Rising from the dead to share this painting and then disappear again
I have spent over 90 hours of my life on this thing because I have had the brain rot for the last 2 years of my life (almost 20 if you count when I first read the comics) and it had to express itself somehow
Hope this dramatic bitch feels appreciated
(A Dream of Morpheus, handmade egg tempera on panel, 12x18 inches...if by any chance you'll be at SDCC or Gen Con, I'll be at booth 934/936 at the first one and Art Show #13 at the second one - come see the original, maybe get a print, or just yell/cry about Sandman with me?)
And here, have some more details - I had fun combining some favorite elements from both the comic and the show ♡
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Just watched The Big Bang Job again today and I rambled about this in an earlier post reblog but it deserves its own post..
The way Eliot dresses makes so much more sense after meeting Moreau and his goons. He rejects all notions of being anything like those well dressed men in their suits again. So blank and uniform, just another soldier in Moreau's private army.
That's why his shirt is always untucked, sleeves rolled up, collar unbuttoned. Not to mention the hair - the biggest rebellion is his hair. A constant reminder of who he is now that stays the same, no matter what he wears.
And it just makes me think how this is such a good representation of the identity crisis he went through (and let's be real, is still going through).
Eliot used to be one of those men. He had his hair short, wore the tailored suits and carried the guns. He didn't accessorise. He suppressed every aspect of an individual personality in order to fit the role that Moreau had for him.
Sure, we're not blatantly told all of those things in the show, but we can infer, simply from looking at Moreau's goons and how they're presented.
Seeing Eliot surrounded by those goons in the pool scene is more than just showing us the threat to Eliot and Hardison - and also the threat that Eliot and his reputation present. It's about showing us the demons of his past, the nightmare that he doesn't want to go back to. Eliot had alluded to his past before but it's been nebulous. Now, we finally see that past take shape and it's hideous.
But Eliot didn't stay like that. He got out - he got free - and he has been reclaiming pieces of himself ever since. Until, finally, he's the evolving Eliot that we know and love. He prefers to dress casual and relaxed, with strong reminders of his roots throughout. He keeps his hair long and loose - not military regulation, not 'professional' as far as male standards go, not even convenient for fighting. It's all a way of stealing himself back, and making sure the differences between who he was then and now are stark and vivid.
I could keep rambling but this is already twice as long as I intended. Just ... Eliot Spencer. He still doesn't view himself as a better man, never mind a redeemable man, but he is. When compared to those goons, his transformation is clear as day.
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It is amazing to me that the show has a character who:
Explicitly says “my father forced me to kill and I was good at it, but I hated it”;
Makes multiple efforts to walk away from a fight where his opponent is doing the absolute most to provoke him and, upon finally snapping, handily beats him;
Stabs a dude with a pair of scissors in self-defense and immediately looks horrified at himself; and
Can stomach all kinds of gross and scary shit unless it involves harm coming to his little brother, whom he obviously has a lot of baggage about protecting.
And a not-insignificant number of people are like “his neurosis is that he feels bad about not being a fighter or a badass.”
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I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?
I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.
Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.
Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.
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Listen.... Trafalgar Law is like Opposite Pick Me Girl.
Evidence:
He stole Doffy's whole look down to the shirtless sluttiness, feather coat and the earrings.
He COPIED DOFFY'S ACTIVATION METHOD. How "notice me, senpai!!" is THAT!?
Like Doflamingo, he acts as though your attempts at torturing him are absolutely precious.
Law straight up based his jolly roger on Doffy's. Like it's not even kinda subtle. (Not that Law does subtle. Which is weird for someone trying SO HARD to be dark, mysterious, and edge-y as Kikoku. )
Trafalgar spent years of his life travelling around the world, gaining notoriety and power, putting into place a series of intricate moving parts that all had to come together in just the right way all so Doflamingo would notice him and remember his face forever.
Law: Please, Young amaster-sama! Oh, please pick me!
Law: To kick your pathetic, subhuman ass.
[Thanks to @revlischarm who gave me this idea.]
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I think of so many stupid shenanigans between Wriothesley and his daughters in the Addison Lee verse. They tell Wriothesley crazy shit all the time, their daddy-daughter secrets, and it drives Neuvillette nuts that Wriothesley won't snitch.
Sigewinne, whispering into his ear: Today at school I punched a boy because he was being mean. I waited until it was recess, and made sure that no one was watching, and I punched him. Everyone knows he is a liar, so noooo one believed him when he cried about it. And Sigewinne is aaaalways a superstar so Mr Vautrin didn't suspect a thing !
Wriothesley, mildly concerned: Uh huh.
Sigewinne: Papa would say Sigewinne has to be nice to everyone, but, Sigewinne thinks bullies need to get punched sometimes, b'cos, b'cos otherwise, they think everyone is just gonna let them be mean
Wriothesley: Y'know what. That's fair
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