My top 7 Faerie stories/worlds atm 🦋
**Note, I am super dupes aware that I haven't read/watched everything, so please feel free to reblog/comment with recommendations!**
Faerie is the pulse of my heart, and my mind/spirit/etc. spends a LOT of time thinking about it, SO here's the most resonant of depictions of the realm/faeries themselves in my current opinion (and why).
(And not in any particular order:)
Elfhame, @hollyblack 's "Folk of the Air" series and all related books
Arda, Tolkien's "Lord of the Rings" and all related adaptations
"Suitor Armor" by @thepurpah
Studio Ghibli's take on spirits in Japanese folklore
Brian and Wendy Froud's take on Faerie
"Fraggle Rock"
"Tock the Gnome," by myself!
Thoughts:
(Art by Rovina Cai, from "How the King of Elfhame Learned to Hate Stories")
I feel very much that Holly Black gets the lushness and richness of Faerie, plus the trickery of it, and that level of dangerous beauty - what attracts humanity to it, etc. How everything is in extremes, too, but also how parts of it echo the human experience - both in terms of courts, but also in terms of the heart, and the emotional impact of intense circumstances and intense feelings.
I am, admittedly, not all caught up yet since I haven't read her earlier works, but of course I recommend starting with "The Cruel Prince" and reading forward from there (the more recent "Stolen Heir Duology" having an extra special place in my esteem)!
(Also special shoutout to the fact that there are Nisse - Gnomes! - in the recent books, AND that her take on Redcaps is absolutely Orcish 💚)
(Also also, cw: Changelings. They can be a triggering/upsetting subject, considering how our concept of them as humans seems to have come about. She does make pretty heavy use of them, but not in the ways that one might expect, and always from a very emotionally-centered space - not a humans-abusing-potential-fae space.)
So, Tolkien - yes, I am including the world of his works in this because even though he considered them religious and specifically-denominational, he took SO MUCH inspiration from folklore and faerie tales (do not even get me started on what got edited out of "The Silmarillion" istg) that Arda is not wholly Christian, from my Faerie-worshiping queer-ass faerie perspective thankyouverymuch. Not to mention what is being done in fandom with the faerie-races, especially the Dwarves and the Hobbits, AND what recent adaptations are opening up with the Orcs!! Obviously, his take on Faerie is a much more literally-grounded reality - they exist in the Earth-based world (as if Faerie has bled into what we expect Earth to be), they have magic (at least the Elves and Dwarves do) but it's both somehow super ethereal and super physical at once. And divinely connected, since the biggest magic in Middle-earth (or any part of Arda) comes from the lesser Gods - the Valar, and the Maiar who serve under them as well as from Big Sky Daddy Eru, but we're not talking about him right now. So that, to me, really speaks to the spiritual nature of Faerie too - which is always always always personally interesting to me, and Jrrt's take on the fae was absolutely foundational in my budding concept of them, before I even really thought about who they are in a conscious way.
I don't know where to recommend starting, since I got into the world through the Jackson films, first, and I wouldn't change my experience for anything because it's given me SO much. But in fandom, shoutout to the works of @conkers-thecosy (read her fics here!) as well as "A Long List of Happy Endings" by vicious_summer and "The Mushroom Mine" series by @chrononautintraining for Dwarf Stuff - and "Splint" by HelenaMarkos for Orc Stuff. Plus, as much as I know it's divisive, "Lord of the Rings: The Rings of Power" is - again - doing wonders about the Orcs AND doing very well by the Dwarves too, in my opinion, showing them as a fully realized and thriving people (though Dwarf women should still have beards, Amazon!! And there seems to be some confusion around how the name of Durin functions...)!! Available to stream on Prime, here.
"Suitor Armor" takes place in a world that appears very similar to medieval Earth, and as such the worldbuilding itself doesn't feel very specifically Faerie - yet. However, with the main character having significant ties to the fae, and with the story still having space to explore their culture once the tale takes the characters there, I have faith that we are gonna see more of this take on Faerie specifically soon. In the meantime, what we have seen so far - how faerie magic works, how they relate to each other, etc. - rings true for me, and is lovely to behold, especially in the face of the tragedy around their circumstances in the Big Plot.
Free to read here (and coming to bookshelves in 2025!!).
As for Studio Ghibli - Miyazaki's take on the spirits of Japanese folklore - which are absolutely Faerie - was SO formative for me growing up. I don't have anything else to say about that except that he's right!!
I recommend "Princess Mononoke," "Spirited Away" and "My Neighbor Totoro," particularly. All available to stream on Max right now (but buying physical media is better, and they're very likely available to rent other places, too).
Brian and Wendy Froud's work has, of course, also been absolutely formative for me - especially when I started getting into Faerie properly. Their work doesn't require much commentary either - they're just correct 💗 Nothing I've experienced has ever contradicted what I've read in their books, and I feel like their work really, really gets the energy of the fae and the liminality of their existence. And that there is kindness, and light, as well as danger.
I recommend "Trolls" and "Faeries' Tales," to start with, and of course the quintessential "Faeries" by Brian Froud and Alan Lee, which started it all.
(Also, considering what's below, special honorary shoutout to their work on "The Dark Crystal." Definite overlap there and absolutely counts.)
Obviously there's some crossover with The Muppets here, considering they come from the same studio, BUT if we're looking at just "Fraggle Rock" on its own - absolutely. Though a very different take than those mentioned above, if you're looking for the whimsy and delight at the heart of the fae, the Fraggles have it.
Both the original series and the reboot are currently available to stream on AppleTV.
Okay, and my own! What I'm doing with the world of "Tock the Gnome" is a little bit different - again, we're looking at a realm that isn't free from some of the physical bounds we find on Earth - but in its vast history there is Faerie at its purest, and the characters are on a Big Quest that will be instrumental in restoring the realm to what one would expect of Faerieland (all wrapped up in a body-positive, sapphic-presenting queer romance, btw). My focus is on Gnomes and Orcs, in particular, since the fact that they're also fae is a big part of my message. Recognizing that, as well as recognizing the importance of connectedness between people and the balance of that and personal sovereignty, and how damage to those things might impact the whole of a magical realm.
All pages available to read for free here, across several platforms (with print issues available here).
🦋💗🦋👏👏
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Leaping
(It is a leap day after all)
Ginny looked up when her dad joined her at the pond. She smiled at him and then resumed her attempt to catch a frog. It required a lot of waiting.
“I heard you and Harry broke up,” Mr Weasley cut right to the chase.
Her gaze shifted from the pond to him. “I don’t remember telling you we were dating.”
“Ah.” Mr Weasley shook his head. “And you thought we wouldn’t find out?”
“No, I know you know.” She saw another frog slip under the surface again. “It was never meant to last.”
Mr Weasley looked at her for a long moment. “Why not?” he asked with an oblivious tone.
Ginny wondered if her dad was being deliberate about it, but she assumed he was just trying to make her talk about it. “You know why.”
“Enlighten me.”
She knew he wouldn’t drop it. “Because he is Harry.”
Mr Weasley chuckled lightly. “That he is.” His hands folded together. “Did you... break up with him?”
“I didn’t.” It suddenly occurred to her that that was a first. She tended to be the first one to go. “It doesn’t matter. I knew it was going to happen, because he is Harry.”
“Because he was trying to protect you?” Mr Weasley asked. At least he was no longer pretending he didn’t know.
“Yes, and...” She let out a long sigh. “I think he didn’t want me to wait for him.” She locked her gaze with her father’s. “We may all pretend not to know, we all know Dumbledore gave a mission, whatever it is.” She looked out to the pond against. “I am not sure if he expects to survive that, he is realistic about it at least.”
Mr Weasley nodded thoughtfully. “I can’t hate him for that.”
“It’s the worst,” Ginny said with a bitter smile. “Precisely because of that I like him so much.”
“You seem to take on all of that rather well.” A frown formed between his brows. “I hate how fast you have grown up. I feel like I’ve missed it entirely.” He looked down at his hands. “I was so busy with the boys, trying to get them through Hogwarts. I thought I had time with you, time to see you grow up and... then you started Hogwarts.”
The pain was evident in his eyes, guilt over something that was not his fault.
“There is still time,” she told him. “I may have some maturity, but I refuse to be grown-up.” And with that she leapt after the frog that had stuck its head out of the water.
She splashed into the pond and grabbed it with two hands. It tried to make an escape, but she had her hands clasped tightly around it. She stood up in the pond, her clothes drenched and her wet hair clinging to her face and neck.
She offered the frog to her dad and he was kind enough to hold it for her while she climbed out of the pond. It used to be the other way when she was younger. He’d jump around the pond—scaring off all the frogs in process—and she would sit and watch, giggling until her dad caught one for her.
She sat back down in the grass and took the frog back.
“What are you going to do with that?” he asked, wiping his hands on his trousers. “Another tea party with gnomes, frogs and newts?”
She shook her head. “Maybe if I give it a kiss, it’ll become a prince,” she joked. “Seeing as I am single again.”
“The only cursed frog in this pond is your cousin Barny. I would advice against kissing him, I put him in there for a good reason.” Mr Weasley bit back his smile.
Ginny laughed. “We don’t have a cousin Barny!”
“We could have,” Mr Weasley said. “It’s difficult to keep track.”
She chuckled lightly. “No. I can’t tell you what I am going to use it for. It is a secret.” She looked up at him innocently. “And you’d have to scold me, I am just saving you the hassle.”
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Join the critrole campaign 3 fandom! We have:
- shiny rocks (one of them is a pc)
- fucked up moon
- a Literal Apocalypse
- religious trauma
- pc on pc violence (now with hdywdt!)
- 'What The Fuck Is Up With That?'
- Santa
- flat Earth Exandria
- fucking around AND finding out!
Characters include:
- a prince
- a space-time barbarian
- a sad gay(tm)
- fun scary
- an absolutely normal goat lady, don't worry about it
- a vast variety of old men
- (a) murderbot(s?)
- a gnome cleric x2
- The Main Character
(sobbing and shaking) It's so much fun here guys!
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