"That beautiful boy with blue eyes and black hair that the Bone Carver had shown me one day.
That promise of future."
— Feyre. Acofas, cap 22, pag 190.
I just read this scene and all I can think about is that maybe that vision wasn't as bad as Feyre imagined.
I remember Feyre mentioning that maybe it was a "provocation" from the Carver, when she saw that image, that boy, for the first time. An image of a future she could lose if she failed in the war against Hybern. But... What if the Bone Carver didn't do that, if he has control of that part of his power, with a bad intention? Well, yes, maybe he did it on purpose. But because he knew his own end was coming, and he wanted to give Feyre that gift – regardless of whether she got the Uroboros or not.
He wanted to show her that there would be a future, a chance. A reason to fight, to survive.
Your child, your future child.
Your promise of the future. One last gift from the Carver to Feyre, before his end: to give her hope. A vision of the future that would await her.
I will cry-
Carver, we love you, always, wherever you are, darling.
I hope it kicks Amarantha and Ianthe's asses, and the King of Hybern, along with Stryga (my favorite twins-)
[VD: A grayscale Magnus Archives animatic of Jon and Gerry talking in episode 111 of The Magnus Archives. Gerry, a ghostly goth, and Jon, a thin brown man in a graphic T-shirt, sit together at a table. Gerry says scornfully, "Playing politics with things they didn’t understand. Reckoned her tradition was less the academic and more the, uh…" Jon offers dryly, "V-Village witch?"
Gerry laughs, pleased, and asks, "You sure you don’t know her?" He sighs, sobers, and says, "Yeah. But deep down what she wanted wasn’t all that different from the ivory tower idiots she hated. Y’know, I think, secretly, she dreamed of starting a little mystic dynasty of her own." He grimaces. "With me."
Jon says a little eagerly, "Like the, the Lukases? Or the Fairchilds?" Gerry corrects, "Well, Fairchild’s just a name, they’re not really family." Then he does a finger gun and says, "The Lukases, though, yeah."
He turns away, pensive and frowning, and says, "Thing is, it’s harder than it looks. What’s out there… doesn’t care about blood." Jon, grinning a little, says, "Well, I-I mean, except for the vampires…" Gerry scowls, "Yeah, obviously except for the vampires." Jon looks abashed, and Gerry looks down sorrowfully to say, "But they care about your choices, your fears, not your parents." End VD]
[ID: A still of the scene where Gerry scowls and says "Yeah, obviously except for the vampires" to an embarrassed Jon. End ID]
i see this jason todd who actually looks his very young age (instead of the 30yr old man that comics like to portray)
and feel my heart breaking just imagining bruce beating him up, almost killing him, mind-breaking him, and just overall being a total piece of shit father towards him.
a huge chunk of the reason why people don't view bruce's actions towards jason as abusive or wrong is because jason doesn't look his age. he's drawn to be this 35yr old father of three who looks even older than dick (and way too on par with bruce) that people see their fights as one between batman and any of his regular rogues. when they fight, it just looks like batman is fighting a man his age and not an actual young person. it doesn't look like batman is fighting his son who's barely even drinking age (and who def wasn't drinking age in utrh). their fights are portrayed in a way that eliminates the very real power struggle between them.
this applies to jason's entire character as well. a lot of people don't sympathize with how he died or his actions as robin or his fights with the other bats because he doesn't look his age. he always looks older and scarier than everyone else. tim has many sympathizers from the titans tower incident because jason just looked like a grown man fighting a 12yr old (even tho i disagree, tim was built and like 17 lmfao).
anyways, i just wish comics would actually draw jason to look his age, which literally ranges from 19 to early twenties. he's young- so young, and it's so annoying to see him drawn and written as someone older than even bruce.
“... believing in me to lead this important story that's not only about acceptance, identity, and self-truth but about disfigurement and disability, subject matter that's been long overlooked by our own bias and comfortability and projection”.