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#finding transparent icons are always funny to me
sab-carpenters · 4 months
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lewisrises · 6 months
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I'm still very new to f1 (Lewis fan) (first season was 2022 🥲) why do we hate vettel I thought he was one of the few rather chill drivers ? Besides whatever happened in, was it Malaysia ? Cant remember. Anyway I'm confused 😅😅
i’m not going to tell you how to feel about certain drivers so if you like him i love that for you ! but
personally i find him very off. sebastian’s entire persona and humour was based on sexist jokes up until his early ferrari years so the fact that ppl try to say we hated rbr seb only bc he was winning with that silly finger is just a straight up lie. there are endless instances where he said the nastiest things unprovoked, to the point that female journos themselves describe the old him as particularly vile in interviews. and sure he was younger then, but his age at that time is still older than i am now, and i don’t think that’s a good enough excuse for a man with a whole media team. just not a good enough excuse at all !
and then he starts flopping and suddenly makes feminism and human rights and the bees his entire personality. it’s like, you couldn’t excel in driving anymore, so you try to win people over personality-wise. and yes, this might’ve been a genuine shift in his interests and causes, some people really do grow and learn from their mistakes. but with sebastian it just always comes off a tad wishy washy to me. he stands against war in ukraine but doesn’t say anything about palestine, he literally said war in the middle east is normal, but europe?! oh no! he supports women in motorsport but says it’s a shame all the stuff with horner is happening bc it’s making people forget about max’s dominance or whatever. which, huh? yes he’ll throw words about like transparency and being equal and he kneeled with lewis. ok. daniel kneeled with lewis. daniel also sang the n word and said he doesn’t watch the news bc it ruins his vibes.
i also do Not care about sewis. sebastian does not like lewis. sebastian likes being messy and funny and having a bit of a laugh bc that’s what his personality has always been like, laddish & v tongue in cheek. but he does Not like lewis! idgaf. he literally spent the entire 2021 season rooting for max, as if max winning would somehow redeem him for not beating lewis himself, he’s always talked about rbr in a way like he’s keeping the door open there, which, for a man who pretends to have morals, shouldn’t want to be associated with a team like them? he crashed into lewis in baku and somehow ppl have spun that into how dad met dad. no, that’s how sebastian crashed into lewis and accused him of brake testing and had to put his tail between his legs and apologise in private when he realised he was wrong. he tries endlessly to live through michael and max and whoever is lewis’ rival or named competition in the goat department bc he knew at one point it was 4x wdc seb vs 4x wdc lewis fighting for the 5th wdc (the literal iconic fight for five!) and lewis beat him. and lewis beat him again. and again. and then charles beat him. and then he got fired from his dream team. how embarrassing.
to Me, sebastian is a bum. both as a driver and as a person. his politics are very whitewashed and everything he has to say always manages to sound white savioury. he can’t drive and is also bald. very bald. but again, if u like him i love him
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rockislandadultreads · 9 months
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Goodreads Choice Awards 2023: Best Humor
Winner: Being Henry by Henry Winkler
Henry Winkler, launched into prominence by his role as “The Fonz” in the beloved Happy Days, has transcended the role that made him who he is. Brilliant, funny, and widely-regarded as the nicest man in Hollywood (though he would be the first to tell you that it’s simply not the case, he’s really just grateful to be here), Henry shares in this achingly vulnerable memoir the disheartening truth of his childhood, the difficulties of a life with severe dyslexia, the pressures of a role that takes on a life of its own, and the path forward once your wildest dream seems behind you.
Since the glorious era of Happy Days fame, Henry has endeared himself to a new generation with roles in such adored shows as Arrested Development, Parks and Recreation, and Barry, where he’s revealed himself as an actor with immense depth and pathos, a departure from the period of his life when he was so distinctly typecast as The Fonz, he could hardly find work.
Filled with profound heart, charm, and self-deprecating humor, Being Henry is a memoir about so much more than a life in Hollywood and the curse of stardom. It is a meaningful testament to the power of sharing truth and kindness and of finding fulfillment within yourself.
Nominee: Leslie F*cking Jones by Leslie Jones
Hey you guys, it’s Leslie. I’m excited to share my story with you.
Now, I’m gonna be honest: Some of the details might be vague because a b*tch is fifty-five and she’s smoked a ton of weed. But while bits might be a touch hazy, I can promise you the underlying truth is REAL. Whether I’m talking about my childhood growing up in the South, my early stand-up days driving from gig to gig through the darkest parts of our country and praying I wouldn’t get murdered, what Chris Rock told Lorne Michaels, that time I wanted to shoot Whoopi Goldberg on SNL, and yeah, I’ll tell you all about Ghostbusters and the nudes and Supermarket Sweep and The Daily Show . . . I’m sharing it all in these pages. It’s not easy being a woman in comedy, especially when you’re a tall-*ss Black woman with a trumpet voice. I have to fight so that no one takes me for granted, and no one takes advantage. These are the stories that explain why. (Cue the Law & Order theme.)
Nominee: Sure, I'll Join Your Cult by Maria Bamford
Maria Bamford is a comedian’s comedian (an outsider among outsiders) and has forever fought to find a place to belong. From struggling with an eating disorder as a child of the 1980s, to navigating a career in the arts (and medical debt and psychiatric institutionalization), she has tried just about every method possible to not only be a part of the world, but to want to be a part of it.
In Bamford’s signature voice, Sure, I’ll Join Your Cult, brings us on a quest to participate in something. With sincerity and transparency, she recounts every anonymous fellowship she has joined (including but not limited to: Debtors Anonymous, Sex and Love Addicts Anonymous, and Overeaters Anonymous), every hypomanic episode (from worrying about selling out under capitalism to enforcing union rules on her Netflix TV show set to protect her health), and every easy 1-to-3-step recipe for fudge in between.
Singular and inimitable, Bamford’s memoir explores what it means to keep going, and to be a member of society (or any group she’s invited to) despite not being very good at it. In turn, she hopes to transform isolating experiences into comedy that will make you feel less alone (without turning into a cult following).
Nominee: Quietly Hostile by Samantha Irby
The success of Irby's career has taken her to new heights. She fields calls with job offers from Hollywood and walks the red carpet with the iconic ladies of Sex and the City. Finally, she has made it. But, behind all that new-found glam, Irby is just trying to keep her life together as she always had.
Her teeth are poisoning her from inside her mouth, and her diarrhea is back. She gets turned away from a restaurant for wearing ugly clothes, she goes to therapy and tries out Lexapro, gets healed with Reiki, explores the power of crystals, and becomes addicted to QVC. Making light of herself as she takes us on an outrageously funny tour of all the details that make up a true portrait of her life, Irby is once again the relatable, uproarious tonic we all need.
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tonkivehicle · 2 years
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Could not find a compatible repository gitkraken
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Could not find a compatible repository gitkraken pro#
Git in the terminal, and Git waiting for you when you switch to the GUI. The integration of Git in your native file manager makes working with Git almost transparent everything you need to do just happens no matter what stage of the process you are in. You can't clone a repository or change remote paths in Dolphin, but will have to drop to a terminal, which is just an F4 away.įrankly, this feature of KDE is so kool that this article could just end here. You can initiate a checkout, push or pull when clicking inside a Dolphin window, and you can even do a git add or git remove on your files. Your right-click menu now has contextual Git options when invoked inside a Git repository. Notice that all icons now have emblems: green boxes for committed files, solid green boxes for modified files, no icon for untracked files, and so on. When you re-launch Dolphin, navigate to a Git repository and have a look around. Save your changes and close your Dolphin window. In the Services panel, scroll through the list of available plugins until you find Git. In the Configure Dolphin window, click on the Services icon in the left column. To activate Git integration, go to the Settings menu in any Dolphin window and select Configure Dolphin. Some distros come with a filled-to-the-brim KDE, while others give you just the basics, so if you don't see the Git options in the next few steps, search your repository for something like dolphin-extras or dolphin-plugins. Yes, you can manage your Git repositories natively from the comfort of your own desktop.īut first, you'll need to make sure the add-ons are installed. Particularly useful are all the plugins people develop for it, one of which is a nearly-complete Git interface. Dolphin is an excellent file manager with lots of options and plenty of secret little features. I am a KDE user, if not always within the Plasma desktop, then as my application layer in Fluxbox. However, it is always nice to have options, so these are some of the ways you can start using Git outside of the terminal. It is always best, in my opinion, to understand how Git works natively. I learned Git before many of these fancy interfaces existed, and my workflow is frequently text-based anyway, so most of the inbuilt conveniences of Git suit me pretty well. In this article, we'll take a look at some convenience add-ons to help you integrate Git comfortably into your everyday workflow.
Part 7: How to manage binary blobs with Git.
Part 6: How to build your own Git server.
Part 4: How to restore older file versions in Git.
Part 3: Creating your first Git repository.
I know there's the sidebar list, but I wanted to know what people are really using. I found the debian for the last version so I went back to that, but I'm curious as to what other people are using. And for them to consider adding this as a feature when they removed it for no apparent reason is pretty funny. Why would they remove this "feature?" It just feels pointless and backwards. I will, however, write this up as a feature request for review by my product team. You are correct, with v7.0 it is no longer possible to open multiple instances of GitKraken. I sent a support request thinking that it was a bug and I got this reply: I'm sure I'm not the only one doing this. I work on multiple projects at the same time-ish and use a workspace & an instance of GitKraken for each one. Last week I updated to 7.0.0, and suddenly I wasn't able to launch more than 1 instance anymore.
Could not find a compatible repository gitkraken pro#
As a student I get the Pro version for free. I've been using GitKraken for a couple years now.
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moonlightdancer26 · 2 years
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What is your favorite Snape quote from the books?
(Ayyy my first anonymous ask!! Noice)
Ahhh this is hard, anon (I missed saying that), I love literally every word that comes out of that man’s mouth (not just words 🌚).
I have… two different kinds? Not sure if that’s the right word but yeah. There are the iconic quotes that’re iconic because of the emotional it holds (i.e. “Always”), and the iconic quotes that are iconic due to its humour/sass (i.e. “Ghosts are transparent”).
The emotional/iconic quotes then:
“Do not use that word”
and
“Lately only those whom I could not save”
“Always” got nothing on these two quotes. 😌
The funny/crack ones:
“That is just as well, Potter,” said Snape coldly, “because you are neither special nor important, and it is not up to you to find out what the Dark Lord is saying to his Death Eaters.” “No — that’s your job, isn’t it?” Harry shot at him. He had not meant to say it; it had burst out of him in temper. For a long moment they stared at each other, Harry convinced he had gone too far. But there was a curious, almost satisfied expression on Snape’s face when he answered. “Yes, Potter,” he said, his eyes glinting. “That is my job.”
(my mans proud of himself 😌)
“Yes, it is easy to see that nearly six years of magical education have not been wasted on you, Potter. Ghosts are transparent.”
(😭😭😭)
“Potter, when I want nonsense shouted at me I shall give you a Babbling Beverage. And Crabbe, loosen your hold a little. If Longbottom suffocates it will mean a lot of tedious paperwork and I am afraid I shall have to mention it on your reference if ever you apply for a job.”
(this quote might just be my all-time favourite tbh. He’s so funny I can’t-)
“Would you like me to do it now?” asked Snape, his voice heavy with irony. “Or would you like a few moments to compose an epitaph?”
(homeboy’s really calling Albus Dumbledore out like it’s nothing 👌🏼)
“What would your head have been doing in Hogsmeade, Potter? Your head is not allowed in Hogsmeade. No part of your body has permission to be in Hogsmeade.”
(WHY IS THIS LINE NOT TALKED ABOUT ENOUGH? It’s literally one of his best quotes)
So yeah, I think that’s pretty much it. But like I said, all his quotes are amazing. He probably has all the best quotes out of every HP character (Harry comes close though).
Thank you for the (anonymous 🥰) ask! Have a great day, anon!
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thebirdandhersong · 3 years
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Fairy tale retellings! because I couldn’t help myself (under the cut because I got carried away and remembered my fairy tale retelling phase from middle school........ oh boy)
Cinderella 
Cinderella (2015 Disney live action): beautiful beautiful BEAUTIFUL (the music! the script!! the Hope! the costumes! the dress! the gentleness at its heart! the overall design and the colours!) (I still believe it’s the best live action re-adaptation they’ve come up with so far) (then again they DID have one of the Rogue One writers and Kenneth Branagh--both of whom understand story AND fairy tales--on the team, and possibly the best combination of actors and costume designers)
Cinderella (Disney animated movie): like a dream. Can’t remember it that well because I haven’t watched it in over ten years, but I remember that I loved it
Cinderella, the Rodgers & Hammerstein musical featuring Laura Osnes and Santino Fontana: Laura’s Cinderella is so lively and hopeful and bright and affectionate and I Love Her!!! The script is also surprisingly funny, and the little changes they made (like the fairy godmother being an old beggar woman in the village, the subplot with her stepsister, the scene at the ball where she suggests that they should all be kind to one another, the fact that the prince is called His Royal Highness Christopher Rupert Windemere Vladimir Karl Alexander Francois Reginald Lancelot Herman (HERMAN!) Gregory James....... iconic) added rather than detracted from the themes they chose to emphasize
A Cinderella Story: possibly one of my favourite films. I loved the fact that they knew each other before the ‘ball’. Loved the way the fairy tale was ‘translated’ into the 2000s. The friendship was strong with this one. I had the best time watching this movie. (Dress-wise, Hilary Duff’s dress is my least favourite, but that’s a minor quibble, and is also due to the fact that it has Lily and Laura’s gorgeous fluffy ballgowns to contend with, and that’s not fair competition)
Persuasion, by Jane Austen: does it count?? The way I see it, Persuasion is like Cinderella gone wrong (we discussed this in class, and my prof called Lady Russell a fairy godmother who means well but fails her protege before the story even begins. We talked about Anne’s ‘Cinderella’/makeover moment taking place over a longer period of time, about the ‘evil’ stepsisters, etc. etc. I’m not entirely sure I agree with every single comparison he made, but he made some Very interesting points).... at least the first time :)
Cinder, by Marissa Meyer. Oh, the images!!!!! Marissa Meyer is WONDERFUL at them. You wouldn’t think they’d translate well into a futuristic sci-fi (almost steampunk) world, but she did it SO brilliantly (the slipper! the ‘dress’! the whole family situation!)
Rapunzel
Tangled (Disney animated movie): an absolute joy. Rapunzel is an Ariel-like character who has hopes and dreams of her own, and I love how warm and vivacious and endearingly transparent she is. The dance scene is so, so lovely. (I stand by my opinion that very few little went right with Disney’s fairy tale retellings after Tangled.)
Cress, by Marissa Meyer: once again. Images. I can’t believe she managed to pull Rapunzel-in-space off so well. (Plus she’s a hacker, and such a sweetheart!!)
Beauty and the Beast
Beauty and the Beast (Disney animated movie): Amazing. Gorgeous. Brilliant. The buildings and the music and Belle (Belle, my darling!!) and the darker, more Gothic feel to the art and the design...... Yes
Beauty, by Robin McKinley: knocked it right out of the ball park, right through the atmosphere, right into outer space... The language is so lush and atmospheric, and even though I knew roughly what was going to happen, I loved every moment of it. She puts a special emphasis on family and on human connection and I Loved that so much.
Rose Daughter, by Robin McKinley: also gorgeous!!!!! Beauty is still my favourite of the two, but this one was also a gem. (Again: the emphasis on family and sisterhood!!!)
Beauty and the Beast (the Broadway musical): Susan Egan’s voice is SO lovely. And Home deserved more than just an instrumental reference in the 2017 version.
The Twelve Dancing Princesses
Princess of the Midnight Ball, by Jessica Day George: the Best. The sisters are easier to distinguish, the changes/things she added (the war, the queen’s past, etc.) make the story even more interesting, and Galen is fantastic (courteous, kind, brave, AND likes to knit?? NICE)
The Barbie movie: I loved it when I was a little girl (it is also Muffin-approved!)
The Princess and the Pea
@fictionadventurer​‘s Wodehousian one :) which is an absolute delight. Every once in a while I remember it and then can’t stop smiling
The Goose Girl
The Goose Girl, by Shannon Hale: the Best. And by the Best, I mean the absolute Best. Her writing is so beautiful and her characters are so real and distinctive. The worldbuilding is fascinating. It’s so simple and so beautiful, and is near-perfect as a retelling and as a novel. The rest of the Bayern series is also wonderful!!
The Little Mermaid
The Little Mermaid (Disney movie): can’t remember it very well, except for the chef who wanted to cook Sebastian and also Ariel’s very cool sisters.... the music and Ariel’s character are lovely :)
The Little Android, by Marissa Meyer: genius. The first time I read it, I cried furiously. What does it mean to be human?? Marissa Meyer loves to talk about this in her other books (through malfunctioning robots, androids, werewolves, etc.). And the conclusion she comes to is always the same (and always done so beautifully): it’s about love and sacrifice (and tbh even though she’s talking about this through robots and werewolves, she’s got a point!!! When you act with love and self-sacrifice, you reflect the character of the Maker and His love and self-sacrifice, which is what makes us in that moment the most human--or at least human in the sense that that’s what we were made to be and to do towards our neighbours and enemies)
Ponyo (Studio Ghibli movie): this counts, doesn’t it?? A film that is an absolute joy through and through. It doesn’t completely stick to the original fairy tale but it also talks about compassion, kindness, and love as a choice
The Princess and the Frog
The Princess and the Frog (Disney animated movie): can’t remember it very well, but Anika Noni Rose has a fantastic voice, and I loved Tiana’s practicality, optimism, and kindness
The Prince of the Pond, by Donna Jo Napoli: can’t remember it either (read it in third grade) but basically it’s about how the prince turns into a frog and starts a family with another frog (the story is told from her perspective). I do remember that the ending made me so sad, though
Sleeping Beauty
Sleeping Beauty (Disney movie): can’t remember it at all either, except for: 1) Once Upon a Dream (a brilliant song) and 2) forget pink or blue. I liked her grey dress the most
Spindle’s End, by Robin McKinley: the story was told in such an interesting way (the animals! the way she wrote about love and protecting the people you love and self-sacrifice in familial and platonic relationships!) with Robin McKinley’s beautiful style
East of the Sun, West of the Moon
East, by Edith Pattou: I was obsessed with this book in elementary school. Obsessed. I kept rereading it over and over again because I just loved it so much. It’s been a few years since I’ve read it, but I can remember certain scenes (Rose entering the ballroom for the first time, the white bear’s hulking figure in the doorway, the architecture of the hall where she washes the shirt, her fingers running over the wax, the reunion scene) so vividly as if it had been a movie instead of a book, or if I’d actually been there, experiencing what Rose was experiencing
Orpheus and Eurydice (which kind of counts)
Hadestown (the Broadway musical, the original cast, AND Anais Mitchell’s original concept album): I’ve talked about it so much I probably shouldn’t even start slkfjsdl;kfjlk; I just wanted an excuse to mention it again
Tam Lin
Fire and Hemlock, by Diana Wynne Jones: I loved it when I first read it but I was so confused and so fascinated by it.
The Snow Queen
Frozen (Disney animated movie): no (insert heart emoji)
And contemporary(?) books that are considered modern classics, if not modern fairy tales (depends on how you look at it, really):
Peter Pan
Peter Pan (Disney animated movie): a childhood favourite!!!
Peter and the Starcatchers, by Dave Barry: the whole series is so much fun (and they’re among some of the funniest books I’ve read). This one serves as a sort of prequel to Peter Pan, but it’s safer to say that Dave Barry reimagined the whole story.
Peter and the Starcatcher (Broadway play adaptation of the book, which is a reimagining of the original Peter Pan..... yeah): the source material is incredibly funny, so naturally the play adaptation makes you laugh until your sides feel ready to split (I mean!! You have Christian Borle as Black Stache, Adam Chanler Berat as Peter, Celia Keenan-Bolger as Molly..... they’re all brilliant) The script, the way the cast makes use of the set and props, the perfect comic delivery....... love it
Finding Neverland, a musical adaptation of the movie (the A.R.T. production with Jeremy Jordan as James Barrie): the music is so good, and the way they write about the value of looking at the world through the eyes of a child?? of seeing the beauty in everything?? of hope and imagination and wonder?? If it weren’t for the way it handles adultery (even emotionally cheating!) and divorce :( but Laura Michelle Kelly is absolutely enchanting, and the script is also incredibly funny and heartwarming
Tiger Lily, by Jodi Lynn Anderson: a twisted fairy tale... it was quite disturbing at times, but it was also beautiful and heartbreaking. It’s a darker take on the story, which I tend not to like (at all), but the way it explored Tiger Lily and Peter was quite interestng
The Wizard of Oz
WIcked, the Stephen Schwartz musical--I haven’t read the book: as far as retellings-about-the-villain-of-the-original-story goes this one is my favourite. It is another twisted fairy tale, though, and there’s a constant undercurrent of doom and dread, even in the motifs Stephen Schwartz uses... the ending is not completely happy, but the music is FANTASTIC (Mr. Schwartz also did The Hunchback of Notre Dame and Prince of Egypt!!)
Alice in Wonderland
Alice in Wonderland (Disney movie): another childhood favourite... I also haven’t seen this one in over ten years, but I can still remember specific scenes very clearly in my head
Alice by Heart: a musical about a girl called Alice Spencer whose coping mechanism (quite literally) is Alice in Wonderland. She knows it by heart (again. Literally) and she dives into the world as a form of escapism (LITERALLY. There’s even a song at the end where the characters acknowledge how unhealthy this is). There’s a lot about growing up, losing a loved one, learning to let go... about self-deception and grief and the control one has over one’s life (unfortunately it IS subtly antagonistic towards Christianity at times)..... i do wish that writers didn’t have to treat sexual maturity as the most prominent/interesting part of coming-of-age stories, though. The characters, the set and lighting and costume design (BRILLIANT, by the way!!!!)... all wonderful. But the strangely sexual references can be a bit uncomfortable. (Really!! You can tell a coming-of-age story WITHOUT that stuff, you know!!!!!)
That Disney Movie directed by Tim Burton: wouldn’t recommend. Alice doesn’t need to be a warrior. (At ALL.)
Would also like to mention: Princess Tutu :)
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mayorofcattown · 4 years
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After not touching it for like. 2 months. I finally got around to actually setting up the interface of the VN I’ve been working on, and did it entirely in the span of like a week. The post got a bit long so I’ll put it under a read more, but if ya wanna read abt the general back end stuff it’s there. And of course ignore all the placeholder text in the screenshots lol
I’ll probably end up changing/further detailing some of it, this is more just to nail down the general aesthetic and layout. The text box in particular still needs some fine tuning, the names and quick menu look a bit awkward, but it’s good enough for now at least. I’ll probably also add some proper art to the stats screen to make it more than just random bars lol. and I still need to make an actual proper vector of the main logo... the png I used isn’t even actually transparent lmaoo
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I also still haven’t put a click to continue button in the text box because I couldn’t figure out how to make the icon a piece of text instead of an image...which is funny since I was able to get the back button working fine (you can see it in the pics)?? I tried googling it, and I found one other guy on reddit trying to do the same thing, but all the replies were just other people saying they had no idea how to do it..........u_u
Either way it doesn’t really matter, it’s just a lil icon that doesn’t even do anything, and I can always just use an image if I have to, it’ll just be more annoying getting them to match than if I could just type a ‘>’ into the code. I mostly just find it funny that This was the thing that gave me trouble...
Honestly my entire experience with coding (even as basic as renpy’s is) is just ‘the thing you think is gonna be really hard to program takes like 10 minutes, and the thing you think is gonna be real simple takes you like 3 days’. Like I was able to program the affection bars/bios on the stats page to not show up until that character has been introduced in the game First Try with no issues, but still can’t get the Little Blinky Icon in the textbox to be a piece of text after like. a week. it’s like that buff doge vs weak doge meme. but they’re both me trying the code
But nit picks aside, it’s p interesting seeing how different it looks compared to the previous screenshots I posted. Honestly even just changing the fonts alone made it look way fancier. Like look at this, it’s wild how different they are:
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Anyway, now that this is done enough for now I just have to. actually write things. which is probably the most daunting and time consuming part. and not as easy to post cool pics of on social media.....it’ll probably be a while before I do any Actual Art, but I might make some basic sketches of the sprites as placeholders at some point, as looking at just One sprite per character when you’re putting in dialogue gets really jarring lol
Either way I’ll update on this when I update on this, I mean half the reason I even decided to make a vn was so I could take things at a way slower pace, so that’s what I’m gonna do
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theindiegamereview · 3 years
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Meet the creative team: “Spellstone”
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Are you a collectible card game (CCG) fan? If so, read on, because this week we spoke to the makers of Spellstone, a free-to-play (F2P) casual story-based fantasy card game that features vibrant, colourful, hand-drawn art on hundreds of beautiful cards that you can acquire and use in battle, both against the computer and other players!
TIGR: PABLO and DUSTIN are artists who have worked on Spellstone's art, helping create some of the iconic characters Spellstone fans know and love. We asked them how they came to work on the game, as well as what intrigued them about this project.
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DUSTIN: I was working as a contract artist when I was asked to create some sample cards for a potential CCG, which is something I'd always wanted to do. The samples I submitted eventually led to me getting a contract to create the initial art for Spellstone. After about four months, I was offered a full-time position. I had such a great experience working with the team that I jumped at the opportunity!
PABLO: Prior to starting work on Spellstone, I remember doing an art piece to test my skills. I greatly enjoyed that because I particularly liked this game's art style - which is actually similar to my own! There were still slight differences though, so I've had to adapt a little. Blending my own personal style into an existing one was challenging. But something that intrigued me about Spellstone was the variety of factions in the game. Each and every one opens up a big array of possibilities when it comes to creating a character. I felt my options were unlimited and I loved it!
TIGR: Spellstone features many different cards and characters. We wanted to know who conceptualises all this, and how much creative licence artists get when crafting a character. FERNANDO, currently the main artist for the game, gave us more insight.
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FERNANDO:  That Spellstone has such an immense variety of characters means it's a complete and delightful dish for artists. It's hugely gratifying to find such visual diversity with which to play with. You're completely free to create, as long as you respect the game's universe and visual language.
As for the process, the concept of what a card must look like and how it must be functional in terms of gameplay comes from the guys in the game design department. Very creative people... sorcerers maybe? I don't know. Haha!
From a brief but concise description they give me, I can get a sense of what kind of character and action they want to see in a card. Once I have all the information I need to start sketching, my favourite hour finally begins: creative hour!
If the card description involves an existing type of character, like a goblin, part of the fun has to do with the way you depict that character, situation, action and specific emotion. There's also some freedom to create from scratch if needed - that's exciting and challenging! Sometimes the ideas come from a mix of characters, and that's when the laboratory inside my mind starts working: I press a button and something cool, spooky or funny comes out - whatever the game requires. Other times, new concepts require that I look for approximate references of what's needed, so that serves as the starting point. No matter what, it's always a very enjoyable process. Sometimes we have to make corrections, that's true. But as with everything in life, this is necessary for things to work properly. You may have to redraw stuff, but finally the card is done - it works, it delivers and it entertains!
  TIGR: In Spellstone, cards can be upgraded from a single to a dual to a quad, and we really like that this sometimes tells a "mini story" of of sorts through the artwork. Some are funny (we just love Honeycomb Lobber!), some cute (Bomb Spirit is soooo adorable when he’s angry!), some uplifting (Aurora Shaver ranks among our favourites), and some, um, a bit disturbing, to be honest (Cleaverstorm Hunter, anyone?!)! And some are just sad - we can't help but feel sorry for the poor li'l forest furries that presumably got devoured by Alphamech Stalker! We asked the team how they came up with ideas for all these tiny narratives, and MELINDA, one of the game designers, told us more.
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MELINDA: When I was younger, there were a few creatures in video games that terrified me. One of those I remembered most was Medusa, an air jellyfish from Ecco: The Tides of Time. While traversing through a water pathway in the sky, Medusa would try to pick up Ecco the dolphin and fling him off the path. Tetraspout's concept came from that, and you can even see poor little dolphins getting swept up in its attack!
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  TIGR: We asked the team if there were any cards they particularly liked creating, or found challenging to conceptualise. IVÁN, a colorist who worked briefly on the game, chipped in, as did TONY and RHADA, two of Spellstone's game designers.
DUSTIN: I loved working on the goblin cards! You could get silly with them. Frogs were a lot of fun too - the variety of colours made them interesting. For me, the water cards were challenging but I grew to love working on them.
PABLO: My favourite characters are Goblins! You can play around with them, making them look funny even when the card is telling a dark story, like a massacre. All of the cards were challenging to create!
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IVÁN: I enjoyed working on Hedron The Critical Threat, Zyd The Unhinged, and some awesome Insect cards that have yet to be released (as of the time of this interview). I mostly liked them because of their cool concepts and Fernando's awesome sketches. Hedron in particular was a technical painting challenge, as it has textures, transparencies and glow!
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TONY: As something of an artist myself (/sarcasm), the card I am most proud of has to be Dinged Waptor. Or really any of the cards I did for the April Fool's event, which is about the only time the art team lets me anywhere near card art. :) For April Fool's, I decided it would be funny to try my hand at drawing some cards I felt players would enjoy. So the first year I drew some original characters that consisted of a few stick figures, a chicken, and a bomb. The response was good, so the following year I continued the tradition, eventually going through and tracing some famous cards like Winged Raptor. My one rule while making these cards was that I could not erase what I did!
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RHADA: We used to sell boxes that contained two new premium cards instead of one. We thought of making both cards in the box thematically linked. At the same time, while brainstorming concepts for dragons, I thought we could try to make cards that formed a bigger picture on the battlefield when placed consecutively, side by side. The initial idea was a serpent whose artwork overflowed into a second card, and after some iteration, we stumbled upon the idea of a dragon dance. The result was very cool!
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TIGR: With the Spellstone story campaign recently concluded, we asked what was next in store for Spellstone fans. Would there be anymore new characters and amazing art to look forward to?
TONY: Absolutely! While the main story has come to a close, we still look forward to adding new characters, cards, and art to the game that lets our artists have fun and shows off the world of Spellstone.
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TIGR: And finally, the most important question of all: would real-life Spellstone merchandise ever be made available for fans of the game? We really want a plushie of the adorable Bomb Spirit (complete with detachable bombs, perhaps?), as well as his angry counterpart, Firebomb Spirit! Also for Quetee Que and Adorabilis, please! And would there ever be any actual physical Spellstone cards produced for collectors?
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TONY: I would personally love to see real-life merchandise, but we currently do not have the means to take on such an endeavour. Maybe one day we can strike a partnership with a team that can make this happen!
We thank the Spellstone team for their time and all the wonderful art assets that accompany this interview! Check out the game here on Kongregate, on Steam, or on mobile - three different ways you can enjoy this fun, cheeky and adorable CCG!
P.S. We just had to include our favourite card: Darkwater Adonis - don’t be fooled by his charms!
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amphtaminedreams · 4 years
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If We Can’t Have the Parties, At Least We Have the Coats: Lookbook no.13
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Hi to anyone reading,
It’s been a weird winter, right?
A winter that I REALLY did not need to buy as many clothes for as I have. You WILL save loads of money during this lockdown, I told myself. You WILL. And yet here I am in December, in exactly the same financial position I was in March. You would think that making the switch to an environmentally friendly wardrobe would mean I own less but now I no longer have the guilt of supporting fast fashion to hold me back, I’ve accumulated more clothes than ever. Part of a sustainable wardrobe is also about reducing your consumption so now I’ve mostly made the move towards only supporting transparent companies/small businesses, I can move onto the buying less part. I haven’t thrown any clothes away but still, I am not the clothes rescuer I think I am-more just an overdraft abuser. To add to that, for those of us actually following the rules (half the people I went to secondary school with flaunting their apparently unaffected social lives on Instagram, I’m looking at you) there aren’t actually all that many opportunities to wear new outfits. Not to go too first world problems, but it is a little shit when getting dressed up and doing your makeup is one of the things that you do to help you feel a little better, especially when the seasonal (and situational in these times) depression kicks in.
So yes, I have been extra af recently and combatted this with the decision to start making an effort to outfit plan for the most basic of tasks. We’re talking a full face of makeup and accessories for going into town to get a coffee or to meet a friend for a walk. I mean, I still go to Tesco in my trackies but if I’m seeing somebody else, I am sure as hell going to treat it as a reason to wear something nice. See the winter outfits section of the lookbook as your inspiration to do the same because I can guarantee you the sense of normality forcing yourself to take makeup off at the end of the day brings will actually make you feel a lot better. Genuinely the mark of exceptional times. We’ve also got the few days relief period over Christmas in the UK where we’re allowed to mix with a maximum of 3 other households, and ignoring the fact that it doesn’t really make any sense given that the number of people you could end up mixing with depends on the size of the households and is realistically completely arbitrary (I have a lot of feelings about how fucking moronic half the decisions this government has been making are but then again, what’s new?), I’m sure those of you with big families are gonna be partying. I’m only spending Christmas with my immediate family but I thought I’d put some more festive outfits together anyway. I know, I know, it sounds like I’m just bullshitting an explanation as to why I put this lookbook together when in reality I’m trying to make myself feel better about the damage to my bank account buuuut it really is more a case of being inspired by my Depop finds and if you are trying to quit fast fashion, I can’t recommend the app enough (especially if you know what you’re looking for). As I did in the last lookbook, I will make sure to include the tags of all the people I bought these pieces from but I also thought it might be helpful to make a note of some of the descriptors I used to find them so you can get more of an idea how to find the things you’re looking for too, as well as prices. I did include the names of the shops I bought the few fast fashion items I styled from too, mostly earlier this year or at some point over the last couple of years, on the basis that they may be a useful search prompt if you’re looking for something similar or the exact item-the majority are no longer available (disclaimer: I haven’t bought anything from Boohoo in a longgg time) to buy but you might be able to find an account that’s selling a used version. Don’t be put off by that-I’ve had to wash a couple of pieces but for the most part, that hasn’t been necessary. Charity shops usually wash things before they put them out, so you have nothing to worry about there either-I expect that they’re particularly thorough at the moment considering the COVID crisis.
Enough rambling from me for now! Enjoy!
-(SOCIALLY DISTANCED) PARTY SZN LOOKS-
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Powder Blue Wide Brim Felt Hat/Fedora: £16.99
Structured White Mesh Oh Polly Mini Dress w/Ruched Detail: £27
Black PVC Beret w/Red Flame Detail: £14
Red Fit and Flare Dress w/Satin Corset & Tulle Skirt: £12
Black PVC Vintage Platform Boots w/Red Flame Detail: £27
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White Satin Corset w/Straps: £8
Pinstripe Cropped Blazer Co-ord Set: £12.50
Oh Mighty Strappy Contrast Corset: £27
Contrast Check Cigarette Trousers: £15
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Pink Topshop Gingham Blazer Co-ord Set BNWT: £35
White Strappy Corset w/Suspender Detail: £10
White PVC Beret w/Black Flame Detail: £14
Reworked Strappy Patchwork Sports Cropped Tee: £10
Black Combat Cargo Trousers: £5
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Strappy Tie-dye Pretty Little Thing Corset BNWT: £15
PVC/Vinyl Zip-up Mini Skirt w/Belt Detail: £9
White Satin Cowl Neck Mini Slip Dress: £8
Urban Outfitters ‘90s Style Celestial Print Mesh Babydoll Dress: £15
-(SOMETIMES PRACTICAL) COAT SZN LOOKS-
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UNIF Colour Block Oversized Jumper/Sweater: £25
Topshop Dark Wash Denim Kick Flare Jeans w/Frayed Hem Detail: £16
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Vintage ‘70s Style Brown Faux Suede Western Blazer/Jacket: £15
Black Velvet High Neck Bodysuit w/Keyhole Detail: £4
Topshop Paisley Print Chiffon Midi Dress: £15
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Brandy Melville Cropped Motorcross Slogan Slogan Tee: £13.60
Ragged Priest Gingham Cargo/Combat Trousers w/Utility Style Buckle Detailing: £33
Black Kappa Logo Beanie: £12
White Platform FILA Disruptors in Good Condition: £55
Black Fur Bucket Hat: £8
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Celestial Silver Moon Detail Chain Belt: £18
Black Satin Cowl Neck Detail Midi Slip Dress: £15
Floral Print Platform Boots: £10
Blue Denim ASOS High Rise Mom Jeans: £12
Brown Vintage ‘70s Style Afghan Coat w/Fur Trim: £25
Teal Wide Brim Felt Hat/Fedora: £10
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Topshop Floral Print A-Line Jacquard Mini Skirt: £7
Lana Del Rey Screen Printed T-Shirt: £9.99
Vintage Corduroy Contrast Stripe Trousers w/Kick Flare: £28
Anyone that read to the end, thank you so much as always and I hope this shows just how many in-trend pieces you can find second hand! I know I'm SUPER far behind to the point where it’s closer to the F/W2021 shows now than it is since the S/S2021 collections were showcased but I decided I am going to do a full length fashion week review. I also have a few moodboards planned and my next is gonna be one focussing purely on plus sized fashion as the feedback that I got from my New Style Icons post was that I could have included more bigger girls; I am so, so, SO passionate about body positivity and fat acceptance, especially since I know my own relationship with my body would be so much better if this kind of movement was more prominent when I was younger, so I don’t for a minute want anyone to think it was my intention to be exclusionary in any way. It bears repeating that I genuinely appreciate feedback in any form (as long as it’s not too mean and presumptive, lol) and I hope the next post doesn’t disappoint! It hasn’t been a good year for cinema due to COVID having lead to theatre closures, however I still do want to do another film tier ranking in the new year as that is something I really enjoyed doing last time. Any more suggestions are welcome!
As always, my inbox is always open if you need someone to talk to or just wanna chat about a post:-) I am constantly on the look out for new blogs to follow and people to interact with so any communication is welcome. I’m not sure if I’ll get another post finished before we enter 2021, SO I wanna say that I hope everyone has a wonderful Christmas and that this shitshow of a year DOES come to an end at 11:59PM on the 31st because THOSE MEMES ABOUT IT TURNING DECEMBER THE 32ND ARE NOT FUNNY! Here’s to our second attempt at our first year of the roaring twenties (because this past year it feels like we skipped them and went straight to The Great Depression, the likely incoming recession denial is real) and to happier times and good health for everyone.
Lauren x
DISCLAIMER: Background in the first 2 images are mine, others are not. I found them on Pinterest so not sure of the artists but if you do know, drop me a message so I can credit them!
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bigskydreaming · 5 years
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Thinking about dc fandom always shitting on Dick's fashion sense and something else came up. My mutuals have turned into kpop fans, they keep posting these highly fashionable dudes' hq pics, they wear skirts, lace, ruffles, feather, glitter, all the colors.. They look good most of the times, they're not afraid to wear furry slippers or pigtails or prints, it's not what I'm used to seeing in white dominant industry. I bet Dick's fashion choices are like that n not what tasteless fanarts show.
I mean, I get what you’re saying, and I do agree in part, but also….that’s still not quite the entire issue for me.
Like…its basically just annoying the things people come up with to try and ‘bash’ him while still claiming to like the character, because honestly I believe that’s all it is. Just looking for excuses to make fun of him, and its so juvenile and pointless. There’s literally no basis for thinking Dick makes poor fashion choices in canon except for his costumes, he’s literally been a model, a socialite, a spy, and he’s routinely cited as being considered in-universe one of the most attractive people in both his civilian and superhero personas.
Like…people don’t generally fixate on the attractiveness of people whose clothes they’re busy mocking, you know?? LOL. It just makes no sense! When super hot people wear super weird clothes…..the comments are still usually about how they’re super hot, lmao. Look at like…things like the Met Gala. THAT’S the kind of ‘out there’ it takes for people to weigh in on celebrities wearing outfits that people find ridiculous despite their celeb status and attractiveness….
So, unless we’re pretending that Dick Grayson habitually wanders around wearing the equivalent of a celeb costume for the Met Gala ball in his civilian outfits…..nobody is focusing on his bad fashion sense when he’s just Dick Grayson, ergo….there is zero basis for saying when Dick Grayson is being Dick Grayson, he has no idea how to dress himself, or look good. In that respect, its that simple, y’know? 
Because the other thing is (and this is mostly where I disagree with you in execution, even though I get the spirit of your ask - like, I agree his fashion choices when he IS trying to stand out might be more eccentric than most people would usually go with, but he’d look damn good regardless) but I just mean….in his civilian persona, Dick never even really WANTS to be noticed, most of the time! He DOESN’T try and aim for the spotlight when he doesn’t have to be the center of attention like at some gala he’s forced to attend. He LIKES to blend in, go unnoticed….this is a guy who is fiercely fixated on being his own man, and KNOWN as his own man, noted for HIS accomplishments, HIS identity….not being seen as Bruce Wayne’s son first and foremost, or the Wayne Heir before all else….he just wants to be Dick Grayson. He’s never really liked the attention that comes with being a public figure due to being Bruce’s ward or son, at any point.
So its like…what about that suggests that he’s someone who either consciously or unknowingly goes around attracting attention with outfits that make him a public spectacle? He’s not some oblivious, air-headed ditz, he’s extremely aware of his surroundings at all times, lol.
Not a single thing about the fashion disaster fanon overall makes any sense, under any degree of scrutiny, unless you’re just committed to….making a mockery of him.
And the only thing it can be traced back to, the ONLY thing….are his costumes and his mullet.
Let’s tackle the mullet first - guys, its an anachronistic hairstyle. Its something he only had DECADES ago, in a time period when people actually wore their hair like that in the US. Get over it. EVERY SINGLE CHARACTER has similar periods in their history, lol. And yet, its only him that’s singled out as being so unfashionable he was wearing a mullet in fics set only five years ago, whereas everyone else’s hairstyles of a different era are left in that era. C’mon. Its transparent.
Which brings us back to his costumes. The pixie boots, the leotard, the Discowing with its bright blue and gold and scooped neck and high collar….
Now THOSE are unfashionable, fandom says.
Well see the problem with that, fandom….is by every canon out there…
DICK DIDN’T DESIGN THOSE OUTFITS TO FIT FASHION STANDARDS.
He wasn’t TRYING to win the good taste award and approval of the society he was in instead of his circus home, not by his own choice, and which frequently sneered down at him and tried to make him feel lesser. And the classism some of us are referring to when we mention this….is the assumption that his motivations are irrelevant, its only the approval and standards of ‘mainstream society’ that matters in whether or not his costumes are deemed ridiculous or not.
Except…..Dick’s costumes were designed not for fashion, but for SENTIMENTALITY.
They were meant to be reminders of where he came from. A way for him to hold on to his roots. For his circus past, his parents, his origins to be represented in his superheroics every bit as much as the skills he learned from Bruce and others.
It was his way of saying he at least had never forgotten where he came from and he never would, BECAUSE HE’S PROUD OF IT.
Shockingly, he’s PROUD of being a superhero who came from the circus….which is literally the only reason he was ABLE to become a child hero in the first place, because that’s where he attained his acrobatic skills that gave him enough of an advantage despite his age, that he could actually MAKE it as a superhero and vigilante.
The entire Robin legacy that’s at the center of so much of fandom’s conflicts and preferences….
IS BORN OF THE CIRCUS. THAT HE WANTED TO WEAR REMINDERS OF. TO BE COMFORTED BY VESTIGES OF HIS CHILDHOOD. MEMORABILIA THAT HONORED HIS FIRST FAMILY.
Robin doesn’t EXIST without the circus.
And frankly, as much as people dismiss this as being not that big of a deal, I find it gross, same as I do the jokes about his name. 
Because this is a fandom that is COMMITTED to defending the sentimentality and origins of their various fave members of this iconic found family.
Upholding where each of them came from as being just as iconic and important as where they ended up, as members of the Batfamily….
Except for Dick. Except for his circus roots. His costumes, honoring his roots. His childhood nickname, holding onto that last connection to his parents.
Only Dick isn’t allowed to have his sentimentality, without being made an object of mockery and silly, childish jokes. Because the circus is just funny, its not meant to be taken seriously, even as the object of an orphan’s deep and profound loss. Because his name is another word for penis, that’s all that matters, not that its one of the only mementos of his parents he actually managed to hold on to, that nobody could ever MAKE him give up or lose.
And that’s so….frustrating, irritating, and just….sad, y’know?
Because its not about the jokes. Its about the hypocrisy. Of trying to find deep meaning and introspection in the childhoods and origins of every single other member of this family except for the first one to actually MAKE it a family….because in his origins and childhoods, most people can’t be bothered to find anything but jokes.
Its all connected. Of course so many people have trouble acknowledging Dick’s traumas, his agency, his boundaries…..when they’re still unable or unwilling to get past the point of acknowledging his origins as a REAL place that REALLY mattered to him, just as much as the origins and roots of every single other member of this family.
When you treat where someone came from as a joke, a joke is all they’re ever going to be to you. Because shockingly….where we all come from, is kinda integral to who we are as people - whether real OR fictional.
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♡ ( Rip to our bones)
Send me a ‘ ♡ ’ and i’ll talk about what type of relationship i could see our muses having
(I’ll just make a copy of this for Ludwig and John to put on their own respective blogs. Though I’m not certain all of them would meet or get to know each other.)
Launchpad + Dewey
A brotherly bond that would practically rival that of his with Huey and Louie. Though he knows that Launchpad likes to try and spend his time with everyone, he’s usually ready to throw down when it comes to any sort of gig the two might have planned. Whether it be binge watching stuff, reading comics, discussing about fictional stuff, some outside sports here and there, and the like! Launchpad’s like the older brother Dewey wanted, instead of the one that he got, but he still loves Huey too. He just vibes more with Launchpad. Together, you’ve got an unstoppable, unforgettable duo!
Falcon + Dewey
(Taking in some parts of their first meeting and today’s episode) Just like how Falcon wants nothing to do with Dewey, the same goes for him. It’s not really the stiff and tight beaked personality that Falcon has, but just for how the both of them were eventually risking the other’s life by dropping them off of a large building (probably a small skyscraper to be honest). The boy isn’t traumatized by that, he’s been through worse, but associating himself with someone who’s always looking for that money, and somehow keeps pairing himself up with Mark Beaks unknowingly is probably someone that’s good to avoid.
Flintheart + Dewey
“Oof, it’s that one weird old guy that keeps trying to kill my great uncle and is.... super obsessed with him.”, Dewey would say before veering his head away from looking at the other. He can respect Flintheart’s tenacity and perseverance, after all, he’s gone through some of the same problems about not being taken seriously or given what he wants even though he’s probably either earned it or it’s common courtesy. but what he can’t is the other’s want for vengeance. So what if Scrooge made Flintheart what he is? He should be thanking the guy and moving on with his life, do some stuff that can be good to others instead of nasty plots and schemes on how to take out the recently richest duck in the world. And Glomgold can try whatever scheme he’s got in store for him, but Dewey will just have to be extra careful on what’s really important.
Launchpad + Duckworth
Something that was definitely transparent but revealed to show more consistency than some other unlikely pairings. It probably wouldn’t be the case hadn’t Duckworth died, since that opened his mind more to possibilities, and probably his time in the Afterlife did make him lose some empathy for a bit. However, by interacting and learning more about Launchpad, he’s recovered some of what he lost, and learning to enjoy the things that he had and didn’t have before. That and something else blossomed between them. Whenever they might have been conversing with each other, he’s started to find himself somewhat liking the duck’s qualities, and some of his faults even. Normally that wouldn’t have happened before, but then again, he’s grateful for how Launchpad does put up with him when he isn’t feeling too optimistic. Now he prefers to spend time with the pilot and is able to have fun once again.
Falcon + Duckworth
They are pretty similar in some aspects, which would normally be something that would help draw some people together, but not these two. Duckworth definitely has the edge on giving out more quippy remarks that the falcon may not appreciate, and is more than willing to go into a back and forth session if the other wants to participate. Yet another part where they may diverge is how they deal with loyalty and trust. Duckworth’s more devoted to those that are willing to trust others, be honest with people, and he’ll gladly do what he can to defend those that need a hand. Falcon is more os someone who doesn’t share those interests and beliefs, which does put them at odds with each other as Duckworth might ask, “Where is your loyalty? Do not say that it is as transparent as me for I can solidify mine. You can follow suit.”
Flintheart + Duckworth
One of the most unlikely people to really interact with each other, especially after how Duckworth died by Flintheart’s plan, indirectly. He still doesn’t like the idea of trusting and letting the other go free with what he’s done, but he also won’t take out the duck’s life as revenge for that would just be giving in to his anger and hatred over the years. Something that should not be listened to as taking one’s life as payment for another’s should never be the first option. If he wants to be better and not stoop down to Flintheart’s level, he’ll just have to let the duck be until he messes with him and his family again. However, now that he’s getting a bit of fun out of this, maybe taunting Flintheart with his own voice and physique wouldn’t be such a bad idea...
Launchpad + Fenton
“Is that really supposed to be some sort of joke? Because it’s not funny, Launchpad.” He really dislikes how Launchpad keeps trying to think of him as a robot, and he’ll keep trying to prove it to the other to get him to stop it. Fenton probably doesn’t know that it could be just mild teasing from how they first met, but it should make sense since Launchpad met him when he was Fenton first and Gizmoduck second. But, he does like it whenever they do veer away from that topic and talk more about mechanical things, and maybe a little more, considering that Fenton himself is a little bit of a superhero fan and has some stuff o his own to share with Launchpad. Though he may not like Darkwing Duck....
Falcon + Fenton
It’s certainly going to have some gray lines of tension here since their introduction is not going off on a good start. While he can commend the other’s dedication to their work, he can’t really defend or appreciate how Falcon likes to see everything so bluntly, black and white, but he’s somehow the only gray out of all of this. It’s selfish, bias, and more importantly, rude to other’s and how they could be able to change, but for Fenton, he just sees this as Falcon’s excuse to continue doing what he does. It might be something the professional tells himself to get away from facing the truth for the things that he’s done for his previous employers. It’s one thing to put the blame on others, but it’s another to try and separate yourself like you’re better than them but just do what you’re paid to do, and that’s what keeps them from having any really positive conversation. Sure, they can make fun of Mark all they want, but that isn’t going to make the problem between them go away.
Flintheart + Fenton
Flintheart would probably be the last person Fenton should really interact with, if not him then Mark, but given how he’s always willing to lend others a hand with his ideas or just be an overall nice person, something’s bound to go wrong. He hasn’t really gotten any instances where he could see Flintheart’s evilness and hatred on full display, and the faux funeral for Scrooge doesn’t really count since he only got to see Flintheart just do some disrespectful dancing. Besides that, he tries to believe that everyone, even Flintheart can change for the better too if they want to, like those anger management classes, and he’d be happy to help the rick mallard with that, but working for him might be something that he won’t allow. Given that Glomgold Industries probably doesn’t have that many appealing aspects to them and he rather not feel like he’s betraying Scrooge and Gyro after what happened with the Waddleduck incident.
Jim, Negaduck, Black Arts, Garbonzo, Brandon, and Rubber Chicken are down below:
Launchpad + Jim
Now who coulda saw this one coming?! A washed up star and his favorite number 1 fan that still remembers him upon the countless others that have forgotten him? You bet that Jim would love to get a taste of what it feels like to be a star again, even if it’s from one person. However, he can’t let that go to his head as this is practically the only one he’s got left that really cares, despite all the fainting. But, it might not hurt to have someone to bump heads with when it comes to returning to his role, for real this time...
Flintheart + Jim
While trying to give the real life Darkwing Duck gig a try, he finds that it’s definitely not as easy as it was on set, but that’s to be expected. Real life isn’t a game and neither is the battle between good and evil! Sure, he’d loved to be sponsored and given money by anyone that would fund a revival campaign of Darkwing Duck again, but he also cannot let the actions of Flitnheart Glomgold go unpunished. He doesn’t care how many times he’d have to put the duck in jail as long as it gets Flintheart to stop trying to be such a terrible member of society, and maybe not find out who he is in the process so he could get some of that good green moolah.
Launchpad + Negaduck
A reverse palette swapped Darkwing Duck that’s also sporting some different liberties taken on the iconic Darkwing Duck design? It might be a little odd, but it could be interesting that the guy chose a more striking set of colors compared to the cool and night patterned colors of the original. However, the black does help and oh wait, this guy’s going on about stuff that hasn’t happened here? What’s a Negaverse? Why does this guy sound like he knows him already? Ah, it’s just a weird Darkwing fanboy. 
All of this is most likely going to get Launchpad put on Negaduck’s permanent to kill list, and he doesn’t care how long it takes, he’ll abuse and bruise the until he can get that satisfying moment, but it may take a while, and patience is not something Drake really has a lot of. Not for idiots in his book anyway.
Falcon + Negaduck
A well know Public Enemy in one universe and practically the ruler of his city in his own, up against some orderly goon that knows how to handle himself in a fight against many odds and situations? Negaduck may like the fact that Falcon can handle himself, but he’s not gonna like it when Falcon uses that to prevent him from doing whatever he wants. Hopefully Falcon can count those with unchecked rage again, as this condiment colored duck is another one of those with anger issues.
Flintheart + Negaduck
It would be Elegance in Violence, but for these two? Nah, just go wreck stuff up and don’t care about it. Drake can really admire the rich duck’s taste in senseless violence, but doesn’t like that he sets his sights on someone so low like Scrooge McDuck. What’s there to that has been that’s dangerous? He could probably take on the whole family with enough planning and resources, so why hasn’t Flintheart done that already? Another thing that might separate them is how that Flintheart isn’t as willing to go through with his plans unlike Negaduck. When Drake wants you gone, he’ll try to find a way and he doesn’t care how as long as it’s got class and you know he’s the one that killed you. He won’t cower, and even if he did, there’s usually a plan behind that.
Launchpad + Black Arts
It would seem pretty unlikely for Launchpad to try and befriend a Beagle Boy, most people wouldn’t given their family background and reputation, but Black Arts is happy to have someone outside of his family or his teacher to talk to. It gives him a chance to have a life, a mind outside of what his Ma wants for him, and while his teacher is cool, it’s always good to have more people to talk to to feel less isolated from the world. Sure, he’s got the internet to help him on that, but for face to face communication or interaction... not so much. Still, he like Launchpad and is willing to show him some magic someday!
Duckworth + Black Arts
It’d be really against his liking to let Duckworth get away with the embarrassment that happened the night he was summoned back by him, but he can’t help that for some reason, the ghost is apparently getting him to laugh, talk about stuff that normally he wouldn’t spill, and overall trying his hardest to ridicule him, but still treat him differently than the rest of his family. What, did the demon like him or something? And why did feel like he was having a good time with the butler? Maybe it’s probably because he didn’t have someone to fill that father figure role in his life...
Flintheart + Black Arts
Now this is probably his first real employer, but that might not last long once he knows more about Flintheart like from what his mother would tell him. Then again, he got a glimpse of that first hand at Scrooge’s birthday party. Black Arts is really iffy about this loose nut as while he’s loaded, the things he tries to do are far out of any sane person’s range of commitment, and he feels like he should do the same.
Launchpad + Garbonzo
While they haven’t met yet, Garbonzo would find Launchpad to be really an oddity of sorts for how sunny he can be, but still like that about him. Maybe not some of the more oafish parts, but then again, he can be clumsy too at times with himself or others. However, he’s wondering how Launchpad has been helping Black Arts in terms of creating friendships with other people, and even more interested in whatever magic is surrounding Launchpad. It’s not normal, and it doesn’t seem like there would be any good to come from it either.
Launchpad + Brandon
Now this is an annoyance for the buzzard as he would really want to try and stay away from the clumsy pilot. A sunny personality like his is nice, but that isn’t what someone like Brandon deserves, and he knows it. So, the best way for them to still be them is to stay away from each other, as the more and more that Launchpad might be around Brandon, the more and more Brandon will try to push him away. Hopefully bringing to light that not everyone will be your friend, or want to anyway.
Launchpad + Rubber Chicken
Whenever Clovis will meet Launchpad, either OG or a new DT17 reboot, it’s most likely going to be that one tough but simple minded goof with his thin and nimble worrisome ward. Well, Clovis isn’t really the ward type, but you get what I mean. He’s most likely going to open up Rubber Chicken to taking on new dangers if he can get past tackling the fear of them, and have someone to talk to for advice whenever he needs it as Clovis is a nervous wreck.
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buddhish · 4 years
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About my blog
tagged by: no one, but I saw @reallyginnyf do it and had to copy it
my icon: just a cool pic I saw somewhere. always loved yin yangs, and I thought this one was cool having the sun and the moon. made it transparent so it would be a circle cuz I like the way that looks
my content: hardly ever any original content, unless I want to bitch about something, or come up with some stupid meme that no one else every finds funny. no selfies. mostly just reblogs of cool pics and funny gifs, with periods of k-pop spamming
header: the same pic from my icon, with the background intact
url: just something I saw in an article about harold ramis. that’s how he described himself, I think. anyway, I stole it. I’ve changed it a few times but I always keep this one as an unused secondary blog so no one else will get it
my blog title: “the space between the stars” - got it from a heather maloney lyric from her song “flutter”. I really like it because sometimes I feel like all I can focus on with my agoraphobic brain is the big, empty space while everyone else is looking at the stars
not tagging anyone, but if you do it mention me so I’ll make sure to see it
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mysticsparklewings · 5 years
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Behind the Screens
Oh, look, a reminder of why I don't do detailed backgrounds often! Okay, okay, this is actually an entry for projecteducate's All Mediums Contest: From Logos To Art. It sounded like a fun challenge, so I thought I'd take a stab at it. (Hopefully obviously) My primary logo choice/inspiration was the Instagram logo, largely because I had a strong visual idea for it in my mind right away. However, if you look closely there are logo inspirations hiding in there, too.  Some of them I think are more obvious, while others are more subtle. In case you'd rather try to find them on your own, I'll list them in small text so you can skip to the next paragraph and not be spoiled. Moving left to right, top to bottom: Outside the window is the Twitter bird, tweeting away; Then we have a literal FaceBook propped up against the window, and next to it a "Ko-Fi" Coffee cup; below the window we have a chair, the SnapChair, based off the SnapChat logo/ghost, which I am particularly proud of. On the right side of the art, we have a globe with some plastic bits that's inspired by the Google Chrome logo; then a PinBoard as a reference to Pinterest; and side-by-side on the table we have an Apple-apple and a Tumblr-tumbler. Fun fact: Because of that apple I now know there are in fact real apple species that have white skin, the most common among them seeming to be the "white transparent" variety. You'll notice all the logos have something to do with the internet/computers/social media, and though I did think about sneaking in a couple of other logos like Dominos or the NBC Peacock (since those logos have good visuals), I ultimately decided it was better to stick to a more cohesive theme. This is also where the title came from, as the idea is this is the reality behind the screens of a perfectly poised Instagram photo. And therein lies the further theme/message you can take away from this; Notice how the figure is holding the camera so that we can't see their face at all, like a mask. And how the other logos have crept into the rest of the scene, in a way that a lot of them you probably wouldn't notice as internet icons if it wasn't pointed out to you. Both of these are realities for a lot of people. On the internet, we put on a facade like a mask. We control the narrative of what people see of us. And our online presence and habits sneak into our lives in ways we might not notice right away. Both things happen for better or worse, and they can and do happen to anyone, regardless of who you are. To that end, I consciously tried to make the person holding the camera little androgynous, so that it could be a boy or girl, but since this is me we're talking about I'm pretty sure it leans more notably on the feminine side.  And it doesn't help that for the positioning of the hands I had to use reference photos of myself when I couldn't find quite what I was looking for online. Speaking of which; to make the art I started out with a traditional sketch of the figure and the background bits that were inspired by logos, except for the Pinboard and Kofi/coffee cup. And it's kinda funny because I wanted to base the camera design off of one of the newer instant Polaroid cameras (as that seemed the most fitting to transform into the Instagram Logo camera), and fortunately when I was taking the reference photos my phone is sized just so that I could use it as more or less a stand-in or base. This worked out even better because it meant I could just take the photos in front of a mirror instead of having to set a timer and hope I could pose correctly from a distance.   I scanned the sketches in, and then came the trickier part: That background. Especially since a lot of the concept here relies pretty heavily on it. I used a lot of reference photos I found online for this. I did have a basic, rudimentary sketch of my own that I made without any references, but I knew to get the lighting and perspective right I was going to need some actual photos to go off of, and I don't personally have a room that looks like what I had in mind for this. Based on these photos, I did end up putting the shelves over the pinboard, as opposed to putting the pinboard higher on the wall, but other than that and some slight adjusts to the perspective, my general idea for the room stayed the same. And, given my tablet situation, I gave myself a bit of break and decided not to do perfectly clean, solid linework for anything other than the human figure and the camera they're holding. The camera kinda had to have clean lines for this to work, and I thought the figure would stand out from the background better if they were done with clean lines. (And I'm pretty sure I was right about that.) For once in my life, I mostly started in the back and moved my way forward. The walls and ceilings, then the window, then the shelves and the stuff on them, then the banners over the window. And my process reminded largely the same throughout: Loosely line the object, give it a base layer of color, then go back and shade/lighten as necessary. And I was using semi-realistic colors, though I knew they were going to get largely disguised later on when I did the all-over overlay to really drive the Instagram logo inspiration home. Naturally, all the stuff on the shelves was a largely more annoying undertaking than I'd anticipated, but it wasn't quite as bad as the multitude of books I had to do for World in a Book. It's not even that drawing in a bunch of objects like that is hard, necessarily, it just takes a while to get through if you want it to look right. Anyway. Once all of that was done, I took a break to work on the figure and camera, getting the lines done and then moving on once again. Then it was the other logo bits' turn. Once I had them all lined and properly arranged/placed (as they were drawn as separate, individual items from the rest of the scene), I colored each one using the actual logo colors first, then went back to shade them, and then fiddled with some adjustments to bring the saturation down a little and make them blend a bit better with the overall tone. I would end up having to undo some of this after I added the overlay, and as otherwise with that in place some of the logo-inspired things would've either blended in too well or stood out way too much, depending on which one it was. (The camera is a bit of an exception here as instead of getting proper shading, I opted to line it only and just use my home-made gradient inside of it. Once those were taken care of, I back-tracked to color in the figure. Which went similarly to everything else, save for this time I'd use multiple layers for the shading/highlights until I was happy with it, then I merged all that onto a layer about the base color. And then, because I have one solid blue-gray base color for them, I then went back and separated the hair, skin, and shirt with their own unique colors. That was all the coloring done, so I moved on to filling all the blank "photo" spaces I'd left everywhere; the pinboard, the tumbler, even a little picture on one of the shelves. For this, I simply used my own artworks as that seemed like the fastest and easiest way. I just went through my gallery, found pieces I thought would fit properly, then copy & pasted them in and adjusted them to size. A few I did a little perspective warping on just to be thorough, but nothing too crazy. Finally, then I could move on to arguably the most important part: The overlay. Actually, aside from the overlay making the whole image look a little bit too dark, a little too saturated, that went a lot smoother than I thought it would. I just had to turn the saturation down a bit and bring the lightness up to fix that. Or, that's what I thought. I must've saved this thing 6 or 7 times thinking it was finished before spotting this, that, or the other thing (usually related to lighting or shading) that needed to be fixed. First, it was just fiddling with the overlay layer because it still seemed too dark overall, then it was tinkering with shading in various places, and then I decided to drop the ko-fi cup in there because it felt like that spot on the windowsill needed something else and I really wanted just one more logo reference. And then the bottom left corner I thought I fixed earlier now seemed too dark, so I had to un-fix/re-fix that. And of course, even after all that back-and-forth, I thought I was finally, finally done when I noticed the black checkerboard squares on the SnapChair were too dark of a black compared to the blacks/darks elsewhere in the photo, especially considering how light the area around the chair is. I'm sure I could've left it alone and it would've been okay, but my own brain wouldn't let me. So I fixed it! It's not even that noticeable of a difference, but it makes my brain feel so much better knowing it was indeed fixed. Fortunately, after that (at least for now) I stopped noticing things to tweak/fix. It's still not completely perfect, but the things I could continue playing with are at least to my satisfaction to the point I'm comfortable calling it finished. Though, honestly, it already feels like this description should be a lot longer when I think about the 3-4 days I spent working on this.    It was a lot of work, but just like I thought it would be, it was fun and I'm really happy with how it turned out. It was a real challenge as far as shading and perspective go, and obviously, for as strong of an image I had in my head when I started, it wasn't exactly a cakewalk to get it there. A lot of the lines are rough up-close, but they don't look so bad when there's so much else going on in the picture to distract from them.  Maybe I'll try the "softer" lines like this more often. I do know one thing, though, I'm going to be avoiding detailed backgrounds for a while. They always take a lot out of me. ____ Artwork (c) me, MysticSparkleWings I do not own any of the logos that inspired parts of this artwork ____ Where to find me & my artwork: My Website | Commission Info + Prices | Ko-Fi | dA Print Shop | RedBubble |   Twitter | Tumblr | Instagram
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concerningwolves · 7 years
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Writing Deaf Characters | People are People
I am a HoH person who has issues with the represention of deafness in media, and the lack of representation in general. I would love to see more deaf characters, but without the encumberments, so here is a guide on how. This is part two of two. Speech is Speech is a  guide to writing signed language and the technicalities around it. People are People is an outline of the characterization of deaf characters and the tropes that absolutely need to be avoided.
The age trap
Characters are stereotyped into a set of traits that stem from their deafness, and are highly dependent on their age. For example, the old grandma who’s deafness is incorporated into her sweet, amicable character. “Sorry dear, didn’t quite catch that.” She says on the end of almost every sentence, and it’s supposed to be funny. Maybe it is a bit funny in a comedy skit put together by a deaf comedian, but when done by hearing people it is mocking, verging on cruel. The same is also seen in sweet, naive deaf children who are shy “because they can’t hear.”
I do understand that this character trope is really easy to fall into. I used to do it too, unthinkingly; in fact, I myself probably fit the “shy, deaf child mould” on the surface. You’re not a bad person for making this mistake, because a lot of people do. Nobody has ever thought to ask if it is wrong.
How to get around this? There are other ways to make your elderly grandparents lovely, quaint people than cramming them into the "sweet, going deaf and dentures" archetype, which frankly, is getting a little boring. You could even make them deaf/HoH from birth, have them use signed language- (even if not deaf from birth)- and throw in a fun bit of conversation where they learn the new slang from their grand-child/the MC. The representation would be such a treat for our community, and make the characters that much more interesting for your readers!
As for the children, give them character. It’s as simple as that. Deaf children may be quiet because they are told off for shouting, or mocked for never saying anything in spoken English at all; I know that’s what happened to me. Make your children quirky, and you can show that through their hearing aids/implants- in fact, please do! I knew a boy in the year below in first school. He was profoundly deaf, as was I, and he such a personality to him. And he used his hearing aids to shout that out proudly: mismatched coloured moulds for his aids that were semi-transparent and filled with glitter. Someone else I knew of- (an art teacher friend of an art teacher)- steampunk modified their hearing aids and honestly? Iconic. That being said, remember not to focus only on them; this is just a point that you can build from. People are people!
The shock of spoken language
This plot trope/device is one that just makes me incredibly sad. The deaf character uses signed language, and that makes them happy. They speak in their own language, but the hearing people act like this is not enough. The deaf character then uses spoken language, and woah- it’s a miracle, they speak perfectly, they’ve achieved greatness, what a wonder! Acceptance!
I think this stems from the “deaf and dumb” character trope seen in a lot of the literature of the 20th and earlier centuries. This was a character that would garner reader sympathy through pity for their terrible situation. They were usually unintelligent, simple girls who were tragically pretty despite their horrid imperfection. What woe! And then they spoke at a moment of intense emotion, and it was this huge deal. Although this was something that upset me as a young child reading literature in an archaic language I only just understood, I realize that, as above, this is something that has been hugely normalized.
If you are going to have your non-speaking character speak, there are a set of conditions to keep in mind:
Imperfect speech. They won’t speak incredible, perfect English, unless they’ve had extensive speech therapy and used spoken English before.
Not for your validation. The non-speaking character must choose to speak of their own free will; not to make an adult or hearing/speaking person happy. If you go down this route, make sure that you, as the author, stress that this is morally and ethically the wrong thing for that person to do.
Not as a dramatic device. Don’t have your non-speaking character suddenly speak out at a moment where you want your readers to feel Emotion, such as a horrific event or a death.
Not an acheivement or a big deal. If they use spoken English, they use spoken English. It isn’t a massive deal or event to be focused on. Doing so would do that little thing of making signed language inferior, as I made a point of in post one.
In Summary
Flesh your characters out. Give them dimensions. Extend them from their deafness. Explore different angles. Treat it as a part of their identity without retracting from them as them.
It’s important to know that although the general community treats deafness as a blessing at the most, or at least as a part of their identity and as a culture of its own, not everyone shares this. Some people chose to have implants, and some choose not to. Some people with implants still used signed language, and others use spoken.
There are different types of deafness and hearing loss as well, from hidden hearing loss to nerve damage. Here is where you can read up on these: [X]
The deaf and HoH community is as varied as any other community in any other place. There are deaf clubs and dicoes, organizations, companies, and events. All sorts of things. My favourite is the one time the National Deaf Children’s Scoiety decided to take a bunch of deaf children out on sailing boats in high wind, me in the boat with someone who only used sign. Language, support and openess differs from country to country, and if your deaf character is in a fantasy world, play with that!
What kind of hearing aids are offered, if at all? What are the stereotypes, conceptions and mis-conceptions surrounding deafness? What is the sign language like? If you’re inventing a spoken language, invent a signed one too!
Research the community in the country where your book is set if in the real world, and find out what it is like. Decide what kind of deafness your character has, too.
Is it a genetic deafness? Does is come as a part of something else? Was it from birth, or is it gradual? Hearing family, or non-hearing family? What kind of hearing loss? Read up on  the types and decide.
And last of all, if you’re a hearing person and you do write a deaf character and follow these guidelines, you’re brilliant. If you’re a deaf/HoH person who has anything else to add, feel free. Input is always valued.
Thank you for taking the time to read this, and best of luck to everyone with their writing.
This is part of my weekly advice theme. Each week I look at what you’ve asked me to help with, and write a post or series of posts for it. Next week: settings and character development/rebuilding characters (including heroes, anti-heroes, villains, and every other kind of character).
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ENGLISH TRANSLATION (Scott Rand)
LT1 Startalk Interview at the Bristol Hotel 25/01/20
with Petra Stumpf
https://www.lt1.at/sendungen/stars_society/ich-bin-ein-sehr-sexueller-mensch/
https://youtu.be/FAw2HtQQhx0
That was back then, Tom Neuwirth alias Conchita Wurst, a diva who won the Eurovision Song Contest for Austria in 2014.
And this is nowadays. Wurst, fetish look and electro pop. With his third album Tom has freed himself. We meet the Upper Austrian in his adoptive home Vienna at the hotel bar in the Bristol next to the Opera. What hasn't changed is that the star is punctual to the minute.
Petra Stumpf: Welcome to LT1 startalk, my guest today - how do I address you Conchita, Tom or Wurst, which do you prefer?
Tom: It's up to you, I use to say at the end of the day it's always Wurst (it's all the same to me). With a certain look I feel more like a woman, whatever that means and in certain looks I am more masculine, whatever that means and at the end of the day I don't care. One cannot generalise, of course for many people their identity is important and how they see themselves. I realize more and more that gender should be completely irrelevant in a society.
P: I was very curious in which look you would turn up today, blond, bald, long hair, short hair, at the moment everything is possible when it comes to you. Does it depend on your current mood or is it calculative if you turn up as a male or female?
T: There are concerts and events where I know I want to wear an evening gown and release my inner Mariah Carey, on other days I have no concept at all and put up what I fancy at the moment. Some things need a certain preparation, when I want to bleach my hair, I can't decide it on the spot and two hours later I'm blond and the story about the bald head was, that I wanted to express - I did't want to express anything with the bald head per se - but I had joined the Opera Ball to advertise the EU elections and when I shaved my head, I hadn't even known yet that I would go to the Opera Ball. In retrospect it had been destiny and was supposed to happen exactly like that and to answer the question, I seldom reflect, sometimes I fancy something but if something else comes up that is more in line, then I change my mind.
P: Your impact on me is that you feel very liberated since this transformation, is that true?
T: I started to reconsider rules I don't even know who made them and to discard them and find out what makes me happy instead of saying: I have to be the president's wife, that's what people expect and what sells, I'm also in the priviliged situation to say, I don't care, I do what I want and feel but during the process I develop and reconsider so many things and I don't know if everyone thinks it's funny, but I always say it's essential to learn how to read and write. It's important for communication, but how needs spelling?
P: Seriously?
T: If I understand what you want to tell me, for example if you write an essay in German full of blooming imagination and there are twists in the story and it's interesting to read, and then you have 5 spelling errors and fail to pass the exam.
P: I agree about that, but it repels me if someone writes to me on Whatsapp and there are 1000 spelling errors. That's awful.
T: It doesn't matter to me, as long as I understand what you mean.
P: Since you say it is Wurst to you, you recorded your new album as Wurst, finest electro pop, it is autobiographic and was a kind of therapy for you, is that true?
T: Yes, the lyrics and music were written by Eva Klampfer, Lylit, an Upper Austrian and it was produced by Albin Janoska, who is the electro guru in this country. In this triad we made this great album. Eva spent many hours with me and learned a lot about me and I often repeat it, I'm not sure if she wanted to know all of it. But when one doesn't write the lyrics oneself, one can only achieve an authentic piece of music when I'm candid and all of these titles are of course metaphors of all the things I experienced and I know what each song is about and considered if I should explain it or write it into the booklet but then I thought, it's nobody's business and I want to keep it to myself and don't want to impose to the audience what to interpret into those songs. I love to make music videos, I can't write songs, but I hear music and see pictures and I can convert that, that's my essential part and I love to do it but with it I already open a world that indicates a certain direction and emotions, but it's too much fun to miss out on it.
P: I have to show the booklet and for example this picture, videos and booklet are very revealing, very erotic with fetish outfits, did it take you a lot of effort, because your parents and your granny see it too.
T: I'm a very sensual person and I'm not shy with my family, they know me so well, they have known me when I still wet my pants. I don't have to pretend what I am and sometimes I think it will not be her favourite topic for my granny in her crochet round but I am what I am and that's the result of their upbringing. My parents have no reason for complaining about my liberalness or that I live my life in the public, I am the person I am because they raised me that way.
P: Did your parents teach you the facts of life or was it your grandmother, sometimes the grandparents do that.
T: Funny that you address this topic. No, it was my aunt, she's awesome and during Christmas one discusses everything. My aunt is responsible or was a good deal involved in my fashion aesthetics. Listen, my aunt took me to the first musical I have ever seen, Rocky Horror Picture Show, imagine I was about - when is one admitted into such a show, I think 12, and I remember my aunt asked me: "Do you know what a virgin is?" and I replied: "My Mum was born in August, so she's a Virgo." and then there was a talk with my mother if she was allowed to explain it to me and she did and then I came into this show as a 12 year old gay boy and was amazed. What, one can do this, this is allowed? And everyone thinks it's awesome, she revealed a whole new world to me and I still remember what she wore, a transparent Woolford body that only covered the breasts in the shape of a lava lamp and Yoko Ono flares with slits at the sides that where overlapping, so when she walked her bare legs were displayed. My aunt is a fashion icon and that's where my liberty comes from, I think nobody was surprised.
P: You don't often come to Upper Austria, where your family is, but on 12th March you will come to the Posthof in Linz because you are on tour with the new songs. This home game in Linz is something special for you?
T: I'm totally looking forward to it. Linz is always special for me. I have a tour, there will be some concerts in Germany, I'll be in Poland and will also be in Austria and Linz is magic, I can't describe it, it's also the audience that likes to experience music and there are people who are not my fans per se, but who are interested in new music. That's so cool, I'm not always that open-minded, I think rock is not my cup of tea, but okay I'm going to listen to it. People in Linz are totally relaxed and I'm looking forward. And it will be different with my live band and it will be awesome.
P: You are a fantastic live performer, I've often seen you and take my hat off to you. Back then in Linz, international fans had come completely dressed in Conchita outfit. How do they deal with the transformation, do they go along with it and come now with short hair?
T: It's exciting you mention this, I love my fans and they are crazy in an affectionate way and travel from everywhere around the world and then sit there and listen to this concert for the 14th time and are still enthusiastic and have fun to ponder, ah there he didn't know the lyrics, he has forgotten them again and that's so cool, because it's simply the truth. Without those fans who come regularly, I wouldn't exist and without them I wouldn't be able to shine in certain situations, because sometimes you come to an event and notice, ah maybe they don't find me that awesome but there are always people present I can rely on and who say I don't care what happens behind my back, I'm here because of you and I celebrate you so much and then it spreads. It's exciting how such a relationship we have after all develops, particularly because of the different look and music and there are many who sighingly say, I want to hear the ballads and I understand that, I also love the ballads, but there's a time for everything.
P:  Variety is that extra something.
T: Absolutely. It's a challenge for me and a whole different vocal field, suddenly it's about voice colours and textures and not how long can I scream this note, and I can hold it for a long time.
P: Will you play none of your ballads on this tour?
T: Not at the moment. I have the occasional concerts with an orchestra, the next ones will be in Sydney and I'm thrilled to go back to Australia after many years, the current situation there is everything else but delightful but I'm very content not to let this orchestra programme die either, because it's so much fun. Also From Vienna With Love I recorded with the symphonic orchestra is a gift for me and then retrieve it a year later and say: I still can do it! That's cool, you know.
P: We are in Vienna today and not in Upper Austria, as you hardly come to us anymore.
T: Don't emphasize it that much, it's like that at the moment, I will come back.
P: On 12th March at the latest he'll be there at the concert. But we are now at the hotel Bristol in Vienna and you also have a special connection to this place.
T: I have a deep attachment to this hotel, one of my all-time favourite photos was taken by Mrs Ziegelböck, who also comes from Upper Austria. There was a fashion photo shoot for Rondo and we are often here and everytime I give interviews we get support from the staff and they provide us with these awesome suites and catering and we are pleased to see each other, there's appreciation and it's such a traditional building, rich in history and I was allowed to work abroad, but when I come back home, I love Austria, I love Vienna so much, in my opinion it's the coolest city in the world.
P: It was ranked the most livably city too. And the most unfriendly one.
T: If you allow to be insulted, I'm above that.
P: I continue with the word rap.
Question: Do you prefer to be man or woman?
T: We already discussed, I don't care.
Question: I can imagine having children one day.
T: That's tough. I've considered how I would raise a child, what values I would convey and what it would mean. But I'm not ready to have children, because I'm so egocentric and have some interhuman deficits. You wanted a short reply. I have no idea.
Question: I like to sleep...
T: For a long period of time and you want something provocative. I sleep in the nude.
Question: What are you not able to do?
T: I'm bad at waiting and I sometimes get bitchy. My friends who work with me know me well enough to know that when I start giving curt replies.
Question: Your favourite place?
T: My apartment, my nest. After a period of travelling a lot, one's own bed is priceless.
Question: I learned most things from...
T: All people I meet. I recognise afterwards when one sits together during the holidays, I have it from you that I always run around half naked.
Question: The inscription on my tombstone should read.
T: I hope I won't have a tombstone. I'll be cremated.
P: But there has also to be a place for the urn. Maybe in someone's cupboard at home.
T: If I want to annoy them I'll write into my will: You have to place me beside your television. I want it to be stagy, get cremated and scatter the ash around.
P: Then one cannot visit you anymore.
T: You don't have to. That's overrated, everyone shall carry me inside their hearts.
P: No grave of honour in Vienna?
T: The dress from the Eurovision inside a showcase is sufficient.
P: Thank you, it was very funny.
T: What a great interview.
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Episode 1: “Why is my tribe all these musty men and Ruthie?” -Ali
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-I'm writing this pre-cast reveal and I'm scared shitless. Dear future Jess, Don't puke before tribals because of anxiety. Don't let the m*n tell you what to do. Don't get in your head and trust your gut. Sincerely, Pre-Cast Reveal Jess.
- Now where do I begin.... It's day 2? I believe.... in this game and I've already spiralled and showed the signs of a future crackhead. In all seriousness though, I've calmed down and the initial shock of cast reveal has worn off. I was a bit shook seeing some of the people in this cast playing. I've literally hosted a large chunk of these people so I REALLY HOPE NONE OF THAT COMES TO BITE ME IN THE ASS (I don't think it will). I hope people realize I wasn't really paying close attention to their games when hosting.. and if I was... I have the memory of a pebble. I'm sure none of that will have an impact on anyone besides maybe Ali. BUT ALI IF YOU ARE READING THIS.. DAY 2 JESS REALLY WANTS TO WORK WITH YOU! Now lets talk about my tribe: - We got Rachael/Zach who are super close or at least have some sort of connection through his sister. - We got Birch/Keegan regardless of whatever they are pushing about doubts with each other I can see them cleaning that slat in the name of numbers. - Me and Gavin because I'm the only one he knows in this game. - Possibly me/Timmy if he wants to work with me. - Possibly me/Chips hoping he remembers I did show how blindly loyal I was to him the last game we were in.... - Bodhi might be in with people like Zach (who he was hosting) and Rachael. - John honestly... I have no idea about. He's such a wild card for me. My overall thought process and game plan right now is... BLUID THOSE RELATIONSHIPS! I think I proved with my challenge performance I am an asset to this tribe but I want to show people I can be an asset to them. I can see us swapping at 16 so I'm going to be around this tribe for a bit so I need people to want me around. So far I'm getting along with Keegan he seems like a cool cat. I'm also aware he's probably a cool cat in everyone's eyes but for right now.. I really like him! Birch is definitely a social beast. From what I remembered they were an extremely social player in the season I hosted them but they are very transparent with their information which does scare me. For the time being though, I'll attempt to work my magic with them and build that trust so the information spills to me.. Rachael is a queen. I really want to work with her because I do see similarities between our playing style which is something I always gravitate towards in games. I'm naive and I do know she has other people higher up on that trust-ladder based off of initial relationships but I do hope to somehow climb that. Although I do know she will be a power play in this game, I know I'm going to need other power players around me to ensure there is a target ahead of me. She also brings connections which typically brings in information. So rather than be a crackhead and go for her (which is what cast reveal night Jess thought about) I'm going to try and work with her. Zach.. honestly, I don't know how much I have in common with a teenage boy so that might be a road block between us. He is one of those key-relationships I hope to build off of through Rachael. I will also die if Rachael/Zach aren't that close and I'm just rambling shit right now. Gavin is one of my FIRST ORG friends and I'm SO HAPPY TO SEE HIM PLAYING THIS GAME. I don't think anyone right now knows we are close but I'm not afraid to cut him if it means I go further in this game. I'm not really sure about my tribes chances for this first immunity challenge. Everyone aside for a few people on this tribe seem like they have their shit together in this challenge. I know the "movie trivia" crew snapped hard and my back hurts from carrying my tribe but.... our chances of winning rely on Timmy (who is on vacation), Gavin who is probably working or something, and Bodhi who is hosting currently. So to say I'm confident.... would be a giant ass lie. I'm excited for the idol search to open up SO BAD.
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-Cast is revealed and game starts in a half hour. I’m feeling excited. I hope I do better in this season than the game I did last, 17th. Ughhhhhh, grosss
- I’m having fun doing the quotes, it’s interesting. I feel like I’m getting along well with everyone. I’m trying to talk to them all and interact. If I’m amusing they won’t get rid of me. Right? Right? Somebody tell me I’m right
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-Okay tea time!  I'm really excited. I had to add A LOT of people I have never talked to before and I always like doing that because I LOOOOVE playing with people that don't know how I play and also getting to know clean people and starting with a clean slate! The only people I had added on my tribe are Jay and Ali and I LIKE that!   I'm excited to talk to people, scope everyone out a little and see what I need to do.  This game and the theming is SO CUTE and I can't wait to see what all happens next!
- https://youtu.be/MY-s5k1n7sI
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why is my tribe all these musty men and ruthie what did i do to deserve this.
https://youtu.be/LPxSC_ZjZIc
https://youtu.be/ojw9T8GsbaA
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-That 36 person cast twist not being real...big disappointment, I was hoping for a huge mess where someone cries. But 20 people, good size. My tribe seems like good people so this should be exciting.
- So we lost the first immunity challenge. Seems like it’s unanimous for John to go. Works for me as he is who I wanted out when I woke up this morning since we hadn’t spoken. He keeps saying he wants someone who was weak in the challenge out and didn’t tell me a name but told Rachel, Bodhi. Funny thing is, John did worse in his challenge than anyone in the quotes group so therefore his own logic can be used against him.
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-AHHHHHHHHHHH MY PEOPLE ARE HERE I DON"T KNOW WHO I WANNA WORK WITH. There is king ali, my bae Austin, bestie jay, and really old time friend Collin in this one tribe. I'm not even counting people on the other tribe. I'm gonna lose so hard. I'm crying tho
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-When I was meeting my tribe for the first time I was thinking that we have a very good group here. I'm glad to see Bodhi again cuz I haven't seen him since Trinity: P&P a few months ago. I think that with the additions of Birch and Keegan to our tribe I think we're gonna win some challenges. So I'm hoping for the best and not the worst for this team.
- So we're all waiting for the results of the 1st challenge, and I'm feeling a little nervous that my tribe may lose, but I'm hoping that we do win because I want this season to start off on a good note for my tribe. I'm just hoping that we pull this off and not blow this.
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-the way i was offered a final 2 within minutes of joining the tribe chat. hopefully this ages well and you get to see me and bodhi succeed :)
- John is too damn messy and has got to go. PERIODT.
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https://youtu.be/L1-ZBhnUQ7U
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-I love my Tribe!! I'm super excited to play with Keegan and Timmy again! I'm trying to get closer with everyone else since I haven't played with them before. I'm also kinda nervous for the challenge. I have a weird taste in music so we will see how this goes. I really hope I'm not first boot. I haven't had good placements in my last couple of games, so I'm hoping for better this time! This cast is iconic.
-So my mom got my drunk before the challenge and then tried guilting me into not doing the challenge. we flopped anyway. we are currently pulling ahead in the Movie challenge but it's still early so idk. I really hope we can get the next 2 challenges. I don't wanna be first boot.  
- Ahoy matey! me got cursed t' only talk like a pirate in thar tribe chats n' me alliance chat. So me’m doing dis confession like a pirate. So anyway. me’m in a alliance Wit' Keegan n' Jess. As far as me know our jolly crew only verily talked t' each other. So dis works out. Our jolly crew also lost which SUCKS. me verily hope me’m nay first boot. me might sail after John. All me conversations wit' him be painful. So that’s fun. me like all hands so dis will hard. But let’s see what happens! Birch signing off.
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- https://www.youtube.com/watch?v=V1Iq3ANGs8M&feature=youtu.be
- Here’s the Tea Link: https://youtu.be/X3J2e4ffmiY
- https://youtu.be/Q80k6g4QUIk
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Kinda bummed the movie challenge didn’t go so well hope we don’t have to go to tribal this early
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-Hello hello! I am SO happy to be back in atomic Survivor! I feel like things are off to a really nice start and I'm hoping that will continue. For now I'll do a little assessment of my tribe before we find out results for the first challenge. Ali - I've seen him around in the community a lot for years, im pretty sure I was around when he played his first game. But I don't remember if I've ever had the chance to actually play WITH him. He's such a nice guy I've loved talking with him so far Austin - Lmao the funny thing is I actually talked to him for the first time ever like a week ago. A real lucky break that he and I were both part of this casting twist. We immediately started talking and agreed to look out for each other. Cindi - this is my first time meeting her ever! She seems really rad and we've just been talking about life and tattoos and shit lmao. I can definitely see myself working with her in the future. Collin - y'all I LOVE Collin. I just played with him in Mesopotamia, and even though he voted me out I never had any bitterness towards him cause he's just that nice. He's definitely been the person I've talked to the most so far. We have a lot in common and I really want to trust him. But I am still a bit wary bc of Mesopotamia. Czern - I don't really have a read on him yet. Haven't spoken to him too much. Dan - Same as Czern but I haven't spoken to Dan at all Vi - Vi is such a ray of sunshine, I've loved her ever since I met her in Tashirojima. In fact my biggest mistake in that game IMO was voting her out. I'm 100% working with her this time. Ruthie - It's been so long since I've talked to Ruthie and I'm so glad that this game gives me the chance to reconnect with her. An absolute legend and one of the nicest people I've ever met. I haven't talked strategy with her yet but that'll come soon lol Timmy - Yo he DESTROYED that music challenge and I'm super grateful for that. I've talked to him a little bit and he's pretty nice but I don't really have any further opinions on him lol
- Reallllly glad we didn't have to go to tribal tonight. I've been really busy today so it would've been a really rough time. But instead I got to enjoy my day, but of course I socialized with my tribe. I feel really close with Collin, Ali, and Ruthie. Granted those are relationships that started outside of this game, but they're relationships nonetheless. I really vibe with Austin too, even though I talk to him a little less, we're bonded through that opening twist. And the best thing is Austin mentioned vibing with all those people + Vi (who's great as well, I just haven't talked any strategy with her yet) so I smell an alliance starting sometime soon. I just feel really well about the start of this game and im hoping it can last.
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-First confessional of the season! I debated making a video but then I realized that's a lore more work and harder for me to have actual organized thoughts. Going back to the start of the game: I know RACHAEL, BIRCH, CHIPS, JAY, VI, CINDI, DAN and RUTHIE. The only person I don't know anything about is CZERN. So I've got a pretty stacked cast of people I can potentially work with moving forward. But I currently have three goals for this season: 1. Make the merge or swap so I can play with VI. Even if we don't work together, I'd love to play with her! She rules! 2. Make sure JAY gets voted out before myself. As a fellow winner, THERE CAN BE ONLY ONE. 3. Make sure DAN gets voted out before myself. He's a sneaky snake and I won't ever trust him after Nova Scotia. First off, I'm in an awesome alliance with BIRCH and JESS. It's only three people so it's not a clear majority but it's a good start. We formed this literally 10 minutes after the challenge had ended. Speaking of the challenge, it was a fun challenge but we did lose. However, JESS, RACHAEL, CHIPS and myself were the only ones who won our portion of the challenge, so I've been subtly hinting that I wouldn't feel right if any of us were voted out. GAVIN told me that TIMMY and BODHI didn't contribute much of anything to their part of the challenge, so that's a possible decision when it comes to this tribal. However, JOHN has been very difficult to have a conversation with and I've been told that him and BODHI won't vote for each other. So right now it's just working with JESS and BIRCH to determine what the best option is moving forward. I'm thinking I can get RACHAEL, ZACH and GAVIN on board with whatever we decide. Tune in later for some more thoughts.
-I wanna say it’s be super eventful but not really. Just a few small things: CHIPS has been telling everyone everything. He told JOHN he was the vote. He told JESS about the GAVIN thing. He needs to learn to keep things to himself if he doesn’t want to be gone next. JOHN tried throwing ZACH under the bus for not being good in challenges. I had a call with BODHI and apparently ZACH is a comp beast. So that’s not happening. If everything is as planned JOHN should be the unanimous vote. I might throw a stray vote on CHIPS just in case of an idol play but I’m undecided.
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So this round I got super close with Austin and Collin, and close with cindi, and okay close with everyone else. I killed it in the music challenge because I  did not feel confident I wouldn’t go home if we lost. I need to tighten my bonds and hopefully make a solid group before the next round. I have no real targets atm but Ruthie and I have yet to speak so that’s awkward. I kinda wish I was on the other tribe because I feel like I’d vibe with them better. I had to make sure I was the first to go into the treehouse because I wanted to be open and transparent about what happens in there and make sure that nobody else got to go in and change what actually happens. I’m very excited for the next few rounds tho!
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https://youtu.be/e_oVLgNr4ro
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Okay so first round is going pretty good so far . I cant believe they put me on a tribe with vi which is amazing bc ride or die right there. I know ali vi collins and jay are def ppl I wanna work with in this game . I mean my whole tribe is great . Dan I know is a wild card and he seems like he wants to work together but I'm not sure if I can fully trust him since he did vote me out last seasons with telling me a damn thing . Cindi was almost in my duplicity season I'm on production for so I know her a bit as well. I know she would probs go with Rachael at a swap or merge which is dangerous .THANK GOD we won the first immunity and I dont have two sorry about a vote bc if I'm honest it would be HARD to decide on a name . Let's see what happens tho I'm ready to play and ready to win
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Honestly it seems pretty slow starting. Just working on getting to know the tribe at this point. I really like Collin and Ali but beyond that I'm not getting like amazing vibes from the others. I'm not getting bad vibes either though, just neutral positive vibes if that makes sense
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okay, so i have been focusing on getting to know my tribe-mates the past few days because in this game, connections are your lifeline. but, i also didn't want to come off too strong and be perceived as "too social" from the get-go *cough* keegan the snake *cough*. so, i laid back, talked to people (some more than others), and tried to focus on winning immunity. unfortunately, when immunity slipped through our fingers, i quickly got to work socializing and making sure i wasn't the one to be blamed for our loss in our challenge. i felt that i contributed a lot and tried to start discussions and debate about our quotes, and felt as though i didn't get much back from my team. so, i made sure that people knew my group wasn't very communicative and had they communicated more, we could have totally won. i didn't push for a name to begin the round, but i did make sure to let people know who i hadn't talked to in hopes of getting one of their names on the chopping block this round. i made sure to reach out to everyone (even those who didn't reach out to me or seem invested in the game, nor our conversations) because i don't want someone to spread my name as a result. then, it seemed to narrow down to john and timmy. also, it was obviously leaning towards john leaving this round. however, it was not until about a few hours before day change that john had FINALLY heard that his name was going around due to the fact that it was TRULY IMPOSSIBLE TO TALK TO HIM. funnily enough, this information came directly from chips--someone who i haven't talked to much. thankfully for me, john decided to tell almost everyone exactly what chips had said and no one was pleased to hear that. so, i worked my magic and made sure people were upset that chips tried to throw us all under the bus--because i need to make sure there is a target for next round that isn't me... DUH! later, i asked john what he wanted to do, and he sat there completely clueless. i was completely dumbfounded at his reluctance to say a name when his ass was CLEARLY on the line. eventually, i worked a name out of him, and he said bodhi (who was the only one who wanted to keep him earlier today)... so i obviously went right to bodhi and made sure he knew so i could build some trust with him going forward in this game since talking to john literally made me lose brain cells by the minute, i wanted to make sure he was the one leaving tonight. so, i am hoping everything goes according to plan at tribal tonight, but as long as i don't leave, i am golden with whatever. until next time... xoxo, gossip girl
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So basically I'm not in town right now... and IbhopenI can trust people not to vote me until I get back and am less busy. I really bombed the challenge by getting 0 points for my tribe but we won that part... because the other people carried. Good stuff. Anyway we are voting John because he doesn't communicate well and has kind of mansplained the potential different vote? If its true then woohoo I got another round. Also! I got am advantage from idol hunt and thats nifty. 
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Click HERE to watch both out PREGAME and ROUND ONE cast assessments!
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