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#historical queer life
prncewilhelm · 1 year
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craaazy that some of you are so determined he stays within the mould when the entire show is chronicling him breaking out of it 
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THERES NO FANFICTION FOR THIS BED WE MADE‽‽
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more historical fiction needs to be set in ww1. bonus points if you fag it up
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aceredshirt13 · 5 days
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gang i have to share this P. G. Wodehouse quote with you all because ever since I found it I can't stop thinking about it. it's from a letter he wrote when he was 78 years old to his friend Guy Bolton (many thanks to P. G. Wodehouse: A Life in Letters)
I have been on the sick list myself, but am better now. Inflamed bladder or chill on the bladder or something, the symptoms being agony when I passed water, as the expression is. It brought back the brave old days when I used to get clap.
he really said "yeah the pain from my bladder issue reminds of the days when I used to have so much sex I repeatedly got venereal disease"
#red randomness#p. g. wodehouse#he was so known for not having sex with his beloved wife#that i truly didn't expect this at all#i feel like i see a lot of people saying with a great deal of confidence that he was sex-repulsed ace#especially due to the wife thing#but while he certainly may have been ace on some level#i feel like at the very least this casts some doubt on the sex-repulsed part lmao#i suppose it's possible he was lying but wouldn't this be such a specific and unnecessary lie in this context?#especially for a private letter to a friend he'd known and worked with for decades#because he really didn't even need to bring it up#of course i am open to evidence to the contrary#i just dislike seeing overconfident opinions broadly prevail#even when aspects of a real person's life suggest the possibility of otherwise#the study of history is meant to breed discussion!#and something that goes against the grain of past assumption is certainly worth discussing imo#also very grateful to the unpublished monograph by George Simmers about Honeysuckle Cottage#because that's how i found out about this letter in the first place!#great monograph mr. simmers please publish it someday#opened my third eye about the potential latent homosexuality in that story (among other things)#and at risk of having someone get mad at me or say i'm trying to like. diminish or slander the ace community by saying this#please don't assume that. that's why i've been afraid to share this before.#i'm not confidently stating wodehouse is anything. he's a real man who lived and i didn't know him#but by the same token neither does anyone else#i'm just as tired of people in history who have a fair amount of suggestion of being aroace being broadly assumed gay#despite evidence to the contrary#or people confidently assigning queerness to historical figures when evidence of them being queer in any way is ambiguous at best#everything in history is a maybe. we just collect facts and analyze them.#and my current analysis based on this line is that i'm not sure i think he was very sex-repulsed after all#(but like. i'm not going around insulting or fighting people about it in dms or something. and neither should you)
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good-to-drive · 2 months
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If you're into mclennon I think you should get into Abraham Lincoln discourse because he was straight but his letters to Joshua Speed would melt your brain
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lengthy-artery · 8 months
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okay everyone recommend me your best gay books
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thelaurenshippen · 5 months
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💜 for the oc ask game (love your stories so much <3)
for the oc ask game 💜 PURPLE HEART — what is your oc's ancestry/genetic background?
(thank you!! <3)
Sawyer is Black, his parents were originally from the West Indies before moving to the states - Sawyer was born in Montana.
Tex is, as far as he knows for most of his life, Irish. his dad came over when he was an adult and met a woman that he then got pregnant. she died when Tex was eighteen months old and his dad never really talked about her - it's only when he tracks his dad down much later in life that he learns his mother's mother was Osage and also had a child with a white guy (Tex's mom). he doesn't know his maternal grandfather's heritage at all.
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poison-into-positivity · 10 months
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i often do forgot and am subsequently struck by the fact that Stede Bonnet and Edward Teach were like. Real historical people
and now when you google them the first thing that comes up is a show that’s essentially a fanfiction of them falling in love. that’s their legacy now.
the historical Stede and Edward would probably fucking hate that and honestly that makes it so much better
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that-gay-jedi · 9 months
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Please watch and enjoy this video regardless of whether you like/engage with cowboy iconography at all bc it's got something for everyone.
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Also addresses uncomfortable truths about race and colonialism in the wild west mythos in a context that made my brain do a little lightbulb pop to like... the ways in which care jobs, professional cleaning, fast food, retail, and call center work fill a similar niche today, in the sense that many PoC find employment there for the same reason many LGBTQ+ people do and both groups experience a gooey mix of (relative) opportunity and blatant exploitation therein.
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the---hermit · 5 months
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just sent an email to my English lit professor to slightly change the topic of my paper and asking if he could confirm that's okay and I know he will propably not care and say it's fine but still that makes me anxious
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hillbillyhipster84 · 5 months
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New Ch. (33) with illustration, for my ongoing Arthur X Trelawny fanfic.
🤠❤️🏳️‍🌈🎩Excerpt below:
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bmpmp3 · 5 months
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dysgraphic artiƨts risɘ UP!!!!!
#raise your pencils!!!! and erasers. to fix the backwards letters 😔#sorry still thinking about my weirdness with my art professors. yknow a lot of em have been really pushing us as#students to make our personal identities a major part of like our 'brand' as artists#which. well from an art history major perspective thats a very contentious and nuanced topic. i love a lot of artists who live this way#and i think its great seeing my peers who focus on identity thrive. but also as an fine arts major (double major fool LOL)#i keep getting pushed by teachers into like. specific '____ artist' identities???#specificaly woman artist. which is a little bizarre because im a bit fat and a bit gnc so im generally like. ungendered? in day-to-day life#(which doesnt actually matter to me directly that much honestly LOL people tend to view me as like. buddy? buddy or pal.)#(not man. not woman. not anything human. sometimes i remind people of a beloved dog. which. hkdsahjk thats its own can of worms)#(a can of worms that also doesnt matter much to me directly because im a wannabe furry who chose to be the dog when playing house as a kid)#(LOL so um. well. theres that) but yeah i dunno i dont really consider myself a woman artist. its been. shockingly (and sometimes luckily?)#irrelevant to most of my life and experiences and art (although dont get me wrong misogyny is very real and very present) so i dont#have a whole lot to say about it from an art perspective. you could also call me all kinds of things. a queer artist. a mixed race artist#again technically correct. some aspects more visible in my work than others. but also very technical. i focus on race a lot in in my#art historical work but i dunno how much my drawings have to say. except that i keep making too many mixed ocs LOL#i dunno i just think my professors gotta focus that energy away from tokenizing me and over to supporting like actual#capital W Woman artists capital Q Queer artists capital A Artists of Colour who are doing far more interesting things than I#far more thought out and engaged in these topics directly. i just kind of stumble into my art blindly and confused <3#sorry that was a long tangent WHAT IM SAYING Is despite all that: i do consider myself a capital D Dysgraphic artist#i think its an unmovable constant of my art and the way i draw and the way my hands move. the untrained eye doesnt seem to be as aware#of it directly. but those who are familiar can probably see it. the dysgraphia LOL if not just from whenever i write a letter or number#half of them are busted and frantically fixed HDKJSDJDS but its in all my art. if u can see it <3 ive been trying to embrace it#dygraphic artists raise your pencils indeed!! and throw away the eraser!!! make the legibility of your words everyone elses problem!!!#what does that say? what is that sketch? none of my business! none of your business!! its the business of my hand and the pencil alone#motor skill and spatial issues take the wheeeeeeeeeeeeeeeeel
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rosesutherlandwrites · 7 months
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Unexpected horror unlocked: folks keep asking me to recommend books, often by tying them back to my own book in some way. I am now forced to to contend with queer historical maritime folktales being rather niche, alongside the fact that anytime someone asks me what books I have read recently my immediate response is "I have never seen a book in my life, what the fuck is a book"
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themuseumlady · 8 months
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queering history
I am sure I'll post about this more but I can't stop getting excited about the exhibit I'm helping design about a pair of c. 1900s lesbians they are SO COOL. Digging through the archive to find pieces on them is a bit hard (bias, especially against queer history in archives is also a topic I'd love to write on more) but which each piece I find, I can see the story building and AAAAA its gonna be so fun :)
signed,
a very queer museum person
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dinitride-art · 2 years
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Mike and Will both would’ve died in season one if someone didn’t save them. They both have dramatic near death experiences that are set apart from everyone else. Will needed cpr when they found him in the library, and Mike actually jumped off a cliff. Those two situations both went far enough that it would have been too late for them to save themselves. And that’s why either of them dying at the end of the story doesn’t make sense. They’ve already almost died. They were already too far over the precipice to turn back by themselves.
Maybe a conclusion to this could be the two of them learning how to live by themselves. In the monologue Mike says that, “[he] doesn’t know how to live without [El].” And while Mike’s just saying whatever he can in that moment, what if there’s truth in that statement? What if he doesn’t know how to protect himself. How to not jump off a cliff and be caught? And Will’s hated accepting help for a while now. But always has to rely on people to save him in the end. Maybe Will’s going to figure out how to protect the people around him- without putting himself in harms way.
Maybe the conclusion to this story is learning how to save yourself. To love yourself as much as everyone else does so you can protect them too. Strength doesn’t come from self sacrifice. Not in this story. Barb, Bob, Eddie- they didn’t run away. They didn’t make sure they themselves were safe. And all their deaths have caused has been pain. Being the hero gets you killed. But trying to live? Will reaching out for his mom when he’s stuck in the Upside Down? She came to find him. Whether they believed her or not. Will was alive, and she went to save him. And when El was on her own in the woods, Hopper put eggos in a box. He took her in, and kept her safe. From everyone- maybe a little too much at times- but he went to her. And he protected her.
But Nancy’s right. “They aren’t little kids anymore.” They’re not going to have someone to protect them all the time. They’re going to have to be strong enough to protect themselves. Strong enough to live. Not sacrifice themselves to save everyone else.
#byler#mike wheeler#will byers#eleven hopper#Mike and Will dying being realistic is a weird argument#because this story isn’t about being factual or a historical account of a collective experience#we already expect queer people to die in media. to be left behind. written off#and in real life we know what can happen#a story is about a discussion#fiction isn’t a factual account of our reality it’s a reflection#and in that reflection is a lot of thought about how this society works#and how people think#and what we want to say#and what we want people to see#the meaning is more important than when the second edition of D&D came out#of what song is allowed to be used because of the timeline#what it’s saying with those elements is what we’re paying attention to#because stranger things is sci-fi and historical fiction#but it’s also being made in the 21st century. so it’s commenting on the 21st century as well#killing queer characters in the 80s? that’s different because for one they’d have to have a queer character on screen#and if they’re dying like mike and Will would be dying it would’ve been revolutionary#but doing that now after the shift in queer rights and marriage rights#would be saying something entirely different#because we aren’t in the same place. it’s more important to show to a larger audience#that queer people go through terrible things AND that we can live and be happy after#and during#we’ve acknowledged the pain#and having queer characters on screen has come a long way in even the last decade#what can be said now is that queer people are in fact people and deserve happiness#not just that they shouldn’t be killing us
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messengerhermes · 10 months
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Look, I've spent my entire adult life advocating for voting as harm reduction, that candidates will never be perfect and most democrats are really just centrists who we have to scream at to get them to do damn near anything, but that's still preferable to the outright violence of the republican party. I get the point of voting as not the only step but the first step. But. But. But is in the middle of a genocide really the time to be hollering in people's faces about how they cannot vote third party in this coming presidential election? About how they *have* to vote for Biden, because at least he's not Trump? There is a time and place for the discussion about avoiding putting a dictator in the Whitehouse when we have a broken two party system where the electoral college does not adequately represent the will of the people. I would politely argue that time and place is *not* in the middle of the sitting president endlessly doubling down on supporting an active genocide. People have the right to be furious with the democratic party. People have the right to not trust the democratic party, or agree about them being "the better of two evils." The Clinton administration escalated the War on Drugs, gave us the deeply anti-Black "super predator" concept, and are the origins of today's ICE and the deterrence strategy that has led thousands of migrants to die in the desert. The Obama administration broke records when it came to drone strikes over Syria and when it came to deportations. Continuously using the threat of the Republican party as a stick to pressure folks into voting Democrat grows less and less effective every time the Democratic party makes concessions that move it farther center. Which they have been doing since the Reagan administration as a strategy to capture centrists and maintain power. The Biden administration has done good on a number of policy fronts. But it's also caved to pressure to end the public health emergency, ended eviction moratoriums and been slow on a number of fronts to address people's rising unrest at the soaring costs of inflation. Our current Congress has been a shitshow rife with in-fighting that has stalled out key policies, and yes, has seen Democrats make concessions to Republican extremists in ways that weaken bills that could have gone farther in providing relief and boosting our failing infrastructure. Then we hit October, and the US federal government throws its weight behind a genocide, ignoring the swelling outcry and condemnation from its citizens. The US government is continuing to fund Israel's genocide of Palestine and federal staffers are having to walk out on the goddamn job to get their bosses to acknowledge the calls coming through. Biden has been caught multiple times spreading misinformation regarding the genocide in Palestine. Representative Rashida Tlaib, the one Palestinian American in Congress, has been censured for daring to speak up on behalf of her constituents and condemn this violence. Funders of the democratic party are angling to force out Progressive members of the party like Rashida Tlaib, Cori Bush, Ilhan Omar, and others in the upcoming elections. Hollering at people to "Vote Blue no matter who" right now is profoundly callous and ill timed. It is also a remarkably ineffective strategy to try and ensure we don't have a red wave in the coming election. This is not a matter of "holding your nose and voting" this time. There is a 12,000 person body count in the last month. Americans are watching live on Twitter as Palestinians are slaughtered with our tax dollars. We are witnessing a Democratically controlled government still choose to fund imperialism over feeding, clothing, and housing its citizens. I beg you to consider how callous you sound throwing a fit about folks who no longer see supporting the democratic party as a valid strategy to fight Republican conservatism as we witness three genocides at once.
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