#he’s just a fascinating character on his own

[meanbossart]

what would have to go differently in DU Drows story for him to take the bhaalist route? would it be a split second decision in the temple or something he’d have to slowly accept over the course of the game?

EDIT: I slightly misread the question, the answer still holds but the first line is about what has to be done for him to turn AGAINST Bhaal.

Both mechanically and story-wise, it's pretty simple. He just has to be taken into the group kicking and screaming 🤷‍♂️

DU drow rejects Bhaal because he finds the world to be fun, he finds the people in it to be interesting and strange and he doesn't see any benefit to getting rid of it. Wyll may get on his nerves but he wants so badly to see the day where he snaps and stands up for himself, Halsin is annoying but boy have him and Astarion had a riot making fun of him behind his back, him and Jaheira get on each other's nerves for fun and Minsc is a living fascination - not to mention the endless NPCs that provide a moment's entertainment. Yes, Shadowheart sparing the Nightsong and Astarion's lifestory played a big part in his choices, but I think a base had to be set first, otherwise he could have very easily twisted the lesson's he learned from them into something that fit the pro-Bhaal narrative. He doesn't want to kill the world, the world is hysterical to him.

Also, BG3 seems to have a theme about showing compassion and extending empathy even to people who don't deserve it. A lot of its characters are the opposite of nice and personable throughout the vast majority of the game, and what you end up clinging to are glimpses of humanity that they try to hide from you - Shadowheart is objectively exhausting to be around, Lae'zel is literally and figuratively a social alien, Astarion is Astarion and realistically we would have all blasted him into the horizon team-rocket-style if he wasn't funny. I hated all three of these characters going into the game and now they own my balls, because they ultimately charmed me with something or other despite their flaws.

(They are also all hot, to be fair, but this is a fantasy video game so what'reyougonnado. Though personally none of them are my type.)

Sorry about the tangent, but I think that gets my point across well; DU drow needs to be given the benefit of the doubt for absolutely no good reason, as long as that happens, he would have no motivation in the slightest to turn to Bhaal. Even if romanced, a socially ostracized DU drow could not be persuaded to turn away from his father.

In the gameplay, this would translate to the MC encouraging him to see the silver-lining in things, either by showing kindness and understanding or emphasizing the entertaining moments they've provided you with; also, playing along to his mean-streaked humor instead of reprehending him for not always having a kind thing to say about everybody. You have to either see the best in him, or turn people into a joke instead of a threat. Done that, he would move into Act 3 without any inclination to take Bhaals's gift.

On the flipside, I think a romanced partner could persuade a "good" DU drow to consider it, though. By valuing his strength and potential-influence instead of his personality, he would arrive at the conclusion that to keep you, he must continue to pursue power, which would ultimately land you in the place Astarion ends up in his Bhaalist AU.

[the-rift-in-space]

what's so interesting to me about it is that the machine version of neil isn't just eva's perception of him like we've seen with characters before, like river being seen only through john's memories. this version of neil is also his own memories, he put himself in there as complete as possible, and eva only added to it with her own perception. it's a ship of theseus situation. how much is he still himself? is it unfair to the real neil if eva continues to just... live in the memories, or create new, simulated memories with this copy of him?

obviously it's not healthy to live in a fantasy but is it still a fantasy? how 'alive' are the people in this machine? if you believe you're real, are you? if you don't believe you're real, does that make it true? who or what decides what is or isn't real?

and because he's still neil, he can't ever accept it, he pushes her away even now, because he knows she should move on... but he still built the machine. could he ever just accept the fact he was close to someone and loved her and no matter how hard he tried to keep her from getting hurt she still misses him dearly when he's gone and he still longs for connection even when he feels he shouldn't reach out. the time they had together would never be enough, and could this ever truly make up for it? should it? it's such a fascinating conundrum.

[lol-jackles]

Dean is the most iconic character on SPN because cliche bad boy and caricatures with more exaggerated personality traits tend to stand out in the mind of viewers. Sam was more subtle and nuanced.

I think you're confusing iconic with popularity. Dean Winchester's bad boy with a heart of gold trope is a popular archetype, but it's not the same as iconic. There are many popular bad boy characters, but they're not exactly memorable when it comes to storylines.

While watching a Supernatural episode, I’m more drawn to Dean because he’s more fun to watch. The next day I remember the same episode through Sam’s actions and interactions.  I end up kind of forgetting what Dean did in part because he remains the same character from start to finish, both in the episode and the entire series.

So I remember Supernatural through Sam's hero journey arcs because he is a dynamic character who went from a college student naive about the supernatural world, to becoming a skilled and effective hunter and then a leader and later a father figure to a future God, and finally a father with a family of his own.  Dean was essentially the same character from start to finish but that's fine for a support-protagonist, in fact it was essential for the show's formula.

Characters become iconic by; 1) being memorable when they are taken out of their time and setting and remains admirable, fascinating, or frightening regardless of time and location. Or 2) due to excellence of a trait i.e. malevolence or sweetness or determination or whatever. If you were reading a book on management theory and you saw a picture of Darth Vader, you’d have a pretty good idea what sort of manager they’re talking about.

Going by the second requirement, Dean Winchester could be an iconic character in that whenever I see a picture of him, I think of his supernatural devotion to Sam Winchester. But that's not what the Ackles Army want, and to some extent not what Jensen wants either. Just see his prequel idea.

[stemms]

I believe that c!Tommy’s kleptomania is one of the most fascinating and heartbreaking parts of his personality, as it adds layers to his character, and explains certain parts of the lore that some people seem to consider a simple bad habit and display of his childishness. I would like to elaborate on that further and explore the way it changed in the exile arc.

To begin with, c!Tommy has been suffering from kleptomania ever since s1, but contrary to popular belief, he had no malicious intentions. From the very beginning of the server, he was already severely traumatised to the point of having PTSD and lacked self-worth. So, understandably enough, he was craving something to make up for his self-hatred, and robbery became that thing. c!Tommy would mostly steal insignificant things because what truly mattered was the amount of things he possessed, not their value or rarity. After all, if he had a large number of objects in his possession, it meant that he was worthy, and nothing else truly mattered.

Since the very beginning of exile, despite his need to acquire items to stabilise his extreme self-hatred, c!Tommy adamantly refused to accept anything from his visitors because he couldn’t help but assume that the gifts in question were “pity items”, and being pitied was one of the things he hated the most. As his exile went on, the belief that no one cared enough to offer him a gift out of genuine care, only grew stronger due to c!Dream’s manipulation, c!Tommy’s severe loneliness, and the heartbreak of the Beach Party. However, with time, the blond has grown to trust someone other than c!Dream — c!Ranboo. Eventually, he allowed the enderman hybrid to offer him things, as long as he promised that his gifts came from the heart. As much as c!Tommy attempted to hide his true feelings, he cherished every single object received from c!Ranboo. These weren’t just objects, like the ones he’d often steal from people to feel worthy — these served as a reminder that there was something to live for, and at least, someone other than c!Dream genuinely cared about him.

Considering that c!Dream has been obsessed with c!Tommy ever since s1 (which included living in his walls and stalking him) and used his kleptomania and “destructive nature” as an argument to get him exiled from L’Manberg, he certainly was aware of the boy’s insecurity, and was looking forward to exploiting it to the fullest to break- no, shatter him :)

The daily routine of discarding his objects hurt c!Tommy far more than we could’ve imagined, because if we keep his deep self-hatred in mind, he didn’t simply find it upsetting due to being stuck in the cycle of obtaining and destroying his items — it was something more than that. Every lost item equaled a tiny shard of c!Tommy’s self-worth, and soon enough, there was almost Nothing left; he was nothing but an empty shell.

Understandably enough, with time, the teenager has grown to believe that he wasn’t worthy to possess anything valuable of his own — he was meant to earn every little thing, and his best friend tormentor couldn’t be more pleased :) :) :)

[literatureloverx]

One of the things I find curious about Fyodor is that in the latest bsd guidebook, he describes himself as the color white like his hometown's snow. Fyodor still remembers his hometown, after all he's gone through and after all this time. And he describes himself as the color white like its snow. That with his character's disconnect from people, makes me very excited for when Asagiri decides to reveal his character's backstory. Of course he probably means snow in a more way of "purity" than sentimentalism for his hometown itself but omg he mentions his hometown which is something enough. Not "like snow" which would convey purity enough but "like the snow from my hometown". Maybe it's because he found his faith there? Maybe he just wants to pay respect to where he was birthed? Idk but there's much to theorize. What are your thoughts?

-🎪 anon

I agree, 🎪-anon!♥️

I don’t know if it’s because he found his faith there, but I think that is very likely and seems reasonable.

However, I also believe he was born into a religious family to begin with. I’ve thought through other aspects as well. Let me break it down for you:

Purity and Fyodor’s inner moral code:

Fyodor describing himself as the color white, especially like the snow from his hometown, speaks volumes. It hints at his complex inner moral code—he engages in dark actions under the belief that they serve a greater good.

This idea of “purity” contrasts sharply with his behavior. But does it?

In my humble opinion, he is well aware that what he does is evil, but his inner moral depiction is influenced by Machiavellian tendencies.

He does whatever he needs to do to cleanse humanity of their sins. Therefore, his actions reflect Machiavellian principles.

In short: the ends justify the means (The Prince by Niccolò Machiavelli).

I’m imagining it like this: God has given him the enormous power of being immortal—never truly able to die.

God also gifted him with an intelligence that is above any other human being.

This means he must be someone important.

This means he is meant to be the rightful hand of God, tasked with creating a world that is worthy of God’s beauty.

Therefore, he wishes to help God’s creations, cleansing them and this sinful world of all their sins.

This is one reason why he says that he likes all humanity equally. Because he really does.

They are all the same to him—fools who could do better. Fools that could be worthy of God’s perfect world.

What fascinates me the most about him is that, even though he is doing all of this out of pure self-assurance and his own complex inner moral compass, he still claims that he is doing it for the whole world. And I believe he does.

I can totally see this being his ultimate end in the future.

His Hometown and it’s significance for him:

By referencing his hometown, he reveals a more humane side to himself.

If you haven't already, l'd recommend you read THIS and THIS posts of mine, where I explained very clearly how I perceive Fyodor's humane side.

It shows that he yearns for connection and perhaps misses the simplicity and innocence of his past.

This duality makes him such a fascinating character, caught between his dark pursuits and the remnants of his humanity.

Imagine feeling like, or even knowing that you're "the chosen one," only to end up isolated, dehumanized, and lonely, with nothing to hold onto but your belief in your God.

You can't die, because the only way for you to do so is by your own hands, which is considered the greatest sin.

You can't die. Not until you take your own life.

How deep must his religious beliefs run for him to be this dedicated to his goal, mentally able to endure and live for hundreds, maybe thousands of years?

This made me so emotional. I want to give him a hug. My precious love.♥️

[mya-valentine]

Headcanon: Cyno x Criminal S/O

Cyno’s relationship with a criminal S/O would be complicated, to say the least. As the General Mahamatra, his unwavering sense of justice and duty would constantly conflict with his feelings for his S/O. Initially, he might not have known about their criminal activities, but once he finds out, it would create an intense inner struggle for him. Cyno is not one to bend the law easily, even for someone he cares about deeply.

His S/O would have to be someone exceptionally clever and elusive—someone who operates in the gray areas of morality. They aren’t a villain, but their actions might be driven by necessity or their own code of ethics, which doesn’t align with Cyno’s strict black-and-white view of justice. They could be a Robin Hood-like figure, stealing from the rich or powerful for the sake of the underprivileged. This would challenge Cyno’s rigid sense of right and wrong, forcing him to reconsider the nuances of morality.

While Cyno wouldn’t openly support his S/O’s actions, there would be a part of him that understands why they do what they do. He might not condone their behavior, but his feelings would lead him to offer subtle warnings or even secretly help them evade capture at times, despite the guilt he feels for doing so. He would struggle between his duty as a law enforcer and his growing affection for them.

His S/O would probably enjoy teasing him about his strict adherence to the rules, knowing they represent everything Cyno is supposed to stand against. There would be a sense of tension, but also excitement between them, as they navigate the dangerous line they’re walking. His S/O might say things like, “What would the General Mahamatra do if he knew where I was last night?” with a mischievous smirk, knowing it would both challenge and intrigue him.

Despite their differences, Cyno would be fascinated by their cunning and resourcefulness. He would admire their intelligence and ability to outwit others, even if it frustrates him that they use those skills for illegal activities. His S/O’s unpredictability would keep him on edge, always wondering what they’re going to do next, and oddly enough, this would make him drawn to them even more.

Over time, Cyno would try to persuade his S/O to leave their criminal lifestyle behind, using logical arguments and appealing to their better nature. He’d believe that they’re capable of using their talents for something good, perhaps even working alongside him. His S/O, however, might see the world differently, challenging Cyno’s idealistic views with their own cynicism about the world and the law.

Even in their disagreements, there would be a deep sense of mutual respect. Cyno values strength of character, and even though his S/O’s methods may be questionable, their determination and conviction would resonate with him. His S/O might even try to make him see that the law isn’t always just, forcing Cyno to reevaluate his approach to justice over time.

Cyno’s loyalty would shine through in their relationship, despite the conflict of interests. He would never betray his S/O, even if it means compromising his own rigid moral code. While he might not agree with their choices, he would protect them fiercely, caught between love and duty.

Ultimately, Cyno’s love for his criminal S/O would be a constant balancing act. He would continue to pursue justice, but with the understanding that sometimes justice isn't as clear-cut as he once thought. Their relationship would be a constant push-and-pull, full of tension, danger, and undeniable chemistry.

[reachexceedinggrasp]

I have a feeling you might relate to this or you might have even related this on your blog already, but I was just thinking of that Ghoul quotation water water everywhere and not a drop to drink

I think probably my favourite, maybe ever, quiet point of characterisation in a sort of villainous or Beast love interest is his or her having a poet's soul... whether that is conscious or unconscious romantic meditation. It's like Kylo musing to Rey when he says 'You have that look in your eyes. From the forest. When you called me a monster' I love that sort of wistful observation, especially because it evokes such potent imagery ('when we fought together in the forest and then you marked yourself on my face'). Or more literally something like Ghoul citing a line of literature, even when none around except for Lucy would know what he's referencing, it's for his own arrestment and amusement, this is how he sees/interacts with the world

I guess in that way, it reveals something new about their perspective on the world, even when they're somebody seemingly cut off from it - monstrous, othered, repellent, ugly - when they're able to articulate a certain beauty which other characters may not remark upon. It's sort of covetous in that sense, but I think it also sort of helps explain what might interest them about a Beauty, after all, there's something they long for and value (spiritual, aesthetic, existential beauty).

I thought you might be able to relate 🥰

Oh, totally. And with Cooper and Ben, specifically, which is a parallel I hadn't actually noticed until you've just pointed it out, we're being shown their sensitivity as characters. Not in the sense of being considerate, but that they're aware and alert to beauty and meaning in the world despite currently occupying a narrative role which might make us think they're simply destructive or nihilistic figures. Despite the cynicism they're both ostensibly espousing.

Cooper quotes or alludes to literature practically constantly relative to how little he speaks, always knowing people almost certainly won't understand him, and that's especially fascinating because he didn't make those kinds of references in the flashbacks. We could take this in a whole direction about how he created the Ghoul as a character to shield himself from the things he had to do to survive and is living within a meta-narrative deconstructing the reactionary anti-hero who overtook the white hat sheriff he used to play in his movies. The anti-hero he never wanted to be. He makes allusions because his life has become a story he's telling himself to stay sane. He's his own wry Dickensian narrator making asides to an imagined audience about dramatic irony and social commentary.

And an important part of his presentation to others before the war was painting himself as not sophisticated. Just a cowboy and then just a guy who plays a cowboy in the movies. He wants nothing to do with politics either in an interpersonal or broader sense, and disclaims any pretensions to being savvy despite being in a very theoretically powerful position as a rich, connected major film star. I think he was genuinely naive, but I also think he often played dumb to avoid social conflict. He was complacent and his image helped him remain complacent. Obviously he was very willing to be confrontational when he saw wrong or injustice right in front of him (he goes after Bud Askins directly to his face about marines getting killed by shitty equipment, he challenges Moldaver when she calls him out), but pre-bombs he mostly uses his empathic perceptiveness and charisma to keep everyone around him happy.

In the wasteland we often see him doing the opposite and deliberately riling people up in order to gather information and assess or eliminate them as threats, but he's also only gotten better at disarming people when he wants to. As a handsome charming film star he pretended not to know anything, as a scary intimidating monster he pretends he knows everything.

What I'm curious about as far as all this goes is whether Cooper had a secret nerdy side and read all the classics as a teenager or perhaps while waiting between shots when he was working as a stuntman or whether he wanted to fit in when he started to make it in Hollywood so tried to become cultured before realising that wasn't what anyone wanted from him. Or if he just spent 200 years alone and read anything he could find as a way to cling to his humanity. We know he was at least a bit intellectually curious before the war, because of his reading and retaining some article about studies on torture.

But YES, him quoting poetry and being so interested and insightful about Lucy, specifically is a huge part of how he's framed as a romantic figure. And he's already by far the most romantic figure in the show. If it were solely about his tragedy, you'd think they would emphasise the contrast between his pre-fallen and post-fallen state by stripping him of his heroic trappings, but they don't. He's actually more romantic post-'curse'.

It also gets me because he's an extremely smart, socially adept person who doesn't let others see him for who he really is both consciously and unconsciously on multiple levels and that layers of identity shit is my crack. He was a profoundly honest person who thought he was simple, but actually he was a glorious maze of contradiction and complexity waiting to happen who is now a master manipulator.

[spaceorphan18]

The Lady Whistledown Papers : 1x08 After the Rain (Part 1)

Welcome back, Gentle Readers, to The Lady Whistledown Papers, where I’m taking an in-depth look at Penelope Featherington and Colin Bridgerton’s character arcs and romance within the show Bridgerton!

For previous issues, follow tag : The Lady Whistledown Papers

Last episode of Season 1 - let's do this!

Family Time

These big family scenes are some of my favorite - mostly because there's usually so much going on during them, and everyone gets a beat. Anthony's sulking (and throwing groundwork for Season 2); Gregory and Hyacinth are bantering, Benedict and Eloise are hyping up the Lady Whistledown plot, and Colin's in the background pouring over his maps, because after all the drama he is peacing outta there.

Violet enters exclaiming that Francesca will be returning (because it's the finale and we should try to have all 8 in the same room again). Colin snarks that she can update them on how great not being in London is. Glad to see Colin's continuing to add humor back in his life, but oh man is he ready to be anywhere but there.

Also, Violet recounts all the drama of the season from Daphne and Simon to Anthony and Siena, though she fascinatingly does not mention Marina.

Penelope and Marina

Meanwhile, back at the Featherington Estate, Penelope goes to check in on Marina. She is fine after her bout with the tea -- but now thinks she's magically cured herself of pregnancy. Ah, the medical information of the 19th century. Poor girl.

Penelope isn't so sure, but she really knows nothing about medicine anyway, so she kind of just lets it go.

Penelope then remarks that Marina caused 'quite a flutter'. And it's interesting - despite some of the friction that was caused between the two of them, I still believe that Penelope still likes Marina, in general, and while it's clear Marina is anxious to return home, I do think Penelope will miss her being around - she did add a little spice to their day.

I have to wonder, too, if Penelope does feels slight guilt for causing such a tizzy herself? But then, I don't think she does. I think she believes she did the right thing -- but still feels awkward about it with Marina.

Marina then apologies for the whole ordeal. And I do think she's sincere here. She did what she thought was best and in her own self interests to protect herself and an unborn child. And now that she thinks it's all over, she can go back to being her again.

Marina goes on to say that Penelope was right - that Colin is a good man with a good heart, and I mean -- the pride in Pen's eyes. She's almost bashful about it, but she's like - I know how good he is. I've seen it for years. Thank you for acknowledging that. It's a fascinating little look that isn't about her at all - but about someone else seeing what she does in him.

Marina then goes on to somewhat try to mend a cruelty. She doesn't have to say the next part, she could have left it at -- Colin is a good dude. But she makes it a point to acknowledge that not only is Penelope good to him, but that some day Colin will notice her. And, like, this is incredibly kind. Marina went out of her way to destroy all of Pen's hope for her own personal gain. And, maybe as an apology, or maybe as something she genuinely senses, she's restoring some of Pen's hope.

And, of course, this works as narrative foreshadowing. The show is taking a moment to say -- hey, the real love story is between these two idiots who are bumbling along on their road to each other. We're not there yet - but we're getting there. And I love that.

The scene ends with the arrival of Sir Phillip Crane, and this is where the narrative shifts. The story of Colin and Marina is done, and Marina is going to continue on with her own story into a new (and final) part. One in which Penelope really doesn't have anything to do - now that the Polin portion of the storyline is done (in relation to Marina).

Sir Phillip Crane

I really like how Penelope is kind of taking a caring and protective stance here. She and Marina are on the same side again, and while Penelope really doesn't have anything to do in this scene - she's poised as Marina's ally. She's holding Marina's hand, and has her back, and wants to make sure she's okay -- while also shooting Crane some very watchful looks.

Also, somewhat of an aside, since it isn't directly related to Penelope, we learn that George died on the battlefield, and Marina leaves -- and we get a genuinely emotional moment for Marina. And I think it helps frame her entire story, if you go back and watch it again. Marina encased her own feelings, her own heartache, her own heart. She did do everything she did out of self preservation, because she felt she was truly and utterly alone. And upon learning that George hadn't forsaken her -- she just breaks down and is able to grieve and it's a really powerful moment. I don't agree with Marina's choices, and I think it would have been a terrible thing if she and Colin had gotten married -- but I also understand her and her choices and I think she's a rather complicated character, too.

I do appreciate that this show does have more depth to it than just pretty people having sex on the stairs. There's a lot of emotional complexity in the Marina story line.

[This scene takes place six-ish minutes later, but I thought I'd lump it all together.]

Penelope is in the background here, so it gives me a minute to ponder about something... Phillip Crane is the male protagonist of book 5. Which is Eloise's book. And, I just wonder if this is really the show paying the long game here with Eloise's story? Or if they decided to just do something different? I have no idea! Marina dies from depression and attempts on her own life in the book -- and I would hate to see this character, whom we've grown to like meet that fate. Not to mention, show Eloise is sooo different than her book counterpart, it's hard to imagine her falling in love with this guy. It's all so weird. I really don't know what they're going to do with it.

Penelope has a couple of interesting reactions in this scene, however. The first being when Marina says that she cannot marry Crane because she does not love him. And Penelope is kind of nodding along in agreement here. Because she isn't there for her mother's assertion that you should just marry for the status and security of it. She does believe in love, and believes one should marry for that reason.

The other look, it's dark, and I can't quite get a read on it. But it's when Marina is telling Portia off -- stating that she's done with lies and deception and thinking that now that she's without a child she can be true to herself again. And I wonder if Penelope is somewhat envious of her gumption. How much would she like to stand up to her own mother but can't? But also - how much she feels she can't be her true self and has to use Lady Whistledown to express it? Idk what the intention of the look is supposed to be, but I do think it lends credence to the fact that Penelope is a deeply complex character, too, one whose motivations are not black or white, either.

And... that's where I'm stopping for now. :)

[ultfan]

sigh. was watching a let’s player go through komaeda’s FTEs and they said he was using his diagnosis as an excuse for his actions. “oh, i’m dying and insane so everything i do is justified” like — agH stfu!!! i’ll never claim komaeda’s actions to be good, and yeah i joke about his “insane”ness a lot, but at the end of the day you genuinely can’t hold him accountable. he is not in control of his facilities — FTD specifically targets your personality/behaviors — he is not in a right state of mind and is completely unaware he is in the wrong. he CANNOT COMPREHEND that. he’s just genuinely unable to!!! i’ll never claim he isn’t a bad person, or that he isn’t an antagonist, but at the end of the day he is someone who needs not help necessarily, but to be taken care of/looked after. he doesn’t belong in a prison, he belongs in a mental facility. where he can have trained professionals who can keep watch over him and actually work with him and keep him in check. — in any canon related verse he’ll never actually get that, esp given the state of the world, but it’s true that’s what he needs more than anything else.

and people really do tend to overlook just how much bvFTD truly fits komaeda as a diagnosis. especially in ways that aren’t touched upon by the vaaaaast majority of people. a while back i read a research paper about hyper-religiousity in patients with FTD; which could very easily be applied to the way he views hope. first clinging to it as a coping mechanism and that being exaggerated through the deterioration to become a blind faith that he is obsessed over which leads every action he takes.

anyway i just think it’s ridiculous to call a disease like FTD an “excuse.” there are people who use their mental illness as excuses for their actions to justify themselves, yes. but this isn’t a mental illness — it’s a degenerative brain disease. it’s an entirely different category. this isn’t a case of an illness making it difficult to control his actions and act reasonably, it’s a case of a disease making it IMPOSSIBLE to control his actions and act reasonably. it just really upsets me to see people brush that off because that is one of the main things that makes komaeda actually sympathetic.

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

[First] Prev <–-> Next

[petrichormore]

Bad is such such SUCH a good father but his self-sacrificial nature has definitely rubbed off on his children and it’s fascinating to see him struggle with that.

Bad, about Pomme being willing to die for Richarlyson: “I understand the sentiment because I would sacrifice myself for any of you. But you shouldn’t do it unless- Uh. It shouldn’t be something you rush into. (Reading Pomme’s sign) ‘Only when I have no choice’ … Okay… I’ll just make sure you never get the opportunity then.”

This is one of the most fascinating lines from q!Bad tonight in my opinion because you can literally hear him realize, in REAL TIME, how unhealthy his mindset is once it’s applied to anyone other than himself. He hears his own voice out of the mouths of his children and he hates it - but in trying to dissuade them, he stutters, because he still doesn’t think it’s wrong. He starts to tell Pomme “you shouldn’t do it unless-” and then cuts himself off because he doesn’t want Pomme to sacrifice herself at all, actually. Buuuuut he still believes self-sacrificial behavior is okay and so he can’t actually say “never sacrifice yourself.”

So instead he has to say “it shouldn’t be the first option” and Pomme replies with “only if I have no choice” which he clearly doesn’t like either but what can he say? ‘No, that’s wrong too’?

No. He can’t say that. Because if he’s teaching his kids that sacrificing themselves is never worth it and will hurt the people around them, then what does that mean for him?

So he just accepts it and settles for “Oh but I’ll make sure you never have to make that choice” which is obviously NOT the correct response to your child telling you they’re willing to die for any reason… but he can’t quite make himself say anything else, or he risks having to seriously re-evaluate the value of his own life. The flippant way in which he treats his health and safety in comparison to others has influenced his kids negatively, whether he likes it or not.

[jays-doodle-spool]

i have quite literally never been endeared by a protagonist so quickly

this was supposed to be a quick doodle but i just kept going

[natasha-in-space]

So I'm replaying Ray's After ending rn, and it got me thinking that what I adore so much about Rika as an antagonist is just how damn scary she can be. I always found those who cause harm with good intentions (at least in their point of view) much scarier than those who hurt you with pure intention on hurting you. I think the best example of it is this CG in particular:

Look at that. Such a loving, gentle expression on her face. Probably kissing his forehead. Because she loves him. Heck, without any context, this CG looks even sweet, if you think about it. And yet, all that is while Saeyoung is forcefully sedated on a powerful concoction of drugs even a trained agent like him can't do anything about (and Saeyoung WAS definitely trained to deal with this sort of thing, hence it's mentioned that this is a 'special' kind of drugs). He looks miserable. Bags under his eyes, his expression pained and troubled, even his hair is paler than usual. All that as a direct result of her actions. But she's utterly blind to it. What's scarier, is that she knowingly shuts off her understanding of what's really happening. She's not oblivious to it at all. She just chooses not to see it that way. Simply because she doesn't want to.

Rika is the type of antagonist that will cup your cheek into her warm hand with the most loving of smiles on her face, all while you are getting elixir poured down your throat. Even whispering to you that you're doing great, that the pain will soon pass, and that she can't wait to see you reach the happiness she knows you deserve. I won't be surprised if she even cried genuine tears of compassion during some ceremonies for her believers. All while being the sole reason behind their suffering.

And that's... God, that's terrifying to me. I love that about her.

Rika Kim, they could never make me hate you

[redbean-nom]

haven't been able to watch the new bad batch episode yet but it would be really funny if they get to tantiss and run into cody. he's not a prisoner, he's just breaking someone else out for entirely different reasons.

[lady-tortilla-chip]

One of my favorite scenes in ep 6 is when Hob is telling Dream how much he’s lost in the last 100 years. From his wealth and social standing to his wife and children. How he made missteps and was branded a witch and was drowned. The reason why is of course in part because regardless Hob stays committed to his belief and love of life, but also because Dream is moved in that scene. He’s moved by Hob’s grief and then further moved by his resilience. It’s so lovely to me how much Dream wants him to continue loving life too. And when he thinks that perhaps the world has broken Hob too, he looks ready to cry on his behalf.

I also appreciate the interaction because typically the ageless being has to hype up the character who initially is written to be naively certain of their ideas about life and it’s worth; but that’s not what happens here. Hob isn’t driven by someone else’s assurance that life is good, he’s driven completely by his own. Even through all his grief and loss and even torture of his flesh he accepts it and he lives. Because he just fucking loves living.

[electrozeistyking]

Turgid Passion Play