#he's literally the redemption story ever

[martianbugsbunny]

I feel I must present a formal apology for forgetting to put Ebenezer Scrooge on my list of redemption stories that make me the happiest. It was truly wrong of me to leave him off the list and I will not make that mistake again.

[sqlmn]

Art I did during my break but don't wanna post on main but you know what. I like Levi and Richard (and Arienne the redhead).

Basically, Levi and Richard go to school together, Richard decides to go by the name Richard and the only person to without question go along with "I'm a boy now" is Levi who calls him Dick. And then gets into fist fights with boys that don't call him Richard. So Richard falls pretty much in love in school then his parents divorce and he moves away.

Many years later (10+) Richard meets Levi again and it's very much nothing grand. Levi overhears Richard introducing himself to someone and is like "lmao Dick? You work here now? Sucks to be you" and Richard is immediately 'I love him so much I hate myself for how easily I give up all dignity for him' but yeah. They work in different departments so Levi does more behind the scenes stuff while Richard talks to clients and is very social.

And their coworkers in both departments love Richard because he's such a nice guy and Levi's department hates Levi a lot cause he's an asshole. (then stuff happens that would require a tw blah blah blah) So after a month of Levi not being at work he returns and Richard immediately goes over to the department to check on him and he's just. Incredibly mellow. No cussing and no cockiness and worst of all, he's being called Richard which is very much not correct from Levi. So he points it out that no one else calls him Dick and if he had a problem with it he would have said something by now so hey, maybe don't suddenly change the entire friendship on your own. (So Levi texts him later to say "sorry for being a dick, Dick" and Richard is v happy and content with that turn out)

Richard is honestly tragically created out of spite for the fact I saw a name IRL and I know that the state that I live in would in fact NOT have someone that intentionally funny and trans so I have to make my own funny trans guy to fill the void.

[doctorweebmd]

it’s okay guys I talked to Horikoshi and he said he’d never do this to me so we good

[lord-squiggletits]

Something I keep seeing when I speak to others about MTMTE Megatron is basically the idea that he's going on a personal journey to become a better person, that the point isn't for him to be "redeemed" but for him to get a chance to do good and die as a person he can live with again. That MTMTE presents a unique take on this because being away from Cybertron gives Megatron a chance to be a person rather than a political figure and this is how it gives him more depth as a character. Or just generally pointing out in a narrative sense that Megatron being in MTMTE limits his story options so of course his story is going to be more focused on a personal journey than on politics of him dealing with the Decepticons/Earth/etc and that just because JRO made a choice to take that path with Megatron doesn't mean that it's inherently bad.

And I'm just, mmm like I understand all of those points and acknowledge that they all contributed to the MTMTE Megatron we got. I even think that without JRO writing Megatron we wouldn't have had his lore be as fleshed out and 3D as it ended up becoming.

(Post starts out as a sort of meta analysis or at least me giving a reasoned explanation for my interpretation of the story, ends up being petty bitching in the last 1-2 paragraphs)

I just..... I just personally don't agree with the "he's becoming a better person by getting a chance to relax and experience happiness and trust after a life of trauma" as being the best choice for his character? Because the problem is that maybe if he were a random Decepticon foot soldier that would be appropriate, but he was literally the leader of the Decepticons that made them Like That and has political/cultural/societal responsibility for why things are the way they are? To be completely frank, I don't care about him going on a personal journey for self-peace, I think that he should become a better person by helping to un-fuck all the things he actually screwed up???

Like idc about the debate of whether he can be "redeemed" or if he should've been killed/imprisoned/etc at the ending. It just comes down to the fact that for me personally, I feel that since Megatron's wrongdoings were at a social level, him "being a better person" would've been better shown by him engaging with those people who he wronged instead of just going on a frigging personal journey for his legacy and self-peace???

Especially since in other series (exRID, possibly Windblade) we literally got plots like "the neutrals hate Autobots but they hate Decepticons even more" and "the Decepticons have been taken over by Galvatron and are now invading earth 2 electric boogaloo" and "yeah the Decepticons are literally living in slums because people hate them so much and won't give them any work." It just leaves me wondering why in the hell people are like, "oh Megatron got to be happy and have a chance to be a normal person." I don't want him to be normal! I want him to repay his debts to the people he actually wronged! Like if you want to cast Megatron as a hero of the people so badly (which so many of his stans do as if he actually cared about the Cons) then how do you reconcile the fact that Megatron just fucked off and left the Decepticons to suffer on Cybertron? Including some of them attacking during his trial and getting killed and Megatron is basically like "sorry, I'm not coming with you and this isn't going to work." And then Megatron complains about "toxic Decepticon loyalty" as if he didn't literally make them that way? Like I get that MTMTE Megatron is still an asshole but if you've read something besides MTMTE and know what the Decepticons are going through, it just ends up being really grating.

I just don't see Megatron as being a particularly good hero or having a particularly fulfilling story if he's completely isolated from all the bad things he did on Cybertron/the way the Decepticons are suffering until LL#25 where it's like "ah damn I'm going to trial now, well this is what I deserve so it's fine." Why could we not have seen something like Megatron trying to deradicalize the Decepticons or change their public image so they could integrate into normal Cybertron again? They were living in SLUMS and getting gunned down by Starscream's badgeless enforcers!

The best we got was the Functionist Universe but like.... I'm sorry, but JRO inventing a whole alternate universe for Megatron to save doesn't do jack shit to save or fix the people he left behind in this one. It was especially grating to read because JRO literally wrote in someone saying "you saved billions of lives from the Functionists" as if he was trying really hard to show how good Megatron is because he saved people (and also if not for Megatron existing Cybertron would be even worse and half of your faves would be enslaved or dead, also the Functionist Council was going to genocide organics too so technically they're WORSE than Megatron since they hate organics AND want to enslave their own race).

I read Barber's, JRO's, and MScott's series concurrently using the omnibus + a release order list for phase 3, and after all that I'm kind of puzzled why the fandom seems to ardently love MTMTE Megatron and think he's so well written but then also shit on Optimus for things that he did during the same points in the story? Because, and I know this is a blazing hot take, I honestly think that Optimus makes a better hero of his story than Megatron does for his, and Optimus' personal journey combines his personal and political identities into a narrative that's a lot more gruelling and questioning of his goodness than we got for Megatron in MTMTE. Which is fucking saying something considering Megatron committed crimes against sapient species and Optimus is the guy who tried to stop him from doing that and has always been pro-equal rights for all beings. But people pretty much just cherrypick things like Optimus annexing Earth or beating up Prowl and go "he's bad" and I'm like no??? IDW OP isn't a bad person or a bad character??? It's just that unlike MTMTE Megatron he's placed in a narrative that actually suits the nature of his actions and has themes that match. To the point that IMO sometimes Barber's narrative shits on Optimus excessively or paints him mainly in the most unflattering ways.

But like. It's just funny to me because Optimus spent his entire part of the story doing things like trying to stop Earth from being invaded/colonized yet again. Grappling with his identity as Prime and dealing with the fact that people literally worship him vs. the fact that his upbringing made him see the Primacy as nothing more than a facade of authority/leadership. Having people get mad at him for prioritizing politics over friendship/relationships with other people. Even getting shit on for being a cop a decent amount so people can STFU about IDW OP being "copaganda" or "not held responsible for his actions". The problems that Optimus dealt with were personal because they had to do with his self-doubt, culpability for the war as a leader of one of the armies, distance from his soldiers, etc. But all of these are also POLITICAL struggles. Because Optimus gave up on the chance to just be a normal person having personal struggles when he chose to become a LEADER, which also means that he's held to extremely high standards that he regularly fails at in the eyes of others.

That's why, to me, MTMTE Megatron falls flat in comparison and really as a "hero" or heel-face character in general? Because he also made a decision to be a leader, and IMO once you do things like become the commander of an army and start your own galactic empire, you lose the right to prioritize your personal problems and instead are obligated by the power you've chosen to wield to focus on your POLITICAL problems. If Megatron's power, influence, and crimes are of a social-political nature, then his heel-face turn arc and ways of showing that he's a better person/helping to heal what little damage he possibly can should have been shown with actions that help on a social-political LEVEL. That's why I'm not particularly impressed with his character arc and feel as if it was overhyped by other people in this fandom: sure, the extra character depth and emotion is nice, but I'm not really going to see him as extraordinary or even particularly good when the extent of him "becoming a better person" happens entirely on a random road trip to fuck-off nowhere. Especially not when the ending of LL tried to sell me a "they lived happily ever after" ending while basically leaving the freaking MUTINY as just Rodimus going "oh it's okay you're forgiven, we're all together again" and I guess everyone was fine with Megatron and wanted to spend an eternity on a ship with him just because Getaway died.

This is why I like (the concept/themes of) exRID/OP and the way Optimus' character arc was handled a lot more. Because for Optimus, the personal and the political were as one. He was held accountable for his actions towards others and the disruptive effects they had on a social level, sometimes to a ridiculous extent (the fucking "oh Megatron is an Autobot so now that makes the Autobots colonizers" plot and that stupid colonist screaming about how Optimus is "literally fascist" my beloathed). Even his very personal issues like his relationship with Zeta were still cast in a wider lens of, yeah this is a personal struggle that Orion faced, but he was still part of a Society TM and his actions were sometimes ill-informed or harmful to others. Even if I had a lot of problems with the way Optimus' story was written by Barber (plot holes, little meaningful character interaction, forced conflicts), at least the BASELINE of it was way better than Megatron's in MTMTE. Especially since Optimus' struggle was explictly about things like struggling with responsibility and how he feels he HAS to intervene in political affairs because has to save people/make up for his past mistakes. That's something that a good leader/good person actually does, so I found Optimus to be a better hero (even if his actions weren't all "good") because he was trying to be a good person by actually getting involved with Cybertron/Earth and subjecting himself to something he hates (leadership, war) and dealing with a shitload of criticism instead of just going on a fuckin "personal journey" lksdlkfsd.

Which just makes me extra salty that people hold up MTMTE Megatron as the pinnacle of Megatrons and literally the best Transformers writing evar! while turning up their nose and ignoring or outright despising IDW Optimus. Like okay. I guess since Megatron got handled with silk gloves on while Optimus got put through the wringer of being shit on by every other person in the story, it's easier for you to pretend that Megatron is a poor uwu boy who just needs friendship and love while Optimus is literally the worst bastard to ever exist. Or maybe it's just that since Optimus' story involves him sometimes fucking up, being criticized, or making things worse, that makes him morally bad. As opposed to Megatron who disrupted a lot of other characters' stories in MTMTE, had to have an entire alternate universe invented so that he could "save lives," and got to sail off on a quantum Lost Light happily ever after, so since he's happy and the story says he saved people that means he's a good hero.

[jasontoddenthusiastt]

Absolutely hysterical (the implication that Jason ever perceived Damian as such an irredeemable and dangerous threat to the Gotham population the way any of the rogues or drug kingpins are, and that Jason would’ve tried to kill him following this reasoning).

[vaugarde]

king dedede @ magolor after arriving on halcandra

[pocketbelt]

they announced one of the main writers for FFXIV: Dawntrail is the one who wrote the Shadowbringers trial series, "Sorrow of Werlyt", and the amount of people going "ew no that's the one that redeems Gaius" drives me kind of insane

That storyline takes Gaius and says "Behold this idiot, watch and be stunned as everything he ever said to anyone turned out to be fucking obviously wrong. Watch as the fascist imperialist philosophy he ingrained into his beloved children makes them run to their deaths, even as he pleads them not to, and they tell him to fuck himself and do it anyway. Marvel as he watches them die by your hand, you, who destroyed Gaius himself at the peak of his life, and he can do nothing to stop it", and that's a redemption arc to people

The only surviving kid only makes it because her brother acts to protect her, she doesn't make it because of any act of Gaius'

The entire story is literally "In case you somehow missed it in ARR and most of Stormblood, everything Gaius believed in was horseshit and there's no such thing as a 'noble general in the evil empire'". All his meritocracy bullshit vanished the second he was gone, no-one but his own children believed it or held onto it, and the empire put someone directly opposed to that belief into his old seat when he vanished. No-one cared, no-one else "believed", the Empire was never about that, it was only propped up in his own singular legion by him being there and the second he was gone the legion dumped it and moved on and only Gaius was too naive and stupid to see it.

I mean for fuck sake, the Empire digs up the chemical gas weapon he explicitly had sealed away and destroyed all record of after he's gone and if it wasn't for a particularly dedicated and enterprising catboy and his comedy crew of hardcore engineers, it would have caused the eighth apocalypse

Even the follow-up in patch 6.4, of the family portrait, isn't some "aw he good now" thing. The family portrait you help organise for him has to have four of its six members be projected onto the scene via a machine's reconstruction of them as normal people because they're dead, they threw their lives away because the ideology Gaius taught them meant they could only think to die fighting and nothing else. That's his loving family portrait: four ghosts stood at his back as his last living child smiles through her pain.

"well the people of Werlyt didn't kill him for conquering them" they let him clean up the mess he made (which meant watching his children be killed) and as "thanks" they're letting him stay there to live out the last third of his life or so attempting to atone by fixing the damage he did.

He's 56 at the time of ARR; the Empire he gave 3-4 decades of his life to is gone, it's a smouldering ruin, all but one of the people he loved is dead, his surviving daughter is scarred by the path he led her down, and what few friends he had are also dead. He learned that his beliefs were all horseshit and pretty much everyone around him except for himself knew it, he must live knowing that those beliefs got his children killed, all that he achieved that he once considered "good" was for nothing, he learned that the cool old emperor he idolised who had no magic but built an empire by pulling up his bootstraps and who told him that magic and gods were bad was actually an ancient incredibly magical sorceror attempting to resurrect his own god.

That's not a redemption arc, he's the most owned man still alive in XIV

[al1fers-haven]

Almost Instinctual

Alastor x pregnant!reader

‼️pregnant reader, pregnancy in general, overprotective Alastor, a bit of angst, secret pregnancy‼️

Prompt: In where you, y/n, go to the Hazbin hotel for shelter after splitting up with your previous boyfriend. And try and keep your pregnancy a secret until you find a better solution.

Part 1 (you’re here!), part 2

(I am lazy and am writing this like it’s a bunch of facts and writing specific scenes…I might rewrite when I get my laptop.)

(8 weeks/2 months)

You and your boyfriend had split up about a week ago, afraid you’ll run out of money eventually you decided that instead of staying at a creepy motel with no locks, you’d move to a free-helpful option.

Of course you felt a little bad for abusing the owners kindness, using the Hazbin hotel not for redemption, but instead for shelter and food.

Charlie had welcomed you in with open arms (literally, she squeezed you pretty hard.) and even introduced you to everyone except for two who were out running around hell.

Alastor was explained to you as a creepy, tall deer man who may sound rude but has good intentions.

And Charlie explained angeldust as a ‘work in progress’ and told her a couple stories instead of describing him.

Charlie offered you the job of receptionist, claiming that husker wasn’t exactly good with the socializing aspect of it and you happily accepted. Eyes beaming at the opportunity for a job right infront of you.

(12 weeks/3 months)

You were happily greeted with nausea every morning. The morning sickness now starting to affect you more than ever, you haven’t exactly told anyone about your pregnancy and were hoping to be out of the hotel by the time you started showing.

Now working at the hotel for a bit, you noticed that probably wasn’t going to happen anytime soon.

“Are you alright y/n?” Charlie peaked her head into the bathroom; a small frown on her face as you heaved a bit, nodding.

“Yup- I’m just dandy..! Mind getting me a wet towel or something love? I think I ate something bad yesterday…” Charlie let out a little gasp and nodded, running off to god knows where just to get that little thing for you.

You had actually started to get to know the patrons of the hotel more, for example. You learned angeldust was actually the pornstar you had heard about all over social media. And he adored three things.

Making people uncomfortable.

Cocaine.

And candy crush.

Husk had given you a couple of sickness remedies, saying that they would help with stomach bugs. All natural just incase you were allergic and you slowly started to warm up to him.

Charlie and vaggie had grown to be very special to you now. Their opposite personalities absolutely making you giggle everytime you hung out with them or went out for groceries.

Now, Alastor was an odd fellow. He was a bit younger than you since you were hellbotn and all but he seemed to act older than you. Calling you things like ‘dear’, ‘Cher’, or Mon biche.

Mon biche was the most common one, and after looking it up. You realized he was calling you my doe, or just doe 90% of the time.

He definetly knew. Not letting you eat any form of ‘raw meat’ that would go on your plate and even specially making drinks for you so you felt like you could participate in drinking games without suspicion.

Overall, he was a total kitten. A bit emotionally stunted in areas of course..but he never failed to brighten the room.

(Unless he was threatening someone.)

(17 weeks/3.2 months)

You started showing, not visibly with clothing on but you were still showing when you sat down.

Your closet changed a bit, from nice outfits to usually a dress you had gotten or some high waisted sweats, trying to be as comfortable as possible in your state.

Alastor had been…odd.

He had started to let you grab his arm when going up or down the stairs, which usually during conversations he’d just stand at the bottom waiting. And he now seemed like he was constantly watching you.

Husker had done the same. The two animal demons in the hotel knowing because of a certain change in smell, it wasn’t like you didn’t know it was going to happen.

Husker had promoted for just leaving you alone and stopping the mean comments, understanding that pregnant women were a force to be reckoned with. (And you appreciated that. You had been crying earlier that day for the cookie you bought not tasting like blueberry’s.)

You cried a couple times because of angel, which Alastor just stared at you as you sniffled and attempted to keep the conversation going.

You also cried about 2 days ago because Charlie bought you a pretty necklace. It was hell.

Alastor tried to be accommodating in the field of emotional intelligence but…he failed. Making you cry more times than he could count and to be honest he only cared that he did because you were quite literally an angel to everyone.

Husker asked you in private one day if Mr smiles was the daddy to that little hellspawn and all you could do was laugh and blush a bit. Telling husker that he wasn’t and that he was just acting that way because she was a single mother.

Husker didn’t understand that, Alastor never had a soft spot for women her age.

(20 weeks/4 months)

First time you let anyone touch your stomach was during this time period, Alastor did so with adoration almost. Mentioning something about how he always had a soft spot for women with children..

You two had grown a bit closer.

Husker definitely still had his suspicions about you and the baby. He really thinks is alastors with the way he had been acting.

The red demon had gone out of his way several times to get you your weird ass cravings. One day you asked for a bite of his venison and then cried because you weren’t allowed to have it

You found him coming near you more often and asking multiple times to touch your baby bump as it grew, and everytime you let him that little tail of his would wag a bit behind him. Seemingly happy with the little life growing inside you.

He got more protective as well. Way more protective. He was your puppy that followed you around basically.

(He totally got you a bunch of ice cream, or helped you out with foods and sickness with his old man knowledge.)

(25 weeks/5 months)

If you wanna talk about awkward? Everyone in the hotel basically thought you and Alastor were a thing with how weird you two were together.

You would always be caught either straightening his bow tie or dusting off his shoulders. The term doting describing the two of you around one another.

May or may have not let it slip to Charlie that ‘it’s not like that, Alastor has said multiple times he doesn’t want to prey on pregnant women.

She asked to be the godmother.

Alastor hated the thought of that actually when you brought up that Charlie might be a good fit when he was giving you a snack. A nerve you didn’t know he had.

Soon everyone knew you were pregnant and angel was absolutely infatuated with this information. Asking who’s it is and stuff like that.

(7 months)

Alastor and you were practically a thing- he would help you out a lot and in return you’d kiss his cheek or help him out with cooking.

He practically worships the ground you walk on. Foot rubs for when they hurt, running a bath for you. Even going out of his way to compliment your outfits (even if you looked downright awful that day)

He even accompanied you to return the ring your ex gave you. Along with a couple other belongings you had from him.

Alastor may or may have not been seen with you outside , and you were mentioned by Rosie the next time.

(8 months)

Alastor and you had become somewhat official, if letting a dude fall asleep on your pregnant stomach bc he wanted to means official. Then yes( you were.

After you had a talk with Alastor about why he acted the way he did around you he simply said it was almost instinctual to take care of you. Something along the lines of him also being a gentleman.

He had invited you out to cannibal town, where you met Rosie and she was absolutely infatuated with you. Asking you questions and being so lovely towards you. Even going as far as mentioning she had her fair share of labor experience when it came to giving birth!

Alastor was very pleased to hear Rosie would help you- a bit scared she would eat the baby though…

(Part two coming out about nine months and the actual baby?)

[casscainmainly]

My Top 10 Batgirl (2000) Moments

This is my list of top 10 Batgirl (2000) moments!! There were so many to choose from, but these are my personal favs :)). Counting down from 10 to my absolute favourite.

10. Volving

An absolute classic. Perfectly encapsulates what Cass does throughout the entire run, and more writers should play with Cass' use of language like this!

9. Beat Up Every Mob In Gotham

Perfect encapsulation of the early Barbara-Cass dynamic, and one of the funniest moments in the series. Just love the expressions and the way this shows so much of Cass' character.

8. Choosing to Write

The entirety of issue #2 builds up to this heart-wrenching moment. After delivering a dead man's final message to his wife, Cass sees the wife's reaction to the written message and decides to learn to write. A foundational moment for her character, and a nice motherly Babs scene too.

7. Alpha Redemption

Capping off issues 35 + 36, Batgirl unmasks herself to convince Alpha (an amnesiac villain) that he doesn't have to be defined by his past. Brilliantly displays her core belief that people can change, and the fact that her belief pays off makes this moment extremely moving.

6. For God's Sake

Possibly a controversial pick, but I really like this moment because it underscores some of the fundamental conflict between Babs and Cass. They love each other, but they don't always understand each other, particularly in regards to each other's disabilities. A painful moment that should have been explored more.

5. Fight For Your Life

My favourite Stephanie and Cass moment in this run. You can feel Cass' grief throughout this hallucination, but there's also so much hope and love (for Stephanie and for herself). It's an amazing conclusion to Cass' initial suicidal tendencies: instead of desiring death, she now actively fights to live.

4. Darknight Detectives

This interaction sums up a lot of Bruce and Cass' best moments. Cass' unwavering moral beliefs, Bruce's pride, their instinctive understanding of each other; they just get each other in a way few others do. I picked this one instead of the 'instinct/good answer' moment because it also marks Cass' development in her detective ability. From Moment 8 above to here, the confidence in her mental capacities has grown so much. She really volved!

3. Perfect For A Year

I mean of course this had to be here. These lines literally take up 90% of my brain space, it's an incredibly tense moment that illustrates Cass' desire to be perfect, her need to be useful and good. This issue is also just awesome.

2. You're... Not

Another absolute classic. Illustrates Cass' compassion and her belief that people aren't defined by their lineage, which is particularly personal to her, given her own dad. This struggle between good/bad, parent/child defines many of Cass' best stories.

1. Who Do You Think You Are? + Father's Day

What else would number 1 be?? Issue 33 is my favourite in the entire run, and the entire thing is stacked with moments that could fill up this list. I just love 'who do you think you are' because it's all of Cass' rage spilling out, and yet she still loves David Cain in her own complicated way (and he reciprocates, too). Then we have the ending, which is the BEST Bruce and Cass moment ever. The sparse, meaningful dialogue, the expressions, the reveal of the TITLE: comic book writing at its finest.

Honorary mention to the Shiva/Cass fight, which just narrowly missed out.

[beanytuesday]

Hey, I love your art -- I was wondering if you ever posted your illustration for Kafka's "A Hunger Artist" on here? It's really evocative and gorgeously framed, and I find myself thinking of it frequently!!

Thank you for the kind words. A Hunger Artist by Franz Kafka is one of my favorite short stories of all time, and it’s a very quick read. You can read it right here:

https://www.kafka-online.info/a-hunger-artist.html

Go ahead, I’ll wait here.

I’d like to take us opportunity to talk a little bit about the story, if I may.

Although there are a couple different interpretations of the story's meaning, it unambiguously read to me as an allegory for the plight of the creative, likely drawing from Kafka’s own experience. The ‘starving artist’ comparison is obvious, but there’s much more to it than that. In a departure from most other depictions in media, the plight of the artist is not depicted as something noble or redemptive, but as a sort of self-destructive madness. The hunger artist dies alone and in obscurity, his impact on the world ultimately being completely marginal and insubstantial. When questioned about why he chose a life like this, he reveals that he doesn’t even enjoy fasting, he simply couldn’t find any food he liked. That is to say, a true creative does not select this kind of self destructive lifestyle because they enjoy it; rather, it is because they cannot possibly bear to do anything else. Kafka himself, It should be mentioned, supposedly despised pretty much every job he ever had.

As some of you may know, I developed severe tendinitis a couple months ago. Mentally, September was probably the worst months of my entire life. I reflected on this story a lot –I had wrought my own self destruction, and for what? A couple of bucks? A few comics that i’ll become embarrassed of in a year’s time anyway? Unsure about my prospects for recovery, I became incredibly depressed.

But having been starved of the ability to write or draw, I had a genuine epiphany. Standing at the corner of Boston liquors in Allston, I resolved that I would muster the strength to endure this, regardless of how long it took, because what awaited me at the end was nothing short of the greatest prize a person could ask for: That very thing derided by Kafka –the life of an artist.

There is no greater pleasure than making art. I mean that genuinely, I mean that literally. No, it isn’t noble, no, it isn’t redemptive, but in a totally hedonistic and self-serving way it is simply the greatest thing that life can offer, ambrosia in the mouth, better than sex, better than drugs, better than anything that money can buy, and I feel pity for anyone unable to experience it. I am not being hyperbolic, I am not being metaphorical. I am stating this in the plainest of terms, having lived a life without it for the last couple of months.

So although my personal relationship to the story has changed in the past couple months, Kafka was right about one thing; nothing else tastes good, at least not by comparison. We must imagine the hunger artist happy.

[theturncoattournament]

Who is the best turncoat character? (Round 3)

A tournament for characters who change allegiances and/or have a redemption or corruption arc during their stories

PROPAGANDA:

Theon- Theon Greyjoy- Child lives ten years of his life with his blood family and then becomes a hostage and spends ten more years growing up with his captor's family. He wants to be loved he wants to be praised he wants to belong SOMEWHERE... he's kind of an ass. Ends up betraying his friend/"foster brother" Robb because he went back to his birth family and they mocked him for integrating himself with his captors. Steals Robb's castle... and then things just get more fucked up than he meant them to. Theon's conflict of being a "Greyjoy" who grew up "Stark" and his descent to rock bottom in the second book is only made more compelling when we pick back up with him in book 5, where he's gone through horrors beyond our imagination and crawls his way back up. He's also literally called "Theon Turncloak" by the side he betrayed, and one of his POV chapters is titled as such.

Zuko- Zuko's redemption arc is the peak redemption arc that all redemption arcs are compared to

-*slaps prince of the fire nation* this guy can fit so much trauma in him -one of the best redemption arcs of all time -this dude spent the better part of 3 seasons flip-flopping between good and evil -can be so funny in the driest way possible lol -had to fight his own sister, who is insane

he literally has the best redemption arc ever written

Zuko spends like the entirety of season 2 slowly realizing that the Fire Nation were the Bad Guys™, had a whole moral crisis towards the end of the season, ended up choosing to side with his sister so he could go back home even though he knew it was the wrong moral choice, spent the first half of season 3 angsting over having made the wrong choice, then finally joins the good guys for good halfway through the season

[villifix]

merle was a creep at times but he was on his way to redemption. i love the idea of sort-of-brother-in-law merle that got to live a little longer and make an effort to be a better person.

this is assuming daryl's partner is a female, btw

❜ ─ more under cut ─ ❛

• merle realizing just how head over heels daryl is for you. he would give him HELL over it but at the end of the day he would be so protective over this little ray of light in his baby brother's life

• you think daryl can be scary when a guy's looking at you the wrong way? the guy's quite literally done for when merle finds out

• "merle, you can't say that, that's offensive-" "aw hell, y'all are some damn pansies!"

• "lemme know when you get tired of my little bro, i'll show you what a real man's like-" "you ever shut yer damn mouth, merle?"

• ^ he's not serious though. he just likes to get daryl riled up and thinks it's funny to see your nose scrunch up in disgust, even if he does end up getting clocked in the jaw for it

• when the brothers go on supply runs, merle points out necklaces or earrings they come across, encouraging daryl to take it for you because "women love shiny shit"

• he's always asking you when you're going to pop out a little boy so he can finally be an uncle

• "how ya know it wouldn't be a girl?" "ain't been a girl with dixon blood since i been alive, brother. ain't gonna happen." (if you and daryl have a baby, it definitely does happen)

• when the prison falls, you can't find daryl and there's no more time, so you end up running from the prison with merle

• he hates it

• like every second of it

• not necessarily because he minds your company, but moreso because this is a huge fucking weight on his shoulders

• your wellbeing is now his #1 priority because you're daryl's girl and that makes you family, and he has no intentions of letting his little brother down again

• so it's a lot of pressure

• plus you keep giving him that nasty ass side-eye like he pissed in your cornflakes any time he says something that he finds hilarious (it's actually just offensive), and he's starting to think your sense of humor is nonexistent

• you expect him to make some vulgar jokes or try to come onto you at any given minute, but to your surprise, he actually never does

• like i said, he was never serious and he only joked about it to mess with daryl. without daryl around, he's rather respectful of your space

• at night he tells you stories of his time in the military before he got discharged and went to prison

• please don't cry around him :) he likes you and all, but he would really rather cut off his other hand than have to try and comfort you - that's daryl's job

• the only time he manages to not be an ass when you're crying is when you mention worrying about daryl and missing him

• merle lets out a hefty sigh in response, ruffles your hair with his one hand, and admits that he misses him, too

[doki-doki-imagines]

Hi! If requests are still open can i request mk1 men with an angel reader? Thanks!

author note: Earthrealm guys for my own sainty🫡

Johnny Cage: -"Have you fallen from Heaven? Cuz' you are an angel." "It's exactly what happened." "…Seriously? We should totally make-" "No." -The man is so curious. -He flirts here and there, but mostly, he just wants to know how angels work and how it is up there. -Maybe some juicy info will slip, and Johnny will be able to make a movie out of it…

Kenshi Takahashi: -When everybody told him you are an angel, Kenshi thought you were just a nice person. -When Johnny told him you are an angel, Kenshi thought you were also beautiful. -For sure, Kenshi never thought of feeling feathers when you protected him during a fight. -"So you are an angel." He says, breathless. "Yeah, nobody told you?" -"Will my sins be forgiven?" "My Lord welcomes every sinner seeking redemption."

Raiden: -Literal angel meets metaphorical angel. -Every time you two meet in the same room, you make it shine for how nice and good you both are. -You are both so sweet that Lao swears that some of his teeth rooted. -"Can I touch them?" "The wings?" Raiden nods. -Best experience ever: 10/10. It felt like caressing a cub and heart is relaxed better than any medicine could ever do.

Kung Lao: -"You are wayyy too nice." "I'll take it as a compliment." -He teases you restlessly, Lao wanna see the angel snap back at him. -If only he knew what you went through, he'd understand that his chances are less than zero. -The real surprise will be when you'll tease him. -"You are so cute when you blush, Lao." "????" -He is going to get you back for this.

Liu Kang: -"Do not be afraid." "Did you just steal my line?" -You are not the first angel he has seen, but it's been so long since he has been in contact with one that he'll try to keep you as long as possible on Earthrealm. -"Your presence has been healing for everyone. They hope you'll stay here for much longer." "Aren't you sure that "they" isn't just you, Liu Kang?" -Seeing him choke on his tea was a real sight, almost heavenly.

Geras: -It's not the first time Geras meets an angel, so he won't be surprised by you. -He likes to chit-chat, tho! You are both so old you for sure have a lot of stories to tell to each other. -Geras appreciates your help keeping the timelines safe, so he'll always be ready to give you a hand if you need it.

Bi-Han: -"What should I be afraid of? You are nothing more than a mythological chicken." Shows angelic true form "…fuck" -He won't treat you with any respect unless you defeat him in a fight. -Your true form will haunt him in his nightmares, tho. -"Repent Bi-Han." -Maybe an angel is the push he needs.

Kuai Liang: -He is so respectful to you, bowing every time he greets you. -Wouldn't mind training with you, and don't you dare go easy on him! -"Are my flames as hot as hell ones?" "Dear, I'm sorry, but I'm not a fallen angel. For sure, your smile is bright as our light." -Congrats! You made Liang blush, shy smile on his face making him uncharacteristically cute.

Tomas Vrbada: -"Have you fallen from Hea-" "Sorry Tomas, Johnny already tried it." "Damn it!" -Tomas looks so sweet that he reminds you of your brothers. -Too bad that then you remember his work… -He is really curious so you'll be asked a lot about your past and family. -"Are my mom and sister fine?" "I'm sorry Tomas I can't reveal anything. But relax, they are in good hands."

[resisteverything]

Hazbin has such black and white writing for a show about redemption. Like can you name a single instance in which the story ever wanted you to take Angels behavior seriously, and care about something he’s done?

Or a moment where a character tried to make amends for past actions, or improve as people. Sir pentius didn’t learn anything he just stopped being a cartoon baddie, there was no need to confront past behavior or mature or anything.

And Vaggie, she does not learn anything, she just sees a child and becomes good. Why does this child belong in hell? Why has Vaggie never seen one before? Why does Vaggie suddenly respect adult demons after seeing this child when she was fine killing adult demons before this?

Why is Lucifer portrayed as basically a good person who never has to commit to redemption when he was literally okay with the exterminations? Because he has depression?

Why doesn’t Alastor make anything resembling a step towards redemption after all of season one as a main character in a show about redemption?

[linkspooky]

Ciel-Noel post

Revenge is bad, actually. Simple revenge in stories is boring and uninteresting and Kill Bill is a bad movie.

I dislike the idea of punitive justice in stories to begin with, at least in stories that don't look critically at it. However, I also think people often get punitive justice (a branch of moral philosophy) with the idea of narrative punishment (actions have consequences in stories). I'm not against narrative punishment at all, well-written stories should have direct consequences for all the important characters actions. If a character is a noble gas and no one reacts to their actions, then they are stagnant and unchanging. A character who is constantly reacting to other people, and provoking reactions in return, is a dynamic character.

Now that I've thoroughly buried the lead six feet under, let's get to the main event. Ciel and Noel is a tightly written tragedy in the horror genre. If you've ever watched a slasher movie before, horror operates on like, an extreme kind of narrative punishment. People always joke that if you have sex, or do drugs, or drink alcohol in a horror movie the slasher will kill you and yeah, that's basically it. Horror movies are relenting and unforgiving, you basically take one step out of line and get stabbed in the back for it. So, it's not at all surprising that in the same story where Ciel experiences a change of heart and goes from seeing Shiki not as a victim but another vampire to kill, to being willing to sacrifice everything to save him, Noel does not get saved. Doesn't that make Ciel a huge hypocrite going the extra mile to save her boyfriend, but putting a bullet in the head of the partner she's known for years to put her out of her misery? Why, yes. Yes it is. That's also the point.

Ciel (and Noel's) route in the Tsukihime remake are about two girls who are the victims of the same tragedy. One gets saved, one does not. One finds a person who will do anything to reach and redeem their humanity, the other does not. They both get worse and worse, but one is given a helping hand at their lowest point, and the other gets a bullet between the eyes. This is unfair, and cruel, and again the point. Nasu in the remake turned one of the routes with the happier ending into a bitter tragedy no matter which of the two endings you pick and it's great.

Nasu is a writer who understands the tools of storytelling and with Ciel and Noel, wrote a tightly constructed tragedy where both characters face a narrative punishment. Once again, narrative punishment means for every action the character takes in the story, there is an equal and opposite reaction. Characters don't get away scott free with anything. They reap what they sew. This gives the characters actions meaning, and feels like they are building towards an arc because there is an underlying point that the author is trying to make to us, by framing these characters actions in a certain light.

Nasu employs narrative punishment, sometimes even incredibly harsh narrative punishment (read every wrong choice in FSN where Shirou gets horribly maimed or just Shirou's life in general). However, Nasu does not believe in punitive justice. I mean, I made a joke about Oberon up above but like, Nasu literally wrote an entire FGO Lostbelt chapter showing how chaotic evil the fairies were, and then he still underlined it's wrong to punish people without a chance for redemption or atonement by making Oberon the final boss. Even Castoria who is an ultimate victim of the fairies who was locked in a barn and treated like an animal, and didn't even want to save them was still like "This is wrong, we should have given them some chance to redeem themselves."

That belief that punishment without the chance of redemption is wrong, is written into the core of Ciel and Noel's tragedy.

So anyway, let's get to the part where I start recapping the story with analysis so you guys have some frame of reference for what I'm talking about. Noel is a previous victim of Roa, a vampire that continually reincarnates by hijacking bodies. A victim of ROA slowly becomes possessed until the two personalities effectively merge, at which point Roa goes on a killing spree. This happened to Ciel in her french village, Ciel noticed intrusive thoughts of a voice in her head telling her to kill her family, kill her family, kill her family, and did her best to ignore and suppress them until she couldn't. She then tore out her parent's throats, and then went on a rampage only to be killed by arcueid a short while after. Not before killing basically everyone in the town except for Noel.

Ciel and Noel are the lone survivors of ROA's massacre, and both victims of ROA himself. Ciel and Noel are also the same person, so like, write that down. Are you taking notes? This is gonna be a long post you better be writing down bullet points. Big bullet point number one, Ciel and Noel are the same person this is going to be on the test later.

Is the massacre, and all the deaths that occurred Ciel's fault?

No, you'd think logically being possessed by someone else and only having your agency taking away from you would clear you from responsibility.

However, Ciel was taken in by the catholic church afterwards and they weren't having any of that forgiveness shit. Ciel after miraculously recovering from her death at Arcueid, no longer under Roa's possession, is killed repeatedly by the church, only to find she's immortal now. No matter how many times they try to torture her, or execute her to give her justice for the victims of the massacre it doesn't work. So, instead they eventually just recruit her to be a vampire hunter. Bla bla bla, metaphor for how punitive justice doesn't actually accomplish anything, bla bla bla, metaphor for how Ciel's way of redeeming herself by hunting down and punishing other vampires (which is also just revenge) doesn't work because there's no end to it, there's no forgiveness or absolution, it's just eternal suffering. Would a loving god who created the world and preaches about forgiveness really make a hell where all the really bad people get sent to, and never get any chance of redemption?

“A God who could make good children as easily a bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave is angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice, and invented hell--mouths mercy, and invented hell--mouths Golden Rules and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people, and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites his poor abused slave to worship him!” ― Mark Twain, The Mysterious Stranger

So, already we're touching on both justice, and also the hypocrisies of certain western religions, by Nasu demonstrating that justice without forgiveness accomplishes nothing. Ciel trying to redeem herself in the eyes of the church is truly the sisyphus pushing the boulder up the hill of redemption arcs, because there's no forgiveness, only hard labor for her sins. Ciel will just keep killing vampires to atone until she dies, but she can't die, so that boulder will keep rolling up that hill.

This is the underlying point of Ciel's entire arc, Ciel does not save anybody. She kills vampires. By killing vampires she hypothetically stops them from killing future victims, but that's not saving them. One of the most poignant things I've ever read from Nasu was from UBW where Shirou says more or less if there's a bank robber holding up a bank, and a cop comes in and shoots the robber through the chest, that might save all the hostages but the bank robber didn't get saved. You might say, well obviously, you can't save everyone. It makes sense that you'd save the innocent victims first. At which point I would say yes, I know, I have in fact consulted the ancient texts, UBW is my most replayed route.

However, Ciel and Noel's conflict gets that same point across because there are no innocent victims between the two of them. Ciel and Noel are both victimized, robbed of their agency, and go on to do terrible things, but one of them is saved and one is not. Noel isn't the bank robber in that metaphor, she's the hostage who was cooperating with the bank robber because the robber had a gun to her head, who the swat team decided to snipe through the window.

Noel is introduced as an entirely new character in the remake, she is the only other survivor of the massacre. While Ciel has memories of herself committing the crimes and feels guilt for that, Noel watched everyone die and was tortured for days on end by Roa in Ciel's body for their amusement (someone who was so insignificant to them, that Noel refers to herself as just one chip in a bag of chips Roa was snacking on. That's right, Noel is a cheeto in the grand scheme of things). There is one quote I love from John Dies at the End where John talks about how they're not chess pieces, they're not pieces on the board, they're so insigificant that they're just a cheeto sitting on the outside of the board. That's Noel, she's a cheeto.

The thing is Noel seems to be somewhat narratively aware of the fact that in the grand scheme of things she is a cheeto. Noel and Ciel are both victims of the massacre turned vampires, Ciel is a vampire killing machine and Noel sucks at it. Ciel despite being some rando apparently is born with enough magic circuits to make ancient magus families jealous, and on top of that is the only one who ever survived Roa's possession (and got immortality to boot). In every generation there is a chosen one, she alone will stand against the vampires and the demons and the forces of darkness. She is the slayer. So you've got Ciel the Vampire Slayer, and Noel who's just a cheeto. The cosmically ordained protagonist of reality, and just some guy. Noel has to basically beg and scrape to get by, no matter how hard she works she doesn't get stronger, she doesn't get any cool super powers from the night roa burned down her home town she just gets trauma. She also doesn't get a special boyfriend who will do anything to try to give her a normal life. This is illustrated in true tragic irony, by showing that Noel had a crush on a japanese foreign exchange student who's clearly meant to foil Shiki and he was basically the support she leaned on for the entirety of the tragedy, he dragged her away from danger multiple times, only to find out the reason he saved her was to use her as zombie bait so he could make his escape.

Here's where Noel starts to shine because in a typical narrative, Noel would be the more sympathetic character. People like rooting for the underdog. However, Nasu dares to be different by making Noel extremely difficult to empathize with. For one she's extremely predatory in the way she makes constant uncomfortable advances on Shiki the main character. She's also predatory in the sense she enjoys preying on things weaker than her. She says it line for line, weak people have to pick on those weaker than them. Noel goes after small fry vampires for revenge, and to vent her frustrations, however, she doesn't just kill them she rips them to pieces and tortures them in the most inhumane way possible until they're begging for death.

Why would anyone sympathize with the weak, predatory, pathetic noel who only ever makes excuses and blames others to run away from responsibility, over the stoic, strong ciel who is willing to hunt vampires forever to take responsibility for her actions.

Well here's the thing, *gestures for you to come closer, and then whispers in your ear* all the shit that Noel pulls, Ciel does that too. Ciel and Noel are either the same age, or around the same age, so if Noel is a predator for hitting on Shiki than so is Ciel. It's almost like something happened to them in their youths that stopped all their mental development rendering them both like mentally 16. Noel mercilessly slaughters vampires for revenge, and so does Ciel. She just does it offscreen. We don't know if she tortures them or anything, but remember when Ciel hunts Shiki, how she knows that Shiki is a helpless victim in all this and still goes out of her way to twist the knife, hurt him both physically and emotionally in every way possible before making the final blow.

The reason she acted that way during her and Shiki's confrontation isn't because she was stoically forcing herself to kill Shiki because that was the right thing to do, no she was projecting herself and her survivor's guilt for not killing herself before Roa went on his massacre all over Shiki. She was getting her revenge on a helpless victim because projecting on Shiki was a way for her to punish herself. Noel hates herself for being weak, Ciel hates herself for not being strong enough to slit her throat before everything happened (ergo being weak). They both deal with this self hatred by projecting that onto vampires, even vampires who were turned against their will (especially those ones tbh) and slaughtering them. They were both taken in by the church and taught to do that, so the church could get two child soldiers to send to die fighting vampreis. Ciel is Noel, and Noel is Ciel.

Not only does Noel project her past self and her weaknesses onto vampires, she projects herself onto Ciel. In that Noel really wants to be Ciel. Which is understandable, would you rather be, a girl who's only super power is... having an axe, or a girl with like seventeen million cool weapons, has more mana circuits than most mages, and is fucking immortal.

That's just the surface though, Noel is on like fifteen levels of projection with Ciel. Noel's identity is incredibly tied up in her complicated feelings towards Ciel, both because Ciel is the face of the person who committed every atrocity to Noel, but also because they are the two lone survivors of the same tragedy. Noel and Ciel both try to make themselves into tools for killing vampires to cope with their survivor's guilt, and their inability to conceive of themselves having a normal life after what they have been through. They also were both denied any chance at healing, because the church swept in and fashioned them into hunting dogs to sick on the vampires, and fight those vampires until they die. They are also both convinced that the church is right for doing this, and that deep down they either cannot have (Noel) or do not deserve (Ciel) normal lives while they both secretly pine for it anyway. Both of them are denied the chance for recovery, (because revenge does not heal), and Noel takes that one step further by deliberately driving a wedge into Ciel's recovery.

To quote you Comun, even though you're the one that sent this ask:

And Noel is a character inserted in Tsukihime to thwart Ciel's steady recovery. A constant reminder of what she lost and how the blood is in her hands. To cope with the sins Roa used her body for, Ciel chose to be the Holy Church's most professional extermination machine. Noel is the only survivor of her village because Elesia also died that night, being replaced with Ciel, who is fueled not by emotions but by a vampire kill count. And while Noel is a petty bitch at heart, she genuinely believes Ciel's post-trauma life choice and respects her capability to pull it off. There's no sabotage to their partnership not because Noel is afraid to defy someone a million times stronger than her, but because Noel wholeheartedly agrees with Ciel's choice to never recover and to pay blood for blood for the rest of her potentially eternal life. As long as Ciel stays Ciel, Noel's vengefulness is directed solely at Roa. But then Shiki enters Ciel's life bringing with him semblances of normal happiness. The murder machine began to regain emotions. And to Noel, that's a problem.

So part of this is you know, buying church propaganda. Ciel and Noel are both victims of the same church that does not heal or save people, and only doles out punishments on the guilty.

Part of this is an interesting twist that adds complexity to Noel's character, because like she could blame Ciel for the massacre like the church does, and like Ciel does herself, but as you point out Noel clearly wrestles with that. Noel feels a mix of envy for a twisted respect, one could even say love for Ciel's strength. Noel shows a much more nuanced reaction to Roa wearing Ciel's face and killing her entire family and torturing her for days on end, when she could take the church's approach, or even Ciel's approach towards Shiki. Noel even talks about at length how her and Ciel used to bond together by talking at night about how they were going to get revenge for everyone who died that day. Noel can't just see Ciel as the villain who took everything away from her, because they are the only two survivors of the massacre.

As you said there's no sabotage to their partnership, because despite Noel being the most petty bitch ever she never does anything to hurt or betray Ciel. The reason their partnership falls apart is entirely Ciel's fault. Sure, Noel was dancing on the edge of a cliff and not the most stable person to begin with, but it's Ciel's actions that push her off that cliff.

Not only does Noel drive thwart Ciel's recovery, she also makes Ciel look like a terrible person. Because, Ciel is a terrible person. In the same route where Shiki constantly lovebombs Ciel and constantly talks about all her good traits and what a hero she is, and Ciel gets several very cool action scenes making her look like a cool vampire slayer, we also witness to Noel's soul and heartcrushing downward spiral that is caused in part by Ciel kind of not really giving a shit about Noel's feelings. Noel's downfall could have been stopped at any point by Ciel simply lifting a finger, or just noticing her partner's obvious distres but instead what Ciel does is Noel completely out of the loop (like not telling Noel that she was waiting for Roa to reveal himself before attacking Shiki) .

Like, the scene where Noel turns into a vampire is directly caused by Ciel's actions. Noel reveals to Shiki that he's currently possessed by Roa. Ciel stands up for Shiki, in what we think is Ciel not wanting to believe that Shiki is possessed by Roa. However, what we learn instead is that Ciel only approached Shiki in the first place because she assumed he would be Roa's first target, and has been keeping by his side constantly waiting for Roa to appear so she can murk him.

So, all Ciel needed to do was TELL NOEL that she was playing the long game and ask Noel to wait a little longer before showing their hand, but apparently basic communication with her partner is too much effort for Ciel.

This leads into a scenario where not only does Noel think Ciel has broken their partnership (i mean she kinda has) but Ciel directly injures Noel pretty badly and leaves her alone. When Arach shows up to prey upon Noel, Noel can't even fight back by that point. Arach is the bus that hit Noel, but Ciel sure did throw Noel under that bus for no real reason.

I mean there is a story reason - it shows that Ciel may be an instrument of justice but she doesn't save people, in fact she does not give two figs about whether or not people are saved by her actions. Ciel obsessively hunting vampires, is not really that far off from Noel torturing vampires for her own sense of petty vengeance. However, Ciel hunts vampires offscreen so we as an audience don't see really the way, she treats the vampires she kills, but from the way she both foils Noel and also the sadistic way she draws out killing Shiki possessed by Roa as long as possible you can infer that she's not all too different from Noel. That's good actually, that Ciel seems like a good heroic person, but if you squint at her she's not much better than Noel, because like that's the entire point of her character the good, altruistic senpai never existed in the first place. All of Ciel's words about atonement and forgiveness are empty platitudes, just her regurgitating the words the church fed to her.

So finally to conclude, we have the culmination of the moebius strip, where Noel the apparent opposite of Ciel, slowly morphs into Ciel. Noel's flaws in a narrative sense led to her downfall, but let's be clear Noel had no fucking agency in her transformation into a vampire. She was hysterically begging for Arach not to do it. She was pinned and helpless to escape when it happened. It is Arach and Ciel's fault what happened to her.

Noel does make choices, but her choice amounts to not immediately killing herself the moment she became a vampire. She does take like 500 shots to become an ubervamp, but like, the story clearly states that once people become vampires their moralities and personalities are radically altered. So if that's a choice it's an influenced choice.

Therefore the only choice in that moment Noel is truly responsible for is not killing herself while she was still lucid. Irony upon ironies because that's exactly what she yells at vampires to do, bow down and let their heads be cut off by the executors. However, if Noel is guilty for not immediately offing herself, so is Ciel, so is Shiki. Both of these characters get saved while Noel gets old yeller'd. This is unfair and also, you guessed it, the point. Ciels revenge against vampires accomplishes nothing. Noel giving up her humanity for the shot at revenge against Ciel accomplishes nothing. It's almost like revenge doesn't heal, it just puts more pain and misery into the world. No one is saved by revenge.

Noel is fridged for Ciel's arc, and neither Ciel nor Shiki ultimately save her even though she's not all that responsible for her own downfall. This is not the narrative playing good victim and bad victim. If anything it makes Ciel look way worse as a person. The narrative even goes out of its way to say that both Ciel and Noel have a right to their revenge and in a situation like this the winner wasn't determined by who was right but who's stronger. Ciel has no moral high ground she just happens to be stronger, that's it. She doesn't take the higher road with Noel even after Shiki went to such great length to try to reach her emotionally and tell her she was still human, no Ciel makes no attempt to talk to Noel or take a third route she just murks her.

Noel is my favorite character for this route probably second favoeite overall behind Kohaku and I one hundred percent agree with fridging her, because it makes Ciel's character a hundred times better by giving her consequences for her flaws. It's one thing for Ciel to break down crying about how much she hates herself for being a cold merciless machine. It's another thing to have this demonstrated by Ciel letting her partner fall to the wayside by just not giving a shit about anyone's feelings or anything except for her personal quest against vampires.

Noel is a victim of the cycle of revenge, a pointless and harmful cycle. In a story that's thoroughly anti revenge as evidenced in the true end of hisuis route where Kohaku having achieved absolute perfect revenge and having her plan gone entirely right, takes a knife and gouges out her own heart with it. If that's not on the nose I don't know what is.

Its poignant comun that you told me that Nasu stated there's no good ending to Ciel's routes just a normal and a true because a good ending would have saved Noel. It might look like Ciel got off scott free but if you look at it, by killing Noel and denying Noel the chance at salvation Ciel damns herself too. Ciel has not escaped the cycle in the true ending, she's still hunting vampires at the behest of the church the only real change is she has a boyfriend now. I'd compare it to the ending of UBW vs Heavens Feel. In one Shirou has Rin's support but it's implied he'll eventually leave Rin anyway and become Archer, he just won't regret saving people as Archer did. He has not escaped the self destructive cycle. Whereas in Heaven's Feel, Shiro dies and is reborn and has to you know live as a person from now on.

Ciel did not end the cycle, she perpetuated it by killing Noel. You don't end the cycle of revenge with more revenge. Since Ciel did not end it she's still trapped in the cycle herself, and she still has support in the form of Shiki but the cycle will probably consume her the way it eventually consumed Shirou. She even broke out what was essentially the UBW with black keys when fighting against Vlov. It's just like that one post on Twitter said every few years or so someone reinvent the unlimited blade works!

[girlfromthecrypt]

Note: This is merely a pitch introduction post. Work on this IF will only properly start once Such Happy Campers is complete. A demo is not imminent. The working title is Reggie on the Run, but will most likely be changed.*

Story: You, an individual only known as Reggie Reese, are a criminal in the late 1800s. You find yourself stuck in a jail in Yellowhill, Letitia, where you are to be tried for your transgressions. Fortunately for you, a member of a prolific and feared local gang is brought in the same day. When the outlaw’s associates swoop in to rescue them, you too are given another chance at freedom. Before you know it, you are inducted into the strange and unusual band, most of whom appear to possess supernatural abilities.

Only, you were never exactly normal either…

Play as Reggie Reese (based on your choice of gender, this can either be “Regina”, “Reginald”, or simply “Reggie”, if you’re not one for the binaries)

Choose from four possible backgrounds that also determine the cause for your arrest! Play as a violent drunk, a highwayman or thief. More backgrounds may be added later

You have telepathic powers! Yay! Now, how to use that to get money…

Pick and name a horse from a selection of various breeds and personalities, bond with and care for it!

Face horrors beyond comprehension, and possibly end up saving the world

redeem yourself or become worse

Inspirations: Blood Meridian, Butcher’s Crossing, Red Dead Redemption 2, Lonesome Dove, and of course the actual Old West.

The Cast:

“Doc” — The Leader: You don’t know his real name. You don’t know where he came from. There are whispers about him having escaped from an exploitative freak show, though he’s certainly not forthcoming with any information. The one thing you do know is that he saved your life.

Age: 42

Power: Healing

Personality: Polite and kind (at least at first glance). Well-read and highly intelligent, idealistic.

Romanceable: Yes, for MCs of all genders.

Horse: Silksong, a palomino Mustang.

Isaiah Wilder — The Berserker: A behemoth of a man who’s draw is as quick and deadly as his fists. You have never encountered anyone as bloodthirsty or as dogged as him. He ensures people fear the gang, and should intimidation prove insufficient, he’ll delight in mending that. 

Age: 37

Power: Superhuman strength and zombie-like constitution

Personality: Caring to the gang, absolutely heartless to everyone else. Brutal, cunning.

Romanceable: Yes, for female MCs (why you’d want to romance a literal monster is your deal)

Horse: Black Phillip, a black Missouri Foxtrotter.

Margaret Malloy — The Black Widow: Thrice married, thrice widowed. Her husbands have a tendency to throw themselves off of cliffs, it seems. What exactly she’s hiding behind her ready smile is for her to know and you to find out… at your own peril, that is. She often acts as a decoy for the gang.

Age: 33

Power: Persuasion

Personality: Harmoniously cheerful and sweet, with a love for all things shiny. 

Romanceable: Yes, for male and male-presenting MCs (you’ve been warned)

Horse: Freckle, a Leopard Appaloosa.

Hilda Heinrichs — The One Who Dances in the Creek: She’s a strange, strange woman. Perhaps the strangest you’ve ever met. A former prostitute, she fell in with Doc after he treated a gunshot wound she sustained after attempting to steal from a suitor. Oftentimes, she’s off in another world— literally.

Age: 30

Power: Spectral awareness

Personality: Hard to grasp. Her temper changes at the drop of a hat, like she’s a force of nature. But she’ll happily entertain the others by playing her banjo.

Romanceable: Yes, for MCs of all genders

Horse: Virginia, a white Shire.

Francisco “Fran” Perez — The Gambler: He doesn’t talk much, barely at all, really. Maybe he doesn’t like you… or maybe he simply prefers the quiet. He’s eerily good at gambling, and even better at cheating people out of their money. His abilities are invaluable to the gang; he sniffs out most of their jobs for them.

Age: 26, the youngest of the gang

Power: Precognition

Personality: Calm, quiet, wary of strangers. Funny guy, once you get to know him.

Romanceable: Yes, for MCs of all genders

Horse: Cielo, a brown and white Pinto with striking blue eyes.

The Strange Lady— ??: She hangs around a lot. You don’t know what to make of her.

Age: ??

Power: ??

Personality: Confusing.

Romanceable: No

*MC is gender-selectable, but has a locked-in name. The canon reason for this is that MC’s name, Reggie Reese, is an alias, and that MC keeps their true name a secret (at least from the public). The game is set in a largely fictionalized version of the Wild West. There are a great many parallels to actual historical events, but to avoid writing about still-existent locations and organizations (among other things), I have taken some liberties with worldbuilding. Also, it’s fun to pick fictional town and state names, for example Letitia and Yellowhill. 

TW: gore, discussions of trauma, ptsd, c-ptsd, mentions of SA and related trauma, mentions of period-typical prejudice and sexism, morally gray characters depending on how you play, downright homicidal characters, sex work. 

Dividers by @plum98

So. What y'all think?