#history of kingdom

[master-tonberry]

History of Kingdom, Part VII - Jahan

Coup D'Etat

[snoos-tattoos]

We need to talk about Excalibur era Dann.

[musellanea]

KINGDOM: History of Kingdom End Credit

An edit to conclude the History of Kingdom 👑

[we-survive-endlessly]

I’ve been trying to find the right words to describe how watching a Kingdom MV and hearing one of their songs for the first time feels, and I think I’ve finally come close. To me, it feels like reading a really good, intense, magical book and losing yourself in it. Or like being a kid that still believes in magic. Just running around on a windy day and thinking you are controlling it. Like thinking thunder and lightening are actually dragons and dragon riders fighting in the sky. Idk it just makes my blood rush and gives me that sense of wonder and magic. It feels familiar and like home.

[la7ma-mafrooma]

The fact that we, Arabic-speaking average people(aka non-journalists), have to keep up with translating Palestinian posts from Arabic to English to avoid having Western Media/Pro-Zionists mistranslate on purpose, says enough about how we all lost trust in the media. From the "there's a list" guy who was standing in front of a calendar and condemning the days of the week, to the BBC's mistranslation of a freed Palestinian hostage's interview. I will try my best to keep translating whatever I can find, and I encourage my fellow bilingual/multilingual Arabs to do the same. It's already sad enough that Palestinian journalists and even children have to use English in videos instead of their native tongue in order to get the world leaders' attention.

Please keep speaking about Palestine.

[emeraldbabygirl]

JAHANS KINGDOM HAD NO RIGHT TO GO AS HARD AT THEY DID THEY ATE IT ALL UP OMG THE CHOREO AND AND SONG IS FIRE I LOVE ALL THE TIE-INS TO THE PREVIOUS KINGDOMS TOO. Can’t rank my favs must Dann, Chiwoo and Mujin had the prettiest Kingdoms. Wasn’t a fan of Louis’ but he was fine af in the mv. But yeah love all the fits in Coup’de tat and yeah the mv was so cool

[tvxbewh]

Yay they're here!

[suzannahnatters]

all RIGHT:

Why You're Writing Medieval (and Medieval-Coded) Women Wrong: A RANT

(Or, For the Love of God, People, Stop Pretending Victorian Style Gender Roles Applied to All of History)

This is a problem I see alllll over the place - I'll be reading a medieval-coded book and the women will be told they aren't allowed to fight or learn or work, that they are only supposed to get married, keep house and have babies, &c &c.

If I point this out ppl will be like "yes but there was misogyny back then! women were treated terribly!" and OK. Stop right there.

By & large, what we as a culture think of as misogyny & patriarchy is the expression prevalent in Victorian times - not medieval. (And NO, this is not me blaming Victorians for their theme park version of "medieval history". This is me blaming 21st century people for being ignorant & refusing to do their homework).

Yes, there was misogyny in medieval times, but 1) in many ways it was actually markedly less severe than Victorian misogyny, tyvm - and 2) it was of a quite different type. (Disclaimer: I am speaking specifically of Frankish, Western European medieval women rather than those in other parts of the world. This applies to a lesser extent in Byzantium and I am still learning about women in the medieval Islamic world.)

So, here are the 2 vital things to remember about women when writing medieval or medieval-coded societies

FIRST. Where in Victorian times the primary axes of prejudice were gender and race - so that a male labourer had more rights than a female of the higher classes, and a middle class white man would be treated with more respect than an African or Indian dignitary - In medieval times, the primary axis of prejudice was, overwhelmingly, class. Thus, Frankish crusader knights arguably felt more solidarity with their Muslim opponents of knightly status, than they did their own peasants. Faith and age were also medieval axes of prejudice - children and young people were exploited ruthlessly, sent into war or marriage at 15 (boys) or 12 (girls). Gender was less important.

What this meant was that a medieval woman could expect - indeed demand - to be treated more or less the same way the men of her class were. Where no ancient legal obstacle existed, such as Salic law, a king's daughter could and did expect to rule, even after marriage.

Women of the knightly class could & did arm & fight - something that required a MASSIVE outlay of money, which was obviously at their discretion & disposal. See: Sichelgaita, Isabel de Conches, the unnamed women fighting in armour as knights during the Third Crusade, as recorded by Muslim chroniclers.

Tolkien's Eowyn is a great example of this medieval attitude to class trumping race: complaining that she's being told not to fight, she stresses her class: "I am of the house of Eorl & not a serving woman". She claims her rights, not as a woman, but as a member of the warrior class and the ruling family. Similarly in Renaissance Venice a doge protested the practice which saw 80% of noble women locked into convents for life: if these had been men they would have been "born to command & govern the world". Their class ought to have exempted them from discrimination on the basis of sex.

So, tip #1 for writing medieval women: remember that their class always outweighed their gender. They might be subordinate to the men within their own class, but not to those below.

SECOND. Whereas Victorians saw women's highest calling as marriage & children - the "angel in the house" ennobling & improving their men on a spiritual but rarely practical level - Medievals by contrast prized virginity/celibacy above marriage, seeing it as a way for women to transcend their sex. Often as nuns, saints, mystics; sometimes as warriors, queens, & ladies; always as businesswomen & merchants, women could & did forge their own paths in life

When Elizabeth I claimed to have "the heart & stomach of a king" & adopted the persona of the virgin queen, this was the norm she appealed to. Women could do things; they just had to prove they were Not Like Other Girls. By Elizabeth's time things were already changing: it was the Reformation that switched the ideal to marriage, & the Enlightenment that divorced femininity from reason, aggression & public life.

For more on this topic, read Katherine Hager's article "Endowed With Manly Courage: Medieval Perceptions of Women in Combat" on women who transcended gender to occupy a liminal space as warrior/virgin/saint.

So, tip #2: remember that for medieval women, wife and mother wasn't the ideal, virgin saint was the ideal. By proving yourself "not like other girls" you could gain significant autonomy & freedom.

Finally a bonus tip: if writing about medieval women, be sure to read writing on women's issues from the time so as to understand the terms in which these women spoke about & defended their ambitions. Start with Christine de Pisan.

I learned all this doing the reading for WATCHERS OF OUTREMER, my series of historical fantasy novels set in the medieval crusader states, which were dominated by strong medieval women! Book 5, THE HOUSE OF MOURNING (forthcoming 2023) will focus, to a greater extent than any other novel I've ever yet read or written, on the experience of women during the crusades - as warriors, captives, and political leaders. I can't wait to share it with you all!

[peacefulandcozy]

Instagram credit: co.nfused

[intersectionalpraxis]

Defend and Protect Black Women!!

Misogynoir medical bias is KILLING Black women disproportionately. If you know even a little history of how Black women have been systematically dehumanized and objectified in the medical industrial complex -you'd know this is FAR too common and it's despicable. These medical professionals should be losing their licenses to practice medicine.

"Black women are three to four times more likely to experience complications during pregnancy and childbirth and die from these complications compared with white women. Additionally, infants born to Black women are two times more likely to be born premature (<37 weeks of gestation) compared with infants born to white women."

"In the 19th century, J. Marion Sims performed experimental surgery on enslaved Black women without their consent to develop a cure for vesicovaginal fistula. These experiments facilitated the generations of two key health care scripts about Black women in the context of reproductive health care: (1) it is acceptable to perform procedures on Black women without their consent; and (2) Black women have a high tolerance for pain."

"Although there is a plethora of research documenting Black women's experiences of racism and discrimination while navigating perinatal care, much less has been reported regarding the relationship between racism and clinical care through the lens of clinicians' caring for Black women during pregnancy and childbirth."

[soapdispensersalesman]

[master-tonberry]

KINGDOM 'Dystopia' - inkigayo [20230326]

[snoos-tattoos]

some Mujin wallpapers because I need this man on my lockscreen

[livesunique]

Golden Throne of Tutankhamun

New Kingdom, late 18th Dynasty, reign of Tutankhamun, ca. 1332-1323 BC. 

The luxurious armchair is distinguished by the complexity of its technique and an abundance of details. Two projecting lions’ heads protect the seat of the throne while the arms take the form of winged uraei or rearing cobras wearing the double Pschent crown of Egypt and guarding the cartouche names of the king.

The golden throne of Tutankhamun was discovered in 1922 by the British archeologist Howard Carter. It was found beneath a hippopotamus funerary bed in the antechamber of the Tomb of Tutankhamun.

The throne is called (Ist) in Egyptian hieroglyphs after the name of the mother goddess Isis. who was usually depicted bearing a throne on her head as her characteristic emblem. It is made of wood and covered with gold and silver. It is ornamented with semi-precious stones and colored glass.

The throne meant, not only the link between the worlds of Gods and the people, but also majesty, stability, safety and balance. Since kings were considered Gods on earth, it may not be difficult to imagine Tutankhamun imposing his divine will over the rest of mortals while sitting on this golden throne.

Wood, gold leaf, silver, semi-precious stones, glass paste,

Height: 102 cm, Length: 54 cm, Width: 60 cm,

Egyptian Museum, Cairo.

[fashionsfromhistory]

Ensemble designed for Pattie Boyd

The Fool

1967

The Fool were a Dutch design collective led by Marijke Koger and Simon Posthuma, best known for their work with the Beatles, which included designing the tunics the band wore for their 1967 television broadcast of All You Need Is Love, decorating John Lennon's piano and George Harrison's Mini, painting a circular mural at the Harrisons' Surrey home Kinfauns, designing the inner sleeve of the Sgt. Pepper's Lonely Hearts Club Band LP and, most famously, painting a three-story psychedelic mural on the facade of the Beatles' short lived Apple Boutique in London's Baker Street, which was subsequently painted over by order of the local council. Pattie Boyd and her sister Jenny were fans of the collective and would model their clothing designs for the Apple Boutique. According to Boyd, this brocade ensemble was custom made for her by The Fool and she recalls wearing it during a trip to Greece with all four Beatles in July 1967 to explore the possibility of buying a set of Greek islands.

Christie's: The Pattie Boyd Collection (Lot 13)

[entouragelvr75]

drawing zelda fanart for my final projects in my AP art history class LMAO