#get you alone fic

[florencemtrash]

The Shadowsinger & The Inkbird: Chapter Fifteen

Azriel x Day Court Librarian Reader

Summary: Y/n's clairvoyance is a gift from the Mother, but it feels more like a curse. With the power to gain knowledge through touch alone, Y/n holes herself up in The Alcove and hopes her powers and parentage will remain a secret. But things will change after the Summer Solstice ball and a chance encounter with a certain Shadowsinger.

Warnings: ANGST... that's about the only major warning I can think of

The Shadowsinger & The Inkbird: Masterlist

Masterlist of Masterlists

Jurian and Vassa took the attic and became scarce, but when night and day slid into one another you still heard her painful screams, muffled as they were by the magic that encased their room. It was a feeling more than anything else. A tension that gripped the House until it seemed to be sobbing. At sunrise and sunset without fail, Vassa’s body broke and rearranged itself, flesh turning to feathers and feathers to flesh. Before it had been a painless process where her body came and went in its various forms, but no longer. Now she felt everything alongside an itch deep within her bones that couldn’t be satiated by food or drink or anything else. 

Go to the lake! Her body screamed. Go to Koschei! And then punished her when she didn’t comply. Like a beast had sunk its claws into her flesh, its waiting mouth only inches away from snapping. To stay away was a slow, agonizing march to death. To move close would be swift, but final, and somehow Vassa knew that if she gave into Koschei’s call, she would be lost forever.

You lingered at the base of the attic's staircase, your bare feet sinking into the soft rug until the sounds of cracking bones finally ceased. Three pairs of feet shuffled above your head and you heard Jurian’s faint whispers like a gentle push of air. When the door opened and Lucien emerged, you saw Vassa crumpled on the floor, now a bone-thin woman with dull, coppery hair and skin ravaged by scratches and pockmarks. 

“Shhhh. It’s ok.” Jurian whispered, encasing her in his arms. 

“I can’t,” her voice trembled. “It hurts. I-I-I’m burning.” 

“Y/n?” Lucien frowned. The door slammed shut with a bang and you jumped backwards. You clutched a velvet pouch close to your chest and then slowly held it out to Lucien. 

“It’s for Vassa,” you explained, trying to keep your eyes on his mismatched ones — one russet as river stones, one gold like the sun. He opened the bag and stared in confusion at the fine, white powder within, giving it a tentative sniff. “Morphine. Humans use it for pain.” 

“I know of it.” Lucien’s frown deepened. “They get addicted. Take too much and they die.” 

“She’s already addicted. That’s what’s happening isn’t it? Koschei’s drawing his power away to get her to return to the lake and every day that passes she’s dying.” Lucien tightened his fists around the bag, still skeptical. Vassa had endured enough. He didn’t want to have her endure this either. “The bag is enchanted and will never allow her to draw too much. Just enough to calm her hunger. If we’re lucky it might help her sleep too.” 

Lucien stood there, clenching and unclenching his fists from around the gold drawstring, waiting for Vassa’s cries to cease. But they never did. And there you were standing in front of him, unwavering and expectant. There was a glimmer of stubbornness in your gaze. A sign of the hours you’d spent researching Vassa’s condition and acquiring the strange human drug, and your disapproval if Lucien didn’t accept it. 

“Thank you, Y/n,” he whispered, “But please go. Vassa hates for anyone to see her like this. Even Jurian and I.” 

You swallowed thickly and nodded, disappearing down the stairs as quickly as you could. The next morning when the sun rose over the mountains and Vassa changed, you heard only the House’s usual breathings. 

The House buckled under the weight of the Inner Circle’s secrets and the sheer volume of history that had occurred within its walls and between its occupants. It utilized its magic in clever ways — your door opened with a creak that wasn’t there before so that Azriel would always hear your comings and goings. Lucien would suddenly find his door locked and the curtains drawn on the days when Helion made surprise visits to see Y/n. Nyx would find himself ushered around by a broomstick that swatted his ankles when the adults were discussing private matters. It was all a great deal of work. 

So it was a relief when Rhys and Feyre quietly moved their children to the House of Wind with Nesta and Cassian, and when Mor and Emerie took the final steps in emptying their rooms and went to hide out in their city apartment. It was even more of a relief when Helion returned to the Day Court, but not before throwing a heavy threat in Azriel’s face that if he should ever hurt his daughter again in any way, shape, or form, he’d strip the wings off his back. 

Meals at the House were tense, quiet affairs, something not even Feyre, Elain, and Nesta’s sisterly conversations or Cassian’s light-hearted humor could ease. Elain stayed close to Lucien’s side, one hand always on his arm or resting against his back or brushing against his, but that didn’t erase what the Blood Duel had done to his trust in Elain. He was kind, but guarded, especially when Azriel was in the room. But it was more than she could ask for because it was more than she’d ever given him in the beginning. 

You and Azriel were worse off.

You were speaking once more, but your words were always laced with a bit of apprehension and Azriel’s were always filled with sorrowful hope. Conversations were dull, short, and didn’t even begin to brush the surface of all the things you should have been talking about. You were terrified not of the Shadowsinger, but of his opinion of you. Did he want you so he could fix you? So that he could feel needed? So that you could be another one in a list of females he burned through? 

It never truly seemed like that was the case, but you also didn’t trust yourself when it came to your emotions. You had told him once that you couldn’t imagine having a love like Feyre and Rhysand’s, or Nesta and Cassian’s, and you still meant it. You were a matchstick and he was flint, and you didn’t know what would happen to you after he had lit you aflame. For all you knew, you were already burning and this wonderful thing you’d had with Azriel would live and die with nothing more than the memory of an embrace in Rhysand’s office to show for it. 

But oh how you ached to touch him again. To hold him like you had before and to have him return the gesture just as strongly. 

You stiffened when Azriel’s hand brushed your arm, warmth bursting out from the point of contact. 

“I’m sorry.” Azriel whispered, and he was talking about more than the wine he spilled when he reached over the table.

You spared him a glance, the first real look you’d given him in two weeks. The flagon slipped from his hands, and if it weren’t for his shadows catching it an inch above the floor, the room would have been doused in burgundy red. 

“Does Lucien know?” 

Rhysand looked up from his papers. Missives from the Darkbringer army and Illyrian troops up north clogged his desk, all begrudgingly accepting his orders to prepare for what could amount to another lengthy war. Letters thrown back and forth between the seven courts added to the chaos, all of them war-weary and desperate for a path that wouldn’t lead to bloodshed. 

You took up the center of his room and stood so quietly he hadn’t even noticed you until you spoke. It had been eating away at you for days since Lucien’s arrival. Every time you two saw one another or spoke, you tried to scrounge for clues that would reveal whether he knew he was Helion’s son and whether he might suspect you were Helion’s daughter as well. The other members of the Inner Circle had been tight-lipped about that secret, a skill you now knew they all possessed with alarming dexterity. 

“Does Lucien know he’s Helion’s son?”

Rhysand slumped back in his chair, rubbing his temples with one careful hand. Finally he said, “Yes.” 

The answer knocked the breath from your lungs. You’d been expecting the opposite. “Does he… does he know about me?” 

Rhys sighed and shook his head. You didn’t know whether to be disappointed or relieved. 

“How long has he known?” 

“Six years. Feyre was the one to tell him. She was actually the first of us to recognize the similarity, believe it or not. But then, no one ever dared to give weight to the rumors surrounding Helion and Aurelia Vanserra while Beron was alive.”

You rocked back and forth on your feet, breath shaking as it entered your body. “Six years. Six years and you never thought to tell Helion that he has a son? I thought you two were friends?”

Rhysand tensed. “I’m Lucien’s friend as well and he begged us to never speak of it - to live as though we’d never learned that secret. And I keep my secrets. We all do.” 

“You and your family have made that very clear in the time that I’ve been here.” 

“If you mean Azriel—”

“Don’t play dumb, Rhys, you know I’m talking about him.” Tears pricked at your eyes, adding to the humiliation that had coated you like a film ever since you’d seen his memories about Mor, Elain, and Gwyn. “I don’t—” You swallowed thickly, “I can imagine how you must have all been whispering behind my back about Azriel and I. How you must have found it so pathetic the way he charmed me when I was really his fourth choice.”

“That’s not true.” Was what Rhysand was going to say. But he didn’t need to. Azriel said it for him. 

Your face lost all color, any bravado melting away at the feeling of Azriel’s shadows wrapping around your ankles like ribbons of silk. You could feel him in the room and that quiet darkness he carried around with him as inherently as if it were stitched onto his body. 

Azriel was shaking. Shaking. With anger, turmoil, or grief — you couldn’t name it. All you knew is that one moment you were standing in Rhysand’s office, all velvet upholstery and suave, expensive taste, and the next you were in Azriel’s room. 

Everything smelled like mountain air. Maybe it was the gothic windows that stretched into the vaulted ceilings, stained glass opening out onto a personal balcony with deep blue curtains fluttering in the breeze. But you were sure that even with the windows barred it would smell the same. It would smell like Azriel. If you threw open his wardrobe you’d come face to face with a wall of black. Lots and lots of black. Black suits he hardly ever wore. Black fighting leathers. Black leather jackets for everyday. Black trousers. Black boots on the floor. Very practical. Very Azriel. 

If you dug through his dresser drawers you’d find black boxers and socks to match and no shortage of knives and daggers hidden behind wooden planks or in leather sleeves nailed to the bottom of his desk. But at first glance you only saw three weapons in plain view — Truth Teller, blade down and stuck in the wood grain of his desk beside a pile of reports, and two obsidian blades hanging from the wall beside his midnight blue bed in the shape of an “x.” 

The smell — Azriel’s smell — calmed you, at least up to the point where you turned to find him standing less than six inches away, hazel eyes boring into yours. Then your pulse skyrocketed. You were certain that if he only looked down to your heart he’d see it pounding against your chest like a drum skin ready to burst. 

“That’s not true,” he repeated earnestly. “And don’t you dare believe it. Not even for a second.” 

His eyes jumped back and forth between yours and before he could stop himself, his hands were grasping yours in a gentle hold. The leather gloves were soft and supple beneath your fingertips. You wanted to rip them off so you could feel his scarred hands again. 

“You weren’t meant to hear that,” you whispered, suddenly feeling small. That angry humiliation went up in a puff of smoke and left you shy and uncertain. 

Azriel gripped your hands a little tighter and you watched as tendrils of shadow worked their way up your arms and got lost in your hair. “But I did,” he said breathlessly, “And I need you to know that it’s not true.” 

“Azriel—”

“I know—” he was shaking his head, “I know what Helion said and I won’t lie and tell you that I’m perfect or that I’ve made any smart decisions about love in the past — I’ve not make a single one — but… but Y/n you’re not a fourth choice. You’re not something broken that I’m trying to fix or some fantasy I’ve fallen for.”

His hands shook and despite the gloves his hands still felt sticky and wet. Slick with your blood. The burning scent of iron in his nose.

“You’re the most real thing in the world to me. You’re—” You’re my mate. The words crawled up his throat like acid and it just felt wrong. He would say those words to you. He would. But not now. Not like this. He came up with something else. “Y/n, please tell me you believe me. Please.”

And there you were. Falling all over again. Burning like a matchstick on fire. The flames slowly eating away at you bit by bit. You wondered what would happen when you finally hit the ground, or when you ran out of length. Would he still hold you like this? Would you still feel real to him? 

“How am I meant to know, Azriel?” 

You’d always been good at books. You knew the ways in which these stories worked where the themes and plot points had been preordained and written with the purpose of being tied up in a neat package by the final page. People were very different. They were unpredictable and chaotic and they could lie through the skin of their teeth and believe they were telling the truth. And that was the problem wasn’t it? Because you still believed every word that came out of Azriel’s mouth, and his hands still felt like they were keeping you tethered to this earth when sometimes your powers and the memories that came with them made you feel like a whisper on the wind. Weightless and at the mercy of something you couldn’t control. 

“You can trust me. You can know for yourself.” 

He pressed your hand against his cheek and you wanted to cry at the faint pricks of stubble beneath your skin and the sharp curve of his jaw. 

He wanted you to use your power on him. He wanted you to learn all the ways he wanted you. All the ways he loved you.  

But you couldn’t do it. 

Azriel panicked when you remained silent, staring at him and at his hands like you were frightened. All at once he was back on the streets of Velaris, cobblestones shaving away at the skin of his palms as he dragged his way up to you inch by bloody inch, fighting against a body that was too broken to move. 

He couldn’t remember what it felt like when he’d stabbed you through the chest and dropped you on the street. Everything between the moment he saw Andrian’s clear-cut eyes to the moment he saw Rhysand’s horrified gaze was fuzzy and dark. But that made it worse because now in his nightmares he could imagine all the ways he’d hurt you, each version teeming with the same level of horror and possibility as the previous one. 

He let you go and hated himself when you stepped back, your hand slipping away. 

“I won’t… I won’t hurt you again, Y/n. I swear on my life. I’ll-I’ll make a bargain, I don’t care. I would sooner die than let something like that happen again.” 

I don’t know what I’d do with that kind of love. If I’d be able to handle it. It might be too much for me.

“Y/n, please.”

 I am not broken. But I am afraid. 

You fled from his bedroom. 

The air had a bite to it now with winter descending. The snow line on the mountains dipped lower and lower each day, creeping like ivy down a brick wall. 

Elain never wore gloves. Not when she was gardening. It was something she and Ione had in common. She liked the feeling of her strong hands, the callouses on her palms and fingers that she’d earned all on her own. She grunted, slamming her shovel into the soil and feeling the microscopic chips of ice give way when she kicked down on the blade. It was too late in the season to be planting tulip bulbs. If she’d been in Velaris she would have done this four weeks ago. But it was alright with her. She knew the value of hard work, and she had enough hope for the future to believe that even though she was late, she’d have something beautiful to call hers come springtime. 

“It’s time for that conversation I was telling you about,” she said cryptically, as was her way. 

Lucien dropped the final basket beside where Elain now knelt in the dirt, her pale pink dress dirtied and littered with her own handprints. The brown bulbs rolled around like oversized chestnuts, the kind that he’d be roasting over a fire right now if he were still in Autumn Court. Instead he was here, lingering in a Court that had never felt like home. Then again… he’d never felt at home in Autumn, Spring, or the Human Lands either. 

He straightened up and wiped his hands clean on his trousers, golden and russet eyes trailing over the River House’s grounds for this mysterious person he was meant to speak to.

There. 

The faint swishing of black robes behind a dark green topiary tree. He should have known Elain had been talking about you. 

You cracked your knuckles and rehearsed the words you’d scribbled out earlier that day and then set to fire in a maddening loop. You’d been restless with the truth of Lucien’s parentage and you couldn’t believe that the others had held their tongues so readily. As it was, without Azriel’s company to help quiet your mind, you’d dug into this new piece of information like a starving animal and couldn’t let go.

Was this a good time to tell him? Would there ever be a good time to tell him? You had no idea. 

Somewhere in the attic, you knew Vassa was itching to take to the skies like the burning comet she was. Every night she shivered in Jurian’s arms, the morphine barely able to take the edge off the humming in her bones, and every morning she let him lock her away in her cage. It was getting worse and worse trying to keep her from succumbing to Koschei’s influence. Even now you thought you could hear her keen cries whistling from the attic like ten thousand arrows launched into the air. 

Somewhere else, in a secret, hidden place you knew nothing about, Andrian had finally been imprisoned. Andrian with his bent neck and silver, candy-floss hair and bloody little hands. 

You shivered and jumped back five feet when Lucien called your name, kind eyes narrowed in concern. His shirt was loose and open and the sweat on his body rose like mist off his skin. He was his mother’s son first, Helion’s child second, and fire still ran through his veins. The chill did not touch him. 

He tipped his head to the side, red hair spilling out from the messy way he’d tied it up and away from his face. A brutal scar ran through his eye like a fissure, starting at the center of his brow before clawing its way down his jaw like a lightning strike frozen in time. But for all the cruelty he’d been dealt with in life, his eyes were gentle, even the mechanical one that whirred and flashed in the sun. 

They were even kinder when he looked at you. You with your inquisitive gaze and curious nature, like a stray cat that couldn’t help but linger too long at doorways. One foot inside, one foot ready to run and hide. He’d caught you watching him at dinners, and he’d catch himself staring when you walked around the house with a book in your hand, so utterly absorbed that you would bump against doorways and bang your hips against sharp corners. 

“Elain told me about you. Did you know that?” 

You blinked in surprise. “What did she say?”

“Elain… Elain doesn’t always speak clearly. Much of what comes out of her mouth can feel eerie or discomforting. But, she told me before we left for the Night Court that I would be happy I came. That I would never regret the things I learned on my trip.” He tilted his head even further, looking more and more like a fox with each turn of his face. “And she mentioned a bird. A bird with ink-tipped wings and eyes like a crow.” 

You flexed your fingers, well aware that the tips were smudged with ink, the nails bitten down to the quick. 

“Someone clever and cautious who’d been hidden away their whole life and needed to see the sun.” 

You felt stripped bare. That strange vulnerability that comes with being summed up in so few words had you feeling airy. Like one sentence could be enough to carry the weight of the three centuries you’d lived and never buckle. 

“I know you’re Helion’s son. I recognized it the moment I saw you.” 

Lucien stepped back, scarlet brows shooting up into his hair with alarm.

You hesitated, then continued on cautiously. “I recognized it because I would know my father’s face anywhere.” 

<- Previous Chapter Next Chapter ->

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Author's Note:

I KNOW IT'S A CLIFFHANGER ENDING BUT I NEEDED TO BREAK EVERYTHING INTO CHAPTERS SOMEWHERE AND I'M GOING TO TRY AND GET CHAPTER 16 UP BY WEDNESDAY SO I DON'T LEAVE Y'ALL HANGING FOR TOO LONG. HAVE MERCY!!!

The good news is that Chapter 16 is already mostly written, I just need to edit it all to make sure things flow smoothly. Also, LUCIEN KNOWS NOW AHHHHHHHHHHHH

Sorry for the Azriel angst... but it's delicious, no?

[bananasofthorns]

“He betrayed your trust and you aren’t more upset?" Helsknight scoffs. "Pathetic.” Wels rolls his eyes. “It’s a death game, Helsknight, that’s kind of the whole point. I should’ve seen this coming, honestly.” “You’re naive.” “Iskall’s my friend. It’s not naive to trust him.” “He broke that trust!” “Well, yes, and I plan to get him back for that someday, but also: it’s a death game. We all agreed to it. I’m not mad at him for killing me, I just wish he’d been a bit more upfront about it.” If he’d been more obvious about trying to kill Wels, then maybe Wels wouldn’t be dead, also. But Iskall’s whole goal was to kill him, so he can understand the deception. “You’re infuriating.” Wels shrugs. He generally tries not to be, but in this instance, he finds that he doesn’t mind. “Maybe so. Look, can we finish this later? I need to go get my stuff back from Iskall, and your presence would probably freak him out.”

you know when you get to that point of dealing with intrusive/self deprecating/etc thoughts that you're just like. "yeah okay. consider: you're stupid and wrong. also: go away, i'm busy"? that should be wels and hels

read on Ao3

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[starry-bi-sky]

Part SEVEN of "Clone Danny"

Red Robin, Danny recognizes, steps away from him as he sits up. "My name is Phantom," he signs, blinking the exhaustion out of his eyes. (From Red Robin's perspective, it looks like he has no eyes. There lacks his signature green glow.) "I'm not a gang member, just an out-of-town vigilante."

Red Robin frowns at him, an uncertain grip on the bō in his other hand. "Phantom?" He repeats, no lacking amount of suspicion in his voice. "How can I believe that?"

Right. Yeah, okay, that's fair. Danny shrugs at him, and slumps against the wall. "Google search?" He gestures, he's been out in the daytime before and he's seen the news articles about him.

Red's eyes narrow at him and Danny simply draws his knees up and faceplants into them, half-listening to Red's murmurs into his comm while also trying to get some extra-shut eye.

("Oracle, can you pull up anything on a vigilante named Phantom? The guy here is claiming to be one." Tim says.

"On it."

"Is this Phantom wearing a white mask?" Bruce asks, his voice gruff like an aftershock. "There's a vigilante who shares the same name, but he resides in Illinois."

"Is this guy from that Amity city you visited ages ago?" Says Tim, before shaking his head. "Don't answer that. Yes, he's wearing some freaky mask. I said it reminded me of Hood's helmet for a reason."

"I've got something," Oracle interrupts, "Bats' right. as usual. The Phantom of Amity Park, not much stuff of this guy but he's only been out for over a year. Apparently, his rogues' gallery consists of ghosts."

"Oh great.")

"Look tell the Batman that I'm sorry for trespassing on his turf," He signs irritably when Red Robin eventually starts talking to (re: interrogating) him again. "It's not like I want to be here."

"How did you get in Gotham anyways?" Red Robin questions, batman was on his way to help deal with the situation but Tim doubted he wouldn't get caught up on the way with dealing with petty crime. "Your turf is nearly a thousand miles away from here."

"Two words." Danny deadpans, "Teleport ghost." (Red Robin winces sympathetically.) "I'm keeping this bastard in the thermos for a month for this alone."

(Danny was ignoring the slow-choking anxiety growing in his lungs over how he was gonna get home. He never takes his phone when he goes out, the risk of breaking it was too high. He had no way of contacting anyone to get him home.)

(He swallows the growing lump in his throat, and buries the feeling in the back of his mind.)

"Thermos?"

Danny unclips his Fenton Phantom Thermos off from his belt loop and shows it to Red Robin. "My ghost-catching device," He says with one hand, tilting it carefully for Red to inspect. "I wish I could say I made it, but its a FentonWorks invention."

(He wasn't sure if it was a smart idea to say who it belonged to, but saying it wasn't his probably loosened up any tracks on him, right?)

"Do you work with these Fentons, then?" Red asks, and something dark and shadowy flickers from the corner of Danny's eye. He glances over, and sees nothing, and his hackles raise.

(Either that was Batman, or a ghost, or Danny's mind playing tricks on him. He couldn't feel his ghost sense building in his throat, so he decided it was either the latter of the former.)

Danny snorts, quiet and gruff. "No." He clips his thermos to his belt again, stifling a smile on his face. "The Fentons hate me actually, I prevent them from catching ghosts themselves. Their son gives me their tech."

He had a cover story, so he might as well stick with it, right?

Batman shows up at that moment, appearing atop the little roof where the door is, and giving Danny a heart attack when he speaks in his low, rumbly voice like thunder rolling in, "Why would they hate you for that?"

Danny shoots up to his feet with a startled yell in his throat, clutching his chest as he whirls around and looks up. He nearly runs into Red Robin, and signs a few choice swears at the Bat.

"wow you're scarier in person, asshole."

"you didn't answer my question."

"Of course I didn't, you scared me." and Danny takes a trembling step back when the Batman jumps down and lands on the roof in front of him. He's faced ghosts before, but somehow the living is always scarier.

"But, um, the reason is a bit.. complicated, I guess." He says, fingers beginning to shake as his adrenaline wears off. God is he tired. He wants to go home. "The Fentons are the local ghost hunters and local crazies. I don't know if I can call them mad scientists because they're harmless to the living."

"But they're extremely anti-ghost. I've heard from their son multiple times the very unethical things they would do to ghosts if they got their hands on one."

Danny 'talks' a little more before calling it quits, even telling Batman that he can't tell him more without putting his identity at risk.

Plus, its getting harder and harder to hide his bone-deep exhaustion and his growing fear of being stranded in the most dangerous city in America with no way home.

"I would love to tell you more, believe me I'm dying to." Danny signs, shaky sarcasm dripping from his fingers. His hands are visibly trembling and he's withholding a slowly growing panic attack. "But I would like nothing more than to figure out a way to get home."

"Do you have no one to contact?"

"Sort of. But only one of them could probably come get me and get me back to Amity by sunrise. And I have no phone."

That one person being Ellie.

=====

Part 1 Part 2 Part 3 Part 4 Part 4.5 (Dani interlude) Part 5 Part 6 Part 7 Part 7.5 (Dan Interlude) Part 8

Taglist: @the-navistar-carol @thought-u-said-dragon-queen @gin2212 @youracearocroatneighbour @luckybyrdrobyn @deeplyconfusedbear @epilepticnerd @beautifulmomenttodrawblank @sara0055 @blusunkhild @letmesayfuxk (?) @latheevening226 @tkiesai @rosedasy @meira-3919

[thiswaytwoinfinity]

it’s a bad idea, right? — a jake x reader story inspired by sleeping with other people

Jake Seresin doesn’t do commitment. He’s happy to love ‘em and leave ‘em, making it clear from the jump that he only wants something casual. But with his 35th birthday just behind him and a new, permanent assignment keeping him in one place, Jake is starting to chafe against the “playboy” label he used to embrace. So, he makes himself a promise: the next time he dates (or even hooks up with) someone, it’s going to be for keeps.  

Just after making that declaration, though, he runs into you — a former fling who has returned to San Diego after yet another agonizing situationship has left your heart broken and your pride wounded. Apprehensive of the dating scene and suspicious of Jake’s new vow of singledom, you decide to befriend him so you two can help each other on your respective journeys of self-discovery.

And despite your history, you both promise that everything will stay completely and totally platonic. Seriously. You mean it. There will be no funny business of any kind. In fact, you’re barely even attracted to one another …

What could go wrong?

Coming soon

[flowercrowngods]

yearning hours (b-side) — in which being in love can feel like the greatest tragedy of all until you learn that you’re not alone (or: bravery, despite everything)

🤍 also on ao3

Steve comes to the quarry when he needs to think. He comes to the quarry when he needs to not think. When he needs to feel this rush of adrenaline that feels so much like monsters are real and the world has turned upside down. Except he isn’t going to die here, sitting on the cold ground, legs dangling over the abyss.

He’s not going to die, but life stops for a moment all the same. 

And Steve relearns how to breathe. How to think. How to not think. While the darkness below him swallows it all. The pale light of the moon is not enough to reach the ground hundreds of feet below, or to chase away the complete and total darkness that meets his eyes when he looks down there. 

It’s all-encompassing, this darkness, the vastness of it; Steve sometimes feels like he becomes part of it. Just for an hour or two. Just for the night. 

The cold air that hits his face makes him shiver for a second, and reminds him that he used to think the darkness at the bottom of the quarry had a life of its own. Hell, maybe it does. With what they’ve seen, what they’ve fought, who’s to say there’s nothing down there? Maybe that’s what draws him here so often. 

Does the living darkness know his secrets like the darkness in his room does? Does it listen to him, does it care? They’re stupid questions, Steve knows. But they carry a hopefulness he wants to preserve. Something that survived the Upside Down, that survives the nightmares and the flashbacks and the post-traumatic stress, as Hopper and Owens call it. 

There’s something primal about sitting on the edge of such vastness, so much so that it makes his heart beat faster, his breath come shallower, like he is just a second away from falling. Like he has to savour this; this second, this moment, this life, because beyond it, around it, below it, there is only darkness. 

He takes a deep, shuddering breath and lets it all out until his lungs ache. The silence is absolute. He feels like the only person on the planet — but not in the bad, painful way that’s been hiding in the back of his mind for as long as he can remember. 

If he only breathes like this for a while longer, lets the feeling settle, lets the thoughts come and bring emotions with them, he knows that soon the tears will fall.

Tears, because he shouldn’t have to sit at the edge of the quarry in the dark of night just to be able to feel. Tears, because he forgot how to be a boy, how to be a person, about three years ago. Almost to the day. Tears, because they all did; but he’s Steve. He can’t let them see. Wouldn’t know how even if he wanted to. 

And tears, tonight, because just hours earlier, Eddie fell asleep while Steve made dinner. His arms were curled around the pillow Steve had leaned against all afternoon, and Steve just stood there in the doorway to Eddie’s room, the smell of fresh pasta mixing with that of leather, paperback books, tobacco and laundry detergent that is so purely and wonderfully Eddie that Steve just wants to catch it in a mason jar and open it whenever he needs a dose. 

Eddie had fallen asleep, and all Steve could do was look at him. Smile on his lips, ache in his heart that only grew in ferocity until all he could do was leave. Because friends don’t watch their friends sleep. Not like this. Not with their hands twitching by their sides, curled into fists to stop them from reaching out and trailing over soft, warm skin. Friends don’t… They don’t. 

So Steve left, pasta untouched. Heart unravelled. Words unspoken. 

He left and sped off until he reached the quarry, a safe place to piece himself back together again — but he doesn’t have the heart to leave out Eddie. So every time he comes here and puts the pieces of himself back together, he puts Eddie in the centre. He always does. It’s what keeps getting him in this mess. 

But it’s still the closest he’ll get to bravery after the Upside Down; admitting, if only to himself, that he likes a boy. Allowing himself to cry about it. To breathe in and breathe out and have the truth unchanged, unchallenged, undoubted.

He’s still breathing when the all-encompassing silence is interrupted, joined by the unmistakeable sound of tires on gravel. Seconds later, headlights illuminate the night, his arms, the edge of the quarry, but still not reaching beyond that. The car comes to a stop but Steve still doesn’t move, doesn’t turn around, just hopes that whoever it is will just leave him alone. 

Lights go out, the engine is killed, followed by the sound of a car door opening and being closed far too gently. 

Steve isn’t too surprised when steps approach him slowly, nor when they come to a stop beside him, chasing away some of the cold that’s been resting over him like a blanket.

Instinctively, he knows it’s Eddie. He just doesn’t know why. 

“How’d you know I’m here?” he asks into the void, still unmoving. 

“Just knew,” comes the reply, and it sounds so soft, so gentle, so understanding that Steve fears he might fall apart and have to rebuild himself once more. Twice in one night. Wouldn’t be the first time. Won’t be the last. “Why’d you leave?” 

Because otherwise I’d have crossed the distance and fallen to my knees, brushed a kiss to your forehead and told you dinner was ready. Because otherwise I’d have slid down the doorframe and watched over you, watched you, and the firework of a person that you are even in your sleep. I’d have fallen in love and I’d have fallen, fallen, fallen. So I needed to go where falling is not an option. 

Instead of saying any of that, Steve only shrugs. “Just did.” 

It’s lame and unfair, he knows, but talking to the darkness is so much easier when there’s not an audience, and Eddie just… he can’t know. Any of that. 

“Can I join you?” Eddie asks then, and Steve can hear it in his voice that he would leave if Steve said no. 

Maybe that’s why he doesn’t; just nods and scoots to the side a bit even though there’s enough room for Eddie to sit just anywhere. 

But he doesn’t sit just anywhere, no. He sits down rather clumsily — for which Steve can’t blame him, it is a little scary in the dark, and one wrong move could be your very last — and ends up with his arm and shoulder pressed to Steve‘s, their legs so close he can feel Eddie‘s warmth through the denim.

It’s too much. It’s not enough. It’s dangerous, so close to falling, and Steve scoots to the side, breaking contact. Breathing carefully.

Eddie‘s eyes are on him, he can feel it. He doesn’t react. It hurts, his entire body aches with how close he wants to be. But it’s too much, even for himself to bear. Putting all that on Eddie would be enough to take them both down to the bottom of the quarry, and lower still.

So he swallows. All the words he cannot say, all the thoughts that lump together and clog his throat.

“Are you okay, Stevie?” Eddie asks, and Steve just shrugs again.

“Sure.”

“Right,” Eddie whispers, then sighs. It’s not a heavy sigh or a judgmental one, but it makes Steve flinch all the same.

Too much. Too fucking much even unknown.

Silence falls over them, the quarry working its magic — or its curse — even on Eddie Munson. Steve wonders if it suffocates or liberates him, but he doesn’t dare to ask. It would take too much explaining for the question to make sense, too much revealing himself, too much of… Just too much.

He wants to ask. To say something. To scoot back over again, closer to Eddie, and lay his head on his shoulder, bask in his warmth and withstand the magic, the curse, the darkness.

Withstand it, because that’s what Eddie does. He is brave, despite everything.

And Steve is just the boy who sits with darkness at night because he doesn’t know how to be brave anymore, not when there’s no question of life or death. He forgot all about everyday-bravery.

But Eddie didn’t. He’s still there, still smiling and laughing and teasing his way through life and into Steve’s heart and soul.

And Steve doesn’t know what to do with it. Doesn’t know what he can do with it. Doesn’t know how to ask.

It’s no surprise, then, that it’s Eddie who does.

“What are we doing, Steve?” He sounds a bit resigned about it, and it makes Steve hide away in himself even more, focusing on the darkness beneath him rather than the light beside him — they both leave him blinded at equal measure, but one of them doesn’t ask him questions to which he doesn’t know the answer.

“What do you mean?” he asks after a while, his voice a little off. He doesn’t know what he’s feeling. Apprehension, maybe. Caught. Uncovered. Exposed.

Beside him, Eddie sighs again, just a little bit, but Steve has always hated that he keeps making people sigh. Makes him feel so fucking small, so incredibly useless.

He raises one leg from the abyss to rest his chin on his knee, because suddenly he feels so heavy that he needs the physical reminder that he’s not about to fall. One foot on the ground. Steady, secure, a great illusion for now.

“Sorry,” he whispers at last, because Eddie hasn’t said anything, has only sighed and created a silence that’s so loud it can probably be heard at the bottom of the quarry, and Steve feels like the silence is his fault this time.

“What for?”

“Dunno,” he confesses, lies, concedes as his house of cards begins to crumble for some reason. The heaviness wanders from his throat down to his heart and settles there, making a home for itself, casting out all the lightness that usually comes when he’s around Eddie.

But it seems he’s reached his breaking point. It seems he can only pretend to be okay for so long, pretend not to yearn and ache and long for intimacy and tenderness. It seems he can only put himself together again, rebuilding himself around Eddie at his centre, until it would break apart for good. Burst out of his heart, dismantle him piece by broken piece until all that’s left is a broken boy, yearning.

And so he can’t stop the tears even if he wanted to. They’re kind in their silence, streaming down his face without demand for sobs or sniffles. Just breaking free, a simple displacement reaction. Following the physics of emotions.

“Hey,” Eddie whispers, reaching out to wrap an arm around Steve’s shoulders, pulling him into his side. There’s that warmth, that touch, that gentleness he’s been craving — and there’s that sob he’s been suppressing. “Hey, Stevie, it’s okay. You’re okay. You can talk to me, you know that, right?”

He shakes his head into the warmth of Eddie’s neck, wiping dejectedly at his tears.

“No?”

“No,” he whines, sighs, groans, annoyed with himself.

“Don’t want to? Or can’t?”

Both. Neither. All at once.

He shrugs again, still leaning against Eddie.

Eddie, who turns his head slightly and brushes his lips over Steve’s hair in what can only be described as a kiss. Except, it can’t. It couldn’t. It isn’t.

Steve begins to shiver against him — maybe he’s cold, maybe he’s overwhelmed, maybe he’s both and neither and everything all at once.

“I’ve got you, Stevie.”

And then Eddie kisses his head again, and he stills.

“You can’t kiss me, Eddie,” he says, voice still thick, but steadier this time. No more sobbing, no more whining. Just a broken boy, yearning. Always, always that.

Eddie freezes where he’s holding Steve, only his arm still moves in soothing, rubbing motions — warming him, holding him, saving him. Always, always that.

“Sorry,” Eddie says this time. Except it’s wrong. It’s so wrong, and Steve leans back to look at him. It’s impossible to make out his expression in the darkness, but he tries nonetheless.

“Don’t be sorry,” he whispers. “Just…” He gestures vaguely, not quite sure what the just entails. Just mean it. Just do it right. Just don’t do it out of pity. Just leave me alone until I’m over you even though we both know I never really will be.

“Just?”

Steve shrugs. Whispers, “I don’t know.”

“Don’t hide, Stevie.” Be brave, Stevie. Be brave like me.

God, how he wishes. How he longs. How he aches.

“You don’t have to hide, not from me.”

Steve huffs and says, before he can stop himself, “Especially from you.”

Eddie pauses and Steve freaks out a little bit, even before Eddie asks, “Why?” He sounds wounded. Small. He shouldn’t sound like that. Never.

“Because you’re gonna see otherwise.”

“See what?”

That I’m completely and utterly in love with you. Besotted. Enamoured. All the big words you like to make fun of. All of them and more.

“Me.”

There’s a beat where nothing happens. Maybe time stops, maybe reality resets itself, settling in more comfortably in anticipation of vulnerability’s fallout.

And then Eddie takes his hands, reaching for them in the darkness and finding them with ease. Like he’s done it many times before. Because he has. Just never like this.

“Steve,” he begins, and Steve wants to run again. To hide, to confess to another void, and make Eddie forget this conversation ever happened. “I think I already do.”

What? No. No, you can’t.

When Steve doesn’t respond, Eddie continues, seemingly gathering himself and his thoughts as he goes. Always so much stronger, so much braver than Steve.

“I already do see you. The way you smile at me, light up the whole room with it. The way you hug me, always a little too long, but never long enough if you ask me. I see you blushing, I see you going out of your way for me, and… And I think, if you knew how to look, you’d see the same in me. Because, uh. Because I like seeing you. And I like… I like you. Not in a friends kinda way. In a way where I wanna sit beside you all night and talk about deep shit, but I wanna run my fingers through your hair when we do. I wanna play with your fingers when we do. I wanna kiss you when we do, because there’s deep, heavy, traumatic shit everywhere, but there’s also you. And I don’t want one without the other. I want you. In that exact way that I see you looking at me, wanting me, too.”

Eddie swallows, a little breathless beside him like Steve’s not choking on emotion himself.

“Tell me I’m wrong,” Eddie whispers then, pressing and desperate and knowing. “Tell me you don’t like me in a way you think you shouldn’t. Tell me I don’t see you.”

He shakes his head, slowly, frantically. “I can’t.”

“Because it’s true?”

Steve’s nodding now, just as frantic, leaving him disoriented and falling, only anchored to Eddie who’s still holding his hands.

“Yeah,” Steve gasps, rasps, whispers. “It… I’m. I don’t.” It’s he who swallows heavily now, needing a second or an eternity to process Eddie’s words. “You really mean that?”

Eddie nods. He can feel it, somehow.

“I don’t know what has you so scared,” Eddie begins. “Except the obvious, of course, but I feel like that’s only a small chunk of it. But you gotta believe me when I say that I mean it. I like you. So much it makes me stupid sometimes.”

Steve huffs, but it’s a smile this time. A real one. Tinged with sadness and heaviness and disbelief still, but a real one nonetheless.

“I wanna tell you. All of that. Everything, in my own words. And I will, but… Eddie, I’m—“ Steve starts with a quivering voice but shuts himself up before he can ruin this.

I’m broken. I’m not sure if I can let you. I’m just Steve. I’m bullshit. I’m…

“I’m tired.”

It has a double meaning, here at the quarry — but he doesn’t mean it like that. He wouldn’t. He couldn’t. He won’t.

“Can you just hold me?” It is perhaps the closest to bravery he’s going to get. Tonight, or always. But it’s enough. It can be enough.

Eddie hums and Steve can hear the smile, can feel how some of the heaviness inside him dissipates with it.

“Of course, sweetheart.”

Steve shivers again as he shifts, lying back so it’s only his legs, bent at the knee, that dangle over the abyss now. Eddie joins him, wrapping his arms around Steve’s middle and rearranging them so Steve rests half on top of him. It can’t be comfortable, but Steve doesn’t mention it.

They lie there in silence, and Steve allows himself to let go of the tension in his bones as he feels Eddie’s hands travelling across his back in a tender caress. He doesn’t quite believe it’s real, doesn’t believe he’ll get to keep it beyond this moment, and can’t quite savour it the way he wants to because surely he will lose this, too. Surely Eddie will realise and come to his senses and—

“Do you really mean it?”

“Yeah,” Eddie says, leaning up slightly to brush his lips over Steve’s temple. “Yeah, Stevie. I really, really mean it.” And then, after a while, “Will you come back home now?”

Back home. Home to Eddie and Wayne. Home, because Eddie cares and wants and bravely, bravely asks.

“Yeah,” Steve says.

Another kiss to his forehead. “And will you stay?”

It is Steve now who leans up, hovering above Eddie to meet his eyes through the dark. “I will. I do.” And then he slowly, carefully captures Eddie’s lips with his own, sealing the promise and receiving one in return.

Kissing Eddie is a lot like falling, he realises. But there are arms wrapped around him, holding him, never wanting to let him go — so maybe it isn’t falling after all. Maybe it’s flying.

At home in his bed, Eddie holds him some more, running fingers through his hair long after Steve has fallen asleep.

They’ll make it work.

[daily-crowley]

Crowley Of The Day: gorgeous 😍

(I used up all my hashtags that I couldn’t do my usual GO tags that I always do lol I don’t care)

[spicyet]

What are you looking for here? Scroll back up.

Just kidding, here’s a treat:

[im-still-watching-anime]

sasuke: i’m still glad we made up and all but….

naruto: …..but?

sasuke: us killing each other would have been SO romantic

naruto: i was JUST thinking about that—

[breadandblankets]

read Wayne family adventures and want a more accessible path into comics than a billion issues reading lists?

scared of what you heard about Bruce in comics?

curious as to what duke fans get all huffy about when a new wfa issue comes out?

introducing:

[choccy-milky]

oh boy anon, you’ve activated my trap card. GET READY FOR A SEBASTIAN CHARACTER ANALYSIS ESSAY BELOW LMAO

ok so first off I know im obvs biased, but I don’t actually think my seb is that ooc, AND PUT DOWN YOUR PITCHFORKS IMMA EXPLAIN WHY. but im also gonna explain why I don’t think the other more friendly and lighthearted renditions of seb are ooc either. bc theres so many aspects of seb we get in the game that can be interpreted in so many diff ways, and so this is how i see it/landed on MY rendition of seb:

PROTECTIVENESS/POSSESSIVENESS: this is one of the main aspects of him, imo. his entire questline is about wanting to cure anne, and how he’s not giving up, and how he believes that HE is the only one that can do it, because “she’s MY sister!” seb is super tunnel visioned and has a one-track mind when it comes to this, and I headcanon that he’s this way because of their parents deaths. he’s the brother, the boy, he’s gotta be strong for his sister, and ofc when their parents died, he tries to comfort her and be there for her/be the rock, and it happens again when she’s sick. shes his sister, his responsibility, and he’ll die before he gives up on her and her safety.

SO, I just transfer all those aspects over to a romantic relationship instead. you just replace “shes my sister” with simply, “she’s mine/my gf/my wife/etc.” and in the same way I think seb tries to be strong and reliable and protect anne because he’s the brother, I think seb would be the same way in a relationship, because he’s a boy and she’s a girl and its 1890 and he’s chivalrous and he just sees it as his responsibility. I think the death of his parents and his dynamic with anne has baked this sort of mindset into him, and its even MORE intense in a romantic aspect, because then hormones and puberty and sexual tension and attraction is involved (plus the fact that seb in my fic is 17, so he’s older and has even stronger raging hormones and testosterone LOL.

JEALOUSY: who can forget the lines “between the two of you, I’m starting to feel left out” and “ominis simply needs a moment with you and he’ll change his mind. is that it?” the first one is more playful but I feel like the second one really showcases sebs brand of jealousy, and how biting and uncharitable it can be.

AGGRESSION/VIOLENCE: yet another iconic line with: “fine. but ominis knows, I won’t step back from a fight.” LIKE... the fact that apparently ominis knows this means its come up more than once…and im not saying seb is some unruly aggressor who flies off the handle at anything, but he defs has a capacity and is willing to get violent if HE believes the situation calls for it—basically the same way he feels about the dark arts. he felt justified using imperio to protect anne, and taking the relic to save anne, and so he would have fought ominis to get out of the catacomb. and with MY seb, while he doesn’t go picking fights with any boy who looks or gets close to clora, he’ll definitely be willing to beat up or lay hands on a creep who bothers clora/who is in the process of bothering her LOL.

SO YEAH, that’s pretty much it, and I’ll be the first to admit I definitely ramp up these traits further because he’s older in my fic and i think these traits would only get more intensified with age + being in love and also bc IM A TWILIGHT GIRLIE!!! what can I say. there are so many moments in my fic where you can just replace seb with edward and it wouldn’t seem out of place tbh LMAOO so blame twilight, it was a formative experience for me BAHAHA

BUT like I ALSO said, I don’t think peoples more lighthearted interpretations of seb are ooc either. because even all my earlier above examples, you can just focus on diff aspects of them. like his tunnel vision and obsession to cure anne? instead of seeing it as over the top protective and possessive, you can just view it in a more wholesome determined selfless sort of way. like I said we got so many nice little bits and ingredients of his personality that we can turn into anything we want, really👌just pick which flavour of seb u like best and use what we got in game to create it HAHA

AW TYY QUEEN BAHAHA💖 and aw im always so honoured when ppl tell me they consider my stuff canon that’s like the best compliment I can get, tysm 😭 and im glad you like my fic and art so much (enough for your friends and family to unfortunately know💀 LMAOO)

im adding your ask to this because it kinda ties into my seb essay. LETS GET INTO WHY A SWEET BABY ANGEL WOULD LIKE SOMEONE LIKE SEB. the answer ISSS: the same reason WE’RE also all into him I guess?? BAHHA

ok but to start off im gonna defend my seb, not only cause of what you said anon (i dont want you to feel like this is targeted to you!) but also bc I got an ask recently asking me to summarize seb and clora’s relationship since all they see from my art is that “they fuck and seb is possessive” LMAO, and I feel like ppl who JUST see my art and don’t read my fic have a warped image of my seb.

this may be shocking but I don’t consider my seb a red flag LMAO. I joke about how hes more of a pink flag tbh, but even THAT i dont even really believe, and don’t even consider him overly possessive. like yes he keeps an eye on her when shes hanging around other boys, but I feel like that’s normal (esp for 1890) and all of his most possessive moments have been when theres been a threat to cloras life/coming from a place of love and protection (especially since clora is so self-sacrificial, she’d have killed herself by now if not for seb LOL) so to me id actually put Sebastian as being PROTECTIVE as his first and foremost trait, followed by the possessiveness.

and yeah he gets jealous, but unless a dude is actively trying to get with her/hitting on her/harassing her, he’ll otherwise just kinda be unhappy about it/let it play out/ watch on unhappily LOL. and even when lawley was blackmailing clora and getting in between her and sebs relationship and lying about how close he and clora were, seb demanded answers from CLORA on what was happening between the two of them, but he didn’t touch lawley or tell him to stay away. bc seb thought that was what clora wanted, so he let her drift away. if he was TRULY a red flag, in this instance he would have just beat up lawley for taking what was "his"/not allow clora to leave him/immediately go to lawley instead of clora, and tell him to stay away despite what clora might want. (and clora even WISHED seb had interfered and done this. she was like 'why is he letting me drift away and go off with lawley i WANT him to fight for me...but she couldn't actually say anything thanks to the blackmail)

clora doesn’t just 'put up' with sebs more possessive and protective behaviour though, she actually likes it HAHA. just bc shes a precious baby angel, we all like a bad boy, even back then. just look at jane eyre, and how popular the dark and brooding and assholey mr. rochester was.

she tells seb at one point that she likes those things about him, even his immature competitive side, and his darker sides, and that he shouldn’t try to hide them or change himself because she accepts them. and even putting aside all of the stuff they’ve been through together that has bonded them (like the main canon quests + annes curse and then CLORA being cursed, and then clora being kidnapped and seb saving her) clora thought seb was roguish and charming and witty and intelligent and good looking from day 1. add to the fact that he’s just so devoted to her in everything he does, that even if he CAN get a bit overbearing at times, how could you NOT fall for someone like that😩 someone whose possessive behavior just stems from wanting to protect you and love you and want to keep you safe and cherish you like DAMN…. GET ME A SEB, TOO. WHERES MINE!!!😭😭

clora also realizes in ch 32 WHY seb is so protective of her (the trauma with his parents and wanting to be there for anne) and that she accepts it, and enjoys it, and that she might even MISS it if seb were to ever get less protective of her/might get lonely LOL, and then sebs like "i’ve "spoiled you, have i?"

so YEAH I don’t think sebs protectiveness and possessiveness goes into any toxic territory or red flag territory PERSONALLY (and the time that it DID get toxic was because of the relic, and clora DID put her foot down)

but my normal seb? whose dream in life is to whisk clora away into a tower and lock her up to keep her safe and keep her all to himself, but that he’d never ACTUALLY do because he knows its insane and unreasonable but jokes about wanting to do it anyway bc he would if clora agreed? clora finds that endearing and cute and is touched by how much he loves her and wants to keep her safe.

IN CLOSING: I LOVE THEM YOUR HONOUR AND THEY LOVE EACH OTHER👩‍❤️‍💋‍👨👩‍❤️‍💋‍👨👩‍❤️‍💋‍👨

[not-poignant]

Every now and then I just get the kind of comment that makes me stop working on a fic and just has me going 'how about you write it since you're so concerned with correcting me on this one tiny thing that doesn't matter because it's fanfiction actually'

And like, I do want to work on this fic, but damn, not today.

[sourscratched]

the hand that feeds

[justastrugglinghotchocolate]

Ya’ll I used to jokingly consider this, but nah, there is enough evidence in the book to suggest:

Henry ruins Dorian out of spite and jealousy towards Basil for moving on from him.

Let’s get right into this. 

I went back into the book because I wanted to review the post I made about Henry and misogyny earlier. Besides the usual annoyance at Henry’s dumb stupid rant, I noticed this line:

“I had buried my romance in a bed of asphodel.”

And then it hit me that Henry’s worst rants about women only come after the topic of marriage, but more specifically, commitment. Which then led to an even more interesting idea: I’m pretty sure Henry mostly uses ‘women’ as cover to complain about Basil and Basil’s ‘lack of commitment to him.’

I want to note that there’s a lot of interesting things in regards to Henry and his relationship with women that I’d love to go into, but this will focus solely on him and Basil.

Here’s what Henry says in his misogynistic ass rant after Sibyl dies. (This is from the 1891 ver):

“But [Sibyl] would have soon found out that you were absolutely indifferent to her. And when a woman finds that out about her husband, she either becomes dreadfully  dowdy, or wears very smart bonnets that some other woman’s husband has to pay for.”

Basil is often considered ‘unfashionable’/‘dowdy’ by Henry’s standards. This is only further proven in what he says about Basil’s disappearance:

“Why should he have been murdered? He was not clever enough to have enemies. Of course, he had a wonderful genius for painting. But a man can paint like Velasquez and yet be as dull as possible. Basil was really rather dull. He only interested me once, and that was when he told me, years ago, that he had a wild adoration for you and that you were the dominant motive of his art.”

But that isn’t all. The last part of that quote matches one to one to Henry’s claim about women (or Sibyl, specifically). Basil was not only ‘dull’, but his only ‘fashionable’ attribute, his art, grew ‘dowdy’ once he discovered Dorian’s indifference to him.

Henry also says this about women:

“Good resolutions are useless attempts to interfere with scientific laws. Their origin is pure vanity. Their result is absolutely nil.”

And later:

“But women never know when the curtain has fallen. They always want a sixth act, and as soon as the interest of the play is entirely over, they propose to continue it. If they were allowed their own way, every comedy would have a tragic ending, and every tragedy would culminate in a farce. They are charmingly artificial, but they have no sense of art.”

Guess who makes resolutions regarding goodness? Basil, who refuses to believe that Dorian is nothing but a good, pure man. 

“[Basil] could not bear the idea of reproaching [Dorian] any more. After all, his indifference was probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble.”

Basil’s arc traditionally should have ended once Dorian rejects him. Between that chapter and the chapter where Basil dies, there is no mention of Basil in any form. By all means, Basil’s role in the story is over—and then he demands the ‘sixth act’ to confront Dorian.

And finally:

“Besides, nothing makes one so vain as being told that one is a sinner. Conscience makes egotists of us all. Yes; there is really no end to the consolations that women find in modern life. Indeed, I have not mentioned the most important one.”

“What is that, Harry?” said the lad listlessly.

“Oh, the obvious consolation. Taking some one else’s admirer when one loses one’s own.”

Now before I point out the obvious irony of Henry literally 'taking someone else's admirer' (henry actually has a lot in common with his 'criticisms' of women), I want to bring your attention to a key part we don’t discuss enough about in the book.

““Life has always poppies in her hands. Of course, now and then things linger. I once wore nothing but violets all through one season, as a form of artistic mourning for a romance that would not die. Ultimately, however, it did die. I forget what killed it. I think it was her proposing to sacrifice the whole world for me. That is always a dreadful moment. It fills one with the terror of eternity. Well—would you believe it?—a week ago, at Lady Hampshire’s, I found myself seated at dinner next the lady in question, and she insisted on going over the whole thing again, and digging up the past, and raking up the future. I had buried my romance in a bed of asphodel.”

So I’m gonna make an educated guess and say Henry is lying his ass off here. He did not have a ‘romance’ with a woman. He certainly did not get an emotional, romantic attachment with a ‘woman’. I feel comfortable saying this because 1) his general distaste for women literally points to this being bullshit and 2) a significant change that was made from the 1890 version of the book to the 1891 version.

This is the quote in 1890:

“I once wore nothing but violets all through one season, as mourning for a romance that would not die.”

This is 1891:

“I once wore nothing but violets all through one season, as a form of artistic mourning for a romance that would not die.”

Well, well, well, who is the arti—It’s Basil. He’s literally talking about Basil here. AND GUESS WHAT VIOLETS MEAN IN VICTORIAN FLOWER LANGUAGE?

A couple of things actually, but the top three are:

‘Faithfulness, Modesty, and Love.’

Henry emotionally had been faithful to Basil. While I doubt he was monogamous in anyway, Basil held a special place that no else would ever have. Not even Dorian.

And this brings me back to the quote that originally sent me down this rabbit hole:

“I had buried my romance in a bed of asphodel.”

In the 1890 version, it says:

“I had buried my romance in a bed of poppies.”

Poppies are known to mean death and would have fit perfectly if Henry was saying he felt nothing for the relationship, but what does asphodel mean?

‘Love Beyond The Grave’, ‘Remembered Beyond The Tomb’ and sometimes, ‘My regrets follow you to the grave’. 

(NOTE: please keep in mind floriography could mean certain things based on the color and the type of flowers. That being said, considering Wilde described the shit out of every setting he wrote, the lack of detail about the flowers suggest the most broad meaning is meant to be taken.)

Henry isn't over Basil. He couldn't kill the love, so he buried it and took Dorian as a consolation and revenge. He will never be able to get over Basil until Basil or himself dies.

BOY DO I HAVE GOOD NEWS FOR HENRY/s

[braceletofteeth]

Strangers From Hell Incorrect Quotes [13/?]

insp.

[brainworms-all-night-long]

Nine didn't stay alone in the Grim btw. After like a week he packed his bags and went to Green Hill and prime bros au happened trust me bro