#for the insight of every characters childhood

[anas-tasiaa]

I feel so bad for the MC version of myself and also I feel like I'm not belong in Mystic Messenger community because..

I don't ship myself (MC) with anyone in Mystic Messenger. 🥲 I just like seeing the MC befriending everyone without being in relationship. I'm more interested into the backstory of Saeyoung and Saeran, a peak of childhood memories between Jumin and V, the backstory of V's loving and caring mother, Zen's broken family, even with Yoosung and Rika.

Sure I scream and squeal a lot during the game, but I can't see MC (myself) with anyone. 🥲 Ahh...

I hope, I can't be the one. Honestly, During V's route, the backstory of his mother is so underrated. I like it all. It's so beautifully created. Her mom's words and warmth got into me, I lost of my breath and crying. She loves V so dearly, her child. I could never not crying when it's come to family matter. That's why Saeyoung and Saeran story ruined me 😭.

[trulyhblue]

INAPPROPRIATE

leah williamson x arsenal! reader

warnings — tiny angst, annoyed! Leah, Emma Hayes, Chelsea, sorta fluff, coarse language, mention of injury scare.

A/N — in light of Lee’s birthday!!!! short one today, sorry! Thought I would add some spice to this. Emma Hayes needs to realize that pretty much all of woso have dated each other, including her own players lol. there is a mention of Bug, which is a character in one of my stories. Just for context, that is Caitlin Foord’s daughter.

___________________

After hearing Emma Hayes yap on about her opinion on footballers' relationships, you found yourself subjected to a pretty pissed-off Leah Williamson.

Today was the London derby, a long-awaited revenge for Chelsea, it seemed, as the Arsenal bus arrived outside the stadium. Seas of blue and red treaded the stands — you caught sight of a couple of jerseys with your number plastered on the back. Leah was holding your waist as you wandered through the mob of fans reaching for autographs and pictures, a cold facade planted across her face.

Leah was always solemn before games. She was a serious contender, North London bred, with a serious competitive nature that no one could break down.

When you moved to Arsenal from your childhood club, you instantly caught onto Leah’s prominent soberness. Every player knew that if they didn't show up for a game and give it their all, their position would falter. It wasn't like any player with a job as a professional ever thought to underperform, but Leah was an exemption from sincerity. You couldn't joke with her the same way you could during team bonding. You would be stupid to slack off during training or talk to an exaggerated extent when Leah was running beside you. The Lioness Captain copped none of it, and there was no exception for you, her girlfriend.

The woman had woken up with an eminent frown playing on her lips. This was arguably the most important game of the WSL season, and with Leah starting after a long time away, there was a newfound angst set in your shared apartment.

Not only that — the stress Leah had put on herself to perform exceptionally — but the media spotlight Chelsea’s Emma Hayes has put on herself after a certain interview regarding coach-player, and player-player relationships.

From your viewpoint, it didn't really affect you. Everyone had their own opinions based on who dated whom. There was no stopping someone for sharing what they thought, so you simply shook it off as soon as you watched the clip. You did feel bad for the select few of the Blue’s team that were dating players. To not have the personal backing of your coach wouldn't be the most relieving sensation. You knew that the fans were in upheaval regarding her comments, but to be honest, there was nothing anyone could do to stop her.

But, it seemed that Leah did not share the same insight as you.

“She can't just go ‘round saying that.” She barked, hiding the Emirates logo as she crossed her arms in disapproval. “It's barmy, that's what it is.”

You were side by side in the change rooms. Leah was already in her kit, the Chelsea socks sticking out like a sore thumb. You were tugging up your shorts, your shirt yet to cover your sports bra. You sighed, having been hearing Leah go on for the best part of the morning.

“You shouldn't let it worry you, Lee.” You muttered, sorting through your bag, ignoring your girlfriend’s huff. “I don't think she meant any harm—”

“Well she did, didn't she?” She retorted.

You pulled your jersey off the hanger, slipping it on. “Leah, c’mon.”

“Why does she feel the need to talk about us, huh? She should be more worried about the amount of injuries on her team, not about what they do in their free time.”

“Leah, that's enough.” You snapped, your hands planted firmly on your hips. The blonde in front of you looked subtly started by your sudden change of demeanour. “Don't worry about it. It's not worth your time.”

You were currently faced with the nerves of the game, on top of other things like international duties, and the Olympics. To have Leah in this mood, in such a critical time like this, was not only overwhelming but downright anxiety-inducing.

Leah didn't answer you. Instead, she tied her laces and crossed the room, exiting into the tunnel for kick-off. This gave you a few minutes to breathe, to centre yourself. You weren't starting, but your nerves were rising by the time you took your seat next to Alessia.

As soon as the game started, it was clear that Chelsea had it covered. Alessia joked that it was the socks, but you could see by the look on Lee’s face that she was fuming from something other than the odd black that covered her shin pads. You warmed up along the sideline, carrying Caitlin’s bug by your side when you saw her growing restless near Frida.

Unlike the rest of your teammates, you bit their nails at the painful game in front of them, you tried to hone your focus on keeping Bug’s hood down, making her giggle instead of wince at the tackles Caitlin was receiving.

You had been benched for the past few games, your hamstring giving you grief over training. But you were anticipating Jonas to call you over. You waited for the flick of his hand, wanting to make things right on the pitch.

The second-half whistle couldn't have come slower. The starting eleven were frustrated, angry, and quiet when entering the changing rooms, an eerie aura lingering inside. You held onto Bug all the way until Caitlin took over, trudging over to Viv, who happily took the girl up to the stands to watch. Jonas had told you and Emily that you’d be put on, so you were preparing yourself for what was to come.

You tried not to interact with Leah. It was an unspoken rule that unless it was personal, it was not to be said directly, especially when you were losing. But the blonde was leaning nearer to you the closer you were meant to be out on the pitch once more. She made the effort to tug at the hem of your shorts, and hold both your shoulders as she stood behind you, listening to the plan for the rest of the game. You pushed your back into her chest, letting her hug you from behind. She squeezed affectionately, and you noticed the subtle unravelling of her tense shoulders. Her features smoothed when she found out you were replacing Victoria in the midfield, and she made sure to hold your hand as you walked back into the stadium.

“You're doing great, Lee.” You managed to say, hoping that your substitution would be before the sixtieth minute. “Just be careful near the wing. It's very congested and you should wait for the midfield to sort it, alright?”

Leah cared deeply about her career and strived for greatness in all that she did. There was nothing that she couldn't achieve without perfection in her eyes. Many people said that you would bring her down to Earth, and remind her that mistakes are human. But there was only so much you could do, and you found that simply telling the girl that she was making the right decisions, treating her softly, was a tactic no game plan could ever beat.

You were about to find your way down the sidelines, getting ready to finish your warm-up before you were subbed on. Both teams had started filing out of their respected halftime seminars, Chelsea looking as confident as ever. Arsenal were sauntering out with much determination, the spite and inherent desire for justice spewing from the gunner’s crowd. Leah and you were near the entrance of the tunnel, standing on the edge of the field in what seemed like your own personal bubble.

Jonas had taken a seat near the rest of the officials, but Chelsea’s Emma Hayes was standing not far from where the two of you stood, skimming her surroundings vaguely without giving too much away. You could feel the irritation radiating off Leah as soon as the woman was in your sight. You both knew the coach was trying to look at you, without it being bitterly obvious, but it seemed to make the tension rise all the more. Your girlfriend found solace in kissing your forehead, running her hands down your sides painstakingly slow. You felt your cheeks go red, the blush filming over your face when Hayes’ eyes darted away.

“Leah.” You warned her wandering hands, squirming in the taller girl’s potent grip around your hips.

You pulled taunt against her, sighing when she loosened. She ignored your scolding look. A smirk was aligned on her lips, threatening to spill the cocky remarks relieving her lips. You watched her run over to the rest of the team, a meek smile matching hers.

God, you couldn't wait to go home.

_________________

A/N — again, sorry it's really short but I wanted to put something out xxxxxx

[lightweaver-chosen-if]

MOODY.INK | DASHINGDON | FORUM NEWEST UPDATE (01/04/24)

You still remember it.

Burnt into the back of your eyelids like a scar.

The orphanage.

The cold, lifeless, barren gray walls. The creaky wooden floorboards that groaned and moaned in each step.

A place you used to call home.

But you escaped.

Perhaps in your new life at Launwyce Academy you could start anew, find a way to heal the invisible scars on your soul.

For now, all you can do is walk forward.

One step at a time.

Lightweaver: Chosen is an upcoming modern fantasy IF for 18+ players and older. Use of elemental powers is inspired by Avatar: The Legend of Aang/Korra.

A world where elemental deities share a fraction of their powers to their chosen, bringing upon the age of weavers; humans with the ability to manipulate the elements of their patron.

You have been chosen by a mysterious lightning deity—blessing you with the power to weave lightning. But with a troubled childhood haunting your every step, your new abilities present a double-edged sword.

The choices you make, the support you receive, and the inner strength you harness define your journey—a journey fraught with anguish, but one that promises a life outside Mother’s grasp.

Two divergent paths lay ahead.

Will you let yourself heal and grow, or will you fall deeper into the void?

Play as a touch-averse customizable MC with a troubled past, male or female.

Learn how to use your newfound lightning powers to its fullest potential. Anything’s possible if you’re smart enough!

Use your powers for good and be admired. Or use them to become a menace in society and be feared.

Participate in Launwyce’s many academy events and competitive tournaments. Show the weaving world what you’re made of.

A potential pet has also chosen you as its human; teach it a trick or two!

Shape your MC’s personality however you want. Certain choices also help shape the rest of your past.

How the MC deals with their trauma is entirely up to you.

Push away or make new relationships. Everyone has their own inner demons you can unveil.

Character-driven narrative and slow burn character development.

Eventually face the monster from your past, Mother.

3 different endings to branch into!

Luna/Leo Bancroft | 18 | Fire Weaver | Freshman | A’s childhood friend If MC is shorter than L, they’re shorter than all ROs

They were the first to notice you falling.

A warm and gentle soul. But there’s a certain air about them, the kind that makes them seem untouchable. It’s a type of muted cheer, one that carries the tension of maintaining a persona, but perhaps not a façade.

Despite their unusual aura, they’re attentive and smart, not to mention remarkably insightful.

Alice/Alec Langley | 18 | Water Weaver | Freshman | L’s childhood friend If MC is taller than A, they unlock height choices for J

They were the one who made sure you landed safely; and with flourish.

Behind their snark lies a certain vulnerability, hidden by a layer of frost and caution. You suspect that they wear the act like a mask; even if the flecks of passion flickering beneath the surface reveal a fiery heart.

They’re quick-witted and equally sharp-tongued. They never hesitate to speak their mind.

June/Juno Patel | 19 | Earth Weaver | Sophomore If MC is taller than J, they’re taller than all ROs

Ever present on their features is a stern expression; jaw set and eyes sharp. Even with little words uttered, they carry themself with confidence that demands respect.

Their intimidating presence often gives people pause, but those who dare meet them head-on will find a stubborn and proud spirit that refuses to yield.

Surprisingly, they’re easy to read, and it makes interacting with them oddly satisfying.

[grisastro]

Astro Observations 4 (+ placements I find Attractive at the bottom)

- [ ] Mars-Venus Conjunction (or at least in the same sign) indicates popularity? In my observations, they are a YouTubers, Influencers, content Creators, Insta Models.

- [ ] Sun-Uranus people I’ve met, most of them are LGBTQ, also me (is it a coincidence??)

- [ ] Also Aquarius Risings I know, most of them are LGBTQ

- [ ] Have you ever attracted enemies or people who hated you for no reasons? Do you have any planets in your 12th house??

- [ ] Your chart ruler should never be overlooked. Its position and aspects tell a lot about you. I found one website that really accurate 👉🏻 https://teaandrosemary.com/

- [ ] Is it only me? Who find Aries Rising Men have a ton of sex appeal.. it’s like there’s a fire in their eyes, a warrior eyes, very sexy, very firery. I know one friend who is Aries Rising and also Mars Square Rising together. I wanna F him😂

- [ ] Are Gemini stellium a gossiper?

- [ ] You tend to be attracted to people who share the same Moon sign or at least find them interesting and wanna know more about them.

- [ ] From my observations, People with Venus Conjunct Mars are always in a relationship. They don’t stay single for too long. When they break up with someone, not too long and they will be in the next relationship. Maybe because it’s not so difficult for them to attract love interest since they are really attractive and easy to be around.

- [ ] Is it true for Venus in 12th house native that you just know what it feels like to be heart broken even if your heart never been broken before? Or you just know what it feels like to fall deeply in love or beloved by someone even if it’s never happened before? They said that Venus in 12th house has learned every lessons about love (1-11 houses) from the past lives.

- [ ] I have interacted with 2 persons in my life who has interceptions in their charts, and it felt like there’s an imbalance in their personality, lack of something I can’t pinpoint, I dunno, something missing in their personalities. ( both of them are unaware and not into astrology tho, and I believe that if they were , they would fill the hole by working on something)

- [ ] I think that the Sun sign that easiest to spot is Aquarius Sun. They are everything but generic.

- [ ] In my opinion, I think the most egotistical placement if undeveloped is sun in the 1st house.

- [ ] Also, sun in the 1st house natives, most likely to have the same sign as their rising. People with This placement give off the Main Character energy. Strong character, and people see you as a leader, and of course you have a great leadership skill.

- [ ] There’s always some people in your workplace or school who seen as different and unique. Check if they have Uranus in the 1st house. And if it’s happen to make a Major aspect to the their Sun, their uniqueness is even amplified and more apparent. It may not be so obvious but people will have an idea that they are not like others.

- [ ] Also look at the house that the Sun and Uranus sit in may give you more insight. For example: if they have Uranus in the 1st house and Sun in the 10th house ( which squaring each other), their work could be unique and offbeat. Very outstanding!

- [ ] Not only Scorpio IC that have a tough and traumatic childhood, but Also Aries. ( need to see the whole chart though)

- [ ] Gemini Risings look young and got bright eyes like a child.

Lastly, what BIG 3 combination you find most attractive and/or what placement in a birthchart you find irresistible and why? Share with me 😊

Placements I find charismatic

- [ ] Venus in Scorpio, Aquarius, Leo, Aries

- [ ] Mars in Aries, Leo, Scorpio, Gemini

- [ ] Moon in Aquarius, Scorpio, Libra, Aries

- [ ] Sun in Taurus, Aquarius, Pisces, Libra

- [ ] Mercury in Libra, Virgo, Pisces

- [ ] Fixed Risings (Leo, Scorpio, Aquarius, Taurus), Sag and Cappy!

- [ ] Venus-Uranus, Venus-Pluto, Mars-Pluto, Sun-Uranus, Moon-Pluto, Moon-Uranus

- [ ] Venus/Sun/Mars/Moon in 8th house

- [ ] Mars/Uranus in 1st house

- [ ] Uranus in 5th house

- [ ] 11th house Stellium, 8th house Stellium, 5th house Stellium

[chocochipjewel]

Yapping about Belos and his ending excessively while also analysing him to the best of my ability under the cut

So given how much art of him I've reblogged by now, it really shouldn't come as a surprise that Belos is my favourite character from the Owl House.

I could talk about him for HOURSS but I just want to talk about 2 of my favourite moments of him to highlight the parts of him I love the most.

This moment in Hollow Mind, when he gets the key in his hand and you can see the light in his eyes. It's the only time his eyes have the distinct shine in them like every other character has all the time, and it's cause of the key he's holding. The key to the human realm is the only thing that gives him that shine cause it's the only thing he genuinely cares about. Everything he's doing is to go back home and revel in glory, which, while selfish, adds so much to his character. He's not doing this JUST for power, he became an Emperor just to tear his own creations down. I just find something extremely poetic about that.

And the second moment -

THIS MOMENT. THIS MOMENT IN KING'S TIDE AJDHSJSHSJS

I'm still mad these flashbacks were never brought up in any big way cause THEY REALLY SHOULD HAVE BUT AHSKSJS I'M GETTING AHEAD OF MYSELF.

Belos reliving his worst memories was always a concept that was going to be interesting because it's an insight into what really gets into the head of our main antagonist. What does the guy who is everyone else's worst fear have to fear. And the answer is himself.

The 3 memories he sees are him approaching Caleb with the knife, the actual murder as pictured above, and the creation of the grimwalkers.

What really gets me is that his eyes are wide when he recalls the first memory, but they look smaller in the second memory (in the screenshot). Maybe it's just the angle but I always interpreted it as his expression shifting to be one of genuine sadness for this particular memory. Because the mere fact that his most personal crime is also his worst memory is such an interesting concept. How does he live with that sort of guilt and worse, keep doing those same crimes but WORSE?

All of Hollow Mind could just be here really and I wouldn't complain. It's THE episode for Belos fans that really allowed us to dig into him, and the mere fact that he's consciously scratched off Caleb from all the happy memories as if to justify his own fratricide is a level of desperate coping that I just find so very interesting ajdjhsjjs

Not to mention that his inner self is a child, which, while a pretence by him, could still say something about how in his head, he still has not grown up and is still playing pretend, still playing witch hunter with every version of Caleb he creates, still playing god to finally achieve a fantasy so very childish and so frankly basic that it makes anyone watching from the outside think "wait, that's it? That's all this is for?" AND THAT'S THE POINT

Cause none of this needed to happen. None of this has a greater value than Philip trying to chase after lost dreams. All the plans he made, all his great power and his great empire amounts to nothing because he himself plans to destroy all of it to chase that childhood dream. Just like Luz, he entered the Boiling Isles to find a home, only his home was Caleb and he was never willing to love new things in the Isles, while Luz loved so much she literally changed the lives of everyone she met by loving them. And unlike Luz, Philip never grew out of that mindset, only burying it in layers and layers of lies and half truths.

In general, his relationship with Caleb is for sure the most interesting part of his character to me. The fact that he both repeatedly murders and repeatedly creates new grimwalkers in an endless cycle and then hallucinates Caleb looking at him with disdain implies so much about his dependancy on Caleb and the deepest parts of himself that know what he's doing is wrong. The parts that have broken free from the layers and layers of cognitive dissonance and have accepted that he was wrong, without any more justifications.

And now, to 'briefly' rant about him in season 3

Thanks to Them was juicy for character exploration, but I wish we actually got to see him react to the human realm properly. It's everything he's wanted, it's the one thing that still brings light into his life but the world he returned to would absolutely hate him. He's done all this for nothing. I wanted so badly to see how he copes with his guilt then, but they were short on time so I get it.

For the Future's hallucination scene makes this even more interesting cause of the depiction of him actually seriously suffering from something like hallucinations. It was dark as hell, and it was really interesting.

And then... WaD. All in all, a great finale. The only real big problem I had with it was Belos' ending.

After so much buildup to his depth and his motivations and his guilt and all his lies slowly collapsing around him, after everything he did to so many people, he deserved a better death. I don't think he didn't deserve death, I just think it happened too quick. Where was the final cathartsis from all his victims shunning him (Luz staring was perfect don't get me wrong, but the whole Hexsquad deserved to be there). Where was the moment he would finally no longer be able to lie to himself and he would be forced to accept that he did EVERYTHING he did, made all those great sacrifices, tortured so many people, just to fail and be at his victims' mercy after accomplishing nothing?

I understand the finale was juggling many MANY characters and plotpoints, but that's not stopping me from wishing for a better ending.

I wish I had had the motivation to draw something for this like I'd hoped, but a brief description about what kind of ending I'd have wanted will have to do.

I wish Luz saw his memories in the place in between with Papa Titan. It would reinforce her arc of feeling like they come from the same place too, if she saw Caleb leaving Philip and Philip's original goal of just wanting to get his brother back. I wish Luz saw all his "sad" memories and really started to question herself.

And then I would have wanted Papa Titan to shoot that down regardless, and then explain that while Belos may have started out a victim of his circumstances as an orphaned child in a cult, the Isles gave him chances to change. Memories of Philip in the Isles seeing Caleb happy, being given chances by witches, being given so many chances to change, and rejecting them accompanying this scene would be ideal. Really hammer in that he aas responsible for his own suffering and that he has absolutely no excuse for what he did to all his victims.

And then, in the final death scene, as he claims that as humans they are better than witches one last time, I wish the ghosts of all his victims showed up to prove him wrong. Every witch and grimwalker who choose to be better than him before they fell. Every member of the Hexsquad who believed in him and his regime at one point. Every single one of them a reminder of how his lies can't even convince himself anymore.

And finally, his own brother, a fellow human, who appears before him. I imagine Caleb looking at him with pity, almost sympathy, before a quiet acceptance comes onto his face and he turns away from him. He walks towards the crowd and chooses their side, next to Evelyn. Neither Caleb nor Luz say a single word. There is nothing left to be said to him anymore. Every single person on the Isles, human or witch, has turned against him now.

If anything could break his will, I think this would be it. I imagine him phasing through his different forms, trying to find a way to justify himself in each one, gradually desolving into desparate screams, before the boiling rain melts him away like in canon (except without the stomping please).

Aaaand that's it, no more notes. Thanks so much to all the Wittebane fans in the community who have kept his fanbase fed when the show didn't meet our standards and who prompted the line of thought that led to this post.

There are so many of you all who inspired and made my fandom experience fun and created so much out of just Philip, Caleb, and Evelyn (and all your OCs of course!!) so I'm just going to shoutout the ones I remember off the top of my head -

@talisman975

@jess-the-vampire

@calebsrottingcorpse

@owlyhouse

@anona1-mous

@captainmera

@moonmeg

@azure-blaze92

@a-magpie-in-the-bi

@a-magpie-in-gravesfield

This is no particular order and I'm surely missing more so this is by no means exhaustive, but this is just a shoutout for those who kept this fandom going. Y'all are the real troopers for sure.

That's all I got, but I'm posting some old Belos art soon! Cheers all, and may the terrible awful no good goo babygirl keep inspiring us for all the great art <3

[thorias]

So I've been thinking about how the "Saving Gambit" story is going to play out in season 2. Not much else to do right now but speculate since it doesn't look like we'll be getting any new information for a while; hell, at this rate, they probably won't even let AJ acknowledge that mid-credit scene in the finale until we've at least got a trailer to sink our teeth into.

Anyway... ideally, I'd like there to be more to it than just Rogue telling Deathbit that she loves him and then he's back to normal like magic. That's okay for Rogue, I guess, but Remy needs an arc too. And it would feel anticlimactic if it's that easy, especially after we got so gipped with the lack of Romy content in season 1.

I'd like them to build a real story around this, with the X-men trying a bunch of different ways to get through to Remy, but none of them work. I want to see Rogue try to drain the evil out of him like she did with Archangel in XTAS, only for her touch to have no effect because Apocalypse has accounted for that this time. I want to see Jean try to shut down the Deathbit persona telepathically, only for it to force her out of his mind.

I want to see them try everything they can think of to bring Remy back and fail every time until it all seems hopeless... and then hope arrives from an unexpected place.

We're getting into fanfic territory here, but we don't have much to go on for the time being, so screw it. Here's how I'd write the thing...

Archangel shows up to help the X-men with Apocalypse/Deathbit, giving them some new insight to go on. He explains how Apocalypse turns mutants into Horsemen; what it feels like and whatnot. Maybe it's a psychological thing where Apocalypse burrows his way into a person's subconscious and plants a seed that grows into something dark and twisted, which warps how that person thinks and perceives the rest of the world.

I see Archangel describing it as Apocalypse sifting through every memory and experience a mutant has ever had, looking for their absolute lowest, most vulnerable moment, when they feel utterly alone, hopeless and are most in need... and in that moment, Apocalypse appears to them (in their subconscious) like a savior and offers them a hand.

Them taking his hand symbolizes them surrendering to his influence and allows him to set up shop in their head, so the Horseman persona can take over. So if the X-men want to save Remy, they're going to have to deprogram him by getting inside his mind and finding that moment, so they can stop him from accepting Apocalypse's offer.

So maybe the X-men have to fight Deathbit to immobilize him. This gives Xavier an opening where he'd use Cerebro to boost his telepathy enough to get through Apocalypse's mental defenses, so he can take Rogue, go inside Deathbit's mind and start poking around in Remy's memories.

This is where Remy's arc can come in because they can do a lot of cool character stuff here. They start by looking at his childhood. Maybe they see him as a little kid in an orphanage (pre-thieves guild) with the nuns who run the place calling him "le diable blanc" and trying to beat the devil out of him. Then, after the beating, Apocalypse appears to child Remy and offers his hand... but Remy turns away.

They see teenage Remy having just run away from Belladonna and the thieves guild, having to leave his home, his first love and the only family he ever had. He's alone, miserable, heartbroken... again Apocalypse appears and offers his hand... and again Remy turns away.

They see Remy in Paris with Genevieve Darceneaux and her winding up dead simply because Remy Lebeau entered her life. As he stands over her grave, feeling guilt-stricken and heartsick, once more Apocalypse appears, offering him salvation, to free him from his self-loathing... and once more Remy turns away.

You know where I'm going with this, right?

Finally, they end up at the Genoshan gala on the night of the attack. A heartbroken Remy watches Rogue dance with Magneto, but can't stomach it and walks out. He sits alone outside, feeling utterly desolate, wondering if everything he thought him and Rogue had meant to each other was all for nothing.

One final time, Apocalypse reaches out... extends his hand... and in his despair... Remy takes it. That's the moment they have to stop.

The rest pretty much writes itself. Rogue jumps in between Remy and Apocalypse. Maybe there's a psychic battle with Xavier keeping Apocalypse at bay while Rogue tries to get through to Remy, finally telling him what really happened, that she'd actually rejected Magneto, realizing that Remy was right about what they have being "deeper than skin," but his self-loathing rears its' ugly head and he refuses to listen to her.

So finally, Rogue does what fans have been waiting for for 6 seasons, across 2 different cartoon series and 3 freaking decades: She finally tells him that she loves him... and she kisses him (they're on the psychic plane, so they don't have to worry about her powers hurting him here).

Maybe Rogue has gotten through to Remy and maybe she hasn't. His reaction is ambiguous, he still seems confused...

Xavier can't hold Apocalypse back anymore. Apocalypse confronts Remy and offers his hand again. It looks like Remy is reaching out to take it... but instead, he hands Apocalypse the Queen of Hearts card, which explodes in his face.

Apocalypse's hold over Remy is broken, the Deathbit persona is gone.

If they wrote something like that, I'd be pretty happy. But given how season 1 turned out, I'll probably have to lower my expectations.

[eviesaurusrex]

ᴛʜᴇ ᴘᴇʀꜰᴇᴄᴛ ɴɪɢʜᴛ | ᴄ. ᴇᴠᴀɴꜱ

GIFs by the amazing @henricavyll

Dad!Chris Evans x Wife!Reader (DiCaprio!Reader)

summary: It’s the Lightyear world premiere in L.A.—and everyone is asking where Chris’ wife, YN, and their kids are.

word count: 3.5k

warnings: fluff, more fluff, mentions of complicated pregnancy, really short mention of traumatic child labor and death of both mother and child, double the fluff, not really proofread because I’m tired

author’s note: I don’t know where this came from. But I also don’t care because it’s my first Chris piece, and I’m excited. And for age’s sake: Leo is 15-20 years older than he actually is because I kinda forgot that he is only 47 after I already finished this one xD

“I’m standing here with actor Chris Evans on this beautiful sunny afternoon. How are you, Chris?” One of the many interviewer asked, and the man grinned shortly to the camera before focusing back on the woman in front of him, holding a microphone right under his nose. She was nervous; he could see that, so he didn’t say anything about it. He understood her on a different level. “Hi, Susan. We really had luck with the weather, didn’t we? And I’m great, thanks. I mean, how could I not be great?” He grinned again and pushed his sunglasses up. “I probably would feel the same when I voiced my longtime favorite character! How did your kids react? You have two, right?”

At the mention of his two sunbeams back home, the father couldn’t help but smile softly. It may have taken a long while to find the perfect woman and the love of his life and an even longer while to create these two joys in his life, but Chris thanked the universe every single day for the honor of having them in his life.

“I have two wonderful and beautiful children, yes, and number three is on their way. My eldest, Ophelia, was over the moon when I left my study a few months back after I had just wrapped up the call with my manager and Disney and were allowed to talk about it. She, of course, eavesdropped because she just loves to do it when it contains me and my study. And she had picked up on some parts of the conversation and had bounced up and down and asked me nonstop if it’s true and I’m playing Buzz. It’s her favorite Toy Story character, so I had a bit of pressure while doing the actual work.” He showed his thumb and pointer moving very closely together and chuckled. “Who am I kiddin’, I had a lot of pressure,” he laughed, and Susan laughed with him. “I only can imagine how it is with such a harsh critique living under the same roof. How did your second child react?” Chris grinned again, and it was visible for everyone to see in this world how much he adored his two children. “My son Aiden was much more chilled. Well, it’s not science because he only objects if someone dares to steal his share of ice cream—or cuddle time with his mom. He had only shrugged after Ophelia had screamed through the living room that I was voicing Buzz, but he was kinda excited after we watched it for the first time and heard my voice. Y’know, to see your own kids become happy and have those big round eyes just like you at your first Disney movie and the birth of your first movie heroes? It’s something entirely else. And to witness this moment while they watched Lightyear? Mindblowing, really.”

His chest was swelled with pride, and everyone around gushed over the epitome of proud fatherhood Chris was in this very moment. And he didn’t mind because he could boast all day long about his kids—and wife. Speaking of which…

“This is probably the sweetest story I’ve ever heard. Thank you for sharing this very intimate insight of your family life with us, Chris,” the interviewer thanked him with a genuine smile, but Chris only waved it off. They might keep their kids out of the spotlight to grant them the childhood he had been gifted by his parents, but they never stopped talking about them when people asked. “Is it okay if I ask about your wife and why she isn’t here today? She usually is at all your premieres and vice versa. I barely can remember a time without her at your side or you at hers, to be quite honest. You two really found one another.” Chris nodded in absolute agreement. “We really did. It was unexpected and kinda bumpy—quite literally.”

The husband remembered their first encounter at one of the Oscar Afterparties vividly where the stunning woman had bumped into him—and had driven the heel of her painful stilettos into his shoe. Ever since the actor saw these shoes with other eyes. He returned back to reality. “But we pushed through the obstacles, and I am the lucky bastard she had agreed to marry. Lucky me.” He chuckled under his breath and shook his head. YN would hit him as soon as she saw this interview, and maybe she sat in front of the tv at this very moment and watched him gushing over their family. “But back to your question, Susan. YN is currently at home, maybe watching this interview and throwing a pillow to the tv because she is heavily pregnant and can’t get up without help anymore.” Chris grinned straight into the camera. “I’m sorry, love!” He almost shouted after the exposure of her struggling state he almost loved the most about her being pregnant.

He just was a sucker for his wife when she called for him to help her with the easiest of tasks and boss him around as if there was no tomorrow. But he was a happily obliging husband because, after all, her state had been his fault. Something he would always be proud of.

“She wanted to come with me, but the doctor had put her on bed rest for the time being after we experienced a tiny scare of our little one two weeks back.” The same icy cold feeling ran his back up and down, just the same he had felt during the few hours of panic and anxiety in the depths of night when their unborn child tried to greet them earlier than agreed. And gladly, as stubborn his wife could be, she kept her word and watched out for herself and the little bub instead of ignoring every warning and trying to go head first through every wall possible. His father-in-law was a great help on days like this when Chris couldn’t be at home to watch out for his love and his tiny love. “I am sorry to hear that. But now, everything is back on track and in order?” The actor nodded, relieved. “So far, yes. But it still means I have to attend these without her calming presence, and let me tell’ya: it’s freaking scary.” And then, he laughed and shook his head. “I’ve never expected to be so lost without her. I almost forgot to lace my shoes because my head was all over the place,” he let out and still couldn’t believe how his life had changed within only a few years.

“Don’t worry, Chris, I feel the same. My life without my girlfriend? God, send some help,” Susan laughed with him, and Chris smiled thankfully. “So, I suppose you will head straight back home after the screening?” And the Evans was more than relieved to nod this question yes. “Totally. I love everyone involved in this movie, and I’m beyond grateful. However, my priorities are heading home, being greeted by Dodge and maybe the kids if they’re still awake, thanking Leo for keeping an eye on these two—more like three, Dodger included—troublemakers and his daughter, and then finally greeting my wife. We probably will watch a Disney movie, eventually waking the kids with the sounds, and everything will morph into a huge Disney sleepover on the couch. And yes, that’s the description of my personal favorite night.” He had always been a more at-home type of guy after passing a certain age, but now, it was all he could ever want.

“That sounds like a night in just like mine, minus the children. Thank you again for talking to me, Chris, and congratulations on the brilliant movie and your family. I’m definitely not the only one when I’m saying that you deserve every single bit of it,” Susan closed the interview, and Chris waved a last time to the people standing behind her before heading back to the red carpet to get the final shots for the press.

;

Chris was glad that they had settled back to L.A. for the making of Lightyear to avoid stressful last-minute flights from one side of the country to the other. He could be there if something happened at home, almost within a matter of thirty minutes tops, and Leo wasn’t busy as he usually was to help him with keeping an eye on everyone. And now, he was glad because it meant he could hold his wife in his arms after only a twenty-minute drive instead of an almost six-hour flight. He could even grab her favorite ice cream flavor on the way home.

Leaving the car and wishing Daniel, his driver for today, a good night, Chris slowly followed the pathway, flanked with blooming bushes and flowers exploding in every color there was, up to the four steps leading to the porch and door. Their L.A. house reminded him of home back in Boston, and he couldn’t wait for them to move back and relish in the family time they would have after baby number three was born.

Smiling at the sounds of an excited Dodger waiting for him, Chris took two steps at a time and opened the door to get in. His fur companion wiggled with his tail at the sight of his human, and the Evans crouched down to greet him with a loving scratch behind his ears. “How is my best boy?” He asked and chuckled as Dodger impatiently nudged his hand to follow him. He wanted to, but tiny, excited voices let him stop in his tracks.

“Daddy! Daddy!”

“Daddy’s home!”

Two tiny humans rounded the corner into the hallway at full speed, and the father could only let the bag with ice cream and snacks drop to the floor before he was attacked by the hugs of his five-year-old girl and an almost four-year-old boy. “What a greeting!” He laughed as he lifted both children in his arms and tickled squealing noises out of them. Ophelia grinned brightly—the grin almost too big for her pretty little face— while Aiden preferred to snuggle onto his father’s shoulder. It was late for him, and Chris was actually surprised at how long he had pushed through.

“Did you bring the biiiig Buzz? I saw him on TV! I want him! He is so cool and sooo big! And Sox??? They had a statue of him too! Did you see it, Daddy?? Can we go there tomorrow?? Please??”

Chris chuckled at the tsunami of questions he already had anticipated, but another voice slid into the conversation. “Lia, darling. Give your dad some time to arrive and at least to take off his shoes,” Leo quipped with a small grin on his face and stepped to his son-in-law to take the kids off him. “But, Poooops!” Ophelia pouted heavily, and even Aiden seemed not happy about the interruption of stories. “No but’s, darling. Come on; you said you wanted to bake a cake for your dad and the work is only halfway done. Plus, your mom said something about craving a banana smoothie. Who wants a banana smoothie?”

And suddenly, the world was back in order, and both kids screamed “Yes!” throughout the entire house.

Chris followed them after taking off his shoes and retrieving the paper bag again. He took one spoon from the kitchen on his way to the living room and already saw the head of his wife peeking up between thick couch pillows. The husband left the bag with snacks at the opening of the kitchen, only taking the ice cream bucket with him. He crouched behind the back of the couch and let his arm appear from behind in front of the woman he loved—ice cream presented like an offering to the gods.

“M’lady, I brought gifts,” Chris laughed softly at her gasp and grabby hands, kissing her cheek tenderly. “Fine sir, do you possess the ability of mind reading? We should consider burning you at the stake.” YN had turned her head and grinned up to him as he rounded the couch and plopped down next to her. She was dressed in one of his Red Sox shirts—usually, it would be way too big for her, but now with the ever-growing baby bump, it fitted perfectly—, yoga pants and fluffy socks under which she probably hid the pestering compression socks the doctor had prescribed for the next weeks. “Please, I beg you, don’t burn me! Who would tend to your needs, m’lady?” YN’s eyes wandered to Dodger, who had taken over his place at her side once more. Ever the protective fur baby, Chris thought with a smile. “I could train Dodge to go to the store. Remember this video with the dog and his little basket on the market? Where he bought fruits for his owner? It could be Dodger after a bit of persuasion.” The woman grinned brightly, the same grin Ophelia owned, and with one hand on his neck, she pulled his face closer to hers. Chris obliged and leaned down to press their lips together in a loving kiss, which still let butterflies erupt in his stomach.

“Hey,” Chris whispered, lips still touching, and YN sighed. “Hey,” she returned just as quiet as he and nudged his nose with hers. “Everything alright?” She could see the worry in his blue eyes, darkening them a bit, so she took his hand and put it on the right side of her still-growing bump, even though she was almost through with it. But each pregnancy held its own surprises, as she had experienced. “Of course,” she smiled at his joyful, boyish grin as he felt one of the many kicks of their third bundle of joy. Number three may be an accident because, after Aiden’s birth, they had agreed on waiting a couple more years to grant them the attention they both deserved, but everything would be okay. And she couldn’t imagine a life without bub three.

Chris bent his head down to the spot where he suspected his baby’s head and pressed a kiss on top of his… YN’s shirt. “Hey, love. Here is your daddy speaking. I hope you didn’t give your mom a hard time today, and I damn sure hope you will continue to be a good girl in a few hours when she tries to sleep—unlike the last three nights. ‘Thought we had a deal.” YN chuckled while her fingers carded through Chris’ fluffy hair but groaned at a particularly hard kick. “Love,” they both warned in unison before YN settled back into the cushions and continued to caress her husband’s hair and scalp. “A girl, huh?” She softly smiled at the man who had swept her off her feet so suddenly, she still wondered how she didn’t brake her neck in the wake of his adorable flirting endeavors she oh so happily had returned. Chris leaned his cheek against her bump, wanting to be as close as possible to his baby and wife, and her knuckles tenderly stroked over his bearded cheek. He had a boyish smile tucking at his lips. “S’just a feelin’,” he mumbled, Boston accent very prominent—just as always when he felt contentment and happiness, mostly when he was at home with his family. YN grinned down at him while slowly rubbing the spot where the tiny bub had kicked again. “You can admit that you want another girl. Nobody would be surprised, y���know? The whole internet sees you as a girl-dad,” YN winked, and Chris’ rumbling laugh almost shook her body as well. “Do they, yeah?” She nodded and tipped the tip of his nose with the pad of her finger. “Yes, they do, and we both know that you know this as well. Don’t try to fool lil’ ol’ me, Mr. Evans. I’m aware of your stalking tendencies when it comes to your fans and this family.”

Chris grinned sheepishly before sitting up and pressing another kiss to her lips. “Wouldn’t dream of it, Mrs. Evans,” he whispered before commotion erupted in the kitchen and tiny feet came rushing over. “Mommy! Mommy, look! I made banana shake!” Aiden proudly presented the filled glass, and both parents were sure there would be a dripping trail of shake from the kitchen to the couch. But her father already followed with a kitchen towel in hand. “We made the banana shake,” Ophelia stressed and gave her mom the reusable straw she had carried while Aiden gave her the glass. The mother almost teared up and blinked rapidly to hide the tears. “You two are too good to me,” she sniffled before taking the first sip and hummed in utter approval. “Perfection. Maybe you should think about opening a shake shop.” Ophelia giggled while Aiden squeezed himself between Dodger and his mother. With another human, Dodger wouldn’t have any of that, but with his family, he only made space and put his head in his tiny human’s lap to get the cuddles he loved.

Meanwhile, Ophelia climbed into the spot between her mom and dad and cuddled into Chris’ side, grabbing the ice cream out of her mother’s hands and starting to steal a few spoons full of sugary delight. He had thought about getting up to change into something more comfortable, but he decided that this was much better. He could outlive a few hours without his sweatpants. Leo returned after bringing the kitchen towel into the laundry room and bent down to press a kiss to the top of his youngest daughter’s head. “I would head over if you don’t need anything else, darling,” he said, and YN looked up to him with all the love she held for this man. “Of course. Thanks again for coming over and handling everything.” She really had lucked out in the family department, even before finding Chris and creating her own perfect family with the perfect man that was her husband. The DiCaprio smiled down at her and kissed her forehead. “That’s nothing to thank me for.” And with that, he kissed his grandkids goodbye before patting his son-in-law’s shoulder. “There is a cake in the oven, but the timer is set.” Chris nodded, and after peeling a grumpy Ophelia off his side, he stood up and brought Leo to the door.

There, the older man turned again. “Before I go… I wanted to thank you, Chris, for making her so happy. You know what happened to her mother, and though it was a long time ago, it had always cast a shadow over her.” Chris knew what Leo was referring to; YN had told him about the traumatic labor her mother went through, only that she died and the baby with her. It had taken its toll on Leo, too, and the whole family had needed years to recover from it. It still amazed Chris how she had handled every pregnancy and every birth, although she knew what could go wrong. “But with you, she finally is… I can’t even describe it. Not to mention that you took her fear. So… Thank you.” Both men hugged each other closely, patted their backs reaffirmingly. “It’s an honor to love her and have her in my life because you raised one of the best women on earth. You deserve every thank I could offer you,” Chris mumbled before they let go of one another. Leonardo waved it off, but in reality, it was the proudest achievement in his life. YN and her sister were his pride and joy, just as Ophelia, Aiden, and the little one were Chris’ pride and joy. “Have a good night, Chris, and give me a call if it’s happening, yeah?” Chris nodded without hesitation. “Yeah, of course.“

Returning into the living room in his favorite sweatpants and Red Sox shirt—one of the few he actually was allowed to wear and which wasn’t claimed by his darling wife—Chris sat back next to Ophelia and out his arm on the back of the couch to softly caress YN’s neck and shoulder. “The kids decided that we’re watching Wall-E,” she let him know while his eldest already held onto the remote and scrolled through Disney+. “Daddy?” He hummed in question at Aiden’s voice. “Lia and I want see biiiiig Sox,” he told the family, and YN softly shrugged at Chris’ questioning look in her direction. “If they’re still there, why not? You two have to take a lot of pictures for me, ‘kay?” Aiden nodded with a serious expression. “Otay!” YN carded through her son’s mop of blonde hair—Chris’ genes definitely outrun hers—and changed another look with her husband, both obviously thinking the same. “You know, after your brother or sister is born, maybe we could check out Disney World and if they already have a Buzz and Sox there.” Both parents knew what mentioning Disney World would do to their kids, but they didn’t mind the explosion of tiny voices. Instead, Chris settled back right next to his wife, hand again on her bump, while they watched their children playing in the living room—Dodger was Sox, Ophelia played Izzy, and Aiden was Buzz himself.”

YN laughed softly and leaned her head onto Chris’ shoulder. “We really have a Disney obsessed family.” Chris grinned in total contentment and kissed her head. “We have, and I don’t want it any other way.”

;

I don’t know where all these words came from, but I kinda couldn’t stop writing. Even though it’s kinda shitty, I hope y’all enjoyed it! As usual: Comments, reblogs, and likes are much appreciated <3

[youbutstupid]

The BAU ruined Reid’s life and he has every right to separate himself from them

He was a teenager when he met Gideon and he had hopes and dreams that had nothing to do with law enforcement. He had PHDs in engineering, maths and chemistry showing that he clearly wanted to go into something more scientific. He said that he wanted to cure schizophrenia by the time he was 25 so he clearly wanted to go into research and lab work

He went to Gideon’s lectures because he was interested and it was at that point that Gideon himself chose Reid to join the BAU when he was around 21/22 years old. I love Gideon, but this was one of the worst things he has ever done. This decision ruined Reid’s life and no one on the team seemed to question it

It’s important to establish that Reid went to Gideon’s lectures because he had an interest in profiling; that doesn’t mean being a profiler was his goal. He gained a BA in philosophy because he found it interesting but that doesn’t mean he wanted to be a philosopher, he’s intelligent, of course he will study things he is interested in because he can

So Reid joins the BAU, and it takes up all of his time. It takes over his entire life. He can’t meet people, and anyone he does meet is instantly in danger just by being associated with him. His only connections are with his older coworkers who all have lives and relationships away from him. He’s in his early 20s and he can’t have any life experiences, his childhood and teenage years were taken from him but now his early adulthood is being taken away too

@mindfullycriminal brought up a really good point on one of my posts which was a moment in season 2, where Reid says to Gideon ‘it’s all I was groomed for. I don’t know how to do anything else.’ He is 25 years old at this point, his life has been endangered multiple times, he’s been kidnapped and drugged and killed and brought back to life. He needs to escape but he can’t, because he’s trapped in this job. He’s done it from such a young age that he has forgotten how to do anything else

Do you know how tragic that is? This is a man who could learn anything he wanted in just a day, who could collect degrees like stamps yet this job has made it so that he has lost the ability to function unless he’s a profiler.

The word ‘groomed’ is really interesting because it gives insight into the fact that the FBI took advantage of him and his interest from a young age; they took him for his intelligence and didn’t once consider the effects this would have on someone so young. They put him into a job that would take over his entire life to the point where he couldn’t leave the job even if he wanted to, because he has become reliant on it

Later, when he’s 30, we see him talking to Emily and he has so many regrets. He talks about how he wanted to do more with his life, about how he wanted to cure schizophrenia by 25 but he’s not even been able to touch that research because he’s given his life to the BAU. He of course doesn’t leave after this, because he doesn’t know how. He has no identity anymore. His entire life since he was barely into adulthood has been this job to the point where he’s SSA Dr Spencer Reid and nothing else. He’s no one’s boyfriend or husband, no one’s father, he can only be his mother’s son when his cases take him to Vegas. The only thing he knows how to be is an agent and without it he’s nothing

Then by season 15, he has been poisoned, shot twice, kidnapped twice, held hostage multiple times, his girlfriend, his one chance of being normal, was killed in front of him and he’s been imprisoned. His character becomes a shell of itself. He’s done, when he gets kidnapped by the cult he doesn’t even try to fight them anymore, he doesn’t even seem scared. He’s spent almost half of his life in a job which has slowly killed him when he could have been following his dreams and having normal life experiences. Everyone saw this happening to him and no one questioned it, they just expected more and more from him and then got standoffish when he would act out because of it

The BAU were a family and they did their best to protect him, but he was a child who should have been finding his own family, he spent 40 years of his life having his life planned out for him and he deserved to get away and make his own path for once

[kerink]

heres your friendly reminder that you very much should listen to every liveshow if you're able. if you can't afford it (or find someone willing to lend it to you) then at least asking someone what happened or going to @cecilspeaks or the wtnv wiki and reading the available transcripts is strongly advised.

from my recollection, here are some of the main important things from the current liveshows:

The Debate: more info on hiram and the FOW's political platforms, marcus vanston becomes an angel, kevin can see the FOW's face

Condos: the in-canon reason why carlos' voice changed, carlos and cecil moving in together, what carlos thinks a perfect life would be, cecil saving carlos for once

The Librarian: i don't recall this one having anything with long-term relevance except for giving us a better understanding of the librarians, but carlos and cecil are horny at each other in it and that's always fun

The Thrilling Adventure Hour: this one i'm a hypocrite about and didn't listen to sorry

The Investigators: carlos is really cute in it but also very cringe and it hurt bulk a lot to listen to. cecil's desk is made entirely out of knives and he has a nest of owls in his office, pamela winchell is part falcon, cecil almost gets murdered. kevins in this one too if that sweetens the pot for anyone

Ghost Stories: get a lot of character insight for a lot of reoccurring characters and also learn a ton about cecil's childhood and relationship with abby. i consider this one to be the most important wtnv liveshow and if you can only get one, this is it

All Hail: info on the glow cloud's personality and motivations, info on deb's family, tamika flynn is immune to the glow cloud's mind control, pamela winchell is into deb, cecil describes his engagement ring, cecil admits he's aware that all his interns always die

A Spy in the Desert: deb knows every secret in town, cecil was stuck at 19, cecil cries every morning because he's getting older, this is where we first learn about esteban

The Haunting of Night Vale: this one doesn't have a transcript up for me to reference to so what i remember is that we get cecil's musings on how his childhood trauma is creating insecurity in himself as a husband and father, also we get to see cecil be a little sugar baby and carlos sweating over how much he's spending

The Attic: i wont spoil this one because it's on going

if anyone else has things they thought were important from the liveshows please feel free to add. i just went off my memory and a skim of the transcripts, which don't always transcribe all the bonus content

[hayatheauthor]

The Dos and Don'ts of Writing Flashbacks in Fiction

In the realm of storytelling, flashbacks serve as powerful tools that allow authors to delve into their characters' pasts and enrich their narratives. However, crafting effective flashbacks requires finesse and precision. In this blog post, I will explore the dos and don'ts of writing flashbacks in fiction.

Understanding the Purpose of Flashbacks

Flashbacks play a crucial role in fiction writing, offering various benefits that can elevate your storytelling to new heights. Let's examine the primary purposes of incorporating flashbacks into your narrative:

A. Emphasizing Character Development

By utilizing flashbacks to unveil a character's past experiences, traumas, or significant events, you can offer readers deeper insights into their motivations and actions in the present. This creates multidimensional characters, making them more relatable and compelling to your audience.

Example:

In J.K. Rowling's "Harry Potter and the Order of the Phoenix," the flashbacks showcasing Severus Snape's troubled childhood and his complex relationship with James Potter help readers understand his motivations and the complexities of his character. 

B. Building Emotional Depth

Well-crafted flashbacks have the power to evoke strong emotions in readers. When you transport them to a pivotal moment in a character's past, you intensify their connection to the character's journey and the overall storyline.

C. Advancing the Plot

Flashbacks can serve as valuable tools to reveal crucial information that propels the main plot forward. They can provide context, clarify mysteries, and offer insights that impact the present-day events in your story.

Example:

In Gillian Flynn's "Gone Girl," the well-timed flashbacks provide readers with essential information about the characters' pasts, which ultimately shapes the unfolding events and twists in the narrative.

Understanding the underlying purposes of flashbacks allows you to harness their potential effectively. Before incorporating a flashback into your writing, consider how it contributes to character development, emotional depth, or plot advancement.

Dos for Writing Flashbacks

Now that I’ve covered the significance of flashbacks in fiction, let's explore the essential dos to ensure your flashbacks are compelling, seamless, and effective:

Seamlessness and Clarity

One of the key factors to keep in mind when writing flashbacks is to ensure they are seamlessly integrated into your narrative. Avoid abrupt transitions that can confuse readers. Instead, provide clear cues or signals to indicate that a flashback is beginning.

Utilize phrases like "In the past," "Years ago," or "I remember when" to smoothly introduce the flashback. Another tip is to employ italics or a change in font style for the flashback section to set it apart from the present-day narrative. 

Relevance and Significance

Every flashback should have a purpose that contributes to the overall story. Avoid incorporating flashbacks solely for the sake of backstory or exposition. Each flashback should offer valuable insights into the characters, their relationships, or the plot.

If your protagonist is struggling with trust issues, a flashback depicting a past betrayal or a moment of broken trust can add depth to their present-day challenges. 

Engaging Descriptions

To immerse readers in the flashback scene, use descriptive language that brings the past to life. Engage the senses to paint a vivid picture of the setting, characters, and emotions.

Instead of stating, "She was scared during the incident," show the fear through actions and sensations: "Her heart pounded against her chest, and her hands trembled as she clutched the edge of the table."

Limitation and Balance

While flashbacks can enhance your story, overusing them can disrupt the narrative flow. Limit the number of flashbacks and their length, ensuring they complement the main storyline without overshadowing it.

If your novel spans several years, consider using only a few carefully chosen flashbacks to highlight the most impactful moments in your character's past.

By adhering to these dos, you can create seamless and impactful flashbacks that add depth to your characters and enrich your narrative.

Don'ts for Writing Flashbacks

As with any writing technique, there are pitfalls to avoid when incorporating flashbacks into your fiction. Steering clear of these common mistakes will help ensure that your flashbacks enhance your story rather than hinder it:

Avoid Info Dumps:

While flashbacks are an excellent tool to provide backstory, be cautious not to overwhelm your readers with lengthy info dumps. Instead, sprinkle relevant information throughout the narrative to maintain a steady flow.

For example, rather than presenting all the details of a character's childhood in one extended flashback, reveal crucial information gradually through dialogue, memories, or short flashback snippets.

Steer Clear of Randomness

Ensure that each flashback is purposeful and directly contributes to the understanding of your characters or the plot. Avoid including flashbacks that feel disconnected or irrelevant to the central storyline.

For example, if your story revolves around a murder mystery, avoid incorporating flashbacks that focus on unrelated events unless they have a direct impact on the mystery's resolution. A flashback scene about a suspect’s childhood friendship with the victim might seem relevant, however, unless this flashback reveals a new dynamic outside of what is already established it might not be important.

Mind the Chronological Order

It is essential to maintain a clear and coherent timeline when using flashbacks. Confusing readers with inconsistent chronology can disrupt the flow of your story and lead to misunderstandings.

For example If a character's flashback reveals a traumatic event, ensure that it aligns with the character's age and the sequence of events in the present-day narrative.

Minimize Flashback Within Flashback

While flashbacks can be a valuable tool, nesting multiple layers of flashbacks within each other can become confusing and disorienting for readers. Limit the use of "flashback within flashback" techniques.

Instead of presenting a character's memory within a flashback itself, narrate the original flashback and then transition back to the present.

By avoiding these pitfalls, you can ensure that your flashbacks remain engaging and seamless, enhancing your storytelling rather than detracting from it.

Techniques to Enhance Flashback Writing

To master the art of writing flashbacks, consider employing these techniques that will make your flashback scenes more engaging and impactful:

Show, Don't Tell

As with any narrative element, "showing" rather than "telling" is a fundamental principle of good storytelling. Use descriptive language and vivid imagery to immerse readers in the flashback scene, allowing them to experience events alongside the characters.

For example, instead of stating, "He was heartbroken when she left," show the heartbreak through the character's actions and emotions: "He clutched the crumpled letter in his trembling hands, his eyes welling up with tears as he read her farewell words."

Blend with Character Voice

Maintaining consistency in narrative voice during flashbacks is essential for preserving the authenticity of the characters. Ensure that the language and tone used in the flashback reflect the character's voice at that particular moment in their life.

This is especially important for childhood memories. If your protagonist is recalling a childhood memory, the language and narration style should match their age and level of maturity at that time.

Foreshadowing and Subtlety

Use flashbacks strategically to foreshadow future events or provide subtle hints about upcoming plot developments. This technique can create a sense of anticipation and intrigue in readers, keeping them engrossed in your story.

For example, in a mystery novel, a flashback showing a brief encounter with the antagonist before they become the primary threat can add suspense and anticipation for the eventual confrontation.

Break the Rules Intentionally

While it is essential to follow the dos and don'ts of writing flashbacks, there may be instances where intentionally breaking the rules can create unique storytelling effects. For example, if your protagonist suffers from memory loss, using fragmented and disjointed flashbacks can mirror their confusion and contribute to the overall atmosphere of the story.

By incorporating these techniques, you can craft vivid, emotionally resonant flashbacks that deepen your readers' connection to the characters and enrich your narrative.

I hope this blog on The Dos and Don'ts of Writing Flashbacks will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[f-oighear]

The Big Black Clover Fanfic Recommendation Post

I've been talking about making that post since forever and I think I've finally finished compiling them!

So. Grab a notepad. Take out your TBR list. Get ready to bookmark or mark for later. And let's go.

I guess I should start with a few disclaimers 🫡

I haven't read every fic out there and there are notably a few fics I know I'm going to love but haven't started yet. I think I'll update the post regularly.

The fics on this post are fics I enjoyed and remember having read. considering how many things I forget on a daily basis, it means a lot.

I have my favorite characters, tropes, and themes and this will definitely show.

I'm attempting to organize the fics in categories but ofc some shippy fics also have feels or are angsty or are fluffy, same for the AUs... An attempt is made to organize them based on the vibes I remember (I’ve read some of those literal years ago).

If you're in this post and you think I've put your fic in the wrong category: don't hesitate to reach out!

For the shippy fics, I have my favorite ships but I'm a multishipper sooooo there's that.

I'm recommending oneshots, multichaptered fics, entire AUs, series and fics that are unfinished and probably never will be. Do keep that in mind if you don't like reading abandoned works (you'll be missing out but I can understand).

Let's start! It'll be a long one.

General/Feels/Character studies

💜 Threads, Solarwitchwrites

Vanessa is a stitch witch. She is the best stitch witch of her generation, possibly in an age. But she has one power she doesn’t brag about: she can see the threads of fate that bind destined souls together. It’s rarely been useful, often it’s painful; but sometimes she gets to watch something amazing unfold.

💜 A World Without You, Acacia_May

Vanessa grows concerned for Finral when he begins to act tense and distant after they return from the Forest of Witches. In her attempts to comfort him, however, she may find some comfort of her own.

💜 Teammates, Cour104

Still adjusting to her newfound freedom after escaping from her cage and the Witch Queen, Vanessa has a nightmare. Finral is there to help her through it and remind her that she's no longer alone.

💜 You're Not Alone, IAmStoryteller

For Noelle, there has always been one person in her corner. For Mimosa, there has always been one person that made her want to be better. Noelle Silva and Mimosa Vermillion are cousins, but they are also each other’s greatest support.

💜 It Used To Be So Simple (Once Upon A Time), WildFlowerWoods

A collection of short stories about the childhoods of various Black Bulls, among other things, containing my own headcanons.

💜 fated, orphaned

Some Magic Knights are bonded by something stronger than just kinship. (Charlotte x Yami, Asta x Noelle, Nozel x Vanessa)

💜 Think about it (series), thoughtfullyrainynightmare

This is a collection of short drabbles that exist to give insight to the canon characters presented in Black Clover from my personal perspective. This is about how I see them

AUs

🩷 Black Bulls Pirate AU, Firefutte

An infamous pirate crew sails across the sea's waves. Many rumours and stories exists of this crew. Always one thing they all have in common and that's the tale describing them as chaotic, lawless and crazy hooligans in dire need of mercy from the gods. In reality they're simply living as them, chaotic, lawless and crazy hooligans they may be, but this ship's crew have found a family amongst each other in a world that denied them such comfort for years. And they would have it no other way if you asked them, such is the reality of The Black Bull.

🩷 Mimosa & Noelle Ideale AU, IAmStoryteller

Seven-year-old Noelle and Mimosa run away from home while traveling with their grandparents. Meanwhile, 16-year-old Zora is trying his very best to be a Super-Wizard and takedown corrupt Magic Knights. But one day he runs into two little girls who clearly are nobility, but also who need help. This changes everything.

🩷 Black Bulls Steampunk AU, IAmStoryteller

The Black Bulls Crew is about to officially retire from being sky pirates. After years of working together and becoming a family, they agree that it’s time for one last hurrah to prove that they are the best of the best, especially after they heard about a map for the infamous treasure of Elf King.

🩷 New World, Bulls99

Following a second devastating defeat to Vanica, Noelle expects to die peacefully - painfully, but peacefully. Instead she wakes up in a world where everything seems upside down. But how much is really different?

Romance

❤️ Ubi Amor, Ibi Dolor, Supernaturalgrant

“He’s dumb as fuck.” She asserts bluntly. It surprises an honest laugh out of Nozel, which seems to amuse her slightly. “You know that, right?” “I can’t force him to be with me, Mereoleona. Even I am not that high-reaching.” He tells her honestly. Or- Fuegoleon and Nozel break up when Nozel is promoted to the Silver Eagles captain, neither of them really knows why. (Fuegoleon x Nozel)

❤️ Running Out of Time, IAmStoryteller

On the day that elves reincarnated and Zagred the Word-Devil nearly gained a physical body, something went wrong—Zora Ideale and Kirsch Vermillion wind up in a time loop. They have to relive the horrible, long day over and over again, while reluctantly working together to figure out why. (Zora x Kirsch)

❤️ The Clover Kingdom in Chaos: A Dire Tale, Mamavino

Over a month after defeating Lucius Zogratis, new troubles lie ahead. When Sol comes knocking on Yami's door in a panic because Charlotte is missing, he acts indifferent at first. But what happened after their tea-drinking date? And is it true that she has been trapped by a curse again? Yami puts every effort into finding out what happened and sets out to find Charlotte. Noelle Silva falls into a strange sleep. Rouge, Vanessa's cat, is now attached to young Silva's life. Nozel insists on having his sister in the palace. But that also means opening the doors to the Black Bulls. This will certainly provide some challenges. In addition, all the spirits are falling ill, and everyone seems to be in a total panic. Mereoleona, Asta and a small team sets out to seek out the cause and solution to all this. Is it all connected? In the library they will find help, or is it an enemy After all? (Charlotte x Yami, Nozel x Vanessa, Mereoleona x OC, Fuegoleon x OC)

❤️ Night of Vows, Vilandel

She kissed him again, more deeply this time, smiling as she felt him giving in to the kiss. As they parted, she poked his cheek and said with a smirk, “Consider this a vow I just made.” (Nozel x Vanessa)

❤️ wildest dreams (because falling's not the problem), IAmStoryteller

Yuno/Langris/Mimosa series (Yuno x Langris x Mimosa)

❤️ This Was A Mistake, JaylinnW

“You really think this will be a restful break,” the larger man grinned. “You are in for a surprise. You will not be getting much time to relax,” William opened his mouth but Yami stopped him. “I’m not talking about that, Goldie Guts.” He paused, smirking. “Well not only that. I’m talking about the fact that we brought all our idiots with us. I know my bulls- shit’s gonna hit the roof.” “It won’t be that bad I’m sure,” William moved away from his boyfriend to get up from the bed. (William x Yami, minor Nozel x Vanessa)

❤️ Masquerade, IAmStoryteller

The Masquerade Ball hadn't happened in many years in Clover, but that changes when Julius Novachrono decides that it's high time to bring back some old traditions. (Asta x Yuno, Nozel x Vanessa, Finral x Leopold, Magna x Nebra, Fragil x Luck, Zora x Kirsch, Letoile x Gordon, Gauche x Grey, Rill x Charmy)

❤️ Green, Pink, and Grayscale, juviin

Soulmates are a thing of the past, or at least, they should be. So why does the youngest child of the royal Silva family see no colors? (Asta x Noelle)

❤️ Now All My Dreams are Melting on the Asphalt in the Heat, IAmStoryteller

Vanessa Enoteca, the lead singer and guitarist of the Punk band Arresting Dark Weave, is asked by her mentor/friend/first love Yami Sukehiro, the lead guitarist of The Black Bulls, to compose songs for his and Charlotte Roselei’s wedding. Except, she has got to work with Charlotte’s friend Nozel Silva, the First Seat Cello Player of the Clover Kingdom Baroque Orchestra, who just so happens to a composer. Can Vanessa and Nozel create some amazing songs for the Yami/Charlotte wedding in time? Or will it go up in smoke? (Nozel x Vanessa)

❤️ MUSIC CONNECTS ALL, UNLESS IT'S OFF BEAT, orphaned

In Noelle's defense, it was all Kahono's fault. Noelle so happens to be listening to Kahono's rant before she gets into this entire complicated situation that had just happened, (fuck fate, by the way), and now she had dug a hole too deep to get out of. Who the hell was Tchaikovsky, what the hell was a quarter note, and why are there eighty–eight keys on a piano? To think it just started with a simple walk on the beach. (Kahono x Noelle)

❤️ Children of the Future, LightNova

When Yami and Charlotte had been summoned to see the Wizard king they had not been expecting to find out they had a 19 year old daughter from the future! Nor had they been expecting even more children from the future to appear in their world shortly after her. Just what was going on, and who was sending them here and why? (Charlotte x Yami, Finral x Vanessa, Zora x Nebra, Gauche x Grey, Fuegoleon x OC, William x OC, Julius x OC, Yuno x OC, Asta x Noelle)

❤️ I'll Be Home for Christmas, HotaruGFC (JaclynGFC)

Charlotte gets an invitation to a wedding, and she can't go alone. (Charlotte x Yami)

❤️ Oh What Am I Supposed to Do Without You?, Supernaturalgrant

“Mercury poisoning.” The silence that follows Owen's statement is deafening. The occupants of the room share looks of utter confusion. “That’s like saying Fuegoleon has third-degree burns from that cool ass fire arm situation he has going on.” Yami’s the first to break it. Or: Nozel is diagnosed with mercury poisoning and forced to give his magic up until the can find a cure. Chaos ensues. (Fuegoleon x Nozel)

❤️ Paper Hearts, KaLolasFantasyWorld

Helena Drazel is a twenty five year old Royal from Diamond Kingdom. She's a charming and cheerful woman, ready to leave the sheltered embrace of her family's estate. Her mother previously a Clover citizen and an old friend of late Acier Silva, gets her daughter an invitation to study healing magic in the Capital. Because of that friendship Helena is placed under the care of Royal House of Silva. However the siblings, especially the eldest Nozel, are not so fond of her at the beginning. (Nozel x OC)

❤️ Boys will be Embarrassing, loafingdragon, subtleassiduities

A series of stories documenting Fuegoleon and Nozel's totally-not-gay-completely-serious very-manly escapades over the years. (Fuegoleon x Nozel)

❤️ Damn Eyes, musicalinny

The first time their eyes met he doesn't notice that he actually gave a damn. (Zora x Nebra)

❤️ (Not) At first sight, BBRosenfeld

Finesse is bethrothed to the son of the Vaude family, and she doesn't really mind. However, she was not expecting how much he'd grow on her. (Finral x Finesse)

Fluffy, Funny, Fix-it

💚 Flower Crowns, Angeliccharizard

During an off day, Asta decides it's a great idea to bring a devil to a church

💚 Owen vs The Black Bulls, WildflowerWoods

Owen has seen a lot in his time as a doctor in the magic knights infirmary, even more since his promotion to head of the royal infirmary, overseeing both the magic knights and ordinary patients. he has dealt with his fair share of stubborn visitors, people hiding injuries and patients trying to escape out the window—Lord Julius himself was a common offender for the last of those—but even treating Mereoleona Vermillion's self-inflicted burns was better than the Black Bulls. There was nothing that could have prepared Owen for the Black Bulls.

💚 Why Asta (and Liebe) are Banned From the Kitchen, Bluemeanies

After Yami's katana becomes Demon Slicer and joins Asta's grimoire, Asta and Liebe start looking for other things that could be good anti-magic weapons. Liebe might be taking the concept a little too far.

💚 Early Black Bulls (series), Acacia_May

Early Black Bulls Days

💚 An Impossible Decision, MysticalShizz

Mereoleona’s head pops into view, first taking in you, then turning to observe the small girl perched on your hip. Her look of confusion slowly morphs into disbelief, then into incredulity. “Did … Darling. Did you steal the Silva’s youngest child?”  Fix-It fic where Mereoleona and spouse reader adopt Noelle.

💚 Ghosts, IAmStoryteller

Julius has a bit of a secret. He can see ghosts of his dear departed friends.

💚 Doggy Days, Undefeated_Lionmess

Yami sends Vanessa, Finral, and Charmy to explore a dungeon. Only two of them come back still human. Finral supposes he’s had worse days.

💚 That One Time When Julius Was Late, wintermelon_soldier

"We're late... again," Marx said with a worried expression. "Don't worry, Marx. I'm sure everything is just f-" The Magic Emperor pushed both doors open hoping to greet the Captains only to be welcomed by a vast wasteland. The conference room where it once stood is replaced by a large, empty landmass with no trees or building in sight. "W-what in the world is happening?" Marx cried at his mentor.

💚 The Vice-Captains of the Magic Knights (series), IAmStoryteller

The Vice-Captains of the Magic Knights series

💚 Teenagers, Kaitouahiru

Yami was going to talk to Julius about the recruitable age of Magic Knights. Make no mistake, Yami did not care that fifteen year olds were being put in dangerous or life threatening situations. He didn’t care that they could be drafted to go to war if the situation called for it. He cared that almost none of these brats knew how to do basic home skills.

💚 faith bleeds through the cracks, TellNearaToWrite

Yami knew three things. First, that being a squad captain was shaping up to be a lot like fatherhood, and second, he was definitely not cut out for that shit. Third. Well. Julius had a lot to answer for, that was for sure. The least he could do was help a bit.

Angst!

🧡 Geranium, Azuvist

The flowers in Yami's lungs never really stopped growing. (Yami x William)

🧡 Black Clover: The Blood of Fate, ChanceQueen

In a dark alternate universe of the clover kingdom, there is one question that no one ever wanted to ask, let alone know the answer to. A question that wraps its claws around you, ripping scars that cannot be seen and will never heal. What if Vanessa had never manifested the red thread of fate?

🧡 Megicula's Curse by MaryJoeycoco

After everything, the Black Bulls thought they were safe. They thought Noelle took care of the devil Megicula. They soon realize how wrong they were. Now it's up to Asta to save her but he soon realizes how his feelings change about Noelle through the nightmare land. (Asta x Noelle)

🧡 Lumiereward by Cyrooo

Nero misses home. (Always).

The Silva Fics™

Yes, they get their own category. It's the birb siblings. They deserve it.

💙 Artifice, subtleassiduities

When a retrieval mission traps Nozel with a dangerous and powerful artifact, Nebra and Solid struggle to find help before time runs out for him. But their attempts are thwarted by a widespread, rapidly progressing phenomenon: Everybody in the Clover Kingdom is forgetting about Nozel Silva. Their only choice is to depend on one another-- and Noelle, the only other person who can hold onto a memory of their dear brother. Their rescue mission forces them to face their own memories, twisted against them in ways they may not be able to overcome.

💙 Casa Silva, Mouxe (SPANISH)

Conjunto de historias que comenzo para mostrar la relacion de Acier Silva con sus hijos durante la infancia pero termino convirtiendose en relatos de la relacion de los hermanos silva.

💙 Lay Beside Me, Under Wicked Sky, Avacelt

Noelle leaves, and the chips fall where they do. [Silva family!fic, post-canon]

💙 The Boy Who Played with Water, BeamMeUpCas

Nozel only becomes aware of the extreme lengths his siblings were going to torment their youngest when Nebra, of all people, appears sweaty and disheveled in his office, stuttering and stammering about how Solid has Noelle trapped in a water bubble in the rose garden and she isn't moving Or: Solid nearly drowns Noelle. Nozel flips his shit and becomes the halfway decent big brother he was meant to be.

💙 My Father Told Me (series), succulentsunrise

My Father Told Me is a series, which attempts to understand the effects that the Silva parents must have had on their children, and how the age gaps and personalities between the children themselves affected their relationships.

💙 Make an Effort, IAmStoryteller

Solid isn’t very nice or kind or gentle. He knows this, but when he is hit with the realization that Nozel and Nebra might not know that he loves them, he sets out to show his love and appreciation for his two older siblings. And maybe, extend an olive brand or two…

💙 What Yami Saw by BeamMeUpCas

Nozel needs a favor. Yami will maybe not hold it over his head for all eternity but he'll take great delight in letting Nozel think he will.

[deimosatellite]

no something thats so interesting to me is the role of the father in dostoyevsky's works mainly in devils and brothers karamazov of course , especially interesting with those being two of his later works and having very similar themes of broken families and absent fathers .

in devils, in my opinion many , if not all, of petrusha's deepest issues stem from his father's absence in one way or another--his main issues being with his fear of god / higher power + his need for absolute control. we can see in the few insights we get on him from his childhood that he was very nervous and AFRAID when its mentioned how he would cross his pillow before sleeping / be worried and pray that he wouldnt die in the night bc again thats his fear of a power outside of his control, being that of religion/god which he then grows to resent / attempt to reject--however this could also be read as stemming from his animosity toward his own father as having been absent as an almost god figure to him--abandoned by his father he was left to find ways to mitigate these fears by himself which led to his incredibly self-destructive control issues with him feeling that no one had ever looked out for him, not his father nor a god, so he had to become fully self-sufficient and in control of the world around him to cope. and petrusha fcking HATES stepan god he takes every chance he can get to absolutely eviscerate him god bless.

on the other hand, brothers karamazov has , WHOA, FOUR SONS !!!!!! in which to analyze on the role of fyodor pavlovich's role in their lives but for sake of brevity i'll not go too into it but its just really interesting to see it in a context related to petrusha's relationship with stepan. (also its been a while since i read karamazov so) but first of all ofc getting out of the way that smerdyakov mirrors petrusha in many ways in his lacking of morals and almost blase attitude toward life and death. ivan as well is incredibly cynical and questioning of religion as his main character arc which contrasts alyosha greatly, who actually turned TO religion as a way to fill in the absence of his father--something interesting to me is that petrusha as a child sounded soo similar to alyosha as a child BUT. in contrast alyosha was able to find people around him to guide him in his life rather than being left to fester in a fear created by loneliness and rejection.

SO . yeah just interesting to me that main drivers of conflict / character in both devils and brothers karamazov are related to parents/especially fathers and since i just finished humiliated and insulted im going to now read the adolescent for the first time, which i hear has themes about fathers as well and is actually in between devils and brothers karamazov so i will DEFO BE PAYING ATTENTION THERE. anyways bye 9U0PSOFDJK

[number5theboy]

I just want to talk about how TUA’s pilot episode uses specifically the Phantom Medley, ‘I Think We’re Alone Now’ and ‘Istanbul (Not Constantinople)’ as interconnected character (re-)introductions, because they are so, so good.

So, the Phantom of the Opera Medley gives us our first, mostly silent introductions to five out of the seven siblings. Everyone is doing their thing: Luther is on the moon, Diego is being a vigilante, Allison is at her movie premiere, Klaus is released from rehab and instantly relapses, and Viktor is playing the violin part of the medley by himself on a stage. It establishes what each of them has going on in their life, and it establishes that all of them are alone. The Medley is an instrumental arrangement of several songs from the musical adaptation of the Phantom of the Opera, which is an interesting choice in itself, being a story about a brilliant, reclusive, and unhinged genius who harnesses a young girl’s talent for his own personal gain. There is more to it, but this is the relevant part, for obvious reasons. This is also the scene where we see the siblings find out about the death of the shadowy figure that nurtured their powers and abused them for selfish reasons. If the medley had used the lyrics of the musical, the first song used in the medley – the main theme – has as its key lyrics the following: “The Phantom of the Opera is there, inside my mind.” And isn’t that something for the adults introduced to this melody, whose puppet master messed them up so badly during childhood that that still lingers in all of them, a throughline of that first season?

To this first introduction, ‘I Think We’re Alone Now’ serves as a re-introduction. It’s the same principle: a musical montage that focuses on each sibling to an overarching song. The theme of being alone is carried through, but this time, surprisingly, they’re not lonely. They’re not unified, they are certainly not getting along, but you get a feeling of their shared past. There is something that tethers them together. And where in the Medley, only Viktor could hear the music, because he was playing it, this time, the music is fully a part of the world. They’re all listening to the same song. They’re alone, but they’re not. They’re alone together, which is a step closer than it was in the Phantom Medley. And while the first montage focuses on what they were doing, established their occupations, this montage just gives us them…being. Existing, without anyone watching. Not their father, not the other siblings. We get such good insights into their personalities. Luther’s un-awareness of his own body leading him to accidentally punch the plane model. Diego’s array of dorky dance moves. Allison’s hesitance before she gets more and more into the song and allows herself to let loose. Klaus dancing with the ghost of his father. Viktor’s dancing being contained and unassuming. The title line, ‘I think we’re alone now’, just perfectly fits, and it’s a great example of visual media recontextualising a song’s lyrics. The original song is about sex, specifically the prohibition and taboo of teenage sex, and with the framing of the show, the lyrics instead become as literal as they could be. “Children behave / That's what they say when we're together / And watch how you play / They don't understand,” becomes about their childhood, about how they were never allowed to be kids, how they had to obey their father’s whims. And now he is gone, and they are alone, and it is good. Kind of. Sort of. While that iconic slow zoom-out visually shows that, their unity, despite all their differences, it is also all of them inside the Umbrella Academy. Them, and Grace, and Pogo, still in an environment that Reginald made. Reginald is still inside their minds. He is gone, but the structures he built, the damage he did to them is not. It’s this moment of catharsis, this instant where each and every one of the siblings allows themselves to be, to live, just for a moment, brought together by Luther playing a song loud enough for everyone to hear, where they think they’re free of Reginald’s abuse, and the rest of the show is them finding out that the death of an abuser doesn’t erase the effect he had. And then the music gets disrupted by someone quite literally crashing the party. But he crashes it from outside the house, because he is the one least concerned with (and, in this season, very clearly least affected by) Reginald.

Five gets his own musical (re-)introduction, and he gets it seven minutes before the end of the episode. Different from his siblings, we get to see his personality before he gets his musical key scene. And we meet him as a kid first, his arrogance, his powers, the use of teleportation to knock a guy out with a stapler. He then appears to inadvertently interrupt the first moment of unity his siblings have had in decades. He brushes off their father’s death. Casually reveals that Reginald has been dead to him for 45 years. It doesn’t matter to him. He has other things on his mind, but of course he doesn’t tell them, why would he? The arrogance is still there, his powers too. He’s insufferable, the viewer understands, and different. Different because he looks like a kid, a literal embodiment of the Umbrella Academy at its height, all knee-high socks and blazer, frozen in time, while at the same time having lived a very different life from his siblings. That’s all the viewer knows of him, by that point. And then ‘Istanbul (Not Constantinople)’ happens, and the understanding of the character shifts abruptly, as do the stakes for the entire show. While the introduction scene with the Phantom Medley and the re-introduction scene to ‘I Think We’re Alone Now’ are about these different siblings, apart, but maybe closer than they think they are, united by the loss of their father, ‘Istanbul (Not Constantinople)’ shows you that this one has a completely different set of problems from his siblings. Namely, he is being tracked down, a wanted man, a very skilled killer. The two montages are so calm in comparison to the breakneck (pun intended) pace of Five’s kill spree. He takes out half a dozen men armed with machine guns by outfoxing them, killing them with a wide variety of items in a wide variety of different ways. While ‘I Think We’re Alone Now’ contrasts the Phantom Medley, ‘Istanbul (Not Constantinople)’ contrasts the Five previously established in the show, especially his childhood self, and shows how his skills have developed. The innocence of the school uniform is quickly lost when he uses its tie to strangle a man to death. The first line in the song is ‘Istanbul was Constantinople / Now it’s Istanbul / Not Constantinople / Been a long time gone, Constantinople.” It’s about how something is technically the same thing – a schoolboy, perhaps – but time has irrevocably changed it, and it can never go back to that old version, because it hasn’t existed in a long time. It’s about Five, and it’s about the apocalypse, and the Commission, but it’s not about Reginald. ‘Istanbul (Not Constantinople)’ is the only non-diegetic song of the three discussed here, as in, it is not part of the show’s internal universe. The song is not playing in a jukebox in the diner. It doesn’t partially exist in the universe, like Viktor’s violin being the violin in the medley, or Luther playing the vinyl in the house. It is so different in principle and execution from the other two scenes, but it is still a scene meant to convey an understanding of the character, just like the other two are.

And despite it being purposefully and obviously different, I still think that ‘Istanbul (Not Constantinople)’ belongs to the other two scenes, that they form a united whole of introductions to the Hargreeves siblings. The diner scene rhymes with the other two, I think, in its marked differences, but there are threads that tie them together. How the violin is a key instrument in both the Phantom Medley and ‘Istanbul (Not Constantinople)’. How the medley shows the Hargreeves in the lives they had carved out for themselves away from Reginald, ‘I Think We’re Alone Now’ positions them in the house they grew up in, in the Umbrella Academy, Reginald’s domain, whereas ‘Istanbul (Not Constantinople)’ is set in a place where the kids defied Reginald. How the theme of loneliness and being alone threads through all of them. How the songs are, in order, partially diegetic (siblings apart but tied together by their past), fully diegetic (siblings enjoying the same thing despite being physically apart) and non-diegetic (the one sibling that is apart from them in age, time, space, part of his upbringing, you name it). How pertinent the lyrics are in each case, even the ones that aren’t technically in the song. I just think all three of them are brilliant needle drops that add so much to the story, the understanding of the characters and their relation to each other, just in the microcosm of this one pilot episode. Also they’re all incredible bangers.

[kneelingshadowsalome]

This is my third time in your inbox, I'm so sorry 💀💀

Can we get more insight on Konigs childhood? You mentioned abuse from his father. What exactly did he do to Konig and his mother? Why did he cut his face up? Why did his mother not leave him? Where are his parents now? Was his childhood the reason he joined the military? Will he fully open up to the reader abt it?

Ty for tolerating me 😭🙏🏾

Please. My inbox is always, always open and I love these questions! (Like... someone wants to hear my ramblings about mentally unstable, fictional men?? You are godsend, my friend 💖)

Thoughts on König's childhood:

CW/TW: emotional, verbal & physical abuse, talk of personality disorders (by someone who is not a psychologist lmao), aggravated assault/murder, self-hate

So, I wrote König as a sociopath (otherwise known as antisocial personality disorder) with borderline pd. He's also neurodivergent (prob. ADHD). Now I don't know shit about these things but I tried my best to do some research on different pds and neurodiversity and thought this potpourri might fit well in König's character profile.

Unlike psychopaths, sociopaths are made, not born. So his dad had a definite hand in creating one out of König. He thought his only son (K is an only child in my canon) was a freak because he was bigger than "normal" kids, tall and lithe and on top of everything else, behaved oddly. König was bullied at school which made him even more asocial and anxious, which in turn made his dad project his own insecurities onto König even more. He needed to imprint it on König that he's a freak by cutting him.

There was a strict routine and order in his childhood home: dinner was to be served at 6'o clock sharp, every piece of clothing had to be pedantically ironed, no tv past seven, etc. Any misstep on these rules and there would be violence, mainly verbal and emotional but at times, physical too. König's mother was never enough, nothing she did was ever enough. König for sure did everything wrong by simply existing. For a boy of his size, he learned to become surprisingly invisible at a very young age.

Sometime during his teenage years, he started to have enough. He started to rebel, learned how to walk tall and straight, started to jog and train inside his room, do 100 pushups every morning. The idea of joining the army was born during these times as well, and becoming a sniper was soon König's biggest dream.

He enjoyed when his schoolmates, even some of the teachers, began to fear him (if you cannot be loved, better be feared than ridiculed). He was the odd, silent, big freak who was only getting odder, bigger and more silent every day. People at school literally feared the day König would arrive at class with a gun.

His father started to cut him even more when he began to show signs of independence and grit. At some point König realized he could easily beat his own dad if he wanted to. At 15 he started to go to the gym, and a year after, when he saw his father yell at his mom about something utterly insignificant, he finally snapped, took a simple kitchen knife and drove it to daddy's ribs (16 times).

His mother had a tiny mental breakdown after that. She didn't want her child to get into trouble, but seeing such a violent murder was the last straw for a woman who had tried to keep the peace by playing by this crazy tyrant's rules. The reason she hadn't left was because she feared he might kill them both. (Also the breakdown was far more severe than the one reader had after the break room incident, and it def. brought back some not so fond memories)

König got the minimum penalty for the crime because he was a juvenile offender. His mother forgave her child quite soon and deemed that her husband was evil and that König did the right thing for freeing them from such a man.

Things got better after that, but his mother was forever damaged from everything that had happened. She began to blame herself for not divorcing her husband sooner, for then he would still be alive and König wouldn't have suffered so much in his hands. One of the reasons König started to wear the hood was because he didn't want to remind his mother of what had been done to him. Instead, the mask only caused her only more pain. She started to avoid her own child, even fear him, feeding into König's insecurities and anxiety even more.

When König finally joined the army at the age of 17, it was to get away from home and pursue his dreams to become a sniper. He thought it might be best for his mother, too, if he wasn't around the house to remind her what had gone down and how her only child was not only a monster, but a murderer, too.

König's childhood is so filled with trauma that he has pretty much distanced himself from it. The geographical distance helps too, and he's not keen on taking reader on a vacation to Austria, for example. But he will open up about his past if and when he sees it's safe to do so. Sadly enough, the thing that bugs him the most about it is he fears he might look weak in reader's eyes. He's been in a survival mode for so long that he doesn't quite understand that he was a child at the time, and should've received love and care.

Btw I totally got inspired by @random-thot-generator 's gospel truth on how König's first kill was his own father! Also the Conan t-shirt as his (first) mask is my canon now

[heliza24]

I'm kind of confused about how you feel about Lydia, I didn't think there was anything negative about the portrayal. You say she was just there for a lore dump but the way I see it, she was talking about her own life, an adventure she'd been on before. I didn't see it as dismissing her as a character

The short answer is that there isn’t anything hugely wrong with that scene. But because it’s the only real scene we’ve gotten with her so far, and because she is the most developed physically disabled character in all of D20, it is not enough.

To expand on that: Sure, she was telling the Bad Kids about her life and her previous adventures. But let’s think about why she was doing that in that moment. She was there because the Bad Kids needed to know more about her embedded crystal/metaphorical chronic illness in order to solve their own personal mysteries. She is a (very) supporting character in their narrative. We don’t get to see her go on a character arc, or change, or learn more about her desires as a character. Her disability story, which is very interesting, is in the show only because it serves the story needs of the nondisabled PCs.

Now of course all stories need supporting characters/npcs, and I am happy some of them are disabled. The problem arises when there has never been a physically disabled PC in Dimension 20. So the only disability narrative we see is in service of nondisabled characters. The problem is not Lydia; the problem is that she is alone.

You might recognize this problem with other media and other marginalized groups. To use a kind of simple example, I spent a lot of my childhood frustrated that the only women seemingly allowed in fantasy or action movies were the romantic interests of male protagonists. These love interests existed to serve the story of their male counterpart (often by dying dramatically and sending the male protagonist on some kind of revenge quest). There are still plenty of movies and shows that follow these tropes, but it bothers me way less now in 2024 because we also have a ton of tv and movies with complex female protagonists. The abundance of representation is what has changed.

I think this problem is extra clear on Dimension 20 because they have gotten SO many chances to center a disabled narrative and have not. They get up to six protagonists every season, which is way more than most tv or movies get.

Compared to a lot of other pieces of media that try to add in disabled characters, Dimension 20 is doing a good job with Lydia. They haven’t hired a nondisabled actor to play her (super common in tv and movies unfortunately) and they’ve clearly worked with consultants on her. I really like, for instance, that her persistence with the crystal prevents her being magically cured, which is one of my least favorite tropes. However, there is a huge trend in Hollywood of hiring disabled consultants when they want to tell a disabled story but never actually hiring a disabled writer for a full time, credited writing gig in a writers room. The players on D20 are the writing room. Why has a disabled person never been invited there?

Imagine, for a second, that we got a Fantasy High prequel season. All the adults we know in Fantasy High are teens, and they’re PCs. Imagine a really talented performer, who uses a wheelchair, playing Lydia. Imagine the emotional scenes we would see! Imagine the insight into her psyche we would get, the way her relationship to the Crystal would be developed. That’s what the scene with Lydia in Junior Year made me long for.

(I do have some frustration about the way Kristen reacted to Lydia, and the way that fandom reacted to Kristen. I did find Kristen offering empathy to Lydia in the form of the help action sweet, but being nice to a disabled person doesn’t deserve outsized praise, because we are not objects of pity. I also think the way that Kristen touched Lydia’s neck without permission is reminiscent of the way many wheelchair users are touched and pushed without permission, which is very violating. I don’t think Kristen would have had that same reaction to Sandra Lynn, for instance. Kristen is really Going Through It right now, so I’m not particularly mad at her for doing that. But it is irritating to see fandom singing the praises of the help action without acknowledging the touching without consent that followed).

Thank you for the question! I appreciate the opportunity to have a dialogue about this.

[canonical-transformation]

hi! i adore all of ur fics but especially seven prayers to seven archons it's definitely my favourite genshin fanfic ever asdjfk as someone who's attempting to do something similar but for reverse 1999, could u please give some tips on characterization?? thank you!!

Thank you so much! Characterisation is something I spend a lot of time on and take a lot of pride in, and I am immensely proud of fics like Seven Prayers and Lynette in Repose and (spoilers!) the final act of No Bird an Island. I don't have a formal process for how I do characterisation but my recommendation is focusing on character voice.

Not voice as in "how do they talk"?, but voice as in "how do they think"?. (I tend to write from within their POV.)

What mental habits come so naturally to the character that they don't notice it half the time? (Perhaps Sonetto filters everything through "what would Vertin do?". Perhaps Lisa Minci measures every decision by how much time she spends standing. Perhaps Kaeya is constantly evaluating "am I safe with these people?".)

What's their baggage? What do their thoughts constantly drift back to despite their best efforts? (Is Kazuha haunted by his "failure" to save Tomo? Is Ningguang haunted by her painful childhood?)

What do they value?

What do they think common sense is?

This isn't the whole picture for characterisation. At best it's, like, 30% of it. But it's a good foundation to start from, because it tells you a lot about how they think, how they talk, how they decide.

Reading in-game dialogue or writing from that character helps a lot. Ditto listening to voice acting — although for R1999 the EN VAs often sound like Elder Scrolls NPCs (derogatory) so I'm not sure they're given much extra insight to work with.

If @fishareglorious ever releases their damned website then that will surely be a good resource :3