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twentyfivemiceinatrenchcoat · 1 year

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CALL MY NAME AND I'LL COME RUNNING ; SATORU GOJO

synopsis; satoru can be irritating, at times. but even if you push him away, he’ll always, always be there for you when you need him.

word count; 8.7k (this was supposed to b a short drabble but i was possessed by the devil halfway through)

contents; satoru gojo/reader, gn!reader, reader n toru have a fight, mild swearing (a couple fucks here n there), hurt/comfort, satoru has communication issues but he’s trying his best, depictions of stalking (reader gets followed by a random creep but satoru comes to the rescue dw), uhh implied thoughts of violence? (satoru wants to Maul said dude but doesn’t), literally just me being in love with satoru gojo for 8.7k words straight

a/n; no thoughts head empty only gojo running through the streets like a wild beast looking for u <33 im normal about him yeah.

“you’re so annoying sometimes, you know that?”

satoru smiles. the sentence isn’t one he’s unaccustomed to hearing.

usually, the words are soaked in an undeniable fondness, as they spill from your lips. rich with exasperated love. one that never fails to have the corners of satoru’s lips curling up, a mellow kind of joy blossoming in his chest.

but now, that fondness is nowhere to be found.

you sound thoroughly exasperated, and a little bit fatigued. more than anything else, there’s a vague irritation behind the tilt of your voice, something almost cold. it makes all the difference in the world.

and yet, despite that, a certain someone chooses to pay no heed to the bad omen.

“aw, c’mon. you know you love me, baby.”

satoru is grinning. lighthearted, awfully sweet. there’s a certain smugness to it, though, one he couldn’t wash away even if he was aware of it; you wouldn’t do so even if you could. that smugness is a part of him, one that you’d usually find endearing.

but right now, it only seeks to further your frustration.

it was a stupid fight, truthfully. completely meaningless. satoru had forgotten to pick up after himself for, like, the fourth consecutive time, and so you grew annoyed. not by a lot, but enough that you felt the need to be firm when you reminded him not to make the same mistake over and over again.

but satoru had only grinned, in that self-satisfied fashion of his, and apologized in a way you couldn’t possibly call sincere. then he did what he usually does — promises to work on it. to not do it again. he never follows through, though.

but even that thought wasn’t anywhere near enough to make you truly angry. what really began to irk you was the fact that satoru wasn’t taking you seriously, even in the slightest.

that’s how he always is, when it comes to this kind of thing. and you try to be patient, you do. you try to be understanding. sometimes you even appreciate that he keeps the atmosphere light, but other times, you just can’t help but feel irritated by it.

and the current situation happens to fall into the latter category.

you don’t care if satoru leaves a candy wrapper or two out, every once in a while. of course you don’t. it’s a silly thing to argue about. but would it hurt for him to just listen to you? to try to put himself in your shoes, for once? it’s not about the wrappers, or the undone dishes. it’s about the way he treats you when you complain about it — like it’s no big deal, like it doesn’t matter. even if it obviously does, to you.

so, gradually, the topic of your little argument began to shift, into a conversation about satoru. about the fact that he so adamantly refuses to talk about the things that bother you in a serious fashion. about the fact that he so adamantly refuses to take you seriously.

and he just keeps proving your point, with every word that falls from his lips.

at this point, you’re genuinely beginning to feel a little angry. but satoru doesn’t see that as the warning sign it is — he just thinks it’s cute. he’s just been cooing at you, this whole time, despite your numerous attempts to actually explain how much his behavior affects you sometimes. it feels a bit like talking to a wall. satoru keeps on teasing you, even as you try to be firm about your point, and only brushes you off with empty promises to do better and more unneeded comments about how much he wants to hug you when you pout like that.

and you falter, a little. of course you do. you’re weak to satoru. weak to his words, that sweet voice of his, that pretty grin. but that only makes everything worse, because if you let yourself look even a little bit flustered at his comments, he sees that as his cue to continue.

you don’t even know if he’s doing it on purpose, at this point. is he doing it because he knows it’ll annoy you, or does he genuinely not understand that you’re upset? you’d like to think that there’s no malicious intent behind it, but can’t he see how troubled you are? you don’t get it. you don’t get him, and that frustrates you most of all. satoru can be so goddamn convoluted, sometimes.

so you simply can’t help but feel annoyed. angry, even. how long have you been arguing for, at this point? you’re not sure. but you feel the frustration inside of you grow, as the minutes tick by, into something you know will eventually explode.

a sigh falls from your lips, deep and exasperated. a little bit exhausted. “i’m serious, satoru. you’re not even listening.”

“i am!” he protests, stubbornly. childishly. “you just look so cute when you’re all mad. not my fault you’re so distracting.”

satoru smiles, voice sugar sweet, but all you can do is frown. does he really think it’s cute that you’re upset? the thought makes you somewhat sad. but you can’t show that, can’t let that part of you win — you don’t even want to think about the possibility of you crying, because of this. yeah, no way in hell.

so instead, you channel it into anger. as the blood inside your veins comes to a boiling point, you dig your nails into the skin of your palms, gnawing at your bottom lip and shifting from one foot to another.

”satoru, i’m —” another sigh, sharp and vexed like the blade of a knife. ”i’m trying to have a serious conversation, here. can’t you see that i’m upset?”

satoru takes a moment to look at you, from behind the black glass of his shades.

he can. of course he can see that. you’re frowning, and there’s a crease between your brows, and you keep huffing and sighing every three seconds — you’re obviously, undoubtedly upset. and satoru wants to take you seriously, he does. it’s just that the part of his brain that only ever wants to coddle and tease you keeps persuading him not to.

he’s not lying, either; you do look cute. almost too cute to take seriously, when you’re pouting so sweetly, a little red in the face from all the frustration bubbling inside your chest. you look so small, glaring up at him like an angry puppy.

satoru can’t help but smile. it’d be impossible not to.

and he will listen to you, will take you seriously. he knows you’re angry, knows you’re upset, and he intends to deal with that properly. but he doesn’t need to do it right now.

just a little more teasing, before he has to stop beating around the bush. satoru dreads it, a little bit, dreads having to genuinely be serious, be open and apologetic. it always feels so strange, so discomforting.

all that stuff can wait until later. for now, he just wants to see you blush a little more, huff and puff at his limitless affection, that he knows you love deep down. where’s the harm?

(and therein lies the problem. satoru is observant, and typically good at seeing the line that he shouldn’t cross when it comes to you. but there are times when he slips up, times when he doesn’t realize that his words have begun to sting. times when the line becomes blurry, because he knows some part of you enjoys the way he babies you, and sometimes it blinds him to the part of you that doesn’t.)

satoru is smiling. it’s the same as always — big, bright, glazed over with honey-sweet adoration. smug and teasing. it’s such a satoru-like smile that it makes your breath hitch, sometimes, makes your heart race with wonder. but now all it does is annoy you. everything you love about satoru is annoying you, right now.

in your eyes, that pretty smile of his seems almost taunting. like he’s trying to pick a fight with you, trying to make you even more upset. you don’t want to blow up over something like this, you really really don’t — but for some reason, you feel dangerously close to. it’s not like you at all.

you bore into his eyes with a cold glare, even though you can’t exactly see them with his shades in the way. posture straight and rigid as you try to make yourself look bigger. you must look at least a little bit menacing, like this. right?

“i’m seriously angry with you,” you say, hoping your voice sounds as austere to his ears as it does to yours. “don’t you get that?”

satoru coos, unable to hold the sound back. he doesn’t notice the flicker of hurt in your eyes, only focusing on how the sunset rays frame your figure, kissing your skin with sun-soaked fervor. you look so pretty. and that angry look on your face is too tantalizing not to tease.

“aww,” he croons, inching closer to you. there’s a teasing glint in his eyes that you can’t see, unmistakably fond. “is my little baby that upset?”

you blink. his voice sounds even more sugar-sweet now, obviously exaggerated. there’s amusement there, too — like this is just one big joke to him. you think he must be doing it to belittle you, to embarrass you. speaking to you like you’re some kind of grumpy toddler, and not a grown adult trying to have a serious conversation with their partner. your blood boils, boils, boils.

— and so the cup overflows.

“oh, go fuck yourself.”

it’s almost in a hiss that the words fall from your lips, cold and harsh; they leave the confines of your throat before you have a chance to reconsider them, sudden and sickeningly heavy. crude, too. you’d never be so crass with him under normal circumstances.

but you’re overwhelmed, thoroughly and completely, and satoru is being particularly infuriating. you genuinely feel hurt by the way he’s disregarding your feelings, and that realization stings more than anything.

so you can’t help but say the words, louder than you meant to, before turning on your heel swiftly and walking out of the room.

you don’t even have time to register what you’re doing, legs moving on their own before your mind can catch up. brisk and heavy steps carry you to the door, all while you furiously attempt to blink away the tears of frustration that begin to form in your eyes.

it only takes a second for you to grab your jacket — then you’re out.

satoru hears the front door close, echoing off the walls of your apartment. you don’t quite slam it shut, but you close it with more force than usual, and he can’t help but inwardly wince.

a moment passes.

then, he flops down on the couch, lanky arms and legs dangling uncomfortably off the edges. the groan that slips from his lips is muffled by the soft cushion as he burrows his face into it, while replaying your interaction inside his mind.

satoru can’t help but feel uncomfortable, with this conclusion. a little bit irked. a vague something rests inside his chest, something he doesn’t quite want to admit to feeling. it makes him feel a little bit sick.

(”oh, go fuck yourself.”)

he can’t recall you ever raising your voice at him like that. when it comes to him, you’re usually so patient; soft, understanding, gentle. for you to have snapped in such a way — to have stormed out of the apartment in your anger — he must have pushed you pretty far.

satoru sighs.

he really pissed you off, huh?

(he can never quite seem to get this right, can he?)

it was never his intention to make you genuinely mad. he just lost sight of the line, for a second. that’s all.

and maybe he was also trying to avoid the issue, trying to avoid actually arguing with you. because he hates it. he hates it more than anything. satoru would much rather see you smile and blush than act all serious and sad.

he just wanted to make you laugh.

was it insensitive? yeah, probably. he just can’t help but fuck this up, it seems. now he’s gone and made you angry — and as much as the sight would usually thrill him, as cute as you look when you’re irritated, a pit of anxiety settles in his gut. everything just feels wrong.

more than anything, satoru feels restless. because, right now, there’s nothing he can do. he can’t chase after you, even if just to apologize — that’d make you even angrier.

he knows he needs to give you space. you were obviously overwhelmed; some fresh air will do you good.

it irks him, though. satoru wants to fix it. he always wants to fix everything, before it even breaks. and even now, all his mind can do is spin in circles, wondering how he could possibly cheer you up.

he’ll just have to apologize, when you get back. and hope you forgive him. maybe he can get you something sweet to munch on, or a bouquet of flowers. would that make everything okay again?

satoru doesn’t know. so he just scratches his head, and tries his damndest not to think of how defeated you looked before leaving.

your steps are heavy, dragging you forward, leading you somewhere you have no knowledge of. it’s chilly out, and the sun is already setting.

everything in the world feels so wrong. like it’s tilted slightly to the left, like the earth stopped spinning around its axis. like everything suddenly lost its saturation.

you just needed to get away from him, for a while. away from that smug smile, that patronizing tilt of his voice. you couldn’t even stand to be in the same apartment as him. it’s not often you feel that way, not often at all.

and it only increases your growing frustration.

you are beginning to calm down, though — you know you are. the crisp evening air and the pleasant mingle of people soothes your muddled senses, smoothing down the crease of your brow and the ache in your chest.

a heavy discomfort, and a growing guilt. that’s all you can feel, as the anger slowly seeps out of you, turning into vapour with every exhale of your breath.

you hate arguing with satoru. you hate it more than anything. the guilt clawing at your chest barely leaves any room for anger — you almost yelled at him. just the thought of doing that to satoru makes you want to cry.

because you love him, at the end of the day, even when he’s being absolutely insufferable. he’s a sweetheart, your sweet boy, always trying to lighten the mood and make you smile. maybe you should have been a bit more understanding; you know satoru’s bad at this stuff, bad with emotions and vulnerability. and deep down, you know he’d never hurt you, not on purpose.

he probably just didn’t realize that you were genuinely upset. it’s a mistake that anyone could make.

but it just makes you feel so frustrated. like he’s not even looking at you. always hiding behind those shades, never opening up. never letting you see him wear anything but a smile. you want him to take it slow, open up to you at his own pace, but that doesn’t make the wait sting any less.

it’s not like you were asking for a lot. first, you simply asked him to pick up after himself. the way you do, the way anyone does. then, you simply asked him to treat you with respect.

a sudden pang of bitterness runs through your chest. sure, you could’ve handled it all better — but he could have, too.

every step you take hits the pavement with an irritated kind of decision. whatever. whatever. for now, you don’t want to think about it — all you want is to walk around and take in the sights, enjoy the peace and quiet.

so that’s exactly what you do.

before you know it, the sun has set, and the moon has risen — shining down and painting the streets in a mesmerizing blue, ephemeral and tranquil. it’s enough to give you some peace of mind, as you lurk around familiar streets, soaking in all the open space. so different from that suffocating apartment, and the man inside it, with that shit-eating grin and those breathtaking eyes.

(he’s called you, a couple times. you haven’t been gone for long — an hour or so, you think, maybe two. some part of you wanted to answer, just to hear his voice through the phone, but the part of you that’s still awfully irritated shut that down immediately. so, stubbornly, you just let it ring.)

the streets are empty, and the sky is dark. the light of all the lampposts illuminate your way, along with the soft flicker of the moon and stars. an endless galaxy stretches out before your eyes, little pale dots of stardust shining like jewels.

an ever-lasting, never-changing sky, that continues on for infinity. limitless. all the space you could possibly want, and then some.

for a moment, you can only look at the glittering stars in wonder, soaking in the feeling of absolute solitude.

— it doesn’t last, though.

“you alone?”

a sudden voice calls out from behind you. close, discerningly so, enough to make you flinch. you curse yourself for not noticing anything sooner, caught up in looking at the starry sky, in angling your phone to take a picture of it.

hesitantly, you turn your gaze towards the sound — wincing under your breath when you see the man a couple steps away from you. he looks a little crazed, you think, shifting from foot to foot and hunching over.

oh fuck no.

great, just what you needed. that’s just your luck, isn’t it? your brain can only spin in circles, trying to get your body to react, to run. to do literally anything except just stand there like a deer caught in headlights.

in your nervosity, all you manage is a painfully awkward laugh, as you stutter out a halfhearted response.

“oh — no, i’m just waiting for my boyfriend!” you smile, unconvincingly. your face must be soaked in unease. whatever he wants with you, it can’t be anything good.

at least you said that one word clearly — boyfriend. you can only hope it’s enough to scare him away.

but the man only shifts a little more, emitting a gruff kind of hum, not saying anything else. your spine tingles with apprehension. every cell in your body wants you to leave. he seems a little intoxicated, you think, and the thought only stirs the anxious feeling in your chest further.

god. why does this have to happen to you? why now?

thankfully, you’ve got your phone in hand. as your mind scrambles for solutions, your fingers tap at the screen, urgently scrolling through your contacts. in such a frightened state, your acting must be positively awful, but you make a vague attempt. not like you’re getting any oscars for this, either way.

“sorry — he’s calling me now!” you stammer out, taking a step away from the man. he doesn’t make a move to follow you, so you take your chances and press your phone to your ear, feet carrying you forward with haste.

in your fear, you don’t think twice about calling satoru — but you can’t help but internally wince at the decision, as the anxious patter of your own heart resounds in your ears.

how are you supposed to talk to him, exactly? what are you supposed to say? hey, i know i just told you to go fuck yourself, but will you hear me out? i need your help.

and you do. you do need his help. all you want is for him to swoop in, to take you in his arms, your knight in shining armor.

satoru’s said it to you, before — that if you need anything, anything at all, you can come to him. that you can always, always lean on him, without exception.

you know that he likes helping you. likes it when you open up to him, when you put your trust in him. when you aren’t afraid to ask for his help.

so despite everything, you hold your phone to your ear, walking away with brisk steps and praying that he’s not petty enough to ignore your call like you did to his.

back home, satoru is still resting on the couch, tapping his feet and trying to distract himself.

he’s a little anxious. it’s dark out, and you’re not answering any of his calls. when you’re out of sight, like this, he can’t help but feel a little helpless — worried about everything that could happen to you. but it’s not like he can force you to pick up.

you’re probably at a friend’s house, or something. telling them all about what an asshole your boyfriend is. as much as the thought stings, satoru hopes it’s true; it’s all he can comfort himself with. anything is fine as long as you aren’t out walking alone, in the cold, in the dark.

entirely caught up in his spiralling thoughts, satoru almost flinches when the phone rings. laying on the table in front of him, just within arm’s reach. it only takes a second for him to react as his gaze flits to the bright screen, and he sees the contact name, the many heart emojis littering it.

with a start, satoru jumps up. his back straightens out, and his hand flies to grab the phone — he’d feel embarrassed at his own eagerness, but right now he just can’t help it. even under ordinary circumstances, he wouldn’t let the phone ring more than twice, always giddy to hear your voice whenever possible.

this time, however, he does falter slightly.

he takes a split second to simply stare at the phone in his hand, at the affectionate contact name. what is he supposed to say to you, exactly? how is he supposed to act?

satoru doesn’t know, but as if afraid that you’ll change your mind and stop the call, yourself, he opts to simply answer. he’ll just have to figure out what to say on the fly.

(unfortunately, satoru’s instinctual response to anything is either smugness or playfulness.)

“well, well. look who finally decided to pick up.”

you’re the one who called him, not the other way around — but satoru can’t be bothered with small details like that right now. he only hopes you don’t notice the faint nervosity in his voice, the stiffness as he tries to sound unbothered.

you don’t notice anything at all, mind far too muddled, too clouded by fear. all you can do is take a deep breath, desperately trying to grasp control over your wavering voice.

“— satoru?” you call out, voice meek and frail. the man in question notices it immediately, sitting up a little straighter, but before he can say anything you continue. “i’m sorry, i just — are — are you still at home?”

there’s an anxious tilt to your voice, one that’d be impossible for satoru to miss. your words are a little breathy, spoken in a fast tempo, and he feels a sudden dread crawl up his spine.

something is wrong, his senses alert him.

“yeah,” he hums, trying to hide the turmoil in his own voice. “why? is everything okay?”

the line is quiet, for a second. “it’s just —“ an exhale, as you once again attempt to steer your voice in a less nervous direction. “just… some creepy guy tried to talk to me. i told him i was waiting for my boyfriend and now i’m walking away from him but he’s still following me.” another exhale, as you worriedly sneak a glance over your shoulder. ”i just — i don’t know what to —”

“where are you?”

satoru cuts you off, voice eerily serious. his gaze turned cold the moment he heard creepy guy, legs moving him towards the coat rack by the front door as if on autopilot.

he’s already left the apartment by the time you answer, looking around you meekly.

“i… don’t know,” you sigh. “i’m not far. i walked past that one crêpe stand by the park but then i, like… continued up that street? and now i don’t really know where i’m going.”

you continue, a little exasperated as your gaze flits around the dark street. attempting to recall your steps, a difficult task with how on edge you feel. “i’ll try to look for a sign, or something,” you gulp. “… i’m sorry. i just wanted to get away from him.”

satoru’s voice is comforting, when he speaks, eager to console you. grounding and soft. “hey, it’s okay. i’m heading there now, alright?” he smiles, hoping you’ll hear it in his voice. “i’ll be there before you know it.”

you do hear it, and his words ease a little of the anxiety in your chest, despite your fear. “okay.”

the line grows quiet, again, and your brows furrow in worry. “can — can i keep talking to you?” you ask, uncertain. a little pitiful. ”please?”

“of course,” satoru answers, instantaneous. he’s already making his way towards the crêpe stand with decision in his steps, mentally scanning the area ahead. despite his own anxiety at the situation, he attempts to sound as secure as he can possibly manage, desperate to soothe the worry in your voice.

“try to relax for me, okay? nobody’s gonna hurt you. not while i’m here.”

his words are absolute, as he consoles you. he sounds so sure of himself, so much that you can’t help but believe in his words. so you nod, emitting a weak hum when you remember he can’t see you.

“can you tell me what you see, baby?”

“uhh…” you look around, blindly, trying to find some sort of meaningful hint around you. “there’s like… some toy shop?”

satoru only hums. “can you check your location on your phone?”

you blink.

of course. why on earth didn’t that cross your mind before?

“oh — yeah — fuck. i’m sorry. i don’t know why i didn’t —“ you sigh, heavy. “hold on.”

following satoru’s instructions swiftly, your gaze scans over the screen. he waits, patiently, already heading past the park and up ahead. as soon as you succeed in finding the name of the street, you echo it to him.

satoru sighs, a little relieved. “okay,” he hums. “i’m not that far away. i’ll be there soon.” he only hopes his words can soothe your fear, even a little. “is he still following you?”

you glance behind you, and meet the gaze of the stranger. just like you were afraid of, he’s still following you — if anything, he seems to have gotten a little closer. with a jolt, your heartbeat picks up.

“yeah,” you gulp.

satoru’s chest tightens. he emits a low hum. “just hold on. i’ll hurry.”

focusing only on the tilt of satoru’s voice, you try to calm your breathing. you just want to see him. the thought of doing so is the only thing keeping your trembling ribcage intact, at this point.

you swallow a shaky breath.

“thanks, toru.”

a sudden pang of ache sprouts in satoru’s chest, like thorny vines curling around his ribcage. his heart hurts. you sound so scared, so very small.

this is all his fault, he thinks. all of it. he got too careless; none of this would’ve happened if he had only been more considerate. if he had just stopped you from leaving and apologized, or hadn’t upset you in the first place. then he wouldn’t have to hear that scared little voice, wouldn’t have to imagine your body shaking like a leaf in the cold night. so far away from him.

but satoru can’t beat himself up over it, not yet. there’ll be more than enough time for that later. for now, he needs to get to you — that’s the only thing on his mind.

so he lets his feet carry him forward, running towards your location with bated breath. he’s sure you can hear it, through the phone, even though he tries to contain it.

the sound consoles you, if anything. it reminds you that satoru is there, that he’s on his way. that there’s no need to be scared.

but you can’t help but freak out, a little, when you hear the man call out from behind you.

“hey!” he slurs, stumbling towards you with unsteady steps. his voice is loud, angry, and it sends your mind reeling into panic mode.

a flinch overtakes your body, before you stumble forward, walking even faster than before. you’re almost running now, breath hitching as you gulp. satoru hears it all — your panic, the echo of the man. his own tempo picks up.

“baby, calm down, okay?” he consoles you, voice concerned and honey-sweet. “just keep walking. i’m almost there.”

“sorry —“ you squeak out, between flurry breaths. breathing uneven, laboured and anxious. but you try your best to calm down. “‘s just scary.”

it almost feels physical, the way it irks him. satoru wants to pull you close, more than anything, but he can’t. and that just makes the calamity inside his chest grow, clawing at his ribcage as if trying to escape, to go to your side.

(he never, ever wants to hear that kind of fear in your voice again.)

“i know,” he soothes. “you’re doing good, honey. listen — he’s not gonna touch you. i won’t let him. you have nothing to be scared of.”

you nod, even as you exhale a shaky breath. ”i know.”

and you do. you know there’s a truth, to satoru’s words, one that’s never failed you before.

because satoru is your safe space, at the end of the day — he can be annoying, outright insufferable, and sometimes he’s bad with emotions. but he tries, you know he does. and, more than anything else, you know that he’ll always, always be there when you need him. he’ll always be there to protect you.

and a part of you is sure that everything will be okay, as long as he’s around.

(it’s easy to forget how trustworthy satoru really is, how much he cares. how dependable he is. and how serious he can get, when he truly needs to be, despite his childishness. it’s moments like these that remind you of that.)

but it’s still scary, at the end of the day. you can’t help but feel uncomfortable, a little lost in the world. because you and satoru just fought, you just told him to go fuck himself, and yet here he is. running to your side, in the middle of the night, because you’re scared and alone and you need him.

the man continues to shout, behind you, muttering curses you can’t quite make out. you look over your shoulder nervously, steps hurried.

and satoru runs like a man possessed, through the moonlit streets, gaze scanning the area like a wild beast. his most visceral instinct is screaming at him, tugging at his flesh and bones, desperate to protect you. to comfort you. to wash all your worries away.

as he makes a sharp turn, he momentarily stops the movement, halting to look around. he thinks he must look a little crazed, with the moonlight illuminating his eyes, but he couldn’t care less.

especially not when his gaze lands on a certain person, further down the street — small and alone.

your eyes meet his.

with the darkness of the street, it’s hard to make anything out, but the light of the lamppost helps. though even without it, satoru’s sure he’d know it was you, just from the sensation that unfurls in his chest as his gaze lands on your figure.

an audible sigh of immense relief falls from his lips, and his tense shoulders relax, eyes softening just a tad. he hears a similar noise coming from the phone in his grasp, and he assumes that means you recognize him too. not bothering to end the call, he puts it in his pocket, walking over to you with brisk steps.

you stumble towards him, yourself, the worried crease between your brows now smoothed away. the closer he gets, the faster you move, until you can see the blue of his eyes. two pocket-sized moons.

satoru swoops you in for a hug before either of you can say anything.

he cradles you close, awfully close, so close you can hear his heavy breathing against your ear. it tickles your neck, along with his soft hair, and you shiver. his fragrance envelops your senses, a blend between fresh laundry, strawberries and some expensive cologne. your favorite scent in the world.

and suddenly, the world is devoid of danger. nothing can get to you while satoru’s there. all that exists is you, and him, and the soft flicker of the moon.

satoru squeezes you tightly, ensuring himself over and over again that you’re safe. he might be squeezing you a little too tight, but he can’t bring himself to think about that just yet.

finally, that growing calamity inside his chest is satiated. winding down at the feeling of you pressed up against him, the indisputable proof that you’re okay. with you in his arms, satoru feels like everything is alright, again.

the fear inside his chest, so foreign it leaves him shaken to the very core, finally begins to dissipate too. he doesn’t think there’s anything that makes him feel quite as hopeless as the thought of not being there for you when you need him. he never wants to feel that fear again. it’s suffocating. it crushes his lungs.

all he can do is hold you close, his big palm smoothing down your hair, the back of your head, your spine. warm and comforting. keeping you steady against him. he can feel your heartbeat, rapid and anxious, so fast that his heart aches. satoru is eager to soothe you, eager to make it go away.

”i’m here, baby,” he breathes, rubbing his cheek against the side of your head. ”you’re safe now.”

the words are spoken softly, right by your ear, and you exhale a shaky breath. you’re bundling up his clothing with your fists, anchoring yourself to him. after a little while, you let go, opting to wrap your arms around his midriff instead. nuzzling into his broad chest, you try to blink away your tears and contain your sniffles.

you nod against him, and satoru kisses the crown of your head.

and, finally, his gaze strays. it falls farther down the street, until it lands on a certain man — shifting from one foot to another. watching you both in silence.

the calamity inside his chest rouses from its slumber, once more.

satoru makes sure to keep his hands on you, still rubbing your back with one steady palm cradling the back of your head. keeping your face hidden in his chest, safe and secure.

then he raises his head, back straight, full height on display as his eyes meet the stranger’s. he can tell they do, even with the distance, the darkness of the street.

and satoru knows he looks menacing. he knows the light of the lamppost illuminates his figure perfectly, framing his tall stature and broad shoulders. and he knows the moonlight caressing his skin illuminates his face, his cold eyes — blue and uncanny, glowing even brighter than the moon. staring daggers into the man’s soul. if looks could kill, there wouldn’t even be any remains left to find.

the man stiffens, visibly, and satoru delights in it. he doesn’t leave, though, and for a second satoru wonders if he’s really intoxicated enough to come closer —

but, sure enough, all he does is stagger a little. then he walks away, grumbling under his breath, hands in his pockets.

and satoru isn’t satisfied, with this conclusion. not in the slightest. he wants to run up to the man, wants to hold him up by the throat, wants to tell him off. because he has the nerve to terrorize someone like that, stalk them with intentions he knows can’t be anything but revolting. the nerve to do that to you, of all the people in the world —

satoru doesn’t know if he’s hated anyone quite as much.

and a part of him wants to make him cower. make him fear for his life, just to make sure he never does anything like this again. leave him with a fear so great it’ll linger for as long as he’s alive.

(and a more animalistic side of satoru, one he doesn’t want to acknowledge, wants to do things that are much, much worse.)

— but you come first. without question, and without exception. he refuses to leave you alone, and refuses to make you look at the man for even a second more.

so he’ll focus on you, entirely.

he can tell you’re still shaken up, heartbeat pulsating against him, little flutters of life prickling his skin. there’s a desperation in the way you hug his waist, like he could disappear at any moment. like he’ll slip away if you don’t keep him close. the sight tugs at satoru’s heartstrings.

his first priority is to soothe you, always and forever. so that’s exactly what he does.

satoru smiles. it’s small, in the wake of the situation, but awfully sincere. fingers reaching down to trace over your jaw, he gently urges you to look at him; when you do so, hesitant, he cups your cheek with his palm.

your teary eyes feel like daggers to his heart, an unmistakable proof of his failure. his failure to protect you, to keep you safe and happy. but at the same time, he’s glad, from the bottom of his heart — that you’d let him see you like this. even after everything.

you look very meek, blinking the tears away as you look into his eyes. they’re bright, and comforting. you wonder if he left the shades at home, if he rushed over here so hurriedly that he didn’t think to bring them with him. you’re happy, in any case — the effect they have on you is undeniable.

you can’t bring yourself to look away, consoled by the flickers of white inside his irises, like fluffy clouds in the blue sky. ever-lasting, never-changing.

satoru tilts his head, smile sweet and understanding. ”that was scary, hm?”

his voice is tender, somehow so mature. like he’s some older, wiser being, comforting a scared child. it’s so soothing, so very grounding.

squeezing your eyes shut, you can only bring yourself to nod, as you nuzzle back into his chest.

”you’re okay now, honey,” satoru coos, smoothing down your back as you sniffle. an immense softness seeps through his whisper. ”i’ll always be here to protect you.”

there’s a truth to the statement, heavy and pious. like an oath, a pledge, something for you to believe in unquestioningly. you allow yourself to soak in the words, knowing them to be true.

you’re safe, now. there’s nothing to be afraid of anymore. satoru’s here, and he’s hugging you, pressing kisses against your shoulder.

but you just can’t stop crying.

when you speak up, your voice is weak, barely above a whisper. close to breaking apart at the seams. too tired after everything to resist the guilt inside your veins, you sniffle, and part your lips.

”i’m sorry i yelled at you.”

satoru stills.

then, his gaze softens, considerably. he hears himself coo, softly, palm smoothing down the back of your head.

his sweet angel. apologizing to him, when he’s the one who started this whole mess. when you’re still so shaken up. because he let you leave the house angry, because he made you angry in the first place. because he didn’t see how important the discussion was to you.

(“you’re not even listening.”)

yeah. he wasn’t. he didn’t really want to.

an acute sense of shame. an intense guilt. that’s what he’s been trying to push down, all this time. that’s the unnamed something.

it’s hard for him. to be as sincere as you, as open with his feelings and emotions. as mature. because even in a situation like this, you can swallow your pride and frustration, and apologize. even when you aren’t in the wrong. you’re always the bigger person, always the one to give in first, because he’s too stubborn to do so himself.

next time, satoru pledges, he won’t let you. next time he’ll be the one to swallow his pride.

because, yes, being vulnerable and admitting that he was in the wrong makes him feel a little like he’s being skewered alive — but you’re important to him. he loves you. and he wants you to know how much he trusts you, how special you truly are.

if he can show you that, by being a little sincere, a little serious, then any discomfort he feels in the process is a small price to pay.

satoru’s lips meet the crown of your head, as he encircles your smaller frame, arms reaching around your neck to pull you close. he rests his jaw lightly on the top of your head, breathing in your scent. ”you have nothing to apologize for, baby.”

a pause lingers between the words he’s already said and the ones he yearns to say, but can’t seem to pull out from within his throat. it takes effort, to squeeze them out; but every time he replays your own apology in his mind, it gets a little easier. he squeezes you lightly before opening his mouth, as if to give him strenght.

“i’m sorry.”

you blink.

for once, satoru sounds sincere when he apologizes — almost painfully so. bordering on something you think may be nervosity. you try to look up, to catch a glimpse of his expression, but he keeps you hidden in the crook of his neck.

”i was being immature,” he continues, sighing. you don’t know if you’ve ever heard satoru sound so uncomfortable. ”you know how bad i am with this stuff. but i never want to — you know.”

he makes a gesture with one of his hands, as if that will say the words for him.

“— i didn’t mean to upset you. honestly.” satoru inhales the cold air, in hopes it’ll make him more honest. “you’re the best thing that’s ever happened to me.”

you listen. intently, not missing a word, not a single tilt of his voice. it all sounds so genuine, almost foreign on his tongue. satoru seems to be trying to find the right words, grumbling a little under his breath.

he’s cute, like this. kind of awkward, but that only makes him cuter. you nuzzle closer to him, comforted by his very existence.

”… i’ll work on it,” he whispers, at last. “i’ll listen to you. i promise. i really, really will.”

you think satoru’s voice wavers, just a little, when he says his final piece.

“so please don’t cry.”

this time, satoru doesn’t stop you when you attempt to lift your gaze, loosening his arms around you and raising his head from where it rests on top of yours.

your eyes meet. satoru is smiling, weakly. he tilts his head, looking at you with something you could only ever describe as love.

”okay?”

such a lovely smile. so painfully genuine. his eyes are on full display, shining in the dark of the night, like splotches of moonlight. like someone stole the moon down to earth, and carved out little pieces to put in his irises. an ethereal hue.

he’s so gorgeous. hair just a tad messy, tousled from all the running he did to get here. cheeks a little red from the cold. when he smiles, his eyes crinkle. but he looks almost pained.

(he was so, so worried.)

blinking away the tears clinging to your lashes, you simply stare, entirely mesmerized by the sight. satoru’s thumb goes to wipe at your glassy eyes, smoothing away the drops that threaten to fall. you want to engrave his expression into your memory, so you can never forget it. but it’s just a little too much.

so you hide in his chest, once more. the word that falls from your lips is tiny. “okay.”

satoru smiles, kissing the top of your head with a relieved exhale. bathing in your presence, still reeling from his show of vulnerability. he feels a little like he just cut himself open, let you peek inside his ribcage. the night air stings his skin.

but you’re so warm, hugging him tightly, breathing and heartbeat finally relaxed.

(he doesn’t mind it, not if it’s you — having you look inside his chest. if you asked, he’d let you build a shelter there. right between his fourth and fifth ribs.)

now that the words are out of his throat, they don’t burn at all. satoru feels a little silly, for being so scared to say them out loud. he knows you’d never use them against him.

all you do is snuggle closer, as if silently conveying your forgiveness.

you stand there for just a little while longer, wallowing in the tender atmosphere. finally, satoru makes a move to leave, and you begin to walk back home.

“sure you’re okay now, baby?”

you nod, exhaling a flurry breath. it turns into vapour in the cold of the air, drifting up and dissipating in the expanding starry sky. “yeah. thanks for coming so quickly.”

“of course,” satoru only says, choking back a yawn.

your hands are intertwined, and he’s halfheartedly swinging them back and forth. it soothes your anxiety, and satoru’s protective instincts. you know neither of you will slip away, like this.

you shiver a little, subconsciously inching closer to satoru to protect you from the harsh bite of the midnight breeze. he notices, giving you a glance and a tilt of his head. “you cold?”

“just a little,” you mutter, smiling weakly as you look up at him. ”i’m fine.”

satoru huffs. did you really think he’d be dissuaded by such a weak retort? there’s no way he’s letting you walk around all cold and shivering.

so you come to a standstill, as satoru begins to shrug off his coat. he refuses to let go of your hand for even a second, making the process slower than usual — your heart flutters a little, as his fingers curl around yours, delicately.

when he finally gets it off him, he wastes no time in draping it over your shoulders. it’s big on you, warm and soft, shielding you from the chilly air. satoru can’t help but giggle sheepishly, as he always does at the sight — you look so cute.

“c’mon. let’s go home,” he grins, ruffling your hair teasingly.

satoru doesn’t feel cold, not in the slightest, as he holds your hand tightly. just your presence is enough to warm his bones to the marrow.

the silence between you is comforting and soothing, as you continue to walk. hand in hand, admiring the starry sky. you’re both too tired to speak — but satoru does so, anyway.

“i meant it, y’know.” satoru sounds sleepy, but earnest. ”i really will work on it.”

he doesn’t look at you when he says it, yawning softly and stretching his free arm. gaze fixed on the morning star.

“oh.” you pause, squirming a little. sheepish. “thank you. i’m sorry that i — i mean.” a sigh. “i probably overreacted a little.”

satoru shakes his head, waving off your guilt. “nah. you’re right. i never want you to feel like i’m not taking you seriously.”

his gaze meets yours, tentatively. his eyes shine like wedding rings. “you mean a lot to me.”

the sincere words manifest themselves as a heavy pressure to your chest, closing in on your heart as if crushing it. it’s a pleasant sensation, though, overwhelming as it is. you’re a little scared that your knees will buckle if he keeps this up, but even if they do, you wouldn’t want him to stop — satoru’s love is terrifically overwhelming when there’s nothing to hide it, when it’s just love and nothing else.

but you’d never reject it. you’d let it crush you to death with a smile on your face.

all you can do is avert your gaze, afraid that you’ll fall into the blue sea of his eyes if you don’t. heavy thumps of blood resound in your ears as your heart beats, warmth spreading throughout your entire body.

“… you mean a lot to me, too.” you echo, holding his hand just a little tighter. warmth rises to your cheeks. “i just felt really frustrated, i guess. like you were looking down on me. i know you weren’t actually, though.”

satoru chews at the inside of his cheek, almost anxiously. “i know i can be a little much sometimes,” he says, tasting the words on his tongue. “and i appreciate you for putting up with that. i’m sorry i let it go too far. i’ll be more considerate.”

your heart stutters in your chest. you’re not sure what to say — the way he forms his words makes them feel so absolute. and you believe him.

“i’ll be more considerate, too,” you echo, looking down at the pavement. “i shouldn’t have blown up like that.” a pause. you mumble, quietly, a little embarrassed. “i shouldn’t have told you to go fuck yourself.”

satoru breathes out an amused huff, chuckling lightheartedly. his eyes carry a teasing glint when they meet yours. “i probably deserved that. no worries.”

“still,” you pout. satoru giggles.

“we’ll both work on it, then,” he hums, tilting his head to find your gaze. “right?”

you blink. a small smile breaks out across your face. “right.”

satoru swings your hands back and forth, looking awfully happy with himself. you’re proud of him. really.

“oh —“ he says, breaking the sleepy silence once again. “and i’ll stop leaving wrappers around, too.”

this time, you’re the one who huffs out an amused breath. “thank you,” you grin, looking up at him. he thinks the sight is terribly precious.

a yawn leaves your lips, drowsiness sneaking its way into your bloodstream. you’re not sure if it’s due to the dark, or if you’re just a tad exhausted after all the arguing and panicking.

satoru notices, and gets an idea.

“you tired, baby?” he coos, eyes teasing but soft around the edges. “d’you want a piggyback ride?”

when you give him a look, sleepy and kind of exasperated, satoru grins. you huff out an amused breath, just a tad embarrassed, but it only spurs him on.

so he crouches down, one knee meeting the pavement, letting your hand slip from his. you blink, tiredly, at the loss of contact. you can’t see his face, but you know he’s wearing that lovesick, smug little grin of his.

”c’mon. your big, strong boyfriend’ll carry you.”

satoru’s feeling playful, you can tell. that’s usually a bad sign — but you can’t deny that you’re tired. and the prospect of getting carried all the way home is eerily tempting.

your gaze falls on his back, and his broad shoulders. silently, you walk towards him, and wrap your arms around his neck. satoru holds you up by your thighs, and then stands up, jostling you a little; he does so without a hitch, and you’re reminded of how strong he really is. his grip is secure, and you trust him not to drop you, no matter what.

you let out a content sigh, basking in the chill of the midnight air as you nuzzle your cheek against his soft hair. satoru chuckles.

”my sleepy lil’ sweetheart,” he coos, voice a tad raspy. ”lucky thing you’ve got me, huh?”

there’s a softness to his voice, despite the teasing tilt obscuring it. you can only huff out a breath, somewhere between a chuckle and a scoff, and cling to him tighter.

satoru will get you home safe. he can be annoying, outright insufferable, and he can be bad with emotions — but you can always, always trust him on that.

so, with his coat shielding you from the chilly air, and his back warming you up as he carries you back to your apartment, you allow your eyes to flutter shut; enjoying the cozy feeling his presence brings you.

he’ll always be there when you need him.

#NOBODY LOOK AT MEEEEE i was having a gojo moment ok.#i just think hes. the perfect man. a silly goofy princess 98% of the time but when u need him to be there hes so comforting n secure.#i Need him.#also obsessed w the idea of gojo only calling u ’honey’ when hes being particularly sincere like that does smth to me man.#gojo satoru x reader #gojo satoru x you #jujutsu kaisen x reader #jujutsu kaisen #gojo satoru #gojo x reader

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fumifooms · 4 months

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Falin who cares too much and too little - analysis

Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is heavily encouraged prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.

Falin cares too little :

A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.

We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.

Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.

She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.

Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.

What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.

And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.

People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.

One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?

So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?

And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.

So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.

So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.

Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.

And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.

She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.

And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.

We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.

Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.

She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.

So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.

She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.

And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.

It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"

So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."

And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.

And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…

So.

Not feeling as much as she should. And……. Is this not Faligon pushed to the max?

You can��t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.

Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.

There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.

Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.

And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.

Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.

Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.

But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.

In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.

No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.

I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.

Falin cares too much

She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.

So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.

In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.

Post-canon, she needs to leave to find herself, away from them.

Herself. What if she wants to just be with herself for a while.

And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.

Notes & nuance

I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.

I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…

Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.

Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.

And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."

Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."

And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.

AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.

Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.

But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.

Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…

Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).

A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.

It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.

I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.

I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.

Conclusion

Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.

Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.

She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)

Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.

I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it

That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.

Here’s my spotify playlist for her if you’d like

Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.

#I find it hard to express myself right on the topic of Falin. Both because the issue is pretty vibe based and because we don’t #get that many moments with her. So there’s ambiguous scenes up to interpretation addressing a layered topic and like. Save me. Save me #As always falling down the rabbithole of starting an analysis about a specific facet and then needing to explain everything else around it #I’m doomed. I’m getting lost in the sauce.#dungeon meshi #delicious in dungeon #falin touden #analysis #character analysis #meta #autistic reading #aroace reading as well. Sort of. It’s mentioned #The aroace autistic guilt of not caring back in the way/with the intensity you’re expected to #As always this is just my interpretation blablabla #Spoilers #dungeon meshi manga spoilers #She loves like a dog aka unconditionally and happy with eating scraps of affection and attention off the floor #Laios touden #he’s here too bc they are an unit #If you’re not capitalizing on the uncanny vibe autistic effect for Falin’s character u are missing an opportunity imo #Fairy’s child is written all over her. Her cryptic-ness is the point so why am I surprised she’s hard to fully pin down #Even with the graveyard scene it was Falin following Laios… Sob. Laios could feel responsible her powers were found out #I’d like to rework this at some point if i get better at structuring. I’m not satisfied by the level of clarity #Will 90% for sure edit stuff in if i find more to say.#Fumi rambles #Crazy style #I give a TLDR at the end if you’d prefer. It doesn’t have the like evidence/explanations alongside but it makes the main points i think

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