#hidden forces

[dykesynthezoid]

There’s this potential in vampire Daniel of embracing his own monstrousness only to get tripped up over the fact that there are other parts of him he’s still got buried. And not just memories (although I’m all for that).

Daniel as an old man is presenting this very specific curmudgeonly identity, and it’s a very armored acerbic one. There’s already something hunter-predatory about him in the way he navigates extracting a story. The transition to vampire does not seem so difficult from there.

And yet.

In embracing that monstrousness he might eventually realize there are things within him that didn’t die with his humanity. Things he thought he killed years ago, long before Dubai. But they’re still there. It’s harder to keep them at bay amidst all that new freedom, that wild hedonistic abandon.

And it’s the sweetness. The sweetness! The boy who ordered cocktails that taste like after-dinner mints, who was full of bubbly, bumbling energy, who had faltering romantic ideas and so little ability to execute them, who secretly dreamed of being special, who leaned into Armand’s hand on his cheek. “He’s still in there.”

And— all of these things are tethered to his sexuality as well. “I did what I had to,” he defends, and then the reality is that he could not have been more eager, more expressive, more hungry.

If vampirism is about having to come to terms with oneself, to cast off whatever human shames you still cling to, it’s not his monstrousness that Daniel is going to struggle with. It’s his sweetness. Daniel always speaks with so much contempt for that boy he used to be. How the cynic loathes those parts of him that could not be more genuine. Too much sincerity, too much feeling. He doesn’t want to believe any of that is still inside him. But it is, it is.

[poorly-drawn-mdzs]

Happy Valentine's Day! (and this blog's first post anniversary!)

[snalz-artt]

a brilliant Ability Forms fakemon trend started on twitter by @n0rtist, i remembered no one else on earth loves cradily as much as me so i decided to give it a go despite my utter inability to replicate the pokemon artstyle <3

[sysig]

Blood sugar levels (Patreon)

[firstkanaphans]

I know this post is only for like two people, but I’m going to make it anyway. So, my obsession with Dead Friend Forever finally reached critical levels and I resorted to binge-watching The Hidden Character just to get more content. For those that don’t know, The Hidden Character (which they literally call “THC”) was the reality show Be On Cloud used to cast DFF. It is bad. Like really bad. And not in a it’s-so-bad-it’s-good-type way. It’s one of the most exploitative pieces of media I have ever watched. I walked into it with a favorable view of BOC, Mile, Apo, and Pond (the CEO), and walked out of it hating all of them.

A small collection of things that happened over the 11-episode run:

Everyone was told that they had to share every single aspect of their life with the viewers or they would be eliminated. And, in fact, the first person eliminated was told that it was because he wasn’t being open enough with the audience. They filmed these boys—one of whom was only seventeen at the time—talking explicitly about their sex lives. Which is, of course, fine to talk about. It’s not fine to air it on television! Even some of the games themselves contained sexually suggestive content (i.e. Which do you prefer "eating" with—your hands or your mouth? If you were to cheat on your significant other, would it be just sex or a full-blown affair?)

During the first part of the show, everyone had a secret that the other players were supposed to guess. One of the player’s secret was that he used to be homophobic. (Questionable casting for a company that only hires men, but I digress). He was praised for having changed his mind. In contrast, JJay’s secret was that he was raised in an abusive household and had once hit his father. Pond crucified the poor guy for this. He made him sit there in front of the whole cast sobbing and apologize for hitting his dad who was an abusive asshole.

After the first half of the show—which served absolutely no purpose at all—we finally move onto the acting portion. This is, after all, supposed to be a talent competition. The judges were so mean. Especially Apo. He was like the Simon Cowell of BOC. There was no constructive component to their criticism. The fact that any of these people are still acting is honestly unbelievable. I would have gone home and cried myself to sleep and then never stepped foot on a stage again.

At one point, each of the groups was assigned a scene from KinnPorsche to act out (because BOC very clearly owns no other IP). One of the pairs was given the scene where Porsche gives Kinn a handjob in the bathroom. I wish I was kidding. 

The judges constantly told the contestants to make their scenes feel new and different but any time the actors actually tried to change anything, they complained it was “too” different and the original script was already perfect so who were they to think they could create something better. Once again, Apo and Mile, the original actors of these scenes, are the ones judging them! Like of course they like their version better. What is even happening??

And finally, the whole fucking thing was rigged for Ta to win. Like don’t get me wrong, I love Ta and I think he did a great job, but he was the only one who came into that competition with a built-in fanbase and the winner was chosen by popular vote.

It was all just…baffling. Especially from a company that claims to be trying to change the industry. Like if you want the industry to stop being so exploitative to its actors, maybe start with yourself? It also makes those condescending “how dare you watch our shows just for the NC scenes” press releases they do every week even more annoying.

I have no clue what the reaction to this show was while it was airing but god I hope they never do it again. It literally makes me feel so weird watching DFF now. I feel like those poor kids are being held hostage. Maybe CEO Pond’s been the one under the mask the whole time 🔪

[familyagrestefanblog]

You know, the moment where Emonette wipes away some of Badrien's make up, revealing the same black vains she has hidden away underneath her scarf and then after she tries making a wish they reach her face

That actually has some massive implications the narrative just glosses over, huh?

Emonette only looked like this AFTER she tried making the wish but the black vains already reach far into Adrien's face BEFORE that.

And the thing is, we don't even see ALL of Adrien's face underneath the make up. Just this little part.

The black vains could be all over his face and neck by now and we wouldn't know because the scene literally shows us that he's wearing very good make up covering it up. Something Marinette didn't saw the need of doing before bc it wasn't bad enough yet to go to these measures. In her case a scarf was enough.

Something that for Adrien apparently stopped being an option for quite some time before the special even started. That sure explains why Griffe Noire took the cataclysm like a champ, his body was already much more damaged than Toxinelle's and he got alarmingly used to the pain.

*sigh*

I really hate being a bitch about this because Marinette's shot here is simply beautiful and such a heartbreaking piece of story-telling. I hate that the show can't let me enjoy something like this for Marinette anymore. Man, I REALLY love that shot of hers...

But for the love of God, Miraculous. If you want to give Marinette the special treatment with the striking visuals that show how bad she's got it, PLEASE just write it accordingly.

Why are you here, giving Marinette this extremely striking visual alongside the message of "it's just a little broken, we can fix it again" after the unique event of her having tried making the wish and then only letting Toxinelle openly run around with all her black vains visible?

You just admitted in the same damn scene that Adrien has long started wearing make up to cover up his own damage marks and from what little we can see his marks at least reach as far as hers. Not to mention that Marinette looked like this after she tried making the wish, the special SHOWS that this created a big leap in how big her damage got.

Adrien already long reached that level only through using his powers. That was equivalent to her getting punished for releasing the wish-making energy.

Miraculous, why are you out here visually manipulating the viewers into thinking Emonette/ Toxinelle had it "so much worse" again than Badrien / Griffe Noire, when what you actually did was cowardly hiding Adrien's damage marks underneath make up so Marinette can get the cool and deep shots?

I'm not against Marinette getting these cinematic and striking visuals, she's the main character, I KNOW.

But would it hurt you to then actually write the story accordingly? If you want her to be the one who has it worse here then actually write it being HER who has it clear-cut worse and don't just hide away Adrien's damage and seriously implied to be bigger problems AGAIN so Marinette can get the spotlight instead.

Why is this ALWAYS happening? JUST WRITE IT, DAMN IT!

[johnconstantinesdick]

So close to writing one of those “betting on wrightworth” fics where the twist is that Klapollo are krisnix truthers

Just like. Apollo references Phoenix’s bad taste in men at some bar association event only for everyone around him to immediately get on his case for insulting Edgeworth.

Athena’s like “don’t be rude Apollo, Mr. Edgeworth could hear!!”

Apollo: why does it matter if Edgeworth hears. I’m sure he knows all about Mr. Wright’s horrible romantic decisions :\

Kay steps in and is like woah buddy Mr. Edgeworth may be a stick in the mud but Mr. Wright couldn’t do better than him!!

Apollo is like. Yeah. Because Edgeworth is a catch?? I don’t know what you’re trying to say.

Klavier butts in and asks if Kay seriously thinks Wright would date their boss?? Like huh??

Klavier and Apollo are now being treated to the most incredulous looks known to man.

Apollo (now convinced that people are trying to fuck w him): Mr. Wright would never make a good romantic choice in his life. Don’t try to pull one over on me. I was there for the divorce.

Kay: they got DIVORCED????

Sebastian: they got MARRIED??????

Klavier’s like [fake German voice] nein Herr Forehead I know for a fact it wasn’t a divorce. Because I had to dispose of the unused engagement ring.

Apollo is like finally some gossip that makes fucking sense while everyone else is like you think PHOENIX WRIGHT was fucking your BROTHER???

[spadepie]

So I saw this tweet, and wanted to do the same thing for the main characters of lego og themes.

[forwhump]

Touch

a/n; touch starved human weapon who’s never known kindness gets a hug :’) & a bunch of other times he’s touched, mostly in a horrible fashion

for the anon that wanted silas to get a hug & the anon that wanted more of the unit !! two bingo squares crossover episode best of both worlds babeyyyy

tw/cw: grievous bodily harm, mutilation, guns, traumatic brain injuries, implied rape/noncon, references to graphic violence, medical torture

living weapon whumpee

The first touch Silas ever knows is that of the cold, gloved hands reaching into the opened cavity of his chest.

Their touch is not gentle. Their touch introduces Silas to pain. It’s a pain that he will very quickly become familiar with.

They open him from throat to groin. They peel skin away from meat, and meat away from muscle. They pry apart his ribcage and crush his ribs into splinters of bone. They pull out chunks of organ tissue and they hold him down, against the cold steel of the operating table, as they take the colder steel of a surgical scalpel of his hairline.

Silas’ very first memory is waking up to those cold, gloved hands fishing his small intestine from his opened gut.

The very first touch Silas ever knows is that of those hands.

Silas doesn’t like to be touched.

He learns this very quickly.

It’s an empty cell, carved from stone, not quite tall enough for Silas to stand in but that doesn’t matter because Silas can’t stand. He’s shackled to the floor by the iron closed around his throat, and he’s left there for days in the dark.

He’s alone. He’s alone a lot in the beginning.

The first person that he ever sees, outside of that operating room, is a soldier. Silas doesn’t recognize him but he spits, “I’ve been waiting a long time for this, you ugly fuck,” and swings his fist into Silas’ face with as much force as a human being can manage.

His name is Point, Silas learns later, and his touch breaks his right eye socket into splinters of skull.

They manage to save his eye. Much later, however, Point puts three bullets in it, and Silas loses his right eye for good.

Silas learns very quickly that touch is something vile. It’s something to be shied away from, something that hurts. Touch is inhumane.

When Silas is touched, it hurts him.

When Silas touches, he hurts.

They chain his hands in front of him, and they shackle him at the ankles. He has to wear a bite bar because they don’t trust his teeth.

They’re right not to.

Because they remove the bite bar, the chains, the shackles, and there’s carnage.

When Silas touches, he hurts. When Silas touches, there’s carnage.

Silas usually does his field tests alone, but not always. They are a team, technically, him and the unit, and the district needs to be sure they work well together, or some shit equivalent.

Silas had spent a lot of time making a careful point not to let the unit see him the way the soldiers see him, as the horrible thing he really is, and introducing them into the field tests had made him edgy, and it had made him feel kind of sick.

It turned out to be a waste of emotion.

Even now, the soldier’s gun aimed into Hal’s face, Silas makes quick work of pulling his throat out through the back of his neck. He uses his teeth, and still, as Hal stands, he wipes blood from his eyes with his sleeve and looks up at Silas with a grin that’s nothing but relieved.

“Good looking out, man,” he says, and holds his fist out to Silas. Silas doesn’t know what to do with that, so he doesn’t do anything. Hal kinda gestures with his fist and says, “don’t leave me hanging, big guy. Bump me.”

Silas raises his eyebrows and Hal reacts like he hit him.

“You’ve never had a fist bump?” And he says it like it’s something heinous, like it’s even the most heinous thing Silas has done in the last three minutes. “Oh, man,” he says, but his grin is bordering on obnoxious. “I’m so glad I get to take your fist bump-ginity.”

“No,” Silas deadpans, because he doesn’t know what that is and he also doesn’t want to.

But Hal says, “yeah. Come on,” which isn’t all that convincing on its own, but he adds, “Wren will think you’re really cool if he finds out you do fist bumps,” and Silas squints. Hal grins again, wide and innocent, and holds his fist back out to Silas. “It’s easy. Just bump my fist with your fist. Fist bump.”

“Why?” Silas says.

“I don’t know,” Hal says. “Who cares? Just do it.”

Silas looks at Hal’s hand for a long time and decides the pros — Wren might be impressed he’s learned something — outweigh the cons — he just doesn’t want to. He relents and knocks his fist against Hal’s.

Hal, who throws both his arms up and his head back as he cheers.

June, after she left the service, was a hairdresser for a while.

Silas knows this, because she tells him, “after I left the service, I was a hairdresser for a while.”

Silas says, “okay.”

“So you can trust me,” she adds.

“No,” he says.

June tips her head back, dramatic, as she groans. She’s been wielding the hairbrush like a weapon. “Silas. Come on, dude. Stop being a bitch about it. Let me brush your hair.”

“No,” he repeats.

“Silas,” she repeats.

“No,” he says.

“Wren’ll like it,” she tries, and Silas narrows his eyes. She grins, and she has a very predatory grin. “You wanna look good for Wren, don’t you, big guy?”

He’s starting to suspect these people might be using Wren to manipulate him, and it’s unfortunate that it’s working. Silas sits on the floor, and June, with the added boost of the back of the couch, pulls a brush through his hair like she’s trying to rip all of it out.

He complains the whole time, mostly for the sake of complaining. “Ow,” he says again, and June groans at him.

“You’re too big to be this much of a pussy.”

“You’re hurting me,” he says. She isn’t.

“I don’t care,” June replies. “Stop moving.”

“I’m not moving,” he says.

“You’re flinching,” she says.

“You’re hurting me,” he reminds her.

“You should’ve started brushing your hair six months ago,” she bites back.

“How was I supposed to know?” Silas asks, and he’s won, because she quiets behind him, and her hands tug a little less violently at his hair.

“Sorry,” she says finally, and Silas tries not to smile but it tugs on his mouth at one side. He doesn’t think she’s looking at him, so he doesn’t try all that hard to hide it and so it makes him jump when he turns and she’s leaning over his shoulder to look him in the face. “Hey,” she accuses. “That’s not funny. I thought I hurt your feelings.”

He cracks a smile, despite his best attempts. “You couldn’t hurt my feelings.”

June grins widely, raising her eyebrows. “I’d love to try.”

Silas snorts, and she laughs as she pulls back over his shoulder to tug the brush through his hair again. She ties it up for him; a half knot, because, “I thought it would suit you. I was right.”

He tracks Wren down, just in case.

He has a pencil tucked behind his ear and Silas is strangely entranced by it. “Silas,” he says, and he says it with a smile. “You look so handsome.”

Silas doesn’t know what it means, but he’s flattered, anyway.

He’s on his back on the concrete, looking down the barrel of a gun.

It’s shaking. Point’s hand is trembling. “You stupid, disobedient fuck,” he spits, and Silas barely sees the bottom of his boot closing in on him before it’s cracking his cheekbone. “Bad. Dog.”

Both of Silas’ arms had been nearly amputated at different points, but he can still lift his left hand. Just barely, and it trembles with blood loss and severed tendons, but he manages to lift it from the wet concrete and fold almost all of his fingers down, save for the middle.

Point roars in frustration.

Silas knows the cold kiss of gunmetal, for only a second, and then an eruption of heat that’s white hot and electricity charged and Point empties his gun into Silas’ face.

Silas is reintroduced to the touch of surgeons, but this is nothing new.

He loses his eye.

They take Wren.

Silas couldn’t give less of a fuck about his eye. He’s got another one, he’ll be fine. What’s another disfiguring injury? But he gets back to the unit, and Robin finds him in Wren’s absence.

They’d taken Wren. Robin doesn’t know where.

His touch is a firm handshake that makes Silas’ skin crawl. But he accepts it, even if he didn’t need Robin to ask. Even if he would’ve raised hell, anyway.

He’d been really careful around Wren. He’d been so careful.

Wren’s different. He isn’t like any of the rest of them. He’s gentle in a way Silas thinks super soldiers just aren’t capable of. His skin is still soft. He’s still so human, and he looks at Silas, and he sees something in him that’s human, too.

But he’s wrong. Silas has known for a long time that he’s wrong, and whatever it is that Wren thinks he sees in him, it isn’t human.

He’d wanted so badly for it to be true, though. He’d wanted to believe Wren. He wanted there to be something human in him because he never wanted Wren to stop looking at him like that. He’d done his best not to let Wren see anything less, to not let him see him as any less human than a couple of fatal injuries.

He’d never let him see anything else. He’d been so careful.

But then he finds Wren, and he finds him with a group of soldiers.

Their touch is not kind.

He’s shackled to a bunk by an ankle to the bedpost, and Silas doesn’t even know what they’re doing to him but he knows it’s vile. The sounds make his skin crawl. Wren is begging for it to stop.

He’s crying, and it’s crying like nothing else Silas has ever heard. Wailing. He isn’t in complete control of himself after that.

The soldiers all react to him with flailing, frantic cowardice, shouting and clambering for guns, for knives, for weapons, and it’s embarrassing. Silas is embarrassed for them. Cowards, all of them — loud, cruel cowards. All so scared of Silas, every one of them, and they fuckin’ created him. What a fuckin’ joke.

He lets them scramble, looking at Wren through the blur of them. His mouth is swollen, face shiny with tears, and when he sobs, he sobs, “Silas.”

“Don’t look,” Silas says.

He doesn’t recognize any of the soldiers because their faces all blur.

Every one of them dies in that bunk, and they do not die gently. They die screaming and they die in pain.

Partway through suffocating a soldier with another’s small intestine, Silas lifts his head, and Wren is still there.

He reaches out and splinters the bedpost with one hand. He can’t look at Wren for too long — he doesn’t really wanna see the look on his face. “Run,” he says, and peels the jaw off a nearing soldier with one hand, without even looking at him.

Wren runs.

Silas is punished greatly for his disobedience.

Still, he isn’t looking forward to being back in the unit. The long walk back has his heart beating higher in his chest than he thinks it should. He only ever wants to be in the unit because he wants to be where Wren is — if Wren doesn’t want him there anymore, Silas will have to find a way to stay away, whatever he has to do.

He gets back to the unit and he’s expecting Wren to look at him in disgust if he looks at him at all. He isn’t expecting the way Wren pushes himself into Silas’ chest, arms so tight around his waist that Silas is surprised by the strength of him.

It doesn’t hurt, though, a very pleasant sort of vice, warm and Wren. “What are you doing?” He asks softly.

“A hug,” Wren says, face pressed into the spot just beneath Silas’ sternum and the pressure of him is nice.

“Why?” Silas asks, and Wren makes a sound that Silas can’t decipher as laughter or crying. It might be both.

“You didn’t have to do that for me,” he whispers into Silas’ crewneck.

It’s probably the stupidest thing Silas has ever heard him say. “I’d do anything for you,” he says, flat.

And it’s true. There isn’t anything in the world Silas wouldn’t do for him. Wren doesn’t even need to ask. Clinging a little tighter to Silas’ sweatshirt, he sobs.

Silas cradles the back of his head with one hand and lets himself be hugged.

The concrete of the common room floor is a cool touch against his cheek.

It’s the last thing Silas knows before his skull is crushed.

When Silas gets back to the unit, he has tremors in his hands and he doesn’t remember how to read.

When Silas gets back to the unit, it’s been months. He doesn’t know how many.

When Silas gets back to the unit, he’s surprised to immediately find his arms full of Hal.

“What?” Silas says, and then June is jumping onto his back, clinging to his neck, and Wren is at his side, small hands finding Silas’ skin beneath his sweatshirt and his touch is warm, impossibly soft. Silas cradles the back of his head with one hand. “What are you doing?”

Hal laughs from somewhere around his armpit as June laughs loudly into his shoulder. “We missed you, big guy!” She crows.

“We missed you!” Hal cries.

Wren laughs into his side and it’s a little wet. “We were so worried about you.”

Robin is lingering nearby and Silas points at him with his other hand. “Don’t come anywhere fuckin’ near me.”

His face doesn’t change, militant as he is, but his gaze flickers to Wren and back before he says, in the low, rumbling version of Wren’s accent, “welcome back.”

Silas lifts his chin, sort of a nod. He looks back down, at his shaky armfuls of the rest of them, and he can’t help the smile that tugs at his mouth on one side.

They laugh and they cling to him and the touch of the pressure and the weight of them hurts, it makes his recently reconstructed bones groan in protest, and he’d be lying if he said it didn’t but he’d also be full of shit if he said it bothered him at all.

Silas would consider himself pretty well versed in pain; this has to be his favourite.

[carnivalcarriondiscarded]

wormie wormie wormie wormi-

[justaz]

as much of a fan as i am of arthur falling head over heels for merlin in the lower town during their fight and knowing the entire time while merlin reluctant to admit he actually finds arthur sometimes pleasant to be around until like a year later when he's like "fuck i kinda like him as more than a friend" when he's actually in love with him,,, the alternative has been plaguing my mind recently.

merlin is like "aw man he sucks but destiny is destiny" until like around the poisoned chalice when merlin drinks the wine and falls unconscious and he's wondering to himself why he would do such a thing and like yeah nimueh probably cursed it so he would drink it but also he's not really that upset about it?? he's kinda relieved??? why???????? oh bc arthur didn't drink it so he's fine and alive and oh he's checking up on me and his voice is soft and not at all mocking or brash like normal and his hand is on my shoulder and my heart is racing and i'm blushing and his touch is so warm and- oh fuck. so merlin is like reluctant about feeling this way but makes his peace with it, hoping that one day it'll just fizzle out. but the thing is: it doesn't. merlin continues to fall deeper and deeper in love with arthur and it just becomes a part of him like his magic. it's a simple fact. he has blue eyes, he has black hair, he has magic, he's in love with arthur. it becomes intertwined with his very being and he can't imagine ever not loving arthur.

meanwhile, arthur is fond and protective of him idiotic, bumbling servant. he's also a good friend not that arthur would ever call him that but anyways arthur keeps him safe bc if it weren't for him, the fool would trip over air and impale himself on his own thumb. so arthur grows more fond and protective of merlin as the series progresses and yeah at some point he finds it in himself to murmur the word friend to merlin but he blames that on the wine and the late hour. then he finds out merlin has magic and it hurts. arthur isn't entirely sure why either but he knows it hurts to be around merlin, to hear him, to see him, but it also hurts to be apart. so he swallows it all down and sits with merlin to lay it all out. anyway time skip and he sees merlin as he truly is without all the hiding and lying and the fondness and protectiveness just continues to grow and grow and grow. he watches merlin cast spells and watches his eyes light up gold and gods isn't he just beautiful. no wait- okay he's in love and gods is he fucked because now he can't managed a damn sentence around the man and morning and evenings are torturous in the best way. merlin bodily dragging him out of bed, his touch never leaving as he strips him of his night clothes and dresses him for the day and sits him down at the table before sharing stealing his breakfast. at night he's much slower as he strips arthur, his fingers dragging across his skin and his words spoken low and soft. the sweet heat in his blood isn't new but the force of it almost knocks him on his ass.

just merlin being his usual enamored self while arthur is flooded with these feelings he couldn't name before but now that he knows just what they are, they lodge in his throat and block his words from escaping him, they block air from filling his lungs, and they keep blood from flowing through his brain. arthur shutting down while merlin is oblivious and concerned and pressing his hands to arthur's face and pulse and leaning in close and asking all these questions as his eyes shine with worry and this isn't helping-

disaster!arthur x oblivious!merlin is actually my new favorite dynamic. forget what i said at the beginning. this is it.

[fastianini]

Valentino Rossi & Marc Márquez

all i need—radiohead

[transformers-synergize]

do your transformers have Holoforms?

No.

Dose Haloform technology exist in the Transformers synergized universe? Yes.

Do the Earth-stranded autobots have access to it? No. If they need something done that only a human could do or something that would blow their cover if they tried to do it, they can't just use a Haloform. They have to either rely on a human for it or figure out a creative way of solving their problem without getting caught.

[choconuthany]

Simon Riley, reeks of unplanned parenthood.

Probably a hidden breeding kink at the back of his mind each time you do the deed BUT-

[cold-neon-ocean]

My dogs my beloved dogs!! The first line of beastial spirit vine soldiers from my LoK AU. Created by Baatar when during experimentation, he discovered the spirit energy after being condensed causes the vines to react strangely to machinery and processed material. Turning the inorganic to organic.

These soldiers are comprised of spirit vines that have mutated in reaction to the condensed activated spirit energy and adhered themselves to the suits. Similar to "mimics" in a way, they can conceal their mouths fully so they're indistinguishable from human soldiers, though very astute earthbenders may notice they neither breathe nor have a heartbeat.

[gloriousmonsters]

kidnapped onto the vees thought train again and reflecting on Carmilla's little scowl-sneer when she asks Velvette if 'your...... colleagues will be joining us' at the meeting. To be fair, it could just be the fact of who her 'colleagues' are, but considering her connection with Zestial I can't help but imagine it as 'I support TRADITIONAL Overlord relationships, i.e respectful friendships where you only talk about your feelings on very private occasions and give each other emotional looks from the distance of a room. you all live in an OT3-branded tower and i was forced to see you CUDDLING one of your business partners on a billboard advertisement earlier. my god don't you have any sense of decency'