#for literally what reason

[eosofspades]

i didn't have "i'm broken" teenage asexual angst i had "i'm literally being the only reasonable one about this concept and the rest of you are behaving like fucking freaks" perception issues

[tesb]

Happy Star Wars day! May the Force be with you! @swsource Star Wars Week: Day 6

[homosexualslug]

WHAT IS WRONG WITH HER (AFFECTIONATE)

[hanfocus]

[radiance1]

The Ghost Prince does not, under any circumstances, answer a summoning after it was made aware he existed. None know why he doesn't, some are bitter and hateful of it while others are thankful that it's one less bloodthirsty manic to deal with.

The Ghost King meanwhile hasn't been seen in multiple eons, so the magical community who wanted to use his power just, stopped, trying to summon him for a long time.

Most magic users knew that the Ghost Prince never answered a summons, and that the Ghost King just dropped off the radar.

So could you really blame Constantine for not taking it that seriously when some wannabe hotshot cultists try to summon both of them in the middle of a city to wreak havoc?

He'll give them some credit though. Points for doing it in broad daylight and actually being somewhat of a threat with not relying on just summoning the Ghost royalty and figuring out what to do from there.

The area they were in was somewhat destroyed, then the cultists manage to complete the summoning circle to summon both of them and Constantine, well he just light up a smoke.

It isn't going to work anyways so what does it matter?

...

Is that a fucking Ice cream truck he hears? Who the fuck is driving an Ice cream truck while their city is being under attacked with cultists trying to summon eldritch ghost royalty?

He'll give them some points for dedication, though.

Then he looked at the cultists and nearly had a goddamn heart attack to see that the summoning circle is actually fucking lighting up and working.

The Bat is so gonna give him a headache over this.

----

Danny Phantom, crown prince of the Infinite Realms. Does not answer summons.

For one, it is annoying as shit, whenever someone interrupts his day just to ask for infinite power (that he can't give), world domination (that he won't do) or infinite riches (which he also can't do).

It just got annoying being summoned all the time so. One day he just, well, no. And hey, it worked out well enough for him to not continue doing it.

Then he also learned that Pariah Dark is basically the same, after he got out the coffin and stopped trying to take over the world for whatever reason. He was actually a pretty swell guy!

He was just with him too, with him being not so swell at the time for making him go through lessons about Ghost etiquette, rules, stuff that's expected of him as the crown prince.

And don't even get him started on the engagement and marriage proposals.

Overall, he just wanted to find an excuse to leave. Then he felt the familiar suggestive pull of a summoning and, instead of rejection as he usually does in a second. He thought for a bit if he wanted to go with that or crown prince duties.

It was tempting, but dealing with cultists seemed worse than this so he was about to reject.

At least, before he heard an Ice cream truck playing in the background. He doesn't even know how the hell that popped up through the pull but by the gods has it been a while since he's had Ice cream.

So he answers and is gone with a pop.

Pariah Dark just stares for a good second or two, before breathing out and deciding to also answer. Fright Knight is just there, off to side, questioning what he should do now.

Danny wastes no time with the cultists on the other side and in fact, he pushes them out of the way and goes diving for that Ice cream truck he hears. Only to realize he doesn't, have any money on him.

Fuck.

Pariah Dark is less inclined to follow the rules imposed by humans like money, but he does know it can be important. Once in a while. Not that often, but it has its times.

So when he sees his adopted son being sad over being unable to pay for some kind of human delicacy, he digs around in his hair (yes, his hair.) and pulls out some money and puts it on the counter as payment.

The man inside the tiny vehicle had shrieked before getting what they wanted. Which is good. Fear is a good motivator, Pariah thinks.

Unknown to him, it wasn't out of fear (Well, mostly) but because the Ghost King placed down a coin made of pure, solid gold on his counter.

The two then go about their business in the human realm, completely forgetting about the fact that they were summoned here for something.

Constantine is both relieved and about to have an aneurysm at seeing Infinite Realm royalty only answering a summon because of Ice cream.

[solarpunkani]

sometimes spite is a powerful motivator and today its motivating me to crochet

long story short I saw a cool bag on pinterest while I was looking for crochet patterns but there was no fucking pattern but one of my friends found a pattern for a similar but not quite bag so I watched an hour long video, transcribed it into text, and am now gonna make a wholeass backpack just because Sunflower Vibe

Wish me luck I guess

Also this is the bag

[frocio]

i still remember clearly one of my first interactions at pride with a 40-something member of the lgbt community. I asked him if I could take a picture of him with the bear flag (because I was really happy to see it irl for the first time!) and he asked, "are you feeling like a she-bear a little bit?"

and being gay almost exclusively online back then aside from maybe two friends, I was shocked by that question. me? a 19 years old kid who thought themselves to be cis and bi? I was basically the polar opposite of what a bear is.

but now, six years later, I see it. I'm fat, I'm hairy, I'm shamelessly a dyke, I'm masc. yes I'm butch, but fuck it, I'm also a she-bear. that guy was right. I hope he's doing alright and he knows he's changed my view on labels forever.

[possamble]

I think it'd be funny if postcanon Falin was able to rationalize everything Marcille did as like. "She was just pursuing her dream of being able to be with everyone she loves and she loves me so saving me was a secondary part of that."

But then she sees Marcille scream and squeak and cry while carefully trapping a centipiede in a cup before gently leaving it outside bc she knows Falin likes bugs and she wants to be less mean to/scared about bugs. And THAT'S when Falin's like "oh she LOVES me loves me i need to put my tongue in her mouth right now"

[hellenhighwater]

In all these years, I've never learned how to tag someone, so I have to come to you directly, to show you the tears on my cheeks because he's sitting so quietly, curled up, watching a world he'll never know through a tiny crack in the wall.

Thank you!

You know, it's a little odd. All of the pieces in this series are about isolation and escape--Icarus, Orpheus and Eurydice, Prometheus, and certainly the Minotaur. But A Crack in the Labyrinth came first, and more than any of the rest, it's about resignation. About having fought and scrabbled and clawed desperately and still...not having made it. Still being trapped inside, alone.

And when I made it, I hadn't really intended to say anything more than that one piece, but I just couldn't leave it there. I had to give him the whole story--an innocent beginning, same as anyone. I couldn't leave the ending as it was written; I'd initially just intended to have the conclusion the myth gives him, slain by Theseus, but...if I'm going to say, "I'm the minotaur, monstrous and alone and told by the world that that is right and deserving," then I am also saying "you, who feels deeply for this, for whom this resonates, you are also the minotaur and we are monsters who deserve the ending that is written for us." And I...just can't bear to. There has to be hope.

So there is, very literally, light at the end of the labyrinth, one way or another.

Anyways, I used this song for that photoset on the clock app, but I think you would also enjoy it. Cow Boy, take us away.

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[bixels]

Jesus man, relax.

[bottombaron]

oh ok so its the usual no-homo bullshit you always hear, good to know.

[writer-room]

Its so funny that Arin and Sora have shown to have significantly better emotional intelligence than any of the ninja from all of the old seasons combined. "You should be taking care of your mental health" and "yeah saving the world is upsetting! no wonder you're having stress dreams" oh my precious children. You are surrounded by a teen dad with massive self-worth issues, the only one of two people who remembers the genie incident and also turned into the sea once, guy who's died like 3+ times and committed genocide under mind control, and a child soldier who's been living the hard knock life since age 2.

I hope to god you two are prepared to witness the most mentally unwell behavior you've seen in your entire teenage lives. You think you've already seen how bad it can get now? Fools. Just wait until you get a mission involving the Departed Realm

[miwtual]

im so fucking tired of the disrespect gifmakers get on the gifmaker website

[buppkizz]

a very small engiespy moment...

[s0fter-sin]

i need ghoap frantically making out against a door finally taking the leap on their feelings. need ghost grinding against soap, expecting to find him just as hard as him, only to feel nothing

and in all his wisdom and experience, he concludes soap was tortured and never told him

he’s trying to think of a delicate way to say he understands, that he’s been through it and it doesn’t change anything about how he feels (and who the fuck touched him so he can hunt them down and rend them limb from limb)

meanwhile trans!soap’s just trying to find the best angle to grind his cunt on ghost’s thigh

just it never even entering ghost’s head bc he’s never known a trans person but he has met plenty of people who’ve been tortured - himself included - so of course that’s his logical leap

soap takes off his shirt and he sees his top surgery scars and ghost asks if he wants him to kill the one who did it and soap just hums like, “actually, man did pretty good, they healed real well,” and ghost’s just teary-eyes with awe at how well he’s coping, “looking on the bright side, that’s my johnny.”

imagine he thinks johnny was fully castrated but sees he’s determined to still have a sex life with him so he buys packers and straps to help him bc hell yeah healing and soap’s just like, “holy shit i’ve never had such a thoughtful partner before, such a sweet man, lt.”