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#he is of the old religion.
someguyinc · 11 months
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*clears throat* THE OLD RELIGION LIKES TO PUNISH MERLIN FOR DREAMING OF FREEDOM
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Vincent Price and Jane Asher
The Masque of the Red Death (1964) // dir. Roger Corman
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justaz · 2 months
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merlin slipping up early on around arthur and trying to assuage his fears by assuring that the gods would look out for them and arthur pauses before asking “the gods?” and they have a awkward lil conversation where merlin is like “yeah i worship the gods of the old religion” and arthurs like “why?” and merlin goes “well why do you worship the god of the new religion? we just believe in them” and arthur takes in this new information and is eventually like “yeah. sure. i guess its not illegal in escetir is it?” anyways thats it. it doesnt get brought up again until later on
when arthur + the knights and merlin and in that shrine and the knights aren’t taking it seriously and merlin goes “in the time of the old religion, they built shrines like this to appease restless spirits. we shouldn’t be here” and the knights brush it off but arthur knows merlin truly believes in it all so he redirects the knights away and later on its him and merlin at the well and arthur is there to calm merlin after he sees the visions from the raid. merlin’s crying and pleading with arthur to leave, that they shouldn’t be here. arthur agrees and goes to leave when merlin calls out to him. arthur stops but doesn’t turn. merlin wraps his arms around his middle
“you were here”
arthur doesn’t say anything more and walks away
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dad-galaxy · 1 year
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🐊🦩
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mother-rhoyne · 1 year
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The first generation of Targaryens born after the Dance is such a mid-life crisis for the dynasty as a whole. Are you more "let's get crazy let's grab every opportunity follow our hearts we're 150 years young 🤪" (Aegon Daeron Daena) or are you "welp we've lost everything we based our personality on time to rebuild our sense of self entirely around whichever higher power makes us feel superior to the dirty youngins 🙏" (Rhaena Baelor Naerys Aemon)
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kuroshika · 1 year
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honestly im thinking about how hannibal is a firm believer in god but like he also doesnt really say which god. which is soooo funny to me because he sure as hell isnt catholic / christian, because he knows of and follows the teachings of (not in a religious sense, but in the sense that one might follow the news or whatever) other religion’s gods. but in that same vein, he’s also self-identified as a monotheist, so he places his faith in only one higher power, but still recognizes and indulges other deities and religions. he’s sort of accepted and delved really deeply into multiple branches of organized (and unorganized) religion spanning over many different cultures and yet its still unclear which religion he really does follow. he’s made himself above religion while functioning within the inner gears of religion, if that makes sense ??? like he’s set himself on a pedestal that is above the other religions while still relying on those religions to hold his stand up. something something the ripper likes playing his own god.
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the-rad-menace · 4 months
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So I knew Moby Dick featured a veeery close male friendship, but this is much closer than I'd expected. It reads like a tacky (and racist) romance novel, albeit with nice prose. They don't even set sail on a whaling ship until a quarter of the way through.
Extremely heterosexual quotes below 👇
"Through all his unearthly tattooings, I thought I saw the traces of a simple honest heart; and in his large, deep eyes, fiery black and bold, there seemed tokens of a spirit that would dare a thousand devils."
...
"I began to be sensible of strange feelings. I felt a melting in me. No more my splintered heart and maddened hand were turned against the wolfish world. This soothing savage had redeemed it. There he sat, his very indifference speaking a nature in which there lurked no civilized hypocrisies and bland deceits. Wild he was; a very sight of sights to see; yet I began to feel myself mysteriously drawn towards him. And those same things that would have repelled most others, they were the very magnets that thus drew me."
...
"He seemed to take to me quite as naturally and unbiddenly as I to him; and when our smoke was over, he pressed his forehead against mine, clasped me round the waist, and said that henceforth we were married; meaning, in his country’s phrase, that we were bosom friends; he would gladly die for me, if need should be."
...
"How it is I know not; but there is no place like a bed for confidential disclosures between friends. Man and wife, they say, there open the very bottom of their souls to each other; and some old couples often lie and chat over old times till nearly morning. Thus, then, in our hearts’ honeymoon, lay I and Queequeg—a cosy, loving pair."
...
"We had lain thus in bed, chatting and napping at short intervals, and Queequeg now and then affectionately throwing his brown tattooed legs over mine, and then drawing them back; so entirely sociable and free and easy were we..."
I had a hunch that Herman Melville may not have been entirely straight. I decided to read a bit about his life and it seems he had something going on with Nathaniel Hawthorne, the author best known for The Scarlet Letter. Possibly unrequited on Hawthorne's side, but Melville was quite evidently enamored.
Here are excerpts from a letter from Melville to Hawthorne:
"Your heart beat in my ribs and mine in yours, and both in God’s… It is a strange feeling — no hopefulness is in it, no despair. Content — that is it; and irresponsibility; but without licentious inclination. I speak now of my profoundest sense of being, not of an incidental feeling.
"Whence come you, Hawthorne? By what right do you drink from my flagon of life? And when I put it to my lips — lo, they are yours and not mine. I feel that the Godhead is broken up like the bread at the Supper, and that we are the pieces.
...
"... I should write a thousand — a million — billion thoughts, all under the form of a letter to you. The divine magnet is in you, and my magnet responds. Which is the biggest? A foolish question — they are One."
Just (straight) guys being dudes (heterosexually).
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boygirlctommy · 1 month
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hate having a genuine interest in christianity bcus there is No One in my life i can discuss it with. i sound too atheist to talk w religious people and too religious for the athiests lol
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seaofwine · 2 years
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I will remember, nor could I forget, far-shooting Apollo,
whom gods tremble before as in Zeus’s abode he is striding—
then as he comes up close to the place they are sitting, they leap up,
all of them, out of their seats, as he stretches his glittering bow back.
Homeric Hymn to Apollon
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aromanticgarbage · 3 months
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If you could have a full day with Joji in person, what would you talk to him about or what would you do with him? 🧍
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To be completely honest with you, there are two things that i would genuinely love to do with this man: 1. smoke weed with him and 2. go karaokeing.
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The Masque of the Red Death (1964) dir. Roger Corman
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kraviolis · 1 year
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Belos: I’m going to raise Luz as my daughter and ensure that she remains pure and loyal to me.
Also Belos: I’m going to let the 7-years-old clone of my brother take care of her I’m sure he’ll be able to do that.
you joke but thats LITERALLY his entire thought process at first. he's so isolated and arrogant that he couldnt possibly comprehend the idea that luz wouldnt see him as her father despite the fact he literally told hunter he was going to be her older brother and never once encouraged hunter to see him as anything but an uncle.
i attribute this to the fact that philip is an orphan who only ever knew his blood brother as his only caretaker, so he sorta took having a brother for granted and didn't realize that was something you could want rather than something that just Is.
(also caleb was the only person philip ever truly knew + loved and even well into his 300s he never once picked up a child psychology book and realized that Perhaps His Worldview Was Skewed Because Of That.)
he literally like. could not comprehend the idea that you could even choose your own family outside of like. being adopted by someone. thats the other thing with him being so annoyingly christian in this AU, he was taught that your blood family (esp yr parents) is always the most important thing in your life & you should always be grateful to them no matter what.
(this is another factor into why he keeps making grimwalkers. in his own twisted viewpoint, it's him giving caleb another chance. and another. and another-- at least in this specific characterization of him.)
philip thought that him adopting luz would mean she would immediately be eternally grateful to him and call him father and the whole nine yards. but he forget to actually express that expectation until it was too late (aka until he heard her call him uncle for the first time)
honestly, hes not MAD about it. he's just sorta :( about it bcus hes not actually insane and can still logically think like "she did say she had just lost her real father to an illness its perfectly reasonable for her to not want to replace him" (he doesnt think it outloud but he also enjoys living thru her vicariously
but also later on as she gets older it gets to a point where he's like "ok its been years now why isnt she trying to replace him yet" bcus he thinks its a normal + healthy part of the grieving process to replace the person you lost (figuratively or, in his case, Literally)
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kateis-cakeis · 8 months
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rewatching bbc merlin really has me like buzzing in my mind with so many thoughts. Like I'm kinda watching it backwards atm going from S5 to S4, I think I will jump around 3, 2, and 1 but just,,,, there is so much especially in S5 that makes me !!!!!!!
Honestly, I feel like this fandom has to give the writers more credit. Like they did a damn good job, and to me, it's such a good tragedy. Especially how S5 plays out, it takes everything and just tears you down, and down, and down. It's perfect, perfect with flaws! But still perfect
#bbc merlin#merlin#yeah idk on that note about the writers - this fandom is way too harsh#like i know we all have ideas on how it should have gone#but i think we lose how it's still a story that they planned from the start to end like that#they did their job they set up from the beginning and it is good as a tragedy imo as someone who has studied tragedies#hot take but the characterisations are consistent - i mean like as consistent as they get for a 5 series show#they did better than most and i dont feel like any characters get like their previous characterisation assassinated#that includes Arthur and Morgana btw they clearly have arcs that work well and where Arthur's is a slower progression - Morgana's is like a#lit match - slow at first but when it gets going it's going and then gone - it's wonderful#i mean look at s5 it literally starts by talking about Arthur's bane aka his fatal flaw aka his hamartia#which is himself and i dont think it's as much as the overdone hubris but rather Arthur's love and trust for others - but that like in many#tragedies can be debated#okay something else that can be debated is the peripeteia - i think a good example of it is the Disir episode because that's when Arthur's#fate becomes sealed anything after that point is fruitless because the Triple Goddess has decided he must die because of his rejection of#the Old Religion - it's a reversal of fortune in a sense that Mordred is alive to play his part in Arthur's death - as Merlin puts it. You#could see it more as Merlin's peripeteia rather than Arthur's but still#if we wanna debate it more Arthur's peripeteia would probablyyyy be when Mordred stabs him because that's when his death becomes imminent#it's a reversal of fortune because he's dying from that point forward rather than a strong king he is a man dying#the anagnorisis is another point to make. You could say for Arthur his anagnorisis is all of the finale - like this constant realisation of#Merlin and his magic and realising all that he missed all that he didnt see and now it's too late because he's dying#I'd say Merlin's anagnorisis comes with the whole Mordred and Kara ordeal and how he realises his mistake and how it's gonna cause the#downfall of not just himself but Arthur too#then catharsis - see i think it's the only part where the tragedy falters because do we get catharsis from Arthur's death and Merlin's#immortality - where he's still at the lake centuries later?#i think in some ways yes and in other ways no because I don't think BBC Merlin is following an Aristotle's tragedy#i think catharsis comes more from Morgana's half of the tragedy - seeing her die - and i think further catharsis comes from knowing it's no#over forever that there will be a second chance for redemption for both Merlin and Arthur#but it is a more difficult one for sure#anyway point is that S5 specifically has a tragedy storyline that is very well done and we should credit that more tbh
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s0livagant · 1 year
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Sav clears out her camera roll: Josh pt. 103
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Feeling very violent rn so here's a very controversial opinion:
Everything after season one of Young Justice sucked.
Look, I know I'm obsessed with the show but that doesn't mean it's good, it means that I'm too deep into it at this point to get out. There are good moments within the other seasons but in general? They were not good.
I'm sorry. I understand that they wanted to be creative and have a neat narrative and deep lore and all that. And they do! The narrative and lore is extremely deep.
But the plot? The characters??
Season one was an actual functional show that balanced character development, plot and dialogue with world building, lore and messaging.
The other seasons do not do that.
Season two bounced back and forth between like 16 characters. We got some development for some characters but even that was minimal compared to the character development in S1. And this isn't me complaining that the og group wasn't in S2 enough. That's not my issue. I would've loved to focus on a new group and I think that Jaime, Bart, Ed and Gar would've been super cool to focus on. I loved what character development they did have and I craved more.
But the problem? The problem is when you have 16 fucking characters that you are trying to develop and shove into a coherent plot and have actual meaningful scenes. There just wasn't enough focus on S2. Imo, S2 was meh because the characters got left by the wayside. The plot, dialogue, world building, lore and messaging was fine, there just seemed to be a lack of heart/warmth in the show because of the characters. It's hard to get invested.
Then holy shit. S3 introduced more characters. And the plot got more contrived and 'big picture' to the point that it started to abstract. It felt like nothing mattered. There were no stakes, you were just watching things happen. There was 50 fucking things happening an episode and 80% of it was lore/world building. It felt like I was studying for a fictional history exam.
I'm pretty sure the main character in S3 was earth 16. Just the entire universe. Because goddamn. We checked in on almost every living being and EVERYTHING was a plot point. Most of it wasn't even relevant to anything happening in the season. Man it was.... it was bad.
And at that point it just wasn't enjoyable at all to watch. I probably should've stopped watching but at that point the sunk cost fallacy had already kicked in. I knew it could be good. Maybe it could be good again. And people were constantly praising it as cinematic genius so I was like 'okay well maybe I'm missing the point? Maybe you aren't supposed to enjoy shows? Maybe this is fine?'
But season four broke me.
The creators heard that people were frustrated by the lack of character focus and the episodes following 72 characters and the episodes switching between 50 different subplots every episode and their solution? Their solution was to take allllllll the different unconnected plots and, instead of evenly spreading them throughout the season, jam them all into 'arcs'. So you had a bunch of mini seasons consisting of 3-5 episodes dedicated to a cast of ~5-8 characters (some of them new). And each of these episodes had unconnected a plots, b plots and c plots.
THAT IS NOT A SOLUTION
Holy shit that is not a solution.
Not to mention the overarching plot of the season, in which we had no fucking clue what was happening until the final episodes where everything became a speedrun to wrap everything up. We literally had no idea what the main plot was until it was ending.
Good god it was bad. It's bad writing!
I know people liked it and good for them. You should like what you like and you don't have to justify it. But for me it was insanity. I'm sorry I actually don't want a season long subplot where Beast Boy is depressed and sleeps all day. I would be cool with it if it had anything to do with the larger story but, surprisingly, spending five minutes watching Beast Boy sleep every episode didn't make for compelling storytelling.
I'm still not over how we didn't even know who the main villain was until the end of the season. And then all of a sudden he does a villain monologue to tell everyone his evil plan and his motives. Super cool actually. I love it when I have no idea what the stakes are for the majority of a show. It's incredibly good storytelling when you leave the audience in the dark about a major player in the plot for all of the plot. And then doing an info dump evil monologue in the final episodes to rush through the explanation??? Fucking fantastic and not a sign of terrible pacing at all.
I'm just so frustrated. The show isn't about being a show anymore. The show is an entire cinematic universe shoved into 20 something episodes. It's desperate to tell every single story at once, audience, pacing and good writing be damned.
I'm so tired of the constant praising of Greg. His whole 'i don't write endings because life doesn't have endings' and 'i don't write cliffhangers, I just leave things open ended' thing is pretentious bullshit. I'm tired of pretending it's not. A good story has an ending. Stories are not life! Some of the best shows I've ever watched had planned endings. And oh my god. The cliffhanger thing... that's just semantics my guy. Greg you write cliffhangers. You can insist they aren't but I'm going to call a spade a spade.
It's also.... I'm fine with explaining things, in fact I love it because it's an excuse to talk about the stuff I love, and I have a fairly decent knowledge of comic book lore. So, I could not only understand what was happening in the show but I was also super enthusiastic about explaining it to people. But hey Greg? Hey buddy? If 90% of your audience doesn't know what the fuck is going on and needs to be familiar with super specific obscure comic characters from the 70's then you might have a problem.
I think I realized halfway through s4 that the most enjoyment I got from an episode was when an obscure comic character would cameo in it. But then I realized that a) they generally weren't explained at all and b) 50% of the time they weren't just hanging out in the background and they were vital to the plot. So to understand who the fuck they were and what the fuck was happening you had to be familiar with... well all of DC comics actually.
Anyway this rant is getting long and unhinged and I don't think there's a point so I'm going to cut myself off even though I have so much more to say on the topic. I think my general point is just that I didn't enjoy watching the later seasons and it's chill if you did and we should all respect each other's opinions ✌️
#rant#oh also the messaging sucked#the messages itself were fine. like 'you should go to therapy if you are depressed' and 'respect people's religions' and#'figuring out your gender/sexual identity is chill af'#those are great messages. the content is great and i don't disagree#BUT HOLY FUCK#yo Zatara ranting about his religion to Fate for 15 minutes is not how you get a message across#messages are supposed to be like themes and subtle points of the narrative#it's not supposed to be a fucking psa where the characters just talk for half the episode and say the message verbatim to the audience#itd be like if in season one M'gann stood up and spent ten minutes talking about the damaging psychological effects of body image issues#and everyone else just sat there and nothing happened and M'gann just kinda spoke about it#or if Artemis was just like 'im going to do a presentation on why child abuse is bad'#its just. thats not. thats not how messages in a plot work#but they didn't develop the characters enough. so instead of s1 where the messages were blatantly obvious#we just had side character zatara who we know nothing about talk about religion like he was doing a PSA for kindergartners#because we don't know his character and he had zero focus so that was literally the only way to get the message across#and im sorry but that's bad writing. if you are sacrificing character plot and narrative for a message then maybe scrap the message#or you know actually have a developed character do the message. like write the message through a developed character so it doesn't#need to be spoonfed to the audience like we're five year olds learning different shapes from a teacher
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angelbambisworld · 5 months
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Girls will take their favorite band member from their favorite band and treat him like he's the second coming of Jesus
GENEsus
Can I get an amen on this beautiful Sunday afternoon, my brothers and my sisters?
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