fight it?”
“I don't want to talk about this right now.”
The line goes still, but you catch the hitch in his throat all the same. “We should. I can fix this. We can fix this. You can't just decide—”
You can, you think, and drop your forehead to your knee, letting the phone slide down the valley of thigh and stomach where it comes to rest on the clothed crease of your hip bone. A prison. Your body is the cage. 
Not being able to see him gives you some sense of power back, and you reach for it. Needing to wield something decisive and distant before the rough timbre of his voice, his desperation, scoured your resolve into thin powder. 
“ Just give up, Bear. It's over. There's nothing to fix because there was nothing there to begin with.”
“Nothing there, huh? Is that what you think?”
Overtaking the bitter resignation is anger. A bone-deep fury that simmers to the surface, dredged up from the bottom of the bottle you thought you lost him to. You can hear it in the sharp breath he takes, the little growl he lets out. 
“Fuck that,” his viciousness stabs into your defences like a battering ram. Unrelenting, dizzying. You make to step back, but he fights you on it. Keeping you close. Blazing anger so hot, it nearly burns you. “You waltz into my life, chasin’ after me and then, what? You just decide it's too much for you? I warned you. I fucking warned you, didn't I ?”
“I—I know. I just—”
What, you wonder. What? Because was it ever as simple as wanting a hurting man to be a little less lonely in an empty pub? 
It's moments like this that make you contend with your self-sabotage, the unmaking of yourself (morality, compassion, kindness) by your own hands. Your complicity in all of this is staggering, and suddenly the idea of a clean break feels vile. 
How could you drop a man you spent months pursuing, expecting him to change overnight? 
Your faults, and flaws, soften the part of you that wants to run, fleeting into the dark to avoid the consequences of your actions. 
It takes two to tango, and the idiom bludgeons through the headache like a battering ram. 
“I guess I just wanted to help, at first. To be your friend. You seemed so—” lonely. Sad. One bad day away from slipping too deep into the bottle that he couldn't climb out again. 
His laugh is ugly, biting. “What? Pathetic? A sorry fucking drunk—”
“Alone.” 
It quiets him, this soft confession. 
“Can't save everyone,” is what he says after an agonising beat, and you think of the priest he tore into viciously for uttering the same sentiment. Bruising with his words, his tone, instead of his fists. Creating walls from the craters it left behind. 
“Doesn't mean you can't try.” 
“Wasted your time, don't you think?”
“No.” The word is immediate. Forceful. “With you? For you? No. But Bear. The thing you don't get, what you don't understand, is that you can't help someone who doesn't want to be helped. And maybe it's selfish, and honestly, I know it is, but you always risk your own life whenever you try to save someone from drowning, and I know I'm not enough to help you.” 
He's quiet. “Reading up on being a lifeguard?”
“In my spare time.” 
A huff. It's barely a ghost of laughter. “Yeah. Yeah. Well. Hope it all works out for you.” 
You can imagine the grim twist of mouth as he says it. The downward pitch to his chin, dipping in his misery. 
“I hope the same for you.” You whisper, and it feels like finality. 
Moments ago, the thought might have brought a sense of bitter relief to you, but now it just feels sickeningly like loss all over again. 
“Shit,” Bear grouses suddenly, and then draws a sharp breath once more. “I miss you,” he rasps on the exhale. 
You don't know why he would, but you understand, maybe, because you do, too. 
(So much, so much, so much—)
“I miss you, too, Bear.”
The tentative words seem to shake him, and all at once, he's commandeering again. Authoritative, in that way only he can be. 
“I'm getting better,” he rumbles. “I gotta. For the—for the team—”
It's the wrong thing to say, though, and he seems to realise it midway through. A quick course correction comes with a rushed, and for me, too, that reminds you too much of all the times you heard this same thing from behind the counter as you topped up their third, fourth, fifth glass. 
You know better than to believe in this hollow gospel, this midnight epiphany, and for the most part, you don't. It's all empty words. False promises from a prophet, spoken as a defence mechanism against the ugly reality of what happens when people catch on to their bad habits. 
But it's Bear.
Out of everyone who murmured the same phrase in that exact tone, you believe in him just a little bit more than the rest. 
(Stupid, stupid, stupid—)
It's his intense tenacity. That gritty determination seems ingrained within his very being. Inseparable. 
You wonder when you started divining truths from its scripture. 
“I don't want to lose you,” he's saying, and it's odd because he never really had you to begin with. 
“Bear—” It's late, and your thoughts are just running themselves aground. Turning into a tangled, indecipherable mess. “I need to get some sleep. Can we—can we talk about this tomorrow?”
“Tomorrow? Will you answer?”
It's deserved, of course, but you know that particular knife twist hurts him just as much as it does yourself, and whatever little vindication he finds from it is swallowed, quickly, by regret. 
“I just…want to talk to you.”
You imagine that somewhere between the lines, the things unsaid, sits the glaring truth of his sudden devotion, his obsession: 
there's no one else. 
(never anyone's first choice—)
“Sure. Okay, yeah, we can. We can talk. You're—” you need distance. You need space. A minute, maybe, to sort through the ugly thoughts making webs in the back of your head. “You're my friend, Joe. We're… we can be friends, again.”
“Friends?” 
It's not what he wants. That much is clear by the threadiness in his tone, but at two in the morning and with your thoughts liquifying into syrup, it's all you can offer him, all you're willing to give. 
Friends. It makes you remember the limbo you sat in before, the murk and heartache of watching him ply himself with overpriced liquor and then stumble out the door, sometimes with company but most often, all alone and with just ten minutes to spare before closing. The yearning. The pining. The want that made you feel sick to your stomach with guilt for some unseen, unknown woman back home. 
(“Dead. She's dead—”)
It sickens you even more to think about that. The ring he kept, the sadness that draped over his shoulders in a swath of agony. The one he didn't take off, not even for you. The warning signs were there. 
You just ignored them all.
Friends, you murmur again, and wonder where, in all this, you went wrong. The beginning, maybe, when you looked at him and couldn't bring yourself to look away. Friends. We can be friends, Bear. 
“Oh, yeah?”
“Best friends,” you echo back, hollow and thin. “With matching bracelets and everything—”
“Thought it was a tattoo?” 
“That, too.” 
“Okay,” he acquiesces quietly, but you can hear the threads of obstinacy in his voice when he says it. The combativeness, the steadfast refusal to fully submit, rears in the things he doesn't say, pitching bivouacs in his tone. This isn't over, it says. You're not over. “Friends.”
It's scornful, and you hate the way it blisters under your skin. Burning hot, the same feverish delirium that turned you incandescent with just his touch. 
Everything about Bear tells you to relent. Submit. 
It would be so easy to just give in. 
And the thing is:
You want to. Desperately, achingly. 
His certainty, his acuity in all of this, has a way of dismantling your sense of reason. Or, at the very least, your rationale for why you're keeping him at a distance. It's not just being diametrically opposed, though; this is the unerring knowledge that your complicity needs to be curbed. That you are, in small parts, responsible for this barren husk of a man. For aiding and abetting in his spiral, sure, but mostly for expecting him to greet you with sobriety when he woke up, as if spending an entire weekend between your thighs was enough to negate all the demons clawing at the walls of his skull. Scarring bone. Chiselling into marrow. 
Simply put: you're not enough. You knew this, and yet—
Pursued, persisted. Laughably, even echoed the same words you repeat now to a man on the verge of going nuclear under the pressure of his rage, his grief. 
It's impossible to make a levee out of skin and bones, and no matter how much Bear might want to try—maybe has tried with his late wife, with a bottle, with vice, with bloodied, bruised knuckles and a chip on his shoulder deeper than a canyon—it's just not feasible. 
Too bad, you think, that this bone-weary epiphany didn't come sooner. That you didn't kick him out when you realised those beautiful valleys in his eyes were really just trenches. 
Hindsight, of course.
(How were you supposed to know that the rough growl in his timber wasn't a security blanket against the world but just the aftereffects of inhaling too much artillery fire?)
You should have, though. Your mum was a how-to manual on the things to avoid. She could channel wisdom directly from a man's marrow, and you—made in her spitting (vitriolic) image—seem to have learned nothing at all about divination. 
And you—forgotten ilk—can barely tell the difference between a portend and good fortune when you sift through clumps of barley tea at the bottom of your cup. 
For all of her stolen wisdom, you make a promise to yourself that you won't tear yourself into pieces just to make a safety net for him out of your flesh. Or set yourself on fire to keep him warm. 
(Not anymore, anyway—)
But then, cruelly, viciously, you wonder if you ever really helped him at all, or if this is just a manifestation to assuage your own guilt. Doubtless, you find. What have you done for him that wasn't, in some part, mutually beneficial? All this time, you've been gambling equivalence with a broken man, and then ran the moment those jagged pieces cut you. 
And maybe a little bit of this hesitancy is rooted in fear as well. A fickle thing you try to ignore in favour of something that makes you seem more altruistic than you really are, but still lurks in the shadows, in the words you, too, won't say. 
Things like: 
He's never met you sober. Not completely. And certainly not in a way that counts. 
Each interaction is marred with some form of a buffer between you both. Distance shaped in sips of his (fourth, fifth) beer; a shot of whisky. 
What if he doesn't like what he finds sober? 
You heard enough jokes at the bar about falling in love drunk and then waking up sober. If this is that, you don't know how you'd regain any sense of ground back. 
The precipice you clawed your way up to is endlessly steep, treacherous, and yet: you still let yourself fall. Still took the risk in opening your hand just to show him your still-beating heart. 
Return to the sender, you think a touch hysterically, deliriously. 
In the suffocating silence, his voice rings out. Quiet, rough, as if his vocal cords were made of charred wood, smouldering embers, and not warm, wet tissue. It's just your name, but the sound of it seems to drag you down to yourself, if only in increments.
“You good?” He asks when you hum noncommittally in response. 
With your forehead braced against the slope of your knee, it feels like bowing your head in a confessional when you whisper, paper soft, “I'm tired, Bear.”
It sounds like he is chewing on glass when he sighs. Throat torn, raw. The ghost of it whispers across your chin; fingerprints tapping over a tender bruise. 
“Haven’t been sleeping much these last few days. Been thinkin’ of us. Of you. And the team. All the people I let down—”
“Bear…” 
“And I—I want to see you soon. When you're ready. I'm not going to rush things this time. Not gonna mess it up again—”
He speaks like this is settled. Over. As if you've already climbed into the palm of his hand, and all he has to do is just close you up tight in his fist. A little flower he can carry around in his pocket. Kept safe. Kept close. 
It's—
A lot. Overwhelming. He sounds sober enough, and you know that he's not wholly dependent on drinking—it’s palliative; a coping mechanism to numb himself from the reality of everything else that happened to him—but there's a real crutch there that can't be erased by determination alone. But thinking about that—the future—makes your chest feel like it's going to cave in on itself; collapse and become another black hole in the Milky Way, swallowing everything down. 
You need to breathe. You need to think—
“You should get some sleep, Bear. And—”
Don't drink. Stop. Get help. Talk to someone. 
But the words are empty. Hollow vessels to placate your sense of responsibility. Your own guilt. 
Coward. You've always been so good at running—
“Take care of yourself.” 
“Yeah,” he rasps. The hushed timbre makes you tremble. “You too. Get some sleep. I'll talk to you in the morning.”
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And so, this delicate dance made of putting duct tape over fractured promises and palliating the sickness in patchwork hope begins again, working in pieces. 
There's a distance that lingers between the folds of you both, unspoken hurt and distrust—a lingering symptom of letting yourself get swept away by the idea of a man rather than the flesh and bone cut of one—but despite it all, each misgiving that passes your mind when you see Bear’s name flash across the cracked screen of your phone, it works. 
Somehow, somehow. 
It isn't as deep as missing puzzle pieces, because as much as you and Bear seem to connect on a level beyond sex, and booze, and fleeting highs to numb a phantom ache in the pit of your chest, the idea of soulmates seems to be frangible for your fractured selves; with all of your jagged, sharp edges, something so soft would break into pieces, shatter apart. But it is something. 
And that might just be enough. So, you let it root. Let it grow limbs, and leaves, and curl around you like gentle, strangling wisteria until it reaches up to your chest. 
This delicate, fragile thing makes a home, again, inside the empty landscape of your heart.
(shame on me, you think, but still pick up his call as this tender, soft thing you're nurturing snakes across your jugular where it's the warmest, leeching heat from the fever that thrums under your skin.)
Despite his bold declaration, though, he seems to waver on a full pursuit. Content, almost, to maintain this idea of closeness without shattering the bubble you've reconstructed. 
It's odd, though. 
Bear is a man who seeks logic out but always ends up relying on his hunches. Emotional in the sense that he places all confidence in himself beyond the scope of what he might be able to deliver. If his determination can't bring him across the finish line—well, then it was unwinnable from the start. 
For a man so tenacious, so driven, his hesitation in all of this surprises you. 
But something has to give eventually. 
It always does.
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Bear isn't terrible at texting, but he prefers phone calls. Something he admits has less to do with his occupation (no, I won't have to kill you for telling you this, you need to stop believing what you see on tv), and is more just a way of gleaning nuances he can't with written word. 
Though, not always. 
There's a softness when he speaks tonight, a quality you're unfamiliar with, as he confesses on a hushed memory, half musing aloud when the world is dead asleep and the sun is a distant idea in the back of your head, that he used to write letters to his wife whenever they weren't on the phone talking. Or Skyping each other. 
“Deployment with a group of guys doesn't leave much room for privacy,” he says, as if he hasn't just unravelled this hidden part of himself at three fifteen on what was meant to be a rather mundane ending to your Thursday. “They're not really, uh, sensitive to that. We're on top of each other for most of it, anyway. Asking a whole room to clear out just so I can talk isn't happening. So, uh, we—uh, me and Lena, we wrote letters.”
There's a stutter in his voice when he relays this to you, and you're struck numb by it all. Lena, you think, putting a name to a concept. 
“Oh,” you say, and you're not sure what to think about it. So, you don't. You tuck it aside, where all the other things you've learned about Bear go. The ones revealed to you in shambles. “That sounds— romantic. ”
It makes him scoff, and it's this terrible, broken thing. “Romantic, huh? Is that what you think?” 
You hum, taking it in. The grand reveal of his ex-wife (she… we, he corrects and clears his throat like it burns: we decided to separate. See, uh… see other people), and his marital problems, you connect the dots lingering in the foreground. 
You're not completely ignorant of his intentions. 
It's the first move on a fresh chessboard: a show of his commitment to this—whatever it might be—and how serious he's taking it all. Where you'd been the only one to dare pry open the rusted nails keeping your secrets at bay before, he's taking the initiative to do so now, to meet you somewhere in the middle where the olive branch still grows. Placing his bets before the race. Offering himself, and his secrets, up as collateral in this strange game you found yourself in. 
But does he know that you can still hear the slight slur in his voice when he speaks, or notice the way he seems to skirt around the conversation of his drinking habits on the days when it must be hitting him harder? Surely, he must. 
And yet, he still calls. Still decides to gamble with your devotion in maintaining a strange facsimile of friendship with whisky on his breath, slurring his words, and gives out the pretence of playing for keeps under the table. 
Maybe he knows you'll still give him the chance to keep playing no matter how many times his luck runs dry. It makes sense, considering. 
You'd always had a weakness for men like him. 
(Stupid—)
Outside of the tipsy phone calls, you've yet to hear him completely gone. A testament to his dedication, maybe, but you know the first week is always the easiest. When the high of the epiphany roars through their bloodstream, and the weight of the world doesn't feel as crushing as it once had, it's easy to make deals you don't have the means of keeping up with. But the debt is insurmountable to those who aren't fully invested, and the collectors are vicious. 
Still. Still. 
This is as close to sobriety as he's ever been, and you soak up his unbridled attention like you're starving for it. 
And in all honesty, you are. 
Bear is a strange, complex web of a man. Full of grit, anger. Misery curls in the corners of his eyes, hidden there amongst the powder keg of obsessive devotion just waiting to go off. You scented kerosene on his skin—napalm drenching his pores—when he'd lifted two fingers up and nearly snarled his order from across stained cedar wood. 
Having the brunt of his fire listing your way is a character study in restraint, in penance. It taps against the delicate binds holding everything back, and loosens the ties with every piece of him you're given. 
It's hard, you think, to stay so far away from someone when you're wobbling on the brink of devotion. Love, in shades of obsession. The taste of which settles in the back of your throat like a sickness, aching each time you swallow. 
You're not sure what it is about Bear, about this particular brand of miserable, angry man, but his very existence feels like it was constructed, handspun, to make you hunger for a taste. 
And then, you know. It's just that, isn't it? Miserable, angry man. 
(saviour complex, maybe. maybe, maybe, maybe—)
It feels deeper than that, though. It might have been the cause for this unravelling, this unmaking between you both, but the rest—the helplessness and the anger and the worry; answering his call even when you swore you wouldn't, leaving him in the motel room like a bad dream smeared across your pillow only to pick him up again, another bad habit in a sea of others—is than just a simple desire to fix problems that are not your own. 
(especially when they aren't your own.)
“Never really been the romance type,” he rumbles, shattering this strange, introspective reverie you've fallen into. 
“You seem to be doing okay for yourself, though,” you volley back, a touch too cautious compared to how it all was before. When you'd read him his horoscope, and pester him about trying your audacious food combinations he'd complain about, but eat, anyway. 
“Is that what you think?”
“It's what I know.”
You expect him to pick up your jab, turning it on you instead. Something caustic, something severe. Something equally mean and mordant in the way only Bear could be. But he doesn't. He lets it fall to the wayside instead, humming under his breath in something that might be acquiescence, or maybe avoidance of the topic entirely, and shifts back into neutral territory. 
How was your day? He asks, as if that wasn't one of the first things he'd said to you when you answered the call.
“Fine,” you hedge, breezing the word out between your teeth. “It was okay. Bear—”
“I, uh, have a meeting tomorrow,” he steamrolls through your concern like it's made of paper instead of the broken remnants of your heartache. “Another eval., to see if I'm fit to return to training. Make my way back to being an Officer.” 
More secrets are revealed to you in the slow dawn of his unfurling fist. Held out like a beacon, a piece of candy. Good job, it says when you reach for it like the good, obedient dog you are. 
Pavlov's finest. 
“That sounds…” You're not really sure what it means, in all honesty. Words coming together to form a sentence. The meaning is absent from between the lines. You could infer, but you've never been good at guessing. So, you stagnate. “Good. Um, really good, Bear.”
He huffs, and you take it as a laugh—or as close to one you'll get from him. “Gotta pass the eval first.”
“Should be easy for you.” 
“Should be,” he mumbles, and you catch the faint end of a muffled groan. “But I've been slacking. Put on extra weight. Need to burn it all off before I can really get into the old routine. Gonna fall behind worse than a newbie.”
Newbie being growled out in his flat intonation makes you snort. 
“You find something funny? ”
“Ha, no—” his words turn over in your head—put on extra weight—and, damningly, you remember what all that extra weight felt like, stretched out beneath you; arched over your body, heavy and suffocating, and—
Fuck. 
Bear catches the hitch in your breath, and makes a questioning noise in response. You can't let him ask. Can't let him know that you keep painting a picture of his hairy belly brushing against yours in the forefront of your mind. His biceps. Burly is what you'd thought of him before. Thick. Husky. A heavy man, in more ways than one. 
The softness around his waist belied the hard muscles below. You could feel it pressing firm against your palm when he rolled under you, bracing your hands over his chest as he let you ride him. 
That's it, sweetheart. Just like that—
“No,” you swallow around the desire welling up inside of your throat. “Nothing.”
He hums, and it's tainted in disbelief. Like he knows, somehow, what you were thinking of. What you keep thinking of—especially after these phone calls, his voicemails, when you're lying in bed with your fingers whispering between your thighs—and you almost expect him to call you out on it. To demand an answer. 
Instead, he offers a tender truth that nudges against the soft pulse in your throat. 
“...Not drinking as much helps.” 
You almost want to call him out on the as much he tacts on to the end of his confession, to question the logistics behind those two words. To quantify it in a number, in tangible data. Something concrete you can plinth your hope on. But the answer scares you. 
Too much and you'll fall all over again. Too little and you'll have no choice but to run. 
So, you retreat in the face of his truth. A coward. 
“That's—It's good. That's good, Bear—” and it is. Of course, it is. Great, even. He isn't even yours and this silly notion of pride staples itself to the front of your chest for the world to see. “I'm, um. I'm proud of you.”
It sounds hollow, pyrrhic, coming from you—repentant enabler—but the airiness in his voice strikes something deep inside. Pulses against a dormant place that comes alive, fecund with the bittersweet stirrings of hope germinating in the fibres. 
Skingraft over the wound. 
“Proud, huh?” 
And the sound of his voice cuts that thread as soon as it forms. 
His voice is pitched low, throaty. He draws the syllables out as he says, at length, “I, uh, keep thinking about you.” 
You should warn him away. Tap the impish fingers sneaking to the cookie jar—a thorough chastisement to keep wandering hands in check. Bad dog, is the passing thought, and you try to swallow down the hysterical giggle that bubbles in the back of your throat. 
You should.
But you don't. 
It comes out breathier than you intended when you say his name, and it sounds much too malleable in the face of this tactile man. 
“Been thinkin’ about you a lot.” 
“Yeah,” you whisper. Too much. Too much. “Same. Uh, me too.” 
“What are you doing tomorrow?”
“Going out with some friends. Probably going to get dinner. Watch that new movie that just came out. And, um, have a few drinks after.”
“How're you getting home?” 
“Taxi, most likely.”
He hums low, throaty. The sound seems to reverberate through the phone and tremble deliciously down the length of your spine. “That so?”
“I'm not going to be drinking much.” You weigh the ethics of discussing your intentions to drink, to get completely wasted, and maybe go home with someone who isn't Bear, who doesn't even so much as look like him, before waving the thought away before it can take shape. “It's just—social. Getting caught up. Haven't seen them in a while because of school and stuff.”
And because you've invested so much of your free time spinning in circles around a man who didn't even really seem to look at you (who insisted on calling you kid to force distance and indifference between you) until a few months ago, letting your social life dawdle on the wayside. 
Not that there was ever much one. It's easier, sometimes, to push people away than to explain the inner workings of your borrowed scar tissue. 
He hums again—and he really needs to fucking stop doing that before you do something stupid, something reckless, like remember the way he sounded when he lifted his head up after coming deep inside of you, panting in your ear from exertion, and groaned just like that when he shifted forward, inching his softening cock further you, seemingly content to stay like that as you melted into the mattress that reeked of stale sweat and sex.
“I'll drive you.”
Your breath catches. “You don't have to.”
“Yeah,” he agrees, but it's decidedly noncommittal and comes completely undone when you catch the crackle of iron in his mulish tone as he adds: “but I want to.”
And he will, is the underlying promise that brims to the surface, wrapped up neatly in a way that brokers no real room for a counterargument. Not that he'll give you the chance to make one. 
Still. You try, if only to snatch at some modicum of control that slips, gossamer thin, between your fingers.
“It's fine. Making you go out all that way is kinda…”
“Don't worry about it. Beats paying for a cab, anyway.”
“Bear…”
It's firm when he says: “let me drive you home. Make sure you get there safely.” Final. But to soften the blow, he adds, voice tender like a bruise: “Just let me do this for you.” 
And how are you supposed to stay no to that?
“Okay, Bear.”
(Answer: you don't.)
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What's In A Name? Chapter Four
Meg Harding and Kate Carter were inseparable until their friends died five ago, then she ran to New Orleans to save lives as a paramedic. But when Javi calls on his two oldest friends to help him collect data, counting on their matching natural instincts for tornadoes, Meg goes home for the first time in years. That's where she meets Tyler and the rest of the Wranglers, the YouTube storm chasers her dad likes to watch, and finds herself fitting in more with them than with Storm PAR. Meg only plans to stay for the week but will it be easy to leave when the dust settles?
If a certain cowboy has a say in it, nothing about leaving is going to be easy.
A/N: If Meg was more of a religious person, she would have sworn she felt Jeb’s strength helping them pull Tyler to safety at just the right moment.
AO3 Link
Previous Chapter
It had been a good night until everything went to shit. Tyler had been trying to get Kate to open up and she had turned the tables on him, getting Tyler to spill the details of his first tornado. Meg had felt a second of uneasiness when Tyler had asked Kate about her first tornado, something that he had said he only asked pretty girls, but the second the wheels in her head started spinning, Tyler’s hand had fallen on her thigh. Even with his attention on Kate, Meg felt connected to him, butterflies in her stomach taking flight. 
Then the tornado decided to ruin the moment. Meg had a bone to pick with Mother Nature but first, she needed to survive. Tyler had a death grip on her hand and she was pulling Kate along, when they got to the motel lobby, she was livid.
“Nine times out of ten, it’s a false alarm,” The snobby girl in the chair announced like she knew everything. 
“Are you willing to bet your life on it?” She shouted, “Because there’s a tornado coming and we need to get underground. Now!” The siren stopped and while the woman felt vindicated, Meg’s stomach dropped, knowing that it only meant the storm was close. Too close. 
“Come on,” Kate shouted. 
“Follow her,” Tyler ordered, guiding the mom and daughter out of the door. “Run, Meg,” She hesitated, not wanting to leave his side. “Please, darlin’, run.” And she did, taking off, helping the mom and daughter across the road to the pool. She and Kate helped them into the pool, Meg pushed Kate down next, 
“Tyler!” She shouted, urging him to run faster, watching the winds take away the truck the couple from the lobby had climbed in.
“Get in the pool!” He shouted back, “Now, Meg!” Not wanting to lose sight of him but also not wanting to roll the dice against Mother Nature, Meg quickly descended the ladder. Kate was waiting for her, steadying her on her feet.
“Help the kid, Kate,” She pushed her friend towards the pipes. “Tyler!” Meg shouted for him again, getting a second of relief when he jumped down beside her.
“Stop worrying about me, darlin’, go,” He pushed her towards the pipes like she had to Kate. Meg rushed to the pipes, looping her arms around them and squatting as low as she could go beside Kate. She couldn’t breathe watching Tyler crawl across the bottom of the pool to get to the motel manager,
“Please come back, please come back.” Meg chanted, feeling Kate cry against her. “Please come back to me.” She screamed, seeing the horse trailer fly towards Tyler, leaning out as far as she could go without releasing her hold on the pipe, she screamed for Tyler to take her hand. Kate leaned out too, grabbing his wrist when Meg took his hand, the two girls pulled with all their might.
“You’re not going to lose him like I did,” Kate grunted and Meg wanted to cry. Jeb. If Meg was more of a religious person, she would have sworn she felt Jeb’s strength helping them pull Tyler to safety at just the right moment. Tyler wrapped his arms around them both, shielding them from the storm with his body but nothing could stop the sound of the tornado bearing down on them.
In Meg’s mind, she was back in the tornado from five years ago. She heard Parveen’s scream as he was swept away, she could see her friends ahead of her. And then her foot caught on something, sending her to the ground. There was no way that she could make it to the underpass, she knew it.
There was only one option and that was to dig her fingers into the dirt as far as they would go. The winds howled around her, screaming like a freight train. She could feel it as each of her fingers broke, her screams of pain lost in the wind as the tornado passed over her. Meg heard it when Addy and Jeb were swept away, and, and-
“Meg, Meggy, Margaret!” Kate’s shouting snapped her out of it, bringing her back to reality. Meg launched herself at her friend, hugging her tight.
“I love you, I love you, I love you so much and I’m never lettin’ your stubborn ass go.” Kate hugged her back just as tight.
“I love you too, Mud Bug. So much,” Kate pulled back, brushing the hair out of Meg’s blue eyes. “But I’m going to need you to hug Tyler right now. Man looks like he’s going to have a heart attack.” Tyler. She whirled around and there he was, standing with his arms loose at his sides, tears in his eyes.
“Ty,” Meg threw herself at him, wrapping her arms and legs around his torso like a koala bear.
“You’re okay,” He buried his face in her neck, one hand supporting her by her thigh, the other carding its way through her tangled hair. “You’re alive.”
“You scared me so bad,” She whispered, tears flowing freely. “Don’t ever scare me like that again, you understand me?” Meg pulled back with a fierce look in her eye, daring Tyler to rationalize the situation but he didn’t. He just pressed his forehead against hers, whispering in a raspy voice that sent a shiver down her spine.
“Yes, ma’am.” 
They separated, climbing out of the pool. Lily and Ben met them at the top, doting over the trio like mother hens.
“No more rodeo for you, Doc,” Lily hugged her tightly.
“I’m glad you’re okay, you too, Ben,” Meg hugged the reporter who didn’t hesitate to return the gesture. 
“Seems like you’re a Wrangler now, Mud Bug,” Kate whispered, kissing Meg’s temple. “I’m happy for you.” 
“I’m whatever you are, Katie my Lady, always.” 
“Traumatized?” She sassed with a humorless laugh,
“Yeah, that too.” Meg felt Tyler behind her, his hand coming to rest on her hip, the warmth of his skin bleeding through her soaking clothes. Javi started yelling for Kate and Meg but Meg didn’t move from the Wrangles. Dani ran at her through the debris to sweep her into an air-stealing hug.
“I’m so glad you’re okay, Doc.” 
“Thought I was goin’ to die again,” Meg’s breath shuddered, mind slipping again. Her fingers and wrist were on fire, burning with a pain she knew was completely in her mind but she couldn’t shake it. Not until Dani let her go and she inspected them for herself. 
Meg flexed her fingers, they were all at an acceptable angle and the right color. Definitely not broken. Next, she checked her wrist, poking at it, looking for any sign of swelling or tenderness but there was none to be found. 
“That one enough to scare you, Oklahoma?” Tyler’s tease fell flat, he turned her around by the waist so that they were face to face. Tyler was scared, Meg could see it in his green eyes and the way his bottom lip trembled, and besides the memories of the EF-5 haunting her, she could honestly say she wasn’t.
“Not scared of the tornado, Arkansas.” Meg shook her head. “Terrified of dyin’ or losin’ someone I cared about?” She felt so incredibly small and weak, like a child as she shook from her cold clothes. “Maybe a little.” She suddenly realized who wasn’t by her side anymore and felt dread constrict her head, mind going fuzzy. “Where’s Kate?” Tyler’s face softened, he turned her by the hips again and when Kate came into view she relaxed.
“Kate’s fine, she’s talking to Javi over there, see?” She did see and it was almost enough to make her smile. That is until she heard what Javi was yelling.
“I don’t know what it’s like, Kate? How about my friends died because you were chasing grant money for your stupid science project?”
“What the fuck did he just say?” Tyler sounded as angry as Meg felt. Kate ran off towards the decimated motel, Javi calling after her. Meg let out what could only be described as a growl as she took off across the lot to confront an old friend, wanting to wring his neck with her bare hands.
“Javier Ernesto Rivera, what the hell did you just say to her?” Javi had the good sense to look ashamed and the even better sense to put his hands up in defense before Meg started swinging on him.
“I’m sorry, Meg! I didn’t mean it like that, I just-”
“I don’t care how you meant it, you bastard! How could you say that to her?” Tyler was at her back, Meg could feel his presence, but he seemed content letting her fight this battle on her own.
“It’s just, we never would have been in the field that day if it weren’t for Kate. There, I said it.” Meg saw red, red hot rage flowing through her.
“How fucking dare you put that on her!” She kicked his shin, “She wasn’t the only one pushing for that storm so if you’re calling her a murderer then call me one too.” 
Javi’s face fell and so did his hands, letting Meg get a good slap in.
“You didn’t hear Addy, Jeb, and Parveen scream for their lives. You didn’t get your leg sliced open by debris,” She shoved his chest with each sentence. “You didn’t break all ten of your fingers and your wrist holding on for your life with a Goddamn EF-5 trying to kill you.” She swung with a closed fist but Tyler was quick, grabbing her arms and pinning them to her sides. “You lost your friends but you didn’t fucking watch them die. You have no right,” Meg suddenly hit a wall, losing all her steam. Her angry shouts turned into heart-wrenching sobs. “I hate you, I hate you, I hate you!” She kept repeating the words.
“I’m sorry, Meg.” She barely heard Javi’s words over her own crying and didn’t bother to look up at him. Tyler caught her when her knees gave out, holding Meg tightly to his chest.
“How could he?” Meg sobbed, digging her fingers into his torn shirt. “T-Ty?” 
“I’m here, darlin’,” He kissed the top of her head. “I’m right here with you, what do you need?” 
“Get me outta here.” Tyler didn’t need to be told twice. He swept her into his arms, hustling through the debris until he got to the camper. Boone and Dexter had already begun setting up relief outside, shooting Meg worried glances that she responded to with watery smiles. 
“Let’s get you into something warm, Oklahoma.” He put her down on the small couch inside and she watched him dig through everyone’s bags before offering her a bundle of clothes. There wasn’t a bathroom in the camper so he turned his back while she quickly changed into what seemed to be his boxers, Dani’s sweats, and one of Boone’s flannels.
“You should change too, Ty, I’ll, um, cover my eyes.” Not long later, Tyler was sitting on the couch beside her, bringing her onto his lap in a hug. “I need to go after Kate.” Meg muttered into his shoulder, I don’t want her blamin’ herself.” 
“We’ll go first thing in the morning but darlin’, you need to sleep.” Meg wanted to argue but she knew he was right, exhaustion rolling over her as she had just pulled a 12-hour shift on the ambulance.
“I don’t wanna be alone right now, Ty.” Meg looked up at him, knowing her eyes were red and there was most definitely mud staining her cheeks, making her look like the creature from the lagoon, but she couldn’t find it in herself to care when Tyler was looking at her like she hung the moon and the stars in the sky. “Stay with me?” 
“For as long as you want me to,” Those words hung heavy in the air for a long minute before he cleared his throat. “We can sleep in the bed up top, come on.”
Tyler helped her up the ladder and waited for her to get settled in the mismatched mess of blankets and top sheets before joining. When Tyler climbed beneath the sheets, resting comfortably on his back, Meg curled into his side, resting her head on his chest. Neither of them said a word and Meg was glad, knowing if she said another word, she’d probably start crying again.
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talisidekick · 1 year
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The patriarchy isn't gendered in it's evil. It's a collaborative approach. It can't uphold itself if there aren't women and men supporting it's views.
We talk about toxic masculinity and the threats men pose with the power and privilege given to them under patriarchal systems, but what about the toxic femininity wielded by misogynistic women? What about the unique level of power the patriarchy gives to women who conform, and strips from women, men, non-binary, etc. who do not?
There's women who uphold the patriarchy, and they are the backbone to the whole structure. The validation and vindication to do the harm it does to others.
If you need a taste, take a look at how 'gender critical' and transphobic women justify why trans women aren't women. They use 'biological essentialism', the same ideology that gives patriarchal men the absolute ability to prey on women citing a biological need that absolves them of guilt and wrong doing, to paint transgender women as nothing but predatory men by matter of biology. That by being born sexually male, an AMAB person can never be a woman because they are bound exclusively by biological whims they cannot control that AFAB people do not have. They don't chastise cisgender men for this supposed biological difference, as if it's okay to have these supposed 'uncontrollable urges' being a cisgender man. They further back up this false claim by pointing to any behavior if transgender women that is loud, flashy, gaudy, dominant, etc. claiming that even identifying as women, we're unable to act like women, as if to say that being a woman is to act modest, quiet, submissive, etc. I remember not men, but women and mothers telling their children not to speak unless spoken to, not to complain, not to dress flashy, etc, to their daughters growing up. Never their sons.
Toxic femininity is real, it exists, and it supports the same system toxic masculinity does and I want to see crumble. I want a world filled with just as many loud, gaudy, flashy, and rebellious girls, women, enbies, etc. as I see men.
I need three things from the world:
I need cisgender women and men who are staunchly against the patriarchy to stop treating the transgender assault by 'gender criticals' as a "trans only issue".
I need people to recognize that men, cisgender and transgender, aren't an inherent enemy, which means learning to identify toxic masculinity from masculinity. Which is essentially learning that anytime masculinity or an aspect of it is framed as "above women" or "above other men", and "below women" or "below other men"; that it's the toxic kind of masculinity.
I need people to recognize women, cisgender and transgender, aren't the inherent victims, which means learning to identify toxic femininity from femininity. Which is essentially learning any time femininity or an aspect of it is framed as "below men" or "above other women", and "above men" or "below other women"; that it's the toxic kind of femininity.
Ending the binary gender hierarchy is how this system fails. Masculinity and femininity under a patriarchal system is oppressively wielded against women, men, those outside the gender binary, and those that exist within but don't conform, but masculinity and femininity are not it's tools. It appropriates them, and redefines them to hurt those it wants to force into a mold. It makes existing outside it's definitions painful where the easy salvation is conformity.
I propose a different tactic: rebellion.
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ay0nha · 11 months
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LIFE IS BUT A DREAM | SHANKS (OPLA)
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SUMMARY: You had done unspeakable things, figuring it was an acceptable way to siphon your affection. You were young and blinded by false idolization. Shanks chose to see the best in you, even now, even after everything. He, too, was blinded by an image of you that hadn’t changed since you were young. 
PAIRING: OPLA!Shanks x f!reader (Gold D. Roger's daughter)
WORDS COUNT: 3K~
WARNINGS: canon-typical things, enemies to lovers, jail, talk of death and things related, morally grey reader, ANGST, RUSHED ending, flowery language, injuries, blood, murder, random ocs (aka fictional villains inserts), idk really what the plot is besides just straight angst lol, etc.
A/N: I got a couple of Shanks requests, so I combined them all as they were very similar. Thank you SO much to @wood-white-writer for inspiring my reader and helping me along, and @togenabi for entertaining my rambling! I'm begging you to go check out their fics because they are *divine*. Enjoy.
The waves that thrust against the coast lulled you into a meditative state. It made the time pass with uncertainty. Even the briny smell of the warm breeze cradled you in a way that pulled the weight from your shoulders. 
You never thought jail to be so idyllic. 
It was tempting to postpone your escape for a bit longer; there were only so many opportunities to stretch your spine and rest.  Yet, your left eye twitched, warning you your premonition was soon to be true. 
It was on the simpler side, a vision of dark shadows intentionally elusive. The bars that separated you from the world were bent, promising damage from the strength that wasn’t your own. You knew he was coming. It was sooner than you thought, but you learned long ago that your foresight would never be reliable.
It favored him over you. 
When you were younger, you thought you were crazy, seeing apparitions or former lives. However, as years passed, familiar faces began to fill your vision, showing truths you became excited to fulfill. But they became warped with opposing desires and reverberating fear wreathed with vindication. 
It made things sour and sore. It allowed trouble to seek you out just to be ill-prepared for your counter. It wasn’t bravery that energized you, nor was it skill.  Pure spite drove you to be the worst of all. 
“On your feet.”
The serenity you had slipped through your fingers like warm sand. The guard repeated his command, using force to pull at the chains connecting your limbs. You couldn’t help but smile at what he thought was a punishment. 
“Rumor has it, you’re hot shit.” The guard scoffed, voice echoing the dripping hallways.  The way he trailed your body exposed his lust.  “They’re not wrong by the looks of it…” 
The guard’s weak come-ons warbled in your ears like a white noise. You used the moment to fulfill a repeated daydream. That liminal space presented your strength as you pulled your chains around the guard’s neck until there was no longer resistance. 
The conversations were typically cyclical, feigned disinterest to disguise the anxiety your proximity created or those whose egos convinced they could charm you. You stopped paying attention to the rumors the more embellished they became. To some, you were a mercenary; to others, a frenzied psychopath.  
The only truth they held was how deliberately unrestrained you were willing to be. There was no rhyme or reason behind it; at least you were close to convincing yourself of that. Regardless, it had gotten you far, the only thing you’d even consider reliable. 
“You hear something?” The guard perked, pulling you harshly toward him. How brave of him to use me as a shield, you thought. Your attention returned when it sounded again, “Shit!— 
The bang was loud—time had bested you. 
You were lucky to recognize the canon’s whistle and use the commotion to regain an advantage. The current reality had yet to become your destiny. If you moved quickly enough, you wouldn’t have to catch your death in such a dilapidated place. 
Maneuvering your body unnaturally, you felt for the knife hidden on your thigh. The guard was panicking despite training not to split on whether to keep his eyes on you or the trouble you unknowingly caused. 
Using his momentary stupor, your chains wrapped tightly around his throat. It was better than any dream to feel the way the air caught in his body, never to be released. Any lingering struggle stopped when your knife found an artery. 
The blood sputtered, feeling warm against your hands. It was messy, but its carnality evoked an almost erotic sensation that was inimitable. Plenty felt power connected to the strength it took to take away something vital. It corrupted them and blinded them from the true potentiality of the action. 
It made life seem like nothing more than overflowing fragility. It was well-known time with the world and sea was limited, and eventually, everyone would end up underneath some sheet, never to wake up. There was a purposeful lack of originality there solely due to fear of change. 
Yet, when one danced with death, you became the music.
You wiped your fingers across your neck, rubbing the tight knots that met at your shoulders. The fresh blood would stain your skin, but you craved a performance. You readied yourself for the approaching marine boots. The staging was almost too believable, but every second was convincing. 
“Fuck. Fuck—” The words tumbled from your quivering lip. You couldn’t think of anything else, repeating the curse. You smeared the blood on your shirt, a mindless move to rid yourself of taking someone’s life. “Help me, please. This man—I don’t—he came after me—the others are still back there, they’ll be here any moment—I didn’t know what to do—
“Still with the theatrics, eh?”
Your crocodile tears ceased to stream down your cheeks. The feigned, horrified expression turned into an unearthed fury. Shame on you for missing the stray red hairs at the nape of the guard’s neck. 
“Shanks.” You greeted dryly. “You’re early.” 
It was hard for Shanks to meet your eye. He was far from intimidated, but the wild look in your eyes made him hesitate. The years had been kind to you as if you traded your soul for youth. But it was a foolish thought that the devil would be so naive to make a deal with you. 
“Was that necessary?” Shanks nodded to the man behind you. 
“And I thought the canons were a bit excessive.” You tutted as if your opposing opinions were trivial. “And yet here we are…”
“Love—
You hadn’t believed in love, and you were ready to carry that grudge—until him. It wasn’t proper love, proving your skepticism in the emotion correctly. But it was the closest you’ve ever been, could ever be. 
You had done unspeakable things, figuring it was an acceptable way to siphon your affection. You were young and blinded by false idolization. Shanks chose to see the best in you, even now, even after everything. He, too, was blinded by an image of you that hadn’t changed since you were young. 
“Let’s get this on with,” You stopped him, moving swiftly to feel the body below you for anything valuable. “Tumole gave me up, then? That’s how you found me? Bastard.”
You smiled at the image: Shanks holding the poor man upside down, kindness still in his threats to find you. Violence was never necessary with Tumole, always one to ramble away anyone’s secret for safety. However, it was as though you subconsciously left a clue, but you knew the crumbs Shanks found weren’t worth it. 
“You really wasted your crew’s time on me...” You stood, pulling your neck until it popped. It had been a while since you had a one-on-one with Shanks, but you knew he’d always pull his punches. “Must really be desperate—
“I won’t fight you.” He tracked your posture. Your exterior was calm, but with every twitch calculated, you were nearing rabid. “It’s not worth it.”
“Tell me, then, what I’m worth to you, Shanks?” You taunted. It was obvious what he wanted to say: saving. His emotion was always his weakness. 
His pause was intentional, stalling of sorts to let the exchange sink in. Standing under Shanks ' gaze, your body had a new form of reprieve. A facade wasn’t necessary, but you weren’t willing to lose more of yourself to another. 
Your anger dissipated into a haze. It pulled a frown from Shanks as your breathing steadied only to slow. The harder you blinked, the more you forgot your argument. Even if you had held onto it, the lump in your throat wouldn’t allow it to exist. 
Shanks’ lips shaped your name, but all you could hear was a mild ringing, a buzz. His step forward elicited an instinct to step back. 
“Don’t—” You spat. Your left arm was like static, numb from the shoulder down, an ironic consequence of dismissing your opposite. “—fucking touch me.” 
Your vision was the last to go, allowing you to watch yourself crumble; your knees locked, and the palm of your hands broke your fall, exposing how blood pooled from your arm. When did that happen? It had nothing to do with pain tolerance or adrenaline; you were distracted by your vision, doing what you could to change its form. 
However, your effort was useless to make sense of it. You read it wrong; forgetting things such as foresight was rarely linear. As the world around you closed in, clouding your vision, you realized the open bars weren’t an entrance to your cell. Rather, it was the exit Shanks carried you through with success. 
You were never destined to win. 
The dream always teased you with muddled memories.  
They always started the same, a mirrored image of the room you grew up in. Only a few feet separated the sacks the headmistress would call your beds. Your fingertips felt the scratchy fabric of the cheap blankets. 
When the dreams first began, you believed they were real, that you’d never left the dormitory of the dingy children’s home. But the feeling of the monochrome bedding was always wrong, your dream never quite getting the textures correct.  So, there was no room for nostalgia. 
It was as if you were stuck in a loop, hand rhythmically gliding across the bedding in hopes of softening it.  It was neither tranquil nor eerie. Its structure was that of a fever dream, its kaleidoscope quality provoking you to interpret it.  
Its symbolization didn’t go past you, but it always felt uninvolved—superficial even. At the time, your child wonderment knew no difference between the life you had and the life you were meant to exist in. 
As any child did, you dreamed of silks and decadent food. Candies and luxuries. You dreamed of family and warmth. Hope drove those fantasies, but there was no point in clinging to hope when you found out you weren’t wanted. 
Gol D. Roger. Pirate King. The name circled every coastal town and seeped into every deep forest. His mirth was enviable, and his skill indomitable. You wanted to hold indifference toward him, but every bounty you saw enamored you. He made hope seem regainable. 
You looked down at your hand, seeing your hand change shape with each slow swipe across the bed. Your slender fingers became older, calloused. Experienced. Moving to see the palm, you saw the lifeline had ended and an elaborate red sleeve scratched at your—Gol D. Roger’s—wrist. 
You flinched as if you were burnt. You wanted to rid yourself of the attachment by any means. But it didn’t matter when your blood was intertwined. There was no escaping your lineage, your father. 
The longer you lingered with the feeling, your surroundings slowly morphed. A wind picked up but hadn’t raised chills across your arms—not yet. You wanted to stretch now that your hand became your own again. 
However, a sway lulled you into your environment. The ships were always different,  never ones you recognized. You’d like to praise your brain’s creativity, but you knew you’d step foot on every deck at some point in life. If you were smart, you would have noted each and every one. It was hard to when the horizon seemed so…
“The tide is strange…” You hummed. Although your voice vibrated in your chest, it felt delayed, like an echo of someone else. 
A hand trailed your spine with warmth. Goosebumps littered your body. You hadn’t thought to fight them, knowing the touch belonged to someone who put far too much faith in you. 
“Am I finally rubbing off on you?” Shanks matched your hum, creating more serenity than you could handle. It was purposeful to calm you and invite you in. 
“No, no…” You echoed again, shaking your head. Shanks continued with his charm, making promises that the sea and he could fulfill. However, your eyes didn’t leave the shore, the tide much more vast than you’ve ever seen. “...no, there’s—There’s something changing it.” You paused, nausea hitting you boldly. “...someone…maybe? Don’t you feel that?”
Another laugh, more hollow than the last. You had yet to face Shanks, only trusting his touch. It started to burn when you finally turned to him. He was physically present, but his eyes were vacant as if a copy of himself. 
“Love, just try and relax.” His smile was plastered, almost painfully. “Nothing's wrong anymore. Nothing will change—
You frowned. “Shanks—
“She won’t hurt us.” Shanks caught you in his hold. You finally understood the deception and recognized the wolf in sheep’s clothing. “She gave me her word.”  
You jolted awake.
The image wasn’t explicit, but it made you squirm; your back arched against the deck’s railing until your fingertips touched the waves below. You never sunk or floated, but you breathed in the water and felt it swallow you whole with a salty taste. 
Your chest was tight, careful not to suck in your breath too quickly. Despite still being bleary-eyed, you knew you weren’t alone. You knotted your fingers in the bed’s fabric to ground you. The room's scent reminded you to breathe before succumbing to your subconscious torture again. 
“You alright?” Shanks called from the deepest corner of the room. He was swift to strike a match to see your condition for himself. 
The candlelight illuminated the gauze that nurtured your stiff arm. Shanks reprimanded you slightly as you pushed yourself up. Shanks knew you well, understanding that you were already seeking an escape from whatever plagued you. The look in your eye told him you would run regardless of a purpose.  
“What did you see?” His voice remained calm, tone unwavering with vigilance. 
“I didn’t.” Your defiance was your only form of defense on his ship. 
Slight relief came from how Shank’s eyebrow dared to twitch with frustration. It meant he was real. Your blood pumped slower at the unorthodox respite. You continued to move, to stand despite your sore body. Shanks was still blocking your way to the door, but you paced lightly to rid yourself of the jitters. 
“You can talk to me.” Shanks knew you were frazzled, and he was determined to coax the cause out of you. “I understand why you’re—
“Daddy dearest has nothing to do with this.” You hissed, hating the assumption. “Don’t you understand there was a reason your beloved captain left me to rot all those years ago? When will you learn to do the same?”
Shanks didn’t lack sympathy for you, but he understood why your father chose to keep you away from the life that proved only to hurt you. Shanks intended to keep the promise he made to you before you learned it was by the instruction of your father. 
“I gave my word.” Shanks countered. His word choice made you flinch, your dream still fresh. He softened to repeat himself. “I gave my word to keep you safe. This has nothing to do with —
“Safe with a pirate, eh?” You scoffed, picking up what was most likely a stolen treasure. You held no qualms with his lifestyle, but you refused the overlap Shanks wanted to share. “That’ll be the fucking day.”
You felt a needle of pain in your nose like you were near tears, the guilt settling the bile in your throat. The game of cat and mouse was getting old. It was a facetious argument you used for distraction. The bravado you held was angry and vengeful. 
“I know you’ve heard the rumors…” Shanks sighed as if his strategy to coax a conversation out of you backfired. “Cain is spreading out, searching for you. She won’t stop this time.”
You dropped the small object of treasure back into its place. Any emotion was swallowed and digested. There was little energy left to pretend to argue. You needed to leave the room before you suffocated. Shanks wouldn’t block if you tried. 
You lingered, waiting for him to spit out the obvious.  “Look, I know you saw her— 
“I felt her.” Your expression, even mixed with vulnerability, was composed with passivity. Your composure could fool most, but to a trained eye, your discomfort was obvious.
Your admission was desperate, breaking a tension that had filled the air. You wouldn’t crumble. You tried to hold it in, breathing evenly to suppress any sobbing urge. It was neither the time nor the place for added emotion.
“I need to know the full story.” He replied thoughtfully. 
He mistook his demeanor for bravery, but his true bravery formed by being across from you. The only barrier seemed to be Shanks’ incorruptible moral code, a space where you couldn’t quite freely exist.
You wanted so badly to trust him. You sought his comfort. The feeling felt foreign, so you prickled. 
“You already know how it ends. What does the rest matter?” You always leaned on pessimism. “I want nothing to do with this. With her.”
“I’ll be beside you the entire time,” Shanks promised, voice low and steady, reflecting his sincerity. You could make out the warmth he was willing to share, but you couldn’t accept it wholly.
“And my interests?”
Shanks’ expression fell slightly at your evasive rejection. “It depends on where they lie.”
In an ideal world, you’d like to think you and Shanks could be friends. Frankly, though, his compassion made you nauseous. Or maybe it was nerves. The feeling was always hard for you to distinguish. You wished the way he looked at you would warm your chest, but it only reminded you of how that was another impossibility.
Although you were still present, Shanks watched you flee. Your guard returned stronger, but he didn’t regret his words. Shanks’ eyes were pleading, and you went to chastise him, but you found something distinct there. 
You didn’t know what to do with it, but to muse a buried thought. "...Empathy will get you killed, Shanks.”
“Then, I am a dead man walking.”
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