#give him the starring role in the next OP movie. Now.
Deeply deeply deeply in love with bands with voice actors as the lead singer. I love you Eyeshine. I love you OLDCODEX. I love you GRANRODEO. I love you Stellagram.
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We've seen the versatile and charming Chris Pine take on a litany of roles over his career that have stretched him both emotionally and physically. He has been the suave space pioneer Captain James T. Kirk in the Star Trek movie franchise, the sophisticated CIA special ops man in Jack Ryan: Shadow Recruit, the charismatic and rakish swindler Frank in Don't Worry Darling, and most recently, the down-his-luck scoundrel in Dungeons & Dragons: Honor Among Thieves. He has handled each of these characters with just the right amount of deft, nuance, and effusive energy. But the role that is without a doubt his most layered and measured is as Toby Hooper in the Taylor Sheridan-written neo-Western Hell or High Water.
While it might surprise some to learn that Pine has never even been nominated for an Academy Award, there is one singular part we think deserved not only a nomination but a straight-up Best Actor in a Motion Picture Oscar, all thanks to his elegantly rugged portrayal of Hooper. By now, he should have a little golden statuette on his mantle as we speak, and the fact that he wasn't even nominated needs to be re-examined as there are a handful of "Oscar moments" for Pine in the film.
Chris Pine has been called on to play all sorts of characters in his still very young career, but his role in the Taylor Sheridan neo-noir Western is by far his best. In Hell or High Water, Sheridan writes a part for him that really pulls out all the actor's talents as a modern-day Frank James to his brother Tanner’s wild-ass Jesse James. After a series of ham and egg bank robberies, the two main characters settle into place. Tanner is brash, irreverent, and seems okay with giving the whole world the middle finger. For Pine's Toby, it's not quite so easy. He has to be the brains and measured temperament of the outfit as they are on a mission to steal enough money to pay off the bank lien on their family ranch that sits amid the sprawling West Texas plains. Sheridan wastes little time giving Pine the emotional anchor of the misanthropic antiheroes and asks him to deliver a sympathetic felon who you somehow want to see succeed no matter how many laws he's broken or people he's harmed. It takes serious dramatic savvy to do that and be convincing to a smart audience.
As the Hooper brothers are on the run from the law played by the equally dyspeptic tandem of sheriffs named Marcus Hamilton and Alberto Parker (Jeff Bridges and Gil Birmingham, respectively), they stop at a remote convenience store in the middle of nowhere. When two punks pull up next to Tanner waiting at the gas pump in a bright neon green muscle car and start to give Tanner shit, Toby comes out of the store and sees what he perceives to be a threat to his kin (the driver brandishes a gun), and doesn't hesitate for a second. It's Chris Pine's second "Oscar moment" in Hell or High Water as he single-handedly delivers an epic beating of the driver. By the time he makes his way to the passenger side of the car, he is met with a stunned and frightened kid who doesn't want any part of the ass whipping he just witnessed. The beautiful part of the scene is watching Toby proceed calmly and get into the car and the two share a laugh as they drive away from the scene arguing the merits of Dr. Pepper verus Mr. Pibb. Pine can deliver the brawny goods if he needs to and the size and physicality combined with a protective brother bear instincts make for a stark and utterly believable outward expression of the lengths he'll go to protect who and what he loves.
We've mentioned "Oscar moments" throughout this article and there is complete validity that in order to win the little golden man, you need to have at least one remarkable and memorable moment that gives us goosebumps, warm fuzzies, sadness, fear, or any other manner of emotions. But aside from these isolated turns, there is an overall tone and mood that the character must create that permeates and sets the tone for the entire film. In Hell or High Water, Chris Pine has an unmatched reserved urgency about him that both slows down and speeds up the measured pace of the movie. There are a handful of tender moments between father and son, and the two brothers as well. He doesn't have a lot of dialogue, and that's the way we like our leading men in Westerns. In fact, Pine spends most of the film with his chin planted firmly in his upper chest peering up at his counterparts. At the same time, there is a restlessness about him that is difficult to pinpoint, but impossible not to feel — all the way to the front of your cinematic cerebral cortex in a weighty performance that is criminally unrecognized.
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The Amazing Spider-Man (vol. 1) #38:
Just a Guy Named Joe
Read Date: November 22, 2022
Cover Date: July 1966
● Writer: Stan Lee ● Penciler: Steve Ditko ● Inker: Steve Ditko ● Colorist: {uncredited} ● Letterer: Artie Simek ● Editor: Stan Lee ●
**HERE BE SPOILERS: Skip ahead to the fan art/podcast to avoid spoilers
Reactions As I Read:
● they still need to work out the skin tone of BIPOC, but again, it's good to see some strides toward diversity in these 60s comics. they at least have the skin tones worked out by the time we get to the later 60s, as seen in Daredevil issues I've read
● wait! is the transition happening before my eyes? on page 2, 2nd panel, the guy looks sickly gray… but in the very next panel, there's a guy near the boxing ring who looks much closer to the skin tone used in the later comics I've read. ope, back to gray later. it's a start, I guess!
● poor Joe Smith
● they're making me like Joe. something's gonna happen to him, ain't it
● called it
● where's OSHA?
● more Betty Brandt drama
● I'm not feeling the Betty chemistry at all. they're trying to tease it out like with Matt and Karen in Daredevil, but Peter barely gives her the time of day. she needs to grow a spine and live her best life instead of simping after a jerk of a teenager (Peter is such a jerk sometimes in these early issues!)
● Ditko's profiles always look great!
● Spidey has only just started using his web to subdue people. I wonder if he actually strings them up later like he does in the PS4 game?
● Joe's costume looks like he has huge, flat boobs
● Human Windshield Wiper 😂
● is Harry Osborn related to the Crypt Keeper, by chance?
● ha! whole new meaning to "half now, half later." kinda clever actually
● "I think it had something to do with that arc light hitting the puddle of chemicals!" -- ya think?
● ah, another "appearance" of ol' fern-head, Mary Jane!
● we're coming up on the end of the Ditko-era Spider-Man
● Joe gets a good ending, Peter gets more of his usual crap
● tah for now!
Synopsis:
Joe Smith has dreams of becoming a boxing champ and after begging Tommy Tomkins to let him fight, the older man becomes his manager. Unfortunately for Joe, he’s a poor boxer and is ridiculed by others. Taking pity on Joe, Tomkins gets him a job as an extra on a science-fiction movie. While shooting the scene, an arc light falls in a puddle of chemicals and shocks Joe. As he rests, Peter Parker visits The Daily Bugle and runs into Ned Leeds. Both ask each other where Betty yet neither has an answer. Joe is shooting another scene where he has to attack stuntmen. As he fights them, he begins to lose it as a result of the shock and goes on a rampage, with debris flying everywhere, getting the attention of Peter.
Spider-Man emerges and Joe gets angrier seeing another person trying to keep him down. They fight, and after a pause in the action, Joe regains his senses and runs away with Tomkins. Meanwhile, Norman Osborn is disguised and offers $20,000 to criminals to get rid of Spider-Man. Back at Empire State University, Gwen again sees Pete in a positive light, admiring his strength and courage. As word gets out that Spider-Man has a bounty on his head, he’s busy fighting crooks coming at him left and right. As he fights, he hears a commotion at a gym, seeing Joe Smith pounding on the other boxers.
After a few punches to Joe, he’s knocked out of his delusion and Tomkins runs in before he’s arrested. Tomkins says the charges have been dropped and that the movie company wants to give Joe a large starring role for his impressive display. Spider-Man fights more criminals and is angry that Ned has the possibility to marry Betty, because he doesn’t have to hide Spider-Man, and misses another visit from Mary Jane Watson.
(https://marvel.fandom.com/wiki/Amazing_Spider-Man_Vol_1_38)
Fan Art: Mary Jane and Peter Parker by JPRart
Accompanying Podcast:
● Swinging through Spider-Man - episode 42
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Empress of the Heart (Pt. 2)
Synopsis / Request: “Reader is an actress, and she meets Jennie at an event. They have a one night stand afterward, and months later they meet again.”
Pairing: Jennie x Fem!Actress!Reader
Warnings / Misc: Smut (only in Pt. 1), Angst, Fluff
Here’s the second half of the request for you lovely peeps! Enjoy :)
Part 1
🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤🖤
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"Y/N, more people are arriving and management wants us to greet them. Something about photo ops." Jackson, your fellow lead, says as he pokes his head into your dressing room. His entrance intruded on your thoughts of the beautiful brunette that effectively stole your heart away within a night, leaving you completely at her mercy despite being worlds away.
"Alright, just give me a second." He nods and goes to stand outside your door -- you're expected to be seen together for a good portion of the night. Thankfully, though, Jackson is a good guy; he cares a lot about you, always doing everything in his power to keep you happy. The feeling is mutual; it's nice to have someone in your corner in an industry as unforgiving as this one.
"Ready?" You ask, opening the door after you've checked yourself in the mirror and smoothed down any unruly hairs or clothing. Looking presentable is a must tonight -- you can't appear as wistful as you've been feeling lately.
"Sure am." His answer is a bit unnecessary, seeing as how you asked a rhetorical question, but you send him a smile nonetheless. He offers you an arm, and soon the two of you are walking back towards the entrance of the building.
--------
Waves of flashing cameras greet you for the second time tonight, now capturing you in your full glammed-out look. The first time had been a few hours ago when your team arrived to begin setting up and get all of you ready.
The entire cast now stands stretched out in front of the large screen that will air the movie later, your arms around each other as you smile for the cameras. Promotional pictures shine behind you on the screen, serving as a perfect backdrop as they cycle through their predetermined slideshow.
Eventually, you all disperse to greet some guests.
"Thank you for coming, Mr. Choi. It's wonderful seeing you again."
"I hope you enjoy our performances, Mrs. Lee. Your support has meant the world to us."
"Ah, Jeong! How've you been?"
Countless faces pass by as you work hard to greet everyone, knowing full well your company will be upset if you slack off now. It's everyone's big night, so they obviously can't have their leading lady stopping for even a minute.
You're almost ready to run to the restroom in order to have a moment to yourself, free of prying eyes and judgemental stares; but what you hear next sends a chill down your spine, an all too familiar ache in your chest.
It's Jennie. She's laughing that wonderful laugh of hers, taking you back in time to when you first heard it. Her members must've said something really hilarious, because all of them are doubled over, clutching their stomachs with laughter.
"Hey again," Jackson greets, and for a second you almost want to tell him to leave you alone. You don't, though, knowing you have no right to pull something like that.
"YG's girl group just got here. Do you want to say hello?" Of course you do. You want to run into Jennie's arms and spin her around, reveling in the way her arms would surely wrap around you in that warm embrace that's so uniquely hers. You want to tell her a stupid joke to make her laugh again, like she had just a few moments ago. You want to talk to her.
But you don't.
"No, not right now. I'm going to visit with my family, if that's alright with you."
"Sure, sure." He says considerately, unwrapping his arm from you. You press a friendly kiss to his cheek as a thank you, letting it serve as a goodbye as well.
"Eomma!" You shout, squeezing through the crowd when you spot her at one of the banquet tables lining the front of the room. The rest of the space is filled with rows of chairs, already set out for when the movie premieres.
"Ah, baby girl. We're so proud of you." She says, holding you in a tight embrace as tears spill from her eyes. Her arms bring you comfort like no other, and you're beyond grateful to have her here tonight. Some of your friends stand behind her, too, waiting for their turn to say hello.
Jennie watches you interact with them from across the room, and she feels a pang of sadness run through her. She's not naive to how these things work: your other cast mates had come over to greet her and girls, snapping pictures and even starting meaningful conversations in some cases -- all of that meaning you had been given the opportunity to do the same, but turned it down. Do you not want to see her? Maybe she had misjudged your night together. You are an actress, after all.
She shakes her head, physically willing the thoughts to go away as she turns her focus to whatever new person was talking to them now. She continues stealing glances in your direction, finding you looking somewhere else every time. She'd give just about anything to have you look at her, if only for a moment. Just a glance, she thinks to herself, praying the universe hears her pleas. They seem to fall on deaf ears, though, because before she knows it the MC is calling all of you onto stage and the guests are directed to their seats.
"Let's welcome the cast of Empress of the Heart!" The MC says cheerily, tucking his notecard underneath his arm in order to clap along with the audience. "They've spent months working hard for this project, travelling to filming locations in different countries, learning new languages, and facing their fears. We hope all of you thoroughly enjoy their performances. Now, I'll hand it over to our leads."
You and Jackson bow towards the audience, waving at them politely as they applaud you again. He looks at you, a silent question of if you want to speak first, and you nod. Taking the mic from him, you say, "Firstly, I'd like to thank our incredible cast and crew. They played just as important a role in this movie as Jackson and I, and we're endlessly grateful for their hard work." More cheers ring out at your kind hearted show of appreciation, and you speak up again once they've died down.
"These past few months have been some of the best of my life, and I owe that to people like you, and my fans. Thank you for taking a chance on me and supporting me. From the bottom of my heart, thank you." You say sincerely, looking into the camera that's recording all of this for exclusive content. When the movie drops for the public in a couple weeks, they'll be able to buy this tape as well and see highlights from the premiere. The thought of your fans watching it from the comfort of their own homes, yelling praises at their screens, makes you smile.
Jackson takes over now, smoothly transitioning into his own mini speech of thanks. You stop your eyes from meeting the one pair that they so desperately want to, always keeping them trained on other parts of the crowd. If you allow your resolve to crumble, you'll get lost in her all over again and potentially screw up one of the biggest nights of your life. You can't take a risk like that.
You laugh at something Jackson says, some joke about how you had to face your fear of heights for a scene in the movie, and Jennie takes a deep breath. She's not exactly jealous, but yet that's precisely the feeling that creeps its way into her chest. She knows that you're avoiding her for some reason, but she has no idea why. Did she do something wrong?
--------
Why, why, did they have to sit Blackpink in the row right behind you? It's karmic, the universe's way of pushing you back to each other, but you don't know how to feel about it all. You can feel her eyes boring into you as each new scene plays, silently begging for you to turn around and talk to her, even if it's impolite to do so in the middle of a movie.
You don't, though, fighting every fiber of your being to keep yourself from giving in.
Despite the emotions that swirl within her that pay little mind to the number they're doing on her heart, she actually finds herself enjoying parts of the movie. It's bittersweet, seeing you up there, but you command the screen in a way that seems to steal all coherent thoughts from her brain. You're truly skilled, and she gets a kick out of watching you hide behind your hands in embarrassment when your co-stars offer whispered praises.
During one scene in particular, though, Jennie's eyes drop to the floor, her teeth clenched together tightly. Your character just saved Jackson's from certain doom, and the two of you are sharing a long-overdue kiss. The rest of the crowd lets out approving noises at this, but Jennie is comforted by her members' soft smiles and reassuring touches. You feel guilty, for some reason, knowing that anything you were a part of made Jennie so upset. It shouldn't matter, though -- I mean, it's not like you and Jackson are actually together -- but still, it hurts Jennie to see him kiss you and hold you in the ways she wants to.
The rest of the night carries on much the same, but later on, once you get enough courage to look for Jennie, she's gone. The other girls are too, and a sinking feeling settles in your chest. Gone -- again -- just like all that time ago. Your reasons for staying away from her were legitimate, but they felt nothing of the sort as you glanced around the crowd again.
The movie ended earlier, already getting good marks and reviews from the critics who came to view it, and now the "afterparty" of sorts was kicking in. You hadn't expected the girls to stay long after the movie, but you'd at least hoped to utter a word to them, if nothing else. A smile would've sufficed.
Realizing she's really gone, you let out a sad sigh and make your way down the hall, towards the large doors that lead to the balcony. If anything can clear your mind right now, surely it's a chilly breeze.
You lay an arm against the sturdy railing, leaning on it as you massage your neck. All of the stress you've been put under is showing in the form of painful knots, far too many to get rid of in one go. You sigh, letting your head lull forward and lay against your arm.
"And here I was thinking I wouldn't see you again."
At the utterance, you turn around to find her leaned up against the stone wall of the building with a playful smirk on her lips. She's back to her old self in an instant, but you can sense the undertones of nervousness in her voice.
The darkness of the night that envelops you two makes her eyes look even more feline -- even more alluring -- and it takes everything in you not to lose your train of thought.
"Jennie." Her name comes out as a pleased declaration more than anything else, a familiar flutter taking over your heart at the sight of her. It's a warm feeling in your chest, and you never want it to go away.
You try not to focus on the sensual swaying of her hips or the teasing look in her eye as she pushes herself away from the wall to approach you.
"I thought you left." You breathe out, remembering how sad you were earlier.
"Without getting you alone first? How could I?" The implication behind her words gives you pause, causing a blush to begin forming on your cheeks. You curse yourself for being so easy.
"I've missed you like crazy," she confesses, allowing herself to be vulnerable again. Now in front of you, she brushes the back of her fingertips against your cheek as you look into her eyes.
"I've missed you, too -- more, probably," you say, the declaration sounding like an embarrassed sigh as it leaves your lips. She smiles at that -- her genuine, gummy smile that you've missed so much -- and your heart flutters again.
She debates on asking the question that sits on the tip of her tongue, waiting to be answered. "Why didn't you greet me before, at the party?" Her voice is small now, insecure, as she avoids your gaze and stills her movements.
"I-..." you start, finding yourself at a loss for words. Should you tell her how you feel?
"I was afraid you'd throw me off my game. You're pretty distracting, you know?" You reply, nudging her shoulder playfully. A hint of a smile tugs at her cheeks, unsure if it should finish the job and turn into a big one.
"I thought I did something wrong." She informs.
"Not at all. In fact, you did things a little too right, if you ask me. I can't stay away from you, Jennie." Her heart trips and stumbles over itself in its pursuit of gaining a steady rhythm again, thrown off course by your words.
Growing brave, she suggests, "Go on a date with me, then. I wanna have more nights like that with you." She whispers that last part, ghosting her fingertips over your skin to awaken the memories.
"I'd like that," you smile, leaning in to kiss her lips. It's soft and gentle, much like your first one, and your heart hammers in your chest. It seems to forget that you've done this before, choosing instead to subject you to the giddiness you felt that first time with her.
She pulls back to rest her forehead against yours, settling her arms around your waist, saying, "I've wanted to do that all night." You smile for the millionth time because of her, happy with how things have turned out.
"Do it again, then."
And she does.
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Types of dates with Armin PT.2 {pt.1 in masterlist}
{ Armin x reader | tw: none | fluff, romance | modern }
{ "in bloom" by Abbott Fuller Graves 1859–1936 }
Comfy cozy dates: dates for when the sky is grey, when the weather is gloomy. They'll pick his spirit up right away. They're also for weekends when both of you are free, for off days when he especially misses you, for when his love for you wants to express itself out in any way possible.
1. Reading a book to you: he's sitting on the bed, your head on his shoulder as you play with his hair. Holding the book against his knees while occasionally flipping the pages, your legs are on his lap. It's raining outside.
He's a talented reader, his voice is clear and mesmerising as he reads to you, pausing at really rare words to explain their meaning, looking at you with a proud smile.
Even if you already knew their meaning please let him do it.
Each character in the book gets a speical voice and tone from Armin, he manages to convey the emotions in their lines. You both nickname your favourite characters and he refers to them with that name from now on.
Just before starting a new chapter, he'd ask if you had any questions about the plot or share his own ideas and prédictions with you and if they come true in the next chapter he will over the moon.
His thumb occasionally strocking your thighs gently, head leaning on top of yours. Whenever a romantic scene comes, his voice is noticeably more soft even feathery. If you pay attention to his face, you'd notice his subtle blush.
Glancing at you, he'd smile before clearing his throat and looking away, running his tongue over his lips.
2. Binge watching movies or a series together: it's the weekend, you're both cuddling on the couch, sharing a blanket, a bowel of popcorn in his lap while you're eating chips. Some snacks and candybars are on the table in front of you.
It's either going to be a movie marathon or finishing a whole series in one day. Maybe it's a drama series you especially like and wanted to share it with him, maybe it's an Anime that makes you smile or maybe it's your favourite childhood movies.
Whatever it is, he's down. The only genre he doesn't do well with is horror, and he tends to find action only movies boring from how much Eren makes him watch them.
A couple of his favourite things to watch are, the breakfast club, the trueman show, star trek , spirited away, over the garden wall, bad genuis, black mirror and blue planet.
....he watches rick and morty.
He likes psychological movies, the ones with an intended message and wisdom. He also likes for it to be subtle and the world building to be interesting.
After each episode or movie, his mind goes wild. From how and why would the characters act this way, their motivation and possible other plot lines to plot holes and a lot of selutions the characters were blind to.
He even forms his own theories and shares them with you.
4. Playing games together: any kind of games, he likes spending time with you while playing videogames together. He prefers the low-stakes relaxing open world kind. Like stardew valley where the two of you can start a farm together and just sit back and take it at your own pace, watering crops and talking to villgers, even fishing and collecting wild plants.
Same thing for animal's crossing actually, he would even design you some clothes to wear, he'd try his best. And giving you bells whenever you need them.
If you prefer competitive Co-op games then he'll usually take a support role, either be the healer, caster or buffer. He'll actually help you come up with plans and whenever an enemy sneaks up behind you.
As for other games, he absolutely loves board games. Monopoly, risk, chess, literary anything. But be careful because even if he seems harmless on the oustide, he's absolutely ruthless in these games and in card games. You just don't win against Armin in chess, you can't.
The only card game he's bad at is poker because he can't hide his face reactions, his poker face is literally the worse, it's actually adorable.
Oh and he's a huge DnD nerd, magic the gathering, call of cthulhu. If you're already experienced in these games, he will host one on one sessions for you two and consider it a date. If not then he'd guide you through things slowly and be really paitent with you, he's a good teacher.
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In Another World
Summary: In another world, it was Jensen that got the role of Captain America, not Chris. You have dreamed of meeting Jensen ever since you saw him in his CGI glory in The First Avenger, and your comicon experience you discover to be underwhelming. But then you meet a cosplayer in the bar... and life takes an altogether different turn for you.
Warnings: NSFW, 18+, Comicon, Comic Convention, Strangers at a Bar, Cosplay, Captain America Cosplay, Unprotected Sex, Hotel Room Sex, Oral Sex, Fingering, Blow Job, Anal Play.
Pairing: Chris Evans x Female Reader (no race specified)
The above Jensen manip i cannot trace, it was sent to me years ago by a now deactivated tumblr user, with the signature half chopped off. Its the artwork that inspired this fic. In case you weren’t aware, Jensen auditioned for the role of Captain America but it of course went to Chris.
I do not operate a tag list, but feel free to go ahead and follow @angryschnauzerwrites and put that blog onto notifications, as you will then be notified when i post a new story. Oneshots will be posted on Tumblr and AO3, Multichapter stories will be AO3 exclusives.
Due to the amount of stories i have written over the years i no longer have a masterlist, instead please check out my AO3 HERE.
In Another World
You sat at your computer, staring at the screen as you streamed the latest press junket. Marvel was going all out with its ten-year plan for The Avengers and with this press tour for The Winter Soldier you had fallen in love even more with Cap.
As the images streamed live from the far east, you watched as Jensen flexed his muscles and his co-stars laughed in admiration. He was born to be Captain America.
But you weren’t the only one watching.
In a small apartment in Boston another pair of eyes watched with an added level of sadness. He remembered the audition. Standing in the hallway with a bunch of other guys, all in their 20’s, all having a few bit-part roles under their belts in teen TV shows or low budget horror movies. The same green eyes that stared out of the screen had looked at him in the hallway, holding his hand out to shake;
“Hey man. Jensen”
“Chris”
Jensen smiled;
“Strong Boston accent there dude”
Chris chuckled;
“Say the same about you, what’s that Houston?”
“Dallas”
“Eh, close enough”
They chatted for a while as the guys ahead of them in the line entered the room, only to leave 5 minutes later. They didn’t look up at the guys left, no-one wanted to read expressions to give themselves fake hope. The door opened and the annoying droll voice of the elderly secretary called out;
“Ackles”
Chris looked up, holding his hand out to his new acquaintance;
“Break a leg man”
Shaking it briefly Jensen nodded;
“Thanks man”
-
You clung to your priority tickets, the excitement so intense you weren’t sure if you were going to puke or cry. You hoped for neither. It was your first convention and you had maxed out your credit card and called in sick from work when the special edition tickets had been released, refreshing your computer every ten seconds so that when they had been released online you had made your purchase within 30 seconds.
Now standing towards the front of the queue you were terrified. You had loved Jensen from the first moment you’d seen him in all his CGI glory in The First Avenger. You’d followed his career and had even gone back and watched his entire back catalogue. He was a natural for the role and the stealth suit from the most recent movie had made him look so handsome you had actually swooned when you had seen those first opening scenes of the movie aboard the Lumerian Star.
The con volunteers were doing an amazing job, herding the fans into some form of order, and as you got closer you could hear the laughter and squeals of joy as fans ahead of you were rapidly shown in.
It was your turn. The flimsy black curtain was pulled aside, and you were pushed into the brightness of the well-lit area that was surrounded on all sides by vivid blue panels that bore the con’s logo. Jensen turned and smiled, putting his hand out and you found you were standing next to him. Your head swam;
“Do you have a pose?”
“Umm…” You could see the con workers and volunteers moving their arms in a ‘hurry up’ motion; “I guess… a hug?”
“Sure thing”
He wrapped his arm around your shoulder and pointed towards the bored looking photographer;
“Smile sweetie”
You did. You smiled, your saw blobs as the flash blinded you. You didn’t even register as Jensen pressed his hand to your back, thanking you before turning to the next person who had already been pulled through the black curtain. A volunteer took your wrist and pulled you gently through the curtain on the far side, giving you your photo number as they apologised it was so fast.
The curtain closed and you stood there, blinking as you tried to focus on the small piece of paper you held. It was done. Over. You’d met Jensen and it had been so rushed you hadn’t even had chance to look at him.
The bile started to rise, you looked around and saw a trash can, leaning over it and vomited into the piles of used coffee cups and candy wrappers.
-
The hunt for a bottle of water at a con hadn’t been something you would think would take so long; a lot of the vendors had already sold out, others the line was so long it would have taken you longer to get the water than the queue for the con in the first place. It seemed as if everyone was walking against you, or you were going against the flow of them, but when you finally got your water you drained the entire bottle, soothing your bile parched throat. Wiping your mouth with the back of your hand you heard an announcement over the PA system;
“We apologise, but the Jensen Ackles panel won’t be broadcast out of the auditorium due to technical issues”
“WHAT?” you grabbed your wrist, looking at your watch as your eyes went wide. You’d been so dazed by your photo op and feeling ill afterwards you had forgotten about the panel. You needed a drink, and something stronger than water.
-
Chris adjusted the helmet of his costume as he looked in the mirror. The men’s room was quiet, the main panel of the con was on and he couldn’t bring himself to sit in the same room as the guy that had won the role that had made him millions; of fans and dollars.
After not getting the Captain America role Chris had continued to take bit parts and small independent movies. He was recognised occasionally but he hadn’t hit the big time. In fact there were months when there was nothing coming in and it was only after someone had asked him to fill in at a kids party where one of the superhero guys had fallen sick at the last minute did the idea of cosplaying come to him. Now however he was well known in cosplay circles, even getting paid for some appearances. He was called a natural for the role, but that was the hardest to hear. He’d worked hard with his costumer and within just a few weeks of the latest movie coming out they’d successfully recreated the amazing Stealth Suit in its darker colours.
Checking his pants for his wallet he decided he needed a drink, and something stronger than a soda.
-
Nodding to the bartender, you thanked him as he set the beer down in front of you before he went to the far end of the bar to pull the latest load of glasses out of the dishwasher. You sat picking at the label and tracing patterns in the condensation that gathered on the cool glass. You were vaguely aware of other people coming and going, and when the barstool next to you was taken you didn’t look up.
“What’ll it be Cap?”
The bartender’s greeting drew your attention from your drink, casting your gaze to your side and your breath was sucked from your body. You watched as the man set his helmet onto the surface of the bar before nodding to what you were drinking;
“Same as the lady please”
Your eyes travelled from where his hand sat on the countertop of the bar up the dark sleeve of his stealth suit, taking in his wide shoulders and up to the fluffy dark blonde hair, slightly messed up from where he’d been wearing the helmet. You couldn’t help it, but you were staring. Your jaw was hanging low as he turned slowly to you, his blue eyes sparkling with just the faintest hint of green as he looked at you and a self-conscious smile tugged at the corner of his mouth;
“Hi…”
“You’re… you’re…”
“No, just cosplaying…” he turned back to his beer for a moment until you finally found your voice
“No. You’re Chris”
He set his beer on the countertop and turned to you, this time a genuine smile on his face;
“Do we know each other?”
“Well…” you blushed; “We spoke on Instagram” He cocked an eyebrow, but his attention didn’t waiver from you as you continued; “You’re ‘AlmostCap’, right? You posted about wanting advice on how to dye leather boots a deeper colour? I messaged you with the details of the dyes costumiers use”
His face broke into a wide smile;
“Oh yeah, that really worked! How did you know that?”
“Majored in theatre design at college”
“Well that titbit of knowledge brought the whole costume together” he motioned to his stealth suit and you couldn’t help but to look him up and down; “Without you I wouldn’t look this good”
You snorted back a laugh;
“I’m sure you look just a good without the suit”
Bringing your beer to your lips you took a sip, not realising Chris had moved closer until his lips brushed against your ear;
“Would you like to find out?”
-
The hotel room door crashed against the wall, the metal doorknob leaving a dent in the drywall. Chris had you pressed up against it, one hand holding you flush with his chest as his other hand blindly reached out for the door to close it. As soon as his fingertips grasped the cool wood he threw it shut with a thud that reverberated through the room.
Your hands clawed at Chris’s costume, desperate to find purchase, something, anything to hang onto and anchor yourself as he kissed you so hard you saw spangled stars. He’d put his costume helmet back on for the rather quick walk through the convention to the hotel where you were staying. His lips traced patterns over your cheek before he pressed kisses down your neck, whispering as he went;
“I don’t normally do this…”
“Me neither…
“...especially in costume…”
“Oh Chris…Cap…”
“It’s Captain tonight, Princess”
His fingers had found their way to the buttons on the front of your dress, skilfully plucking each one from its grasp on the thin cotton fabric, before his still gloved hand roughly cupped your breasts. As his lips found yours again, he groaned into your mouth as he weighed your breasts in his large hands, the rough leather against the lace of your bra sending chills through you. If Chris had a Captain kink you weren’t about to say no, hell, it would be one of your biggest fantasies.
You found yourself being manhandled towards the bed, Chris’s kisses hard and ravenous, and when he wasn’t kissing you his tongue was doing the most devilish things on your skin. The bed touched the back of your knees and you were falling back onto the covers, Chris following seconds later as he pressed you into the mattress. With a thick thigh he pushed your legs apart, the rough Kevlar fabric of his suit brushing against the delicate skin of your soft skin as his fingers sought out the juncture of thighs. The brush of the harsh leather of his fingerless gloves made you groan into his mouth as he tugged your panties to the side and his thumb found your clit. Rubbing small circles, he teased it from its hood, before his fingers slid through your folds to ease some of your slick moisture from you to smooth his efforts.
When his lips left yours you chased after them, but his voice made you settle back against the bed and open your eyes;
“Uh-uh… stay there Princess��
You watched as he brought his fingers to his mouth, before his kiss bruised lips closed around his glistening digits and he moaned as he tasted you;
“You taste amazing”
“Umm… thank you?”
“Here…”
He brought his hand to your mouth and you grasped it as you sucked gently on just the fingertips, watching as Chris’s already lust blown pupils widened even further;
“Jesus fucking Christ, your tongue…”
Letting go of his fingers with an audible pop, you pushed yourself up onto your elbows, resting on one arm as you slid a hand between your bodies and palmed his erection through his suit;
“What about my tongue?” you grinned before you tugged him down to lay beside you.
Pushing up onto your knees you ran your hand down his chest and stomach, the costume warm from his body heat and firm to the touch. Your fingers clawed at his suit to try and find the zipper, and after thirty seconds of searching you let out a huff;
“Ok, how the fuck to I get in here?”
With a low chuckle Chris reached down and lifted a hidden Velcro flap that revealed the button and the top of the zipper, and you eagerly tugged the pants of his suit open. The large bulge in his boxers immediately filled the space of the open zipper, and you found yourself nuzzling against the hardness that the soft jersey fabric could hardly contain. Pressing open mouthed kisses to the hard shaft through the fabric, you felt Chris’s hands on your head, he wasn’t pushing but you could tell he wanted you. With a smile you just about tugged his boxers down enough to free his cock, the thick shaft standing proud from the fly of his stealth suit. You wrapped your hands around it, the flesh hot to touch and pumped him slowly.
“Ah fuck Princess…”
“Yes Captain?”
“Please…”
He sounded wrecked, and as you leant forwards and licked at the bead of clear precum that was pooling at the tip you not only heard but felt the low rumble of his moan of appreciation. Wrapping your lips around the tip you started to suck, your tongue working over the hot smooth flesh as your fist worked up and down, pumping him slowly as you let the saliva pool in your mouth so you could take him deeper. In a moment when you pulled off to take a breath Chris’s hands were suddenly on your hips, moving you until you were kneeling on the bed and straddling his shoulders, and for a moment you squealed where his sudden strength had moved you with such ease.
“Gotta taste you…” he muttered from beneath the skirt of your dress, his hands smoothing over the globes of your ass and you could feel his breath hot on your skin. His fingers tugged your panties to the side and he was pulling you down onto his mouth, his tongue swiping through your soaked folds.
For a moment you lost yourself, Chris’s efforts driving you closer to orgasm than you thought was possible, but you found your senses and leant forwards again, taking him as deep as you could and you felt his moan deep in your cunt as he almost came on the spot. Working your fingers into his suit you cupped his balls, feeling them tight and hot in your hand as you sucked hard on his cock. At the same time you felt Chris drive his tongue into your soaked hole and his thumb sought out your clit. Your orgasm was rapidly approaching, and you could feel your legs start to shake. The harder he drove forwards the deeper you took him into your mouth. You heard a muffled cry from between your thighs and you felt that first tremble of the thick vein that ran the length of his cock. At the same time you felt his fingers dance over the crack of your ass, one finger pressing lightly against your dark rose and you were cumming over his face as he pumped thick ropes of cum down your throat.
When your legs were about to give out you tactfully rolled to the side, laying on the bed next to Chris as he fought to catch his breath. With laboured efforts he wrenched his helmet off, and you propped yourself up on your elbows to watch as he started to fumble with his costume;
“Gotta get out of this…”
Watching a hot guy strip was not something you’d experienced before, and a hot guy dressed as Captain America? Well that was hitting all your buttons in one go. You smiled as Chris was muttering to himself;
“Fuckin’ suit, so fuckin’ hot… fuckin’ drenched in sweat…”
When he was down to just his pants you finally spoke up;
“Need a hand there Captain?”
Chris looked up and grinned;
“You mind if I use your shower?”
“Sure thing, it’s all yours…”
Chris started for the small bathroom door, his utility pants hanging low on his hips before he paused and turned, a smirk tugging at the corner of his mouth;
“Wanna join me?”
-
Showering with a guy you had literally just met was a surreal experience. The comfort and security of being partially clothed during a hook-up was completely stripped from you as you stood in the small shower enclosure the hotel room offered. Chris had looked absolutely sinful as he had stood beneath the cascading water; his skin patterned with multiple tattoos and just the right amount of chest hair that made you want to run your fingers through it as the hot water coursed over his body. Your fingers had trailed down over his hard stomach, tracing the trail of hair that led to his thick cock hanging heavy between his muscled thighs.
His lips had met yours eagerly again, and he soon had you pressed against the wall, his leg wedged between your thighs as you ground yourself against the firm muscle. Chris’s hands found your ass and eagerly pulled you hard against him, trapping his now angry cock between your bodies;
“Fuck… you’re so fuckin’ sexy” he muttered against your ear, his fingers digging into your asscheeks; “You gonna cum for me Princess? Soak my thigh?”
“Yes Chris, please…”
“What do you need Princess?”
“Something…. Just more…”
He pulled back from you, searching your expression for something, anything as he chose his words;
“I can give you more…” The depth of tone sent a shudder down your spine; “I’m gonna ask you this and you can say no, and I won’t walk out that door if you say no, but do you like ass play?”
You growled. You god-damn growled like a feral wildcat, nodding eagerly;
“Yes Chris… fuck, yes…”
He captured your lips for another fierce kiss as his hands slid over your ass and one finger trailed up the seam of your cheeks before pressing gently against your rear;
“Now Princess” he muttered against your lips; “I haven’t got any lube in here so it’ll just be a gentle press, you tell me if you want me to stop”
You nodded, biting your lip as he pushed forwards, one hand gripping your hip as he slid you up and down his soaked thigh, the other pressing gently but insistently against your back door.
Just that stimulation alone was enough, and you were cumming hard, your head pressed against the cool tiles as Chris sucked a hickey into your neck.
You stood there panting as you tried to regain your composure, Chris holding you tight in his arms as he gently caressed you as you finally came to your senses. Nuzzling against his neck you felt him push his hips forward, his thick cock hard again against your hip;
“Ready for another round?”
“Anything for you Cap” you grinned.
-
The pair of you had fallen back onto the bed, half dry and oblivious to anything other than pleasure. Body heat rising, you felt your back naturally arch as Chris lay on top of you, pulling his knee up to part your legs further and you could feel his thick length laying hot and hard against your soaked folds. As his other leg pushed up and parted your thighs even further, you felt that first nudge of his tip at your soaked entrance, your legs instinctively wrapping themselves around his waist and with one firm squeeze you felt his breach your body and slide into you.
The base noise that escaped your throat as you felt each glorious inch stretch your velvet walls was music to Chris’s ears, and he let you take the lead even though he was the one on top, letting your body grow accustomed to his size. His lips brushed against your ear as he spoke softly;
“You’re doing so good Princess, feel so fuckin’ amazing, takin’ me so deep”
You slowly relaxed your thighs grip on his waist and Chris started to move, sliding his hips back as he slid out, before pushing slowly back in. Propping himself up either side of you, you watched as his arms bulged as he looked down and watched as he pulled out again, your wetness liberally coating him.
With his tip just notched inside you whined at the loss, before with a powerful thrust he filled you completely;
“Holy FUCK!”
“Do you like that Princess? Like my thick dick splitting you open?”
“Fuck Chris, yes, do it again… please!” you whined.
The gorgeous man above you grinned down, seemingly turned on by your begging, and with a loud grunt he started to pile drive into you, his impressive girth stretching you in all the right ways, the slight upward curve to his shaft making your g-spot his number one target with every push. The man was a demon in bed, fucking you hard as he pressed kisses to your chest and breasts, all whilst uttering the dirtiest things about how good you felt, how well you were taking his dick. You begged for more and he eagerly gave it, fucking you through one orgasm before chasing another. His thrusts started to get sloppy, his hips stuttering and he cursed quietly under his breath;
“Fuck… I’m gonna cum soon…”
“Cum inside me… I’m on the pill…”
He pushed a hand between your bodies, rubbing hard circles against your clit and soon you were coming, your orgasm triggering his, and you as your body milked the cum from his body you both felt like you had found heaven.
With a grunt Chris rolled to your side, his dick sliding out of your soaked channel and he lay on the bed, his head propped up on one elbow, his dick full and swollen at your hip, still shining with your combined fluids. Your body trembled with the aftershocks of your intense orgasm, and you practically purred when Chris gently ran his fingertips over your breasts;
“That was fuckin’ amazing… I’m probably going about this the wrong way, but can I buy you dinner?”
“That’d be nice”
-
Dinner had been a fun affair; you had redressed, and Chris had worn his stealth suit pants but just wore the thin Under Armour undershirt instead of the full suit. Although the hotel was well used to people in cosplay costumes during the conventions using their facilities, Chris didn’t want to draw attention to himself, instead he wanted his sole attention to be able to be on you rather than people asking for photos. Throughout your meal the conversation had been fun and light, Chris telling you how he had in fact auditioned for the Marvel role but didn’t envy the craziness that came with the now worldwide recognition that Jensen had to put up with. You had explained how you now worked for a theatrical costumer’s agency on the West Coast, but had heard about some openings for a new series production out of Vancouver.
Chris laughed softly;
“Typical… I fall for a girl that lives on the opposite side of the country”
“You… you’ve fallen for me?”
Chris paused, resting his hand over yours;
“I’m sorry, I’m kinda sappy when it comes to relationships… and I gotta be honest, when I saw you at the bar, I recognised you from your Instagram and when you helped me… I was trying to play it cool…” he took a deep breath; “I hope I’m not scaring you off…”
Leaning forward you pressed a kiss to his cheek;
“No… it’s nice… its more than nice…”
-
Once the meal was over the pair of you stood in the foyer, unsure what to do before Chris pointed out the rest of his costume was in your room.
“Where are you staying tonight?”
“I was meant to be crashing on a friends couch”
Grinning you pulled him close;
“Did you want a bed rather than a couch?”
“Fuck yes”
Minutes later you were crashing in the door to your room, Chris’s hands and lips trying to cover every inch of your body, and this time with the knowledge of how his costume worked you knew exactly how to get his pants open, tugging them to the floor as you pushed him into one of the chairs and knelt at his booted feet. With his dick in your mouth he was soon hard again, but that was when he took control, standing and moving you until you were knelt on the soft chair arms looking out of the high rise window over the convention center and city below, the lights of the city oblivious as he flipped your skirt up and pulled your panties down, and filled you with one smooth thrust;
“Fuck… this pussy is fuckin’ perfect, you feel like heaven…”
Wrapping his strong arms around you he pulled you flush with his hard chest, sucking at your neck as his dick rubbed so beautifully against your g-spot you were coming again, screaming out your release as Chris pulled out and lifted you, pulling you to your feet before you found yourself pressed against the wall and he filled you again.
Clinging to his wide shoulders you felt him filling you over and over, your pleasure climbing higher than you ever thought possible. Chris’s strong arms were holding you up, his large hands gripping your ass as he fucked you into the wall, your legs wrapped around his narrow waist;
“Chris, I’m gonna cum…”
“That’s it, cum for me, let me feel that pussy milking me as I fill you up… you feel so good, I’m never letting this pussy go…”
As you came so did he, your walls squeezing him so tight he thought he may pass out from the sheer pleasure. For the longest time he just held you there, your bodies joined until Chris’s dick softened enough to slip out of you. Letting your feet fall to the ground you kissed as you made your way to the bed, falling onto the mattress before wrapping the covers around your flushed bodies, falling asleep soon after.
-
The sound of a phone ringing pulled you from sleep, the warm body next to you grumbling at the sound before it rapidly jumped out of bed;
“Fuck, that’s my phone”
Through bleary eyes you watched Chris’s naked ass as he rummaged through the piles of clothing on the floor, finding his phone and answering it just in time;
“Yeah… uh-huh… for real?! Yeah absolutely! Send me the details, I’ll be there!”
You watched as he listened a little longer before ending the call, turning to you and he had the biggest smile on his face;
“I might have gotten a part!”
“Really? That’s amazing!”
“Yeah, they want me to do some screen tests with a possible co-star, see if there’s chemistry”
Jumping out of bed you ran and hugged him, kissing him deeply as he carried you back to the bed;
“I feel like celebrating… how about breakfast in bed?”
“Ok, I’ll call room serv… oh…”
Chris was pushing your legs apart and kissing up your inner thigh, and that’s when you realised he was talking about a different kind of breakfast in bed. As you lay back and enjoyed the magic he could perform with his tongue, you blissed out from pleasure.
-
Three Weeks Later
Chris finished the last scene, the director calling cut and he grinned as he looked at his castmates. None of them could quite believe how they were there, standing in a cold and rainy British Columbia small town, with writers and directors that had been trying to get their series picked up for years.
The rest of the cast of ‘Supernatural’ was a small ensemble, and having been given the role of the older brother; Dean Winchester, Chris felt at home with the role and had been given he contract straight after his screen test with his on screen brother Sam. Laughing with the actor that played Sam - a native New Yorker by the name of Sebastian - the two of them had immediately clicked and their friendship and on screen chemistry shone through the camera.
“Hey Evans, Stan!”
The sound of the producer’s voice caught Chris’s attention;
“Yeah?”
They need you two back at the studio, costume fitting”
“Sure thing”
-
The sound of the small doorbell that had been fitted on the counter drew your attention from the racks in the back room, calling out for your new arrival that you’d be out in a second. The job you’d applied for in Vancouver had pulled through, and it was your first week. A new show that needed a lot of men’s casual wear, yet things like jeans and jackets needed seams strengthened for fight scenes and pockets added for prop weapons. You were yet to meet the two main stars of the show, the casting having not been fully finalised until just days ago, and everything was hush-hush until it was going to be announced at one of the late summer conventions.
Dumping the armfuls of clothing onto the counter you turned and almost fainted;
“Chris?!”
For a second he looked in shock before he vaulted the counter, and took you into his arms;
“You’re here? You’re really here?”
“You’re the star?! You didn’t tell me!”
You kissed him deeply, before a quiet cough from behind Chris drew your attention, Chris turning;
“Seb, I want you to meet the girl I was telling you about”
The other guy raised an eyebrow;
“You’re THE girl? Wow, it’s a pleasure to meet you” he held his hand out over the counter and you shook it, Chris still holding you in his arms; “I’m Sebastian but everyone calls me Seb”
Looking at the two of them you knew in that moment the show was going to be a hit, and you looked forward to making these two look even better on screen… if that was even possible.
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OC Master List
Obviously if you’ve followed me for any length of time you will know that I have a really nasty habit of making characters of my own design. I love to be creative and make my own realities through this medium. It’s actually one of my favorite things to do. I’ve wanted to make this for a while because my friends sometimes get confused as to which OC that I’m talking about so this is the master list for everybody.
My Hero Academia: If I have any fandom where most of my OCs go it’s into the MHA fandom. I have currently five OCs in this show so let’s talk about them one by one.
Mitsuki Haruka: My first OC that I truly ever created and invented with the knowledge of doing it. Mitsu has a really special place in my heart because she was the first and the one that I work for the most in this fandom usually. Her comfort character is Katara from Avatar The Last Airbender. Her quirk is water. She can pretty much do anything with water. She can heat it, freeze it, glide around on it, whip it out of her and use something that I stole from Fairy Tail called waterlock where she locks a person inside of a body of water. Her canon partner is Tenya Iida my favorite square boi. I often talk about her with her adopted brother and my amazing friend @bio-hazard0us OC Kaku.
Violet Katsuragi: Violet is one that I don’t really talk about in great detail a whole lot because every time I try to I cry. Her family is a massive shit show and I always feel so bad for making it that way. I’m always like “My poor baby who is making you suffer so much-oh yeah it’s me sorry about that babe.” She is my “villain” OC. She is really only a member of the league so that she can stay close with her boyfriend and love of her life Twice (Jin). Her quirk is that she can control the plant tattoos that are on her arms by summoning them and using them in combat. Her comfort character is Mary Poppins because it reminds her of her older brother. Violet is an actress for a local community theater once the league disbands quietly. She and Jin also adopt Toga (a younger member of the villain league) as their own daughter to give her a second chance at life. I love her even though she’s the saddest backstory one that I have to work with it’s also the most fulfilling when I write fluff for her.
Shizuko Kanade: Another absolute baby with a crappy home life. I’m sorry that I made it that way hun but it gets better for you I promise. Shizuko is my quirkless OC and my genius tech girl. She lives below her best friend and brother in arms Denki Kaminari and they’ve been best friends since they moved into the same building together. Her comfort character is PJ from the Goof franchise especially from Goof Troop that was her favorite show to watch with her aunt when she was growing up. She starts off really chubby, the cute kind of chubby but starts drastically dropping pounds in order for her parents to love and accept her. When they still don’t Denki has enough and talks to his mom and they decide to call the police and foster Shizuko into their own home. They get a restraining order against her biological family and my best girl gets a happy home. She wants to be the first quirkless hero to rely completely on support items. (She is also partnered with Shoji if anybody is curious.)
Arashi Mitsuha: This absolute baby, I love them. Ari is my gender fluid OC that I made who started off as just your everyday cis male but then I had an idea that spiraled from Ari in eyeliner to Ari in a skirt and then we wound up with the gender fluid absolute icon that they are today. Ari has a weather quirk. Basically anything involving weather they can do it with their eyes closed. Thunder and lightning storms, tsunamis, tornados but also snow and sunshine. They’re really OP and hella versatile it makes it more fun to write their fighting style. I paired them up with Denki in your stereotypical meet-cute scenario. In terms of backstory they just had a really bad ex-boyfriend before Denki came into their life like a literal speeding bullet. Their comfort character is Hedwig from Hedwig and the Angry Inch.
Litzy Diaz: My last and FINAL MHA OC I promise you. Litzy is from a small town in Mexico and transferred to UA giving herself a second chance to start anew with her new friends and away from her toxic parents. She is fostered by Aizawa and Present Mic who have already adopted Shinsou so they are brother and sister in every way but blood. Her quirk was very heavily inspired by my love of Dr Facilier in Princess And The Frog. She can control shadows, shadow travel through things such as walls and she can control her friends on the other side basically demons from the underworld. Present Mic sees her as his long lost daughter and basically worships the ground that she walks on. He loves her more than anything in the entire world. Her comfort character is Miguel from Coco and La Muerte from Book Of Life. Her canon partner is Juso from Class B.
DuckTales: I only have one DuckTales OC (thank the Gods) but she’s very special and important to me. I love the reboot of this show even if I’m way the hell behind on it (I promise I’ll catch up after Gravity Falls Donuts!!).
Sabrina Duck: Sabrina is a sister for Huey, Dewey and Louie!! She shares the title of oldest quadruplet by thirty seconds and often took over the motherly role for her siblings when their mom wasn’t there. She was always reminding them to do their homework, regulated who got TV time and who was in charge of the delegated family movie night. This resulted in a rift between her and her brother Dewey that only got bigger overtime. School was really hard for her to deal with. She was never the best at paying attention during her classes and had a really bad sensory overload one day. She was really close with her uncle Ludwig though and he offered to teach her. They have a really special bond between the two of them that I love writing for. Sabrina was the person that grounded Ludwig to not think up as many crazy inventions. She also knits!! She loves knitting sweaters for her friends and family around the holidays. I am partnering her up with Gosalyn eventually.
Star Vs The Forces Of Evil: To be perfectly honest with you guys, I have not seen the entire show. It’s really hard for me to get into it. Because when you only really love one character in the entire thing it gets harder to keep coming back for more. Especially because in the first two seasons you don’t get a whole lot of him and I’m stuck on season 2.
Allania (Nia) Alvez: I feel like out of all my OCs I am the most like Nia. She’s a half elf-half mortal princess that isn’t allowed to live with the elves so they sent her to live with her mortal father. Her dad’s run a bakery in town and she works there as an assistant baker when she isn’t preparing for her next drag show. She grew up in this family full of love and acceptance and grew excited about one day having a relationship just like her parents. Her first brush with love left her broken by the side of the road even though no relationship came of it. A lot of my feelings for my ex-best friend went into Nia’s personality. However, there is a bright side! Of course with every one of my fics so far there is a bright side that comes in the form of my favorite character Tom who gives her the love that she deserves.
Animaniacs: Of course this is me we’re talking about so there has to be an Animaniacs OC on this list! This is actually the first character that I ever made on my own free will! She has changed a lot throughout the years that I’ve had her mostly because my tastes have changed.
Elizabeth Martin: Lizzy is a member of the scene crowd, I was inspired by my best friend and what she wears every day. For the modern au that I have her in her and Yakko are dance partners in a musical theater style school. For the regular fic she’s cast as his love interest. I love this girl so much. To me she is everything that I want to be even now. Her strength and confidence to get through every situation, even the ones that she is afraid to deal with speaks volumes to how I want to be one day. One of the few things that we have in common is that we both did martial arts! She stuck with it for longer than me though and is currently a green belt in kempo karate. Her favorite musical is Fun Home because it’s the one that she relates to the most through the eyes of the mother Helen Beckdal. Her parents basically had three other kids and went here take care of these it’s your job. Every time I listen to Days and Days I think of how much she had to go through just to make sure that everything was going according to plan.
Looney Toons: Who doesn’t love Looney Toons?! We all have our personal favorite characters, mine has always been the schemer Daffy Duck. I thought that he was a combination of the funniest and had the most personality other than Bugs. I love his antics and get rich quick schemes and I thought to myself one day “How cute would it be if he had an adorable little niece who loved space?!”
Daniella Duck: This began the creation of one of the best ideas that I personally think that I have ever had. So Daniella is the only one out of all my OCs that does not have aspergers. Instead I looked at Daffy’s elongated tongue and was like “Hm something inside of me thinks that she would have down-syndrome...” At first she was just going to have a little bit of her uncle’s speech impediment but this is what happens when I get ideas when I’m working out. Daniella lives with her uncle on the warner movie lot in the show fic. I love writing for her and her uncle’s relationship because it’s soft Daffy (it’s very similar to writing for soft Grunkle Stan and I LOVE BOTH). Daniella also has an uncle figure in Bugs and Porky of course. I gave her canon partner to Wakko because I just thought that they would be SO cute together. He helps her work on her self confidence and working her way around her speech impediment. In the modern au that I have she has a brother Ding Dong (@oo-fabooo02 OC). She goes to school with Wakko, loves Ed, Ed N Eddy, helps her uncle on his podcast because Daffy is a comedian in this au and she helps him write his script for the episodes. She loves space in both aus but in the modern au she actually is able to become an astronaut!
Teen Titans\Promare: I have the same OC for both Teen Titans and for Promare but she’s more for Promare right now. What started off as just a happy au that she could have with her comfort character from the TT fic sort of spiraled into this whole other au.
Keiko Katsuragi\Fotia in the Promare au: Keiko is a really special OC in my heart. She’s adorable, fun loving, sweet and just an all around amazing girl. In the Teen Titans au she’s a lot more damaged emotionally. Her father gave her powers through a serum that she didn’t even really want (she thought that he was joking) and it caused her house to burn down. When she left Japan she was homeless until the Teen Titans found her. Keiko is a member of the decora community and loves cutesy, girly things (especially Pokémon, Sanrio characters, Spongebob, Strawberry Shortcake and Care Bears). Her collection of stuffed animals is immense and intimidating. Her canon partner is Beast Boy. I’ve had Keiko since I was six and only just started to refine her and make her into an official OC. Promare au Keiko still has BB as her partner but I made him into a fire fighter for this au to work. She started off in a poly relationship with Meis and Gueira but I changed my mind. Writing the Promare au gave me the chance to make a happy unscarred Keiko. Her comfort character in this au is Dot.
Princess And The Frog: If you forced me to pick a favorite Disney movie this one would be one of the two answers that I gave to you. I have a very big soft spot for this movie in particular. It is one that changed my life when I sat there as a young child and watched the movie unfold in front of my very eyes. Every time I rewatch this movie I am reminded of how much of my childhood I spent loving hand drawn Disney animation.
Rhiannon (Rae): Rae is the daughter of Tiana and Naveen. I named her after Raymond the firefly. If you knew what a big comfort character my favorite cajun firefly is for me and my mom then her name will come as no surprise. She is the baker and pastry chef for Tiana’s Palace. Rae is a multi musically talented young girl she plays the ukulele, trumpet and accordion. When I first started writing for her I knew that I wanted her to be bisexual. So I turned to one of my favorite animation fun facts that I know. When Jim Cummings was first auditioning for Raymond they had him sing a song. This song that he sang is by Leon Russel and it’s called Cajun Love Song. It is also the song that he sings when he is untying Tiana and Naveen’s tongues. The song is about a girl named Alice. And part of my brain that makes these connections went perfect! That’ll be the name of her girlfriend. Rae is mostly a daddy’s girl. The relationship between her and Naveen was really what helped me refine her personality. Her comfort character is Rabbit from Winnie The Pooh. She is a gardener in her free time and that’s where she gets a majority of her fresh fruits and vegetables for her pastries and desserts. She isn’t really the best at being a princess. In fact she hates when she has to go and visit Maldonia. She doesn’t feel at home there and they won’t let her cook or bake anything at all because it’s not seen as ladylike. This is when she mostly feels like something is wrong with her. Why can’t she just do this one seemingly simple thing for her dad? When he does so much for her why can’t she do this? She learns that even though she isn’t perfect she is so very much loved that it’s ridiculous. Her family loves her so much and they’re willing to move hell or high water for her to be comfortable.
Gravity Falls: My most recent obsession (I did not have cable when the original show was being released please don’t kill me). I have recently been binging this show on Disney+ and have just started the second season. I hope to be done with it within the next week or so because I love it so much. My favorite character so far is definitely Grunkle Stan. I love his growth and development from a power hungry greedy old man to somebody that clearly loves the kids that are put under his care. Watching his adorable relationship with mother and the father son relationship with Dipper is something that is really close to my heart.
Twilight Pines: My most recent OC!! Twilight is the older sister of Mabel and Dipper and has been visiting Grunkle Stan for years prior to the start of the show. She’s used to his money scheming antics by now but she still loves her favorite Grunkle. Growing up, Twilight had a nervous stutter. She was shy, nervous a lot, socially awkward and was never really the best at dealing with other people. This made her comfort character Piglet from Winnie The Pooh. Her stutter is still there but it’s gotten a lot better!! She spent the year before the show starts at drama camp trying to get over her stutter. While it’s not gone completely it was a lot of progress. She has a really strong relationship with her caretaker for the summer because of the years that she’s spent with him in the past. Up until Mabel went with her for the summer she thought that she would be the only niece in his heart. See, after Mabel was born she took up a lot of the attention. Everyone wanted to look at the cute one instead of the nervous one. It’s just the way that life is. But during the summer she got to spend it being the favorite relative of somebody. When she notices how close Mabel and Stan are getting that’s when she knows that it’s over. She was naive to ever think that somebody would pick her as the favorite. Not when Mabel existed alongside her. It’s not that she doesn’t love Mabel because she clearly does. It’s just that well sometimes she wants to be loved and appreciated by her parents instead of constantly being sidelined. That’s why her summers with her Grunkle were so important to her. It was just three months out of the year. But for those three months working at the Mystery Shack and having all kinds of chaotic fun were the highlight of her year. She has to learn that she has her own values too. One’s that while don’t oversell her sister are still her’s and they are still beautiful. She learns that her parents love and care about her just as much as her sister. It’s just hard to be a show stealer in this house let’s be honest. Twilight is a pansexual and her canon partner is Wendy.
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The Losers: Chris Evans, Idris Elba and Zoe Saldana’s Forgotten Superhero Movie
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Even The Losers get lucky sometimes. Before the DCEU was formed to compete against the ever-expanding, cash cow that is the Marvel Cinematic Universe, the approach at Warner Bros. was far looser. With the booming business of comic book adaptations in full swing, the studio was throwing money at several eclectic comic book titles like Watchmen and Jonah Hex, trying to stay competitive and seemingly more adult than their rivals. Hence before leaving to create his own superhero project, Hancock, wrier-director Peter Berg started penning an adaptation of DC/Vertigo’s The Losers, bringing in French director Sylvain White to helm the picture.
Produced by Joel Silver, The Losers centered on a team of elite, black-ops Special Forces operatives betrayed by their handler. Director White connected with the material immediately.
“What appealed to me about The Losers was that it wasn’t the typical superhero-with-superpowers thing,” White told MTV. “It was based on real characters—realistic characters—and based in reality, like a lot of the European graphic novels that I had grown up reading.” The director worked with creators Jock and Andy Diggle to refine the script and lend their expertise with design to give the film a distinct visual palette that changes with new locations.
Frequent Silver collaborator Idris Elba was cast as Captain William Roque, with the cast being rounded out by Jeffrey Dean Morgan, coming off his turn as The Comedian in the studio’s adaptation of Watchmen, Zoe Saldana, fresh off of starring in the highest-grossing film of all-time, Avatar, Chris Evans, still mainly known for playing the Human Torch in Fox’s early Fantastic Four films, and rising actor Columbus Short. While current audiences would go on to become intimately familiar with most of this cast, their names didn’t generate enough buzz in 2010 to get folks into the theater. The Losers only made about $30 million on a $25 million budget.
Of course a tepid response at the box office does not mean that a movie is destined for obscurity. Just recently hitting Netflix and ready to capitalize off its now A-list cast, The Losers is currently the most popular film on the streaming service. Besides the even greater interest in comic book properties, the cast of The Losers have gone on to such success that they revitalized interest in one of DC’s almost-forgotten adaptations. Let’s look at where the cast of The Losers have been since the film’s release in 2010 to explain the sudden spike in love.
Idris Elba
While Elba, a star of British television via Luther, had already made an impression with American audiences by 2010 thanks to 28 Weeks Later, Guy Ritchie’s RocknRolla, and a guest stint on The Office, Elba’s star would rise considerably after his appearance in The Losers. In 2011, Elba would join the MCU as Heimdall in Thor, who’s role in the Thor films would expand as the franchise progressed. Elba would also pop up in prominent roles in blockbusters like Prometheus, Pacific Rim, The Jungle Book, and Star Trek Beyond. Away from blockbusters though he really broke out with a SAG-winning performance in Beasts of No Nations, and starring in fare like Aaron Sorkin’s Molly’s Game.
More recently, Elba stole scenes away from Jason Statham and Dwayne “The Rock” Johnson as the villain in Fast & Furious: Hobbs and Shaw. Finally, things have come a bit full circle for Elba, as he’s set to appear in another DC adaptation over 10 years after The Losers, portraying Bloodsport in James Gunn’s The Suicide Squad.
Jeffrey Dean Morgan
In 2010, Jeffrey Dean Morgan was probably most well-known for his roles on television in series like Supernatural and Grey’s Anatomy. That all changed after Morgan was cast in an adaptation of the “unfilmable” graphic novel Watchmen as The Comedian. While his time onscreen in the Alan Moore and Dave Gibbons adaptation was minimal, bringing such an iconic comic book character to life earned Morgan a deeper cachet with the Comic-Con crowd. Morgan would work steadily in films like The Possession and the Red Dawn remake, but he arguably made a bigger impact on television portraying yet another iconic comic book character on AMC’s The Walking Dead, Negan.
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Morgan received critical acclaim for his portrayal of the villainous Negan upon his debut, earning the Critics’ Choice Television Award for Best Guest Performer in a Drama Series, MTV Movie and TV Award for Best Villain, and Saturn Award for Best Guest Starring Role on Television. He’s been going steady as Negan since while doing other occasional comic-con friendly projects like Rampage.
Zoe Saldana
Zoe Saldana was on top of the world in 2010, and in the time since, she’s only become more successful. After appearing in the buzzy Star Trek reboot in 2009 and a little film called Avatar, the former Center Stage star would go on to headline her own action film Colombiana. However, that would seem like small potatoes compared to what would come in 2014. Saldana was cast as Gamora in Guardians of the Galaxy, Marvel’s riskiest adaptation to date. Would audiences get onboard with an off-beat space opera featuring C-tier Marvel characters? Turns out, yes. Gamora not only became the heart of the Guardians, but the character would feature prominently in the grand Phase 3 finales Avengers: Infinity War and Avengers: Endgame.
In the shadow of that, Saldana has starred in more Star Trek sequels, an ill-advised TV remake of Rosemary’s Baby, and as Nina Simone in in Nina, a performance did come under fire for due to the lightness of her skin. Still, Saldana now has leading roles in the two highest grossing films of all-time, and is still expected to star in Guardians and Avatar sequels. Not too shabby.
Chris Evans
Speaking of the MCU, Chris Evans wasn’t floundering in 2010, but he did seem to be stuck in a bit of a rut, typecast as handsome smart alecks prior to The Losers. In fact, his big mainstream break is probably the less than classic spoof comedy, Not Another Teen Movie (2001); afterward he played Johnny Storm in Tim Story’s lukewarm Fantastic Four movies in the mid-2000s; in fact, arguably his most amusing role up to 2010 was when he appeared as a douchebag movie star in Edgar Wright’s genre-bending comedy, Scott Pilgrim vs. the World (2010).
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That said, The Losers found him playing against type as an awkward tech expert. Perhaps his chance to show a different side of himself led to his life-changing role as Steve Rogers in the MCU’s Captain America. Anchoring the Avengers franchise for eight years, Chris Evans rose to the top of the A-list, and used that newfound celebrity to help get passion projects like Bong Joon-ho’s Snowpiercer and Rian Johnson’s Knives Out made. Evans is one of the most popular celebrities on social media right now and looks to continue his profitable relationship with Disney by voicing Buzz Lightyear in the animated origin film, Lightyear.
Columbus Short
Perhaps the only member of the cast not to launch into the stratosphere after The Losers, Columbus Short has had a few issues that have prevented his rise. Short booked a role on the popular ABC series Scandal, but personal issues derailed his involvement in the show. In 2014, as part of a no-jail plea agreement, Short pled guilty to misdemeanor domestic violence and performed 30 hours of community service. Short also avoided jail by pleading no contest to a felony assault charge after throwing “a running punch” at his in-law during a family gathering at a bar.
In an interview with Access Hollywood Live, Short shared that substance abuse due to the stress of family issues and personal loss had led to his departure from Scandal. However, Short has appeared to move past his personal struggles and can next been seen portraying Martin Luther King Jr. in Remember Me: The Mahalia Jackson Storyand returning as Quadir Richards in True to the Game 3.
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Movie Set || Samcedes || Mercedes Trailer
Mercedes Jones made her way onto the set, today was the first table read for her new Romance Comedy, which she was thrilled about. She had cameos and guest star spots. Even as a supporting actress in a blockbuster hit but to be the Leading Lady in her own movie, that was huge. Acting wasn't her first love but it was a fun distraction. She was fresh off her Every Woman Tour and ready to work.
Walking into the big conference room, she and her Manager/Best Friend Tina were the first ones there. Taking off her sunglasses and smoothing down her purple and pink tie dye Jersey Dress she sighed. "Still can't believe we are here. We are doing this." Tina smiled. "Well you are ready, you know your lines, and your co star is pretty hot right now."
Mercedes took her seat and grabbed her script looking back over it. "Yeah well hot and a playboy doesn't really make you a great actor now does it? But I won't judge..." She lied she totally would judge him, she knew his reputation. All men were dogs, period. And that included her dog of an ex who dumped her and got right with a groupie. Jackass.
Reluctantly, Sam Evans spent the latter part of his evening indulging in countless free shots of tequila. He felt like crap but luckily his bloodshot eyes were hidden behind dark Ray Bans. He pulled the hot coffee cup away from his lips, regretting how much he seemed to indulge in the perks of his newfound fame last night.
From the rural plains of Tennessee to sunny Los Angeles, Sam could finally say he made it. Where he was from, not many people did. It was either a nine to five at the piggly wiggly, prison, or a grave. There was no in between in that small town. Sam had played his fair share of smaller roles but this was the one. His entire team was sure of it. So, he was going to make sure no one knew how hungover he was. Especially not his beautiful songstress of a co-star. The last thing he wanted was to make a bad first impression on her.
Mercedes felt her phone vibrate, another photo of her ex Gabriel Norris with another female. The Quarterback was certainly enjoying being single. She rolled her eyes as she glanced up watching people filed inside, they were supposed to be "mingling" to get to know each other. Personally Mercedes wasn't really looking forward to it. She put the script down as Tina told her to be nice and moved over to her costars. Their conversations though, were not what she wanted to be a part of.
Her "best friend" in the movie was played by Jane Hayward, a lesser known actress but from what she heard, the girl was good. Not wanting to interrupt their riveting conversation about the best bars, she turned to see her love interest Sam Evans standing alone. Walking over to him she extended her hand. "I guess we are working together." she said a little more flat than she intended.
The room full of people gave Sam a small inkling of anxiety. This wasn’t his first rodeo, he’d done a host of tv sitcoms and supporting acting roles before but this was his first leading role. That made him nervous as hell. But he was an actor so it was easy for him to paint on the brave face. After all that was his area of expertise. This was the moment he worked his entire career for and he wasn’t going to ruin it by being a complete spaz.
“Guess we are.” He smiled extending his own hand to meet hers. Again, he was trying not to be a spaz but he couldn’t contain his excitement. He’d been around his fair share of celebrities but none as famous as Mercedes Jones. A force to be reckoned with in the music industry. Sam would shamelessly admit to having heard every one of her albums, even the ones from her girl group days. Didn’t hurt that she was also easy on the eyes. In his words...smoking hot. “Pleasure is all mine m’lady.”
Mercedes had to admit, the casting director did a great job at casting Sam. He had the look that was for sure. Tall, handsome, sexy, if she was into that kinda thing and at the moment she was not. He would get the girls and let's not be biased guys in just off his looks alone and she would have her own fanbase so as long as they did their part and gave a great performance the movie should do well. If Twilight could do it then so could they.
However the moment he spoke she understood why people called him a playboy. Those green eyes hidden behind a pair of sunglasses inside gave off a sense of coolness why his accent and tone would drive a woman crazy, yes he was a playboy and she would not be played by him. She pulled her hand away and nodded. "We should probably make a schedule to see if we can run lines together. Make this process as painless as possible."
A lady who was about her business, Sam could definitely appreciate that. The women that seemed to keep him company as of late were all either brainless supermodels or dense socialites that wanted nothing more than the perfect photo op. Be seen on his arm and boost their own careers. Not saying he got nothing out of it, he was a man with needs of course. But this was certainly a breath of fresh air. A woman of substance. But he was going to hold off on the questions about her girl group breakup. Those questions had been lingering around in his head for years.
“Oh sure, but I’m totally not good with numbers, dates, and all that junk so I’ll follow your lead.” As they took their seats, Sam couldn’t help but admire her natural curves. In fact he was pretty obvious with his glaring. “So what made you wanna’ jump into my world? I mean it’s not like you need the gig. You’re already one hell of a star.” He complimented hoping it’d gain him some brownie points. Plus a little harmless flirting never hurt anyone...right?
Mercedes took her seat glancing at her script, they would be starting in about ten minutes and she was ready to get it over with. As Sam started to speak again she was at first appreciative that he wouldn't be that hard to work with, but then his next words caused her to roll her eyes. "His world"? was he serious? There went another person who felt because she had been singing for the last 15 years that she couldn't possibly act as well. What did people think Music videos were?
"Well gosh I guess I figured if brainless oafs could do it why should I give it a try?" She said annoyed. "Just because I am a singer, doesn't mean I don't have talent, because I do. I am a damn great actress and I earned this part. So don't go thinking I got it because I know the director or some bull like that!" she hissed.
“Whoa, whoa...I wasn’t saying that. I know you’re talented as hell. I’ve been following your career since I was a kid. Ever since Cinderella, I’ve been a fan. Sorry I wasn’t trying to offend you. Just curious is all.” Crap he was ruining his chances before they even started. Was it wrong that her sassiness kinda sorta turned him on? She was hot, she was feisty, and the woman knew how to speak up for herself. How could Sam not like that.
Taking a deep breath he began looking over his lines as well, dialing it back a bit. So clearly she wasn’t fond of his charm which wasn’t to be expected, but a decent man always knew how to bounce back. “What I meant was, what made you wanna’ do a movie? I mean your career in music is far better than anyone here. Didn’t think you needed anything like this.”
A fan. Great, not only was she stuck with the playboy of L.A. he was a fan. This was the man who was rumored to sleep with every female he worked with. They did a spread and then he made them spread, their legs. And Mercedes was not about to be a notch on his belt. She may have been dating a Quarterback but she was not easy, she prided herself on her reputation. Sam was bad business for her good girl image.
She cleared her throat turning towards him. "Lets just clear this up right now. I am not going to sleep with you. I took this job because I am a sucker for romance. This story where boy and girl fall in love but realize it too late, it's a beautiful love story about second chances. Yes you are hot which makes my job easier and your accent...well whatever but make no mistake the closest you are gonna come to getting between my legs, is the fake sex scenes we have on screen."
Sam was undoubtedly captivated by the songstress. The way she protested, yet still managed to acknowledge how hot he was extremely gratifying. As humble as he was with his career, his ego when it came to women was a whole lot bigger. Now he wasn’t the “womanizer” the media painted him out to be. Sam Evans was actually the biggest sweetheart. He didn’t get a kick out of smashing and dashing. He was a stand up guy. The man just enjoyed the company of women, was that such a bad thing?
“Look Mercedes, I in no way plan on getting between those beautiful legs of yours...unless you want me to. I know the tabloids can kinda make me seem like a player but that just ain’t true. I just crush a lot.” He chuckled hoping his little joke would lighten the mood. Of course he was attracted to Mercedes, how could he not be? She was fine, confident, and had a whole lot of attitude. “Seriously though, I want you to feel completely comfortable with me. So although it’ll be hard not to, I’ll dial back the flirting and keep this thing strictly business.”
Everything that came out of Sam's mouth was trouble. He was definitely a smooth talking player, but right now she was immune to him. No matter how hot he was and no matter what his accent was doing to her. She rolled her eyes at his comment. "Cute." she said going back to her script, this was going to be a long night.
The table read was not bad once they got started, they read through it fairly quickly, and even though Sam seemed like a player, he was a good actor, she could give him that. The last few days were met with getting acquainted, with getting their trailers and revisions, with trying her best to not let Sam know he was getting to her. She asked him to meet her in her trailer so they could go over the revision of the first scene they were shooting. It was a love scene that she was both regretting but looking forward to. Wearing a white and pink sundress she threw her hair up into a messy buy and put her glasses on going over the script and making sure she knew her new lines.
Sam had the paper with his lines clutched in hand as he walked across the studio lot to meet Mercedes in her trailer. He already had most of his lines memorized but he still jumped at the chance to have someone on one time with Mercedes. Even if they were just handling business. He actually enjoyed being around her. She was funny, quick witted, and kept him on his toes. Not to mention her smile. It did something to him. That smile could light up an entire room.
Sam did a quick breath check in his hand and ate a couple breath mints to be safe. He took a deep breath before knocking on the trailer door and awaiting Mercedes' answer. In the meantime he began doing his daily mouth exercises to loosen up his lips. Just in case she wanted to have a few practice runs at the steamy kiss on page three.
Mercedes closed her eyes going over the lines and then opening to see if she got them right. She was on a roll when she heard someone knock. Knowing it was Sam, she cleared her throat moving to the couch and smoothing her dress. "Girl stop! He's just a coworker, get over it." She shook it off reaching down and grabbing a piece of gum. "Come in." She said pushing her glasses up and going back to the script. She did not like Sam Evans; he was a playboy who she was not gonna fall for. Plus she was on a men detox.
Sam let himself in once he heard her voice from the other side of the door. Keep it cool he thought to himself as he closed the door behind him. Mercedes made it very clear that nothing would happen between them beyond what was written in the script but for some reason Sam felt differently. To him there was already an undeniable chemistry between them. He just had to get her to see it. In due time. “So where do you want me?”
Looking towards Sam she smiled softly. "You can sit next to me, we are filming page three tonight so we might as well make sure we know what we are doing. So let's get right to it." She opened her script to the page, just in case. "So remember these two are talking about love and life, looking out at the stars, they both broke up with their partners and are consoling each other."
She closed her eyes getting into the headspace. Opening her eyes she got into character. "You ever wonder if anyone in this world can truly be happy? I thought so...once, but now i am divorced and raising my son on my own, and I don't think it's possible."
Sam took his seat next to Mercedes and settled in comfortably. He placed the sheet with his lines on the table in front of them and turned to her. As she began her lines Sam kept his own rolling around in his head. Because of his dyslexia, reading off paper was never his thing. Luckily for him, he had the memory of an elephant so his strategy was to memorize and it usually worked for him. When he wasn’t staring at his co-worker.
“Crap wait, I screwed up. Start over.” He nervously shuffled as Mercedes repeated her line. Then a complete one-eighty. Sam transformed into Ryder Stone in that very moment. “I know they can. I felt it for years...my Isabel made me believe in love. After I lost her I still felt grateful that I got to experience true happiness in the first place. I keep that with me always.”
To say Mercedes was underwhelmed was an understatement, though once he started again, she could see him getting into character so she continued her lines as Brooklyn Myers. "Yeah but what you and she had, it was raw and passionate. Nate and I never had that and I suppose that's why it didn't work out. Hey, maybe if I followed you to school and not went on my own path we would have gotten together." She said as she laughed softly, looking past Sam as if really seeing their past and future. "I don't regret my son I never could, but I regret his dad. He never truly loved me, and now I wonder if anyone besides my family ever could." She glanced at Sam longingly before looking down to her hands, as per the script.
She was really good, not that it was surprising to him or anything. From the few short days that he’d known her she was always on top of her game. This was clearly no different. Sam reached out and titled Mercedes’ chin up with his index finger, following the script. “Maybe stop looking so far and stop thinking so hard. Nate was a prick and he didn’t deserve a good girl like you.” Their eyes were now locked on each other’s as Sam stroked his thumb against the smooth skin of her chin...not in the script. A strange flutter happened in his stomach. They were acting but for some reason he was really into it. Really really into it.
Mercedes' eyes met his, his word delivery was impressive and he was improvising which was working, maybe a little more than it should since she was melting against his touch. Eyes never leaving his she continued. "I am a thinker, you dream and I am practical. It's why we are best friends why we work. Why I love you." She said softly. "If the one man I thought loved me didn't deserve me, then who does?"
His eyes never left hers, it was like they were staring into one another’s souls. At first he wasn’t completely sure about the role but he definitely felt connected to the character now. “Maybe a man who’s been right in front of you all along. One who’s always been in your corner right or wrong.“ He paused before delivering his next line. “Brooklyn what if it’s us that’s meant to be? Has that ever crossed your mind?” He cupped her cheek lovingly, his face serious but soft at the same time.
She started at him for a moment letting it seem she was taking his words seriously. "Us?" She looked away from him, pulling away and standing. Thank goodness her trailer was basically a mini house so they could move freely. "I'm not-" she wrapped her arms around herself as the script said, since it was a cold night. "You don't have to pity me Ryder. I know Isabel was the love of your life and we all know you only get one."
He quickly got up meeting her in the center of the trailer floor. His arm resting on the small of her back. “Pitty? Never. Don’t you get what I’m trying to say? Brooklyn I love you...as more than just my best friend” He slowly turned her around to face him again. He stopped momentarily really getting into character. He had to because the next line called for his lips to meet hers. “Yes, I loved Isabel and I always will. But she’d want me to be happy. You’re that for me...” without hesitation he went in for the kiss.
Mercedes knew his hand on her back was coming, but what she wasn't prepared for was the way it made her feel. She closed her eyes gathering her bearings as he spoke. He turned her towards him and she stared up at him. She knew the kiss was coming, but she figured they would stop beforehand. She wasn't prepared for him kissing her. Even more so she wasn't prepared for the way it made her feel. She had to pull away before a moan hit her lips. "Umm okay, that was great but the kiss. It really needs work." She liked moving away from him.
Sam was taken aback because he was so sure that his kissing skills were definitely on point. He damn sure wasn’t expecting that reclamation but he was a man of pride. He wasn’t going to let her see him sweat. Removing his hand from her back, he shoved them into his pockets. “Please you know it was good.” He started with a smug smile on his lips. “You were really good though. Somebody’s been practicing their lines. A proud co-star.” He winked before plopping down on her couch. “So you wanna run it again? Or you think you’re good?”
There it was, that smugness that annoyed her. Nate had it and now she saw Sam did and she couldn't stand it. Turning towards him she folded her arms across her chest. She was gonna let him off the hook because yes she did enjoy the kiss but he was asking for it so she broke it down. It was good, not mind blowing. "Good? Your technique was sloppy, delivery was weak and F.Y.I. you don't have to use that much tongue right away. You wanna make her beg for more." She moved to her fridge and grabbed a water bottle. "And of course I am really good. Mercedes Jones doesn't do mediocre."
She was faking hard and Sam knew it. However, he was going to let her have her moment. Clearly she needed it. He had the best lips in town, who wouldn’t wanna’ kiss em? “Damn...that’s pretty harsh. But I’m a strong man, I can take a little constructive criticism.” He nodded with confidence. “So Uhh...what are you doing after this. A couple of us are going out for food and drinks. Y’know mingling and all that junk. You wanna tag along?”
She knew he didn't believe her and for good reason but for some reason she just couldn't get behind him being that cocky. It oozed off him like a stench and she wasn't here for it. "Can you? Cause it seems to me you are a man with a huge ego who can't possibly imagine a woman not wanting him. News Flash, you are not God's gift to women." She shook her head. "No I am good. I wanna run my lines a few more times."
She turned from him but stopped; she wanted to further prove her point and maybe kiss him just once more. "And by the way, this is how you give a mind blowing kiss." She said moving towards him and pulling him towards her. Her lips met his in a soft kiss at first and then deepened it pushing him against the wall as her arms wrapped around his neck. Her tongue swiped across his bottom lip before she took his lower lip and nipped it gently before pulling away and stepping back. "That is how you give a memorable kiss."
Indeed the kiss was very memorable, no denying that. Sam swore he’d lay off the flirting but he couldn’t help himself. That’s just the way he was around pretty ladies. But by the way she was shutting him down maybe she just really wasn’t interested.
He was fine with that. He wasn’t a pusher and he damn sure didn’t want to pressure her, that wasn’t his style. If anything were to happen between them he wanted it to be mutual. “I can stay here too and run lines, drinks will always be there. Plus I sorta wanna get this scene right. Since my kissing is so weak and mediocre.” He chuckled.
Mercedes watched him for a moment. Then moved back. "Fine if you really wanna get this right then let's go. But look it wasn’t bad it's just. You rushed in there like a preteen having his first kiss, not like a man in love who knows this kiss, this kiss is gonna determine if she loves him back. Ryder is putting everything on the line with this kiss. She stands in front of him. "Like this." She clears her throat. “Yes, I loved Isabel and I always will. But she’d want me to be happy. You’re that for me...” her hand went to his face, softly holding it there as she leaned in. "I love you." She improvised as she kissed him softly, gradually growing deeper. Then pulled away. "Now you try."
His blood was rushing to places and quick. Sam was lost in the kiss, so much so that he hadn't even noticed that she pulled away. He slowly opened his eyes and let out a breathless "Damn". That was the only way to properly describe the kiss from Mercedes. Though he was pretty sure nothing was wrong with his kiss before. He had to admit though, she was a damn good kisser. He cleared his throat and shook his shoulders as he repeated his lines once more and mimicked Mercedes' actions, except this time he fully committed. He dipped her back, planting a feverish kiss to her lips. "Hmm how about that?" he asked, lifting her back up.
Mercedes smirked hearing his response. Yeah she was good, and that kiss was fire. She stood back waiting for him and yeah the kiss was great but he still wasn't getting it. "Sam, now you are just over doing it, you need to connect with Ryder. With why he loves her. He's her best friend, she was always there for him and he knows he can depend on her, forever. Every touch and action proves that. It's a touch during a kiss." She said touching his face. "Now try it again but be in love."
Huffing under his breath he closed his eyes. He liked the way Mercedes seemed to push him. Was it because she saw his potential? Or maybe she was just as happy to keep kissing him as he was with her. Either way Sam had no complaints. “Yes, I loved Isabel and I always will. But she’d want me to be happy. You’re that for me...” He placed a hand softly on her cheek, caressing her soft skin. His eyes stayed locked on hers as he stared intensely. Her lips were in view and he just went for it. Pulling her face inches from his, he closed his eyes letting his lips work their magic.
Mercedes waited for Sam to start again, and was pleasantly surprised at the way he looked, the way he spoke. His hand on her cheek sent shivers up and down her spine, and his kiss proved that with a little work, Sam could make the most of his talents. His kiss, this kiss was amazing. It took everything in her not to go weak in the knees but she couldn't help herself wanting more. Her arms wrapped around his neck, pulling him closer.
Sam wasn’t expecting for Mercedes to match his energy but she did. It took everything in him to break away, not even realizing his hands had fallen to her hips. “When we shoot that scene on Monday, the entire cast in crew are gonna’ be in awe. Totally gonna crush it.” He winked. “Now if you’ll excuse me I think you took off all my chapstick with that last one.” He joked as he pulled his hands off of her with a smile.
Mercedes let her hands fall, shocked at her actions, not missing a stride she shook her head with a smile. "Yeah, considering that I acted my ass off and you improved, I think they are gonna be shocked at your improvement." She teased. She walked over to her water and took a sip. "Do you want some water?"
Sam nodded as Mercedes supplies him with some water. Much needed for the amount of times they ran that kissing even. If she hadn’t made it clear that she had no intentions on falling for his charm, he would be pretty sure that she liked him. Maybe not on a deep level but the chemistry was undeniable. “You sure that was all acting?” He teased as he fanned himself. “Because woo! I’m impressed if so.”
Mercedes rolled her eyes going back to her water and sitting on the sofa. "Trust me you will know if I liked you. A real kiss from me, a real true Mercedes Jones kiss, it'll leave you speechless, it will make you lose all train of thought other than wanting to kiss me again." She said staring at him.
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Star Wars Episode 4;
Destroy malevolence
Didn’t we just do that?
I’m assuming this is going to be focusing on the
aftermath of the
destruction
of the
malevolence
And the preceding unraveling of
general grievous’s
net work
[And several
acquaintances
probably
trying
to
break
him out,]
Anyway...
On with
It!
Quote;
“A Plan is only as good
as those
who see it out,”
Odd
I’ve
Stopped
giving much stock
into the
quotes
Consider
ing
the last one
had a relatively good
one
And
Is on the
lower
end
of
my
expectations
My criticism
of this
Is a
Short
Plans can be good
But
People flawed
The
narrator
sounds
a
bit
more
enthusiastic
Weirdly
drawn
out
pause
But
it
does
get
the
point
across
Allows
enough
time
“ Grievous
in
retreat,”
Honestly
Is
this
where
we’re
going
to
start
Like
no
disrespect-
(I have the
patience)
But are we honestly going to spend the whole entire time watching Obi-Wan fuck up catching Grievous?
That would work
with the theme
of Jedi Masters
They make it seem a lot less
stupid
[Recap
Also
I really like the movement on the
ship
Much
more
real
istic
Continuing to
Hold on it
not so much
This is like
someone
continuously
kicking
someone
when they’re
already
down
Or like a fire
After a while
it just gets sort of
boring
Or worrying
And you realize they could just
take them
into custody
Or that the fire is starting to
envelope
nearby
forest
With
everyone
having
a bucket of
water
Obi wan, why
Do
you
torment
so?
He can’t even
die
If so;
He’d
be dead
I love how
Plo Koon
and
him
are
just
watching
the
shit
show
like
“Bitch”
You know they could both take
him
But are just that dedicated to being
sandry old man
“Commander, how much damage to the
enemy ship?”
Have they suffered
enough?
Also, geez dude’s been demoted it to
commander
I mean I know he’s just
Comms Guy
But geez.
(He probably
deserved it)
Oh no,
Random
dude
On
The
ground
Why?
“ She’s lost primary
shields and stabilizers,”
So shooting at it is doing
minimal damage
“ It can take all the fire
our cannons
can manage,”
Okay,
time to get you two
down there
“ we must
summon
reinforcements,”
Plo is slowly becoming that we
“need reinforcements”
guy
Like
he can’t do anything
by himself
(Except
for last
episode)
“ That’s why
I’m here
Master Plo,”
That’s not the right
tone
And.....
I was kind of hoping we’d get a
Master Plo and
Obi-Wan episode
This time
around
Never mind the fact that
Anakin can’t take on grievous
“ what are you able to contact
Master
(Liam Niara)
(That’s how voice text spells it)
(I have no idea)
“ Yes, master,”
That’s better
“She’s busy with a bunch of separatist
reinforcement’s nearby,”
Bit too much
eye movement
but otherwise
good
“ she won’t
be able to give us support till she’s turn
ing them away,”
Meanwhile
you’ve already pretty much
kill ed
him
Guess
just
play
poker?
Then
we’ll have to do with what we have
Oh now with the teenager around you’re so brave
How’s
that going to help?
Burning
On fire
Really,
no
mercy
Poor
droid
jerking
around
Ex
ploding
Perfect balance of kar
mic
pay
back
“We’ve
lost
our
primary
weapon,”
Shit
just
continues
to
get
worse
and
worse
General
grievous
is
just
there
with his hands
in his head
Not
looking
too
great
“ The hyper drive is dis
-abled,”
It’s been disabled since last episode but good
repeating
Good
to
re-iterate
“Argh,”
“ General
general,”
The
forward
engines
are
shutting
down
“ im
poss
ible,”
Dude,
look
around
That’s
pretty
-
heavy
denial
You
should
just
sur
-render
More
Sho
-oting
This
is
going
to
be
a
sl
-ow
ep
i
sode
Ahsoka
Managing
systems
A not
bad role
for her
Certain-
“ Admiral
Status-
Re
port,”
Shit’s
fucked
once
again
They’re
hyperdrive
must
be
damaged
What
you
didn’t
figure
out
the
first
time
will
Obi
won
must’ve
checked
Compulsively
For the
170th time
in the last
hour
“This
our
chance”
It wasn’t a few seconds ago?
“all
ships
target
the
bridge
maximum
fire
power,”
Dude,
what
do
you
think
that’ll
do
Grievous
is
made
out
of
pure
titanium
It’s
like..
a
slightly
long
fall
for
him..
Generals..
really
don’t
wanna
deal
with
Grievous’s
shit
today
Episode is
22:40
Long
Left
All
they’re
doing
is
shooting
at
him
Grievous
Called
Dooku
“Dad
I
crashed
the
car,”
Sustained
advanced
damage
“ I know,”
Just
dead
panned
“ I have
arranged
a
trap,”
Oohh!
Interesting
But
Also
completely
bullshit
Guess
this
is
his
punishment
Being
used
as
bait
“To
give
you
an
advantage
over
the
Jedi,”
“ I
assure
you,”
Please
no
You’re not compound
your failure
this day,”
Ah, there’s
the chewing out
I was looking for
Perfect
Continue
“ war
ship
to
fall,”
Oh so it wasn’t going to be a - get them sent to prison- thing
So
how are you planning to
unfuck
the situation
Cause
this looks pretty bad
They will never catch me or this ship
Bless him
he’s trying
The expression just says
‘I have no idea
how’
Like
He
knows
what’s
expected
of
him
but
has
no
idea
How?!
Heading
towards
you
is
a
very
important
galactic
senat
or,”
In the middle of a
war zone
Seriously
not
a
good
time
for
a
photo
op
“ With
her
as
a
hostage,”
“call
off
the
attack,”
Ok no one is calling off an
attack this important
for
a
senator
Nor
should
be
letting
her
get
captured
....
*Bowing
down*
*Assumed
authority*
Blue
It
looks
remarkably
better
this
episode
👍
Also
of
course
it’s
Padme
Amidala
Couldn’t
be
any
of
the
4000
other
senators
we
know
nothing
about
Really
getting
into
the
love
triangle
stuff
right
away,
aren’t
we?
Like
why
couldn’t
we
slow
burn
it
(I
know
she
was
in
the
movie)
But
I
wouldn’t
mind
“Are
you
sure
the
infor
mation
from
the
chan
cellor
Palpatine
is
reliable?”
Fore
shadowing!
Good
job
authors
you
get
a
cookie
“ it was secretly given to him
by the leader of the
Bank-he Clan,
himself!”
Okay
Amidala’s
tone
kinda
works
Could
use
a
little
more
monotone
but
it
works
I gave Anakin like
three
tries
so
I’m
not
gonna
be
too
harsh
There
is
still
time
for
the
minimal
improve
ment
it
needs
“ if they
leave
the
separatist
alliance
it
will
go
along
way
to
shortening
this
war,”
Er-
Okay
it
makes
sense
for
her
character
She’s sup
posed
to be
around
the same
age
as
Anakin
“Beep,
Beep,”
“ We’re
approaching
the
system
now,”
“Oh
shit,”
Crud
“ my
goodness,”
Best
Droid
“This
isn’t
right,”
Then
Move!
That’s
a
droid
warship
“We’re
in
the
middle
of
a
battle!”
Hey,
that’s
a
smart
character
Hyper drive out of there
“ we’re scanning
a small ship off
our bow,”
Get out of
there
“ Good,”
Yeah, how are you going to get
her?
Seeing as how like a million warships are belting
your bow?
I know those must be like
raindrops to him
But
come on
Don’t
go
into
the
burn
-ing
wreckage
And
towards
enemy
fire
Then
again
she
was
probably
heading
towards
the
Jedi
ship
So
(as
a
civilian)
that
makes
sense
“Master
I’m
picking
up
a
signal
near
the
enemy
vessel,”
Tone
Enemy
reinforcements
That’s-
A
Good
Call
Respectively
“ it looks like-”
“A Naboo ship”
“Gunners
stand
day,”
Hey
everyone’s
competent
today!
(Not
that
there’s
anything
wrong
with
enablers
being
stupid)
This
just
requires
more
brain
power
“ what
in
Blazers
are
they
doing
out
here?”
A valid
response
But
weren’t
they
the
ones
that
pledged
transport
ships?
Like
oh
yeah
stupid going out into a war zone
But
not
completely
out of the question
“ Ahsoka
contact
that ship,”
Bit
too
much
energy
But
still
resp
ect
able
Literally
coming
from
fiery
hell
Identify
yourself
“Padme
what
are
you
doing
out
here,”
Cringe
That line sounds like boomer.
What boomers think high school
jocks sound like
And we’re like no
“ I
was
sent
on
a
special
mission,”
Good
job
Writers
The
‘Bang he
Klan
Wanted
to negotiate
a treaty
Good
reason
“Get
out
of
there,”
Too
Force
ful
Better
Idea;
Have
Obi-Wan
try
to
calmly
explain
the
situation
to
her
Possibly
distracting
her for
general
grievous
to
kidnap
“ Activate
the
tractor
beam,”
Damn
we’re
going
back
to old old sci
Fi- with tractor beams and
shit
I was expecting like a hook and chain,
a harpoon
Was not expecting
that
That
made
me
laugh
WTF
Tell
them
some
nonsense
is
going
on!
“i’m
afraid
it’s
much
worse
than
that,”
Gunners
Do
Something?!
it’s a beam; it can be broken
“ Padme what’s happening?”
A go- decent response
“ i’m
being
pulled
inside
the
droid
cruiser
by
a
tractor
beam,”
Good
Commun
ication
Whelp,
Done
So
at
22: 40
Rest
of
the
episode
is
hostage
situ
ation?
Inter
es
ting
Much
Better
Than
Just
Shooting
at
it
for
an
hour
“I will not be made a separatist bargaining
chip,”
Initiative
Though
Less
Emo
-tion
Should
be
recited
like
something
she
had
to
read
off
a
paper
Guessing I’m not Padme I’m Padme’s
handmaiden thing only works
once
Continue
your
attack
You
must
continue-
I hope
she get some
actual action
Nothing too intense
because she’s still a kid
But like a surprise attack on
General grievous
Destroy
this
monstrous
ship
That’s
kind
of
like-
How-
I saw the next frame
Wtf-
WTF
HIS FACE JUST-
CON-torts
You are not Romeo and Juliet
movie
You are two kids reinacting Romeo and Juliet
clumsy
Get it right
“Admiral,
order
our
ships
to
stop
firing,”
No
one’s
gonna
stop
this
No
one‘s
gonna
comment...
Okay....
Obi-Wan
And
Plo
Koon
are
just
gone
Left
when
Anakin
started
acting
unchild like
Never
mind
still
there
Nothing
suspicious
*Rubs
beard*
Whelp
It
does
not
look
safe
out
there
my
lady
Screw
with
the
tractor
beam
and
leave
No
one
can
stop
you
Droid
Related
“I
see
now
this
whole
thing
was
a
trap,”
The
Bang’he
Clan
Works
With
The-
I
can’t
even
make
that
joke
because
the
bang’he
clan
are
working
with
the
separatists
Good
writers
you
out
joked
me
“ we
walked
right
into
it,”
Pressing
buttons
isn’t
going
to
help
lady
Sir
the
republic
cruisers
have
halted
their
attack
Bit
too
much
emotion
for
a
droid
but
it
works
“Jedi
are
so
predictable,”
Hit
him
with
a
gun
Get
the
repair
team
up
here
“ i’m
going
down
to
the
main
hanger,”
The arm motion was a little weird...
for ‘I’m going down to the main
hanger’
Street
Railways?
Are we
getting *tour
the inside of the
ship??
Nice
This
ship
must
be
returned
to
Count
Dooku
intact
Nice
little
interaction
Rail
ways
There’s
no
room
for
failure
Hard
Moral
One
on
fast
speed
ing
train
Moves
over
to
another
pad
Don’t
think
that’s
gonna
help
“Come
on
I’ve
over
loaded
the
power
system,”
THAT’S
actually
really
clever
Good
job
whoever
gave
that
order
General
grievous
goes
boom
Fighter
door
opens
Find
a
Fighter
And
fly
out
* Anakin
walks
away*
You know this would be a good idea if Obi-Wan had ordered him to do so when feeling the emotion of ‘love’, miscommunicating the concept of love, and didn’t realize that’s what he was doing - what clues him
in
“ where do you think you’re going,”
“ someone’s got to save
her,”
Still too much emotion
“I thought you might say
that,”
Did you give him that, did you give him an
order relevant to that?
There he goes
again
Yeah
Someone
should
really
check
up
on
that
Or
get
Obi-Wan
to
lay off
the
suicidal
orders
“Craving
adventures
and
excitement,”
No,
orders
“ You
get
used
to
it”
Could
be
just
a
response
But
too
much
reaction
And
Person
ality
Oh,
Shit’s
On
Fire
“Come on 3PO hurry,”
Flaming wreck lady
“not sure this is such a good
idea,”
Neither
is
being
held
captive
You’re made of like solid gold
Timing
[also the announce in the background
like a train station - just cracks me up]
Time to get blown up
“ Mind the gap”
“Mind the gap”
Haha
You
two
come
with
me
Command
That droid’s-
No, wait-
It’s Amidala
And C3PO
He’s trying to
help
Looks
Inside
Beeping
Timer
Look
like
the
engine-
Are
Set
To -
Timing
“Destroy
themselves,”
He
really
needed
them
to
say
that
Get
out
of
my
way
“Ow,”
You
don’t
want
to
die
That’s
just
rude
So
is
death
You
should
get
out
of
there
He’s
going
to
come
back
around
Geez
Fire squad
is a train
wreck
They’re
Trying
Crud
if this gets back to
Skywalker
and
he
thinks
she’s
dead
After
That
Speech
Who knows what toxic morals of love
Obi-Wan taught him
could activate
This could
become
a train
wreck
Ahhh!
It got
worse
Seriously
who made the droids that have to
with
stand
high
water pressure
Light weights
Oof
Even high water pressure
cannot kill him
Even running away
cannot save him
Wonder
what that attack
would’ve done
Sound the alarm
“We have stowaways,”
Or...
She was never on that
ship
Seriously
no one besides the republic
saw her
I’d go with “she isn’t on board,”
Run
Back
to the
republic ships
Who are doing
nothing
while grievous rebuilds
Like,
The medical station is
right there
You might want to get back
on moving
them
Just Saying
“ i’ve trusted you already formulated a brilliant
plan to
rescue
the
Senator,”
“ as a matter of fact
I have,”
Umm,
Weird
How to
Code
that
“ what do you have a Plan B
Every
good plan has a back up,”
Stop
forcing his
dependence on you
“ I don’t
have a back up
yet,”
Too
much
emotion
Really
Questioning
Not really
helping his
self-esteem
Really
“ we’ll sneak behind them and dock at the emergency air
lock,”
So I’m guessing this is going to set up
Padme
going
there
“ That’s
your
plan?”
Discouraging
“Fly
land,”
That’s literally what all maneuvers
rely on
Also
it
sounds
like
something
out
of
a
fairy
book
Which
might
explain
Anakin
toxic
behavior
“ Walk
in
the
door,”
“Basically,”
Too
much
emotion
“Oh
Brilliant,”
Dick
Firey
Wreck
“ Might I suggest we keep
moving?”
Bit
Loud
There
It
“ I think
I hear
battle droids
approaching,”
Talking
is
not
helping
“But
we also need to contact
the fleet,”
Getting out is the prerogative
They don’t know where you are
And you can’t stay in a constant
location
If I can just keep this
com panel working
Ahhh!
Well
just
disappeared
“The Damage to the hyper drive
was not as bad as
we first
thought,”
How?!
It’s been
damaged
for about
two episodes
Also, Good for
Her
“ We’ll be able to get underway again shortly,”
With this
mess of a ship
Hyperdrive would send half of it flying
It’s barely holding together by a
string
You’re
screwed
I must inform count
Dooku
Seems
oddly
suspic.
Continue the search
Find the
stowaway
How does
that change anything
in Amidala’s eyes
Getting
to know the boss
isn’t worth it
Just be more careful
Roger, roger
Commander
Intimidating
*Spark*
Oh
She
Was
In
A
Cabinet
Thought
she
made
it
in
C3PO
Looks
creepy
in
one
frame
Shit’s
Constantly
on
fire
“If they spot us
we’ll be pulverized,”
With what guns??
You’ve been doing all the hitting
this entire time
They’ve been sitting
Geese
“They’re
too
busy repairing the ship,”
Thank you
[also Obi-Wan
complainers rules]
“ They
don’t
have
time
to
notice
us,”
Cocky
Subtlety
has
never
been
one
of
your
strong
points
Anakin
Neither
Yours
Person
who
orders
him!
“ Everything
I
know
I
learned
from
you
master,”
Point
Yes
Attitude?
No
Oh
if
only
that
was
true
Should
Be
Might
be
a
side
jab
at
how
he
took
orders
from
the
Chancellor
There
we
go
Only
Obi-Wan
was
worried
“Didn’t
You
Hear
It,”
Your
circuits
are
loose
Or
maybe
you’ve
lost
your
hearing
From
the
impact
“ No
one’s
crazy
enough
to
do
that,”
Cut
“Anakin”
Perfect
“You’re
Crazy,”
You
groomed
him
this
way
“ spinning
is
not
flying”
“But
it’s
a
good
trick,”
Too
much
emotion
Do
not
want
to
be
spotted
Good
job
You’re
standing
more
in
the
doorway
than
he
is
“I knew it it’s them,”
That droid
is just having a day
Aww
But his
friend came down
to check
with him
That’s adorable
Oh no
They’re backing off
peacefully
ASSHOLES!
Obi-wan
specifically
You stay here
R2
Again
why did you bring him
Another
bold strategy by -
Say Skywalker
‘Skywalker’
Ordered
“I presume,”
No, Obi-Wan’s
When it’s not Palpatine’s
“That’s my master”
Children
don’t
show
preference
for
handlers
“ once they rescue the Senator we will need to reinforcement to finish off the enemy
Sounds nonsense
but OK
Dude
really
Likes
enforcement’s
“ i’m on my way,”
“Master Plo”
“ We’re receiving a transmission,”
Padme
Weird distance to start a conversation at
Running for some reason
“ Master
we found the
senator,”
Good
“ We’re patching
Her through,”
Helpful...?
What
is
it
with
Skywalker
and
becoming
a
Barking
over-
animated
Puppet
Every
time
senator
Amidala
gets
involved
?
“Anakin
where
are
you,”
Better;
where
are
your
coordinates
“ On
lower
levels,”
Better
but
where
“I don’t
know,”
Give a better location
For how long
Problem with this whole plan
Give Landmarks
Get to the
rendezvous point
“Obi won and I are on board too,”
Better; get to the ship on level ____ on your ___ side
Optional; Closest landmark ____
We’ll meet you
there
What what are you doing?
Not the best point to
argue
Ahsoka, how can we get to the senator
Better how can we both get to the escape pad?
In case
we both get separated
Taking longer to coordinate
that complicated-
How long till they get separated?
Center of the ship
Half way between the two of you
Neither
Ahsoka gave neither
Bad instructions
“ we’re on our way
To a very unspecified point on not
specified level at a not specified
time
Let
the hijinks
commence
“ Did
you hear that
Padme?”
You’re on the same com
“ i’ll be there,”
Some-how
The question
to my answer was
22:40
When do the Hijinks begin?
Let’s
See
Marching
Intimidated
“we just detected
An unauthorized communication
Coming from within the
ship,”
Shouldn’t he be making a phone
call?
“ what did it
say?”
Interesting
Well
we don’t know
That’s how encoding works
We didn’t catch it in
time
Off
Droid
winces
Monitor
all internal
communications
Like they’ll do it again
I want
that senator
on this bridge
Good
luck with that
You haven’t
even
saw her
Rail-ways
Nice
Busy
Should be a cakewalk
Is Not a cakewalk
All the way up there
“I do not see her,”
Yeah, that’s the problem-
She’s here master
I sent it
Or you got the wrong port
(So you heard her voice
so she’s clearly somewhere on this ship)
He’s probably late again
But we do have company of another sort
Oh
She has a gun
And somehow none of that hits
her
And of course that gets the attention
I’m honestly glad they didn’t go with miscommunication
Causes
fake stand up
scenario
Even if this is
faux
Romeo and Juliet
Good job
Lots of
jumping
Look
Jedi
Good job
nice guy
No wait
That one
guy had
common sense
“I knew that was a bad idea,”
Mercy
That you didn’t show on the other
guys
Who
were far more hesitant
And you took out that
one guy
Who didn’t do
anything
Just wasn’t as vocal
Dicks
Jump
The peashooter
isn’t doing the job?
Jump
He tried
Power
Thrust
Ana
kin
“ There.
they
are!”
Bull
shit
No way
he saw those guys
On all those
Packages
Also
‘the i knew
It was
a bad
Idea
Guy
Got
New
Friends
“Fire!”
Fuck
The
bridge
is
out
“Jump
to me,”
Try
it
with
a
little
bit
more
disinterest
“ I’ll use the force”
Even she realizes it’s not that
intense
“ You have to trust me,”
Good Luck
OMG
It looks like
she just
falls
Also Obi-wan’s in the back
like
it’s none of my business
Like dude came on a rescue mission
And
has become completely useless
never helped
once
Complained
the whole way
there
Manages
“Got you,”
“ NICE
CATCH,”
Obi
-Wan from the sidelines
10/10
Hilarious
“ I’ll fetch the droid,”
What??
No
This
isn’t
cute
Disgusting
“Oh the things you do to get me alone,”
KIDS don’t-
Ack-
Please
no
more
smoopy-
nope
I’m
putting
it in
the
“bad”
corner
Till
it
stops
trying
to
ship
children
Bad
Movie
That’s
Not
Cute
Obi-wan
Sucks
Can’t
even
levitate
A
Droid
“Stop
me
please”
Poor
Droid
Blast
You’re
Weak
“ That’s
not
good”
Yeah
you’re
weak
“Anakin
I got
separated
from
your
droid,”
Thank
God
I’ll
take
care
of
it
Better
“ We’ll
meet
you
back
at
the
Twilight”?
“ I
overheard
grievous,”
Annnnnd
“ They’re hyper-drive
is nearly fixed,”
Soooo, He better get you back to the
ship so we can start blasting it with Cannon balls again?
“ i’m already headed in that direction,”
Soooooo, don’t do it, Obi-wan?
Or have Anakin and take the extremely important senator
And come back for you later?
“ i’ll make sure the
hyperdrive stays off line,”
By shooting it with more cannon-balls?
Ha ha Ha ha ha
We’ll see about that
What?!
Person who can do nothing!
Like seriously if they just go back to the ship-
That Jedi
“I’m getting you out of here,”
Good decisions
“I need you to help me find 3PO,”
How?
“ I know I know
he does,”
Padme’s
expression
“And
i’ll be there
soon,”
That’s
almost
adorable
Oh
like
that
‘Someone stop this contraption,”
Careful
Words
Yeet
There
We
Go
Into
those
boxes
“ I
suppose
I did ask for that,”
Ha-he
That got a small giggle
out of me
Stomping
Bait
Murderous
Intent
Get
Fucked
Obi
Wan
Really
rolling out all the stops
Hahaha
“ Hello there,”
[Took a pause.
a long break]
General Kenobi
“ kill him,”
Straight.
To.
The.
Point.
More in line with the characterization we’ve seen up so far, not that much for conversation
Dude’s
just rolling
There
went the others
Bowling
pins
they
are
Oh
grievous
has
a
gun
And
hiding behind the enemy
Thought
he sent
both those
guys flying
Apparently
I was wrong
Must’ve
Been
a
Third
Ha
Didn’t
Work
Yeet
That
poor
Droid...
Spark*
That
was
impressive
Nah
he
ran
around
things
It really set up your forces for a
brawl among
them selves
“Argh,”
Dude,
how
insecure
“ Guard
the
hyperdrive,”
Oh
yeah
he
did
shit
to
it
Also
sending
basic
level
mooks
to
deal
with
it
Shooting
Things
Again
how
did
Anakin
and
Padme
end
up
in
the
situation?
They
were
at
the
train
station
last
Now
they’re
at??
And
have
agroed
every
enemy
Who
should
be
focusing
on
Obi-Wan
because
That
was
their
last
order
Grievous
has
just
completely
ignored
Anakin
Hiding
You
aggroed
Them!
Why
are
you
calling
Obi
-Wan
“Come in
Obi-wan,”
Get
her
to
the shuttle
“ i’m afraid
grievous
is onto
us,”
“We
noticed,”
Hey
you guys Aggroed those guys completely on your own
don’t blame Grievous
for this
“Ack,”
Those
are
Tanks
You’re
peashooter
isn’t going
to
do
much
Also,
Anakin
shouldn’t
be
able
to
take
them
either
This
should
be
a
properly
terrifying
moment
“ We’ll
meet
you
back
on
the
twilight,”
Good
plan
“Obi-
Wan!”
Writers
don’t
screw
this
up
“Come
In,”
His
communicuff
clearly
got
damaged
What’s
wrong?!
They’re
jamming
all
communication
No again
it’s far more likely that his
communicuff
Got
Damaged
(Especially
with
Grievous
listening
in,”
Not everything is
jammed communi
cations
Yeet, yeet
Yeet
That
should
not
work
Those
are
tanks
Anakin
is
a
lightweight
His skill set is
unspecified
But
he shouldn’t be able to cut more than
butter with that knife
Light wieght
clankers
should
pose
a
challenge
Due
to
the
amount
of
energy
“That
might
buy
us
some
time
Unlikely
I
suppose
you
have
a
plan
Yeah,
Get
to
the
escape
pad
Follow
Me
...To
the
escape
pod
C3PO
I do believe
I’m lost
Seriously
you
haven’t
found
this
guy
Enemy
Territory
And
all
alone
You’re
a
service
droid
Probably
wouldn’t
notice
anything
“Ah,”
Dude, they’d probably just adopt
you into the clan
“ I surrender,”
Again I really want to see the C3PO and battle droids
conversation
(When not aware of the other side)
It’s
a projector...
R2 D2
“ you are a sight for
old eyes,”
A nice
interaction
“ Master
Anakin
sent
you
to
find
me,”
“ what
kept
you
then?”
He
does
have
a
point
Dude
got
thrown
off
the
train
about
an
hour
ago
R2′s
just been messing with him
“ follow me,”
“ The general
is demanding
a
status report,”
Oh some driod on droid
interactions
(without
the
general)
Nice
Is
the
hyperdrive
re-paired
Yet
From
there?
“ i’ll
give
him
the
good
news,”
This
isn’t
the
escape
pad
Did
you
take
a
wrong
detour?
Also
no
one
guarding
the
super
important
one
panel
repair
Just
Light weight
clankers
Also that’s not
good news
(Especially considering
it’s one panel)
Surprised
this goes
so well
Also;
now
there’s
tanks
Surprised you think that peashooter can do anything
ma’am
Like seriously
should’ve grabbed a bigger gun
The
droids
have
some
And
you can’t tell me
there
hasn’t been artillery
laying around
this
entire
time
Yeet
That almost-
Turned into murder
This is why not going to the escape pods
immediately
was
a
bad
idea
Again
this
should
be
a
stressful
fight
But turning your child soldier
Into an all powerful
can never lose
child soldier
Is bullshit
movie
Opened
Door
“Ever since I’ve known you
you’ve been playing
with droids,”
Ack
“I used to put them together,”
Alright...
Now I only take them
apart
Child soldiering...
It sucks
So,
where do we start
GETTING TO THE ESCAPE PAD!
Obi-Wan
supposed to be here
any minute!
With whole lot of
bullshit!
Move!
First we need to get one of these
droids so they don’t know we were here
No destroy the thing and
go
They’ll figure it out in like
five seconds
When they go to start the thing
up!
Running is a good
option
“I’m gonna
hot wire
this ship,”
How does
this make
anything
better?
He’s already down
and
in kicking position
Everyone’s waiting for Amidala
You’re not helping, good sir!
(In fact I’m pretty sure
you’d have to fix something
To make
it go,”
Secondly,
This is a
HUGE
-ass ship
As a reason it has an
electrical team
Squeezing two little
wires
Isn’t going to do
much
It requires continuous effort
to different parts of the ship
To make a dent
And I truly doubt
such
a large ship is going to have such a
non-complicated
Start-up
compared
to hotwiring
a car
Point being;
this shouldn’t work
Give
Grievous
a little surprise
Again
if it’s anything less
Then a
bomb
Dude isn’t
gonna have
much
trouble
And
this
is
a
waste
of
time
I’ll guess
I’ll clean up the droids
then
LITERally im
possible
That’s
a
tank!
You
carry
light
weaponry!
Back
to
the
fleet
Plo
Koon
Is
doing
nothing
Having
tea
and
cookies
with
Ahsoka
Our
ships
are
in
attack
position
So...
nothings
changed
“Master
Skywalker,”
No
one
else
either
“No,”
Deadpanned
“ The
droids
are
jamming
our
transmissions,”
(More
likely
reason
for
that
on
a
-damaged
ship)
But
Ergh-
“We need to give him more
time,”
Opinion!
“ i’m sure we can,”
I’ve been sitting on my ass-
[Plo’s
Head
Moves
-Railway]
We’re
back
here
again?
Obi-Wan
should
be
at
the
station
by
now
Everything
is
behind
him
Yeet
Yeet
Make it to the
Coms
center
Break
Some
Shit
Oof
Those
Poor
Droids
Good
Pa
rell
els
Splat!
Obi won
looking
back-and-forth
Obi-Wan
you
are
a
Jedi
master
this
shouldn’t
be
hard
Run
Tum
ble
I was fully planning on
him
stacking it
Roof
Also, Obiwan
Stop fecking
Around
Get to the
place
Woof
How
Did you
end up
falling over?
Ironically
Obi-Wan
shows
less
emotion
than
Anakin
* Slashing
the
train*
Okay...
what
did
I
do
Snarky
little
shit
Could
be
snarkier
“That
oughta
do it,”
Ana
-kin
Doing
Obi-wan’s
Job
Also
Oh
shit
is he
plugging
in
the
location
of
that
supposed
fight
with
master-
How’s the house cleaning going-
Im-
That dude made out of
-metal
He is
FIVE
times
your
bodyweight!
HOW?
Done?
You
MOVED
a
Tank??
HOW-
That’s-
What
ever
* Guys
coming
in*
Oh
yeah
that’s
a
door
I
guess
repairs
are
finished
Or
they went
on
lunch
break
Prepared
to charge
up the hyperdrive
Right on it
“Roger, Roger,”
-famous last words
Sparking
Driving
Are we
seriously
waiting
on
these
two
“Are
you
quite
sure
the
ship
is
in
that
direction?
He’s
basically
a
GPS
That
way
looks
potentially
dangerous
All
of
them
do
“Haz
ardous,”
Better
Example
beeping
irritatedly
“I know
the whole
place
is
dangerous,”
Thank you
R2-
D2
“ I
suggest
we
stay
here
and
let
master
Anakin
find
us,”
Bad
idea
A better idea than anyone in the ‘let’s meet up in an undisclosed location’ came up with
Good idea
3PO
Fecking
Irony
“Don’t
just
stand
there,”
See?
“Let’s
get
back
to
the
ship,”
Irony
Power
up
the
engines
R2
You know
Obi-Wan’s
likely going to screw up your shit
right
*obi-Wan
comes
around
the
corner,*
Dude you have shit to
screw up
Did you forget?
There shouldn’t be an
escape pod
for you
What
Hold the
ship
No, you didn’t do
anything...
Then again he could just
cannonball
it
How’s that-
Okay
Very light
bullshit
“ i’ll
contact
the
fleet,”
It’s
the
most
you’ve
done
this
entire
time
Focus
On
The
chair
Do
cking
Clamp
There
We
Go
Off
We
Go
It’s
still
Burning
Grievous
Off
Why?
He doesn’t know
Obi-Wan’s off
the ship
Last
saw
him
on
the
train...
(Not
followed
up
on
directly)
Flighters,
Where
I thought they all got
destroyed?!
All batteries
open fire
Again
Plo Koon does not give a shit
who dies
(Until sitting on his ass gets
too
boring)
Also
this isn’t his fleet
They shouldn’t listen to
him
(Especially after he got his last one
killed)
More
Shooting at the
burning
wreck
Turb
ulence
And
Obi-Wan
still
didn’t
do
his
job
Guns
You can
shoot back
at any time
“ I wa-”
Obi-wan
being
completely
useless
Anakin
having
too
much
emotion
“I
got
it,”
Shoo
ting
stuff
Somehow
doesn’t
go
down
immediately
Hit
“ She
seems
to know
her way
around,”
Gross
Hit
Something
The
Hyper
Drive
-repaired
Also
Obi-Wan
didn’t
fuck
up
shit
Dis
appointed
Also
it
certainly
as
frick
isn’t
now
After
they’ve
been
shooting
Should we retreat
to
friendly
space?
If You can make there it with it in
one piece
(Which
was
the
qualifications)
Engage
the
hyperdrive
With
me
not
on
it
“Secret base
sector four,”
Interesting
“Prepare-”
Enthus
iastic
“Yes,
Sir,”
Fighters
still
chasing
Intense
“Nice
Shoot,”
Gross
“Beginners
luck,”
Beeping
“Pardin-”
“Hyperdrive
is
activating,”
Obi-Wan
“ Oh-shit
Caught in a
lie.”
“-what”
-They’re getting hit with cannonballs
Anakin what did you do
?!
(What Did
I
order you
to do?)
Coordinates
are
locked
“Hyperdrives
engaging,”
Shit’s
about
to
go-
Ar-
Sp-
arking
Glitzy
display
Base
“ I think
there’s
a
problem,”
“General
I think
there’s a problem with the
hyperdrive,”
Yeah
The ship got refired
upon
it’s probably
re broken
Seriously
“ I thought
the hyperdrive
was fixed,”
And then it got shot again...
The navigate computer is heading a straight into the
moon
What
??
Fools
reset the
Navi
computer
“Quick,”
Tech
Support
Dooku
Worst
time
to
call
(Don’t
think
it
could’ve
gone
more
sideways)
Also good job
Anakin
You crash landed them
on a planet
with significantly larger surface area
and resources
that they
can
use
to
re-build
Aka
you made things harder
than they needed to
be
Obi-Wan,
what are you
ordering
this kid
Narrowed
eyes
-No
reset
it
“General,”
Harsh
But I’m interested
in where this is going
Since
Grievous
has
had
a lot of
shit thrown at him
Doesn’t matter
which side of
enablers
he still enabling
But
I suppose
over involved
positivity
Would be
kind of a nice
change
for
him
Over
over involved
negativity
Speeds
off
“Trans
-mission
Has
been
cut,”
Intentionally
* also
smart
droid
“ We’re
Gonna
die
[Explosion]
How?!
Whelp
Obi-Wan has to have a sit down talk with Anakin.
about the ‘ Drive the
ship into the moon,’ order
Also I realized
(thanks to Obi-Wan)
they know nothing about what just
happened
Grievous
either
decided
to
just
end
it
or they’re all dead
Obi-Wan
Dick move
“ I imagine
you had
something
to do
with that,”
WTF- orders
“ all part of
the plan,”
Obi-Wan schooled
Anakin in
extraterrestrial terrorism
Cheering
at least the ion cannon
isn’t coming back
Nice shot
...So Destroy Malevolence
I have to say
I really like this episode
Despite the plot
stretched thin
There was a noticeable increase in the quality of
animation
The child characters were
good
The other characters were a lot more consistent
And a lot
smarter
0 notes
Well Dunne by Fred Schruers (from Rolling Stone magazine, November 7th, 1985)
The star of ‘After Hours’ knows how to produce a lot of laughs
The day Warner Bros. previewed After Hours at its Burbank, California, studio for a randomly selected public - “People who may have been coming out of Wendy’s on La Cinega” is how Griffin Dunne puts it - leading man Dunne and his co-producer, Amy Robinson, joined a line of cars stop-and-going through the gates to the studio. As he tells about it now, a month later, he mimes the part of a power-buzzed security man clutching a walkie-talkie: “Get these people out of there...Can’t let the audience see you, sir...We’re at Building C, walking the producer and the star over now...”
They hid Griffin in the projection booth till the lights went down. Then he sneaked in and listened. Very happily. “They laughed. Went crazy. You couldn’t hear the dialogue.”
A lot of his best lines got lost in the hubbub then, no? Dunne lets his swivel chair rock down from a perilous two-legged tilt and gives the serious, almost beady-eyed take meant to remind you what an alarmingly hostile world we live in: “Let that be the most serious of my problems.”
In fact, Dunne has hardly any problems just now that stand much chance of knocking him from the embrace of the bitch goddess Success. Costing roughly $4 million and described by director Martin Scorsese as “an experimental, psychological farce,” After Hours took only one September weekend to show it would clamber out of cult status and be recognized as something the studio could platform into a nice little hit.
As a producer, then, the thirty-year-old Dunne is at speed. The grudging credit the industry gave him for co-producing Chilly Scenes of Winter, at age twenty-three, and added to with 1982′s Baby, It’s You (OP NOTE: This is an error. Should be 1983), must now give way to admiration. As an actor, he’s got many people besides the studio guards referring to him as an arriving star. He’s onscreen in virtually every frame in After Hours, and his highly expressive face, which seems to be hastily if handsomely thrown together, accented with dark eyebrows and riveting brown eyes, is undeniably crucial to our comic appreciation of the very odd goings-on during the protagonist’s interminable night among the sexually flawed denizens of artsy SoHo. Whether recoiling from the kinky come-ons of Rosanna Arquette’s Marcy and Linda Fiorentino’s Kiki, feeling mousetrapped by Teri Garr’s Julie, marked for slaughter by Catherine O’Hara’s Gail or imprisoned by Verna Bloom’s June, he’s a catalog of nearly nuanced lab-rat reflexes.
The key to Dunne’s performance is clearly reaction, as Amy Robinson points out: “It was imperative in this movie that the character be very likable. Otherwise, why would you want to spend this hour and a half going through such trials and tribulations?”
Adam Brooks, who directed him in this year’s unkindly received Almost You, judges Griffin to be just the right everyman for this opening up in Scorsese’s work. “He’s alone, like other Scorsese heroes, but not obsessed. He’s more like us - a child of computers and television. Lonely, but not driven.”
“A lot of people say Griffin looks like Dudley Moore, but I think he’s a lot more like Jack Benny - his comedy works when he’s surrounded by a lot of crazy people, crazy events. He’s charming, endearing. What’s great about After Hours is that the charm gets defeated at every point and ends up being a kind of vanity - so you’ve got this nicely mounting hysteria.”
The Joseph Minion script for After Hours - dispatched to Griffin after being handed to Amy Robinson by Minion’s film-school professor, director Dusan Makavejec - caught the actor’s fancy on page 2. He could sink right into the role of Paul Hackett, a lonely and bored word processor who meets an enticing girl at a coffee shop. “I understood the speech patterns, the other characters and the tension. And the situation of a horrible date. Of being with somebody, trapped in a situation. I’m looking around the room, going ‘How do I get out of here? And how the hell did I get in here?’ Which is a pretty funny basis for a movie.”
“My only criterion for directing Griffin,” says Scorsese, “was ‘I don’t believe you. For all you know, you’re pleading for your life. If I don’t believe you, I’m not gonna print this take, and we’ll just continue till I believe you.’ He had to get in touch with something in here, he had to plead for his life. And that was - fun.”
Thomas Griffin Dunne was born June 8th, 1955, in New York City, the first of three children of Dominick and Ellen (known as Lenny). His father was a Connecticut-bred, Williams-educated stage manager en route to producer status; his mother was an actress and model raised in Nogales, Arizona, by her Mexican mother and her cattle-rancher father, Thomas Griffin. Dominick worked on everything from Howdy Doody to Playhouse 90, and when colleague Martin Manulis moved to Los Angeles in 1956, Dominick took his work and family went as well.
They settled in then quaint Beverly Hills (”Not the Iranian gun boutiques they’ve got now,” grumbles Griffin), where Griffin hung out with other showbiz whelps, like Carrie Fisher, until heading east to a prestigious old prep school. One unfortunately whimsical day, under the influence of a notorious Moby Grape album cover, he extended his middle finger toward the camera in the football-team photo. By chance, two years later, the headmaster glanced at the photo; the punishment was five swats.
(OP NOTE: I actually contacted Fay School about this photo, and they claimed they didn’t have it. In hindsight, I should have tried a different approach because, to quote Mandy-Rice Davies, “Well they would, wouldn’t they?”)
Next stop was a less stodgy boys school in Colorado, where he won a plum role in The Zoo Story as a sophomore and became “Joe Theater” on campus. By senior year, he was preparing for his greatest performance, as Iago in Othello. The evening before the big day, Griffin and a friend were in a dorm room contentedly smoking dope when the door swung open. They smothered the joint just in time to look up at the school’s “one badass” faculty member, who asked, “What’s that smell?” “There was the longest pause,” recalls Griffin. “Finally, I said ‘What smell?’ “ The smoke, he says, “just poured right out - mocked me.”
Griffin, sent packing, hitchhiked home quite certain that his proper trade was acting. He got a bit part in Medical Story as an intern hooking up an I.V. line amid much medical palaver, but they changed the diagnosis on him at the last minute. Frantically trying to memorize the new bit during a five-minute break, he burned his lip trying to light a cigarette and went before the camera lisping, sweating, shaking, and bereft of words. Actress Linda Purl took pity and wrote his lines on her forearm, where the I.V. was to go. “It was such a classy move,” he says.
Still, deciding he’d better learn the trade from scratch, Griffin migrated to New York and joined the legion of struggling actors. He was catastrophically nervous at auditions: when he went before the stern Uta Hagen to apply for her acting class, he “went up” - completely forgot the text he’d prepared from The Catcher In The Rye. So he improvised, giving the story that morning’s trip downtown as Holden Caulfield might tell it. She was alternately rapt and chuckling, and signed him on. But he was soon shown to be the dunce of a class full of working actors. Finally, one day after he set a prop door up backward for a solo exercise, then frenziedly tried to shove it the wrong way through the jamb, she took him aside and told him he was simply not ready for her class. But he begged her one more chance, and the next day he skipped forward several exercises to do an imaginary phone call. He wowed Hagen and the class and went on from there.
As he built off-Broadway credits, Dunne lived in various shabby apartments and worked odd jobs, notably, selling candy and popcorn at Radio City Music Hall, where he was stung by the indifference of the Amazonian Rockettes: “They certainly had no time for a guy in a polyester zip-up baby-blue jacket with a cadet hat and shoes two sizes too big that had belonged to an usher who died of old age.”
He met Amy Robinson, who had gone from Scorsese’s Mean Streets to searching for work, at a party. With a third actor, Mark Metcalf, they became upstart movie producers by optioning Ann Beattie’s Chilly Scenes of Winter. Joan Micklin Silver came in as screenwriter and director, and they got studio financing to make a cult prestige item. It marked the beginning of a time of happy overwork for Griffin. He came back from shooting a TV film called The Wall in Poland (opposite Rosanna Arquette) to do the play Coming Attractions, which he then left to do John Landis’ film An American Werewolf in London.
He had come back to work full-time on producing Baby, It’s You when horrible news came: his sister, Dominique, a promising young actress, was strangled to death at the age of twenty-two by her boyfriend, a chef at Ma Maison.
“It brought all of us who were left together for every moment for a year between what happened and the verdict,” says Dominick Dunne. “It’s never for a moment not a part of you. The point is, you have to go on, you have to cope, to live your life. He threw himself into his work.”
Baby, It’s You was completed that year and dedicated to his sister. Then, even as he helped with script revisions to After Hours, Griffin was before the cameras in Adam Brooks’ Almost You. It’s about a couple suffering from the young man’s restlessness, and though Dunne and Brooke Adams agreed to do it while they were very much a couple, by the time it got financing, they were just friends. “I guess you could say they had a lot to work with,” says Brooks. “but that never interfered with the production.”
Griffin’s been seeing New York actress Ellen Barkin lately; she was on his arm for the New York premiere of the film and afterward was a proud but not proprietary presence as he accepted congratulations well into the night from a buzzing crowd of friends at a downtown restaurant. He was due to head cross-country for promotional chores, but he’s got further plans for his unusually hyphenated career. He and Amy Robinson have optioned the hit play The Foreigner, written by the late Larry Shue. And after the rigors of making After Hours on a nocturnal schedule, Griffin is very happy to have the phone plugged back in and the shades up.
(OP NOTE: As I mentioned in the transcript for the American Film article, The Foreigner never materialized as a feature film, though Robin Williams was attached at one point. That’s all the information I have about that at the moment.)
“I noticed that Griffin is the kind of guy who gets around a lot, parties a lot,” says Scorsese, “and I knew the hardest part of his job was sustaining the anxiety for eight weeks of shooting.” The director pauses for a grin that demands to be called devilish. “So I told him, ‘No sex for eight weeks. We’ve got careers on the line here. I don’t want you up at night talking, wasting your time and your precious bodily fluids.’
“Really, the idea was to contain him and keep him in this night world for eight weeks, ‘cause his performance depended on anxiety, and if he was satisfied, he would never be able to get that.”
Dunne, reminded later of the challenge, tips back his chair and grins to himself. “Aw, that was easy to live up to,” he says, then waits a beat to settle into the deadpan expression that is such a comic weapon for him. “Did you ever try to get a date a six-thirty in the morning?”
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My thoughts on Star Wars Episode IX. Posted this on my Insta and realized I never posted it here
Ok, I know people are going to disagree no matter what I say so there’s no use lying about it, so I’ll tell you how I honestly feel about it.
Also, THERE ARE SPOILERS in this review
There’s really no easy way to put it, because I both loved it and didn’t like it at the same time. There were parts that I really liked, parts that I didn’t like at all, and parts that I have very mixed feelings over.
Least favorite things:
Rey and Poe’s interactions between the two of them. I was excited to see how they would be portrayed as friends and how the writers would have them relate to each other, but they didn’t seem to have that much chemistry together.
I know I’m in the minority on this, but the interactions between Rey, Finn, and Poe all together didn’t feel very convincing or entertaining. Individually, I thought Finn and Rey and Finn and Poe were great. But as a trio, they just seemed really off. And I was really excited to see how they would be as trio together for the first time.
Hux being the spy made no sense at all to me, and the idea of why there needed to be a spy within the First Order didn’t make much sense either. (I’m going to cover this specific gripe more in depth in another post.)
I was expecting Kaydel Ko Connix (Billie Lourd) to be given a bit more of a role in this movie, particularly since Lourd’s mother Carrie Fisher has passed away and because she was shown to be on board with Poe’s mutiny in The Last Jedi. I thought this movie would have been a great opportunity to flesh out her character more, but it seemed like all she did was pop up now and then to deliver a line or two.
Finn’s connection with Rose just seemed completely forgotten about. Like, the two of them spend more than half of the last movie together, and in the next film they barely say 5 sentences to each other? And we’re not really even given a reason why they pretty much just stopped interacting with each other either.
The very ending of the movie didn’t seem like a very proper conclusion to the Skywalker Saga. I might express my feeling on this in another post as well.
Favorite things:
Pretty much every actor did an amazing job at their role.
Kylo/Ben’s conversation with Han Solo was an incredible scene. Seeing how Ben’s changed, given everything he’s been through since he last saw him, and now he knows that his light side is unavoidable, that there is definitely good in him, and how he must accept that. It was so heartbreaking and so heartwarming at the same time, and I loved watching every second of it. (Especially when he calls Han Solo “dad”? Ugh. Tears.)
The lightsaber duel between Rey and Kylo on the remains of the second Death Star was incredible. Probably not my favorite out of the whole series, but its definitely up there.
There interactions between Finn and Rey and between Finn and Poe were really nice to see
The way that Rey hears the voice of all the past Jedi was great.
The space battle at the end was incredible
I was getting doubtful if it would happen as the movie went on, but Wedge Antilles’ cameo near the end was super satisfying to see.
Ben Solo literally running to fight alongside Rey, and then coming back to hold her? Yes, yes, yes.
Mixed Opinions
The Knights of Ren. It was cool to see them finally, and seeing the turn against Ben and fight him before he got to Rey was great, but I felt that there was so much more they could have done, and at one or two points they didn’t seem super necessary in their scenes. It’s almost like, at those points, they could have just been replaced by some kind of Special Ops Stormtrooper squad. (Kinda like the Death Troopers in Rogue One and Rebels)
Rey being the granddaughter of Palpatine. On one hand, it did make sense, and on the other hand, at the same time, it didn’t. Like part of me feels “Wow. This is so interesting and intriguing and it explains so much” and the other part of me feels like “This seems like an idea they threw in on the last day of writing the script just to see what would happen.” (The idea of Finn being Force-sensitive feels a little like this too, but maybe that’s a discussion for a different day.)
The Reylo kiss. Yes, they went there. And yes, I am forever grateful that it happened. Reylo is canon, everybody! We won. But Ben dies giving his life force to Rey? Not sure how I feel about that. Seeing someone sacrifice their life to make sure their loved one can live? That’s amazing. But at the same time…why? Like why did Ben Solo dying have to be the ending that was written? He’s finally been redeemed, and now that means he has to die? And we’ll never see anything else Ben and Rey get to do together, with their bond and their power? Like I said, very mixed feelings *sigh*
So where do we go from here? (Or, what do us Reylo shippers do now?) Do we accept that Ben is dead and that’s the final note on Reylo? Do we get angry at J.J. Abrams & co. for killing him? Do we realize that this is fiction and we can therefore interpret, view, and enjoy it in any way that we like?
Well I don’t know exactly how to feel about this. But I do know that I am still a huge Reylo shipper and I probably always will be. It’s my number 1 OTP. So I will still be posting Reylo stuff and being on here with you guys as often as I can for as long as I can.
For the people that have decided not to continue now that Ben is dead, that’s your decision, so I won’t try and talk you out of it. If you change your mind, great, and if not, thats perfectly fine too. Just know that I will miss you and we do hope you come back sometime.
This goes without saying, but all of these are only my personal opinion and I’m not saying anyone is wrong for thinking otherwise. If you want to disagree or debate, please do so respectfully and I’ll try and do the same.
Happy New Year, my friends. May you all have a great year, and may we continue to have fun here together. :)
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Apocalypse Now (1979); AFI #30
The next movie on the AFI list that we watched was the famous Vietnam Era war film, Apocalypse Now (1979). Even though the movie only received lukewarm reviews on release and was a modest success, the movie is now considered a classic being ranked highly on the AFI film registry (#28 and #30 a decade later), the Sight and Sound Poll (#12), and #6 on a director’s poll of the greatest films of all time. There was some initial recognition as the movie was nominated for 8 Academy Awards and took home 2 for Best Cinematography and Best Sound and both were well deserved. There was actually quite a bit to the making (and almost not making) of this film that I would like to discuss, but first standard brief summary:
SPOILERS!!! You all should know by now but I don’t want hate mail for neglecting to mention it.
The story is really about two people at its core: a Special Ops Officer named Colonel Kurtz (Marlon Brando) goes crazy when entrenched in Vietnam and starts killing civilians and anyone who doesn’t agree with him. To stop Kurtz, a specialized troop named Captain Willard (Martin Sheen) is sent down a river through Vietnam and into Cambodia to kill the rogue Kurtz with “extreme prejudice.”
The movie begins when Captain Willard is recruited and then escorted to the mouth of a river that will take him to Kurtz. His escort is the air cavalry, commanded by Lieutenant Colonel Kilgore (Robert Duvall), who fly into a beach possessed by Viet Cong. Kilgore picks this point of entry because he is a surfing fan and wants that specific beach so he can have an opportunity to catch some waves. It does not go well and he calls in a napalm strike on the tree line of the beach. This is when Kilgore says his famous phrase, “I love the smell of napalm in the morning.”
Willard takes a small river patrol boat to go up that river with a small group. The boat members are Mr. Clean (Laurence Fishburne), Lance (Sam Bottoms), Chef (Frederic Forrest), and Chief (Albert Hall). The boat goes down the river and runs into increasingly strange situations. There is a USO show, a standard boat search that goes very wrong, and a bridge outpost that is build every day and blown up every night.
Not everyone on the boat survives, but the remaining members make it to the end of the river to be met by a group of jungle natives and soldiers that all worship Kurtz like a god. There are dead bodies (and body parts) everywhere to show the madness of Kurtz and his soldiers. Willard realizes that he respects Kurtz but will have to kill him.
Willard is taken by the group and held prisoner, but Kurtz likes him and allows him to roam around. After an undetermined about of time, Willard uses the cover of a ritual bull slaughter to assassinate Kurtz with a machete. Willard then goes back to his boat with the one surviving crewman and leaves. The end.
This seems like a really short summary for a war epic that lasts for 170 minutes in the short version and over 200 in the extended versions, but very little actually happens in the film. It is a whole lot of voice over, 80s keyboard ambience music, and shots of a boat going down a river. It is supposed to be a film about the decent into madness as Willard gets further from the militarized Kilgore and closer to the vigilante Kurtz. It is hard to really show and not tell emotions of gradual loss of sanity and so there is a lot (I mean a whole lot) of 3rd person narrative.
I will admit that I am much more of a fan of the story behind the film because almost everything went wrong. The movie was originally set to be directed by George Lucas and have the lead played by Steve McQueen. This did not work out because McQueen did not want to go to the jungle for 4 months. Neither did Jack Nicholson, Robert Redford, Clint Eastwood, or Al Pacino. Coppola took over the job of director and sank some of his own money into the project to get it going since Lucas was busy with Star Wars when the film had accumulated some budget and Harvey Keitel was chosen as the lead. Coppola did not like the character that Keitel tried to give the role of Willard so he was replace with Martin Sheen. It felt like things were good at this point but it really went downhill from there.
The movie had not been completely written and was based on Joseph Conrad’s novella Heart of Darkness (which really doesn’t have an end) and it becomes evident as the movie goes on. The initial attack on the beach that is lead by the helicopters of Kilgore is a scenic wonder and one of the most cinematic things I have seen. The war horrors that are portrayed are brutal and disassociation that Kilgore has from what he is doing and what is going on around him is spectacular. Duvall really earned his nomination for Best Supporting Actor because he steals every scene that he is in.
The movie was shot in the Philippines and there were many problems with safety for the crew since there was civil unrest and martial law declared in the area that filming was taking place. It was very dangerous and the president of the country at the time did not protect the members of the project like was promised. It continued to get worse because the jungle is very dangerous and the number of military/police in the filming escort was few to none.
The heat and general environment is very harsh and people who have not grown accustomed to it suffer greatly. All of the crew had constant illnesses and injuries general anxiety. Charlie Sheen had a heart attack and his brother was shipped in to do some of the distance and dark shots. The crew got super antsy and started to do a lot of drinking and drug use with Dennis Hopper in the lead, even getting the teenaged Lawrence Fishburne addicted to heroine. Through all of this, the shoot was way over budget due to weather delays, injuries, and the fact that the script of the movie had not been finished.
To top off everything off, Marlon Brando finally showed up and he was 90 lbs overweight, drunk, and took an immediate hatred towards everybody. He still had a chip on his shoulder about the pay for The Godfather and was there to screw things up for Coppola. The director was reported to be having almost daily anxiety attacks towards the end of the shoot. The toll became apparent since the direct lost almost 100 lbs. during the shoot from stress and general sickness.
Everything was finally scrapped together and it became apparent that the whole thing was a fiasco. People almost died. The planned out five month shoot ended up taking almost fifteen months. The script was being written while the shoot was occurred. The weather and jungle had done a lot of damage to the tape and the lack of environmental control meant that there was a lot of voice over work. Coppola went bankrupt investing his own money into the project and a lot of it went to a highly overpaid and generally scheming Marlon Brando for a truly terrible performance.
A total of over 200 hours of film was edited down to a film that lasted around 160 minutes and it took 3 years to do. I have been disappointed by the film every time that I have watched it because it is slow and I really hate the sci-fi music and constant voice overs. I love the characters at the beginning and I dislike the new people more at more as the movie progresses. I know that it is supposed to get more and more crazy and unrealistic as the boat progresses down the river, but to me it is like watching somebody that you like get drunk over an evening and turn into an annoying spectacle.
I want to note that this movie seems to be most favored by directors and others who are in the film business. People who have been on set realize how difficult it was to do the project and that the movie is as any good is phenomenal. Despite the lack of a real ending, the movie does have a definite plot and it follows the narrative almost like the filming was a research project and all of the data was combed to find a story. The film is too long and kind of boring for me, but I can recognize that there was some aspects of genius in the making. In my opinion, none of those aspects came from Marlon Brando.
This series is supposed to be objective so I will deal with the normal questions from my opinion and from a film standpoint. Should this film be on AFI list? I would so definitely from a film standpoint because it is a lesson about how a professional film can be made despite everything going wrong and it is a directorial and editing achievement like no other movie I know. The production wanted a realistic descent into madness in a war time situation and that is exactly what is on the tape. I personally don’t find it as interesting because of the lack of real character development outside of Willard and Kurtz, but I am just one person with my personal tastes and I recognize the accomplishment. Would I recommend it? I think it is good to see and there are a lot of things to learn from the filming. It is well liked generally speaking so I would not dissuade somebody who wanted to watch. I would not actively search this out. It is very long and is extremely boring and weird (not interesting weird) for a lot of the movie and Brando, Hopper, and Bottoms all play parts that just annoy me. I would watch the film as far as Kilgore is involved (first 45 minutes) and then I would stop it there.
Side note: I would highly recommend Hearts of Darkness: A Filmmaker’ s Apocalypse (1991), which is a documentary directed by Eleanor Coppola and shows the struggle throughout the making of Apocalypse Now. Really gives a an idea of how stressful and dangerous the whole situation and it also shows what a real jerk Marlon Brando was being during the shoot.
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Love, Simon ❤
Simon Spier keeps a huge secret from his family, his friends and all of his classmates: he's gay. When that secret is threatened, Simon must face everyone and come to terms with his identity.
Ps: This is the movie review and the book review all together.
I started by watching the movie first. Yes I know, I almost always do this with all the movies, but because I only discover the book later or I simply can’t buy it at that moment. That's why I watch the movie.
Love, Simon has one of the best soundtracks I've ever heard. I think I was obsessed with every song that appeared and downloaded it all.
I laughed, I was embarrassed, etc ... overall the movie was fantastic. I didn’t want it to end, 5 stars, but I must say that now that I'm reading the book, there are many different scenes.
Yes I know, they can’t put the whole story of the book in the movie. It makes no sense and there is no time. It doesn’t mean that I didn’t like the movie, because I simply loved it, but I think I prefer the book because it shows more details, I suppose.
The author of Simon (Nick Robison), I already knew him of "Everything and everything", "The 5th wave", "Jurassic World", etc ... and I think he did a great job in this role and invested a lot. And Simon and Blue are just so cute.
And as for the book, which is by the author Becky Albertalli, from 0 to 5 I give the book also 5 (hands down).
I have enjoyed the two of them a lot, and I will try to read the book first and see the film later (ops but I have already done the same with "The hate u give.") I hope the next book I will read from the author " low of my heart "is as good as" Love, Simon "and does not disappoint.
And yes, in Portugal only two books translated. It's always more of the same.
xoxo, The teen
Com amor, Simon
Eu comecei por ver o filme primeiro. Sim eu sei, faço quase sempre isso com todos os filmes, mas porque só descubro do livro depois ou simplesmente não o posso comprar naquele momento. Por isso, vejo o filme.
Com amor, Simon tem uma das melhores trilhas sonoras que alguma vez já ouvi. Acho que fiquei obcecada por cada música que apareceu e baixei-as todas.
Dei gargalhas, fiquei com vergonha alheia, etc… no geral o filme foi fantástico. Não queria que acabasse, 5 estrelas, porém devo dizer que agora que estou a ler o livro, á muitas cenas diferentes.
Sim eu sei, que não podem por toda a história de um livro no filme. Não faz sentido e não á tempo. Não significa que eu não tenha gostado do filme, porque simplesmente adorei, mas acho que prefiro o livro porque mostra mais detalhes, suponho.
O autor que faz de Simon (Nick Robison), já o conhecia de “Tudo e todas as coisas”, “A 5º onda”, “Mundo Jurássico”, etc… e acho que ele fez um ótimo trabalho neste papel e investiu bastante. E o Simon e o Blue são só muito fofos.
E quanto ao livro, que é da autora Becky Albertalli, de 0 a 5 dou ao livro também 5 (hands down).
Desfrutei bastante dos dois, e vou tentar a partir de agora ler primeiro o livro e ver depois o filme (ops mas já fiz o mesmo com “O ódio que semeias”. Espero que o próximo livro que vou ler da autora “Os altos e baixos do meu coração” seja tão bom como “Com amor, Simon” e não desiluda.
E sim, em Portugal só á dois livros traduzidos. É sempre mais do mesmo.
xoxo, The teen
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INFINITY WAR Spoiler talk
Random spoilery thoughts and rating of the movie
Things I liked:
- Thanos. This is his movie. A sad, lonely, yet terrifyingly driven villain. His relationship with Gamora helped humanize him, but he’s still a genocidal monster through-and-through… One of the best MCU villains (though I feel Killmonger is more relatable since his motivation is grounded in our reality, and Loki since we’ve spent so much time with him and witness his struggles)
- Loki saying “we have a Hulk”
- The various team-ups throughout the movie in general.
- Tony butting heads with Dr. Strange, and his continued mentoring of Peter Parker.
- Dr. Strange demonstrating more of his mystic arts powers, and going toe-to-toe with Thanos and holding his own quite well.
- Ebony Maw is the only member of the Black Order worth remembering…. creepy and intimidating.
- Thor managing to remain humble and mostly-level headed despite losing everything he was protecting and fighting for in Thor: Ragnarok. His bonding with Rocket of all people was endearing.
- Kevin Bacon in the Avengers
- Rocket matured a bit since GOTG vol. 2. He’s still Rocket as we know him, but more willing to step up and “be the captian” now than before.
- The Invisible Drax. Stupid… but i liked it.
- Gamora’s flashback to her homeworld and meeting Thanos, and her scenes with Thanos on his ship. We finally get to see her confront her father directly, and the dysfunction lends weight to both their plot threads.
- Thanos to Quill: “I like you”
- Seeing Vision and Scarlet Witch’s relationship play out on the big screen.
- Hulk not coming out to play due to the beating he received by Thanos. He’s still got a child-like mind, and it’s totally believeable that he’s pout and whine and not want to come out. Banner still gets some heroism in nonetheless in the Hulkbuster.
- Seeing Wakanda again with the Avengers there alongside Black Panther and Okoye.
- All the cameos… always good to see Pepper Potts. Peter’s friend Ned. “Thunderbolt” Ross has an obligatory scene. The Collector appears. M'Baku returns to help T'Challa and the Avengers. Shuri gets to banter with Banner.
- the Red Skull’s return… even though he has only a brief scene, it confirmed he was only teleported away and not killed by the Tessaract.
- The entire battle with Thanos on Titan. It’s just cool to see heroes all battling a single enemy as opposed to another faceless army.
- Nebula confronting Thanos on Titan, and her inclusion at all in the film. I hope she plays a bigger role in the next part.
- Thor’s adventure with Rocket and Groot to get a new hammer. He is still obsessed with hammers….
- Giant Peter Dinklage…
- “Thor, you’re about to take the full force of a star… it will kill you.” “ONLY IF I DIE!” …“Yes, that’s what killing you means…”
- “WHY IS GAMORA?!”
- Thanos getting more and more somber and depressed as the movie went along, especially after sacrificing Gamora, the only person he cared about.
- "Tell them about the dance-off to save the galaxy." Footloose.
- Quill’s angry reaction to Thanos killing Gamora and screwing the heroes… it’s perfectly in character. He’s always been an immature man-child, even with the development he received in the previous films. Part of his curse of being raised by the Ravagers. Likewise, who would NOT have an emotional outburst like that? Stark had one in Civil War.
- War Machine back in action. Blowing shit up.
- Winter Soldier/White Wolf alongside Rocket Raccoon…….
- Thanos throwing chunks of a moon at the heroes. Tony: “If you throw another moon at me…”
- Thanos’ admiration of Stark. “I hope they remember you”
- Later he tries to comfort Scarlet Witch after she kills Vision. If he wasn’t a maniac hellbent on universal genocide with a history of child abuse, he might be an ok guy…
- Thor’s heroic return with Stormbringer. Seeing him back to full power was great, though… it takes away a bit from his development in Ragnarok… He’s not a god of hammers… why does he need one so much?
- Thor keeps calling Rocket “rabbit” and Groot “tree”. Didnt bother to learn names
- “This is my friend, Tree”, “I am Groot”, “I am Steve Rogers”
- Okoye + Black Widow + Scarlet Witch vs. Proxima Midnight
- Vision sacrificing himself, and Wanda having to witness him die twice.
- “You should have gone for the head!”
- The ending… the fingersnap. The dissolve into ashes… The character’s reactions to these deaths is what makes it all work, even if we the audience know it probably won’t be permanent.
- “Mr. Stark, I don’t feel so good…” and “I don’t wanna go I don’t wanna go… I’m sorry”……
- Knowing what Tony must have felt when Peter disappeared… probably adds a whole new level to his current PTSD…
- Dr. Strange clearly playing the long game, even at the sacrifice of himself and half the universe. “Tony, it was the only way”… Witnessing their deaths 14 million times must have been rough.
- Cap gets the last words in the movie: “Oh god….”
- The simple end credits, playing almost like an “in mermoriam”
- The fact that we have no idea where the heck Avengers 4 is going plotwise…. will those who became dust in the wind return? Seems likely since Homecoming 2 and GOTG vol. 3 are filming soon… and like they’d kill off Black Panther after he made ALL THE MONEY before this movie made all the money again.
- “Motherfu-”
Things I didn’t like:
- Heimdall again gets kinda shafted… after getting such a prominent role in Ragnarok. At least he got a last heroic gesture by sending Hulk home.
- Loki dying so early to be motivation for Thor. Unless he has more up his sleeve in a long play, having him try to stab Thanos in the face felt like sloppy storytelling. What if he succeeded? The Black Order is RIGHT THERE. They would’ve killed both him and Thor anyways. Loki probably knew death was imminent and wanted one last act of defiance and proof of loyalty to Thor and Asgard. I don’t mind him dying early on, but I feel the writers should have been smarter about his actions.
- The GotG felt a bit flanderized. I get it though since they need to share screentime here. Quill remains immature and childish and it leads to disaster. Drax merely spouts comedic lines and is generally useless. Mantis is not much of a fighter but at least managed to subdue Thanos a bit. Groot barely registered at all until he makes the handle for Stormbreaker. Groot meeting Captain America was amusing though.
- No one during the Wakanda fight calls attention to the talking raccoon…
- Cap, Falcon, and Black Widow also didn’t get a whole lot to do. Their fights seemed to devolve into shakey-cam BS.
- Vision was nerfed for sake of the plot. Guess he’d otherwise be too OP.
- What was the point of Red Skull being there at all… if you replace him with someone else, would it have affected the plot in any way? Why was he floating like a spectre of Death?
- Rocket just gives Thor a new eye…. guess they got tired of CGI-ing that eyepatch on Thor.
- The fake-out of Gamora killing Thanos in Knowhere… of course they’re not killing the villain in the first third of the movie.
- Gamora’s death… when she asked Peter to kill her, I knew she’s probably going to die. Of course not by Peter… the scene of her, Peter, and Thanos was a good one though.
- Something about the scene on Vormir felt… heavy-handed. Maybe the music? The silly fade to Thanos’ crying face when Gamora is falling to her doom? Something just took me out of the moment… maybe the awareness that i was looking at a purple, ballsack-chinned, CGI space man crying CGI tears.
- The Black Order… generic looking scary alien people… They didn’t amount to a whole lot. Just excuses for more fight scenes. They all die inglorious deaths.
- The final battle in Wakanda was another giant brawl with faceless alien monster people… there’s nothing creative about it.
- There is no build-up to that battle either… it just happens. Take a page out of Peter Jackson’s The Two Towers… the build-up is just as, if not more important than the battle itself.
- Hawkeye and Ant-Man being convieniently written out of the movie…
- Where is Valkyrie? and Korg? Not even enough time to give them a mention? Valkyrie might’ve been helpful in the ensuing fight…
- Thanos didn’t seem to use the Gauntlet to its full potential despite demonstrating some wild powers. He mostly just shoots purple beams at people…
- Thanos is “burdened with knowledge” and thus knows who Stark is…. ok…. what.
- The pacing of the movie felt too relentless. Let the movie breathe a bit dammit.
- The CGI in some scenes screamed of “reshoots”… Banner in the Hulkbuster comes to mind. Iron Man and Spidey’s Iron suits looked very cartoonish. The Black Order’s CGI looked very off in a few scenes. Could they not have achieved Proxima, Corvius, and Maw using prosthetics? Thanos looked very convincing though, even if his look was a tad simplistic.
- The music… you hear the Avengers theme occassionally… but there’s no memorable new music. We don’t hear any of the respective themes of the various characters. No Guardians theme, no Dr. Strange theme, no Iron Man or Captain America or Spider-Man or Thor themes…. Music should factor into this “culmination movie” as much as the characters. Least we got the Black Panther theme when we see Wakanda again. If somehow the different themes get interwoven into a new melody…. plz Avengers 4?
-Knowing that this was a part 1 of a 2-part finale sort of robbed the movie of a sense that the deaths will be permenant… but I would like to be surprised in Avengers 4. The question is seemingly “how” they will defeat Thanos and revive their allies, and not “if” they do…
Overall, there is a lot of good in this movie. It’s not as… “fun” as the previous Avengers movies or even Civil War.
They tried to be a lot darker, and for the most part they succeeded. The issues I have are mostly nitpicks to the plot, and minor issues with the craft involved.
After two viewings, I don’t feel the need to really watch it again… until Avengers 4 next year.
8.25/10
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Back From the Brink
Dylan O’Brien was groomed to be Hollywood’s next young leading man. Then a tragic accident made him question everything.
Dylan O’Brien knows you want to know what happened to him.
Some people search his face for scars. Others ask the 26-year-old actor questions about the accident in 2016 that nearly cut short his career and could have ended his life. For more than a year, he was able to dodge that scrutiny and recover in private. Now, with a new movie coming out and a press tour required to promote it, things are different.
“I was anticipating this for a long time,” he says over lunch at the Four Seasons in Los Angeles. “It used to really anger me, even just the thought of it. I just knew that eventually, I would have to be asked about this.”
He confesses these angry thoughts about as affably as any person could, as though he’s upset to even get upset. That doe-eyed decency has proved key to O’Brien’s screen appeal: In his breakthrough role as the lead of the Maze Runner franchise, he’s introduced in media res, thrust into a coliseum of YA terrors before we even learn who his character is. As he shakes and shivers and tries, alongside the audience, to make sense of his otherworldly predicament, you can’t help but root for him.
Not every actor can inspire that feeling in a viewer, but in O’Brien’s case, it’s so innate that the director of his new film, the action vehicle American Assassin, cast him simply after looking at his head shot. “I remember in that first discussion with my producers, names were being thrown around, and the one name I didn’t know yet was Dylan’s,” says Michael Cuesta. “I Googled him, I saw his picture, and I just said instinctively, ‘He’s right.’ There was an innocence and a vulnerability to him, and I hadn’t even seen his work yet. It’s an instinct you just have to trust.”
Cuesta wasn’t the only one besotted. At a time when Hollywood likes to import most of its young leading men from overseas — like Spider-Man’s Tom Holland, Star Wars breakout John Boyega, and an entire family of Hemsworths — The Maze Runner established O’Brien as a rare homegrown movie star. His profile grew ever larger while he shot the sequels to The Maze Runner and neared the end of his time on the MTV series Teen Wolf, and as work began on the third and final Maze Runner film, O’Brien started to look ahead to the future.
And then, just days into shooting that sequel, O’Brien was seriously injured in a stunt gone wrong. Pulled from one vehicle, he was reportedly struck by another, leaving him with a concussion, facial fracture, and brain trauma among his injuries. Production shut down for several weeks, then indefinitely. O’Brien withdrew from public view during his recovery as rumors flew that he might not return to the film. Half a year went by as O’Brien tried to heal and, at the lowest point in his life, mulled whether he wanted to continue his career at all. “I really was in a dark place there for a while and it wasn’t an easy journey back,” says O’Brien. “There was a time there where I didn’t know if I would ever do it again … and that thought scared me, too.”
Now, though, he is ready to talk about it.
“In a lot of ways, those six months went by like that,” he says, snapping his fingers. “And then, in a lot of ways, I can still remember that six months as if it was five years of my life.”
…………………………
Ask most young actresses when they wanted to become a movie star, and it won’t even be a question: They’ve been planning for it their whole lives. Kristen Stewart has been acting since she was a preteen, and at 14, Emma Stone put together a PowerPoint presentation to convince her parents to move to Los Angeles so she could go on auditions. But young American men seem come to acting differently — or indifferently. Channing Tatum was a model and dancer who happened into commercials before becoming a movie star. Chris Pratt happily toiled in obscurity as a Bubba Gump waiter in Hawaii when he was convinced by a customer to act in her film.
O’Brien’s foray into the industry was similarly unplanned. His parents had the expertise — O’Brien’s mother taught an acting class, while his father moved the family to California when O’Brien was 12 so he could pursue work as a camera operator — but in high school, he played drums in a jazz band instead of signing up for drama class. Like many of his classmates, though, O’Brien had a habit of posting videos to YouTube. They’re still there today: Check out his user page at “moviekidd826” and you can watch all 14 of his short comic sketches. Some of them are fairly simple, like his too-enthusiastic lip sync to the Spice Girls song “Wannabe,” and one of the uploaded clips is a teen staple, the video he made to ask a girl to prom.
Still, the shorts are clever and surprisingly narrative-driven, and O’Brien is a deft comic performer in all of them. He wouldn’t have thought of what he was doing as acting — he was just being himself, after all. But it’s exactly that unvarnished quality that made him so appealing, and as the videos began to circulate, he was signed by a woman who is still his manager today. Soon enough, he was being sent out to audition for projects like Valentine’s Day and Wizards of Waverly Place.
He hadn’t grown up knowing that he wanted to be an actor, but give O’Brien some credit: Once he figured that out, he committed hard. “My first semester of college, I’m going to sociology and English and psychology and all I cared about was getting home and preparing for whatever audition I had,” he says. “I’d be on IMDb looking at projects in development that I’d be right for and I’d send them to my manager and be like, ‘What’s going on with this?’” His ambition often outstripped his experience. “I was obsessed with having one of those auditions finally work out, and I was very impatient,” he recalls, laughing. “My manager would be like, ‘You have to understand, this could take years.’ And I was like, ‘No, no, no, I’m going to get one of these.’”
Only a few months after his high-school graduation, that’s exactly what happened. O’Brien was cast on Teen Wolf, a fledgling MTV series based on the campy 1980s movie. This version skewed darker and filled its cast with hunks, with the howls meant to come from the audience each time a sexy werewolf stripped off his shirt. It was a notable hit for MTV, and though O’Brien was cast as the human best friend — not as the protagonist, Scott, or as any of the eye-candy beasts on the show — the role was a good fit for his boy-next-door charm. He wasn’t just Scott’s friend. He felt like yours, too.
“That show really became my school in a lot of ways,” says O’Brien. “I never took a second on set for granted. Even on my first day on the pilot, when my work finished for the day but then they were going to this other location to shoot another scene, I just went with them.” As a cable show, Teen Wolf filmed only five months out of the year, so O’Brien had plenty of time to hop on to other projects: He took Zooey Deschanel’s virginity in a New Girl flashback and popped up on the big screen in films like the teen romance The First Time and the Vince Vaughn–Owen Wilson comedy The Internship. “I would want to get on as many sets as I could,” he said. “And I was still very much ambitious about being in movies, too.”
In 2013, the year after The Hunger Games hit big, O’Brien was cast as the lead in another book-to-film YA franchise, The Maze Runner. The rare $100 million hit toplined by a young actor under 25, it propelled O’Brien onto studio short lists and led to more work in bigger movies, including Peter Berg’s Deepwater Horizon and a Maze Runner sequel, The Scorch Trials. 20th Century Fox picked up an action comedy with O’Brien attached, a sign of his growing clout, and as Cuesta looked for someone to play black-ops recruit Mitch Rapp in American Assassin, based on a popular book series by the late Vince Flynn, he alighted on O’Brien.
“He looks like a boy next door, like my son’s older friends,” says Cuesta. “Like a young man who has one foot in that postadolescent place and is about to cross over into adulthood and take that rite of passage.”
In March 2016, just as O’Brien headed to Vancouver to film Maze Runner: The Death Cure, he committed to star in American Assassin, which would represent his biggest break so far from youth-driven fare. He planned to film that after wrapping The Death Cure, squeeze in some time to shoot Teen Wolf’s farewell season, and move on to the movies that studios had been setting up for him.
“To see him blossom in his career and see what he was taking on, it was amazing to watch,” says O’Brien’s father, Patrick. “And then to see that broken … it was hard.”
…………………………
O’Brien would rather not relive the particulars of his accident. “There’s really been one or two people who have tried to dig and find out what happened and I cut it off,” he says. “And I’m comfortable with where I draw the line.”
What’s known is that after that stunt on the set of The Death Cure went awry and production shut down on March 18, 2016, the studio planned to resume filming May 9, hoping to still make the film’s set February 2017 release date. Weeks later, though, it was clear that O’Brien’s injuries were so serious that filming could not begin again.
“I had lost a lot of function, just in my daily routine,” says O’Brien. “I wasn’t even at a point where I felt like I could handle social situations, let alone showing up and being responsible for work every day. Long hours on set, delivering a performance and carrying a movie … it just makes your palms sweat.”
O’Brien calls his recovery process “overwhelming,” though the biggest toll the accident took on him was psychological. Even if he could find his way back to the sense of stability he had before the accident, and even if those scars could heal, would he still want to return to the high-flying movie career he’d worked so hard to set up? After it all went away, he couldn’t even be sure he was the same person anymore.
“And then there was a part of me, too, that was feeling pressured and stressed out by the mere fact that I had all of these people still emailing me, checking in,” he says. “I would get so fucking mad. Like if ever I heard from a producer [who was] seeing when I’d be able to get back on set, I’d fucking go nuts. It would really, really piss me off.”
But as O’Brien recovered in private, rumors flew that his injuries were much more extensive than was reported, and the people behind the projects O’Brien had set up were forced to weigh their options. Cuesta didn’t want to recast American Assassin, but he also didn’t know what state his star was in. During his recovery, O’Brien had not communicated with the production in four months.
“I didn’t want to let it go, and I also had this really interesting, deeper connection to this character over the course of those four months because of what I was going through,” says O’Brien. American Assassin begins with a freak tragedy, as Rapp’s fiancée is gunned down by terrorists during a beach vacation and dies in his arms. Lost in a rabbit hole of grief, Rapp spends the next few months weaponizing his anger and decides to hunt down her killers himself. “I felt like I could portray that and wanted to be the one to do that justice — it was almost like an honor for me at that point,” O’Brien says. “But at the same time, I was still in such a fragile personal state that I had this other force telling me, like, ‘No fucking way’ that I can do it. ‘This is too soon, too soon. Tell them to leave me alone, I need more time.’”
Unfortunately, the film didn’t have much time to spare. If American Assassin didn’t go into production before a certain date, the film rights would revert back to Flynn’s estate, and if O’Brien still wanted to play Rapp, he’d have to spend two months getting into physical shape for the role. It was a daunting regimen of learning fight choreography and adding muscle to his frame that would take a lot of work for any actor, let alone one who was still reeling from his physical nadir. “I knew it wouldn’t be getting back on the horse in a light way,” says O’Brien.
And so, at the end of July, he recommitted to American Assassin. It was a signal to the industry that he wanted to work again, even if, privately, he still wondered if he’d be able to make it through. On the one hand, the time O’Brien spent in the gym with action coordinator Roger Yuan gave him something that he could focus on during those long days. But even as he grew physically stronger, O’Brien was still struggling with heavy emotional and psychological episodes during his recovery.
“Sometimes I’d literally show up at the gym having a panic attack, and my trainer would be like, ‘All right, let’s just go get breakfast,’” says O’Brien, who came to treat Yuan almost like a therapist. “I can’t give enough credit to him … he was really there for me, and not just like a trainer where it’s like, ‘Well, come on, man, I gotta pump you up.’ He cared more about my mind and the state that I was in.”
Near the end of their training, O’Brien was in the best physical shape he’d ever been, an unlikely development given the events of the last few months. But despite all that training to become Mitch Rapp, O’Brien’s anxiety only grew as the start date drew near. The day he was supposed to fly to London to prepare to film the movie, O’Brien had what he describes as an emotional breakdown in the airport. With his father and girlfriend Britt Robertson by his side, he questioned whether he could continue.
“I didn’t even think they’d let me on the plane, to be honest,” he says. “I must have looked high or something.” O’Brien’s father, who had planned to spend the first few weeks in London getting his son acclimated, proved to be the rock he needed in that moment. “I don’t think I would have been able to step onto the plane without him,” says O’Brien.
“That was a tough year for us,” says his father Patrick. “It was hard to see him like that … he’s such a special kid.” Patrick had never set foot on one of Dylan’s sets before — “I thought it was important to let it be his life and not be mine” — but on the first day Dylan shot American Assassin, he knew he had to be there. “It was mind-blowing,” says Patrick. “I was watching him from the monitors, and he was busting out 50 push-ups in between takes.”
It was all for a wordless sequence where we catch up with Mitch months after his fiancée’s death, watching him train and harden himself in his dark apartment. As O’Brien walloped on a punching bag and bust out dozens of pull-ups, the intensity was like nothing Patrick had seen from his son before: “Obviously, I’m getting concerned. I’m watching the monitors and I’m seeing the stress he’s putting on his body and his face and all the places that have been of some concern of late.”
When Cuesta called “cut,” Patrick walked past the first assistant director and up to Dylan. “I was almost nose to nose with him, and I’m not sure he saw me right away. He was in it, as much as you can be in it. And I said, ‘Dylan?’ He looked at me and kind of focused. And I said, ‘Are you okay?’ And he said, ‘I’m good.’”
“If he didn’t have the accident,” says Cuesta, “would he have connected that well with Mitch? I don’t know, but it definitely brought truth to it.”
O’Brien acknowledges that, too. “I’d just been through a lot that summer and the fact that you spend all this time not even knowing if you can do that again …” He pauses, and swallows. “Even right now, it’s just kind of hard to talk about.”
It helps, he says, that Patrick came aboard for the rest of the shoot as a camera operator, staying by his side when he needed him most. With his father there, he could be fearless. “I would just think about where I was at psychologically in June and July, how insurmountable the task seemed to me,” says O’Brien. “And then just to be there on the last day knowing that I did it, with my dad there at my side, it was just a really, really great feeling.”
“He’s in a good place now,” says Patrick. “And nothing makes a parent happier.”
…………………………
O’Brien doesn’t sugarcoat his recovery. Sitting in front of me at lunch, he looks every inch the movie star he was before: hair tousled, eyes bright, his face covered only by stubble. He is candid about what it took to get to this point, though, and even after filming American Assassin, the question remained: Was he ready to finish Maze Runner: The Death Cure, putting to bed the series that had given him so much and taken plenty, too?
“Nothing inside of you wants to go back to that,” O’Brien admits. “It took a lot of deep searching past those gut instincts that I was having just because of the trauma that I experienced to realize that I did want to finish it.”
Did he consider asking the studio to move on without him? “I wouldn’t have been ultimately happy with that, I don’t think. In the moment, it would have been a temporary relief because I would have run from it, but it would have always stuck with me a little bit … I knew it was going to be really hard, harder than Assassin probably, but [I thought] if I got through that, I can get through this, and I think I’ll come out of the other side being really happy that I did it. And I did.”
He resumed filming The Death Cure in March, which is now set for release in January 2018. His father followed him to South Africa, where the movie was shot, and was made a co-producer on the film; O’Brien now counts it among his best experiences on a project. He even found time to return to the final season of Teen Wolf, which had written around his absence while he recovered. The series finale of that show will air on September 24, and soon enough, every obligation O’Brien had set before his accident will be behind him.
“Coming out of the other side of all this is basically a whole new chapter, and I think I will be going about it differently,” he says. “I’m excited to have more balance going forward. Like, I’m not somebody I don’t think who’s going to do three or four movies a year and feel like I have to constantly pump them out. I think there’s something to be said about pacing yourself.”
In the meantime, he’s bought his first house, which gives him a little stability in an uncertain industry. He recently threw a party there to celebrate his 26th birthday — “It turned into more of a rager than I intended it to be,” he laughs — and an hour into it, O’Brien and his friends were already jumping off the roof into his pool. It’s a future that he could not have imagined just a year and a half ago.
“I’m excited to see what comes my way, see what I’m interested in next, and just see what happens,” says O’Brien. After Teen Wolf and The Maze Runner conclude, it’s wide-open space. “It’s the first time that I’ll be operating in my career without those two roles, really.”
He thinks about it and smiles. “It’s good, though, to not have that safety net.”
[source: Vulture]
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