#he’s there too! and he’s important!

[iron-touch]

"But the world’s an ugly place. Buttering up the truth with ideas of fate, like we’re all pulled in by gravity to some predetermined result no matter what we do, doesn’t make it any better."

Read Iron Touch, a JoJo fanpart starring Polnareff’s daughter, Michelle, after Passione’s Stand arrow is stolen.

Official synopsis and the start of Chapter 1 below the cut:

Official synopsis:

May 19th, 2009: the unthinkable has happened—Passione's prized Stand arrow has been stolen. The perpetrators appear to be a group of unidentified Stand users hiding their faces behind masquerade masks. Giorno suspects who one of the thieves may be, and it's the last person Polnareff wanted to get involved.

Or, in which Polnareff’s daughter goes on her own wacky quest and learns some self-love along the way. Hol Horse is there too, though he'd really rather not be.

Chapter 1: Revelations

Giorno had always considered himself to be a fairly competent man.

To most people, competent was an understatement; a blatant example of unwarranted modesty. From the members of Passione who had witnessed his growth as a leader firsthand to the rival gangs across the globe he had crushed underfoot to the kind old ladies he always offered help to, competent didn’t even come close to expressing Giorno’s natural ability to adapt to and overcome any obstacle that stood in his way. Even before having been blessed by the power of Requiem and thrust into the position of mafia boss at the ripe old age of 15, everyone had considered him to be wise beyond his years, complimented by street smarts and a silver tongue. Yes, competent was usually a perfectly acceptable way to describe Giorno Giovanna.

So it only made moments like this, where Giorno felt so completely incompetent, all the more embarrassing.

He still had a hard time believing that such a thing had happened right under his nose. A childish part of him prayed that none of this was real, that it was a nightmare or some kind of twisted joke set up by Mista as vengeance for putting him in a team of four on his last mission. The embarrassment of being so incompetent was already bad enough, but the potential ramifications for this one error were far more daunting.

Someone had stolen the arrow.

An uncomfortable, almost itchy feeling coursed through Giorno's body at the thought, like a snake slithering up his back and threatening to bite his neck. He fluffed the pillow behind him, swatting at it. This was wrong. It was all wrong. The room inside Coco Jumbo was supposed to be a place of cozy isolation, a place where he could relax and decompress between missions, not a place for him to have a borderline panic attack in. He hadn't felt this way since he was a child, hiding under his bead from his stepfather's screeching threats and leather belt. Although, no amount of privacy could spare him from the shame he felt. Nor should it, the arrow was Giorno's responsibility after all. It was his duty to get it back.

Besides, he wasn't completely alone.

Whilst Giorno sat on the couch fluffing pillows, Polnareff paced around the room's exterior. The cheap prosthetic legs that adorned his stumps never failed to catch Giorno's eye. It just looked strange for him to be walking around on them, like they ought to give out under the weight of the rest of his body. In lieu of the usual cheeky "my eyes are up here" response Giorno usually got for staring, he only got the faint sound of his footsteps clanging against the floor. Slight as it may be, the metallic sound of each step made Giorno's stomach turn. If only I got there sooner, he thought, if only I had gotten to the colosseum before Diavolo that night, I might've been able to restore your legs. If only I had got there sooner, you might still be alive and not chained to this room.

Even through his unkempt hair, wrinkled suit, and heavy bags that weighed his eyelids down, Giorno admitted that Polnareff undoubtedly looked worse than he did. All of his frustration was laid bare on his face; his brows arched upwards, eyes unfocused yet brimming with inner conflict as he surveyed the room, the occasional vexed sigh escaping his lips. Considering everything that Polnareff did in order to keep the arrow away from those who would misuse it, his reaction was justified. Additionally, when considering other recent revelations, Giorno figured that he would be just as distressed as Polnareff were he in his prosthetics. Tired of pacing around the same four corners, the Frenchman flumped into one of the armchairs and laid his head in his hands.

"Would you like to go over everything again?" Giorno asked mostly because the useless silence between them tired him. "Now that we've had the chance to sleep on it, we may discover something we had overlooked before."

After taking a deep breath to steel himself, Polnareff lowered his arms but did not look up to meet Giorno's gaze. "That sounds like a good idea," he responded.

Nodding in approval, Giorno began to sort through the mess of documents laying on the coffee table. The regretful, lingering stare Polnareff kept on two of the papers that had been brushed to the side did not go unnoticed as Giorno attempted to line up all of the relevant files in front of them.

“So,” Giorno began, “Tuesday, May 19th, 2009.” He shook away the self-reproach clawing through his thoughts. It had already been three days. “At 3:47 AM, a suspicious man was seen loitering outside of our base of operation. Tall, pale skin, mint green hair. Armed with a Desert Eagle.” In one of the images taken from the security footage, the man sneered at the camera, cigarette clenched between his pearly whites. Giorno couldn’t help but scowl his cheekiness. “He stayed outside the building, standing at the corner of the sidewalk by himself for eight minutes. At 3:55, two other individuals joined him, both wearing dark blue masquerade masks and hooded robes. Both are shorter than the other man, but given how tall he is, that doesn’t narrow anything down.”

He slumped back into the sofa. “It bothers me that only two of them made an attempt to disguise themselves,” he commented, “The fact that he got there first seems to suggest that he’s either their leader or a decoy. Given what ended up happening, I’d say it’s the latter, but,” Giorno glared at the knowing look that the man had flashed at the camera, “I have my doubts.”

He looked up at Polnareff, waiting for his consigliere to give his thoughts. About six seconds of silence passed before Giorno cleared his throat to summon Polnareff’s attention away from the stray documents. It took another moment or so after that for him to register that Giorno expected his input, after which he sat up a bit straighter and finally let his eyes scan over the other papers.

“He could’ve just been full of himself,” Polnareff added, his stare wandering back to those same two papers, “not every man is as committed to keeping themselves hidden as Diavolo was.”

“But you would think that he would at least be someone we knew if that were the case,” Giorno rebutted, “like someone from a rival gang or someone with the government. If he was someone new who wanted to make himself known, he did a laughably poor job.” Giorno grabbed an autopsy report from the table. “We have this man’s corpse but not so much as his name.”

Polnareff sighed. “That is also true,” he said, his voice tired.

“Either way, I had Sheila E use her Stand on the street corner the three of them waited at, as well as the rest of the area to see if they talked about anything. Unfortunately, it seems that they were prepared for that.” Giorno rested his thumb and pointer finger on his chin, deep in thought. “That alone is enough to raise suspicion. And, along with the fact that they knew exactly where the arrow was hidden, then as much as I hate to say it, at least one of the perpetrators could be someone from within Passione.” The very thought of a traitor within their ranks brought about a suffocating tension to the room. Giorno could practically hear Diavolo’s mad laughter ringing in his ears; how ironic that both of them would be undone by one of their underlings.

“We shouldn't forget that we've taken precautions in order to make sure that’s not the case.” At this point, Giorno was all but talking to himself. “It could just be that whoever we’re dealing with is very cautious. Even within Passione, most of our members don’t know the Stands of those outside their own teams. Sheila and her teammates are my bodyguards, if I can trust anyone, it’s them.” He hoped so at least, especially given that Giorno had left Mista in charge of affairs in his absence. “Their alibis are also—”

A sudden bump in the road caused the room to jolt. The papers on the table scattered on impact, turning the organized mess into a more standard one. Shaken from his trance, Polnareff nearly jumped out of his own ethereal skin from the unexpected force. Giorno sighed and began to reorganize the papers. After taking a moment to gather his bearings, Polnareff assisted him.

"Giorno," he said, putting some papers back in their folder for known suspects, "I understand we're traveling incognito, but we really should consider taking more comfortable means of transport in the future."

Giorno laid the timeline out once again and grabbed the basket of fruit that sat on the end table. "This was the best I could get for us under such short notice." He began to lay out the fruit on top of the papers, giving them extra weight to pin them in place. "I don't need to tell you that traveling via plane in these types of situations is a bad idea."

Polnareff observed Giorno take the two papers that called for his gaze and place them in his coat pocket.

Before he could interject, Giorno continued speaking. "Now then," he said, brushing some stray curls behind his ear, "at 4 AM sharp, our building lost power. Our security cameras, smoke detectors, laser grids…all of it shut down. We were the only building in the area to experience a power outage. Sometime soon after, the thieves blew a hole through the side of the building, about two meters tall and two meters wide, and broke in. Shards of glass were found near the scene even though all of our windows remained intact through the ordeal."

Giorno returned his attention back to the timeline. "From this point on the details are a little fuzzy, but we do know a few things for certain." He removed the apple weighing down the stack of autopsy reports, simultaneously taking the papers and a bite from the apple. "Eleven of the twelve guards on duty were killed via electrocution. The only guard who survived, his name was Mente Vettore, shot the green haired man four times in the head, just outside the hidden room where we keep the arrow. He died on the spot and never even removed his gun from his holster."

He took another bite of the apple. "Vettore fired two more shots, hitting the wall and a chair, but he didn't seem to hit the other two assailants. He would've had four more shots left, but there’s no evidence to suggest he fired any more bullets. Around the same time, another hole was blown in the wall, revealing our hidden vault. Just like with the other hole, shards of broken glass were found by the impact. The vault we kept the arrow stored in was also destroyed. At 4:15, the power came back on, and the two masked assailants were already long gone. Vettore has also gone missing. We arrived at the scene ten minutes later."

Giorno picked up the profiles of the two masked assailants they had drafted up. "From what I can tell, the power outage must've been caused by a Stand. That same Stand is probably what electrocuted the guards. My guess is that it's a Stand with the ability to steal electricity, store it, then channel it somehow. I don't think it's what blew holes in the walls though. I think a different Stand did that, and it's likely linked to the broken glass in some way." He placed the profiles down and retrieved an autopsy report. "Interestingly enough, the man with green hair doesn't seem to be a Stand user. We couldn't gleam anything else of note from his autopsy. His fingerprints have been sanded off, his blood and face don't match up with any on record, we couldn't even discern where his clothes are from."

Trading the autopsy report for a mission log, he choked down yet another bite of the apple. “I had Murolo send All Along Watchtower out for reconnaissance. He spotted the arrow yesterday just outside of Orléans, carried by another masked individual. We don't know if they're one of the thieves or someone else. They were headed north towards Paris, which is where we’re on our way to now.”

Taking a final bite of his apple, Giorno looked up to his consigliere. "So," he said, "do you have anything to add, Polnareff?"

He took a moment to examine the mess of papers, reorienting himself so he faced them head on as he ran a hand through his column of silver hair. Polnareff still seemed unfocused, perhaps even more so than before, though Giorno noticed that he made an obvious effort to hide it.

"We should've kept the arrow in the turtle," Polnareff quipped.

Giorno shook his head. "It would've been a bad idea to keep it here. It was starting to affect the turtle. We wouldn't have felt those tremors earlier if we had never put the arrow in here. This would've been the perfect hiding place for the arrow, but it's not worth risking sacrificing you over."

Staring at the ceiling, Polnareff groaned with uncertainty. "I guess," he muttered.

For a while, the two of them just stayed like that, with Polnareff's sights fixated upwards and Giorno looking back at him with concern. Only the faint sound of the engine and the occasional cluck of a chicken bleeding into the room from outside accompanied them. Though he normally strived for this quiet, almost contemplative atmosphere, Giorno figured it wouldn’t do to leave off the conversation like this. It was time to address the elephant in the room.

"There's also the subject of your family…"

Polnareff instantly locked eyes with Giorno, ready and alert. Chuckling at his immediate shift in attitude, Giorno pulled the two papers from his coat pocket, reading the names at the top.

MARYLOU POLNAREFF, NÉE DELON (DECEASED)

MICHELLE POLNAREFF (AGE 17, STATUS UNKNOWN)

"I can't believe you hid the fact that you have a wife and daughter for eight years," Giorno commented, shaking his head in disbelief.

(Alright, that’s enough from me. Now go read the rest on AO3)

[wanologic]

reminder to take care of your loser human body

[emberglowfox]

birds of a feather

[greykolla-art]

“I’m a SHARK-” said Alastor the deer demon, “because it’s a good metaphor!’

(NO I will not do a part 2!💕)

[wearenotjustnumbers2]

This child in gaza is screaming:

"I wish it was a dream. Oh, mom and dad. I wish it was a dream and my mom and dad are still alive" after being rescued from underneath the rubble to find his parents killed by Israel.

Share this, we are not numbers. Let our voices be heard in hopes that this stops.

[rooolt]

deeply important aspect of riz gukgak’s character to me is that he’s quite a bit deranged. Brings a gun to school, shoots an unconscious man point blank in the head just so he won’t wake up, tortures a kid by shooting off three of his fucking fingers, threatens to bite Dayne’s eye out of his head as revenge for Fabian, literally eats Kalvaxus, consistently hissing throughout sophomore year, and of course “make sure to cut off his head so he can’t be revivified”

[poorly-drawn-mdzs]

Soup solves everything.

[ambrosiagourmet]

I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.

This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.

But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.

Or this little bit from one of the flashbacks:

This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.

And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.

Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.

Like him needing to leave. And leaving her behind.

He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.

She was 9 when he left for school, and he was 11.

Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.

Both of these kids deserved so much better from the world.

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[aalghul]

Jason canonically looking very similar to Dick is something so precious to me

[srslyarts]

#CECILSWEEP

[littlelightfish]

He cares very much about his elemental just look at this man

He raised this bubble monster since it was a baby and worries about her getting mixed with other water things... Dad behaviour...

It's like he asks her to come out to fight.

He can't ask her that, he alredy sent her to battle. Is it either them or the quimera and he knows it damn well, that's why he looks at Marcille with something close to pity. He can't ask the undine to stop. He needs, they all need, the monster to be dead.

And then his baby droplet gets obliterated by this monster. He's not recovering up emotionally from this anytime soon. He freezes a few seconds in absolute shock.

"I even find it cute now". His baby is dead. It's gotta be something akin to adopt a stray cat since baby and then he gets run over. He starts tearing up. Look at this man's poor face, he's destroyed.

Here he's mourning the loss of his undine possibly, all sad faced. He is, at the end, the only one that lost someone there (many died but revived, and Falin doesnt count because she's alive). Either that or he managed to, somehow, save a bit of her and put it on the bottle and it's feeling sorry for his elemental or saying sorry.

[bunnieswithknives]

As much as I love angst I think it would be funny if he just didnt give af

[wearenotjustnumbers2]

This baby remained under the rubble for six hours. Read it again. By some miracle, he survived and he was rescued. But his mother who was holding him didn't. He looks like he's in shock, you can see tears coming out of his eyes but no expression or any sound to indicate his pain.

We are not numbers. Make an effort to end this.

[maybe-a-gatto-or-a-catto]

hold on I'll make this my personality for 3 months

[turtleblogatlast]

One of my favorite headcanons is that Leo grew up watching telenovelas with Splinter.

It just works so well - his bits of Spanish that he spouts randomly, his showy way of apologizing, and, of course, his love for dramatic betrayals all point to this being a very real possibility.

Plus, it’s very cute to imagine a tiny Leo at his father’s side as they both gasp in shock when the show’s eighth plot twist in just as many episodes happens.