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applesandbannas747 · 3 months

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i wanna hear your thoughts on the fence challengers: long shot preview pages if you want to share!

oh mAN I have so many and they are all over the place!!

The first one is a little thing, but I bet Seiji had a crush on Marcus Washington when he was a kid--Nick's horror, Harvard's teasing, and Seiji's indignant blush imply as much.

And a fun fact, Jo posted a mini preview of baby Seiji to Patreon on February 14th...maybe I'm reading into it too much, but that's nothing new XD

Next couple of things are about the scene with the trophy case. It was really interesting and fun to see side-by-side redraws of Robert! It really illustrates the way the style has evolved, and also I gOTTA say it feels like Jo is more invested in Robert based on the level of detail she put in--like it's not just a style comparison, it's also just obvious a lot of attention was put into these shots when a) she could have just reused old shots (which she's done before, so I know it was an option), or kept it more simplified like she did when drawing the original shots.

I also think it's sweet that the redraws have Robert looking much more like Jesse than the originals.

And I am sure I will get flack for this, but I have incredible second-hand embarrassment from Nick leaving his newspaper clipping + note in the trophy case jfhdasl like bestieee noooo anyone can see that shit now oh my god please stooop

Onto some Nichoji thoughts! I love that Seiji's been confirmed as a before-bed reader! Him having a Kindle makes sense for the sheer efficiency of it too lmfao. Of course it's also adorable to see him in reading glasses <3 And then my favorite detail is Nick's stupid nightlight...notice where it is?

Rather than illuminating Nick's side of the room, it's peeking around the curtain and lighting up Seiji's reading, which is beyond adorable and sweet. I wonder whether Seiji stole it or Nick put it there knowing Seiji likes to read before bed, and I love both scenarios.

Also, it's fucking adorable that as soon as Nick mentions their date appointment, Seiji takes off his glasses and lowers his Kindle because it's got his full attention and investment.

And a quick pitstop to the locker rooms!

I like the visual metaphor here with Aiden and Bobby both very casual about changing and both literally having their shirts open; meanwhile, Seiji's straightening the cuffs on his button-down, which is already neatly tucked in and complete with his tie. It just highlights how Seiji's a lot more closed off than the others, and I think this was a neat trick to remind us of that.

In regards to plot, I'm still...really disappointed in the pacing. I know most people feel like it's a slowburn/it's taken a long time to develop, but if you waited to read Fence at all until it was complete and then read it all in one sitting, I think you'd see how unbalanced it is. Williams says that their first match will be in three weeks back right after tryouts:

which means everything between issue 12 and CHALLENGERS has happened in 3 weeks. Seiji and Nick's relationship is so sweet and cute, but it went from resentful rivalry to puppy love overnight with very little 'screen time' dedicated to the actual transition from resentment to friends (which I could write a whole essay on but this is not the post for that lmfao). Furthermore, the fact that it's the first match of State Championships rather than first match of the season is crazy to me. I'll admit, I didn't fence in high school--it wasn't even an option because we didn't have a team. And despite hours of research, the structure of high school team fencing is not entirely clear to me. However, I do know that typical high school sports go through the season, facing every other team in their division or whatever. Based on performance in those matches, they can qualify for state, and then their win ratio determines their seeding order for the state championships that happen in like 1-2 days. Seeding order is who you go up against in a bracket, so it's what this diagram is, basically:

(side note, but it appears there are 24 schools competing at state). Again, fencing could be different, but it kinda seems to me like we skipped over the season and went right to State Championships, which just cuts out so much development and build-up. It's like we're speed-running the entire story to get to the end faster. We cut out showing the development in the romance, and now we're cutting out the development of the plot. There's still plenty that we can do at state, of course, but imagine how much more it would mean to see Nick fencing in front of Robert if we'd built that up more. I just don't understand how we spent 12 issues on try outs, 4 on a practice match, 8 on camp, and none on the fencing season. It feels so abrupt and unbalanced. Tryouts and camp were my favorites arcs because they felt pretty well-paced as self-contained pieces of the story. I just feel like we needed waaaaay more relationship development between those two arcs to be satisfying, and I feel like there should be waaaaay more build up during the fencing season between camp and State Championships.

and now, the moment you've all been waiting for: my devastation over Eugene's role (???) in the story. I honestly question why he's in the story at all--at this point, it would have made more sense to have him flat-out not make the team. Except that keeping him this long lowkey backs up the theory I've had on his role since Striking Distance/RIVALS: Eugene is here to make everyone else look better/cooler/more impressive. The very first thing that struck me when reading the first look was this:

The dialogue here suggests that only one reserve actually gets to be on the team in the end, and the reserve is Nick. And, worse, everyone expected it to be Nick. Sure, it's sweet that Seiji thinks Nick's the better fencer, but all I can think about is how hard Eugene's worked for ten years trying to make the team as opposed to Nick's three months of fencing. Now, I love an underdog story. But it's interesting because Pacat stated in an interview (I'd have to go find where for the specific quote) that he always feels bad for the person who's been working to be #1 their whole lives only to be knocked out of the running by an upstart underdog--which I've always assumed would influence the path taken in Fence...and it seems like we may well let Seiji and Jesse remain above Nick in skill (or at least it seems like we won't be dethroning Seiji, even if we go for Jesse), but Nick's overcoming smaller obstacles. And those smaller obstacles hurt worse to see crushed because Eugene almost made the team in a way that mattered, only to have that taken away. It would have been less cruel to him and his fans to let Nick take the reserve slot back in issue 12, but instead we brought Eugene along to serve as a means to make Nick out 'secret weapon' and elevate his story.

I will say though, this page is one of my favorite Eugene moments because I see the character I selfishly want Eugene to be in it. From the context of the panels above, this page is likely Williams telling them that only one will be fencing in State Championships, and this is their reaction. Eugene's immediate concern for Nick and the comforting hand on his shoulder followed by a bright smile and a thumbs up--he just cares so much about other people and it so used to smiling through his own pain/disappointment and comforts Nick through being positive (and as seen back in issue 12, up playing his competitiveness) and acting like it's no big deal.

Eugene deserved better, but if this is where he goes out, I think I can live with it. Better to see him go now than continue to be a means to uplift the rest of team by being less than. but, man, I was really hoping we were turning it around after his moment in REDEMPTION being the only KR boy not to lose his bout

anyway, thank you sm for listening to my rambles!!! <33

#jackshit #fence comic #fence challengers long shot #fence challengers #seiji katayama #nicholas cox #eugene labao #fencessay #thanks for the ask!! 💜#fence asks #eugene defense squad #to be clear; there are a lot of things I'm excited for--ill just never get over how much better it could have been if the stars had aligned #and fence could have been picked up for its full run and given all the development and attention i have to assume was the original intent

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seirindono · 2 months

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two questions.

one, HOW DOES ONE COMIC/STORY BOARD??

IM OBSESSED WITH HOW YOU DO IT ITS SO BEAUTIFUL

two, HOW DO YOU SO IT SO FAST( that’s question is more just me being super impressed oh my goodness)

you’re very good😳

Aw, sweet, a board question *puts on serious glasses*

Ok, bring it on anon.

So, the first thing to ask yourself when starting a comic, as I see it, is what type of board are you dealing with. Webtoon? A4 pages? 4 panels? There are many ways to go about it, and each involves different processes. For example, pages will allow for more superfluous scenes, whereas the webtoon format has to be super succinct because of the reading direction. I personally think that's the main reason I do pages, among other advantages: •narrative density •variety •Tumblr-friendly format

There are quite a few disadvantages too but you have to go through the process of trials and errors to really find out what suits you best!

Then there's the ambition of the sequence you're boarding for. And it goes from 1. how used I am to boarding this kind of sequence/drawing these characters/setting and backgrounds, to 2. is it an emotional sequence? Dialogue-heavy? Or more contemplative?

It changes the way you work and how you should approach your board! For example, in TMS, the very wordy chapters (4 and 5 for ex) generally called for simple and narrow framing. Of course, you don't want to bore the reader so you can spice things up to match the characters mood and reactions once in a while, but you have to bear in mind that the sequence aims to provide dialogue and information = the text bubbles are key and WILL take a lot of place. So let them.

( then again, it's all about pacing and balance. A page full of dialogue and one with too much happening are equally hard to read and boring to do)

Only dialogue, simple squares, no compostion, the focus is on Mel's reaction

On the other hand, parts 7 and 8 are all about action and atmosphere! This makes for wider and more varied shots!

They're fighting, things are going fast so why not use a single line to show many actions! They're still basically squares and rectangles but the pacing is totally different!

Or why not give the action a full page to really show its sheer impact

You can also split things, with a zoom or small time gap, depending on if it's a gag or if you want to put the focus on a reaction. Here, the asymmetry helps reinforce the unstable, jerky aspect of the scene. The situation is getting out of hand, and visually, the pages are affected too.

Now, these are case-by-case examples. And I never work on my pages separately.

For context, this-

-is the "first" board I did for part 8.

The drawings are very small and frankly difficult to make out, but the intention is what matters at this point lol I have the script (very important) next to my canvas, and I scribble the pages one after the ither. This allows me to see if the actions flow well, if the compositions are varied and also whether certain passages are too long or too short in regard to their importance. Which scenes can be merged? Removed? Toned down or if they deserve more bite?

This is a really fun and creative part but, I'll say it again, made a lot easier with a solid scipt. And I'm talking about a text document with clearly defined dialogues (or at least outlines) and actions.

I can't really explain how to write a script, it really depends on your work flow and how confortable you are with writing, but it's too important to just rush through it. No matter how much it changes before, during or after your finish boarding (cuz you gotta break your own rules sometimes and you'll often realize some things don't work as well once you put them on paper/sometimes art block can be resolved by writing the scene and just taking the time to imagine) but it's still your one guideline.

Aaaand, that's about it.

Other than that, I can only highly recommend reading lots of comics, Webtoon, books, watching movies, paintings, illustrations, animatics or listening to music, to inspire you and expand your own "personal library of references". Professional or not, anything your find inspiring and well executed. Boarding is at its core, telling stories. No art skill involved, just pure subjectivity. At the end of the day, it's all about squares, rectangles and bubbles so you gotta work on your creativity. The rest is gut feeling!

Constantly ask yourself how to tell this story, and how you want to tell it. How this sequence should be perceived? What do you need to show to make pages and pages of words appealing and interesting.

Be patient, be bold. Start with easy stuff to get some confidence if you need to. Accept that "boring" pages are smt necessary and that it's up to you to build up tension for a scene to really pop. Try new ideas and be ready to scrap many of them, the result will be worth all the work!

Now, concerning the "fast" part, I'm flattered but I personally think I'm super slow xD You prbly get that impression bc I finish the whole chapter before posting it, but behind the scene, I'm just working at a very regular pace.

Thank youuu anon ♡( ◡‿◡ )

#ask #ask me #forgot the tag I use for those errr #tuto #boarding is so much fun *sigh* unlike this *looking at the pile of pages waiting for lineart*#I personnaly prefer boarding for animatic but comics are fun cuz I know I'll get to actually see the final result haha #I know some artists love to do intricate shots with lots of details and pers (big flex here) but I'm more about the vibe really xD

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aggro-my-beloved · 21 days

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Trash Polka (AsherxBabe)

note: this hasn’t been fully looked over/edited so if you notice my mistakes just pretend you don’t. k thx.

summary: *doodles that a person draws on themselves will appear on their soulmate’s skin* [babe is tired of wearing hoodies in summer, and leggings in the spring. but their soulmate seems too caught up in his career to mind leaving little notes and drawings on their skin, rather than revealing himself. babe DOESN’T take matters into their own hands, but they soon won’t be covered by a mod-podge of their soulmate’s scribbles. one can hope, at least.]

pairing(s): AsherxBabe (romantic), AsherxDavid (platonic)

warning(s): none

word count: 1.4k

estimated reading time: 7 mins

taglist: @ther3alsweetheart @darlin-collins @professionallyyappinabtangst @elles-roses @ashertickler mwah

“GLOVES AGAIN? IT’S A HUNDRED degrees outside.” Katherine quips from her desk. As usual, Babe’s morning is all swearing and stumbles through the office building as they don a more than modest collection of clothing.

“I think it’s a hundred and one, actually.” Vinny chortles from his cubicle. Since turning down his invitation to be his plus one at the office holiday party the year prior, he’s been more prone to poke fun at them. Babe illustrates the smirk tugging at his lips and fantasizes ripping it clean off his visage while preparing for another busy morning. Bag strap on the back of their chair. The largest iced coffee Starbucks could provide them on the ceramic coaster gifted by Katherine, which reads some motivational slogan Babe would be caught dead uttering in any unironic fashion.

“I still don’t know how you manage to work like that.” Their colleague’s tone is the perfect balance of judgment and concern; a siren song can draw the most taboo answers from anyone she crosses paths with. Babe is aware of this, and yet they still respond. Katherine is approachable, but isn’t as prone to flapping her lips compared to others who lurk in the office.

“I told you before, Kat, I get cold easily. Low iron, and stuff.” Babe clears their throat and wiggles their chair closer to the computer before them. A few minutes pass, and they flicker their eyes between the two cubicles on either side of them, harboring a yapping Vinny on his phone, and Katherine engrossed in her bookkeeping tasks. Babe’s movement is subtle as they sink lower in their chair, and stretch their arms beneath their desktop to flick on the fan to its highest setting. Another glance back and forth. More nonsense gabs from Vinny. Even more sounds of filing papers from Katherine. They are sandwiched in a personal hell, but the heavy dress pants and turtleneck strangling their figure may be to blame for that.

Relieving wool gloves from their hands has grown to be an orgasmic experience for Babe. One of the few things they miss about working remotely is the pleasure of joining video meetings half-naked, and feel content with the fact that their colleagues are none the wiser about what their lower half is lacking. In this office full of prying eyes and passive-aggressive chatter, though, the simple act of baring their hands fills them with equal amounts of pleasure and shame of a lambasted stripper.

Babe’s eyes cascade over the swoops and strikes of black ink on skin, written in their spoken language but still holding no significant meaning—the lines embedded in their palm act as lines on ruled paper.

Sm Tourn @ Davey’s Fri 8

Buy milk, almost out

DO NOT DRINK MILK IN FRIDGE!

For whatever reason, the person who left these notes for themself also found it apropos to doodle a smiley face below the crease of their thumb. Babe stiffens at the tickling sensation on their opposite hand and draws their attention toward the writing slowly appearing on it. It’s messier than chicken scratch with some typos, like every other message this person leaves for them to discover, but Babe’s witnessed these messages long enough to decode them, or at the very least, try to.

The first time their parents discovered the writing on their skin, it couldn’t have come at a worse time. They were freshly tween, overflowing with naivety and curiosity, and they assumed their anonymous messenger was too. Babe’s father clocked them at the dinner table and demanded they show him their hand, where a “naughty” word written in bold lettering was spelled out on four out of five of their knuckles. Any excuse Babe mustered in that moment would have been a lie because they were still clueless as to how random notes appeared on their skin, or who the person writing them was.

They chalked it off as a word they heard from their classmates, but it didn’t satisfy their parents in the slightest. Babe missed a whole week's worth of Pokémon and Spongebob on the family television and held that grudge for as long as they could remember. But with no face or name to target their anger towards, they learned that stewing was pointless. Soapy water was the obvious solution in Babe’s mind. Just scrub hard enough and there would be no proof, right? Wrong. Whatever mystical power is embedded in this ink, or Babe’s skin, allows it to last twenty-four hours when fighting against soap, stain sticks, or even concealer. From that point on, Babe wrestled themselves into floor-length bottoms and long-sleeves up until high school graduation.

They’ve struggled falling asleep at night, trying to view this anomaly as a “gift”. Nobody else they’ve come across has poorly drawn Star Trek characters or names of midwest emo bands littering their epidermis like a composition notebook. Not to mention the person distributing these excerpts of their life–who are they? Do they know they’re capable of something like this? Do they even know Babe exists, and ponders the consequences of this condition in their life, and cries at the reminder that they can never purchase that crop top on sale or be stared at walking down the beach with a sweatshirt on?

Babe is broken out of their spiraling thoughts by Madelyn’s request to fetch the mail from the lobby. They didn’t catch the particular reason, but their ears perked up at the words “big check we need to run.” Babe feels invisible strings urging their eyes to roll and fights them, seizing the pair of gloves and bustling towards the nearest elevator. Once upon a time, Babe would take any excuse to waltz down the seventeen flights of stairs to dilly dally. But that was before their thoughts became consumed with dying of heat stroke between concrete walls and cotton layers.

Babe finds solace in the empty elevator, and decides to savor the feeling of bare hands in every way imaginable by cracking their knuckles, reaching them up to the fluorescent lights of the lift and drenching their skin in the gleam. In seconds, they become clenched fists, clammy and unresponsive at the sound of quickly approaching steps and voice growing in volume.

“Look, I know I left the stove on. I’m sorry, buddy. It was just a little flare up...” In a panic, Babe reaches forward to jab the button to close the doors, and halts at the sight of their hand, covered in more scribbles than before. They reduce themself into the corner, hastily cloaking their hands with the gloves. Amidst putting on the second one, the voice introduces its body in the picture as it squeezes through the elevator doors right before they shut. His phone is situated between his ear and shoulder, as he shuffles through the large stack of paperwork between his hands.

His hands…

Look just like…

“Bye buddy, love you!” His blonde hair swishes against his forehead as he cranes his neck down to end the call. “He’s really trying to turn me into that guy who’s being super loud on their phone in the elevator.” While pocketing his phone, Babe’s eyes follow his hands, scribbled in black. He retrieves a pen from behind his ear, uncaps it with his mouth and lets the ballpoint make contact with his skin before he begins writing. Babe feels the familiar tickle, but is too in shock to respond. Halfway through his latest entry, he shakes the pen violently with a grunt. “Damn, this thing’s getting low on ink.”

Through his peripheral vision, the blonde peeks over at the second set of hands in the elevator, and notices some writing peeking out from the half-worn glove overtaking Babe’s left hand. “Another avid notetaker, I see. My friends can’t stand it when I write on my skin. They say it's a one way trip to ink poisoning. But it’s saving the trees, right?” Again, the nervous chuckle floats through the space, and then awkward silence. Babe’s lips remain parted in awe, too caught up in the current revelation to grab hold of anything as the elevator’s motor stutters and comes to a sudden halt. Before they could tumble to the floor, his coated hands caught them amidst their teetering. Blue eyes pooling with an intimidating level of concern, stare them down.

“Aw man, I think the elevator got stuck. Hey, are you alright?” The eyes flicker down, and the man appears to harbor the same revelation as Babe when he further inspects the writing on their hand. At least, they thought…

“No way! You like Star Trek too?”

soulmate september schedule | main masterlist | abt author

#redacted asmr #redacted audio #redactedverse #redacted shaw pack #redacted headcanons #redacted asher #redacted david #redacted baabe #redacted fluff #redacted fanfiction #redacted fanfic #redacted audio au #redacted audio imagine

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nerdieforpedro · 5 months

Text

The Intended determines their Meaning

Javier Gutierrez x plus size female reader

My blog overall is for readers 18+. MDNI

Word Count: 1271

Summary: Javier is following through on what his team has proposed optics wise. He’s bought her flowers to illustrate their partnership. The twist? The events of tonight lead him to follow a different plan altogether.

Warnings: Plots by PR teams, ghosts for dates, angst if you squint, bad jokes (did I write it if there’s not at least one?), Javi G being charming and adorable, honorable mention of Javi G’s orange/red shirt from TUWOMT (the debate of that shirt’s true color continues this very day)

Notes: An entry for @morallyinept ‘s Jett’s Flora & Fauna Challenge. I was surprised to have an idea for it but it turns out chatting with your friends in Discord gets the juices flowing. Plus my wonderful friend Grace came up with the initial idea and we each wrote our own versions. This one is mine. I looked up the meaning of the red peonies Pedro was holding in that shot of him and Dakota Johnson for “The Materialists.” I don’t know the name of the character so this said Javi G to me.

Main Masterlist/ Javier Gutierrez Masterlist

This was supposed to be their third date. She was everything that his PR team said he needed for optics right now. Not too young, an actress that people recognize if they think about it for a minute and she’s thin. It’s not Javier Gutierrez’s first preference, but she was nice and their teams worked well together.

At least he thought she was nice until tonight. It’s an hour after they were supposed to have their date. No calls, no texts, no one from her team saying why she’s not here. He’d bought her an ivory vase with two full bouquets of red peonies in full bloom. He figured it would be a good move to bring these as both teams had agreed to make their relationship public after leaking a few photos on instagram. A curious financially beneficial union that should be a happy life.

Javi’s heart isn’t in this, but he’s beholden to the public eye and their opinions. He’d rather date women that had more substance to them, both to talk about and to them.

He continues to sit and wait, not expecting her to come after this long. Should he just leave? He decides to check his phone one more time before finishing off his third glass of red wine. His eyes gaze forward and he sees her. Not the woman he was expecting, but a woman who he’d truly want.

She’s sitting at a small table that’s a mirror of his, her hair in a updo with small silver clips holding it up. Her dress is a deep violet, off her shoulders with a deep V exposing much of her cleavage. From what he can see, the dress may have an asymmetrical cut as much of her thick legs are exposed. Her face is downcast similar to his. She may have been waiting for someone too. Javi wonders if she was stood up as well.

Hey, I don’t see a second place setting. Is she alone too? Maybe we can be alone together. If she would like, if the woman my team doesn’t want anything to do with me, doesn’t that mean I should find someone I would want to be with?

Javier asks the waiter to give her another glass of whatever she was drinking. It looked like a red wine, he wasn’t sure if it was one different from his. He watched as she looks very confused and is trying to tell the waiter that she didn’t order anything like that.

“Oh no ma’am it’s paid for. The gentleman over there sent it.” The waiter explains and points to Javier. He gives a small wave with a matching smile. She smiles back and waives but almost knocks over her wine glass. Thankfully, she catches it and none of it spills. She laughs at herself and apologizes to the waiter, he looked like he was going to cry as he had his hands raised like he was being robbed.

Well she accepted, I think I’ll go over. Say hello in person. She seems sweet and fun. God, I miss having fun. Dating was supposed to fun at some point.

“You’re too stunning to not have something of equal beauty with you at the table.” Gutierrez leads with as he stands opposite her at the table. “Order what you like hermosa. They’ll let me know the tab. Enjoy yourself.” His wide smile never left his face as she watched him walk over, and hand her a large bouquet of red flowers. They’re not roses, she’s seen them before and just doesn’t remember the name.

“Thank you. For the flowers and the wine.” She stands and Javi takes a step back to see the rest of her: wide stomach and hips with the dress indeed has an asymmetrical cut that goes to the top of her thigh. Across her stomach is a rhinestone butterfly, the tops of the wings cup the bottoms of her breasts as he attempts not to stare. Her lips are a blood orange that reminds him of one of his favorite leisure shirts to wear when he’s home in Spain. Thankfully he was looking at her lips when she spoke so he would pay attention. “I didn’t want to eat alone. Did you want to sit with me? What’s your name?”

“Javier Gutierrez, honored to make your acquaintance. May I know yours cariño (sweetheart)?” He extends his hand and she shakes it, unsure if it’s the wine or maybe that he just happy he’s not alone and she wants him to sit with her. He pulls out her chair for her to sit and pushes it in as she gives him her name in response. Once he sits, he gets settled and watches as she fixes her napkin back in her lap and takes another sip of her wine. Whispering “perfecto!” under his breath.

They chat over their shared experience tonight of being stood up. It turns out, hers was a fifth date after a month of seeing each other casually. He had texted, saying he wasn’t going to come and that he would call her. She knew that he’d broken up with her then, but she didn’t want to leave yet. The fresh bread was tasty and so was the wine. Javier simply said that his date did not show up and it likely meant the same as hers, the relationship was over. He wouldn’t get into the PR and logistics, not tonight.

She asked what kind of flowers they were and if it was really okay that she had kept them. Javier insisted, their original intended didn’t deserve them. Not only because she didn’t come but she likely wasn’t going to give him what the flowers truly mean. The other woman had bestowed a more detrimental theme of peonies by standing him up - shame.

“Someone who is willing to leave a person alone like this without explanation, would not give me a happy life.” Javi explains, she agrees and wonders if they have a different meaning for her.

“I don’t know if I can give you a happy life either. We just met Javier.” Her nervous giggle informs him that his explanation may have been a bit serious given how they’ve come together.

“For you bonita (beautiful), the peonies do have a different meaning. I was hesitant to come over to the table. It looked like you were waiting for someone too and I didn’t want to intrude but I also didn’t want to miss an opportunity either.” He asks the waiter for a bottle for the table and their soup arrives with more bread. Javier hands her the butter so she can put it on her bread. “I’m also still nervous that I could mess this up at any point. And please, call me Javi. It's been a while since I’ve met someone I’ve genuinely liked so I’m bashful.”

“Quite the charmer you are, Javi. You’re definitely not messing anything up. You’re not the only one who’s nervous. I’m having a wonderful time and we haven’t even made it to dessert yet!” They both laughed at her attempt at a joke and continued the evening. Chatting, eating, drinking and laughing. Relaxed and without a care for them both.

Javier Gutierrez could just be on a date with a beautiful woman, maybe have a second of third with her. Maybe show her his shirt that’s the same color as her lipstick. Maybe find out what movies she enjoys and if he’s seen them, does she like Nicolas Cage movies? If she does, he may just swoon.

So many things and possibilities.

Debaters of the true color of Javi’s orange/red/dash of yellow shirt 👕: @maggiemayhemnj @magpiepills @tinytinymenace @readingiskeepingmegoing @bitchwitch1981

@inept-the-magnificent @tinytinymenace @yourcoolauntie @rhoorl @megamindsecretlair

@soft-persephone @soft-girl-musings @saturn-rings-writes @604to647 @mysterious-moonstruck-musings

@trulybetty @alltheglitterandtheroar @connectioneverywhere @angelofsmalldeath-codeine

#pedro pascal fanfiction #pedro pascal characters #javi gutierrez x plus size reader #jettsflora&faunachallenge #fanfiction #pedro pascal #javi gutierrez #javier gutierrez #javier gutierrez x reader #red peonies

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shock · 8 months

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"Don't just play—do something!", Jack Abele, 01.21.24.

This is a companion piece to the collage I made about moving into the first place that felt like my home back in '21 (shown below). They have matching frames and are displayed together above our dining table! This second piece is a reflection on how my relationship to "home" has evolved since then, especially after proposing to my now fiancé last month. I'm really proud of it!

Text transcript:

FOR YOUR EYES ONLY

In the cold, thin clouds of interstellar space, written in the precise message of starlight:

What made you so interested in fireflies?

Imagine that they propel the environment into play: they STAND OUT, add color, chaos, curves moving behind and below, inside, outward along feedback loops, perplexing positive panic persuaded to make another form of animal art.

Love is a Many-Splendored Thing, a beautiful structure, flamboyantly scuzzy, sassy, a full bouquet of many wild ideas — a dazzling interplay between lightness and unclarity, trying things out, fancy, whimsical records looped with webs, half-truth surface textures composed of swirls within swirls, a performance of information, scene-setting details with many impressive, more tongue-in-cheek, unforeseeable aspects relatively stable and evolving at the same time.

Distinctly transitional.

The trouble with love is it's hard to describe in simple and consistent words. Beyond the jolting familiarity of self-similar, self-referential tessellating hues, the little comedy-drama fictions... you see openness, possibilities toward change; our very existence together antidote to the dull grind of the paradox that we live every moment in an indifferent universe yet having so much fun with friends, local communities, places, faces, even muddy bog holes.

Music! A Tribe Called Quest, The Beastie Boys, The Breeders, Nick Cave, Nine Inch Nails, Soundgarden, Santana and Crosby, Stills, and Nash, mud-caked at Woodstock, picking up Space Age scrap, cutting collaged paper, playing with magical little lights, heretically evolving in this meaningless, magnificent place fine-tuned just right to allow for life, love, and grunge to exist nevertheless.

Maybe what keeps me here, making art, is how beautiful it is for optimism to become the first expression of hope despite danger amid the disparate depth of our universe created by chaos.

Movement characterizes my "youthful, dynamic" journey, escapes to infinite other places somewhere else, afraid of considering complicated survival long-term, wherein risk is worth the reward. But something about your windy city reminded me what strange, cascading effects the fingers of two hands form together, intersect one another, interfere with fate, interlace like light radiating rays woven, at certain points, into dynamic singularities.

Mutualism is a happy hybrid of symmetry and chaos — a relationship, it's like the entire forest is blinking in sync.

Just as the fun is to make up a great story, the writer in me calls this piece, "Don't just play— do something!"

This time around, living offers a profound pivot from playing a game. Today we confront as animals, we're not far from dogs, domesticated punks at heart, manifold.

I am humbled, exhilarated, afraid yet strangely calm and clear "On Bended Knee"

(The term ground seems inapt.)

...Nor is it possible to describe...

The closest feeling to being the world itself? It is to have loved someone so much that you wanted to spend the rest of your lifetime with them, with each other.

We're writing a book. Adding a stroke of paint and words to illustrate what we became, a bright third dimension that can be seen from space to meet the generations to come, to simulate the uncountable whimsies they could achieve.

The mind already knows before the key touches the lock.

To watch firefly swarms with a mangy mutt.

That must be quite a sight to see.

BECAUSE THEY EXIST

NOWHERE ELSE ON EARTH.

#collage art #my collages #my art #collage poetry

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pigeonstab · 13 days

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@unknownsodabrand Well Lucky you, I also love the artistic process and I keep all my sketches!! (seriously this is the most self indulgent question I could ever answer, thank you sm I'm gonna ramble a while sorry)

First I was only planning on doing the one Geno Illustration, I mostly wanted to experiment with the long 1000x2000 format bc I thought It could make for an appealing composition and it ended up being pretty challenging to get right.

So. I started with some rough planning of where I wanted everything:

Since this was gonna be a full Illustration I planned the colors earlier than I usually would (I have a love/hate relationship with coloring):

Didn't really like how it came out the first time so I just put a color mask over it, I wanted something a little warmer+brighter cause the flowers looked kinda green to me (Geno's was the one that gave me the most trouble and I liked it the least at first, by the time I finished It was my favourite XD)

Then I decided to make the three parts:

again used the same planning, rough sketch then color.

Then onto actually starting the Illustrations. I worked on these one by one but I'll show the process for all three by the steps rather than saying the same thing thrice.

as much as I wanted to keep the best for last I couldn't help myself and did the characters first.

Lineart:

(Error was supposed to be holding a golden flower so I made his hand's lineart and color layers it's own folder so I wuldn't mess it up trying to draw the flower. I looked a bit stupid so I scrapped the idea)

Flat color:

(I think I did Error's coloring after his background?)

In terms of backgrounds:

for Sans I started with the grid pattern, so I used a ruler tool and went in with color directly (the gradients are changes I did at the very end but I'm not editting out) Then I added the columns and the flowers were a last minute addition because the piece just felt a bit... naked. (also! I say columnS cause I planned on putting two, couldn't make it work the angle and space so I scrapped the bottom one)

The light is a yellowish white with gaussian blur of orange, it's an 'add' layer? ("ajouter(éclat)" because my app is in french) It's about 50% opacity.

I also shaded Sans at the same time as this with a multiply layer with a dark and light color (reddish brown and like light yellow) I'm not showing it bc I do have a 30 image limit I think

Then for Error's background it's just a case of making the lineart for the hammock, haing a layer underneath for the color, a white bg with blue gradient and the strings

For geno I have underneath the black to grey of the save screen, then I have the moss and the flowers

(The flowers were very fun to make I think I only copy pasted one?)

The lighting is a multiply layer over the whole image made the exact same way as Sans' coloring, I thought it was maybe a bit too dark so I dupplicated geno's lineart and colors folder to overlay over the lighting so he would pop more (seeing this now I think either would have been good. The first one might be better actually)

and that's it I think! If you read all of this, well first of all thank you but don't you have anything better to do?

also revised Geno's sketch once but it didn't fit in any where:

Error with my attemps of making the flowers work

#my art #undertale au #undertale #sans au #pigeon's art stuff #art process #digital art #digital illustration #I hope this is clear #If someone wants me to explain anything in more detail (which I doubt) send an ask

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marshvlovestv · 5 months

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In honor of me having so much video game music downloaded on my phone that I ran out of storage and had to buy a new phone. My favorite track from each video game OST I have!

Bastion: Brusher Patrol (Such a bizarre clash of styles, I can't help but love this one. Shout-out to the part that sounds like Darren quietly scatting in the background.) (Also special shout-out to Build That Wall, probably my favorite vocal track in any Supergiant game)

Celeste: Scattered and Lost (I am such a normie for this choice but face it this track absolutely slaps.)

Chicory: A Colorful Tale: Song of the Wielders (I love how this song has actual lyrics but I still prefer to sing along with the Simlish version that Pizza and Chicory sing.)

The Cosmic Wheel Sisterhood: Illusion (First of all I love how every character in this game has their own theme I go feral for that kind of thing. Kurielle is probably one of the characters who stood out to me the least but by god is her theme gorgeous. I love the vocals and how a later track includes a sneaky reprise.)

Cuphead: Dramatic Fanatic (Tap dancing :D)

There are literally thirty of these so I'm doing a read more

Death's Door: The Grey Crow (A heartbreaking boss fight scored with the appropriate amount of anguish)

Deltarune: Cyber Battle (This melody is so underrated and ya know what, so are the characters associated with it. Sweet Cap'n Cakes forever.)

Elsinore: Donne, The Boat Boy (I love this song because it's associated with Lady Guildenstern, aka the best character in gaming full stop, but it's also just a fun little sea shanty that I think they made up for this game so I love that. Also has a lyrical version.)

Evergate: Police (Okay so the level with the police drones is one of the more frustrating ones in the game but the music is hauntingly beautiful so I give it a pass)

Going Under: trust fall (Marv is easily one of the most hateable video game antagonists of all time but damn if his boss theme doesn't slap)

Hades: Last Words (The rolling and the tolling of the bells bells bells bells bells)

Harmony: The Fall of Reverie: Reverie Ascendant (Lena Raine does these medley tracks so good man)

Hollow Knight: Dung Defender (By far the catchiest song about poop on my entire phone)

Ikenfell: Rose Thorns (So the insanely long final boss fight against Oxley overshadowed Aeldra's boss fight in my memory for a long time, but when I watched another playthrough and bought the OST I realized "Oh her theme bops SO much harder than his ever could")

Inscryption: A Final Duel (A hardcore remix of The Scrybe of Magicks, aka one of the only melodic tracks on the album and therefore the one every YouTube video about Inscryption uses in the background. I prefer the epic version just a bit more because honestly that Magnificus setpiece is the best moment in the game)

Jimmy and the Pulsating Mass: Fun, Sunny Day (A fun and silly track as the title suggests, elevated even more by the context in which it plays in the game. The area music alternates between this and the more somber Rainy Sunday to illustrate that Jimmy mother is bipolar [very cute and silly game])

Omori: Bready Steady Go (Like the absolute dipshit I am I actually completely missed the optional Orange Oasis when I played this game myself. Every Let's Player finds it somehow, though, and when they fight the Unbread Twins I invariably stand up and dance along to the boss music.)

One Step from Eden: Perpetual Motion (It's just a good-ass track y'all)

Ori and the Blind Forest: Conundrum (In a soundtrack of sweeping orchestral pieces, this more subdued version of theme that only plays during one small puzzle section might seem a weird choice. But I've always really liked it)

Ori and the Will of the Wisps: Kwolok's Malaise (Kwolok's leitmotif is perfect for a giant frog and the boss remix takes it to it's logical conclusion)

Paradise Killer: Go! Go! Style (This track makes me feel like I'm having a sugar rush. The whole OST does actually but this one especially)

Pyre: Path to Glory (It's just got a really unique vibe to it. I like it)

Scarlet Hollow: Avery (Chill and really beautiful. Avery themself is kind of a sleeper character at this point but I can't wait for Brandon to remix their theme when they get assimilated into a giant plant monster)

Slay the Princess: The Princess (Okay full disclosure I've only played this game once so I don't have the full context for a lot of the tracks on this OST. Maybe hearing them alongside their respective princesses will make me like them more, but for now the title theme is too iconic to beat.)

Sounds of Sympathy (the OST for the game anthology Essays on Empathy): Zen and the Art of Transhumanism (In the Essays on Empathy documentary, fingerspit talked about how she prefers writing obscenely long tracks so the loop doesn't get annoying. Unfortunately for her my favorite track on this album is only three minutes long. It's a lovely little bop.)

Spiritfarer: Mind Palace (I played Spiritfarer before any of the character updates were released, so I didn't get Daria's mind palace sequences in my game. And I mean, they look very platforming-heavy so I'm okay with that, but god this is a gorgeous piece.)

Transistor: Impossible (I think this is Royce Bracket's boss theme? I don't know when any of the tracks on this OST specifically play in game. Regardless of all that this one gets me pumped.)

Unavowed: One Man's Power (I couldn't find a video of this one, but it's gentle saxophone solo that plays when Logan Brown is introduced. I think it fits is character really well and just sounds really nice)

Undertale: Death by Glamour (Best song for best character, enough said)

Wandersong: Moonscape (God knows this game gave me a lot of great options to pick from, but I settled on this one because it's so uplifting.)

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thirdnap · 9 months

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Hello,

Here is the life update of my past 4 years.

I began this blog many years ago in 2012 when I was only 14 years old, and I then slowly gained the courage to start posting art at 17 when I joined the K fandom. It's wild to think that I am now 25!

I was never quite consistent in posting since I only shared my art here whenever I felt like it, but it slowed down ever so gradually to basically 1 post a year for Yata’s birthday. This blog helped me with my fear of showing my art to others as I was incredibly embarrassed of my work for a really long time.

I soon moved to the USA from my homeland and attended animation school for 1 year, and then studied illustration and visual development for 4 years and I managed to accomplish many things I never could have imagined. I graduated with honors this past May, was selected by the faculty and head of department as my major’s trustee scholar, completed my 84-page art book thesis, got a few pieces into the Society of Illustrators, and my school even shot a mini docu-film about me, my art and my life where I got to share my upbringing. Art school was very demanding and at times tough but I managed to get a lot out of it :)

In July of this year, I moved to California from Florida and I’m much happier than I’ve ever been. I come from a very small country so I never expected to get this far in the art world. I drew Yata for fun in my bedroom whenever I wanted to and now I’m in LA breaking into the animation industry (receiving my first credit too!)

the drawings I share here are a very very small part of the illustrations I make weekly. I wish I could share them with everyone as I’m very proud of them but I enjoy separating my fandom life from my real life a little too much! Surprisingly I am working as a background artist at the moment despite never drawing backgrounds in this blog lol. I think many of you would be surprised at how different my work is from irl!!

It hasn’t always been great, so I don't want to make it seem like it's been all perfect. I’ve had many hard times too and at the moment I am extremely homesick since I haven't returned home in a long time but I think these are needed sacrifices.

However, I'm excited for 2024. I'm looking forward to growing as an artist and my goal is to continue to have fun with art as much as I have right now. I think I’m lucky to have a great support system including my best friend @fuurais who has been by my side for 10+ years and I managed to convert into a K artist too <3

Thank you for the support, for the kind messages, and for the excitement every time I post. I am always happy when I think of this blog and the friends I made. I unironically think about Yata every day as he is past being my comfort character tbh. I am currently writing this with full-on orange hair that I've had for a few years now lol.

I don’t think I’ll be as active as I was at 17 but I will try to not ghost this blog completely. There are a lot of things I haven’t drawn yet that I really want to do and I'd love to share those drawings with everyone.

Lots of love -

Tael <3

#k project #project k #yata misaki #misaki yata

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awakentheeldritchabomination · 7 months

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First off, I wanna say that I mean no disrespect to the artists who worked on Hazbin Hotel. It’s just that I’ve been seeing people make redesigns of Hazbin characters, and though I don’t usually participate in stuff like this (it seems fun, and you are all incredibly talented. I just feel kinda bad tinkering with someone else’s work like this), the show made me frustrated, and frustrated induced brain-vomit started sloshing around in my skull so noisily that it’s been keeping me up. And, well, I had to get it out somehow.

So…here ya go, I guess. It’s nothing crazy or new. It’s just a few disgustingly rough ideas for this very specific version of Charlie that I kept seeing in my head. They’re far from polished or anything, and they’re definitely missing some key details because I’ve been hyper-fixating on trying to get the face right lol. I might make a full body illustration later, but I have commitment issues so who knows how far this’ll go. That is to say, don’t expect any more of this or the other characters unless 1) my brain decides to torment me with more literal demons or 2) I, by some miracle, become a more productive person. Plus, Tumblr’s a new thing for me, and I don’t know what I’m doing with this yet other than posting art and then disappearing for years. Seriously, you have no idea. It’s a wonder that I posted for a second time.

Anyway, the direction of this design is pretty obvious. I went with the lamb/goat motif because I liked the idea of inverted/parallel symbolism. I was toying with a “wolf in sheep’s clothing” concept where they appear to be a lamb in this form but actually shift into a more wolf-like dragon sorta thing when prompted. Their wardrobe is supposed to be an extension of the innocent lamb deception as the ruffles and looseness are meant to be kinda reminiscent of fluff while communicating a sense of privilege (a white untainted by the grit of Hell… something that probably wouldn’t last long). I was also inspired by white goth and catholic goth aesthetics (I blame Ethel Cain) as well as those insanely beautiful ball-jointed dolls. I don’t know if I captured that well (to be honest, the more I look at those digital renditions, the more I hate them). I considered adding a pair of spectacles coz I thought it was cute lol, and because I thought it could be a way for them to try and seem more human.

If I were doing a rewrite (which I have ideas for, but I should probably focus on my actual original characters instead) then:

1. They would be agender and androgynous (I’d go the Good Omens route and make most angels/non-human entities largely genderless as gender is a human construction, one that most angels wouldn’t really concern themselves with)

2. They would be kinda elitist and naive but still sweet

3. Their intentions would not be entirely insincere, but they would not be acting without selfish goals

4. They would be an eldritch abomination

5. There would be possible exploration of their role as an antichrist as well as basically being a tool of war for their papa’s self-gratification

6. Their pops would suck

7. More horror

8. Like, it wouldn’t not be funny…but horror’s my genre so….

9. They would not suck at fighting, but death is traumatizing and so is being the cause of it (squeamish)

10. That being said, could make friends with Death??

And that’s all I feel like writing. Hopefully I update this lol

#hazbin hotel critical #hazbin hotel criticism #hazbin hotel rewrite #hazbin hotel redesign

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pawborough · 6 months

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Hello everyone!

First off, apologies for the later update this month!

The truth is that the software developers were on a slow bend this month. A majority of time was spent on theoretical economy balancing and item number crunching. While this is important work for the long term, there’s not much to show for it aside from spreadsheet numbers. We’re now back in full swing!

Originally, we wanted to wait to update the demo with Longhairs before releasing a check in. You all deserve some substantial content.

However, the devs reported that they were not going to be able to do this until next week. Hearing this, we didn't want to continue the wait after that!

That all being said, Longhairs and Cheeks/Lollipop are coming this month, full promise! The art has all been ready, we just had some technical kinks to buff out!

Moontails are next up with the majority of their patterns done. The breed currently needs 3 more patterns illustrated. Moontail wing color-picking has also been a mighty task that is nearing completion! Check out a few wing color previews:

We expect Moontails to be up soon after Longhairs.

We have in the meantime begun concurrent production on illustrating Thumpers, with Fyrets and Bovines close behind.

This update, we will majority talk about what concrete expectations you as a follower can have for our timeline!

Let's look at some art first!

New Fauna

Nautitum

This aquatic fella saves snacks for later in his belly!

New Accessories

We have completed a backer accessory!

Firefly Chime

The illustration of the Firefly Chime was a great experiment for us, as we worked with a copy-past-able asset and still positioned it in unique ways.

With these two, we were able to test our pipeline for different types of accessories. The Firefly Chime was finished in record time, and we believe that we can illustrate quite a few simple accessories.

This is all very exciting for our catalog!

Guild UI

With this screenshot, we see how roll for outcome scenarios are played out!

We want to talk about our expectations for the future!

Our goal for a dedicated alpha is to have a test of about 100 concurrent users run for two weeks straight. This is to stress test the servers and weed out apparent bugs. We already have many playable states, but this test would mark a tangible transition to beta.

After which, we will move to beta to test things like number balancing, item drop rates, and general mechanic feedback. Beta is planned to run for several months while we iron the kinks.

So what should you expect?

Our original plan was for alpha to remain strictly internal and invite only. We wanted testers to understand that this would be a rather laborious volunteer job with less fun, more QA. However, we have been shown by the sheer dedication and passion in our supporters that some of you would want nothing more!

So, we're opening alpha applications!

Alpha Applications

Alpha will be a two week long test with an average of 100 users.

We must stress that this is a volunteer job with more expectations than beta. You will be given a checklist of functions to test and buttons to click daily, and be expected to report any bugs or lack thereof each time. All alpha testers will be compensated for their time and energy with an exclusive fauna. (As mentioned before, exclusive Fauna will not be counted for Faunapedia completion rewards.)

Compatible volunteers will be chosen at random from our application.

Applications will close upon announcement. We will make an announcement of a closure date one week before they officially close!

Timeline

We are planning to have alpha up and running within 30-60 days from now.

Closed beta will begin 3 weeks after alpha.

From there, we plan to open our doors for people without beta keys during registration periods. This will be "open beta."

Projection for this is August of 2024.

This asset will be pinned to all our social media.

While we've had general estimations before now based on different factors, this is our first promise of an established expectation. We had a lot of learning curves, personal setbacks, and growing pains as a team, but we've ironed out much of the kinks seen in our early development. August has been a consistent goal of ours for opening registrations from the beginning, and we're now finally comfortable enough to announce it.

We are still hesitant to announce dates at this time, as frankly anything can happen and we're loath to have users wait months for a date only to be disappointed by a push to the next week, but this is what our team is expecting and projecting.

Dates will be announced when they are within 2 weeks time! This will give us a tight enough window to accurately predict when the game will be ready, and ensure there aren’t last minute pushes. It will also give users time to prepare for grabbing early registrations.

From open beta, we'll be working to transition into a formidable game. All our focus will be on readying content and making sure our mechanics are balanced. This ballpark is dependent on a number of factors, so we'll need to update as we transition into Phase 4!

One more note for users to expect: Throughout alpha and beta, there may be placeholder assets for smaller things such as food icons or items. These will be visually indicated as placeholders.

The intention for these game states will be to make sure our software runs as smoothly as possible, the economy is balanced, and the game is fun to play. Our program will not be "launched" until all assets are final, but it will speed our development to both test and produce at the same time!

Our artists during this phase of development are all freelancers, and their availability is largely dependent on outside factors. We must remain vigilant to this fact while we plan out our timeline, and we appreciate everyone's support and patience!

We realize this update has less content than previous updates, but a large amount of our manpower at this moment is going towards monotonous things such as repeat pattern illustrations, repeat accessory illustrations, and refinement of mechanics already featured.

Thank you to all our supporters who have stuck by us while we continued development and faced new challenges! It's a huge step for us to be at this stage, and we're all very excited!

To Summarize: We showed a new fauna, new backer accessory, guild UI development, and opened applications for 2-week dedicated alpha testing.

What to expect next month: Further asset and UI development, peaks into alpha gameplay and dedicated game loops.

#kickstarter update

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canmom · 6 months

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<stream> end of NieRRein

So. There's a NieR gacha. I've talked about it now and again on here.

In contrast to other games in the NieR series, which were in narrative structure reasonably traditional action-RPGs, following a small group of characters... NieR: Re[in]carnation is something a bit more like an anthology of short stories, all eventually tied together in an elaborate frame.

Over the course of the story, you are led to explore a vast collection of memories inside something called the Cage, a huge Ico-like stone structure full of gorgeous, moody environments...

...intermittently diving into the most dramatic moments of an impressively varied collection of characters, each portrayed in a cutout theatre style. They're a diverse bunch! Robot cowboys. Mountain climbers. AIs both kind and ruthless. Dark wizard yuri. Arabian Nights pastiche. Chuuni soldier boys. Elegant assassins, living weapons, disposable clones. Some are fantasy, some science fiction; some weave together and others sit apart.

And as you play further, you can unlock further stories, in various forms. All sorts of illustrations, all sorts of prose. The framing stories - the story of the girl Fio and the monster Levania who stole her body, the story of the violently estranged siblings Yuzuki and Hina, the story of the mysterious nature of the Cage, of its collapse, and the desperate bid to escape - all are very rich. The final chapters, where the characters are all finally brought together, are fantastic.

Not to mention - everything is voice acted, and generally very well (in Japanese at any rate, the English is more of a mixed bag). All is accompanied by a huge amount of gorgeous music by Keiichi Okabe et al., wrapping you in that mysterious, layered atmosphere. The UI design is magnificent. On an aesthetic level at least, there is a great deal to recommend here.

However.

As a game, NieR Reincarnation sadly left a lot to be desired. The gameplay is intensely repetitive, the strategy more to do with unlocking the right characters and grinding to level them up. Understandably, a lot of people bounced off it.

And now it's coming to an end.

In just a couple of days, the final chapter of NieR Reincarnation will be released. A month later, the game servers will be shut down for good! Perhaps, years in the future, they will release some kind of remake - but we can't count on it.

But don't imagine you can just jump in and experience it all right now. A great deal of material - the Dark Memories, the Recollections of Dusk - is gated behind a considerable investment of time and a strong team. There's a lot of events you'll simply have missed.

However... I have, perhaps unwisely, sunk the time into unlocking most of what can be unlocked in this game. I think it would be a shame not to get to experience them, and I love getting to share NieR games. These stories take some wild turns, and I think it would be a blast to watch together.

So here's the plan! Starting this weekend, and going on for as long as necessary over the next week, I'll be streaming the entire story of NieR Reincarnation on my twitch. Main story, character stories, EX stories: the whole lot, arranged for narrative flow. All the fun spicy parts and none of the grind, and you get to enjoy it with friends.

If you've been here for previous NieR game streams... well, I hope you had as great a time as I did. I fucking love NieR. For the other games, I would dig into the side material, read out fan translations of the stories, and do everything I can to give you the complete experience of the game. Here, there's not so much in the way of side material, but the game contains a lot on its own - and I want to share it all, the gut-punch parts and the goofy ones alike, because it all adds up.

Think of it kinda like an Animation Night if you want! An anthology series to enjoy together, just like the Animator Expo.

The first stream will begin on Saturday, 6pm UK time. I'll be making recordings and writing a guide to the story of the game too - but there's something special about watching something together, so I'd really love to see you there ^^

#nier #nier reincarnation #streaming

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myargalargan · 22 days

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A Classical Polinalysis: Ep. 2

Hello friends, Polin stans, and classical music nerds!

Picking up from my episode 1 analysis, I am back with the second installment in the series of episode-by-episode analyses I mentioned when I shared the playlist I made of all the Classical pieces used in Bridgerton season 3.

The tracks on the playlist are all in order of when they appear in the show, and here are all the pieces that were used in episode 2:

Beethoven’s String Quartet No. 13 in B-Flat Major, Op. 130: VI. Finale. Allegro

Bach’s Violin Concerto No. 2 in E Major, BWV 1042: III. Allegro assai

Mozart’s String Quartet No. 8 in F Major, "Viennese", No. 1, K. 168: IV. Allegro

Mozart’s String Quartet No. 3 in G Major, "Milanese", No. 2, K. 156/134b: I. Presto

Mozart’s String Quartet No. 23 in F Major, "Prussian", No. 3, K. 590: IV. Allegro

Joseph Schuster’s String Quartet No. 2 in B-flat Major: I. Allegro di molto (formerly attributed to Mozart as the "Milanese" (or Paduan) String Quartet No. 2, K. 210)

Beethoven’s Piano Sonata No. 23 in F Minor, Op. 57, “Appassionata”: II. Andante con moto

All of this music is used over the course of the Full Moon ball, and the choice of music and the scenes each piece of music is paired with turns the ball something of a microcosm for the entire episode. What the hell do I mean by that?

This episode is all about flirtation, fertility, and passion, and the action in this episode sets into motion some of the major conflicts of the season. We have the Mondriches settling into their new home and attending society events for the first time, the Featherington sisters getting a healthy dose of Sex Ed, Francesca being granted the Queen’s favor, and—of course—Colin and Penelope beginning their lessons and all the tension and drama that brings. So let’s get into how the Classical soundtrack compliments this very meaty episode…

Looking at the track list in order, we’ve got a bit of a composer sandwich (get it? meaty episode? ha-ha-ha?) with Beethoven bread, Mozart filling, and Bach and Schuster toppings. The allegro finale of Beethoven’s String Quartet No. 13, which starts as Colin and Eloise’s conversation about Penelope in the carriage ends, welcomes us to the ball. The second movement of Beethoven’s “Appassionata,” which Francesca is playing when Lady Danbury sneakily invites the Queen to observe, concludes the whole event. But I have a lot to say about both Beethoven pieces, so I’m going to save that for later! To start, I want to talk about the flirtatiousness of the other pieces used during this episode. 😏

The next piece after the Beethoven string quartet is the third movement from Bach’s Violin Concerto No. 2, which plays when Benedict asks Miss Stowell to dance. We only hear the very beginning of the concerto in this episode, but the distinguishing characteristic of a concerto—which is also what I find so flirtatious about this piece—is the back-and-forth between a solo instrument (in this case, a solo violin) and an ensemble (in this case, a chamber orchestra). In particular with shorter pieces like this Bach concerto, which is an energetic two minutes long with concise musical verses, you get the feeling of a lively conversation, where the ensemble has their say, the soloist replies, the ensemble adds another musing, then the soloist replies, and so on.

I also think this concerto is fun for this scene for a couple other reasons. One, the soloist-ensemble dynamic calls to mind Benedict getting cornered by a pack of ladies. But also, this concerto is in what’s called “ritornello” form, which means that the ensemble repeats the same musical theme every time they come back in, and I love this as a funny little musical illustration of Miss Stowell’s persistence with Benedict—she keeps coming back, over and over, just like that repetitive musical theme!

The next piece is the fourth movement from Mozart’s String Quartet No. 8, which starts playing right as Portia tells Mr. Finch that his wife is a pastry and continues as Penelope talks with Colin about his writing. This piece actually elides seamlessly into the track from the season 3 OST called “Attempts to Flirt” the moment Colin says he’ll consider letting Pen read more of his writing if she talks to at least one lord that night, which is a fun little tie-in to our theme. And the string quartet is great for this moment between Colin and Pen because of its fugal quality. A fugue—such as Bach’s famous Toccata and Fugue in D Minor, which is used in a ton of films including the original Fantasia—refers to a structure where the musical theme is introduced in different voices or instruments one after another. (Kind of similar to a musical round, like “Row, Row, Row Your Boat,” but not as simplistic.) Like the concerto, there’s a repetition of musical ideas, and those ideas bounce around from instrument to instrument, again creating a sense of lively conversation. Almost as if one person starts to tell a story to a group of friends, and then another person jumps in to say, “Oh, yes, I know what that’s like!” and tells their own anecdote, and so on around the group as the conversation feeds on everyone’s enthusiasm.

I love this for Pen and Colin’s interaction because it has a similarly flirtatious energy as the concerto, but at the same time it’s more complex than a simple back-and-forth. There’s a layering aspect to a fugue—when a subsequent instrument picks up the theme, that doesn’t mean the first instrument stops playing. I think this has a similar energy to the way good friends who are comfortable and excited together might end up talking over one another or picking up the ends of each other’s sentences. I think it’s also illustrative of the complexity of Colin and Penelope’s relationship, especially at this phase. They’re friends, yes, but other feelings are starting to get all mixed in. They flirt quite easily with each other, but that makes things more complicated. A playful but multi-layered fugue illustrates this pretty well, I think.

Then we have our second Mozart string quartet of the episode, the first movement of Mozart’s String Quartet No. 3, when Eloise inadvertently lets it slip to Cressida that Colin is helping Penelope find a husband. This piece isn’t a concerto or a fugue, but it does still have an interplay between the instruments that, to me, creates a similar effect. There are several moments within this movement where the violin will start the musical line and one of the other instruments will finish it, like passing a baton. Or, again, like lively and comfortable conversation! To me, it feels a little bit like two people winking at one another as they catch each other’s meaning.

There’s also a fun little bit about two-thirds of the way through the piece where, for not even 30 seconds, the tone of the music changes entirely, to something darker and more dramatic. Musically this part is known as the “development,” which is where the music meanders and does a bunch of interesting things before it returns to the main theme that was introduced in the beginning. This is a very common musical technique, but it doesn’t appear quite so starkly in any of the other pieces used in ep. 2. Since this piece plays during an Eloise and Cressida scene, we could take this darker interlude to be a reflection of Eloise’s relationship with Penelope—how it has taken a dramatic turn but will be righted again before long. We can also look at it through a Polin lens, since Penelope and Colin’s relationship takes a similar trajectory. Either way, I like the idea that there’s a bit of dark foreshadowing in this otherwise playful, flirtatious piece of music.

From there, we have the fourth movement of Mozart’s String Quartet No. 23, which plays as the Mondriches enter the scene. Other than the Beethoven pieces, this is the longest piece used during this episode, and it gets the most airtime. It plays for the entire duration of Benedict’s spiel about how married couples are free from the rules of society because they have already fulfilled their duty. And I love this piece for this moment because it really goes places. This movement has some fugal passages, giving it that same flirtatious quality as the other pieces used this episode, but there’s also moments where the tone gets much more dramatic, moments when the tempo seems to slow or get interrupted, syncopated sections that almost feel cartoonish… The character of the piece is surprising, and it evolves over time, and—I think—it reflects the journey the Mondriches have been on since season 1 and the surprising evolution their life has taken in season 3. And will continue to take! As they figure out how to navigate this new world and learn that it’s not as simple as Benedict made it seem.

Okay, now onto the last bit of sandwich filling, the first movement of Joseph Schuster’s String Quartet No. 2 in B-flat Major, which plays while Lady Danbury leads the Queen away from the main ball and while Eloise’s group of debutantes lament their chance to show off. Is this piece also flirtatious? Yes, I think this piece has a similar quality to Mozart’s String Quartet No. 3, where sometimes musical lines started by one instrument get picked up and finished by another. But another thing I find really interesting about this piece is that it’s a case of mistaken identity. This piece was composed around 1780, but until the 1960s music scholars attributed the piece to Mozart. And to use this piece during this scene is particularly compelling, because it’s the moment that Cressida denies having any good gossip, but also the moment when the gossip about Penelope and Colin begins to spread throughout the ball anyway, which Eloise (and Colin) mistakenly blames Cressida for. There’s also maybe a deeper meta here about mistaken identities that could tie into Cressida’s false claims to the Lady Whistledown name, which is interesting to consider in contrast to this moment at the ball where Cressida—unlike later in the season—chooses to be the bigger person and renounces the lure of gossip in favor of protecting her new friendship with Eloise.

Which brings us to the final piece of music featured at this ball, the second movement from Beethoven’s Piano Sonata No. 23, the “Appassionata.” Which is of course relevant because Francesca earlier admits to loving it so much during her abbreviated conversation with Lord Petri. Petri describes Francesca’s favorite pieces as “expressive music,” which is fitting for a musical work nicknamed “Passionate.” Francesca also says, “I mostly enjoy the chord progressions,” in response to Petri getting all “can’t you feel it in the music?” and although Petri was talking about the Ries Piano Trios, I like thinking about Francesca’s response in relation to the second movement of the “Appassionata” because that movement is one big theme-and-variation—there’s a musical theme introduced at the beginning, and then that theme is repeated two more times with variations in the melodic structure but always with the same chord progressions.

One thing I love about this piece as the close-out to the ball is the way, with each subsequent variation on the theme, the music builds and builds. It starts out slow and in a low register, and it gets faster and higher pitched as it goes (the part we hear Francesca playing is the fast high part). There’s a really obvious analogy to sex here, which is clear in Petri’s reaction and Francesca’s discomfort with his reaction—which is appropriate because sex is such a major motif in this episode (“Inserts himself? Inserts himself where?”). But there’s also the analogy to the build-up that we’re about to experience at the end of the episode, the way everything Penelope has been through the past couple episodes (couple seasons, really) culminates in that first unbelievably passionate kiss between her and Colin.

But, more than that! The second movement of the “Appassionata” doesn’t have a true ending—it’s through-composed with the third movement, so that the two are meant to be listened to back-to-back. If you listen to the end of the second movement by itself, you’ll hear a chord that sounds like it’s supposed to resolve to a nice clear ending, but then instead of resolving, that chord is followed by an intriguing, dissonant, kinda jazzy-sounding musical lick. If you didn’t proceed to the third movement right away, musically, you’d be left hanging. (And even once you’re into the third movement, it takes a while for the music to properly resolve.) And I love this! Why do I love this? A while back, I did an analysis of Polin’s theme (from the original score) and wrote a bunch of stuff about how their musical theme, the way we hear it in part 1 of the season, feels unresolved, suspending us in the tension of their uncertain relationship status. We only get proper musical resolution in their theme in part 2, after they’re engaged. So using the second movement from the “Appassionata,” with its false ending, at the conclusion of the Full Moon ball—a ball which encapsulates so much of what’s going on in the episode overall—is such a great way to foreshadow the end of the episode: the build-build-build to the passionate kiss and then—! Leave us hanging as Penelope runs away and Colin’s life starts falling apart around him.

Speaking of endings…! It’s time to circle back around to the first piece of bread in our Beethoven sandwich, the sixth movement from Beethoven’s String Quartet No. 13…

If you’ve stuck with me this far, hang in there for just bit longer! Maybe take a quick break and grab a snack. ;)

I thought a lot about the usage of the allegro finale from Beethoven’s Op. 130 in this episode. It’s such an interesting choice, not necessarily because of the music itself, but because of the history of the entire quartet. See, when Beethoven first composed String Quartet No. 13, it had a different final movement. However, at the first performance, that movement received such a negative reaction that Beethoven’s publisher convinced him to write a replacement. The replacement is what’s used in the show. And it has an entirely different character from the original. The new finale is light and cheery, while the original was dense and complicated. The original was panned by critics as being incomprehensible, inaccessible, and difficult to both listen to and play. (Give it a listen. You may find that it makes you deeply uncomfortable 😅 but it’s definitely an experience!) The new finale, on the other hand, is…a dance! It’s bouncy and positively Haydnesque, and completely uncontroversial.

The original was ultimately published as its own work under the title “Grosse Fugue,” as Beethoven’s Op. 133. However, some Beethoven enthusiasts and music scholars will argue that the correct way to play String Quartet No. 13 is with the original ending, the way Beethoven intended. Preferences vary, though, and what this means is…there are two possible, perfectly valid, endings to this piece of music. And each ending has a completely different vibe.

Do you see where I’m going with this? 😉

This piece plays as we are welcomed into the Full Moon ball, and when I set out to do this analysis, I was originally looking at the allegro finale on its own, trying to find something meaningful in its structure or its harmonies… But I think what’s most interesting about it, in the context of this episode, is that it represents the duality of choice. And there’s a few different layers this could apply to: Eloise and Cressida’s decision whether or not to share the gossip about Colin helping Penelope, Colin’s choice to help Penelope in the first place (and to continue to help her after the journal faux pas)...his choice—at the end of the episode—to kiss her. The Queen's choice of a diamond, even! But if we’re talking about possible endings, then this piece is really setting us up for the ultimate narrative choice between Colin and Lord Debling. And it’s fitting as an introduction to the Full Moon ball because it’s at this ball that Colin gets his first taste of jealousy and competition, and then of course it’s Penelope’s humiliation at this ball that is the catalyst for the kiss that sends Colin into his downward spiral of desperate, all-consuming love. So whereas at the end of ep. 1 Colin may have been able to go about his life acting as though he was unconcerned about whatever feelings he may or may not have had for Penelope at that point, by the end of ep. 2 that’s simply not at all possible anymore. And so the show starts building the foundations of one of Penelope’s possible choices, one of her potential endings. (And I guess whether or not you consider Debling to be a perfectly valid alternative ending depends on what kind of Polin shipper you are. 😉)

So there you have it: the drama of choice, the sexiness and frustration of building yet unresolved tension, misunderstandings (and, you might even say, the probable pains of friendship), SO much flirting—some easy and straightforward, some ceaseless and unvarying, some deliciously complex… All present at the ball, throughout the episode, and in the Classical soundtrack.

♥

And here's some of the research I did for this post:

Beethoven's String Quartet No. 13: https://www.earsense.org/chamber-music/Ludwig-van-Beethoven-String-Quartet-No-13-in-B-flat-major-Op-130/

Beethoven's String Quartet No. 13: https://www.brentanoquartet.com/notes/beethoven-quartet-opus-130/

Beethoven's String Quartet No. 13: https://www.maramarietta.com/the-arts/music/classical/beethoven/

Bach's Violin Concerto No. 2: https://www.laphil.com/musicdb/pieces/4549/violin-concerto-in-e-major-bwv-1042

Mozart's String Quartet No. 8: https://fugueforthought.de/2018/07/01/mozart-string-quartet-no-8-in-f-k-168/

Mozart's String Quartet No. 3: https://fugueforthought.de/2016/08/27/w-a-mozart-string-quartet-no-3-in-g-k-156/

Mozart's String Quartet No. 23: https://www.talkclassical.com/threads/mozart-string-quartet-23-k590-sq-review.81909/

Schuster's String Quartet No. 2: https://www.earsense.org/chamber-music/Joseph-Schuster-String-Quartet-in-B-flat-major-No-2-KAnh-C2001-K-Anh-210/

Beethoven's "Appassionata": https://www.youtube.com/watch?v=tR706pYvNl0&

#bridgerton #polin #bridgerton season 3 #penelope featherington #colin bridgerton #bridgerton analysis #meta #polin songs

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stellar-imagines · 2 years

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HEADCANON REQUEST: ❝mangaka S/O.❞

[ Fandom: One Piece ] [ Characters: Trafalgar D Water Law, Eustass Kid ]

「Headcanons of Law snd Kid with a mangaka S/O who ate a devil that gave them the ability to turn parts of someone’s bosy into notebook pages full of secrets and information.」

TRAFALGAR D WATER LAW

♤ When Law first brought you in, it was only because everyone had spread rumors about how you were a devil. He first met you in your hometown where you were just sitting under the tree and drawing your sketchbook for fun. Of course, Law was intimidating because he was a pirate and you thought that he was gonna rob you. However, after interacting with him for a bit, you grew to like his presence. You loved hearing tales of his adventures and Law seemed to like your company which led him to recruit you.

♤ Even though you helped around the ship occasionally to prove your worth to Law, you wanted to do more than that. Law wasn't really bothered by it, telling you that you didn't really have to do anything but you protested and tried to take on more responsibilities. In the end, he suggested using your drawing skills to illustrate the adventures that the crew had been on. You didn't have that much confidence and rarely showed the crew what you'd drawn. Even Law has never seen your work but he doesn't mind at all.

♤ Law first learns that you had a devil fruit when you fell overboard during a storm and couldn't swim. Eventually, you explained to the crew about your devil fruit and how you're not very fond of using it. You managed to demonstrate it when Penguin and Shachi wanted to see your quirk in action. Even though it was weird to see their own hands turn into a book, they seemed quite amazed at how detailed the contents of the books were.

♤ Now, Law isn't the most open person and he prefers not to tell everyone about what happened in the past. He's not a talkative person either. He's slightly uncomfortable after knowing that you're capable of reading someone's entire past. Of course, he trusts you, believing that you'd never use your devil fruit on him without consent. However, he thinks that its a great ability for information gathering but will never force you to use your devil fruit if you're against it.

♤ Over time, your relationship with Law steadily bloomed into something romantic. You had confided to Ikkaku who only teased you for being adorable and urged you to confess your undying love to your captain—instead of helping you with your predicament. After a long talk with Ikkaku, you eventually decided to take her advice and tell Law how you felt. You didn't expect him to return your feelings but everything worked out just fine and you were officially Law's girlfriend.

♤ It was a little later that Law discovered your secret manga. You have been drawing it since you started developing feelings for Law and it was something you kept on drawing even after you started dating. He only saw it when you had fallen asleep on your desk. When he walked over to wake you up, he noticed the drawings and how they resembled you and him. You let out a mortified shriek and demanded he looks away. He could only chuckle at your cute reaction, kissing your forehead.

EUSTASS KID

☆ This guy intimidates you. Of course, he does. When he first meets you, he thinks that you're a weirdo, always buried in your little sketchbook. He was initially interested in your drawing skills, seeing how they might prove to be useful someday. Kid sort of just drags you into becoming one of his crew members without your consent. No one expected Kid to be interested in someone like you--no offense. But it was because you were the complete opposite of him.

☆ You definitely do not fit in with the crew. The Kid Pirates were known for dealing with major destruction and civilian casualties. And let's be honest, you've never been in a fight and don't even know how to defend yourself. Even though you looked very out of place, you're always offering the crew a helping hand on menial tasks as if trying to prove yourself to be useful. But Kid always tells you not to worry your pretty little head and just do whatever you want.

☆ The one to fall in love first was you and it takes a while for you to actually win him over. Even though you're the one who fell first, he falls harder. It's a painful experience for his crew, watching the two of you try to impress one another. Kid's confession isn't your usual 'I love you' but more of a 'You're mine, aren't you?!' Honestly, it was just kind of embarrassing because he corners you and confesses to you. He didn't let you go until you tell him how you feel.

☆ Kid is protective and possessive, never the type to shy away from PDA. In fact, he loves flaunting that you belong to him. An arm around your shoulder, having you sit on his lap, kissing you in front of a crowd of people. When the crew is fighting, he's always glancing at you to make sure that you're unharmed. He's much tamer with you, ensuring his tone is a bit softer so you don't think that he's mad at you or anything. Everyone knows that the captain has a soft spot for you.

Finds out you have a devil fruit when you were knocked overboard during a scuffle with the marines. Thanks to Kid being observant and quick decision, you were pulled out of the water in no time. He kind of yells at you for not telling him that you had a devil fruit, throwing a tantrum like a child he is. And all you could do was mumble how you don't really like using it before showing the whole crew what you could do.

☆ Teases the shit out of you the moment he sees what you've been secretly working on the entire time. He will hold the book above your head while you attempt to reach for it. But how could you when he was just so much taller than you are? Once he skims through it, he finds himself smiling at the drawings, you drew almost everything. The dates you went on together and the secret getaways, he finds it all drawn there.

Total: 1073 words Published: 18.02.2023

Thank you for requesting, @potato-imouto! ｡٩(ˊᗜˋ)و*｡ Is it a crime that we don’t watch Jojo? But we hope you liked it!― author Lou

Thank you for requesting! People just have just different interest, okay? Hope you enjoyed it! ― author Natsuki

Requests are open! Matchups are closed! Please do not mind the grammar mistakes and typos. Masterlist | Rules | Ask

#stellar-imagines #op x reader #headcanon #headcanons #op:law #op:kid #law x reader #kid x reader #trafalgar law x reader #trafalgar d water law x reader #trafalgar d law x reader #eustass kid x reader #eustass x reader #one piece x reader

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