#god i will think SO MANY THOUGHTS

[blamemma]

Daniel Ricciardo and Gianpiero Lambiase | Singapore Marina Bay Circuit | 📹

[puppetmaster13u]

Prompt 167

Honestly, Danny is having such a good time right now. He gets to travel with Ellie, explore space, just have fun. Plus his secondary protector-instincts are having soothed despite him not technically doing any hero-ing anymore. Really his sister had the right idea when she decided she wanted to become a doctor, this is honestly a blast.

And if someone does end up passing away, well, Ellie is always happy to help soothe their spirit and guide them to the Realms where they can reach their respective afterlife. Or become a ghost. 

They are completely oblivious to the fact that there are now legends and entire temples dedicated to them now. Apparently accidental ascension is in fact a thing, as Dan later laughs at them about. 

[brookheimer]

phenomenal episode overall. kendall demanding clouds because he saw them in berlin and trying not to cry when the stagehands cannot in fact build berlin in a day. matsson walking barefoot across a tarmac. shiv and tom biting deep into each other's forearms to see who can withstand the pain the longest in public at a fancy business event. roman firing a random woman because she didn't seem to think he lived up to his dad. roman firing gerri because she doesn't think he lives up to his dad. roman regretting firing gerri immediately and asking ken to undo it but ken is overjoyed and says it's what dad would do so roman smiles and says okay. kendall floating faceup in a body of water that he dove into of his own accord. shiv booking an empty conference room to cry in when no one's around. gerri saying fuck. karl serving cunt. roman genuinely feeling bad about not including shiv, apologizing to her, and asking if they could all hug. kendall announcing a bizarre dystopian real estate project that's framed as 'like a cruise but on land and forever and by forever we mean forever we're talking cryogenics.' tomshiv playing straight chicken all episode. roman listening to an edit of his father insulting him over and over on the ride home. everything i ever could've wanted

[fluffmonster31513]

something about aventurine being on the path of preservation, and acting as a preservation emanator, and questioning if life is worth living. something about acheron being an emanator of nihility, the literal embodiment of emptiness and meaninglessness and saying that life is worth fighting for. that conversation either broke something in me or fixed something that needed to be fixed.

[shitpostingkats]

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When I tell you I fucking sobbed my eyes out.

[julijbee]

girlbossing too close to the sun.

[sibcxn]

loser older brother who wants nothing more than to take advantage of his younger sibling. he's sweet to them, he jokes around with them, buys them gifts, he helps them with anything they need. he's the picture of the perfect older brother.

and yet, whenever they're asleep, he slips their underwear off and desperately ruts into it. he whimpers and whines for his sweet younger sibling, stuffing his face into their tshirt to feel as much of their scent as possible. he thinks about leaning over their sleeping body and taking them then and there, shedding both of them of their virginities and binding them as siblings forever.

[followerofmercy]

I think Freminet has some of the most interesting dissonance in his self perception of any Genshin character.

Like, of the Hearthlings we know, he's one of the most emotionally mature and intelligent. Lynette might still have him beat, but after playing her hangout... I dunno. I think they're tied. Lyney is Crumbling, Alrecchino is. Well. Arlecchino. Everyone else is a deeply traumatized child or adult and Freminet seems to pretty regularly be people's emotional support. His character stories talk about getting his vision by saving a bunch of other kids on a dive that went bad. The Selkie event literally had him being a therapist for a grownass woman, citing his past experiences with all the other Hearthlings that have died or killed themselves. And he handled that situation WELL. Yeah, he seems to live in a fantasy, but goddamn he's alive and a lot of people in his position aren't so clearly something is working.

Either his or Lyney's character story talks about the time Freminet had reached out to Lyney to try to ease his burdens, which resulted in Lyney blowing up at him. That probably contributed to Freminet thinking he's not good at it, but I think the reason Lyney reacted so badly was BECAUSE Freminet is actually a good support. He can't allow himself that from the little brother he's supposed to protect.

Freminet seems to both cry and dissociate often, but like... Kiddo you are in fact the only person in this family actually processing your emotions. Lynette dissociates 24/7. Arlecchino. Lyney lies and tells everyone he's fine and would literally rather die than admit otherwise. In comparison, Freminet is doing FANTASTIC

Freminet also gets a lot out of helping people! Like anyone, he needs to feel useful and needed. He seems to be an excellent mentor to the younger Hearthlings and perfectly competent on his own, but when you put him in a room with Lyney and Lynette who baby him and insist that THEY take care of HIM, he withdraws into himself.

Like, Freminet by himself feels like a young man and Freminet with the magician twins feels like a teenager. I have no idea how old he actually is. Logically, he would be OLDER than them! He's been with the House much, much longer and his experience shows. I think it's fascinating that they love him SO MUCH and yet, they just Cannot let him help them. Which is hurting him.

(Lynette is much better about not babying him and that is probably why their relationship is so much better than Freminet and Lyney's. Also why she keeps having to mediate between them. Because Lyney charges off trying to Fix Everything and that just makes Freminet feel useless and he doesn't want to get in the way and- you get the point)

Idk. It's hard to tell what things the previous director said to him vs what Arlecchino has said to him. I'm inclined to think our Arlecchino was the one that said he cries too much, but in a "crying in front of your enemies will get you killed" way and she herself is too fucked up to realize how "you cry too much" could be damaging.

Also I try not to consider gameplay stuff when it comes to story, but Freminet also has some of the most BRUTAL animations. He SMASHES HIS EMOTIONAL SUPPORT METAL PENGUIN INTO HIS ENEMY'S FACE. He doesn't think he's the most amazing fighter, and by Fatui standards he probably isn't, but he is winning fights against most grown men.

Tldr Freminet thinks he cries too much and is a burden and isn't good at helping people when he's actually the most mentally stable Hearthling send tweet

[pixelkip]

You know what. Why do we as a touhou fandom not talk about the fact the pc98 songs are canon. They exist. In canon. Akyuu has them documented and has probably heard them. Someone within touhou's universe wrote them. Reimu could probably actually listen to her own theme. Were the songs actually written about the events of those games?? Was eternal shrine maiden written about reimu?? Was love colored magic written about marisa?? I'm going insane

[naranjapetrificada]

Just a small thing I noticed while being totally normal about the gay pirates:

I've watched The Kiss™ way too many times a normal number of times and my favorite moment is the series of microexpressions Rhys cycles through while Stede is reacting to "what makes Ed happy is...you" because it's just so lovely and masterfully done. While trying to find a good gif of just that moment (no luck so far!) I noticed something that happens while Ed is pulling Stede in.

Stede, darling honey light of my life, clueless useless "oblivious" gay that he is, tilts his head a bit and leans into the kiss too. Before it's even started. On some level he registers that This Is Happening in time to react in a positive way, even before their lips have touched.

Our boy is a creature of instinct, and when he acts on his emotional instincts without thinking too much he knocks so much shit out of the park. Instinct is part of why "you wear fine things well" hits as hard as it does. Instinct is how he can woo Ed as easily as he does. Instinct is how they were able connect so deeply so quickly, because his instinct is to be open and non-judgemental to this beautiful man waiting beside his sickbed and asking about fine fabrics.

Stede's thoughts are still too clouded by his trauma and self-loathing to be useful for him, and he can end up thinking too much about what he "should" do or what other people do. Thinking is part of the reason he's so quick to believe Chauncey in the woods. Thinking means succumbing to beliefs about his perceived worthlessness, which leads to his biggest mistakes. Thinking tells him to adjust what he says about Blackbeard in that tavern of townies, when his instinct was to say how "absolutely lovely" Ed is.

Obviously man cannot live by instinct alone, like he definitely should have thought for a minute about making a deal with Geraldo to fence the hostage. Stede needs to learn to balance the two and when to listen to either/both of them. But I was just so excited to see him leaning in the way he does because it underlines a feeling I've had for a minute, which is that Stede's instincts are those of someone crushing and then falling in love, and that never wavers.

He lacks the context and vocabulary to identify what's going on without outside intervention, but he also deeply gets it in a way that's extremely queer and that I hope starts showing up more in the fanon. I do a little happy dance every time I see this in people's fics and I just need so many more of them! Give me more eager Stede who is Ready To Go once he's given the right context for his feelings about Ed!

[cowboyunderscore]

my roman empire is razumikhin always calling raskolnikov “rodya” or “rodka”, but raskolnikov only ever calling him “razumikhin” i could (and do, to the disparity of my friends and family) talk about that for hours and write a million essays

[beaulesbian]

I was once again thinking about this goofy Luffy moment after his Lucci punch™ and i had to see it frame by frame.

first the force of it throws them both away, and while Lucci is seen on screen tumbling for a long moment, Luffy is just away in a blink of an eye.

and then his funny scene - his legs are like jelly that he tries to get under control,

he stumbles, falls, rolls into a mix of all his limbs and eyes,

and then only the cloud behind him cushions his fall

- which would be interesting if he can subconsciously control that while he tries to regain the control over his movements - that the environment around him still adapts to his awakened Devil Fruit abilities and morphs to help him. Where others would probably fall through that cloud, for Luffy that cloud backs him up like a trampoline.

It's just fascinating!

[skitskatdacat63]

Every time I read Fernando cursing in fic, I can only think about this clip and then my brain short-circuits

[to-be-frank-i-dont-care]

Ok but during Playing With the Big Boys at the very end when the music is crescendoing, and you see the magician's snakes crawling after Moses' snake to kill it and there's no way it will survive. and the magicians are taunting Moses and laughing in his face and trying to overwhelm him with their evil magic and making fun of him and his Lord. and they're moving around him and throwing magic everywhere and telling him that they are the ones in power, not he, that his simple snake is nothing because they can do anything he can do, and they will always triumph over him with their gods. and then the scene shifts and the shadow of Moses' snake is thrown on the wall in the firelight, and it snatches and devours both of the magicians' snakes while the music swells to a finale. the magicians were only just boasting that they are more powerful than Moses and his God, and now their snakes are dead. devoured. their words no longer mean anything. they follow endless gods, and yet those gods could do nothing in the face of Moses' God, and and and

good food right there

[lbhslefttiddie]

youve heard of sex flowers get ready for the flower that makes you into a celestial shoujo herione complete with particle effects you cannot turn the fuck off and creates a wifebeam so powerful it can incapacitate and maim and keeps making you burst into tears and fall on your ass which makes the wifebeam More Powerful and you also cannot turn this off either. and is also still, sort of, a sex flower

from one of my favorite fanfictions, Celestial Afterglow by elanor_pam, a fic that defies description in the best possible way

[ingravinoveritas]

Following up on this excellent post from @nightgoodomens, it really is astonishing to see so many people in the GO fandom misunderstanding the characters/personalities of Aziraphale and Crowley. While I by no means am against people having head canons or differing interpretations, it has become frustrating to see people pushing their ideas about Aziraphale and Crowley onto others and declaring them to be official canon, leaving no room for any kind of discussion.

One of the things spoken about in the above linked post is the denigrating of Crowley, which seems to be a near constant in the fandom at this point, particularly in relation to the "apology dance" scene. (Which, to be fair, is chock full of soft!Dom Aziraphale vibes--thank you, Michael Sheen.) What seems to keep getting missed is that the entire apology dance routine is something that Aziraphale and Crowley do to each other. There is just as much of a possibility that Crowley sat there with a similarly smug look on his face and let out a guttural, snakey "Very nice" when Aziraphale did the dance in the years he listed off, because they play this game together.

Aziraphale and Crowley's relationship is one of equals, and I think this is also something people seem to not understand well. It seems as though a lot of fans who project themselves onto Crowley want to be taken care of, and so they want to believe the same of Crowley, and that the reason he wants to be taken care of is because he is broken. But someone doesn't have to be broken to want someone to take care of them. Sometimes the people who are a shambles on the outside can be dominant, just as sometimes the most buttoned up, put together people can also be submissive. And sometimes the people who look in control on the outside can feel not at all that way on the inside.

But this nuanced thinking seems to increasingly be difficult for many GO fans, particularly those who spend a great deal of time on social media, a place where people are either blindly praised or denigrated and torn down, and where such behavior greatly reinforces that binary, black-and-white mindset. We so badly want the world to be clear-cut--good vs. evil, heroes vs. bad guys--but very often that just isn't how things work. And it is exactly what Terry and Neil were trying to speak against in the GO book (and subsequently, the TV show).

The other thing that I think influences a lot of fans' perceptions about Aziraphale and Crowley is their chosen corporations (i.e., Crowley being thin and Aziraphale being plump). There is an automatic assumption that thin somehow equals more vulnerable, and for all of the emphasis that is placed on Aziraphale and Crowley being genderfluid/nonbinary/not subscribing to traditional gender roles, it's Crowley who seems to be viewed as more androgynous/femme, and is therefore looked at as inherently vulnerable. Meanwhile Aziraphale is thicker and viewed as more masculine, and therefore he is somehow inherently not vulnerable. Yet if the body types were reversed, it seems highly likely that fans' attitudes toward them would be much different.

(It also saddens me that this seems to mirror the fans' treatment of Michael and David, where Michael serves as a target for the fans' venom and is seen as less desirable/more threatening because he presents more traditionally masculine, while David is not targeted or attacked and is seen as more desirable/less threatening because he presents much more androgynously. Consequently, many fans find it easy not to sympathize with Michael, and when you can readily disregard someone's feelings, it becomes easier to see them as "less." In the case of Aziraphale and Michael, it leaves no room for either one to be vulnerable and is unfair to both of them.)

What I have always taken away from Good Omens--and from Michael and David's portrayal of Aziraphale and Crowley and how deeply they both understand these characters--is that Crowley doesn't need to be a perfect angel for Aziraphale to like him. He just needs to be a little bit of a good person. And Aziraphale doesn't need to be a perfect demon for Crowley to like him--he just needs to be enough of a bastard to be worth knowing. Neither one has to fully subscribe to the other's outlook or point of view to listen to what they have to say.

Aziraphale and Crowley meet in the middle. In the place that becomes their side, and where they take care of each other, fight with each other, and love each other. And that's more than most of us could ever ask or hope for...