#hes fine ig

[sunn-mechanic]

[ID in alt]

Some Papyruses :]

+ spreading my papyrus can float propaganda.

[ruubesz-draws]

Ngl kinda feel sorry for Kong

(I DO LIKE KONG I SWEAR!!!)

[sabh0]

Guys he's escaping someone stop him

Also chuuya with glasses bc

[rystiel]

idk what we’re all calling the concept of fiddlestan working together but i’m calling my version the portal partners AU 🙏🏼

[thehargreevesfam]

is it just me but it feels like five got dumbed down and nerfed the most in terms of his powers? Five didn’t see Ben steal the marigold, he didn’t figure out the CIA was part of the keepers but Luther did? What? No hate to Luther at all, I love that oaf but it doesn’t feel like FIVE!

Not to mention he was the ONLY one whose powers weren’t working or he couldn’t use to his advantage? Like what? Five? FIVE??? He should’ve figured out the teleporting thing. He should’ve figured out the subway. One opportunity I think the writers didn’t use is as the seasons progress five gains a deeper understanding of time travel and he’s able to figure it out more and more, so it comes full circle from s1 when he got stuck in the apocalypse because he didn’t understand time travel, but they don’t do that!! Like is this the same five who figured out what the sigil was in the s3 finale?

One reason I loved five was his intelligence but it doesn’t feel like it in s4

[happyfoxx-art]

Best sleep of his LIFE

[nelkcats]

Not the son you were looking for

The Fentons were sure that their son was dead. They didn't understand why Phantom pretended to be their little Danny, nor why he made so many illogical excuses like "being a hybrid" and so on. At first they played along, but they were angry, angry that the truth was being kept from them, angry because they were sure that the supposed hero had done something to their son, and he even managed to trick Jazz!

It all made sense when Phantom was declared Ghost King, of course, he surely had Danny captive! It shouldn't be hard for the King of the Dead to manipulate a soul, maybe he was gaining power from that. They were sure, they had seen the King argue with one of his ghost-capturing devices and keep it always guarded, a big secret surely.

Unfortunately for them, the GIW had disbanded, so they had to turn to their second choice: The Justice League. It was an organization of heroes that had only recently formed, but the Fenton's were sure they would help them, so they contacted them and explained the situation. The League was skeptical but when they heard that a child might be in danger they acted immediately.

They didn't confront the King directly, they weren't idiots, but they stole the thermos, willing to give the child trapped in it a break. They could deal with the Ghost King later.

Unfortunately for everyone, as soon as the Fentons hit the "release" button what came out was not their son's soul, no. Dan Phantom watched them with a wide grin, free for the first time in years. The League had a feeling they had made a grave mistake.

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[razberrypuck]

okay but fiddleford was raised christian, is from a small town in the bible belt, AND lived in the 80s do you understand how much internalized homophobia this man must've had. like yeah he was super obvious about his feelings for ford, but god knows he was never gonna SAY anything -- how could he??

he's a married man. he's a father. willing to go out-of-state for work, sure, but he'd never hurt them like that. he never could. and even aside from everything previously mentioned, ford was his first and likely one of his only friends, he wouldn't wanna ruin that for some dumb fantasy. no, fiddleford just has to focus on being a better partner. that's all this is, and that's all it ever will be. he just needs to get that through his skull, and stop thinking about ford so damn much.

thankfully, he's gotten over most that stuff by now. ain't nothing gonna make mcgucket be ashamed of being himself anymore, but you sure as hell can try.

[cerealmonster15]

i want jamiazu + idikei to go on a double date so badly i think the vibes would be So Very Turbulent

[clownowo]

Happy birthday to the game that rewired my brain everyone cheer and clap for him its his special day

[teddybeartoji]

thinking a lot of thoughts about bf!gojo :(

he will be the sweetest bf ever.. it's a bit concerning with how attached he is to you, bordering on codependency but he just cant help it he loves you too much :(( everytime youre both together on something like lunch with friends or hanging out the sight of you two is enough to give anyone who spares a glance cavities.. his eyes are so in love and hes always got that dopey smile on his face, his touch is always gentle and caring despite him being a teasing asshole sometimes 😭

and behind closed doors ... dear god this man is INSATIABLE.. always has to have a hand around you and touching you !!!! and his sex drive.. erm.. yeah.. idk i see him as the type to want to do it everyday because he just loves you too much and he doesnt know what to do with himself and all this love he has !!!! theres something sweet about him just always wanting you and wanting to make you feel good eufnhffhehrjfnf

the stark difference between you two being such a sweet couple in public but also .. having seen each other INSIDE OUT quite literally is so hot and cute.. :( that level of intimacy .. :((( BF!GOJO WE NEED YOU !!!!!! ok this has gotten too long im sorry HAVE A GOOD DAY THANK YOU

HIIII MY SWEETHEART I'M SORRY FOR THE WAIT!!!! BUT I'M HERE I'M HERE I'M HERE!!!!! I'M HERE AND I'M FEELING TERRIBLY SOFT FOR HIM AND I NEED TO HAVE HIM IN MY ARMS RIGHT THIS INSTANT!!!!!!! i agree with everything you've said nonnie!!!! and i am covering you in kisses as thanks!!!! mwah mwah mwah!!!! wait also!!!!!!!!!!!! more exclamation marks!!!!!! please please please don't apologize for rambling!!!!!!!!!! i will always hear you out!!!!! i want more actually!!!!!!!!!!!! please!!!!!!!!!!!!! i love you!!!!!!!!!!!!!!!!!!

ok everybody get comfortable bc i have some of bf!gojo headcanons for you!!!!

his pupils are literal hearts whenever he's with and whenever he's Thinking about you!!!! (i'm saying that his pupils are always like that)(he is simply unable to get you off his head)(he's not even trying)(he's so fucking in love with you).

he's constantly resting his head on your head or on your shoulder. this just came to me. he wraps his hands around your middle and he always gives you a squeeze!!!!!!!!!!!!!!!! and a kiss on your neck. and he probably (read: definitely) smells you. and then hums into your skin. omfg i need to hug him so badly. i am losing my mind here nonnie...

okay and i just talked abt him taking naps with you too, right? and i just can't stop thinking about him always taking pics of you whenever you fall asleep on top of him:(((((((((((((( drooling or not, he's taking the pic!!!!!! AND i truly believe that he has begged (literally begged down on his hands and knees) shoko and suguru, so that they'll take pics of the two of you together aswell!!! satoru has a folder with like a THOUSAND pics of you both just napping together:((( he goes through it whenever he's really missing you:(((((((

ok and he loves taking showers and baths with you. loves, loves, loves. he just wants to sit under or in the water with you, just feeling your skin against him. feeling your heartbeat against him. he likes the intimacy of it all. it's so tender and so soft and so loving and he just wants to do everything with you. he's gonna take a fucking piss with you if you'd only let him.

he loves your smile sm. this is such a basic little concept but he does. nothing else in this sick world brings him as much joy as your smile and laughter. and oh my fucking god his heart feels like it's going to explode whenever he makes you laugh (which is all the time let's be honest he's very fucking funny and he is not afraid of making himself look like a fool just for you<3). he loves it when you laugh at cat videos, he loves it when you laugh at whatever the fuck is playing on the tv and he loves it when you laugh at a joke one of his friends make!!!!!!!!!!!!!!!!!! he goes a little insane whenever he sees you having fun with his friends:((((((((((((((((((((( it just means the world to him:(((( and you and the younger ones too!!!!!!!!!!!!!!! omfg when he sees you coddling gumi and yuuji and nobara:((((((((((((((((( stop, he literally feels like he's going to cry every time i am also crying i can't do this anymore

btw he always swings your hands whenever his fingers are interwiened with yours!!!!!!!!!!!!!!!!!!!! ahhhh!!!!!!! and he has that big dopey smile on his lips again and his dimples are showing and he's laughing so loudly that everybody is turning to look at you both on the street but you couldn't care any less!!!!!!! how could you when your boyfriend is making your heart grow twice the size it was before and you just feel so giddy and so full of love and you want to kiss him stupid!!!!!!!!!!!!!!!!!!

he loves spending his morning with you. i actually think of him as more of a morning person actually idk how popular that concept is but yeah. don't get me wrong - he refuses to let you up from the bed for at least an hour after you wake up but he does have a lot of energy. he wants to kiss and he wants to hug and he wants to tickle and he wants you to play with his hair and he wants and he wants and he wants and you will give and give and give!!!!!!!!!!!!!!!! he's a little lovesick puppy and he needs your attention like he needs air!!!!!

and then he wants you to brush his teeth for him. yes. you read that right. he sits you down onto the bathroom counter and bares his teeth at you like the puppy that he is and HE'S SO FUCKING CUTEEEEEE FUCKKKK CUTENESS AGGRESSION IS SO REAL I NEED TO JUST SQUEEZE HIM A LITTLE AAAAAAAAAAA I NEED TO PINCH HIS CHEEEKS!!!!!!!!!!!! he still looks sleepy and his smile is so fucking big and his hands are resting on your hips, his thumbs are drawing hearts into your skin. and he most definitely kisses you before he actually rinses his mouth.............. and then laughs when the toothpaste gets all over you. it's a mess and he's laughing and you're in love.

he loves it when you baby him. he does ask for it as a joke but when you genuinely do it he gets a little flustered. the tips of his ears always turn into a shade of dark pink and he's looking at you like puss in boots. you know what i'm talking abt. big eyes, fluttering eyelashes - he loves you so fucking much. he loves it when you tuck him in bed, he loves it when you kiss his nose, he loves it when you pinch his cheeks i am biased i just said i want to do that don't look at me, he loves it when you tickle him!!!!!!!!!!!!!!!! WAIT STOP HE LOVES IT WHEN YOU TICKLE HIM!!!!!!!!!!!!!!!!!!!!!!!!!!! AAAAAAAAAAAAAAA!!!!!!!!!! HE WANTS YOU TO STRADDLE HIM AND TICKLE THE LIVING FUCK OUT OF HIM HE WANTS TO LAUGH WITH YOU!!!!!!!!!!!!!!!!!!!!!!!! i died

he also loves it when you cling to him. in any way. hands around his neck, around his body, around his arms - it does not matter. he wants you to quite literally climb him like a tree. he loves it when you snuggle into him and when you refuse to let him go. and when you hold his hand and try to stop him from leaving. he's not going to go. it doesn't take a lot for him to give into you. he's folding immediately. he doesn't want to go either. he loves it when you're needy. he loves it when you whine. he loves it when you tease him. he might pop a boner. at everything you do. he just loves you sooooooooooo muchh!!

18+ HE IS INSATIABLE!!!!!!!!!!!!! HE IS THEE LOVERBOY!!!!!! i think he does like to get a taste of you every single day, no matter whether it's actually having sex or it's eating you out or it's just making out or it's entertaining you with his beautiful slender fingers or it's dry humping etcetcetc. he wants to touch you, he wants to feel you - it's a must!!

i already said it but he loves intimacy!!!! like yeah ofc he likes his freaky sex as much as the next guy (he most definitely likes it more than the next guy) but he loooooves when he can just be in the moment with you!! he's always savouring you - holding your hand when his burying his dick deep inside you, he's snaking his arm around your body as he grinds into you from behind. he's licking and nipping at your skin because he just can't get enough of you. he's sucking on your tongue, he's pressing your hips down against his, he's kissing every fucking inch of your body. i truly think he wants to eat you and he wants to devour you and he wants to merge the two of you together forever<33

okay i have officially melted away... i am a puddle of love Goo... ily nonnie

[rowrowronnie]

doodles from last week

[beelaboola]

i caved and actually made a drawing of this guy

…. i want to throw him into a raging pit of fire and douse him in bleach like in the og story

[dawnofiight]

No but seriously idk why I be listening to BA while playing stressful games like Dress To Impress because David was fr moaning in my ear and I was like "this is possibly the worst fucking outfit I have ever created in my entire life I genuinely need to deactivate my account."

[valcaine]

meet my beloved son he is 50+ years old and is nutrient deficient

full ver: